Apalacha-Creek CULTURAL HYBRIDIZATION REFLECTED IN 18 TH CENTURY APALACHEE CERAMICS MICHELLE PIGOTT UNIVERSITY OF WEST FLORIDA
Apalacha-Creek CULTURAL HYBRIDIZATION REFLECTED IN 18TH CENTURY APALACHEE CERAMICS
MICHELLE PIGOTT
UNIVERSITY OF WEST FLORIDA
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“Apalacha-Creek” Cultural Hybridization Reflected in 18th century Apalachee Ceramics Introduction
By the early 18th century, the American Southeast had developed into a nexus of cultural
exchange between Native Americans and Europeans colonists, traders and soldiers. The resulting
landscape of various interacting cultures provided a unique stage to study the creolization of the
cultural identities of all involved. The history of the Apalachee, one of several displaced
Southeastern Indian groups, presents a dramatic example of cultural hybridization as a result of
the volatile environment contact created. In particular, the ceramics of two contemporaneous
Apalachee villages from the Northern Gulf Coast have been examined to provide insight into this
time period and its effect. Through a heavily detailed ceramic analysis, this continuing study
attempts to determine the both the extent to which the Apalachee’s culture developed, adapted,
and borrowed, and from where those influences originated.
Brief History
Flourishing in the fertile uplands of the Tallahassee red hills, the Apalachee developed
out of the prehistoric into a large amalgamation of chiefdoms supported by intensive agriculture.
By the middle of the 17th century, the Apalachee had become successfully integrated into the
Franciscan-led Spanish Mission System, supporting the colony of La Florida through labor and
food, in return for European trade goods, and political influence. The largest mission in the
province, San Luis de Talimali, located just outside of modern downtown Tallahassee, was home
to an estimated 1,500 people by 1700. As both the seat of power for the indigenous chiefs and
the Spanish Crown in the large Apalachee Province, San Luis was a major economic center at
the height of the mission system, and had several Spanish residents including friars, soldiers, and
civilian families. Fueled by a booming Indian slave trade and deteriorating relationships amongst
St. Augustine
Mobile
Pensacola
San Luis
Charleston Creek Country
The Southeast in the late 17th century
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European colonial powers, the Floridian missions became targets of Creek, Yamasee and Westos
Indian slavers at the end of the 17th century. These raids reached a zenith in June of 1704 when a
large invading band of Creek warriors and English soldiers, roused by English Governor James
Moore, terrorized and ultimately destroyed the Spanish mission system, triggering a panicked
mass abandonment of the region. San Luis, one of the few remaining missions, was burned to the
ground by the Spanish themselves before officials authorized the complete abandonment of
Apalachee Province in July of the same year.
After the destruction of their homeland in Tallahassee, the remaining Apalachee
dispersed across the Southeast as refugees, captives and exiles. They can be traced through
history into three major groups; one retreating east with the Spanish to St. Augustine, another
west towards Pensacola and Mobile, and a final group of Apalachee slaves and exiles that
traveled northward to live amongst the Creeks in the English-controlled Carolinas.
The western band of Apalachee, estimated to have been over 800 people, made their way
through Pensacola in August of 1704. After a final dispute with Spanish officials over inadequate
supplies and protection, many Apalachee eventually chose to settle among the French in Mobile.
French Governor Bienville cordially welcomed the displaced Christian Indians, who settled in
two villages upriver from colonial Mobile amongst the various petites nations of the Mobile-
Tensaw Basin, including various Choctaw, Tensaw, Mobilian, Pascagoula, Chacato, Chickasaw
and Biloxi villages. The French-allied Apalachee quickly became involved in the local economy;
supporting French colonists during rough harvests, assisting in the construction of French forts,
as well as operating a ferry from a popular trade road to Mobile.
After Bienville moved Mobile to its present location along the northwestern shore of
Mobile Bay, the Apalachee relocated their settlements to a final village on the eastern edge of the
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bay, in modern Blakeley State Park. The French Apalachee notably continued their Catholic
traditions, requesting a French priest to perform mass every Sunday, as well as celebrating the
feast of Saint Louis annually with an extravagant festival open to French colonists and
neighboring Indians. These Apalachee remained in Mobile Bay with the French and the petites
nations until the colony was ceded to the English in 1763. Various diseases, especially yellow
fever, decimated all the Indian populations in Mobile Bay, and as a result, by the time the
Apalachee fled west to settle along the Red River in Louisiana, only 80 remained. After 1763,
the Apalachee appeared in historic documents through the 1860s, before dissolving into the
historic record. A small descendant community of the Red River Apalachee exists today in
Louisiana and are known as the Talimali Band of Apalachee Indians.
The several thousand Apalachees that found themselves north, in South Carolina, after
1704 lived amongst Creek Indians along the Savannah River as glorified captives, their
movements and interactions closely monitored by the English-allied Creeks. In the fallout of the
Yamasee War of 1715, as the Creeks retreated, the territory was opened up to Spanish officials
who were reaching out to their former allies, the Apalachee. A young chief, Juan Marcos Ysfani,
arrived in Pensacola in 1717 with a Creek chief as part of a diplomatic mission that eventually
led them all the way to Veracruz, Mexico that year. Returning with the newly granted title
“Governor of the Apalachees,” Juan Marcos led a group of Apalachee exiles from Creek country
to Pensacola in 1718 to establish a new settlement, Nuestra Señora de Soledad y San Luis, for his
people north of Pensacola’s Santa Maria Presidio. A brief incursion of the French in 1719
destroyed Santa Maria, prompting the construction of the new Presidio Santa Rosa, after the
Spanish and Apalachee returned in 1722. During the occupation of Santa Rosa, Juan Marcos and
Spanish Pensacola and Apalachee Settlements 1718 - 1763
Mission San Joseph de Escambe 1741 - 1763
Santa Maria de Galve 1698 - 1719 Santa Rosa 1722 - 1756
San Miguel 1756 - 1763
Nuestra Señora de Soledad y San Luis 1718 - 1741
San Antonio de Punta Rasa 1740-1763 (Yamasee Mission)
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the Apalachee remained at the Soledad settlement until various devastating hurricanes prompted
the Spanish to begin construction on a new presidio, San Miguel, on the mainland.
In response to this, and the arrival of a new community of Christian Yamassee Indians,
the Apalachee moved their settlement further upriver, to the edge of Spanish colonial power, in a
new mission known as San Joseph de Escambe, in 1741. The village contained a small church,
and at times a Spanish friar who performed regular Catholic rites, as well as a small contingent
of Spanish soldiers who moved in after 1750. The settlement was located along a popular trade
route, frequented by Alabama Creeks heading to Pensacola for trading. The mission itself was
also a small nexus of trade amongst visiting Creeks, resident Apalachee and Spanish soldiers. A
nearby Tawasa Creek village, some 10 miles upriver, facilitated further trade relationships
between the Apalachee and the Creeks. Unfortunately, by the end of 1759, deteriorating relations
between the Creeks and Spanish officials led to the fortification of the small mission and the
arrival of a more substantial contingent of Spanish soldiers and cavalry. Ultimately, these
preparations did not prevent the village from being attacked and burned to the ground by
Alabama Indian warriors in April of 1761. All surviving the encounter, the Apalachee villagers
fled back to Pensacola and resided just outside the presidio until 1763, when Florida was handed
over to Great Britain. The remaining Apalachee, still led by Juan Marcos, evacuated Pensacola
with the Spanish to Veracruz, where the last historic documentation of these people mention
them settling a small village outside the Mexican city. Their descendants may reside there today,
although none are known to identify themselves as Apalachee.
The experiences of the Apalachee after the destruction of their homeland mirror the trials
of many other contemporaneous Native American groups. Traveling across the Southeast, the
Apalachee interacted with several cultures, including French and Spanish colonials as well as the
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Upper Creek and several other Indian groups scattered about Mobile Bay. While they were still
labeled as “Apalachee,” the two villages located in the Pensacola-Mobile borderlands would
have been inhabited by people who may have looked somewhat different culturally from their
ancestors living in San Luis in the 17th century. Extended relationships with new Indian
neighbors led to culture change evident in their ceramic assemblages.
Assemblages and Methodology
To examine and interpret cultural change in the past, archaeologists have only a few
resources at their disposal. Ceramic remains tend to be the most robust and well preserved
portions of these assemblages, and became central in defining the Apalachee’s cultural
transformation. Mission Escambe and the Blakeley Park settlement have been recently identified
by archaeologists, and substantial collections have been produced through their ensuing
excavations. Representing the last Apalachee settlements in the 18th century, these assemblages
have the greatest potential to illustrate what changes the Apalachee experienced, and how they
presented it (consciously or otherwise) in their daily practices.
Between 2001 and 2004, the Mobile Bay Apalachee settlement, located today in Blakeley
State Park, was excavated as part of a field methods class by the University of South Alabama
under the direction of Gregory Waselkov. The Blakeley Park site, which was first excavated in
1977, was known to have several components including prehistoric shell mounds, an Early
American Period town, and trenches from a Civil War era skirmish. The recent investigation by
the University of South Alabama was conducted to locate the Apalachee village, which
consequently produced a sizable collection of 18th century aboriginal and European ceramics.
Mission San Joseph de Escambe was rediscovered in 2009, and excavations by the University of
West Florida led by John Worth commenced the same summer. Escambe, located near the
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rural town of Molino, Florida, is another multi-component site, with at least one prehistoric
settlement, the mission and village, and a late 19th century lumber mill complex all located
within a few hundred meters of each other. The UWF summer field school excavations between
2009 and 2012 have recovered substantial Native American sherds, as well as European
ceramics.
In addition to these large assemblages, I was recently able to collect data from a Historic
Upper Creek site, Fusihatchee, located in central Alabama, and first excavated under the
direction of Gregory Waselkov, John Cottier, and Craig Sheldon. The collections housed at
University of Auburn Montgomery’s campus included artifacts from two major Creek
occupations, the latter of which, (c. 1750-1780), fell neatly within the time window of the two
Apalachee settlements. This assemblage was examined to as a comparative data set of ceramics
manufactured by an outside group known to have extensive trading relationships with the
Apalachee, and likely facilitated the hybridization of the Apalachee. Since the data was so
recently collected, a complete analysis of the Fusihatchee ceramics has not yet been completed
for this paper, and as a result they’re only included anecdotally.
Inspired by earlier studies of Apalachee ceramics, notably work by Jennifer Melcher of
UWF, and Ann Cordell’s work with Apalachee pottery from San Luis and Old Mobile , I
developed with the help of John Worth and Jennifer Melcher, a detailed methodology intended to
draw as many significant characteristics from ceramics as possible. This included a heavy focus
on rim styles, vessel forms, surface decorations and temper types. Undecorated sherds were
excluded from the study unless they were rim sherds. Rim modes were examined with great
detail, recording when present, the length of folds on rims, as well as the relative thickness and
location of pinches, incisions, appliques, and folds. Particular attention was given to quantitative
“Excurvate Rounded Folded and Pinched”
“Incurvate Rounded Thickened (Interior)”
Modified Rim Descriptions
“Excurvate Rounded Simple”
“Incurvate Rounded Overhang (Exterior)”
Folded Rims- Escambe
Grog no Shell 59.3%
Sand/Grit no Shell/ no Grog 9% Shell and
Grog 5.6%
Shell no Grog 7.9%
Folded Rims - Blakeley Park
Sand/Grit no Shell/ no Grog 12.5%
Shell and Grog 2%
Shell no Grog 6.4%
Grog no Shell 51.4%
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measurements of surface decorations, including incision style, incision width, width between
incisions, the depth of incisions, and thickness of slips. These measurements were intended to
prove if styles of surface decoration varied significantly amongst different historic cultures on a
quantifiable scale, and if a model could be produced for similar studies.
During the course of my analysis, new elements were added to the series of ceramic
characteristics as new categories became necessary. For example, it became clear that in order to
differentiate significant disparities in rim modes, I had to develop a simple, but informative,
method to identify various rim forms. This led to a series of chained descriptive words that could
visually identify rim forms. By breaking down the names of rim types into simple phrases, I
could avoid the cultural implications of labelling a sherd a “pinched rim” in case the other
characteristics of the vessel were anomalous to the expected cultural style. This method also
allowed for accessible comparisons between collections and, for example, revealed the
correlation between folded rims, a traditional Apalachee rim mode, and grog tempering, an
Apalachee mainstay, amongst ceramics in Blakeley Park and Mission Escambe. This persistence
of grog tempered folded rims represents a singular conservative element to the hybridized
Apalachee ceramics of the 18th century.
Results and Discussion
As more data was collected from the two Apalachee villages, it quickly became apparent
the ceramics revealed influences from a few historic native groups, aside from the Apalachee.
The two major groups included the Creek and various “western” groups including the Choctaw
and Mobilians. Two broad proto-historic ceramic styles can be traced to these historic
populations; the descendants of the western Plaquemine Complex of the Lower Mississippi River
Valley, and the huge Lamar Complex stretching across all of Georgia, into Alabama, South and
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North Carolina, Tennessee and Florida. The Lamar tradition adopted by 18th century Creeks, as
illustrated by the Fusihatchee assemblage, involves grit temper, pinched applique or folded rims,
pine needle brushing and an incision tradition known as Ocmulgee Fields. Traditional Apalachee
ceramics evolved out of the prehistoric with influences also from the Lamar Complex that
included folded rims, red slips and some incising similar to Ocmulgee Fields. In addition,
traditional Apalachee ceramics, as defined by sherds recorded at San Luis in Tallahassee were
unique in their heavy grog tempering and complicated stamping, traditions likely derived from
prehistoric Fort Walton ceramics, as well as a strong component of red slipped wares.
Descendant varieties of Plaquemine ceramics in Southern Alabama include the Fatherland
Incised series; normally on a fine shell and grog tempered paste, with a distinctive decorative
style: three to five close lines forming long curvilinear patterns across an entire vessel, leaving
large empty spaces in between the clustered incisions. In addition, shell tempering appears to be
ubiquitous among several Historic Indians in Mobile Bay and westward across the Northern Gulf
Coast, and is included in this “Plaquemine Descendant Tradition”
The degree of “Apalachee-ness” that the ceramics of Escambe and Blakeley Park reflect
was actually surprisingly less than first expected. As discussed previously, the only major
Apalachee element of the assemblages was the correlation between grog tempering and rim
folds. Putting aside the various surface treatments and rim modes, the tempers of decorated
sherds deviated greatly from expected traditional Apalachee grog temper. Of the total decorated
sherds as Escambe, 44% were sand tempered; only 32% were grog tempered. In Blakeley Park,
the temper that dominated was shell, at 37%, over 59% if grog-shell ceramics are included. The
displacement of grog temper as preeminent suggests the interactions and relationships the
Apalachee maintained with their neighbors, notably the Creeks and the Mobile Bay petites
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nations, involved an exchange of pottery manufacturing techniques. This influence is even easier
to see when general surface treatments are examined.
Mission Escambe’s ceramics, whose Apalachee creators resided with Creek Indians for
some 14 years, and then continued trade relationships with Creeks once they settled near
Pensacola, took on a peculiar hybrid of Apalachee-Creek pottery styles. Of Escambe’s total
decorated ceramics, over 50% were decorated by some form of roughening, a Creek-Lamar
tradition. Similarly, decorated sherds at Blakely Park were mostly roughened by almost 37%, but
slipped pottery (nearly all red) was a close second at 35%. Complicated stamping, a mainstay of
the Apalachee ceramic tradition, is poorly represented. In fact, the next major decoration of both
villages is incised, which makes up some 20% of the total weight of decorated sherds in Molino
and 25% in Blakely Park.
Interestingly, the incision styles vary widely between the two Apalachee sites, and
represent neatly the varying flavors of their cultural hybridization. Over 96% of historic ceramics
at Escambe fall into the Creek-Lamar tradition, while only 29% of incised sherds at Blakely Park
are in the same category. In fact, the dominant incision style at Blakely Park is the western
Fatherland tradition, totaling in at over 70% in comparison to the meager 4% identified at
Escambe. While this decoration type is traditionally located upon a fine grog and shell paste, or
just shell, the Apalachee at Blakely Park also used the same style of incisions on sand tempered
pottery. The disparity of incision styles between the two 18th century Apalachee villages
perfectly illustrates the nature of cultural hybridization the two populations experienced. The
Escambe Apalachee, with their strong ties to the Creeks, picked up many ceramic manufacturing
traditions well-documented in 18th century Creek assemblages. The Mobile Bay Apalachee,
Decorated Tempers - Escambe
Sand/Grit no Shell, No Grog 44%
Grog no Shell 32%
Shell and Grog 9%
Shell no Grog 15%
Decorated Tempers- Blakeley Park
Sand/Grit no Shell, No Grog 26%
Shell and Grog 22%
Shell no Grog 37%
Grog no Shell 16%
Surface Decorations - Escambe Surface Decorations- Blakeley Park
Stamped 2%
Incised 25%
Slipped 35.1%
Roughened 36.9%
Incised 20.2%
Stamped 10.3%
Slipped 8.6% Burnished
9.2%
Roughened 51.5%
Burnished 0.9%
Historic Incised - Escambe
Creek-Lamaroid 96%
Fatherland 4%
Historic Incised – Blakeley Park
Fatherland 71.1%
Creek-Lamaroid 28.8%
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living along a busy trade route leading into Creek country, clearly picked up on some of their
techniques, but mostly adopted new methods from their various Indian neighbors in Mobile Bay.
Conclusions
While much of this data is still preliminary, it is not difficult to observe that after the
destruction of their homeland, the Apalachee people developed new variation of their traditional
culture as they encountered other Indians. The ceramic assemblages of Blakeley Park and
Mission Escambe represent a development of cultural hybridization arguably not unique in the
18th century Southeast. Several thousand Native Indians were migrating across the region,
creating hybridizations of proto-historic cultures. Micro-stylistic ceramic analyses, such as this
project, present an opportunity to quantify and illustrate cultural hybridization. The nature of
how these changes became present, through trade, intermarriage or general observations, will
need to be addressed further in order fully understand how cultural hybridization came to be
represented in ceramics. However, for now, it is possible to say that ceramic style is not a stable,
immutable marker of a culture tradition, but rather is a reflection of the changes a population
experiences, and their choices and adaptations in response.
Special Thanks & Works cited
Thank you to: Dr. John Worth Jennifer Melcher Dr. Craig Sheldon Dr. Kim Pyszka Jan Lloyd Norrine Carrol
Cordell, Ann
2001 Continuity and Change in Apalachee Pottery Manufacture. University of South Alabama Center for Archaeological Studies, Mobile, AL.
Hann, John H.
1988 Apalachee: The Land between the Rivers. University Press, Gainesville, FL.
Blitz, John Howard
1985 An Archaeological Study of the Mississippi Choctaw Indians. Jackson, Mississippi Department of Archives and History.
Hann, John H.
1988 Apalachee: The Land between the Rivers. University Press, Gainesville, FL.
Hann, John H. and Bonnie G. McEwan
1998 The Apalachee Indians and Mission San Luis. University Press of Florida, Gainesville, FL.
Ivas, Alice
2005 Caught in the Middle: The Apalachee of Mobile. MA Thesis, Department of Anthropology, University of South Alabama.
Waselkov, Greg and Bonnie Gums
2000 Historic Indians of the Mobile Bay. In Plantation Archaeology at Riviere aux Chiens. pp 6-62. University of South Alabama, Center for Archaeological Studies, Mobile, AL.
Worth, John, Jennifer Melcher, Danielle Dadiego, and Michelle Pigott
[2015] Mission Escambe Site Report. University of West Florida, Pensacola, FL [unpublished].
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Works Cited
Cordell, Ann 2001 Continuity and Change in Apalachee Pottery Manufacture. University of South Alabama Center for Archaeological Studies, Mobile, AL.
Blitz, John Howard
1985 An Archaeological Study of the Mississippi Choctaw Indians. Mississippi Department of Archives and History. Jackson, MS.
Hann, John H. 1988 Apalachee: The Land between the Rivers. University Press, Gainesville, FL. Hann, John H. and Bonnie G. McEwan
1998 The Apalachee Indians and Mission San Luis. University Press of Florida, Gainesville, FL.
Ivas, Alice
2005 Caught in the Middle: The Apalachee of Mobile. Master’s thesis, Department of Anthropology, University of South Alabama.
Waselkov, Greg and Bonnie Gums
2000 Historic Indians of the Mobile Bay. In Plantation Archaeology at Riviere aux Chiens. pp 6-62. University of South Alabama, Center for Archaeological Studies, Mobile, AL.
Waselkov, Greg, and John W. Cottier, and Craig T. Sheldon
1990 Archaeological Excavations at the Early Historic Creek Indian Town of Fusihatchee (Phase 1, 1988-1989). Report to the National Science Foundation.
Worth, John, Jennifer Melcher, Danielle Dadiego, and Michelle Pigott
[2015] Mission Escambe Site Report. University of West Florida [unpublished].