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Ancient Egiptian Sacred Geometry

Apr 13, 2015

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Page 1: Ancient Egiptian Sacred Geometry

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Page 2: Ancient Egiptian Sacred Geometry

Supreme Grand HieroplAlJIuNNUBI RAAKHFTAH

NCTCR A'ArCRTI ATUM-Rr

Ancient Egiptian Sacred GeometryJiGeometry Literally Means 'Measuring The Earth9, Geo

= Means "Earth" In Greek Which Was Borrowed From TheSumerian Language, Ki, Qi Or Gi. It Is Also A Greek DeityGaea Or Gaia, The Goddess Of The Earth, Who Bore And Mar-ried Uranus And Became The Mother Of The Titans And TheCyclopes. This All Came From The Egiptian Deity Geb"Earth", Son Of Shu "Wind" And Tefnut "Moisture". Metiy =Or Metrien Means "Measure", And Its Development In AncientEgipt Was Precisely For That Purpose. [Middle English ge-ometrie, from Old French, from Latin geometria, from Greek,from geometrein, to measure land : ge, earth + metron, measure.According To The Etymological Dictionary, The Word Geome-try Is Defined As: F. Geometric, Fr. L. Geometria, Fr. Gk'Geometry ' Lit. 'Measurement Of The Earth '.

Pa Netert Tefnut,Mother Of Geb

Pa Neter Shu,Father Of Geb

Pa Neter Geb,Son Of Tefhut And Shu

Page 3: Ancient Egiptian Sacred Geometry

The Freemason, Masonic, Magus, Use The Compass,Which Comes From The Middle English Word Compos, Circle,Compass, From Old French, From Compasser, "To Measure".

The Compass Of The FreemasonsThe Letter "G" Changed Into The

Circle And The Square

The Freemason Compass Consists Of The Circle AndThe Square, The Circle Symbolizing Infinite, And The Square,Finite, Making- It The Tool Of The Master Builders, With TheEnglish Letter "G" In The Middle Of The Two 90 Degree Angle.The Letter "G" Stands For Genatalia Or Genitals, God, Ge-ometry, Grandmaster, The 7 "G's". Go3~Or Gut,~The UldHigh German Word Gudam, Is Ja Or Je-Ho-Vah, And The "G"Sound Phonetically Is The Letter "J" Or "Jay". G = Gee, WhichIs The Sound Of Regret "Jee". And "Gee" Is Defined As "AMild Expletive Or Exclamation, As Of Surprise, Enthusiasm, OrSympathy", An Expression For Grief. The Third Letter Of TheGreek Alphabet "Gamma" Is Said To Have Been Venerated ByThe Pythagoreans Because It Was The Initial Of The Word Ge-ometry. For Your Three "G"S, God The Father, God The Son,And God The Holy Ghost, Is Trie Spook Spirit "God WorshipPrincipal Which Is The Good Father, The Good Son, And TheGood Ghost. The Holy Ghost Is Gabriel Meaning "Man Of El"O~r Geb-Ra-El Meaning "Geb= The Earth Neter, Ra = The Sun,And El = Elul, The Source" As Spoken Of In The So-Called Bi-ble Daniel 9:21, 27, Which Is One Of The Arch-Angels In TheHigher Degrees Of Masonry. The Muslims Spell Gibrael WithThe Letter "Jeem" As Jibraiyl Or Gibraiyl. The Letter "G" OrGimel In The Hebrew Alphabet Represents The Camel Or TheBeast; And If You Turn The Lower Case English Letter "G"Side Ways, You Get The Symbol Of Eternity, Or The Bow Of

The Masons, Which Goes Back To The Egiptian Symbol OfAset, Isis, Which Is The "Tet", Symbolic Of The Blood Of Isis(Refer To "Charms And Amulets"). The Masons Also TookTheir Concept Of The Bow From Our Tama-reye lunet, Pedjet"Bow", Which Symbolized The Might Of The Nation, And theEnemies Were Referred To As "The Nine Bows". (ReadingEgiptian Art, By Richard H. Wilkinson, Page 185)

g QfQj'unet, pedjel

The Letter "G" Is Also Associ-ated In Hebrew With The Third SacredName Of God—Ghadol Or GadoleMeaning "Great". The "G" Being The7th Letter Ties In With The MysticalNumber Of Religion. The Big "G"That The Master Speaks Of Is GibbonOr Ghibbore, Found In Genesis 6:4,Where It Speaks Of The Giants Or"Nephillims" Coining Down To EarthAnd Breeding With The Pygmies, WhoGave Birth To Ghibbore "MightyMen5', Which The Word Gibor Mean-ing "Strong", Is A Significant WordIn The High Degrees Of Masonry.The Gibbons Are An Offshoot OfThe Lare Monkey. They Have LongArms, No Tail, And Are The SmallestOf The Apes. They Have Five Fingers And Can Use TheirThumb. The Gibbons Evolved Into Humims, And They Be-came Your Nubuns, The Original Ta-Ites Or Your Pygmy Tribe.The Nu bun's Woolly Hair Comes From The Supreme BeingsWith 24 Strains Of Genes Coated In Melanin. These Are TheOriginal Anunnagi, Aluhum; The Guardians Of The NubiansWith Nine Ether, Who Were Olive Tone In Skin Color. Origi-nally Green Olive Tone, Then On To Black And Dark BrownOlive Tone Skin.

The Gibbon Monkey Used ToBreed Human Beings

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To The Egiptians, The Beings From The Sky Are KnownAs The Neteru Or [Neteraat], To The Sumerians They AreKnown As The Anunnaqi, To The Hebrews Nephillims[Eloheem], To The Christians Theos, God Or god, Which ThereIs No Difference. To The Muslims Aalihaat [Allahs]. TheMuslims Even Have In Their Attributes To Allah, The Name AlGabaru Meaning "The Great", Which Is The 9th Attribute, TheSecret Number 9, Which Again Is Al-Gebra Or Simply Algebra,Taking You Back To Geometry, The Letter "G". The ScienceOf Gene, Again Taking You Back To The Letter "G", Which IsThe Gene Of The Gibbon That The Neteru Bred The HumanSpecies From (Refer To The Holy Tablets, And The Black BookPart 1). Algebra Comes From The Middle English Word,Meaning "Bone-Setting" And Italian, Algebra, Both From Me-dieval Latin, From Arabic Al-Jabar, The (Science Of) Reunit-ing : Al, The + Jabr, Simply Meaning, "Reunification, Bone-Setting". Algebra Deals With Arithmatic, The Means Of Count-ing Numbers Which The Egiptians Had Knowledge Of. TheEgiptians Could Determine The Volumes Of Objects Accurately.

Before The Egip-tians Would Lay Down TheFoundations Of Pyramids,They Would Determine TheCalculations According ToThe Stars With The HelpFrom Beings From Sahu(Orion) And Septet(Sirius). The Pyramid OfGiza Or Ghizah, [AgainThe Letter "G"] Is Accu-rately Aligned With TheStars Of Sahu "Orion",Showing They Had Knowl-edge Of Astronomy. Right:

The Giza Pyramid Aligning WithThe Belt Of Sahu "Orion"

The Slopes Of ThePyramids Of GizaFace The CardinalPoints Of The Com-pass Exactly. . Pyra-mids Were Con-structed All AroundThe World So ThatThe Tip Of ThePyramid Pointed InThe Direction OfThe Farthest Star,Which Is The NorthStar.

The Four Cardinal Points Of The Compass Must Agree With TheFour Sides Of A Temple Or Lodge, Which Is A Symbol Of Per-fection. The Pendulum Sits In The Middle Of The 90 DegreeAngle, Which Is A Triangle. The Middle Of The Triangle Sym-bolizes Perfection. Just As The Number Nine 9x9=81? That Is8+1=9, 18x9=162. That Is 1+6+2=9. Nine Is The Perfect Num-ber, Not 7 As The Monotheistic Religions Would Have You Be-lieve. 7x7=49, that is 4+9= 13. The Pendulum Is SuspendedFrom The Center So That It Swings Back And Forth Freely TheFigure Below Shows The Pendulum Principle.

The Petklulum I* met pic

Page 5: Ancient Egiptian Sacred Geometry

Will

The Watcher

GOD DEVIL

The Right Side OfThe Triangle Above Sym-bolizes God, Good, Cold,Heaven, Right, And Agree-able. While The Left SideSymbolizes The Devil, Evil,Hot, Hell, Wrong, And Dis-agreeable. The Eye AboveThe Triangle Or PyramidSymbolizes The All-SeeingEye Of Re (Ra), The Sun,Which Is The Source Of AllLife. The Eye On The Dol-lar Bill Is The Eye Of Haru,Heru "Horus", And TheRays Of Light SymbolizesThe Light Of Asaru, Usir, "Osiris";The Point That Nimrod, Nembroth"Sargon" Wanted.

The Pendulum Is The Plumb, Which IsThe Weight On The End Of A Line. TheInverted Pyramid Is Used By OperativeMasons And Carpenters To Establish ATrue Vertical Or Perpendicular Line. ThePlumb Line Teaches The Criterion OfRectitude, To Avoid Dissimulation In Conversation And Action,And To Direct Our Steps In The Path Which Leads To Immortal-ity; To Climb The Lead Line And Grip The Holy Hand ThatHolds The Power Of Decision "Will".

The Masonic PlumbLine Within The Com-

pass

The Plumb Tool The Egiptian Plumb LineWhich The Mason Copied

Theirs From

Left: The Hand On The Left Is The Masonic Hand OfThe Creator Holding The Compass As The Great Architect Of The Universe

[G.A.O.T.U.]. The Hand Is Placed In A 90° Angle.Center: The Plumb Line That Hangs From The Center Of The Compass

Swinging Either To The Left Or To The RightRight: The Rays Of Re Extending Down With The Hands At The End,

Again In A 90° Angle.

This Idea Of Symbology With That Of The PerpendicularIs Something That Rose Directly Upward To The God Of Con-trol. The Plumb Rule Is A Narrow Board Having A Plumb-LineSuspended From The Top And A Perpendicular Mark ThroughThe Middle. It Is One Of The Working Tools Of The Fellow-Craft, However, In Masonry It Is Called The "Plumb". As TheOperative Workman Erects His Temporal Building With StrictObservance Of That Plumb-Line It Will Not Permit Him To De-viate A Hair To The Right Or To The Left. You Are The Plumb,Which Stands In The Center Of The Pendulum. You Are TheCenter Of Your Axis. You Are The Pendulum That SwingsBack And Forth, Whether You Swing Towards The Right[Agreeable] Or The Left [Disagreeable]. It's Up To You, TheIndividual. The Pendulum Point Swings From The Point Atum-Re To The Point Amun-Re, Which Is Controlled By Re Or RaOf Atun-Re. The Pendulum And Its Principles Are UsedThroughout Masonry. Masonry Strongly Believes In The Geo-metrical Figures, And They Have Their Root Knowledge, Or AsThey Put It, Light From Egipt, Which Starts From The Dot, To A

Page 6: Ancient Egiptian Sacred Geometry

Line, With No Beginning Nor End [Alpha And Omega], TakingUs Back To The Compass, The Circle And The Square. TheSquare, The Circle, And The Triangle Represents The 3 SymbolsOr Geometry From Which All Other Shapes Come From. TheThree Symbols Below Forms The Seven Principles, Encompass-ing All The Geometrical Figures.

These Are Three Symbols That Forms SevenPrinciples. There Are No Shapes Or Forms

That Doesn't Pass Through These Shapes JustAs The Ancient Symbol Huwa, Shown To Your

Right.

The 7 Principles Represent The Seven Principles Of Ge-ometry, Which Again Takes Us Back To The Letter "G" Of TheEnglish Alphabet, Taken From The Hebrew Letter "Yod", TheFirst Letter Of Their God "Je-Ho-Vah" [Y.H.W.H.], The Tet-ragrammaton Is Expressed. The Freemasons State That TheirGod Is The G.A.O.T.U. Representing "The Great Or GrandArchitecture Of The Universe", Whom To Them Was Tab orPtah. In Every Free Masonic Lodge, The Letter "G" May BeSeen In The East, Suspended Over The Masters Chair.

In Masonry, Geometry Teaches A Man To Meet AndMeasure The Earth And Other Things, Which All StemmedFrom The Egiptian Deity Tehuti.

Tehuti, Thoth "Hermes" Is The Deity Of MeasurementAnd Time Who Represents Wisdom. Tehuti Is Also The DeityOf Writing And Invention And The Recorder Of Time Of TheLiberal Arts. The Greeks Call Him Hermes Which Means "TheRecorder Of Time". At A Very Early Date, Before 10,500B.C.E., The Egiptians Developed An Empirical Scheme For Sur-veying Land.

The Basic Scheme Was BornOf Necessity Because The AnnualOverflowing Of The River Nile De-stroyed All Boundaries. With TheCreation Of Centralized Government,And In Order To Ensure An EquitableTaxation And To Avoid Disputes,Boundaries Had To Be AccuratelyRe-Established After Each Inundation.Of Necessity, The Method Of Survey-ing Had To Be Practicable And Sim-ple. The Egiptians Measured DistanceBy Using Equally Spaced Knots TiedIn Long Ropes. Two Men Were Re-quired, A Knotted Rope, And TheKnowledge Of The 'So-Called' Py-thagoras Triangle, Which ExistedAmongst The Egiptians Centuries Be-fore Pythagoras Walked This Earth.

According To The Book Entitled Science In An-cient Egypt, By Geraldine Woods, Page 36, It States: "EarlyOn, The Egyptians Discovered That A Triangle Measuring 3,4,5,Or 5, 12, 13 Would Always Include A Right Angle. By SightingWith A Right Angle And Constructing An Imaginary Triangle,Surveyors Could Determine Distances."

Pa Neter Tehuti

Pythagoras Was A Greek Mathematician And Philoso-

Page 7: Ancient Egiptian Sacred Geometry

pher That Came Into Egipt Just Like All Other Foreigners AndStole The Mathematical Formula From Pa Neter Netjerykhet,Who Was Also Called LDjoser, 2. Soser, 3. Zoser, And CalledIt The Pythagorean Theorem Or The Hypotenuse Theorem.The Hypotenuse Theorem States That The Square Of The Hy-potenuse Of A Right Triangle Is Equal To The Sum Of TheSquares Of The Other Two Sides.

B A

FIGURE 1

B A

FIOURE 2

The Hypotenuse Theorem Above Shows Figure 1 AndFigure 2 Demonstrating The Relation That A2 + B2 = C2 Holds InA Right-Angled Triangle With Sides A And B And HypotenuseC. Figure 1 Shows That A Square Of Side A + B Can Be Sepa-rated Into Four Of The Right-Angled Triangles, A Square OfSide A, And A Square Of Side B. Figure 2 Shows That A SquareOf Side A + B Can Also Be Cut Up Into Four Of The Right-Angled Triangles And A Square Of Side C. Since The TwoSquares Of Side A + B Have The Same Area, They Must StillHave The Same Area Once The Four Triangles Are RemovedFrom Each Of Them. The Total Area Of The Squares That Re-mains On The Left Side Is A2 + B2, And The Area Of The SquareThat Remains On The Right Side Is C2. So Therefore We ComeUp With The Sum: A2 + B2 = C2.

Our Standard Egiptian Measurement Was A Cubit,

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Which Is The Length Of A Man's Forearm From The Elbow ToThe Tip Of The Middle Finger. The Width Of The Palm AndThe Width Of Four Fingers Held Together Were Also Used.This Measurement Was Based On The Body Of The A'aferti(Pharaoh). Yet, Every Body Measured Differently, Thus, Meas-uring Sticks Were Used Keeping The Name Of The Body Parts.Our System Of Weights Was Based On A Grain Of Wheat OrStone Weights. The Grain Was Measured Using Symbols FromThe Eye Of Hani, Heru "Horus".

The Laying Out Of AreasRequired An Accurate Method ForThe Production Of The Right An-gle. This Was Achieved By Mark-ing Off The Rope With ThirteenEqual Divisions. Four Units ThenFormed One Side Of The Triangle,Three Units Formed The OtherSide And Five Units Formed TheHypotenuse, Which Is Opposite OfThe Right Angle. This SimpleMethod Has Persisted To ThisDay, And Was Used When TombAnd Temple Building Began.Egiptologists Claim That It WasThe Origin Of The Historic'Cording Of The Temple \ AndFrom This Technique It Was ARelatively Simple Task To Lay OutRectangles And Other More Com-plex Geometrical Figures.

Fractions writtenwith parts of theEye of Horus

l/l

O '/<

Egiptologists Also Claim That As It Developed, TheWhole Of Ancient Egiptian Culture Became So Infused With Ca-

Page 8: Ancient Egiptian Sacred Geometry

nonical Religion That Almost Every Act Was Formalized Into AnAct Of Worship. We Egiptians Worshipped Our Ancestors AndBuilt Shrines And Temples To Our Ancestors Before The Ca-nonical Religion, Which Adheres To The Laws Of The CanonCame About. Temples Were Built To The Neter Amun, NetertAset, Auset "Isis"; Netert Hat-Hani, Athyr, "Hathor"; NeterHani, Heru "Horus", Etc. We Gave Reverence To The Net-eraat. The Temple Structures Were Considered Qadush "Holy"Ground And Only The A'aferti "Pharaoh" And High Waab"Priest" Were Able To Enter Into The Sacred Chambers Of TheTemples.

The Canonical Religion, Which Adheres To The Laws OfThe Canon Along With The Greeks, The Turks, The Arabs, TheFrench, And The Hyksos "Canaanites, Hebrew Israelites",Came Into Egipi And Infused With Us Egiptians. They StoleOur Secrets And Burnt Down Our Libraries That Housed TheBooks Of Knowledge Ami Learning. They Also Stole Our Egip-tian Architect u i al I Vsij ' .ns Of Building Temples, Tombs, Shrines,And Homes. We h j - i p i i a n s Had An Advance Form Of Science,Math, Irrigation, Astronomy, Schooling, Farming, Hunting, Tem-ples And Tomb Art Which Are Prime Examples Of This Rigidly-Organized Sacred Life. Complex Magical Ceremonies AttendedImportant State Events In Which The Ruling A'aferti "Pharaoh"Played The Role As The Personification Of A Deity. In TheLayout Of Temples, The- Basic Formation Of The UnderlyingGeometry Was Made Into A Complex Symbolic Ceremony.

In The Book 1 n i n k d Dawn Of Astronomy, Sir NormanLockyer States Thai Tin- 'Cording Of The Temple', Laying ItOut By Means Of The Cord, Was Attended With A CeremonialComparable With The Modern Laying Of A Foundation-Stone.He Quotes Descriptions Of The Process Taken From Wall-Inscriptions At Edfu, Denderah And Karnak. 'Arose TheRuler9, Says One Of These Inscriptions, 'Attired In His NecklaceAnd Feathered Crown; And All The World Followed Him, And

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The Majesty Of Amenemhat. The High Priest Read The SacredText During The Stretching Of The Measuring Cord And TheLaying Of The Foundation Stone On The Piece Of Ground Se-lected For This Temple. Then Withdrew His Majesty Amenem-hat, And Ruler Usertesen Wrote It Down Before The People.'He Also States That The Cord Had A Twofold Function: To FixThe Orientation Of The Temple By Direct Observation Of A Ce-lestial Object; And Also Thence To Lay Out By Simple GeometryThe Sacred Pattern Of The Temple Itself. Another InscriptionReads: 'The Living God, The Magnificent Son OfAsti, NourishedBy The Sublime Goddess In The Temple, The Sovereign Of TheCountry, Stretches The Rope In Joy, With His Glance TowardsThe Ak Of The Bull's Foreleg Constellation, He Establishes TheTemple-House Of The Mistress At Denderah, As It Took PlaceThere Before.' This Is A Reference To The Two Temples OfThe Goddess At Denderah, One Being Sacred To Auset, Aset"Isis" And The Other To Hat-Hani, Athyr, "Hathor".

Pa Netert Athyr Pa Netert Aset

After The Direction Was Towards The Constellation OfThe Bull's Foreleg, (Known As The Plow In England, Which IsThe Big Dipper), The Rope-Fasteners Found A Line At Right

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Page 9: Ancient Egiptian Sacred Geometry

Angles To It By Mrans < >l C i ra i ing A 3:4:5 Triangle, AndFrom That I ,au! ( ) u i UK- Whole Temple.

The 'Druids'Cord'

13 Sections With12 Knots, To Produce The 3:4:5 Tri-angle (Kii>ht An-gle) And The 5:4:4Triangle (SeventhPart Of A Circle),

Ao o K l m j ' To Ippiologists, 'The Rectangular Form OfThe Temple ll<i\ 11,',-n / / < • / < / lo Represent The Body Of A Mortal,And By Microt <>\tnn/Mtifn>cosmic Correspondence, The Heav-ens. Its Conii>lt'in<'niti?\ I <>nn. The Central Or Radial Geometri-cal Pattern, / < / / / / / / In All Directions And Emblematical Of TheMaterial Worltl. In / i;//>/ Was Admirably Represented By ThePyramids'. However. We Know As Tama-reyeaat That TheTrue (J ro im-i i i i . i l Si lencc Of The Building Of The Pyramid Is"As Abovr, So llHow". I he Construction Of The Pyramids Re-quired Acim, i t r ( , i i ( M ! i i h . i i Before Building A Pyramid, TheLocation ( ) l The- S i i r . And The Amount Of Land On The SurfaceOf The Earth And Its Geographical Distribution Was Very Im-portant. Posi i ioninj ' , A I ' y i a n m l Was Determined According ToThe Stars. The I ' y i . i m i d , Wore Built Geometrically Twenty-Three Degirrs I K , m The < enter Of The Earth. The EgiptiansBuilt Their Pyramids I - M H I I The Top Down, Called Anti-Destruction Vs. DrshiH hon 101 All Matter Reflects In EnergyOr Anti-Matter, horn Thr ( 'ap Si one Of The Pyramid Upward,Would Be Its Reflected Foim Of Energy, Seen As One PyramidAbove The Other Thr Mi-nial Construction Of The PyramidForms The Blueprint Tor The Physical Construction Of ThePyramid. As The Pyramid Is l imi t Upward, You Must First Re-move The Top Of Another Surface Downward, Thus, The Sci-ence Of The Pyramid Being Built From The Top To The Bottom.

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-r ---/ ttai>xrrcD CONDUCTION/*—.PVRAMID

/ (ANTKtJKSTRUCTION PYRAMID:

K>INT OF CREATION

ACTUAL a).vsr»ucr»N

The Construction Of The Pyramids Was Carried OutWith The Help Of The Neteraat—Beings From Above.Throughout Egipt As Our-story, There Are Recordings On TheWalls Of Everything From Writing To Healing. However, ThereIs Not One Single Recording Of The Construction Of The Pyra-mid, Which Baffles The Hyksos "Canaanite, Caucasian" EvenTo This Very Day Because He Cannot Obtain Those SecretsWhich Are Buried In The 9th Chamber At A Secret Place KnownTo Few.

Although Some Sixty Pyramids Are Publicized, TheLargest And Most Celebrated Of The Group Of Three At GizaNear Cairo, Has Been Scrutinized And Speculated More ThanAny Other. The Pyramids In Sudan Outnumber Those Of TheNorth, And When The Europeans Opened Them And Found TheTruth Of Their Graftation There, They Buried Them Under Wa-ter. The French Set Out To Re-Paint And Change InformationTo Hide The Truth About Themselves And The Truth AboutBlack People. The Four Corners Of The Pyramid Northeast,Northwest, Southwest, And Southeast, Are All Almost PerfectRight Angles.

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Page 10: Ancient Egiptian Sacred Geometry

The Three Pyramids Of Giza

All Great Empires Were Influenced By The NeteraatWho Brought Their Architecture To This Planet. Which In MostPlaces Is Called The Mir "Pyramid". The Word Pyramid IsBroken Up Into Two Parts, The First Word Being Pyra, Meaning"Fire" And The Second Mid Meaning "Middle", Referring ToThe Column Of Energy Called "Tachyonic Energy".

Pyramids Are Triangular In Shape, And Are Built OfStone Or Brick On A Square Base. The Inside Of The PyramidsContains A Network Of Passages And Tunnels That ConnectsMany Rooms And Compartments. The Solid Geometrical FigureOf The Pyramid Is Formed By Connecting Every Point Or Inte-rior To A Plane Polygon. Thus, A Pyramid Is Solid And BoundBy Planes. Most Pyramids You See Today Have 5 Sides, 4Sided By Being Triangular And The Base Being A Square.

Egiptologist Only Tell You About The 3 Giza PyramidsUnder The Pretense That Those Are The Only Pyramids Built ByUs Tama-reyeaat They Take Every Opportunity To PublicizeThese 3 Pyramids, And Keep Your Attention Away From TheFact That There Are Hundreds Of Pyramids In Sudan, BecauseSudanese Are The Seed Of Egipt; The Nuwaupians Or Nubian,Black Pharaohs, Not Mixed With Invaders. The Blacks ChasedThe Hyksos "Canaanites" Out Of Egipt. The Original Sudanese

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Are Tama-reyeaat, Not The Sudanese That Live In Sudan NowWho Invaded Sudan Under The Arab Invasion. From That Inva-sion, You Have Mixed Arabs And Sudanese. The Original Suda-nese Or Tama-reyeaat Built Hundreds Of Pyramids, Which TheHyksos "Canaanite" Hide From You.

A Pyramid In Nubia, Sudan

The Unit Of Measurement Used In The Pyramids AreNow Called The Pyramid Inch, Which Is Equivalent To A PolarDiameter Inch. The Polar Diameter Of The Earth Is 500,000Pyramid Inches, From The South Pole To The North Pole. ThePyramid Inch Is The Basis Of The So-called British Inch. ItOnly Differs By 1/1000 Of An Inch.

Herodotus States That The Primary Function Of ThePyramids Was Sepulchral, Meaning A Burial Vault. However,We Know That The Pyramids Were Used For The HigherSchools Of Learning. Although, The Ruling A'aferti Did BuildMastabas To Ensure Their Re-birth In The After-Life. TheTombs Were Called Mastabas Meaning "Bench " Because TheyResembled The Benches That Stood Outside The Tama-reyeHouses.

Herodotus Briefly Mentions The Extended Period OfConstruction Of The Great Pyramid And States That It Was The

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Tomb Of A'aferti Khufu, Known To The Greeks As Cheops.According To Historians, It Was Erected On The Ruler's OrdersDuring His Lifetime Out Of Despotic Vanity, And A Wish ToPerpetuate His Memory Forever. However, We Know This ToBe False.

Four Centuries After Herodotus, The Great HistorianAnd Geographer Diodorus Siculus Visited The Pyramids AndLeft Us An Account: The Largest', Writes Diodorus, 'Is Quad-rangular, Each Side At Its Base Is Seven Hundred Feet Long,And More Than Six Hundred High; It Gradually Contracts ToThe Top, 'Where Each Side Is Six Cubits; It Is Built Entirely OfSolid Stone, Of A Difficult Workmanship, But External Duration;For In The Thousand Years Said To Have Elapsed Since TheirConstruction, Which Some Make More Than Three ThousandFour Hundred, The Stones Have Not Moved From Their OriginalPosition, But The Whole Remains Uninjured.'

However, We Know That The Pyramid Of Giza WasFirst Constructed By Adafa Or Enoch, Who Was Narmer OrMenes, With The Help Of The Neteraat, To Store The SecretTablets Of The Neteraat "Refer To Holy Tablets, ChapterEleven, Tablet One Verse 128-130, And Scroll #191, Science OfThe Pyramid." The Pyramids Of Giza Were Then Recon-structed By Khufu, Which The Ancient Tahites Called EkhetKhufu, Meaning "Horizon Of Khufu". Why Was This MassPyramid Reconstructed? It Was Reconstructed By Khufu Be-cause Of The Great Deluge, And The Biblical World Speaks OfIn Genesis Chapter 7 And 8 As The Rood, Which Was CopiedFrom The Gilgamesh Epics, Destroyed This Pyramid, BuryingThe Secret Word In The 9th Chamber. This Pyramid Is One OfThe Greatest Structures Ever Built. It Originally Stood 481 Feet,Which Is 146.5 Meters. This Includes The Casing. It NowStands 756 Feet High. It Is Estimated To Have 26,000,000 Stone

18

Blocks, Averaging 2 l/2 Tons Each. Some Of The Stones Weigh15 Tons. Its Measurements Equals The Value Of n (3.1415926)Or Simply 3.14. For Instance, The Original Height Was 480.95[481] Feet, And When The Boundary Is Divided By Twice TheFigure, The Total Figure Would Come Out To Be 3.1428, WhichIs Very Close To The Value Of 71.

It Is The Greatness And Impressive Geometry Of ThePyramids That Made Them Appear In The Works Of Many An-cient Chroniclers And Commentators. The Greek GeographerStrabo (C. 63-25 B.C.) Visited Them, And The Roman Soldier-Scientist Pliny. In Addition To Writing On The Pyramids, Men-tioned Other Authors Who Have Written About Them Are: Eu-hemerus, Aristagoras, Duns Of Samos, Antisthenes, De-metrius, Demoteles And Apion. All The Writings Of ThesePhilosophers Relating To The Pyramids Are Now Lost, WhichTells You That It Was Not Meant For Them To Record TheseSecrets Of The Construction Of The Pyramid.

The Interest To Most Pyramidologists And EgiptologistsLies In The Principles Of The Sacred Geometry, Which Under-lies The Structure Of This And Other Pyramids. The Great Pyra-mid Can Be Seen As The Height Of A Tradition, Which BeganWith The Step Pyramid Of The Ruler Netjerykhet, Zoser,Djoser At Saqqara (C. 2750 B.C.) Which Was Built By Imho-tep Or I-M-Hotep. This Mastaba Pyramid Was Never Dupli-cated By Any Other. The Mastaba Measured 215 Long OnEach Side And 25 Feet High. Imhotep Then Extended TheMastaba On All Sides Until Its Base Was About 400 x 350 Feet.He Then Placed Smaller Mastabas On Top Of It Until It WasMade Up Of Six Mastabas Of Decreasing Size, Whose HeightReached 7,200 Feet.

The Step Pyramid Was Of A Square Ground-Plan, Like

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Page 12: Ancient Egiptian Sacred Geometry

I hr l i . ihy lon ian Ziggurats. It Was Enclosed In A Vast SanctuaryIn The Form Of A Double Square Surrounded By A Thirty-FootWal l . The Sanctuary Was 1,788 Feet In Length — One Third OfA Mile — And Oriented North—South. The Geometrical Pat-tern Used To Build The Step Pyramid And Its Court Was CopiedCenturies Later, By The So-Called Jews For The Construction OfTheir Temples, And It Was Used As The Underlying Pattern ForThe Chapel Royal At Whitehall In London.

The Step Pyramid Represents A Sudden Application OfMethods Which Appear To Have Been Formerly Unknown. TheTechnology Of Stone Cutting And Transport Was Known, ButNever Before Had Such A Vast Undertaking Been Attempted.However, We Know That The Laser Was Used To Cut TheseVast Stones To Build This Mastaba. In The Court Of The StepPyramid Stood A Statue Upon Whose Plinth Was The Name Im-hotep With The Citation 'Chancellor Of The Ruler Of LowerEgipt, First After The Ruler Of Upper Egipt, Administrator OfThe Great Palace, Hereditary Nobleman, High Priest OfAnnu"Heliopolis", Builder, Sculptor, And Maker Of Vases In Chief.Such An Impressive List Of Official Positions Emphasizes TheExceptional Talent Of This Man, Who Above All Others StandsAt The Head Of The Western Tradition Of Sacred Geometry.

The Pyramid Of Zoser

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According To Certain Egiptologists, Imhotep Was TheSon Of Ka-Nefer, Director Of Works Of Upper And LowerEgipt, Not A Man Of Royal Blood, However, Imhotep Was NotThe Son Of Ka-Nefer, Nor Was He Of Lesser Than Royal Blood.Imhotep Was The Son Of Kherdu'ankh And Ptah.

Imhotep Zoser

He Acquired The Dimensions Of Building The MastabaAt Saqqara From Zoser, Who Had Knowledge Of Cutting StoneWith Laser, Where The Freemasons Get Their Doctrine Of Cut-ting And Shaping The Stone Without The Sound Of The Ham-mer Nor The Sweat Of A Brow. This Can Also Be Found In TheOld Testament Of The Bible In Daniel 2:34, Where It States"Thou Sawest Till That A Stone Was Cut Out Without Hands... ".And This Stone Or Eh-Ben, Was The Emerald. Its Brilliance OfThe Green Light And Intensity Was Able To Break Light BeamsUp To Many Different Colors. The Sham'a Or Shamir Is De-rived From A Sacred Worm Called The Smiris For Emery. ThisWorms Blood Is Said To Have Had Mystical Powers And CanOnly Be Found In The Desert. Moses Is Said To Have UsedThis Worms Blood To Engrave The Sacred Names. The Shamir

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Was Endowed With Mathematically Precise Facets, Polished,Cut Surfaces Of Gem Stones, Which Enabled It To Break DownThe Direct Light Rays Of The Sun Into Seven Different Colors.This In Turn Filters Out The Right Ray Of Light, That WasStrong Enough To Cut Metal And Mountain.

Egiptologists Are Still Searching For The Tomb Of Zo-ser, which is considered "their Cherished Dream". Zosers'tomb Is Believed To Be Somewhere In The Vicinity OfSaqqara, But As Yet, The Resting Place Of The Originator OfArchitecture In The West Remains Undefiled and Which To DateWill Not Be Found.

After Zoser's Pyramid, Another Was Begun At SaqqaraFor The Ruler Sekhemkhet. Sekhem-khet Was The SuccessorOf Zoser, However He Died Young. Egiptologist Claims ThatFor Some Unknown Reason, His Pyramid Was Abandoned At AHeight Of Only Twenty Feet, However, This Is Untrue. TheSekhem-khet Was A Huge And Rectangular Pyramid DividedInto Sections Larger Than The Enclosure Of Zoser's Pyramid.There Are Two Step Pyramids Found At Zawiyet El Aryan, Be-lieved To Be Intended For A'aferti Nefer-Ka-Re-Nebka. SomeSay It Was For The A'aferti Khaba. This Was Abandoned Dur-ing The Construction. After These Step Pyramids, Other Pyra-mids Cloaked In Polished Fitted Casings Of Tura LimestoneWere Erected.

The First Of Those Pyramids Were Of The Ruler SneferuAt Meidum, which collapsed. In His Book The Riddle Of ThePyramids, Kurt Mendelssohn Has Shown From The Configura-tion Of The Rubble, Which Surrounds The Core Of This RuinedPyramid That It Collapsed During Construction. Faulty Work-manship, And The Innovative Nature Of The Project, Caused ASudden Collapse. Such A Disaster, In A Period When ScarcelyAny Buildings Of Any Size Existed Anywhere In The World,Must Have Had A Profound Effect On The People Of The Time,

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And May Be Enshrined In Garbled Form In The Myth Of TheTower Of Babel. The Babylonians Also Built Ziggurats WhichAre Like Zoser's Pyramid. The Meidum Example Was De-signed As A Step Pyramid, But Was Filled In With PackingBlocks And Casing. The Few Remaining Casing Blocks, Exca-vated From The Chaotic Pile Of Rubble Which Surrounds ThisPyramid, Show That The Angle Of Elevation Was 52°, An AngleOf Great Importance In Sacred Geometry. 5 + 2 = 7, WhichTakes You Back To The Sacred Number 7.

Meidum

Right:The Interior Core

Of The Pyramid AtMedium Built By

Sneferu

When The Pyramid At Meidum Was Overtaken By Dis-aster, Another Pyramid, At Dahshur, Was Already Under Con-struction. Of All The Surviving Pyramids, This One Is Unique.The Base Measurement Of The Bent Pyramid Is 619 Feet Or188.56 Meters, With A Height Of 319 Feet Or 97.26 Meters.The Angle Was Originally 54° And 31 Feet Then, At A PointAbout Halfway Up, It Abruptly Changes Its Angle To 43° And21 Feet; Which Some Calculate To Be 30 Feet. This Caused ItTo Become "Bent". Egiptologists Claim That The Architect OfThis Pyramid Altered The Angle In Order That The Disaster OfMeidum Should Not Also Overtake His Building, However, ThisPyramid Slopes Inward At An Angle, Then It Meets At AHeight.

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Page 14: Ancient Egiptian Sacred Geometry

However, It Is Obvious From All The Other PyramidsThat The 'Bent Pyramid', As It Is Known, Was Built Differ-ently Than The Other Pyramids. Cased Pyramids Represent TheCelestial Spectacle Of The Sun's Rays Breaking Through TheClouds After A Rainstorm — A Manifestation Of The DivinePower Of Ra. The Changeover From The Imhotep-InspiredStep Pyramids To The Pure Form Appears To Have Occurred AtThe Same Time As The Arrival Of The Priests Of Annu"Heliopolis" In A Position Of Power In Egipt. Most Interest-ingly, Their Ascendance Brought In A New Interpretation Of Sa-cred Geometry: The True Mir "Pyramid", The Tekhenu"Obelisk" And The Ben-Ben, The Sacred Conical Pillar Of TheTemple Of Ra At Annu "Heliopolis". The Bent Pyramid Is Re-ferred To As The Southern Pyramid.

After The Bent Pyramid, The Next Pyramid, WhichStands A Mile To The North Of It, Called The Northern StonePyramid, Was Built At The Lower Angle Of 43° 30', The AngleOf The Upper Half Of The One Before It. It Measures 332 FeetOr 101.15 Feet High.

The Construction Of The Largest Structure Ever ErectedBy Man Began: The Great Pyramid Of Khufu Which Was NotAnd Cannot Be Duplicated For Its Magnitude And Splendor.

Egiptologists Claim The Great Pyramid Was ConstructedTo House The Mortal Remains Of The A'aferti Khufu, Who IsKnown To The Greeks By His Grecian Name Cheops. This IsAgain Untrue As Explained Before. The Angle Of Ascent GivesThe Pyramid A Unique Geometrical Property, Which RepresentsThe Mystic Squaring Of The Circle: Its Height Stands In TheSame Ratio To Its Circumference, As Does The Radius To TheCircumference Of A Circle. This Ratio Is l/2 n . it = 3.1416 ...,And In This Pyramid, This Transcendental Number Is Repre-

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sented With An Accuracy Of Better Than 0.1% Error.

51° 52' Has The Property Of Being The Angle ProducedBy A Gradient Of 4:1. The Angle Used At Dahshur, 43° 30', IsProduced By A Slope Of 3:1. Thus, The Simple Use Of WholeNumbers, Which Is The Keynote Of Sacred Geometry Through-out History, Exists In The Egiptian Context. 'The Existence OfThe Pyramids', Wrote James Stirling, In The Canon, '... SeemsTo Be A Striking Confirmation Of The Statements Of The EarliestWriters, That Architecture Originally Depended On Geometry,And We See In Egipt The First Application Of That Science ToBuilding ...In The Hands Of Geometrical Architects, The Pyra-mid By Its Bulky Surface, Lines And Angles, Would Afford TheMeans Of Recording Measures And Numbers. For Practical Pur-poses, Also, The Pyramid Is A Most Suitable Form For A Perma-nent Fabric.'

Another Geometrical Characteristic Of The Pyramids,Which Has Been Commented Upon, Concerns The Faces. TheTheory Has Been Put Forward That The Pyramids Were Con-ceived As Representations Of The Northern Hemisphere On ASquare Projection. Each Flat Face Of The Pyramid Was De-signed To Represent One Curved Fourth Of This Hemisphere,According To This Theory. The Pyramid Fulfills This Geomet-ric Consideration Like No Other Figure: To Project A SphericalQuadrant Onto A Flat Triangle, The Base Of The Quadrant MustBe The Same As The Base Of The Triangle, And Must AlsoHave The Same Height. This Is Fulfilled In The Great Pyramid,Where The Angle Of Slope Gives The "TT" Relationship BetweenHeight And Base.

Measurement Of The Great Pyramid

A-B = height of great pyramid from the top of the

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Page 15: Ancient Egiptian Sacred Geometry

platform -480.95B-C = thickness of platform = 21.6535 inchesA-C =5 482.75751 feet = 1/43,2000 of the earth'spolar radiusWhen the distance of platform is added to the heightof the pyramid above, the new height is 482.75751(multiplied by 43,200).

The Following Is An Example Of How Close The Fig-ures Are To The Polar Radius

Expected figure 3949.9081Calculated figure 3949.831

Difference 0.0741 or 391 feet

This Pyramid Was Constructed At The Center Of TheEarth's Land Mass. The Complexities Of Geometry Inherent InThe Great Pyramid Have Been Largely Unraveled In A PlethoraOf Calculation And Theory Over The Last Century Or So.

Herodotus Was Told By The Temple Priests That TheGreat Pyramid Was Constructed In Such A Way That The AreaOf Each Face Was Equal To The Square Of Its Height. This Re-lationship Can Be Seen To Embody The Golden Section, WhichAccording To The Modern Geometrician Schwaller De LubiczWas Seen Not In Numerical Terms But As Emblematical Of TheCreative Or Generative Function, The Fundamental Of An Infi-nite Series.

Inside The Great Pyramid Are A Series Of PassagesWhose Purpose Is Largely Undetermined To Archeologists AndEgiptologists. This Pyramid Has Four Chambers: 1. The Ruler'sChamber, Which Contains Nothing But An Empty SarcophagusProving That The Pyramid Were Not Tombs; 2. The Queen's

26

Chamber, Which Is Smaller And Also Empty; 3. The Under-ground Chamber, An Unfinished Chamber In The Living RockBelow Ground Level, And 4. The Grand Gallery.

In Addition To These Three Chambers, There Is An Im-pressive Passage Known As The Grand Gallery, Lined WithCarefully-Fitted Granite Casings And Possessing A High Cor-belled Ceiling. However, Nothing Of Note Has Ever Been Dis-covered In The Great Pyramid — All Proving That It Was ASchool Of Learning Built With The Help Of The Neteraat ForThe Neteraat.

The Danish Architect Hubert Paulsen, Puzzled By TheLack Of Any Contents, Claimed That There Must Be Another,As Yet Undiscovered, Chamber Within The Great Pyramid. ByGeometry, He Calculated That The True Burial Chamber,Crammed With Wealth Which Would Dim The Treasures OfTutankhamun — By Comparison With Khufu, A PoorRuler — Should Be Beneath The Center Of The Pyramid, AndBelow Ground Level. Their Findings Are Proving Them Wrong,For The Sarcophagus That Were Found In The Pyramid WasEmpty.

The Pyramids Were Not Constructed For The Purpose Of

Being Tombs For The Rulers. The Ruler's Chamber, Which One

Would Imagine To Have Been Intended For The After-Life Req-

uisites Of The A'aferti, In Addition To Being 130 Feet AboveGround Level, Is Not Directly Beneath The Height Of The Pyra-

mid. Paulsen's Chamber Has, Unfortunately, Not Been Located,And Experiments Carried Out In Khafre's (Chephren's) Pyra-mid Has Also Met With Failure. The Queen Shaft Pointed To-

wards The Sirius Star. All The Shafts Line Up Perfectly WithOrion's Belt.

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Page 16: Ancient Egiptian Sacred Geometry

The Rising Of Orion's Belt And The 26.5 Degree Alignment

By Comparison With The Great Pyramid, Whose Cham-bers And Passages Were Revealed By The Accidental Fall Of ACeiling Block In The Entrance Passage, The Pyramid Of KhafreIs Seemingly Devoid Of Passages. One Small Chamber Exists InThe Rock Beneath The Vast Bulk Of The Structure. This HasAlways Seemed Anomalous To Egiptologists, And An AttemptTo 4X-Ray' The Pyramid Was Made In 1970 A.D. By ProfessorLuis Alvarez Of The University Of California. Alvarez At-tempted To Record The Passage Through The Pyramid Of Cos-mic Rays, Which Strikes Upon The Earth From Outer Space. Us-ing Extremely Sophisticated Detection Equipment, He Made Ob-

28

servations Over A Period Of Several Days. On Analyzing TheResults, They Showed Inexplicable Variations Which Made TheExperiment Inconclusive. The Variability Of The Results WerePerhaps Caused By The Geometry Of The Pyramid, Its Position-ing, Its Relationship To The Earth's Magnetic Field, Or SomeCombination Of These And Other Factors. Whatever The Cause,Alvarez's Experiment Failed To Discern Any Inner Chamber OrPassages.

The Astro-Geometry Of The Shafts And Chambers WithinThe Great Pyramid

Many Extravagant Claims Have Been Forwarded To In-terpret The Complex Array Of Passages And Other Internal Fea-tures Of Khufu's Pyramid. But In Reality, None Of Them SeemTo Deserve Any More Attention Than Any Other. There AreTheories That The Second Coining Of Christ, The End Of TheWorld, Or Some Other Momentous Happening Are Foretold By

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Page 17: Ancient Egiptian Sacred Geometry

Various Steps, Stone Joints, Passage Bends And Cracks Which IsRidiculous. Books Of Pyramid Prophecy Have An UnfortunatePropensity Of Requiring Drastic Revision When The ProphesiedApocalypse Does Not Arrive On Time. I Leave It To The ReaderTo Judge The Validity Of The Work Of Piazzi Smyth, JohnTaylor, John Davidson, Edgar Stewart, Basil Steward AndTheir Imitators.

Although The Pyramids Are The Most August Manifesta-tion Of The Sacred Geometry Of Egipt, Their Geometrically-Inspired Canonical Arts Infused All Sacred Artifacts.

Left: The Geometry Of The Great Pyramid, Which The Ma-sons Copied, Shown Right

Imhotep's Title Of 'Maker Of Vases In Chief Demon-strates That A Major Geometer Was Required For The CorrectDesign And Manufacture Of Sacred Vessels. Products Of Egip-tian Art Of Whatever Period Are, With Few Exceptions, InstantlyRecognizable As Such. The Style Continued For Over 3000

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Years, Even Into The Hellenic Period After Alexander The GreatConquered The Country. The Canonical Measures And Propor-tional System, Laid Down As Expressions Of A Magical ViewOf The World, Inhibited Any Innovation. The Role Of The ArtistWas Thus Quite Unlike That Of His Modern Counterpart. TheConcept Of The Artist As An Individual Creative Personality IsAbsolutely Modern. Like Other Artisans, The Majority Of Sculp-tors And Painters Were Part Of A Team Which Adhered RigidlyTo The Pre-Ordained Canons Of Art. Their Position Can BeCompared With That Of Modern Designers Of Printed CircuitryOr Microprocessors, Who Are Constrained Within A Techno-logical Framework Of Function Which Depends AbsolutelyUpon The Laws Of Electronics.

Like Their Modern Technologist Counterparts, The Arti-sans Of Ancient Egipt Were Precision Workers, Early Practitio-ners Of The Universal Belief That Acts Of Magic Must Be Per-formed According To Precise, Unchanging Ritual. UnderlyingThese Ritual Forms Was Geometry.

The Technical Basis Of Egiptian Geometry Was Impec-cable. Indeed, The Later Success Of The Ancient Greeks, WithWhom Geometry Is Nowadays Most Readily Associated BecauseThey Stole It From The Egiptians And Burned Down The Li-brary Of Alexandria Containing The Books Of Knowledge OfEgipt, Was Based Solidly Upon The Knowledge And TechniqueOf The Ancient Egiptians. The Practices Of Egiptian GeometryAre Not Lost, However, As The Vast Blossoming Of Interest InThe Antiquities Of Egipt During The Last Century Has Led ToThe Rediscovery Of Its Fundamentals. During His DestructiveExcavations Within The Fabric Of The Great Pyramid, ColonelHoward Vyse Found In One Of The Chambers 'Many Quarry-Marks Similar To Those In Other Chambers, And Also SeveralRed Lines Crossing Each Other At Right Angles, With Black

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Page 18: Ancient Egiptian Sacred Geometry

Equilateral Triangles, Described Near The "Intersection" In Or-der Probably To Obtain A Right Angle ...' These Lines And Con-structions Were Necessary For The Masonic Arts Of Stone Cut-ting, Fitting And Finishing. For Any Technical Method Of Draw-ing, It Is Necessary To Have A Geometrical Basis. The Use OfIntersecting Lines To Mark Out The Background For A ReliefCarving Was Systematized Into A Square Grid. This Was An AidNot Only To The General Composition And Layout Of TheWork, But Also Served To Ensure That The Human Figures ToBe Made Should Be Correctly Proportioned Accordance WithThe Canon.

Guide Lines Were Painted With A Brush Or Made WithA String Dipped In Red Paint, And The Outlines Were SketchedWith A Brush Made Of Wood Fibers Or A Rush Pen Such AsThose Used By Scribes.

An AncientTama-reye

Drawing WithA Square GridUsing Geome-try, Determin-ing The Place-ment Of AllParts Of The

Image

The Sculptor Chiseled Around The Finalized Outlines,And The Sculpture Was Then Finished By Being Covered WithA Wash Of Plaster. Finally, It Was Then Painted. Root Rectan-

32

gles Were Used To Determine The Main Dimensions Of TheFigures Within A Framework Which Was Usually Square. Thus,The Sculpture Reproduced In Its Dimensions All The Sacred At-tributes Of Geometry. This Was Additional To Its FigurativeAnd Symbolic Content. Such Rectangles Were Easily Con-structed By Simple Geometry From The Square Grid, Which It-self Had The Symbolic Meaning Of The World, Within WhichThe Human Was The Temple. The Fundamental Geometry OfTemple Foundation Was Reproduced Microcosmically In EachCanonical Carving, In Accordance With The Age-Old Temple-Body Formula, A Feature Which We Can Trace Throughout TheRecorded History Of Architecture.

Such A Combination Of Underlying Grid, Overlying Ge-ometry I And Outward Form Gives Us A Three-Layered ConceptOf Sacred Art Without Which The Multiple Forms Can ScarcelyBe Understood. Such A Three-In-One Concept, Encapsulated InThe Trinity Of Auset, Aset "Isis", Hani, Heru "Horus" AndAsaru, Usir "Osiris", Occurs Throughout Canonical Art FromEgipt Onwards. In Some Sacred Art The Geometrical Form IsPredominant, Such As In Celtic Interlace Work Or Islamic TilePatterns. This Is The Second Level Being Manifest. In General,This Overt Form Is Suppressed. Such Geometry Has The Inher-ent Characteristic Of Incorporating Within Itself The Sacred Me-trology Of Whatever System It Represents.

One Characteristic Of Sacred Geometry Which RecursThroughout Time Is The Choice Of Geometries Which Are AsInclusive As Practically Possible. A Geometry Which IncludesThe Square, The Circle, The Vesica And The Equilateral Trian-gle As Well As Various Root Rectangles And The Golden Sec-tion Has Been Seen As The Ideal Microcosm. The Tomb OfRuler Rameses IV Of Egipt Is Just Such An Example. RamesesIV Was Buried In A Rock-Cut Tomb, Not A Pyramid, As Pyra-

33

Page 19: Ancient Egiptian Sacred Geometry

mid Building Had Been Abandoned By His Time. The Rock-CutTomb Contained A Triple Sarcophagus. The Innermost Sar-cophagus Was In The Form Of A Double Square, The Holiest OfSacred Enclosures. Surrounding This, The Middle SarcophagusHad The Dimensions Of A Golden Section Rectangle, And TheOuter Sarcophagus Two Golden Section Rectangles Equal ToThe Middle One. The Tomb Itself Was Dimensioned On A Pro-jection Of The Geometry Of This Triple Sarcophagus.

Geometric Analysis Of The Tomb Of Rameses IV OfEgipt — Double Square And Golden Section Rectangles.

Geometry Supposedly Has Been Brought To PerfectionBy The Ancient Greeks, However, As Explained ThroughoutThis Scroll, We, The Tama-reyeaat Were The Originators Of

34

Geometry And Were Taught By The Neteraat. EverythingThroughout Egipt Deals With Some Form Of Geometry. EvenThe Pectorals And Other Magic Amulets Found On The Mummi-fied Egiptians Have Been Geometrically Analyzed From TheLargest To The Smallest Sacred Object. So Don't Fall For AnyMyths That Is Being Fed To You By The European Society, Ge-ometry Originated From Our Homeland, Tama-re "Egipt".

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Page 20: Ancient Egiptian Sacred Geometry

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