Anna Beznogova Portfolio

[email protected] | Guelph, Ontario

3SKILLS

Personal Individual-trustworthy,reliable,fastlearner,orga-nized

Interpersonal - spoken,written, and visual com-munication,leadershipskills

Languages - English, native Russian speaker,French&Italianbasics

EDUCATION

ACHIEVEMENTS

WORK EXPERIENCE

Computer Interfaces-WindowsXP/Vista,MacOSX 3D-SketchUp,Grasshopper(basics) Drafting-AutoCADArchitecture2010,2008 AdobeCreativeSuite5-Photoshop,InDesign,Il-lustrator,Dreamweaver,AfterEffects

Programming/Scripting-Arduino,Java,VB,HTML Office -MicrosoftWord,PowerPoint, andExcel;OpenOffice;Prezi

Technical Modelling-Basswood,cardboard, fabric, thread(knitting/crochet/knotting/weaving), wire, foam,carvedplaster/vermiculite,clay

Drafting-Vellum,mylar,pen,pencil Rendering-Watercolour,penciltone,acrylicpaint,oilpaint,colouredpencil,charcoal,chalks

2008present Honours Bachelor of Architectural Studies, Uni-versityofWaterloo

Courses: Design Studio, Principles Of Environ-mental Design, Building Construction, AcousticsandLighting,CulturalHistory,VisualCommunica-tion

20042008 OSSD,CentennialCollegiateandVocationalInsti-tute(Guelph,Ontario)

Academic Analyticaldrawing featuredonstudiohomepage(2009)

UniversityofWaterlooPresidentsScholarshipofDistinction(2008)

Extra Curricular 1stintheStudentHydrogenDesignContest(Feb.2011)

PhilipBeesley/CITAWorkshop(Aug.2009) Designed stained glass for Centennial CVI inGuelph,Ontario(2008)

1stOverallatNationalShadValley/RBCCup(2007)

Parkin Architects, Toronto JanApr20111 Valleybrook Dr, Toronto ON

P3 design competition: block diagrams; designofmainfacadeinSketchUpandAutoCAD;spacesummarymatrix;reconciliationtables

Kasian Architecture ID & P SeptDec2010350-1555 Pender St W, Vancouver BC

design anddevelopment for FaregateProject for 5transitstationsinMetroVancouver

concept design on redevelopment of Scott RoadStationsite

metwithclientandconsultants conductedsitedocumentation

Kasian Architecture ID & P JanSept2012350-1555 Pender St W, Vancouver BC

Extensive experience with project administration shop drawing review, site visits, and sitemeetingsforapublictransitprojectfor5newstationsinVan-couver

Designandconstructiondrawingsofbarriersfor32rapid transit stations across Vancouver from sche-maticdesignthroughtoissuefortender;alsoplayedamajorroleinkeepingtheprojectorganizedandco-ordinatingwithconsultants

Assistedinthedesignanddevelopmentofaretire-mentcommunity inKelowna,BC, includingprelimi-narydesignconceptsandpreparationofpresenta-tiondrawings

Prepared schematic design presentation materialsand detailed design development drawings for ashoppingmallinYuankai,China

InferUrban, Toronto MaySept20111240 Bay St, Toronto ON

researchedbuildingtypologiesandcategorization illustrated building types and their identifiers, a re-gion,andaprecinct

puttogetheradynamicclientpresentationofanin-vention

understoodandillustratedabstractideasofthetech-nicalworkingsoftheinvention

5814161820222426

3034363839

424445

RE-ENVISIONINGBUGGERRUBATHSOFCARACALLAPOP-UPWORKSHOPWINDANDCURRENTLARGEURBANBUILDINGVEGGIEBELTWINDCATCHERHYPARWAVE

KASIANINFERURBANKASIANSARGASSOFIELDPARKINARCHITECTS

PHOTOGRAPHYCRAFTART

.................................................

..................................

.............................................................

............................................................................................

..............................................

.......................................................................................................

..............................................................................................

.................................

....................................................................................................

.............................................................

7SCHOOL

8Thisprojectwascompletedduringatwo-weekwork-shopwithpredominantlyItalianstudentsandprofes-sorsinCagliari,Italy.

Theprojectaskedus toanalyzeasmall towncalledBuggerruwhichusedtofunctionasaminingtownandbecame a popular beach once the industry movedout.Ouranalysisuncoveredthatthetownhasseveralproblems:ithasaportthatdoesnotfunctionbecausethe bad design has led to an accumulation of sandthatdoesntpermitlargevesselstopass;thetownisunprotected from the sea and wind, which becomeextreme in thewinterseason; there isa largefluxofpopulation between summer andwinter, when tour-ists and residents alike leave to move to protectedtowns inland; there are several historical buildingsfromtheminingindustrythathavefallen indisrepair.Ouranalysiscumulatedinathreefolddesignproposal:aproposalforadiffusehoteltoaddresstheeconomicneedsofthetown,aproposalforaconnectiontothehistoryofthetown(itsmemory),andanarchitecturalproposal for the underdeveloped waterfront of thetown.

I conducteda largeportionof theanalysisandpro-ducedthediagramstopresentourfindings.

RE-ENVISIONING BUGGERRU

Most of the roads in Buggerru run perpendicular to the waterfront, directly to the port, speaking to its impor-tance in the formation of the city. One road runs par-allel to the waterfront, servicing the port, beach, and camper areas.

There is very little communication between the main street, Via Roma, and the elevated highway which causes the city and its people to be divided due to lack of connections.

ACCESSIBILIT E CIRCOLAZIONE /ACCESSIBILITY AND CIRCULATION

9Spaces that attract activity in Buggerru, creating a source of economic income. Ranking the activities from most popular to least popular shows us oppor-tunities for improvement. All the spaces are concen-trated on the waterfront.

This is an analysis of the points of interest in Buggerru, which define the civic centre of the city and give its sense of place. Many of these are historic buildings from the mining industry. It is evident that the space in front of the buildings defines the citys relationship to the water because of the way that buildings face into it and roads lead to it.

However, the waterfront space has lost its character after the end of the mining industry and is now used for a boat yard, a soccer field, and a camper-ground. The character of these areas should be reconsidered in order to redefine the citys relationship to the sea and improve the experience of the sea.

ATTIVIT ECONOMICHE /ECONOMIC ACTIVITIES LUNGOMARE /WATERFRONT

A comparison to Piazza Navona (and the dense devel-opment surrounding it) shows the scale of the water-front spaces and the importance of subdividing them into smaller spaces.

The effect of the city is to expand in the summer, oc-cupying the port and beach area during the day, and the piazzas in the evening. However, the area directly between the city and the beach is never occupied.

LUNGOMARE /WATERFRONT DUALIT ESTATE-INVERNO /SUMMER-WINTER DUALITY

11

In the winter, the city contracts, occupying only the so-cial buildings along the main street, Via Roma. It is not possible to enjoy the sea in this season because it is too violent and dangerous.

The relationship between summer and winter spaces is that of urban rooms created by social buildings. It also shows one type of approach to creating social spaces for the public.

The city is built up on and around retaining walls which allow the streets and buildings to negotiate the steep topography.

(CONTD) CAMERE URBANE /URBAN ROOMS STRUTTURA DELLA CITT /CITY STRUCTUREDUALIT ESTATE-INVERNO /SUMMER-WINTER DUALITY

PROPOSTA ECONOMICA /ECONOMIC PROPOSAL PROPOSTA DI RICONNESSIONE /RECONNECTION PROPOSAL

Instead of building a large hotel to accomodate the tourist population in Buggerru, we propose a diffuse hotel, with the historical laveria as the reception cen-ter. In the diffuse hotel model residents in the town rent out their rooms to tourists. Instead of individual bread and breakfasts, a centralized organization system helps to keep track of available rooms.



We reconnect lower and upper Buggerru by way of a new park accessible through the laveria.

13

? ? What can I put in my Wall?

Water

More water

A roof

Or a game

A bigger game

Just stairs

A park

A hidden place

Or just a house.

Inhabited Walls

14TheBathsofCaracallawasa1-weekintensivedesigncharrettecompletedwithinternationalstudentsduringmy semester at theWaterloo campus inRome.Theprojectbriefaskedforabusterminalonasiteadja-cent to theBaths toact asadropoffpoint for tour-ists.Thedropoffisexpectedtoserveabout300coachbuseseachday.Theprogramalsoprovidedforameni-tiessuchasaninformationpoint,ticketingfacility,andcafeaswellaseducationprogramsuchasaprojec-tionroomandexhibitionspace.

Itwasimportanttoestablishanarchitecturalrelation-shipbetweenthearrivaloftouristsbybusandtheex-perienceoftouringtheBaths.Aswell,itwasimportanttorespectthelandscapeonthesite,whichhasbeenmuchdocumentedbyRomanticpainters.

I took on a leadership role within the project team,guidingteamdiscussions,helpingtoproduceastory-boardandassigningtaskswithinateamof14people.

BATHSOFCARACALLA

15

CITYARCHAEOLO

GY

TRANSITION

CONTINUITY

0.Theexistingsiteiscutinhalfbyalocalroadthatrunsthroughit.Wedecidetousetheroadasinfrastructureandexploreoptionsforrationalizingprivatecartrafficwithbustraffic.

3.Wecreateacompressioninthecentersothatthewhole building acts as one long threshold betweentheideaofcityandarchaelogicallandscape.

4.Organizationoftheinteriorprogramisinspiredbythe formof the ruinsof theBaths theseparationsof rooms and functions arent clearly bounded butsuggested.

5.Weintroduceaperturesintotheroofofthebuildingtocommunicatetherelationshipbetweentheexteriorandinterior.InspiredbyRomancisterns,theopeningsallow the exterior to impose itself on the interior,acknowledgethepassingoftimeandcreateamorecontemplativeenvironment.

1.Thechosenoptioncutstheroadtorestrictaccess-itisnolongerathroughway.Theresultingcontinuousspacemediatesthetransitionbetweenthecitystate(the arrival by bus) and a contemplative state (thearchaeologicallandscape).

2. The shell of thebuilding is createdbypulling upthegrade to insert programandcreate a continuitywiththeexistinglandscape.Thebuildingoperatesonthetwoaxesofcontinuityoflandscapeandtransitionfromcitytoarchaeology.

16POP-UP WORKSHOP

0 250 500 750 1000125m

Queen St. E.Queen St. W.

Tibetan pavilion

Ukrainian pavilion Korean pavilion Ethiopian pavilion Jamaican pavilion Bangladeshi pavilion Vietnamese pavilion

Ukrainian pavilionDutch pavilion

Welsh pavilion

NATHAN PHILLIPS SQUARE

Yong

eBay

University

Spad

ina

Bathurst

businesses: non-corporatecorporate

Jan

July

Feb

Aug

Mar

Sept

AprOct

May

Nov

June

Dec

Thepop-uptextileworkshopfocusesonbringingoutandcelebratingsomeof themanyethnicgroup thathavesettledalongQueenStreet.Thestreethaslongbeenaplacewherewavesofimmigrantshavesettleddown.Overtheyearspeoplehavemovedoutandnewpeoplehavemovedin,shiftingtheculturalmix,buttheprocessofimmigrantsmovingouthasbeenacceler-atedrecentlybecauseofeffortstogentrifythearea.Thisincreaseslandvaluesanddiscouragesimmigrantgroupsmovingin,whileencouraginglargecorporatepresenceandupper-scale living.The immigranteth-nic groups have a lot of fascinating culture to bringtoQueenStreet,andtoshare.Iwanttobringoutthissharingaspectthroughthemediumofcraft. This map is a representation of the domi-nantmid-populationgroups.Working from the 2006census,and126ethnicorigincategories,thelistwasculled of ethnic groupswith populations that wouldoverwhelm the entiremap. This left about 18 ethnicgroupswhichwereanalyzedonablock-by-blockba-sis,tofindthetopthreepopulationsineachblock. Inthefirstphaseofthepop-up,pavilionsarelocatedalongQueenStreetwherevertheresapatternofclusteringofanethnicgroup,orwhere there isasingleculturewhichstandsout.Theyaredesignedtofitinaparkingspotonthestreet,workingofftheprec-edentoftheBixibikeracks.Thisallowsittobeflexibletobedeployedanywhereonthestreet,withthepos-sibility tobedeployedagainwitheachnewcensus.Inthisphase,thepavilionscanbeasourceofpublicoutreach,aswellasartisanspace. The celebration of these different culturesandskillscomestogetherduringthesecondphaseofthe project atNathanPhillipsSquare as aweekendfestival. The pavilions help to activate the peripheryandmakeitmoreinviting,aswellasgivingthepavil-ionsastrongstreetpresencetohelpdrawpeoplein.Inthiswaytheyadressboththestreetandthesquare,tyingthetwodespitethewalkwaysdivisionaryquality.ThepubliccelebrationwhichhappensatNathanPhil-lipsisalsointhemidstofthehomogenizingprocessofgentrification,asevidencedbytheamountofcor-poratebusinesspresenceinthatarea.

Queen St. Plan 1:25

1800mm

1800

mm

2600

mm

5900mm

17

Nathan Phillips detail plan 1:25

Nathan Phillips section-elevation 1:25

18This project looks at the interaction between windand water current forces, as observed from fourstringshungfromabridge.Withapartner,Irecorded,mapped,andanalyzed(extensively)themotionofthestrings.Oneaspectoftheanalysislooksatmodellingthe velocities of several points on one of the stringthrough time.Theprocess (or recipe) for thatpro-cesscanbedescribedasfollows:

Foreachtimeperiodstartingatthesecondtimepe-riod:

Foreachpointinthetimeperiod:

1.Subtractthecoordinatesofthe pointattime=0fromthecurrent point;thisrepresentsthespeedand directionofthepointasitmoved fromthefirsttimeperiodtothe currenttimeperiodi.e.itsvelocity

2.Drawtheresultingpoint

3.Next(gotothenextpoint)

4.Interpolatethecurvebetweenallthe pointsrepresentingvelocity

Storethecurveinanarray

5.Next(gotothenexttimeperiod)

6.Loftthesurfacebetweenallthecurvesinthearray,inorder;thisisa3Drepresentationofthevelocitiesonthestringthroughtime.

WIND ANDCURRENT

1.

2.

3. 6.

5.

4.

19

Wind Movementa more aCCurate theoretiCal approaCh to wind modeling

Velocityfrom initial position, over 6s

for each time period starting at the second time period:

for each point in the time period:

subtract the coordinates of the point at time=0 from the current point

this represents the speed and direction of the point as it moved from the first time period to the current time period i.e. its velocity

draw the resulting point

next

interpolate the curve between all the points representing velocity

store the curve in an array

next

loft the surface between all the curves in the array, in order

accept a degree of volatility of wind from the user

Copy the ideal points to a new array

from the 4 middle points, pick a random point to be the maximum affected

apply the wind vector and wind strength to the point, assuming no friction so that:

magnitude of displacement = wind strengthdirection of displacement = wind vector

randomly generate the minimum point displacement, based on a limit defined by the degree of volatility provided by the user (ie. the range will either be bigger or smaller)

apply the minimum point displacement to the endpoint touching the water

for each point:

Calculate a magnitude of displacement based on the position of the point relative to the max & min point (ie. a factor

20Thesiteforthe3AlargeurbanbuildingstudioatCol-legeandSpadinainTorontoisacrossroadsbetweentheUniversityofToronto,KensingtonMarket,andanestablished night-life; it is easily accesible from twostreetcarroutes.BasedonastudyIdid,Iaddressedthesitewithan ideaofpublicspacebecausethis issomethingtheareacurrentlylacks.Withtheideathatthisshouldbeapublicspace,Iorganizedallthepub-licprogramfor thebuilding including retail,perfor-mace,restaurant,artgallery,andcafesothatitcanbeaccessedfromtheoutside,basedonthefactthatas soon as youput a set of doors somewhere, youcreateaboundarywhichprivatizesspace,andlimitswhatcanhappenthere.

Allmy public program is accessible from the plaza,whichisaspacewherethingscanhappenspontane-ously.Accesstoprogrammedspacekeepstheplazaactivated throughout the day, from the cafe in themorning,totheperformancehallatnight.

The plaza becomes an informal counterpart to themore formally structured program within: the stairsfunctionasstreetfurniture,aplacetositandobservetheperformanceofstreetlife;theblankwalloftheadjacentbuildingbecomesablankcanvasforurbanexpression,whethergraffiti,mural,orprojectionart.

LARGE URBAN BUILDING

Spa

dina

Ave.

CollegeSt.Kensington

restaurant

coffee shop

retail

performance

gallery

live-works

office

1stiteration 2nditeration 3rditeration

21

Firstfloor

Secondfloor

2.5floor

Thirdfloor

Fourthfloor

Firthfloor

22Thefocusofthe2BtermwasthatofProductiveLand-scapes.Thisculminatingprojectlooksathowresiden-tialdevelopmentcanhappeninanagriculturalareainamoresustainablemanner,withoutlosingtheproduc-tivityofthelandscape.

Thefollowingisadiagramofprogrammaticdevelop-ment,andthefinalplansandsection.

VEGGIE BELT

Moving Living

ServicingArrangingWorking

23

SitePlan

Plan

LongitudinalSection

24Apavilion located for the hot humid climate of KohPhaNgan,Thailand.Thedesignaimsatprovidingareprievefromtheclimatebymeansofextensiveventi-lationandprotectionfromtorrentialtropicalrains.Thebuildingfacesintotheprevailingwind,andissitedonahill.

Sliding screens at both endsof thepavilionprovidethe userwith ventilationoptions,making for amoreindividualizedexperience.

Themain space of the pavilion is large and airy, tocontrastwiththeclosenessandstuffinessofthecli-mate.Thepavilionisastoppingplaceforhikersintherainforest, and a destination in itself: one can relax,meditate,and thinkwhileappreciating thebeautyoftherainforest.

WINDCATCHER

26

FROSTED

LAMINATED

GLASS PANELS

HSS ROUND

STEEL PIPES

STEEL CABLES

20X30CM RHS

FRAMING

MEMBERS

CONCRETE

FOUNDATIONS

Thehyperbolicparaboloidshapeofthebandshell istiltedslightlybackwards,openinguptotheaudience.Thisversatilestructurehighlights theuseofsteelbycreatingacontrastbetweentheheavyframingmem-bersandlight,airycablesofthecanopy.Thecanopyappearstofloatabove,asasail catchingthewind.The framingmembers resemble cantilevers that arepulledtogetherbyanetworkofcablesandroundsteelmembers.(Designedinagroupoftwo.)

The round steel piping, although straight, creates agentle curve by through its arrangement, framing aviewofthelandscape.

Location:VictoriaPark,Kitchener,ON

HYPAR WAVE

27

Frame to Foundation connection:

20X30CM RHS FRAMING MEMBERS SIT ON POURED

CONCRETE FOUNDATION. BENT STEEL PLATES FIT

OVER FRAMING MEMBERS AND ARE BOLTED TO CON-

CRETE FOUNDATION.

central connection:

ScreW

GlaSS connection Plate

FroSted laminated GlaSS

HSS round Steel PiPe (3.5cm diameter)

cleViS PinS

cleViS connection PlateS

cleViSeS

Steel caBle (1cm diameter)

HSS round Steel PiPe (3.5cm diameter)

edGe connection:

FROSTED LAMINATED GLASS PANELS

GLASS CONNECTION PLATE WELDED TO

20X30CM RHS FRAMING MEMBER

STEEL CABLES CONNECTED BY

PINS AND CLEVISES TO A

HORIZONTAL STEEL PLATE

HSS ROUND STEEL PIPE ATTACHED TO

VERTICAL STEEL PLATES WITH

SCREW

29

WORK

30

?

STEP 1Compare total program area relative to site area and begin to look for the opportunities on site. the building is sited on a hill with premium views onto okana-gan lake

02_ Design ProcessMassing Logic

_ page 5

STEP 2what if we staCked the program to maximize views to the lake ?


_ page 6

STEP 3and we bend the form to maxi-mize units with views and optimize light exposure to the units


_ page 7

STEP 4enClosing the site with single family residential around the bent form Creates a Centre and the first step in Creating a sense of Community


_ page 8

STEP 5Cutting the bending form allows arterial views to the lake and the voids beComes a plaCe of gather-ing. Cutting the form inCreases the number of Corner units


_ page 9

STEP 6subdividing the Central green spaCe with two amenity wings Creates a sense of arrival in the foreCourt while enClosing the in-timate aCtivity and health areas behind. the variety of gardens adds value to the south view from the apartments


_ page 10

KASIAN-RETIREMENTCOMMUNITYOne of the design projects I worked on during my8-month work term with Kasian was a retirementcommunity. Iwas involved incomingupwithdesignconceptsandconsequentlydiagrammingthechosenschemetocommunicateourdesigndecisions.Ialsocontibutedtodevelopingfloorplansanddoingvariousstudiesrequestedbytheclient.Ialsohelpedtokeepmyteamorganizedbysummarizingimportantpointsfromthedesignbrief.

31

STEP 7stagger the forms of the single family residential units to Create privaCy and allow for individual garden spaCe


_ page 11

32

setback

property line

+ DESIGN CONCEPT

the property line is offset by setback limits to create the building footprint0

building form is extruded to maximize FAR + square footage1

corner of mass is pulled up to create a welcoming and vibrant public square and to create an iconic architectural element2

back end of mass is pulled away to create a prominant secondary entry3

circulation spine carves through the volume forming connections to both entries with access to shopping and allowing light from above4

new structure

existing

new structural columns tie seamlessly into existing foundations and columns5

KASIAN-SHOPPINGMALLI also worked extensively on the Yuankai ShoppingMallinChinaduringmy8-monthworktermwithKa-sian.IjoinedtheteamduringtheDesignDevelopmentphaseoftheproject.DuringthisphaseIwasinvolvedin finalizing the design of the building anddiagram-mingthefinalschemeasameansofcommunicatingwiththeclient.Ialsohelpedtoproduceanddevelopconstructiondrawings,includingfloorplans,sections,anddetails.Intheendweissuedtwopackages:ade-signpackageandaconstructiondocumentpackage.

WhileatKasianIreceivedRevittraining.ThisisoneofseveralRevitprojectsIworkedonduringthe8-monthterm.

33

retail

games

cinema

retail occupies the first 4 floors and is visually accessible to pedestrians and userscinemas are placed above the games/entertainment floor which overlooks the retail below6

the roof is peeled up to bring light into the banquet hall and to create an exciting park landscape on the roof7

a depression in the mass creates a seating and viewing area on the north side of the roof scape8

dynamic landscaping configurations allow for exciting potentials on both the roof and ground floor the carved spaces within the atrium creates an exciting invitation into the shopping centre within 9

34IhadauniqueworkexperiencewithInferUrban,whoarenotateamorarchitects,butateamofinventors.Ihelpedthemtoillustratetheirideasfortheworkingsofapatentedmethodfortheiruseinpresentationswithpotentialclients.Workingwithanotherstudent, Ididextensiveresearchonbuildingtypesandcategoriza-tion, as well as the implications that these have onurbanplanningissues. Ithenillustratedtwoofthosebuildingtypesextensively,andcreatedaPrezipresen-tationwhichgivesanoverviewoftheinvention.

MostoftheworkthatIdidisconfidential,havingtodowiththeworkingsoftheinvention.

INFERURBAN

36

OPT

ION

1 - S

ITE

IMPR

OVE

MEN

TS

SCOTT ROAD STATION AND BUS LOOP FEASIBILITY STUDY 28

WEST STATION EAST STATION

SCOTT ROAD

2.1.4 NEW MAIN PEDESTRIAN WALKWAY COLLECTOR

3M WIDE SIDEWALK

NEW TREES, SCRUBS AND PLANTING

EXISTING CONDITION SEATING BENCHSECTION

AtKasian,Iwashighlyinvolvedinthedesignandde-velopmentphaseoftheTranslinkFaregateProjectfor5SkyTraintransitstationsintheMetroVancouverre-gion.Ibecamesolelyresponsibleforputtingtogetherthedrawingpackageforoneofthosestationsaswellashelpingoutwithothers.Ialsoproducedasignageandwayfindingreport,andanequipmentphasingre-port for theproject,andparticipated inboth internalandexternalmeetings.Ilearnedalotaboutconstruc-tiondrawings,workingmainlyinAutoCAD2010.

Aswell,Icontributedtechnicaldrawingsandsketchestotheconceptdesignfortheredevelopmentofoneofthestations.

KASIAN-STATIONDEVELOPMENT

38Aug.10-24,2009,IparticipatedinaworkshopheldbyPhilipBeesleyArchitectandCITAinCopenhagen.Theworkshopdealtwithissuesofinteractivityandrespon-sivenessinarchitecture,andexploredsustainabilityinits constructionmethodology. I learnedaboutdigitalfabrication, component design, electronics, kinetics,andbehaviourscripting,andassistedinbuildinganddocumentingtheinstallation.

SARGASSOFIELD

39Proposed and developed an entrance facade de-signfora largehospitalandmentalhealth institutionin Hamilton for a P3 competition. Organized roomdatasheets,roomfinishesmatrix,andincomingfilesfromcontractors.Worked extensively between handsketches,SketchUp,andAutoCADtoproduceplans,sections,elevations,andperspectivesforOrangevilleCountyCourthouse(shownhere)andtheP3competi-tion.

PARKINARCHITECTS

41

PLAY

42Ienjoyexperimentingwithphotographyasanartform,especiallywhenitcomestodramaticallylitsituations.

PHOTOGRAPHY

44IhavebeencrochetingsinceIwassevenandhavere-centlytaughtmyselftoknitaswell.Theseareacoupleexamplesofmymoreintricatework,toshowthatIcanpaygreatattentiontosmalldetailsandamcapableofmakingfinelycraftedobjects.Mymostrecenthobbyisthemakingofchainmaille.Eachringisopenedandclosedbyhandtoput it in itsplace. IenjoyworkingatatightscalewhereIhavetopaygreatattentiontodetails.

CRAFT

45Lefttoright:

Acrylicandpaperandcanvas.14x36Inkonvellum.6.5x16.5

Graphiteonpaper.13x20

ART

Anna Beznogova Portfolio

Documents

design studio

mental design

p3 design competition

pender st w

toronto maysept20111240

building types

clay draftingvellum

centennial cvi inguelph