unite habitation
هي إحدى التطبيقات العملية ( Unité d'Habitation) مرسيلياوحدات السكنية في
.كوربوزييهلنظريات لو
بالطريقة الجديدة لبناء المدينة وواحد من النقاط الرئيسية في وصول الحركة ُشيدت
.الحديثة في مجال العمارة والتصميم الحضري
، تقريبا كما لو شقة 337، وتتكون من سلسلة من طوابق 17ارتفاع الوحدة السكنية
لتشهد على فكرته أن المنزل كان ينبغي أن ، كانت تصنع في سلسلة ومن ثم جمعت
، والتي يمكن أن اآلالت لتتكيف مع الفترة التاريخية لثورة "للسكن ، آلة "إلى يتحول
.شخص 1500يعيش فيها
، 1946عام أنشئت الوحدة السكنية لصالح وزارة اإلسكان والتعمير الفرنسية في
.مقارنة بالوضع المأسوي في مجال البناء بعد الحرب العالمية الثانية
Kay Kimbell was a wealthy Fort Worth businessman who built an empire of over 70 companies in a variety of industries. He married Velma Fuller, who kindled his interest in art collecting by taking him to an art show in Fort Worth in 1931, where he bought a British painting. They set up the Kimbell Art Foundation in 1935 to establish an art institute, and by the time of his death in 1964, the couple had amassed what was considered to be the best selection of old masters in the Southwest. Kay left much of his estate to the Kimbell Art Foundation, and Velma bequeathed her share of the estate to the foundation as well, with the key directive to "build a museum of the first class
The Foundation's board of trustees hired Richard Fargo Brown, then director of the Los Angeles County Museum of Art, as the founding director of the museum with the task of constructing a building to house the Kimbell's art collection. Upon accepting the post, Brown declared that the new building should itself be a work of art, "as much a gem as one of the Rembrandts or Van Dycks housed within it The proposed museum was given space in a 9.5 acre (3.8 hectare) site in Fort Worth's Cultural District, which was already home to three other museums, including theModern Art Museum of Fort Worth and the Amon Carter Museum, specializing in art of the American West .
Jean Prouvé (8 April 1901 - 23 March 1984) was a French metal worker, self-taught architect and designer. His main achievement was transferring manufacturing technology from industry to architecture, without losing aesthetic qualities. His design skills were not limited to one discipline. During his career Jean Prouvé was involved in architectural design, industrial design, structural design and furniture design .
Early years
Prouvé was born in Nancy, France, the second of seven children of the artist Victor Prouvé and the pianist Marie Duhamel The Prouvés belonged to a lively artistic circle, which included the glass artist Emile Gallé, and the furniture designer Louis Majorelle. Jean grew up surrounded by the ideals and energy of "l'École de Nancy," the art collective to which his father belonged. Its goals were to make art readily accessible, to forge links between art and industry, as well as between art and social consciousness.
احدى مشاريع james strling
Community Center for Newton Aycliffe: James Stirling's Thesis Project at the University of Liverpool School of Architecture (1950)
Luis Ramiro Barragán Morfín (March 9, 1902 – November 22, 1988) was a Mexican architect. He studied as an engineer in his home town, while undertaking the entirety of additional coursework to obtain the title of architect
Early life
Barragán was born in Guadalajara . Educated as an engineer, he graduated from the Escuela Libre de Ingenieros in Guadalajara in 1923. After graduation, he travelled through Spain and France . While in France he became aware of the writings of Ferdinand Bac, a German-French writer, designer and artist who Barragán cited throughout his life . In 1931, he again traveled to France with a long stop-over in New York . In this trip he met Mexican mural painter José Clemente Orozco, architectural magazine editors, and Frederick Kiesler . In France he briefly met Le Corbusier and finally visited the gardens realized by Ferdinand Bac . He practiced architecture in Guadalajara from 1927–1936, and in Mexico City thereafter.