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NOTES ON THE MARKED-UP ORCHESTRA SCORE This score is a reproduction of the full score published by the Kistner firm in 1874 or 1875. This “marked-up” version contains measure numbers and rehearsal letters added by me. The unmarked original version is available at several libraries in the United States, and also online at the International Music Score Library Project and the Eastman School of Music's Sibley Library. In addition to this score, directors wishing to perform the Nenie may also want to download various other scores available on this page, including: 1. Orchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal score mentioned above in rehearsal and performance, but this will require the chorus to turn pages often. The choral part-score contains fewer pages and should be fairly easy for even less experienced singers to follow, inasmuch as after the chorus enters at measure 60 there are relatively few measures in which at least one section of the chorus is not singing. All of these scores contain rehearsal letters corresponding to those added by me to this version of the score. The Kistner score has two apparent errors that I know of. In measure 307, the note for the first bassoons is given as G-flat, but it seems clear from the presence of G-natural in other parts that the omission of the natural in the first bassoon part is an oversight. I have supplied it in the Bassoon I part-score. Also, in measure 295 the direction pizzicatoappears for the basses, but there is no subsequent arcodirection. I have indicated arcoin measure 302 of the Bass part-score. Tim Thomas May 2017
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“marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

Oct 31, 2019

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Page 1: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

NOTES ON THE MARKED-UP ORCHESTRA SCORE

This score is a reproduction of the full score published by the Kistner firm in

1874 or 1875. This “marked-up” version contains measure numbers and rehearsal

letters added by me. The unmarked original version is available at several libraries

in the United States, and also online at the International Music Score Library

Project and the Eastman School of Music's Sibley Library.

In addition to this score, directors wishing to perform the Nenie may also

want to download various other scores available on this page, including:

1. Orchestra part-scores;

2. A piano/vocal score for use in choral rehearsals; and

3. A part-score for the four choral parts. The chorus may, of course, use the

piano/vocal score mentioned above in rehearsal and performance, but this

will require the chorus to turn pages often. The choral part-score contains

fewer pages and should be fairly easy for even less experienced singers to

follow, inasmuch as after the chorus enters at measure 60 there are relatively

few measures in which at least one section of the chorus is not singing.

All of these scores contain rehearsal letters corresponding to those added by me to

this version of the score.

The Kistner score has two apparent errors that I know of. In measure 307,

the note for the first bassoons is given as G-flat, but it seems clear from the

presence of G-natural in other parts that the omission of the natural in the first

bassoon part is an oversight. I have supplied it in the Bassoon I part-score. Also,

in measure 295 the direction “pizzicato” appears for the basses, but there is no

subsequent “arco” direction. I have indicated “arco” in measure 302 of the Bass

part-score.

Tim Thomas

May 2017

Page 2: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal
Page 3: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal
Page 4: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal
Page 5: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

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Page 6: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

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A

A

Page 7: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

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Page 8: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

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Page 9: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

57

B

B

Page 10: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

72

C

C

Page 11: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

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Page 12: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

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Page 13: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

105

D

D

Page 14: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

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Page 15: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

127

Page 16: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

138

Page 17: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

149

Page 18: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

162 E

E

Page 19: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

180F

F

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197

Page 21: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

216G

G

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233

H

H

Page 23: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

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Page 24: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

248

I

I

Page 25: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

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Page 26: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

262

Page 27: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

267

J

J

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272

Page 29: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

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Page 30: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

282

K

K

Page 31: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

291

Page 32: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

298

L

L

Page 33: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

303

M

M

Page 34: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

309

Page 35: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

315

N

N

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Page 37: “marked up” fileOrchestra part-scores; 2. A piano/vocal score for use in choral rehearsals; and 3. A part-score for the four choral parts. The chorus may, of course, use the piano/vocal

329O

O

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337

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351P

P

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357

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362

Q R

Q R

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