VARIOUS ALGO SALVAJE VOL 1 Format: CD Cat #: MR CD 314 Barcode: 8435008831424 Format: 2LP Cat #: MR 314 Barcode: 8435008831417 Artist: VARIOUS Title: ALGO SALVAJE VOL 1 Label: Munster Release date: September 8, 2014 File under: Garage / Beat www.munster-records.com Internationally labelled as nuggets (after the original compilation of the same name concocted by Jac Holzman and Lenny Kaye in 1972 for the Elektra label), the more common garage rock label has been used to place and describe one of the most fertile chapters of rock & roll history during its most creative years. An underground story which has luckily become known, with participants from all around the globe which included anonymous musicians, independent record labels with impossible names and ridiculously limited pressings, often not more than a few hundred copies. Much more important and influential than its level of exposure would suggest, this nuggets-type of music was insolent, proud and self-taught. The trigger of the phenomenon was, without a doubt, the concluding British Invasion to the US started in 1964: that collective youthful glare provoked by an unprecedented music event in which a number of English bands took up American music and regenerated it in their own personal way. All of them managed to open a big crack in the comfortable status of early 60s rock through which garage rock, in an incredible game of fascination and rage, started to pour freely. This new music, drawing from beat, rhythm & blues and the new psychedelic nuances that already flew over the rock scene, emerged gloriously as a coarse creature. Question Mark?, The 13th Floor Elevators, The Remains, The Chocolate Watchband, Electric Prunes, The Seeds, The Standells, Kenny & The Casuals, The Sonics, Music Machine… and hundreds more bands. They led the American answer to the British bands and they all reached truly fantastic heights, although any list of great names will be insufficient and unfair. Dazzled by that blinding light, thousands of bands appeared all over the world, including Spain, of course. Few of the expected obstacles derived from the political and social situation in Spain under Franco seemed to matter to these bands. At their own pace and in their own way, and almost at the same time that it was happening at the other side of the Atlantic, the Spanish nuggets got into action without more consideration and moved from the village music band to the ye-yé group. The cleverest teenagers noticed that there was something new in the air, and realized that such intoxicating music enabled them to display attitudes and words which didn't have any other way out in that anomalous society. The breeding ground was usually small labels and sometimes, not often, the bigger imprints would dare take a chance. In both cases, the nuggets-type tracks were always on the B side of singles and EPs, a sort of side door of a theatre whose main entrance was locked up. We must mention the unusual case of Los Brincos and their Beatlesque and thunderous debut 'Dance The Pulga', a visionary piece which started the genre in 1964 with all the honours, and whose second 7", 'Flamenco', introduced one of the specific contributions of Spanish garage: noisy approximations or versions of copla and flamenco songs. It was an obligatory and respectable settling of scores with genres of music that were tied to the past and to a model of authoritarian family whose foundations were starting to crack. And although the dotted map of the most prolific areas points towards the tourist sites of the Mediterranean coast, it was actually a global phenomenon which took place in any part of Spain. Coming, most of them, from a middle class background which was starting to consolidate, Spanish teenagers from the 60s employed the same musical models as their foreign colleagues, but their contribution was not only exemplary in many cases, but also specifically genuine. These Spanish Nuggets, an eternal unfinished business of our musical heritage waiting to be reissued, are finally celebrated here on this first volume of "Algo salvaje". DESCRIPTION TRACKLIST HIGHLIGHTS Munster presents volume one of our new series "Algo salvaje", featuring untamed 1960s beat and garage nuggets from Spain. "Algo salvaje" is the first legal anthology devoted to a rich period when hundreds of bands appeared all over Spain and, after paying attention to what their US and British contemporaries were doing, found their own way to vent their teenage rebellion through loud guitars. With amazing results! Many of the 28 tracks are reissued for the first time, including very hard-to-find records. Both formats include extensive notes by Vicente Fabuel featuring all the original record sleeves and artist photos. 1. A TU VERA - TOMCATS 2. DANCE "THE PULGA" - LOS BRINCOS 3. TRUE FINE MAMA - TONY RONALD Y SUS KRONER'S 4. SHAKE BABY SHAKE - LOS 4 JETS 5.YA NO ME IMPORTAS - LOS BUITRES 6. ERES UN VAGO - LOS BOTINES 7.VEN A MÍ - ELS TRONS 8. SIN CORAZÓN - LOS BETA 9.YO TE VI - LOS IMPALA 10. AÚN - LOS HURACANES 11. PROTESTANDO - LOS 5 DEL ESTE 12. ANTIMUSICAL - MIGUEL RÍOS 13. NO ME DEJAS VIVIR EN PAZ - THE FOUR WINDS AND DITO 14. ZERGAITIK EZ DA EGIA - LOS DAIKIRIS 15. POR FAVOR - LOS PEPES 16. NO SÉ QUÉ SIENTO - ELS MALLORQUINS 17. MIENTES - LONE STAR 18.VETE YA - LOS PEKENIKES 19. CORAZÓN LLENO DE MAL - MIKE & THE RUNAWAYS 20. SOMBRAS - LOS NIVRAM 21. TE FUISTE - LOS JUNIOR'S 22. NO LO VERÁS - LOS ROCKEROS 23.Y OLVÍDAME - LOS CHEYENES 24. LA DROGA - LOS POLARES 25.YOU BE - THE CANARIES 26. ACTO DE FUERZA - LOS SIREX 27. JABÓN DE AZUFRE - MICKY Y LOS TONYS 28. IT IS MY WORLD - PROU MATIC SALES & PROMO [email protected]
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VARIOUSALGO SALVAJE VOL 1
Format: CDCat #: MR CD 314Barcode: 8435008831424Format: 2LPCat #: MR 314Barcode: 8435008831417
Artist: VARIOUSTitle: ALGO SALVAJE VOL 1Label: MunsterRelease date: September 8, 2014File under: Garage / Beat
www.munster-records.com
Internationally labelled as nuggets (after the original compilation of the same name concocted by Jac Holzman and Lenny Kaye in 1972 for the Elektra label), the more common garage rock label has been used to place and describe one of the most fertile chapters of rock & roll history during its most creative years. An underground story which has luckily become known, with participants from all around the globe which included anonymous musicians, independent record labels with impossible names and ridiculously limited pressings, often not more than a few hundred copies. Much more important and influential than its level of exposure would suggest, this nuggets-type of music was insolent, proud and self-taught.
The trigger of the phenomenon was, without a doubt, the concluding British Invasion to the US started in 1964: that collective youthful glare provoked by an unprecedented music event in which a number of English bands took up American music and regenerated it in their own personal way. All of them managed to open a big crack in the comfortable status of early 60s rock through which garage rock, in an incredible game of fascination and rage, started to pour freely. This new music, drawing from beat, rhythm & blues and the new psychedelic nuances that already flew over the rock scene, emerged gloriously as a coarse creature. Question Mark?, The 13th Floor Elevators, The Remains, The Chocolate Watchband, Electric Prunes, The Seeds, The Standells, Kenny & The Casuals, The Sonics, Music Machine… and hundreds more bands. They led the American answer to the British bands and they all reached truly fantastic heights, although any list of great names will be insufficient and unfair.
Dazzled by that blinding light, thousands of bands appeared all over the world, including Spain, of course. Few of the expected obstacles derived from the political and social situation in Spain under Franco seemed to matter to these bands. At their own pace and in their own way, and almost at the same time that it was happening at the other side of the Atlantic, the Spanish nuggets got into action without more consideration and moved from the village music band to the ye-yé group. The cleverest teenagers noticed that there was something new in the air, and realized that such intoxicating music enabled them to display attitudes and words which didn't have any other way out in that anomalous society.
The breeding ground was usually small labels and sometimes, not often, the bigger imprints would dare take a chance. In both cases, the nuggets-type tracks were always on the B side of singles and EPs, a sort of side door of a theatre whose main entrance was locked up. We must mention the unusual case of Los Brincos and their Beatlesque and thunderous debut 'Dance The Pulga', a visionary piece which started the genre in 1964 with all the honours, and whose second 7", 'Flamenco', introduced one of the specific contributions of Spanish garage: noisy approximations or versions of copla and flamenco songs. It was an obligatory and respectable settling of scores with genres of music that were tied to the past and to a model of authoritarian family whose foundations were starting to crack. And although the dotted map of the most prolific areas points towards the tourist sites of the Mediterranean coast, it was actually a global phenomenon which took place in any part of Spain. Coming, most of them, from a middle class background which was starting to consolidate, Spanish teenagers from the 60s employed the same musical models as their foreign colleagues, but their contribution was not only exemplary in many cases, but also specifically genuine. These Spanish Nuggets, an eternal unfinished business of our musical heritage waiting to be reissued, are finally celebrated here on this first volume of "Algo salvaje".
DESCRIPTION
TRACKLIST
HIGHLIGHTS
Munster presents volume one of our new series "Algo salvaje", featuring untamed 1960s beat and garage nuggets from Spain.
"Algo salvaje" is the first legal anthology devoted to a rich period when hundreds of bands appeared all over Spain and, after paying attention to what their US and British contemporaries were doing, found their own way to vent their teenage rebellion through loud guitars. With amazing results!
Many of the 28 tracks are reissued for the first time, including very hard-to-find records.
Both formats include extensive notes by Vicente Fabuel featuring all the original record sleeves and artist photos.
1. A TU VERA - TOMCATS 2. DANCE "THE PULGA" - LOS BRINCOS 3. TRUE FINE MAMA - TONY RONALD Y SUS KRONER'S 4. SHAKE BABY SHAKE - LOS 4 JETS 5. YA NO ME IMPORTAS - LOS BUITRES 6. ERES UN VAGO - LOS BOTINES 7. VEN A MÍ - ELS TRONS 8. SIN CORAZÓN - LOS BETA 9. YO TE VI - LOS IMPALA 10. AÚN - LOS HURACANES 11. PROTESTANDO - LOS 5 DEL ESTE 12. ANTIMUSICAL - MIGUEL RÍOS 13. NO ME DEJAS VIVIR EN PAZ - THE FOUR WINDS AND DITO 14. ZERGAITIK EZ DA EGIA - LOS DAIKIRIS 15. POR FAVOR - LOS PEPES 16. NO SÉ QUÉ SIENTO - ELS MALLORQUINS 17. MIENTES - LONE STAR 18. VETE YA - LOS PEKENIKES 19. CORAZÓN LLENO DE MAL - MIKE & THE RUNAWAYS 20. SOMBRAS - LOS NIVRAM 21. TE FUISTE - LOS JUNIOR'S 22. NO LO VERÁS - LOS ROCKEROS 23. Y OLVÍDAME - LOS CHEYENES 24. LA DROGA - LOS POLARES 25. YOU BE - THE CANARIES 26. ACTO DE FUERZA - LOS SIREX 27. JABÓN DE AZUFRE - MICKY Y LOS TONYS28. IT IS MY WORLD - PROU MATIC
SALES & [email protected]
VARIOSALGO SALVAJE
Formato: CDRef: MR CD 314Barcode: 8435008831424Formato: 2LP Ref: MR 314Barcode: 8435008831417
Artista: VARIOSTítulo: ALGO SALVAJESello: MunsterFecha de salida: 8 de septiembre de 2014File under: Garage / Beat
www.munster-records.com
Acuñado internacionalmente como nuggets (a partir del primigenio recopilatorio del mismo nombre urdido por Jac Holzman y Lenny Kaye en 1972 para el sello Elektra), el más usual término de garage rock ha servido para situar y explicar uno de los capítulos más fértiles de la historia del rock & roll en sus años de máxima creatividad. Una historia subterránea felizmente al descubierto, protagonizada globalmente en cualquier rincón del planeta por músicos anónimos, sellos independientes de nombres imposibles y tiradas irrisorias a menudo sin sobrepasar unos cientos de ejemplares. Hoy, la mayoría de ellos, brutal pasto de coleccionistas.
El detonante del fenómeno, sin duda, fue la concluyente invasión del beat británico en Estados Unidos a partir de 1964: ese deslumbramiento juvenil colectivo de asistir a un fenómeno musical insólito en el que unos ingleses orquestan y regeneran música americana a su verdadero antojo. Todas esas bandas consiguieron abrir una enorme brecha en el acomodado status del rock de los primeros 60 por la que el garage rock, en un insólito juego de fascinación y rabia, comenzó a fluir libremente. A caballo del beat, el rhythm & blues y los novísimos apuntes psicodélicos que ya sobrevolaban la escena rock, emergió gloriosa una música tosca. Question Mark?, The 13th Floor Elevators, The Remains, The Chocolate Watchband, Electric Prunes, The Seeds, The Standells, Kenny & The Casuals, The Sonics, Music Machine… y mil conjuntos más. Ellos lideraron esa respuesta americana a los ingleses y todos alcanzaron cotas puntuales realmente fantásticas.
Deslumbrados por esa luz cegadora, miles de grupos airados aparecieron por todo el orbe, España incluida, of course. Pocas de las obligadas trabas derivadas de la situación política y social que la España franquista imponía parecieron importar demasiado a nuestros chicos. A su ritmo, a su aire, y casi en las mismas fechas que todo esto sucedía al otro lado del Atlántico, los nuggets españoles comenzaron a funcionar sin mayor miramiento y pasaron de la banda de música del pueblo al conjunto ye-yé. El adolescente más espabilado se percató de que algo nuevo andaba por el aire, de que esa música embriagadora le permitía vehicular actitudes y palabras sin otra salida posible en aquella sociedad anómala.
El caldo de cultivo se coció usualmente en pequeños sellos discográficos y a veces, las menos, arriesgadas propuestas de alguno grande. En ambos casos los temas en clave nugget siempre venían alojados en la cara B de los singles o EPs, puerta de servicio de un teatro cuya entrada principal les estaba vetada. Especial mención al insólito caso Brincos y su beatlesque y estruendoso debut con 'Dance The Pulga', visionaria pieza que inaugura con todos los honores el género en 1964, y cuyo segundo 7", 'Flamenco', presentará otra de las específicas aportaciones del garage español: ruidosas aproximaciones o versiones de viejos temas de copla y flamenco. Obligado y honroso ajuste de cuentas con músicas atadas a un pasado y a un modelo de familia autoritaria cuyos cimientos comenzaban a resquebrajarse. Y aunque el mapa punteado de las zonas más prolíficas apunta a los enclaves turísticos de la costa mediterránea, lo cierto es que hablamos de un fenómeno global que aparece en cualquier lugar hispano por recóndito que éste sea. Procedentes en su mayoría de aquella clase media que empezaba a consolidarse, el adolescente español de los años 60 usó aproximadamente los mismos modelos musicales que sus colegas foráneos, pero su aportación no solo acabó siendo en muchos casos modélica, sino que prácticamente en su totalidad hubo de resultar específicamente genuina. Estos Spanish Nuggets, eterna asignatura pendiente a reeditar de nuestro patrimonio musical por fin llevada a cabo, son los que aquí festejamos con este primer volumen de "Algo salvaje".
DESCRIPCIÓN
CANCIONES
PUNTOS FUERTES
Munster presenta el primer volumen de "Algo salvaje", nuestra nueva serie de indómitos nuggets de beat y garage español.
"Algo salvaje" es la primera antología legal dedicada a una fértil época en la que surgieron cientos de bandas por toda España que, tras prestar atención a lo que sus colegas británicos y americanos estaban haciendo, encontraron la forma de descargar su rebelión juvenil a través de ruidosas guitarras. ¡Con fantásticos resultados!
Un buen número de los 28 temas se reeditan por primera vez, incluyendo verdaderas piezas de coleccionista.
Ambos formatos incluyen notas interiores a cargo de Vicente Fabuel acompañadas de todas las portadas originales y fotos de los artistas.
1. A TU VERA - TOMCATS 2. DANCE "THE PULGA" - LOS BRINCOS 3. TRUE FINE MAMA - TONY RONALD Y SUS KRONER'S 4. SHAKE BABY SHAKE - LOS 4 JETS 5. YA NO ME IMPORTAS - LOS BUITRES 6. ERES UN VAGO - LOS BOTINES 7. VEN A MÍ - ELS TRONS 8. SIN CORAZÓN - LOS BETA 9. YO TE VI - LOS IMPALA 10. AÚN - LOS HURACANES 11. PROTESTANDO - LOS 5 DEL ESTE 12. ANTIMUSICAL - MIGUEL RÍOS 13. NO ME DEJAS VIVIR EN PAZ - THE FOUR WINDS AND DITO 14. ZERGAITIK EZ DA EGIA - LOS DAIKIRIS 15. POR FAVOR - LOS PEPES 16. NO SÉ QUÉ SIENTO - ELS MALLORQUINS 17. MIENTES - LONE STAR 18. VETE YA - LOS PEKENIKES 19. CORAZÓN LLENO DE MAL - MIKE & THE RUNAWAYS 20. SOMBRAS - LOS NIVRAM 21. TE FUISTE - LOS JUNIOR'S 22. NO LO VERÁS - LOS ROCKEROS 23. Y OLVÍDAME - LOS CHEYENES 24. LA DROGA - LOS POLARES 25. YOU BE - THE CANARIES 26. ACTO DE FUERZA - LOS SIREX 27. JABÓN DE AZUFRE - MICKY Y LOS TONYS28. IT IS MY WORLD - PROU MATIC
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