ALEXANDR IA MUNIC IPALITY
A GUIDE TO THE ANCIENT AND
MODERN TOWN,AND TO ITS
G R A E C O - R O M A N MUS E UM
BY E V. B R E C C I A
BERGAMOISTITUTO ITAL IANO D '
ARTI GRAF ICHE1 92 2
had exerc i sed the ir refined in tel l igence, where the love of
ga in was equa l led on ly by the love of p leasure ,and
where women were as beau t ifu l as they were fra i l ?Noth ing rema ined ! The sadnes s of dea th was every
where . The area of the town shrunk more and more,
and the ceme teries, wh ich orig ina l ly were s i tua ted to
the Eas t and Wes t,encroached upon and a lmos t en t i
rely usurped the land former ly crowded by hab i ta t ion s .
(fig .
Here and there s tood a so l i ta ry pa lm tree,i ts leafy
cres t,h igh above i ts long naked trunk
,floa t ing mournfu l ly
in the northern breeze . C leopa tra’s Need le and Pompey
’
s
P i l lar,in me lancho ly pride ,
l ike two g ian ts surviv ing the
d isaster, gazed at one another from afar and to ld each
other a ta le of sorrowS lowly but sure ly the sand
,in the id le and abandon
ed harbour,was s i l t ing up the she l tering ports tha t had
he ld the m ighty flee t s of the He l len is t ic epoch .
To the grea t Mohamed A l i be longs the cred i t of resusc i ta t ing the dead town of A lexandria . Success rap id lyfol lowed h is courageous in i t ia t ive . The remode l l ing of
the Mahmud ia Cana l in 1 8 1 9, toge ther wi th the worksundertaken in the harbour of Eunostos
,he lped A lexandria
to recover part of the commerc ial act iv i ty wh ich had
been so prom inen t a feature of her former l ife . The
Prince offered safe and l ibera l hosp i ta l ity to European s,and the ir trad ing co lon ies grew in number very qu ick lv .
Dea th gave way to l ife,and in 1 882
,when the Bri t ish
occupied A lexandri a, it s popu la t ion was some ten t imeswha t i t had been at the commencemen t of the cen tury.
S ince then ,the town has increased enormou s lv in wea l th
,
popu la t ion and area .
The Alexandrians of to day have been accused of
ignori ng or neg lect ing the rema in s of the ir c i ty’
s gloriouspas t , for the ir feverish act iv i ty in leve l l ing and bu i lding,cau ses many prec ious monumen ts to be broken or coveredup, perhaps for ever. Th is s ta te of th ings has been fortwo genera t ions a source of anx ie ty and sorrow to ar
chaeo log ists and to h istorians,bu t in spi te of vanda l ism
there are s t i l l many in teres t ing th ings to be seen in the
town of the Pto lem ies . Noth ing i s more fa lse than the
w ide ly spread idea tha t A lexand ria has noth ing to showto i ts v is i tors . Th is fict ion has a r isen from the facttha t Alexandria i s ow ing to it s pos i t ion , a po in t of arriva l and a po in t of departure . The touris t arr ives in
Egypt eager to see the Pyram ids and the grand ru ins
of Pharaon ic c iv i l isa t ion whose descrip t ion have st irredh is imag ina t ion s ince ch i ldhood . When he return s
,he
i s homes ick or anx iou s to see other coun tr ies . A lex
andria,for him
,i s noth ing bu t a port . But i f he does
not tarry, he w i l l have but an incomple te idea of the
marve l lous h is tory of th is coun t ry, dead a hundred t imes
and a hundred t imes resusc i ta ted,and he wi l l leave
w i th a regre t tab le gap in"
the series of h i s impress ionsand h is knowledge . We hope to demon s tra te th is c learly.
Perhaps I may be a l lowed to add a few words tothe in troduct ion to the firs t ed i t ion . I t i s pleasan t tobe able to s ta te tha t the growing in terest of trave l lersin A lexandria has made i t necessary to reprin t th is vo
lume . The t own is improv ing rapid ly and con t inuou s lyin hygiene, comfort and a l l modern progress. The ex
tens ive new pub l ic parks , the broad quays now constructed a long the sea fron t
,the dra inage works
,the
openi ng of new hote ls,render a s tay at A lexandria both
pleasant and hea l thy . Trave l lers and v is i tors,more nu
merous every day, keep on add ing to the chorus of pra i setha t hyg ien ists have given to the cl ima te of our town
and its suburbs from Ramleh to Abukir.We iga l l , the
Engl ish h is torian ,recen t ly affirmed from h i s persona l ex
perience, tha t there was perhaps no c l ima te in the worldtha t cou ld riva l tha t of Alexandria towards the beg inn ingof summer (0
°
As for the present volume,I ough t to say tha t i t i s
not a s imple repr in t , bu t an a lmost en t irely new work,
carefu l ly revised and much deve loped .
Some readers wou ld perhaps have preferred a moredefin i te pronouncemen t on ques t ions of A lexandrian topography ; but the s tuden t knows we l l tha t in these quest ions doubt i s often the most sc ien t ific conc lus ion .
The Bibl iography wh ich fo l lows each sec t ion, g ives
the mos t impor tan t pub l ica t ions on the subjec t , and a l l
these publ ica t ions , or very near ly a l l,can be consu l ted
in the Archaeo logica l l ibrary wh ich is a t tached to the
Museum and wh ich is opened to the pub l ic at the same
hours as the Museum.
I t i s my plea san t du ty to thank the Ist i tu to I ta l ianod
’
Art i Grafiche for the care i t has taken in the pri n t ingand i l lus tra t ing of the vo lume .
The photograph s, for the mos t part, have been takenby Mr. Re iser; many are due to the friend ly he lp of
Dr. Arnoldo R iett i,others were prov ided by Mr. C .
Mamluk, and some by Mr. Mohamed Saudi .
My s incere and gra tefu l thanks are due to my la te
( 1 ) c Th e re i s pe rh a p s n o c l im a te m th e en t i re wo rl d s o p erfec t a s t h a t
o f A l e x an i r i a i n th e e a r ly s u'
n m e r (WE IG ALL , Lif e a n d Times of C l eop atra
, Queen of Egygt, p .
friend Fa ther J . Fa ivre,S . J .
,to Professeur G. Le
febvre and to the la te Mr. V . Nourri sson,who a l l
gave me the ir w i l l ing he lp in the thankless task of the
correct ion of the proofs . Fa ther Fa ivre k ind ly rev ised
my en t i re manuscri pt.F ina l ly I must not forge t to thank D r. A lexander
Granvi l le, the Ex-D irector Genera l of the Mun ic ipa l i ty,a man of broad and en l ightened m ind, whose des ire i twas tha t the book shou ld be we l l prin ted and fu l ly i l
lu stra ted .
E . BRECC IA.
F i g . 2 .
PREFAC E TO THE ENGLISH ED IT ION
Th i s tr a n s l a t i on wa s r eady ea r ly i n 1 9 1 7,bu t i ts p r i n ti ng
ha s been del ay ed by th e wa r,by str i kes a nd the ma ny other
d iffi cu l t i es th a t n owa day s r ender p ubl i ca ti on s l ow a nd n u
cer ta i n .
I wi sh to tha nk M .
’ C. C. Edga r for the i nva l u a b l e help
he ha s g i ven me i n br i ng i ng ou t th i s work.
Th e p roof s wer e r ea d by h i m,by D .
’ Al ex . Gra nv i l l e a nd
by M i ss Ma r i ca Fabr i . If th i s Ed i ti on shou l d p rove a ccep
tabl e to my Eng l i sh readers,i t w i l l be grea tly du e to the
cons ta n t a nd r eady help I ha ve r eceived f rom these f r i end s .Th e l a te Si r Arma n d R ufi
'
er very cour teou s ly r ead through
the chap ter on Mumm ifi ca ti on wh i ch I ha ve wr i tten esp eci a l ly
for the Eng l i sh Ed i tion .
Ma ny addi t i ons ha ve a l so been ma de i n the tex t a nd nu
merous new i l l ustr a t i on s h a ve been a dded . The p resen t workcon sti tu tes i n some way th e nu cl eus or the g round-p l a n of a
l a rger work wh i ch I am p rep a r ing i n my na ti ve l a nguage,
on the H i story of Al exa ndr i a and i ts Ci v i l i sa t i on .
J a nu a ry 1 920.
T H E MO D E R N TOWN
E n on i l h u tto d e l d e s e r to u r t a n te
e n o n l a fu g a. d e i b a rb a r l c i a n n i
v a l se a d om a re qu e l l a b a l d a fi g l i a
d e l g re co e ro e .
A l a c re i n d u s t re a l a. su a te rz a v i ta
e l l a so rg e a , so l l e c i t a nd o i fa t i .
CA RDUCC I , Od i B a rba re ,A l ess a n d r i a .
Popu l a t ion . According to the la s t census the popu la t ionof A lexandria amou n ts ( 1 9 1 7) to inhabi tan t s approx i
ma te l y . As for th e e lemen t s and na t iona l i t ies t ha t compose i t,i t i s t rue to say, m u ta t i s mu ta nd i s , tha t th e condi t ions of theGraeco-Roman epoch are close l y pa ra l le l led ; on ce more Alexandria can be defined as a cosmopol itan c i ty . Nea rlyfore igners can be coun ted amongs t her inhabi tan ts , of whomabou t are Greeks , more than I ta l ian s
,a nd seve ra l
t housand Fren ch . Engl ish and othe r Bri t i sh subjects (Ma l tese ,Indian s), Au strian s , Ge rmans , Syrian s , and Armen ian s ; there a re
a lso cer ta in numbe rs of Tu rks,Sw i ss , Span ia rds , Ame rican s, n a
t ires of Ba rba ry a nd of Morocco,and R u ssians . Each coun try
is represen ted by a Con su l .From a re l igious poin t of view va rie ty is no less marked .
The ma jori ty is na tu ra l l y Mu ssu lma n,bu t t here a re a lso man y
Ca tho l ics of diffe ren t ri tes , man y members of the OrthodoxChu rch . Pro te s tan ts. Is ra e l i tes , e tc . A l l the re l ig ion s repre se n
ted in Egypt have chu rche s or temples a t Alexan d r ia : for someindeed Alex andria i s t he princ i pa l sea t o f re l ig ious a u thorit y .
One migh t be incl ined to be l ieve tha t su ch a va rie t y of races
,la nguages , re l ig i ons , a nd mann e rs cou ld not con s t i tu te a
town whose essen t ia l qu a l i t ies a re prec ise ly tolera nce and reci
proca l respec t . Alexandria, howeve r, is a proof tha t mu ch pre judice and ra cia l hatred , mu ch chauvin ism
,much re l i giou s fana t i
c ism may grow mi lder, and may even disa ppea r,when a ra ce
or a na t iona l i t y has occa s ion t o l ive in da i l y con tac t w i t h otherraces and other n a t iona l i t ies, and ca n lea rn tha t each one ofthem h as qua li t ies tha t can not bu t be appre cia ted an d fau l tst ha t may be tole ra ted .
Shou l d any m is fortune take p lace in one sect ion of t h e popu la t ion i t i s cons ide red as a misfor tune for th e othe rs too, anda l l w i th touching un an imity t ry the ir u tmost to remedy i t .Each re ta in s his po l i t ica l
,socia l and mora l idea l , bu t they a l l
respect tha t of othe rs,and no one in s ists tha t h is i s the bes t
or th e finest and tha t i t ough t to gove rn the world .
Such,briefly , i s the admirable sta te of things i n A lex a ndr ia
w i th rega rd to the socia l re la t ion s of the in habi ta n t s . I t i s ev iden ttha t among so man y sec t ions t he re are su re t o be e lemen tstha t leave mu ch to be desi red , bu t let u s has ten to add
,to th e
credi t of th e town , th a t in proport ion to the n umbe r of i tsinhabitan ts
,crimes commi t ted i n Alexandr ia a re in fe r i or i n
number and i n gra vi t y to those of ot her town s w i th popu la t ion sequa l i n s ize .
The Alex andrian s of today can be cons idered w i thou t dou btamongs t th e mos t hospi tab le people i n th e world : Ge la l -e l -D i nben Mokram
,Master of those who kn ow by hea r t wou ld be
su rprised how he cou ld have su ng i n former days He whodescends a t Alexa ndria rece ives a s gi ft of hospi ta l i ty On lywa ter, or the descr i pt ion of th e Column El Sa ua r i . Whenone w ishes to t re a t him we l l , t he y go so fa r a s to give himFresh a i r
,and poin t the Pha ros ou t to him . They a lso
describe the sea and i t s waves . Adding a l so a descri p t i onof the la rge Greek ba rques . Le t no t the gu es t have hope ofrece i ving bread For i n tha t place t he re i s n o man who ca n
read tha t let te r
Adm i n i s tra t ive O rga n i sa t i on . Alexandria i s a Gove rnora te . The Town has been admin i ste red sin ce 1 890 by a Mun ic ipa l Counc i l of 2 8 members , 8 of whom are nomina ted by theGovernmen t
,6 a re ex-offici o members, 6 a re chosen by th e ge
ne ra l e lectors (i . e . c i t izens pay ing a re n t of l E, 7 5 per an
num), 3 are e lected by Importe rs , 3 by Exporte rs , and 2 byL a nd lords (house-own ers). More t ha n 3 membe rs of the same
na t iona l i ty ca n not be e lec ted . The Gove rn or of the Town i sPres iden t of th e Coun ci l . Th e membe rs a re d ivided in to commi t tees to supervi se the differen t se rvices .The Cou nc i l choose s a De lega t i on b which i s i ts pe rmanent
admin ist ra t i ve and execu t ive body . Th e De lega t ion i s composedof 7 membe rs bes ides the V i ce-Pres iden t of the Cou nci l
,who
i s a membe r by right,a nd who p res ides ove r i t . The di rection
and su pe rvi s ion of a l l the se rv ices a re en t rusted to a DirectorGene ra l who
,w i thou t ha ving a vote
,a ttends the mee t ings of
the Coun c i l , of th e De lega t ion , and of th e Commi t tees . The
Mu n ici pa l Se rvice comprises the fo l low ing bra nches : I . Admi n i stra t ion and Lega l
,2 . Rece ip ts , 3 . Te chn ica l
, 4. Sca vengin g, 5 .
Pa rks a nd P lan ta t ions,6 . San i ta ry , 7 . Ve te r ina ry , 8 . Arch aeo
logica l , 9 . L ibrary,
IO . Fire Brigade . A t the end of each yea rthe Admin is t ra ti on publ ishes a volume of th e re por ts of th eHeads of the Depa rtmen ts on th e progre ss of th e va r ious ser
Vi ces .In spite of the tendency of th e Gove rnmen t t o cen tra l ise in
Ca i ro the d i rect ion of a l l branches of Admin i st ra t ion , Al ex a ndria s t i l l rema ins the sea t of the Mixed Cou r t of Appea l , Cu stoms , Ports a nd L ighthou ses
,the Ma r ine
,San i ta ry , and Qua
ra n t ine Cou n c i l,and the Post Office . For th e Admin is tra t i on of
Pub li c Secu ri ty,
and for t he prope r con tro l of othe r publ icse rvice s which do not depend on th e Mu n i c ip a l i t y
,the t own
and i ts su bu rbs form wha t i s cal led a Gove rnora te . The Go
vernor ,'
who i s a t the same t ime (a s we have a l ready t e
ma rked) Pres iden t, by r ight , of the Mu n ic ipa l Cou ncil , i s the
represen ta t i ve of th e Sta te i n Alex andria . H e is ass is ted bya sub-governor
,and by the Commandan t o f t he A lex an dria Ci ty
Pol ice . Moreove r the Min i s te rs,t he Admin i stra t ion of the
Ca isse de la Dette P ub l ique,
a nd the Engl ish Dip loma t ic A
geney res ide i n Alexa ndria du r ing the summer mon ths .The fami ly of the Su l tan Spend a ce rta in portion of the
yea r a t the i r residence,th e Pa lace of Ras -e l—Tin .
Cl ima te , Hyg i ene , Comfort. In an t iqu i ty D iodo ru s ,
Strabo , Ammianus Marce l l i n ius , Qu in tu s-Cu rt ius , Ce lsu s and
Pl iny ha ve pra ised th e sa lu brity of the Alexa ndrian c l ima te .
This sa lubri ty cau sed the c i ty to be frequen ted by va le tud ina
r ians,just a s ce rta in except iona l l y she l tered town s on th e coa st
o f the Medi te rranean a re frequen ted a t th e presen t da y . Eve ryyear brough t a swa rm of a ristocra t i c pa t ien t s to Alex andria tobe t rea ted for con sumpt ion . At A lex an dria says St rabo,the wa ters of the Ni le begin t o rise a t th e beg in n ing of the
Summer,
fi l l u p the bas in of th e lake,
and lea ve no ma rshypart exposed from which dangerou s ex ha la t ion s might a rise . Atthis same t ime of yea r the e tesian w inds b low from the North
,
a fter having crossed a grea t expanse of sea : there fore the summeris a very agreabl e season for the A lexa n drian s The fame ofthe sa lubri ty of Alexa nd ri a wa s very grea t even a t the t ime ofth e Arab hi s torian Makri z i Those who bu sy themse lves w i th cosmography
,th e descr ip t ion of cou n trie s
,the ar
ra ngemen t of cl ima tes and of regions,a ffirm tha t i n no othe r
country of the world,the y ea rs o f men a re as l ong a s a t Ma
rabu t, i n the distric t of A lexandria,a nd a t Wadi Fargan ah
Now-a -days,the c l ima te ha s a ra ther bad repu ta t ion , bu t one
ough t not to lose sigh t of the fact t ha t even i f th e North and
Northwesterly w inds domina te here,a nd i t du ring the mon ths
from Augu st to Novembe r one of it s e ssen t ia l cha ra c te ri s t ics isgreat humidi ty
, yet th ese in conven ien ce s a re mi t iga ted by ad
van tages of capi ta l importance . We re fe r to i ts grea t therma ls tabi l i ty , to the in compa rable pu ri ty of th e a i r
,and to the breeze
which , du ring the summer, blows con t inu a l ly from thre e o’
c locki n the a fternoon . From Me teoro logica l obse rva t ion s of seve ra lyea rs i t i s seen tha t the mi n imum tempe ra tu re gives a n ave rageof 1 6 degrees Cen t igrade , the max imum tempera tu re a n a ve rageof 24 degrees . Ra re ly
,even du ring the hottest mon ths
,does
the tempe ra tu re exceed 3 1-
3 2 degre es . I t ra in s very l it t le i nAlexandria and a lmost exc lu si ve ly i n November
,December
,Ja
nuary and Febru ary (from 4 to 7 cen t ime tre s tota l ra in fa l l eve rymon th), for the rest of th e yea r on ly a few drops fa l l .The Kh ams i n i s a ve ry hot w ind from the dese rt
,of which
one i s apt to form an ex aggera ted idea . I t gene ra l ly blow s fortwo or three
.
con secu tive days a t a t ime,and t ha t du ring the
5 0 days be fore the Summer So lst i ce .
Since the Wa ter Company h as pu t new fi l te rs in to u se,th e
wa ter tha t i s d i s tribu ted does not prese n t the lea st da nge r ; onthe con tra ry i t i s s o pu re tha t i t ca n bea r comparison w i th th e
best drinking wate r Th e Mun ic i pa l ity makes con stan t eflorts to ame l iora te in an effect ive manner th e hygien iccondition s of the town . Ma ny sani ta ry works have been ca rriedout , many insan ita ry establ ishmen t s des t royed. a rigorou s sur
( 1 ) I t se em s th a t i n th e d a ys o f a n t iqu i ty th e pu b l i c h e a l th o f t h e po o re rc l a s se s l e ft m u c h to h e d e s i re d , on a cc ou n t o f th e im pu r i ty o f th e wa te r
,wh e n
th i s w a s d rawn d i re c t l y from th e c a n a l a n d n o t from c i st e rn s . An yh ow in t h e
t im e s o f Ca esa r w e h a v e t h e t e s t im o n y o f B e l l um A l ex a n d r i num : e Ad e o e s t
l im o s a a tqu e tu rb id a (th e wa te r) a t m u l t o s v a r i o sq u e m o rbo s e ffi c i a t G a l en u sm en t io n s e l eph a n t i a s i s a s a ch a ra cte r i s t i c m a l a d y o f A l ex a n d r i a . Th e E m p e ro rAu g u s tu s g av e mu ch a t te n t i o n to t h e i n c re a s i n g o f a cq u e d u c t s a n d to e x t e n d i n gth em i n to a l l qu a rt e rs o f t h e t own .
pa rks and the broad qu ay i n the Ea s te rn Ha rbou r have cer
ta i n ly con tribu ted to he ighten the beau ty of the town .
The suburb of Ramleh too,a l though i t i s be ing deve loped
too rapidly and on no preconce i ved p lan, posseses seve ra l ha nd
some pri va te prope rt ies su rroun ded by superb garden s . Nume
rou s vi l la s a re sca t tered abou t unde r the pa lmtrees , a pictu resques ight . The Rou te d e l a Corn i ch e
,which i t has been p roposed
to make,and part of wh ich h as a l ready been con stru cted
,be t
ween Si l si leh (Cape Lochias) and San Stefa no,w i l l fol low the
shore of the Medi terranean for a distance of e igh t ki lome tres
F i g . 5 .
i
a nd w i l l form on e of th e most beau t i fu l promen ades i n the
world .
Comme rce . The commerce of the Port of Alexa ndriahas increa sed to a s ton ishing proport ion s i n th e cou rse of the selas t yea rs . In 1 9 1 2 sta t ist ics fu rn i shed us w i t h the fol l ow ingde ta i l s . Steame rs a rrived 1 92 7 , depa rted 1 9 3 3 , t ota l 3 860 .
Tonnage n e t of the tota l register of steamers,a rr i va l s a nd de
pa rtu res, ton s . Goods arr ived ton s,left
tha t i s to sa y a tota l of ton s . Pa ssenge rsSa i l ing-sh ips : 749 a rriva l s
, 7 54 departu res, tota l 1 50 3 ;registe r of tota l tonnage for sa i ling - sh ips
,a rr iva l s a nd depa rtu res
,
ton s . Goods imported : t on s,exported
tota l ton s . V a lu e of the cot ton cr0 p L . E . 26 50 79 5 5 .
This i s the highe s t figu re tha t h as eve r been rea ched .Thi s
enormou s movemen t i n comme rce n ece ssi ta tes each day new
works of improvemen t i n t he port : new quays are con st ructed,
the ou ter por t i s be ing en larged,and l ast ly a new chan ne l ha s
been made , inaugu ra ted 1 90 8 , n avigable a t a l l t i mes and for shipsof th e h ighes t ton n age , for the i r a rr iva l a s we l l as depa rtu re .
In te l l ectua l Li fe . Besides nume rou s prima ry and seconschools of differen t na t iona l it ies a nd some techn i ca l s chool s
,
F i g . 6 .
Alexan dria possesses a free popu la r Un iversi ty where mode rnla nguage s are taught
,a nd a se ries of lectu res given on a l l sub
jeers l ike l y to in te res t the mind and deve lo pe a higher cu l
ture . A we l l frequ en ted Conserva toi re trie s successfu l l y topropaga te a ta s te for mu sic among the people . The town can
pr ide he rse l f on possess ing a L ibra ry of abou t volume s ,an Archaeologica l M useum whose impor tan ce increa ses each da ! ,an d a Ga l le ry of Pi ctu res recen t l y given to the town by the
la te M . Friedhe im . An Archa eol ogica l Soc iety, coun t ing abou t1 3 0 members , doe s mu ch to aw aken th e in te rest of A lexandrian si n the pa st glory of thei r c i ty . Th is Socie ty has ca rried out
ex cava t ions , he ld con feren ces. orga n i sed excu rsion s , a nd publ ishesan Archaeologica l Bu l le t in . A Soc ie ty of Na tu ra l Scien ce foun d
ed in 1 90 8 , draws toge ther a ce rta in n umbe r of ama te urs a ndschola rs. By the in i t ia t ive and unde r th e pa t ron age of H . H .
The Su ltan Fu ad I a large Ins t i tu te of Hydrobiology i s be ingfou nded
,which promises to become the most impor ta nt in st i
tu t ion of this na tu re i n the Medi te rranean . Besides th e numerou s da i ly pol it ica l pa pe rs edited i n a l l langu ages , the re a re
scien t ific and l itera ry reviews pub l i shed eve ry mon th or everyother mon th. Some t imes these do n ot la st l onge r than th e roses
,
Fi g . 7 .
bu t the frequency of the i r appearance i s perhaps a proof tha tthey su ppl y a n in te l lectua l need fe l t by the popu la tion .
A v i s i t to th e Modern Town . The cen t re of the modern t own i s formed by a vast rectangu la r squa re (abou t 4 50metres long, and 1 0 0 me tres w ide) which bea rs the n ame ofth e Founder of th e prospe rity of A lexandria , the grea t Mohamed-Al i. In the middle of the squ a re i s seen a monumen t tha tt he t own has erected to his memory (fig . This beau t i fu lbronze eques t rian sta tue i s s igned by Ja cqu ema rt and was cast
i n Pa r is ; the ba se i s of Ca rra ra ma rble . To the We st of th esqua re i s fou nd the so -ca l led Midan qua rter (Arab Bazaa r), andRue Franque which leads to the ha rbou r
,to the Bay of An
fouchy, to the ancien t ceme te ry of th e same n ame a nd to th e
Pa lace of Ras -c l -Ti n,the summe r residence of t he Su l ta n . Th e
visi tor i s advised to fol low the fi ne road (fig . 8 ) a long the qu ayin the Eas tern Harbou r to Anfuchy Bay and con t inue t he
promenade as fa r as th e Sa i l ing Club whe re a magn ificen tVi ew 0 the Harbou r ca n be obta in ed .
F ig . 8 .
A ew hundred me tres down Rue Franque,
s ta rtsthe West side of Mohamed-Ali squa re ,
the Ibrahim TerbanaMosque i s seen , bu i l t in 1 68 5 (Christ ian era) w ith ma teria l sbe longing to mon umen ts of th e Graeco-Roman epochThis bu i lding says M . Herz Pacha a i s a large rectan
gu la r, mass ive s t ructu re , pla ste red and whi tewa shed a nd havinga long one of i ts longi tudina l fron ts sma l l shops w i th awn ingsmade of ma tt ing : there i s a school above and a n exter ior ga llery formed of sma l l column s support ing horse-shoe shaped a r
che s and prov ided w i th a wooden ba lu st rade . The ed ifice i ssu rmou n ted by a mina re t w i th b lunted corn e rs
,te rmina t ing in
a hex agon a l ga l le ry,from wh ich r ises a cy l ind r ica l column su r
moun ted by a bu lb . The n a rrow a nd pla in l y orn amen ted door
is n ea r the corne r of this fa cade , a nd the re is a sta i rway offive or s ix s teps . Origina l l y t his door w as han dsom e ly decora ted , bu t i t i s now en t ire ly defaced . In th e in ter ior, the
wa l l s and the praye r -n iche s a re orn amen ted w i th fa ience t i les,w i th a l l sorts of geome t ri ca l forms, of th e same t vpe a s thosefou nd “
at RosettaThe Mosqu e Abde l Bak i-e l -Churbag i , s i tu ated a t the beginn
i ng of Rue Ras-e l -Ti n ,wa s constru cted i n 1 7 57 . The re i s a
large open ga l lery on the facade .
F i g . 9 .
Fu rther on,on the righ t of rue Ra s o e l -Ti n
,be tw een i t a nd th e
quays,i s seen the Mosque of Sidi Abu l-Abbas -c l—Mu rsi, to w h ich
access i s given by the Midan of the same name . This Mosquei s the most venera ted i n the town becau se i t bea rs th e n amea nd she lters the tomb of a famous lea rn ed ma n who died i n6 86 of the Hegira ( 1 287 Nothing now rema in s of th e ori
g innl mosque . Th e presen t edifice w as e rec ted i n 1 1 80 of th eHeg i ra ( 1 7 66- 67) by piou s Magh rab i n s .
On the Sou t h side of Mahome t -Ali squa re , a t te n t i on shou l dbe drawn to the Pa lace of Jus t i ce (fig . some ha ndsome ed i
fi ces such as tha t of M . Pr imi , the Ot toman Ba nk Bu i ldings ,the Menasce Ga l le ry and fina l l y the Pa lace of Prin ce Ibrahim
in th e Moori sh style . The in te rminab le rue des Soeu rswhich sta r t s on th is s ide of the squ a re , and down the wholelength of which a double t ram - l ine is la id
,leads to Mine t-e l
Bassa l (where are the grea t depots of cot ton,wood
, a nd ce
rea ls), to the Goods Sta t i on a t Gabba ri . and to the subu rbof Mex (in fron t of the Labban e Pol ice Sta t ion a l ine branchesofl and goes to th e Ha rbou r). To the Sou th ~East of this stree t,a few paces from Mohamed-Ali squa re
,there i s the squa re of
St . Ca therine ’
s Chu rch . Not far from this is th e Pa tria rcha lGreek O rthodox Chu rch
,and the sea t of t h e C a thol ic La t in
Fi g . 1 0 .
Archbishop . On the North side of Mohamed-Al i squa re ,Mon
fe rra to Bu i l d ings shou l d be not iced, and a l i t t le furthe r on
c lose to Rue de la Poste (fig . 1 0 ) Sa in t Ma rk’ s Bu i ldings . In the
ga rden su rrou nding St . Ma rk 's Chu rch, which adjoin s St . Ma rk’
sBu i ld ings , t he re i s a bu st of Genera l Ea rle
,ki l led a t Birbekan ,
figh t ing aga in st th e D erw i shes,i n 1 8 8 5 . The Bou rse , bu i l t ac
co i ding to th e plan s of the a rchi tec t Man cin i , i s be tween Ru e
Che ri f Pa cha and Rue Tew fik , an d occu pies th e whole of theeast s ide of th e Squa re (fig .
There a re some rema rkab le bu i l dings i n Rue Cherif Pacha ,th e grou nd-floors of which a re taken Up by rich a nd e lega n tshops a nd nume rou s offices of banking or comme rc ia l compa n ies .
When th e founda t ion s were la i d for th e houses o n ea ch sideof the st ree t
,ru in s of severa l monumen ts of the a n c ien t tow n
we re fou nd,but unfortuna te ly they we re demol ished or bu ried
for good an d a l l .
Rue Cheri f Pa cha i s crossed h a lf-wa y down by R ue Sesost ris
,a fin e stree t w i th ha ndsome shops . R ue Toussou n Pacha
a l so Opens ou t of Rue Cheri f Pacha,and i n i t are s i tua ted the
Ba nco d i Roma , the Na t ion a l Bank , t he Cassa Di Scon to and
th e La nd Ba nk . The handsome and effect ive bu i ld ing of th eBanco d i Roma an im ita t ion on a sma l l sca le of th e ce lebra ted
F i g . 1 1 .
Pa lazzo F a rn ese , which is cons idered one of th e ma ste r piece sof a rchi tectu re i n Rome of th e XVIth cen tu ry . (fig .
There are cross- road s a t the e x tremity of Ru e Cheri f Pa cha .
Th e s tree t fac ing u s i s the Ru e de la Ga re du Ca i re,w hich a l so
leads to th e Moh a rrem Bey Qua rter and to the Ma hmud iehCana l . The stree t to th e right is the Rue Sid i Me twa l l i
,a nd
tha t to the left Rue Su l tan Fuad I .These two last stree ts fol low very close l y the longi tudina l
avenue of a ncien t days the Canopic Stree t which wa ste rmi nated by th e Ga te of the Moon a t t he West and th e Ga teof the Sun a t the East . When d igging for the founda t ion s forthe Bou rse Tou ssou n (Cook
’ s Office ), i n 1 8 86,t he ru in s of
a Graeco-Egypt ian Temple ded ica ted to Osorap is a nd to I si s
,t o
The re i s n o doubt tha t thi s spot a s on e of th e most importan tcen t res of the Ancien t Town . The Canopic St ree t wa s flankeda long its whole length by handsome port icoes , temples and richpa laces
,of which the column s and debris are now hidden under
th e presen t bu i ld ings.Amongs t th e modern edifices
,shou ld be men t i oned the New
Khedivia l Hote l and the cha rming Pa la ce of Cou n t Zogheb ,
now the sea t of the Na t ive Tr i bu n a l ; fu rthe r on the re is th eMun icipa l i ty
,and to the North of i t the M useum
,i n th e st ree t
of the same name .
If the vis i tor cont inu es to th e end of Ru e F uad I,and tu rn s
F i g . 1 3 .
towa rds the left,fol low ing the Tram-l in es
,th e publ ic Garden s
of Rue Su l tan Husse in a re rea ched . In th e l owe r part of thegarden s the fi ne three -s tor ied ci s te rn of e l -Nabih ca n be exa
mined. In these same ga rden s , a monumen t ha s been erectedi n honour of Nuba r Pacha ,
Min is te r of Fore ign A ffa i rs u nde rthe Khed i ve Isma i l
,Presiden t of th e Counc i l of Min is te rs , a nd
Min iste r of the In te rior u nder Tewfik ; h e con t r ibu ted grea t lyto the Eu ropean i s ing of Egypt . By th e ca re o f the la te Dr .Schiess Pacha , a la rge column of pi nk Asw an gran i te has been
se t up in Sa id Squ a re , th e column was found i n a ne ighbou ri ng prope rty be longing to th e Ba rons Menasce , and mu st ha vebe longed to a grea t bu i lding i n the roya l qu a r te r of the t own ,
of the Ptolema ic period , as we l l a s the ca pita l of green ish gran i te which su rmoun t s i t . At th e sides of th e ba se there a re
'5
two sta tue s of Sechme t (goddess of war), w i th a lion ess head.
The sma l l hi l l on which are the Gove rnmen t H0 5 pi ta l bu i l dingsand ga rden , probab ly cove rs ru in s of impor tan t P to lema i c andRoman bu i l dings, pe rha ps eve n the Thea t re . The ga rden shou l dbe V l Sl ted
, beca use a n anc ien t sa rcophagu s ca n be seen t he remade of gran i te flanked by two beau t i fu l column s w i th Christ ian re l iefs, which, i t seems , came from the ancien t chu rch ofTheonas . The sa rcophagu s as we l l a s the column s were placedthe re th rough the ca re of the forme r Di rector of the Na t ive Hospita l, Dr. Sch iess Pa cha , who i s in te r red the re . He a l so se t upthe column in whi te marble seen a t the summi t of the hi l l i nmemory of Queen V ic toria '
s Jubi lee . From this same spo t t liere
F i g . I 4.
3 supe rb view ove r the sea a nd the town . On tu rn ing tothe Nor th there a re the va rious subu rbs of R amleh
,to the left
and behind the spec ta tor the whole town from F uad I Ga te toMex ; i n fron t the sea , an immense expanse of str iking beau ty
,
unde r the in ten se l igh t of a sky tha t is a lways blu e ; a t th e
foo t of the hi l l i s the New Quay,a colossa l work which has
en riched the town by a splendid promenade , to be ornamen tedla te r on w i th pa laces
,edi fice s and sta tues which
,let u s h0 pe,
w i l l const i tu te a worthy homage to a rt and t o a esthe t ics .The New Quay su rrou nds th e an c ien t ha rbou r (Portu s Ma
gnu s) from Ca pe Lochia s (North -East) to th e Pha ros (NorthWest : Fort Ka i t Bey), and we know tha t this s pot wa s cove redw i t h the ma r ve l lou s con s truct ion s tha t were th e pr ide of an
cien t Alexandria .
Descending by the Bou leva rd Su l tan Hu sse in and fol low ing
i t , Ru e M issa l la (the S tree t of the Obe l is k) i s reached . Thisst ree t took its n ame from the obe l isks known by th e nameof C leopa tra ’s Needles , which stood a t the end of i t be tweenthe Ramleh Tram Sta t ion and the presen t hou se of Yehia Pa cha .
These obe lisks,one of which was standing a nd th e other ly ing
on the ground,ma rked the en t ran ce or one of the en trances
to the Cesareum or Sebaste ion (a vas t and ce lebra ted templededica ted to the worship of the Empe rors). One of these obe
l isks was ceded to th e Un i ted Sta tes and a t the presen t t imedecora tes a squa re i n New York
,the othe r was sen t to London
whe re i t was set up on the Thames Embankmen t ( I )
F i g . 1 5 .
Rue Mi ssa l la open s, on the left, on to the Bou leva rd de
Ramleh where the re a re ma ny not iceable bu i ldings. This stree tis a lways very fu l l of l i fe because i t leads to th e Term inus
,
beyond which are the rich subu rbs tha t l i e to the Ea s t of th et own . The Ramleh Bou leva rd comes to an end no t fa r fromMohamed-Ali squ are when ce we s tarted.
Ram l eh . The Arab sign ifica t ion of the word Ramleh isa
‘
sa nd or Desert bu t a t Alex an dria i t has a broadermean ing and i s app l ied to th e col lect ion of subu rbs a l l a longthe eastern coas t from Ibrahimieh to the Pa lace of the Su lta n ’sMother . ‘ These subu rbs s tand on a nar row l ine of san dy hi l ls
( 1 ) N o t i ce : GORR ING E H . , Egyp ti a n Obe l i sks . Lon d on 1 885 .
be tween the sea,Hadra lake and the Mahmu dieh Ca na l . Ram leh
’
s
origin i s recen t . Ha l f a cen tu ry ago i t was Ramleh, sand it,i n
the t rue mean ing of the word, because except for a few grou psof poor l i t t le Arab hou ses and Bedou in ten t s there was not a
s ingle Eu ropea n hou se . The con sta n t deve l opmen t of the se su
burbs h as been su rpri singly ra pi d . Seve ra l factors may havecon tribu ted to thi s : a ra i lway l ine , constru cted abou t forty yea rsago , a nd t ra n sformed recen t ly ( 1 90 4) in to an e lect ri c t ram lin e ;the dryn e ss of the cl ima te i n con tra st w i th the dampness of theTown ; a nd fina l l y the ex traord inary
,i f somewha t u nsou nd ,
F i g . 1 6 .
ou tbu rst o f gene ra l prosperit y i n Egyp t before the fin anc ia lcri s is which supervened i n 1 90 7
-8 .A stay in Ramleh i s not on l y
very hea l thy bu t ve ry pleasan t too thanks to the prox im i ty ofthe beach
,of the ga rden s which su rrou nd the grea ter n umbe r of
the hou ses,a nd of the ma n y groups of da te -pa lms (fig .
I t might be sa id th a t this subu rb rea l ises one'
s idea l o f a ga r
den ci ty.
Ramleh,today
,n umbers abou t inhabi tan t s I f i t had
not a ve ry grea t popu la t ion a t the P tolema ic epoch , 1 t was
thick ly popu la ted d u r ing th e Roman e poch , from the days ofOc tavius -Augu stu s . This subu rb w a s first ca l led Ju l 1opo l 1s and
la te r on Nicopol is . Le t th e vi si tor take the t ram a t the Ramleh
Sta t ion a nd r ide on the tram top if the re i s no t t oo rn ucb w ind .
Just before a rr iving a t the sta t ion of th e so -ca l led Ca esa r'
sCamp we see the modern Eu ropean ceme terie s to the righ t,and on the esplanade t o the left
,the Necropol is of Cha tby ,
so ca l led,one of the most a nc ien t cemete ries i n Alex a nd ria . I t
was explored by the M useum i n 1 90 4- 1 90 5 (see Mu seum
,Rooms
After Camp Cae sa r Sta t ion come those of Ibrahimieh ,of t he Sport ing C lub (see to the right
,the Race Cou rse , Po lo ,
Lawn- tenn i s,Gol f grou nd), of Cleopa t ra , of Sidi - Gabe r, of
Mustapha Pa cha (mi l i ta ry ba rracks , c lose to the old RomanCamp), of Bu lke ley , F leming, Bacos , Se ffer (Hote l Bea u Se
’ jou r).Schu tz (Hote l de P la isance), San Ste fano (Hote l Ca s in o, Ba thingestab l i shmen t ; a nd mu s ic every day i n the summe r), BeauR ivage (Hote l ; Ska t ing -Ri nk), Pa lace Sta t ion , t o V i ctoria ColIege (fig .
This promenade from A lex andria to Sa n Ste fano ca n a l so bemade by ca rriage , lea ving the Town by Rue Fuad I , and
fol lowing a road pa ra l le l to the tramwa y . This road is borde red by ga rden s and vi l las . Du ring th e whole ye a r , i n the
a fternoon s, the re i s a constan t going an d comin g of ca rriages ,motor-ca rs , horses , and bicyc les . In fron t of Ibrahimieh
,to
the right o f the road the re i s the vi l lage of Hadra,
n ea r th e
si te of the subu rb Eleusis o f an c ie n t da y s . The last ves t igesof the ce leb ra ted temple Te leste rion , bu i l t by P to lemy I I , ex i stedup to the middle of the X IXth cen tu ry , n ea r Lake Hadra . I twas the re tha t the rema ins we re d i scove red of th e colossa l s tatues of green gran i te of An ton y a s Os i ri s (now i n th e Mu seumCou rtya rd) a nd of C leopa tra as I s is (now i n Be lg ium ,
i n th e cha
teau of Ba ron de Warocque'
) ( 0 .
B IBLIOGR APHY . E a z u o c LUDW IG SA LV A TOR , R a ml eh a Is lV i n te rAuf en tha l t , P ra g u e , 1 90 0 PE CN I K D r . CA R L ; B o r n D r . G R am l eh , D i exE /ens i n i s ch e R i vi er a be : Al ex a nd r i en , Wo e r l , Le i pz i g .
Mahmud i eh Ca n a l . (fig . 1 5 ) A no less p leasan t promen ade i s tha t to the Mahmud ieh Can a l as fa r a s the Pub l ic Ga rdenof Nuzha . A vis it may a l so be pa id a l i t t le fu rthe r on to t he
An to n i ad is Ga rden which enc lose s a hypogeum of the Roma nepoch A fine Aven ue leaves th e Abou kir Road i n fron t ofthe en tran ce to the Eu ro pea n Ceme te r ies a nd leads to th e
( 1 ) M . CONS I GL I , i n th e Sp etta tore Eg i z i a no a n d i n t h e Al ess a ggero d i
M od ena , o f M a rch 28 th 1 8 56, a l so spe a k s o f a b e a u t i fu l Ca rya t id tn wh i tem a rb l e , pe rfe c t l y scu l p tu re d a n d o f c o lo s sa l s i ze I am i g no ra n t o f th e fa te
o f t h i s b e a u t i fu l scu l ptu re .
( 2) See H . THIE RSCH , Zwe i a n ti ke G ra ba n l a ngen bei A l ex a nd r i a
Rou nd Point (Wa te r Compan y Offices ). Thence othe r avenuessepara te and tu rn to the Mahmud ieh Ca na l
,e i ther through Mo.
h arrem Bey , or th rough Hadra (the j ou rney the re may betaken by Moharrem Bey and the retu rn by Hadra).The Can a l wh ich toda y bea rs the name of Su l tan Mahmud
,
was not made by Mohamed A l i . The fou nder of mode rn A lex
F i g . 1 7.
andria confined himse l f to the repa i ring and clean ing of thecana l wh ich had ex i sted since th e founda t ion of the an c ien ttown
,and which branched off from the Canopic arm of th e
Ni le a t Chere um an d Sched ia (Ka riu n -Kom-e l -Gizeh) n ea r Kafre l -Dawa r. The bed of th e new cana l fol lows th e l ine of theanc ien t bed from tha t place u n t i l some hundred me tre s from i tsend
, whe re i t aba ndons i ts old cou rse to mak e a bend to the
we s t of the goods ra i lway sta t ion a t G abba ri,then ce discha rging
in to th e ha rbou r.
Above Sched ia , the Mahmudieh fol lows the cou rse of theFuah Cana l . Mohamed A l i spen t seven and a ha l f mi l l ion francsodd on this work, and employed workmen .
The Cana l i s con stan t l y u sed by boa ts w i th one or two immen se whi te sa i l s (fig . When the breeze drops these boa t sare towed by men who draw them w i th ropes (fig . One
F i g . 1 8 .
migh t a lmost say tha t n oth ing on the Cana l last2 3 cen tu ries has been changed a t a l l
,and now a nd then ou r
imagina t ion migh t lead u s to think tha t we were st i l l l ivingin tha t t ime so long gone by (fig . The Cana l banks a re
shaded by gigant ic trees, and the road a long th e ba nk pa ssesin fron t of rich vi l la s . The vast , ca lm expan se of lake Ma
reot i s,seen to i ts fu l l ex ten t
,adds to the pictu resquenes s of
this beau t i fu l Eg y pt ia n la ndscape .
a rea of abou t 40 feddans a nd a la rge vi l la . This doma in ad join sthe Nuzha Mun icipa l Gardens . The magn ificen t pa rk of thetown has thus been considerably ex tended an d forms a beaut i fu lresor t
,worthy of a grea t me tropol is .
F i g 20
THE ANC IENT TOWN
c L’e s t rem o
Eroe c u i E l l a (E l en a d i Sp a rt a ) sog g 1 a cq u e
n om a v a 5 1 , c om e l ’ i d éo
ra pi to r su o p r 1mo,Al es s a n d ro .
Su qu e l l a zon a te rre s tre
c h e s i p ro te n d e a re n o sa
tra i l M ed i te r ra n eo m are
e t l M a re o t i d e Ia g o ,
i l g i ovm e e roe l a p rem e t t e
e tu l or pro l e A l e s sa n d r i a
D ’AN NUNZ I O , La us Vi ta e , 1 3 3 5- 1 344
Hi s tor i ca l Sketch . In Ju ly B . C . 3 2 2 ,a fte r seven mon ths
of siege the town of Tyre fe l l in to the ha nds of Alexande r theGrea t ; and i t was no t l ong e re the whole of Sou the rn Syriaunderwen t the same fa te . The Conqueror cou ld then ma rchin to Egypt. On l y a few yea rs ea rl ier, a fte r ha l f a cen tu ry ofindependen ce
,this coun try had been subdued by Ochu s , and i t
st i l l re ta in ed a l ive ly memory of the cru e l t ies commi t ted bythe Pe rs ia n s a t the momen t of conquest . The Egypt ian s we lcomed Alexande r a s a l ibera tor (fig . He spen t a w in te r in the
coun t ry a nd founded tha t Alexandria which i n a few scoreyea rs was to become the cen t re of th e commerce of the wholeworld, the cen tre a l so
,or a t any ra te one of th e most importa n t
cen t res, of Greek civi l isat ion at the He l len i s t i c epoch, and which
was to rema in for more than three cen tu rie s the r ichest and
most popu lous city on the ea rth .
So speedy a prospe r i ty for Alexandria has caused i ts fou ndat ion to be at tr ibu ted to a d ivine in spira t ion of the Conqu erorAlexande r
,i t i s sa id
,having made himse l f maste r of Memphis
and advancing a long the coa st to reach the Oa si s of Ammon
(the prese n t Siwa), mu s t ha ve been s t ruck by th e exce l len t pos i t iou offe re d by the v i l lage of Rhakot i s , fron ted by the Isla ndof Pha ros , for th e e s tabl ishmen t of a ha rbour for in te rcou rsew i th th e
‘
rest of th e world . Some mode rn historian s thin k tha tthe proofs of A lex ander ’ s gen ius shou ld be sought for e lsewhe rethan i n the cho ice of this si te . I f A lex andria
,they say, h ad
been founded n ea r the Bayof Canopus (Abouki r ) or ona nothe r poin t of the coa s tconnecte d w i th the in teriorof the D e l ta by a cana l
,i t
cer ta in l y wou l d have had
the same succe ss . « I t was,
I be l ieve » w r ite s ProfessorMahaffy, not the eagle eye
of th e conqu e ror, bu t the
prox imi t y of Naukra t i s,an d
the represen ta t i on s of i ns trade rs which led him to choosethe weste rn ex tremity of theDe l ta Of course a ccou n tmu s t be a l lowed for the exaggera tions in troduced in to the
legends la te r on abou t the o
rigin of Alexandria ; w ithou tdoubt A lexande r cou l d not
have fore - seen tha t this town Fi g . 22 .
wou ld become the me tropo l isof the H e l len ist i c wor ld ; bu twe can be l ie ve t ha t he h ad good rea sons for prefe rring the
poin t o f la nd fac ing the Pharos i sland to Ca nopus , wh ich wa s
a lso nea r Naucra t i s a nd wa s i n a flou ri shing condi t ion ; and i fthe inhabitan ts of Ca nopu s we re encou raged to aba ndon the i rforme r town and come and inhabi t the n ew
,i t mu s t be ad
mi tted tha t A lexa nder was gu ided not by the sugges t ions of th epeople of Naukra t i s , but by th e convict ion tha t the s i tua t ionchosen was more advan tageous than any othe r ( I ).The plans for the fu tu re c i t y were t ra ced by the a rchi tect
D inocra tes and work began a t once . C leomene s of Nauk ra t is ,
( 1 ) Th i s n a t u ra l l y d o e s no t ju s t i fy S u c h a sop h i sm a s th e fo l l ow i n g : A l c
x a nd e r m ad e h im se l f mo re i l l u s tr io u s by fo u n d i ng A l ex a n d r i a ,a nd i n t e n d i n g to
t i an spo r t t h ere t h e se a t o f h i s Em p i re , t h a n b y h i s m o s t b r i l l i an t v i c to r i e s
Co m p . O IM ITSA,
’I o t og t'
a "7g dgxa z’
a g f ro/l e a) ; p . 48 f . Se e H 0
GA RTH 1) G . A l exa nd er i n Egyp t a n d some cons eq u ences , 7 . Eg . Arc/z. I I 2
pa g . 5 3 f .
whom Alexa nde r a fter the conques t of Egyp t had placed a t the
head of the financ ia l admin i s tra t i on (he was k i l led by P tolemyon the dea th of the King, B . C . 3 2 2 ) was cha rged to see t othe rapid ex ecu t ion of th e projec t . Neverthe le ss, a t the momen tof the Conque ror ’s dea th (3 2 2) the work w a s not very mu chadvanced
,a nd in spi te of the act i vi ty d i sp layed by Ptolemy , son
of Lagos, who became sa t rap and la ter king of Egypt
,i t w as
not un t i l th e re ign of Ptolemy II (B . C . 2 8 5-246) tha t A le
xandria,cea s ing to be a bu i ld ing-ya rd
,became th e ci t y whose
beau ty exci ted the imagina t ion of i ts con tempora ries . The threefi rst . P to l emi es, princes of magn i ficence and l ibe ra l i ty whose goodta ste equ a l led the i r pol i t ica l w isdom, bu i l t , w i thou t st in t or res
st r ic t ion , a grea t numbe r of temple s,of publ ic edifices , a nd
monumen ts,and they drew to A lex an dria th e bes t a r t i st s of
the period. Even Ptolemy IV,
an indole n t ‘
bu t pomp- lovingprince
,mu s t a l so have con t r ibu ted to the embe l l i shmen t of A
lexandria . The discove ry of the foundat ion s tone of the Templeof Se ra pis and Isis on the spot of the presen t Bou rse Toussounis a n indica t ion of the act i vi t y of this king as a bu i lde r.I t is di fficu l t to be l ieve tha t h is a lmost fana t i ca l worshi p ofDionysos and his fancy for be ing a re l igiou s re forme r w ere not
man ifes ted by publ ic monumen t s . Some t ime a fte r the . dea thof Ptolemy Ph i 10 pa tor (20 5 -4) th e town of Ale x andria rebe l ledaga ins t Aga thoc le s (gu ardian of the very you ng king P tolemy V),who tyrann i sed ove r the capi ta l a nd the whole of Egypt ; bu ti t does not seem tha t the ex te rn a l bea u ty of A lexandria su f
fered i n any way by these t roubles . Du r ing the c i v i l wa r bet
ween P to lemy Ph i lometor and P tolemy Everge tes I I ( 1 7 1 - 1 70 )Alexandr ia was besieged by the Syrian king An t iochu s
, who
sa id he w i shed to restore Ph i lome tor to the throne . The s iegeprovoked dearth in the town bu t otherw i se cannot have cau sedcon s iderab le damage , because An t iochu s re t i red frustra ten ta t ismoen ibu s 11
, tha t i s to say, w i thou t hav ing su ceeded i n penet ra t ing in s ide th e surrounding wa l ls . I t ca n be a ffirmed
'
th a t
the quarre l s and i n te rna l st ruggle s of the dy n a s t y did not stopthe deve lopmen t of the town ; on the con tra ry, towa rds the
middle of the 1st; cen tu ry B . C . when the Roman s mix ed them
se lves up w ith ‘
the di ffe rences b e tw een Cleopa t ra an d her bro ~the r and husband Ptolemy X IV , Alexan dr ia h ad a t ta ined th e
max imum of her splendour . D iodorus who w rote a t the t imeof Pompey says
,a I t . was
'
not Alexande r a lon e , bu t a lmos t a l l
the kings,h is successors , un t i l our own days
, wh0‘
decora ted i tby adding magn ificen t con s t ruct ion s to the i r pa laces ; a nd sinceth e t ime of i ts fou nder, the t own has grown to su ch an ex ten t
tha t in th e judgment of ma n y she i s the first c i ty i n th e worldThe fi rst blow to this p1 osperi ty was cau sed by the a rriva l ofCaesar i n Egyp t i n pu t su i t of Pompey . Caesa r took pa rt w i thC leopa t ra aga in s t P tolemy whom he re ta ined prisoner
,bu t the
latte r, re lea sed on the demands of the A lexand r ia n s,was not
long i n tu rn ing aga in s t h im . Caesa r , whose fol lowe rs we re besieged i n the Thea t re a nd pa r t of the Bruch i um
,se t the E
gypt i an shi ps on fi re . The conflag ra t i on Spread to the t own
and ru ined seve ra l importan t edifice s (0 .
C leopa t ra , a fte r ha ving been Caesa r'
s mist ress,sub juga ted
Ma rk-An ton y,who l owe red h imse l f to become the s lave of th e
ca prices o f thi s vo luptuous woman . A t thi s epoch An ton y en
riched Ale xandria w i th severa l monumen ts s tolen from othe rtowns of G reece . When Oc taviu s (3 0 B . C . ) took possessionof A lexandria
,h e di d no t hes i ta te to restore the se t rea su re s
to the town s t ha t had bee n de spoi led of them a nd h e t ransported t o Rome a rich war booty ; neve r the less
,be favou red
th e deve lopmen t of A lex a ndria a s much as poss ib le, a nd e h
la rged the town by fou nding the subu rb of Nicopol is or Ju l iopol is
,whe re h e ins t i tu ted qu inquen n ia l games i n memory of
[1 1 3 v ictory ove r Ma rk -An t on y . He a lso caused a n amphithea t re and a stadium to be bu i l t .Unde r th e first succe ssors o f Augu stus
,Alex an dria lost much
of her pol i t ica l im por tan ce,bu t on th e othe r hand she had
eve ry reason t o be sa t i sfied w i th the good-w i l l shown he r
by th e Emperors . It i s e ven sa id tha t on seve ra l occa s ion s thesel a t te r though t of making Alexa ndr ia the i r ca pi ta l . I t wa s a t
A lexa ndria tha t Vespas ia n , en cou raged by the su pport of theph ilosophers , had h imse l f p roc la imed Empe ror A . D . 69 . H isson Dom i t i an u s (8 1 96) v i s ited A lexand ria a nd emp loved h imse l fdiscussing li te ra ry and scien t ific quest ions w i th the schola rs ofthe Mu seum . A t th e t ime of Tra jan , the Jews , grea t numbe rsof whom had l ived i n th e town s in ce i ts founda t ion , and who
then formed a t h ird of the popu la t ion,rebe l led
,and this re
vol t caused much damage . Pea ce was on l y restored u n derHadrian ( 1 1 7 - 1 3 8) who vis ited A lex a ndria tw ice . Hadria n se izedthi s Opportu n i ty of sa t is fy ing his pa ss ion for a rchi tectu re ; H e
had seve ra l temples and pub l i c edifice s res tored and renewed .
Th e Bu l l Apis,d i scove red amongst the ru in s su rroun ding. th e
Column of Dioc le t ian and at p resen t exhib i ted i n’
th e Mu seum,
prove s tha t the empe ror exerc i sed his hobby e ven in the ce
( 1 ) I t i s d e n i ed o n g oo d h i s to r i c a l a n d to po g ra ph i c a l a rg ume n t s t h a t t h e fi re
a t tack e d th e L i b ra ry , p ro pe rly s o -c a l l e d : i t i s s ug g e ste d th a t wh a t w a s re a l l yd e s t ro ye d w a s a s t o re o f b o ok s , ne a r to t h e Ha rbo u r.
lebra ted temple of Se ra pis . Moreover he lodged a t th e Serapeum
,and t ook pa rt
,as d i d Ma rcu s Au re l iu s ( 1 6 1 5 1 80 ) a fte r
him,i n th e phi losophica l and scien t ific discussi on s a t th e Ma
seum . The his torian Ma la la i n forms u s tha t An ton inu s Pius( 1 3 8 - 1 6 1 ) constructed the Gate of th e Sun , th e Ga te of theMoon
, and the avenue ; sx u oav 1 17V‘H h am
‘
j v 71 131 171! x a i 1 371! S elmaa x fyv
m i 1 5” 5 9 5W”. Commodus ( 1 80 - 1 9 3) a lso v is i ted th e town and
perhaps showed it some favou r. Sept imu s Severu s ( 1 93 -2 1 1 )came to Alexandria in th e yea r 1 99 a nd gran ted or ra the r res~
tored a mun icipa l con st itu tion to th e ci t i zen s .The gradua l bu t i rremediab le fa l l of th e a nc ien t qu een of
the Med i terranean began w i th Ca raca l la . This Empe ror, i n orde rto a venge himse l f for some sa rca sms tha t the Alexandrian s h adu ttered , ordered a g ene ra l massa cre of a l l the you ng men
,
whom h e h ad ga thered toge the r i n th e Stadium u nde r pre tex t ofpa ss ing them un der review . He sa cked the town
,orde red i t to
be d ivided in to two pa rts by a va l l um,c losed th e thea t res
,
suppressed the mea l s i n common,includ ing those a t the Mu seum
,
and thus decreed the d i ssolu t ion of the Academy,tha t ce lebra ted
phi losophica l school which owed i ts origin t o Aristot le . Th e
st rugg le be tween the Empi re a nd Zenobia , Queen of Pa lmyra ,wa s disa st rou s for A lexandria . Zenobia se i zed i t i n 2 69 ; theni n 27 3 . the emperor Au re l ian
,a fter having defea ted Zen ob ia,
sacked the town and dest royed the grea te r pa rt of i t , to avengean attempt a t independence tha t i t h ad tried to make
,and be
cause of the suppor t it h ad given t o th e u su rper F i rmu s . I tseems tha t on th i s occa s ion th e Bru ch ium Qua rte r was a lmos tt ota l ly demoli shed a nd dest royed . Anothe r ma ssacre , fol lowed bya n even more te rrible ru in
, was tha t which was orde red by Dioc le t ian (294-
5) when he t ook possession of th e rebe l l iou s town
which h ad been be s ieged for n in e mon ths . In s pi te of theefforts tha t Dioc le t ian a fterwa rds m ade to render a ss istance tothe Alex andria ns the prosperi ty of the town was henceforthcompromi sed for good and indeed a l most de stroyed . I t cer
ta in l y wa s not improved by the per se cu t ion of the Chri s t ian son th e pa r t of the Empe ror Decius a nd his successors
,nor by
th e disse nsion s st i rred up by the he res ies .Alexand ria became a cen tre of bu dding Chris t ian i ty . When the
Empe ror Theodosius ga ve the fina l b low to pagan i sm (379— 3 9 5)by officia l l y adopt ing the Chris tian re l igion , h e confidedthe task of abol ishing paga n i sm i n Alexandria to the pa t riarchTheophilu s , who , w i th pit i le ss ene rgy
,not on l y persecu ted a l l
those who re fused to embrace the n ew re l igion, bu t a lso set to
work to des t roy the temples,th e monum en t s and the s t a tues .
tra ces of i ts former magn i ficence . A t a ny ra te the Arab historia n s speak of i t w i th e n thu sia sm .
Needless to say, wha t rema ins the re may have been of th eanc ien t monumen ts were no t respec ted . The Arabs firs t choseFosta t (O ld Ca i ro) a s the i r ca pi ta l
,and a fte r tha t , Ca i ro i tse l f,
a nd the fa l l of Alexa ndria became eve r more rapid an d more profound . Jak i
‘
t t (died 1 2 2 9) found n oth i ng admirable or ma rve llou s i n A lexandria ex cept the column ca l led <1 Hamud-e l auar i
The ephemera l bu t disa st rous conqu e s t by Pe ter I of Lu s igna n ,king of Cyprus
,a t the e poch of the Cru sade s , a nd
,worse tha n
a l l e l se,ea r thquakes
,wh ich a re supposed t o ha ve cau sed a sub
s idence of the soi l (those a t the beginn ing of the XIV t hcen tury
seem to ha ve been pa rt icu la rl y ru inous) comple ted the work ofd estruc t ionC yriac of An cona h ad visi ted A lex an dria i n 1 4 3 5 . H e speaks
of having seen i n the n obil iss ima tow n w i thin the wa l lsa nd w ithou t n ume rou s and fi ne a n t iqu it ies (ve tus ta tum egregiaplu rima ex tra i n tusq ue conspe c imu s), bu t a s a ma t te r of fac tthese redu ce themse lves to the ru in s of the Pha ros , th e Obe l i sksof the Caesareum (Cleopa t ra
’s Need le s) a nd Pompe y ’ s Co lumn .
The phrases of th e ce lebra ted human is t do no t rea l l y con trad ic tBerna rd dc Breyd enbacb
’
s s ince re ex pression of d i sappo in temen t .
Howeve r,for severa l cen tu ries fo l low ing t he Arab Conque s t,
Alex andri a con t i nued to be the second tow n i n Egypt , a fterCa i r o
,a nd th e firs t mari t ime town of Egypt and of the Levan t .
Abou t the first ha l f of the XIIIth cen tu ry there were n o le sstha n 30 0 0 merchan t s (chiefly French a nd I ta l ian ) in A lex a ndriaLeopold von Suchen w r i t ing abou t 1 3 5 0 , sa y s : a At prese n tA lexan dr ia i s the firs t ma r i t ime t own of Egypt , and on e ofth e Su l tan ’s chief town sNeve rthe less du ring the Middle Ages a nd. mode rn t imes A lex
andria fe l l in to complete deca y . O the r town s (Rose t ta most of a l l)took its place i n ma r i t ime a n d rive r commerce . At the beginn ing of th e XIX th cen tu ry A lexand ria wa s the name of a sma l lvi l lage of abou t 60 0 0 inhabitan tsI ts rebirth wa s to take place i n th e cou rse of th e XIXth cen
tu ry , as we ha ve shown, through the work of Moh amed-Ali .Now the c i ty numbe rs abou t inhabitan ts . This rapidrena issa nce has not been b eneficia l t o the ru in s of the P to le
ma i c an d Roma n pe riods
( 1 ) He re i s t h e im pres s i o n th a t A l ex a n d r i a m a d e o n i t s v i s i to rs i n 1 483 : (4 O n
o u r i n trod u c t i on i n to t h e town , w e we re s u rp r i sed a t se e i ng e v e rywh e re n o th i n gb u t l am en t a b l e r u i n s ; w e c o u l d n o t su pp re s s o u r a st o n i shm e n t a t s ee i ng s o m is e ra b l e a town su r ro u nd e d b y s u c h fi n e a nd s tro n g w a l l s 11
, (B E R NA R D D E B R E y
D E N BAC H I Les s a i n l es p ére‘
g r i n a l i ons) .
In s pi te of de struc t i on and spol ia t ion of every k ind,i t i s
certa in tha t the ground to a grea t depth mu st ha ve prese rvedimportan t rema ins , bu t th e feve rish ra pidi t y of the deve lopmen tof th e modern town on the s i te of the anc ien t ha s preven tedscience from recove ring from the s i lence of cen tu r ies ma n y missing de ta i l s rega rd ing c ivi l hist ory
,th e his tory of art , a nd th e
topogra phy of the t own of the Lag i des . In rea l i ty,even i n ou r
ays , ma ny mon umen ts ha ve been bu r ied for ever or destroyedth rough ignora nce or through th e spi ri t of Specu lat ion ; manyso -ca l led ama teu rs have been me re l y dea lers , and
,ow ing to
th is , nume rou s col lect i on s have been dispe rsed to the fou r cor
ners of the wor ld,l os ing thu s wha tever in terest they had .
Wha t we have neve rthe less su cceeded in saving from tota l ru inor dispersion i s a l l th e more worthy of obse rva t ion and study .
Our Mu seum,though bu t of rece n t c rea t ion
,possesses nume rou s
objec t s in te res t ing even for those who are m e re ly curiou s ;whi le the An fuchy Necropol i s , the hypogeum of Kom-e l -Chougafa
,the necropolis a t Cha tby
,and Pompey ’s Column a t t ract
the a t ten t ion of savan t s a n d tou ri sts more and more each day.
BIBLIOGRAPHY . Be s i d e s th e h i s to r ie s o f th e He l l en i s t i c Epo c h by D roysen
,N i e s e
,Kii rs t
, a n d t h e 4 v o l . o f t h e H i s to ry o f G reec e by Ho l m , a n d p a r
t i c u l a r ly th e 3 rd v o l . o f Be l o ch ’s h i s to ry o f G re e c e , s e e : BO UC H é -LE CL E R CQ ,
H i s toi re d es La g i d es , Pa r i s , Le ro u x , 4 v o l . ; MAHAFFY,Th e Emp i re of th e
P to l em i es, Lon d o n , M a cm i l l a n ; M A H AF M
'
, A s tory of Egyp t und er th e P tol ema ic Dy na s ty , Lo n d o n , M e t h u e n ; M u m s , H i s tory of Egyp t u nd er R aru l e, Lo n d o n , M e t h u e n ; Lu wn no s o G . , L
’Eg i tto d e i Grec i e d e i R omam’
, Loesc h e r
,1 89 2 ; LOMB R OSO G . , D es cr i l tor z
'
z’
ta l i a n i d e l l ’Eg t
‘
tto c d : A l ess a nd rz’
a ;G R A T xE N LE PER E , M émo t r e s ur l a v i l l e d ’A l ex a nd r i e (D e sc r i p t i on d e l ’E
gyp t e ), t . 1 8, p . 283
-
490 : Em ma G . ,I .
’
Eg yp t e , A l e x a n d r i e e t l e Ca i re t rad . p a rG . M A SP E R O,Pa r i s . D i d o t 1 883 i n 4 , p . 1 -72 ; D I M I
’
I‘
SA U . G . ,
‘I o rog t'
a n !;(19 1 01 1 11 ; n o
'
l ew ; s’
r 240 71 1 4 1 7; 1 8 8 5 : Oc’
x ovouo’
n ov l og 1 . D .
’Al esa rogwog Awi x oa yo c 1 8 8 9 . At h en e s-Al ex a n d r ie . (Se e a l so th e e n d o f t h e c h a pte r o n th e to pog raph y o f t h e a n c i e n t t own ) .
Popu l at i on . Alexan dria,from the firs t
,was not ex c lu s
ive ly a Graeco -Macedon ian colony . I t had been founded on a
s i te a l rea dy pa rt l y occupied by a sma l l Egypt ian town,forme rly
ca l led Rhakot is,a nd the orig ina l na t ive e lemen t had been i n
creased by the t ran sfe ren ce then ce of the inhabi tan ts of Canopus . Bes ides the n a t ives a nd the Graeco -Macedon ians
,e ven
i n the firs t ha l f of th e I l Ird cen tu ry there we re cons ide rablenumbers of Jews , Phrygian s , and othe r fore igne rs from AsiaMinor.The influx of the s t rangers was not l ong in making of A lex
a ndria, a cosmopo l itan t own ,
whose popu la t ion was a s mixedas possib le . Th e descr i ption of i t g i ven by Sa in t Chrysostom maybe fa i rl y a ccu ra te even for th e pe riod preceding tha t of the
w ri te r : Greeks,I ta l ia ns, Syria n s, L ibyans , Ci l ic ia n s, Ethiop ian s ,
Arabs,Bac t rians, Scy thians , India n s , Pe rsian s says St . Chrys
ostom,
a flowed i n to this town a,which Strabo had defined as
a a u n iversa l rese rvoi r a nd Ph i lon , the Jew , a s a seve ra ltown s w i thin one tow n
A t the He l len ist ic epoch A lexa ndria was cons ide red the greatesttown i n the c ivi l i sed world , a nd a t the beginn ing of the Empi re
,
when i t had been su rpassed by Rome , Alexandria he ld th e secon dplace .
On the ba si s of the offic ia l l is ts or inhab ita n t s for the ye a r B .
C . 60,D iodorus gives u s the n umbe r of free ci t izen s a s
I f one adds the s la ves to this, there mu s t have been a popu
la t ion of abou t ha l f a mil l ion . I t is not possib le for u s to followthe successive s tages i n th e deve lopmen t of the A lexa ndrianpopu la t ion nor th e t ra ns forma t i on s of i ts organ i sa t ion ; we mayhoweve r affirm tha t i t was a lways divided in to c lasses , of whichth e fol low ing were th e princ ipa l
a! The inhab itan t s who en j oyed th e r igh ts of c i t i zen shi p .
This was a pa tricia n c la ss comprising the oldest and most no
tab le famil ies ; i t en joyed cer ta in lega l pri vi lege s,was exempt
from specia l taxes and corve'
e s (en forced labou r), provid edthe grea te r n umbe r of offic ia l s
,pr iests a nd priestesses e tc . I t
was mode l led on the free popu la t ion of Athens and Othe r G re ektowns , tha t is to say, wa s divided in to tribes each of
which comprised a ce r ta in n umbe r of demes . The c i t i zen o fA lexandria a lmos t a lwa ys added to hi s n ame the indica t ione i the r of h is deme
,or of th e t ribe a nd of the d eme
, i n whichhe wa s i n scribed . Lad ies be longing by bir th to th i s sor t ofaristocra cy might no t make u se of th e name of the deme
,bu t
they had th e ti t le of ci t i zenessif) The con st itu ted a c la ss of inh abi ta n ts
whose privi leges equa l led those of the c i t i zen s in scribed i n the
t ribes and demes (Cp. Pap . H a l . l . p . W. Schuba rt givescred it to the opin ion tha t th e Alexa ndrian s w ere c i t i zen s ofan in fe rior ca tegory , bu t th e l aw con sec ra t ing persona l l ibe rty
,
(Pap . H a l . VI I I,1. 2 1 9
- 2 2 1 ) accord i ng to its ti t le a ppl ies to the
Alex and rian s a nd a ccording to i t s text to the ci t i zen sth e two terms a re synon ymous . We must the re fore con s ider as
Alex a ndrian s and a c i ti zen s of th e first c la ss t hose who
a re inscribed i n a deme ; and a s c i t izens of the secondclass those who are not ye t in scribed there . We may imagineat Alexandria a gove rnmen t of mi t iga ted a ris tocracy .
y) The Macedon ian s. They ,too, formed a privi leged cla ss
,
which en j oyed great infl u ence a t th e Cou r t a nd i n t he a rmy .
The y formed a mi l itary pa tric ian c la ss,
a nd the i r acc lama t ionra t ified , so to speak , the corona t i on of ea ch new king .
The ymigh t be compa red to th e Pre toria ns
,the Ja n issa ries
, th e Ma
me lukes .
5 ) The ”79 éfl l yo” fi § D, whose n umber w as conside
rable i n A lexandria , we re doub t less rap id l y He l len ised ; bu t theyformed a specia l c lass less p riv i leged than the preced ing .
8) The poor G reeks,who were con t inu a l l y emig ra ting to A lex
andria i n gre a t numbers from a l l the regions of the He l len i cwor ld, who made no c la im to po li t ica l im portance , and werenot insc ribed among the c i t i zens
,whose t i ghts a nd pri vi leges ,
i n fa ct they did not sha re .
C) The Jew s . Sin ce the beginn ing of the III"d cen tu ry theyformed a cons ide rable port i on of t he A lex andria n popu la t ion .
The i r commu n i t y had a specia l con st i tu t ion o f i t s own,the most
importa n t e lemen t s of which w e re the e t hnarch a nd th e ;'89 0 v 6 t
'
a
(th e a ssembl y of e l de rs). They were a lmost as mu ch privi legedas we re the and more so than the Persian s ;bu t from th e poin t of view of t he const itu t ion of th e town theywe re no t c 1t tzens .
77) The Egy pt ian s a rt isan s,day
-labou rers,and even soldie rs
inhabi t ing by preferen ce or e x c lu sive l y the weste rn qu a rter ofthe town (Rhakot i s) a nd the i slan d of Pharos . Void of a l l He llen i e cu l tu re , even supe rfic ia l , t hey w ere a lwa ys a fore ign e lemen tin the grea t Greek city . They were not subjec t to a ny spec ia lor except iona l law
,bu t l ike the gre a te r pa rt of the Greeks
,a s
we l l a s the Pe rs ians a nd th e Jews,they d id no t par t icipa te in
the righ ts of c i t i zen sh ip .
Na tu ra l ly there we re o the r grou ps of fore ign inhabi tan ts . The
s la ves a nd th e freed-men w e re ve ry n ume rou s . Afte r the RomanCon quest , the inhabi tan t s of A lex and ria
,i n orde r t o become
Roma n cit i zens,had to fu lfi l one ind ispen sable condit ion : to
posse ss th e Alexandria cit i zensh ip .
BIBLl OG RAPH Y . Se e : SC H U BA R '
I‘ W Al ex a nd r i n i sch e Urkun dm a us
d er Ze t’
t d es Augus tus , i n t h e Arc/zi t) f i i r P a py r u sj or sch u ng , V , 3 5- 1 32 ; l o a m,
Neues a us d em a l i en A l ex a nd r i an ,i n t h e P reuss z
’
sch e J a h rbr’
i cher , Ba n d
( 3 7 . Th e Al e x a n d r i a n t e x t s , wh i c h g av e r i se to t h e re n ew a l o f t h e s t u d y o f t h i s
qu e s t i o n , we re d i s co v e red by O . R u be n s o h n a t Ab u s i r-e l -M e l eq ( Fa yum) . Th eyd a te from t h e t i m e o f t h e Em p e ro r Au g u s tu s . T h ey a re pu b l i s h e d by SCHUn AR T i n t h e IV t h v o l um e o f G re ek P a p . i n B e r l i n . (Be r l i n e r G r i e c h i sc h e U rk u n
d e n ) . C p . th e m a s t e r l y wo rk o f W ILC K E N , Grzm d z fi ge m i d Ch restoma th i e d er
Pa py ru skmzd e , R a p . 1 , p a g . 1 4 ; c p . D tk a i oma ta , P a p . H a l .,I , p. r62 , B e rl i n .
19 1 3 . GLOTZ G . ,Jou r na l d es Sa va n ts , 1 9 1 3 , p . 23 .
Li fe i n Ale x a nd ri a . Th e beau t y , the wea l th,and the opu
len ce of Alexandria ha ve often been ce lebra ted by th e w r i ters of
34
a n t iqu ity. This fame su rvi ved even a fte r the comple te decay ofthe town . The human is t , Cyr i ac of An cona unde r theinfluence of l i te ra ry t radit ion , ca l l s th e poor ru in s ex ist ing a t h i sepoch u rbs nobi lissima Ma lfi izy, a lea rn ed commen ta tor ofthe Coran , th inks tha t God is referring to Alexandr ia whenment ion is made i n the Sacred Book of a c i t y a which has
no l ike i n the wor ld Ahmed Ben Sa leh ca l ls i t a the qu i ve ri n which God has placed his best a rrows and so on . Goingfu rthe r back
,we find t hat pagan and Chris t ia n wri te rs , Greek
and La t in , a l so th e in scri pt ions a nd the papyri , a lmos t a lwaysaccompany th e name of Alex andria w i th lauda t ive ep i the t sthe grea t
,the very grea t , the rich, the very noble
,the very
happy,the splendid , the ci ty p a r ex ce l l en ce
,the tow n tha t pos
sesses a l l tha t one ca n have or des i re (0 .
Jwim a doo’é’
on x ov x a l yi'
vez’
,éoz
’e’
V Alyt'
w t qo
oiyafld m itrfi'
5 0’(i v x 0 7; Cg];
Thus begin s the descript ion of Alexandria given by H eronda si n the firs t of his Mimiambi . This descrip t ion
,which th e poe t
has p laced i n the mou th of the old procu ress Gyl l i s, i s pi c turesque , con fu sed , a nd ex t reme ly comi c , bu t admi rably describesAlexandria ; th e town of l igh t a nd a t th e same t ime the town
of luxury , of refinemen t , of fea s t ing , of corru p t ion , a nd ofeter na l p l ea su re . Egypt (read Alex andria) is the hou se ofAphrod ite
,and eve rything is to be foun d the re : wea l th
,pl ay
grounds , a large a rmy,a se ren e sky , glory , publ ic d isplays, ph i
losophers, precious me ta l s , fi ne young men,a temple of the Bro
ther Gods , a good roya l hou se , an a cademy of Sc ien ce,exqu i s i te
w ines a nd beau ti fu l women the women,
as Gyl l i s adds,so
beau t ifu l tha t they can on l y be compa red to th e goddesses i nthe judgmen t of Paris .The Alexandrian s were ce lebra ted for th e i r love of work a nd
of money,for the i r pi t i lessl y mocking sp iri t
,and for the i r ten
deney towa rds nove l t ies and revol ts . The n ickn ames the y bestowed on everyon e , including kings , a nd la te r on
,empe rors
,
have rema ined famou s . Referr ing to th is, Sen eca ca l l s the popu l a tion of A lexandria loqua cem e t ingen iosam i n con tumel ias The Eni pero r Hadrian (if he be rea l ly the au thor ofthe celebra ted le t te r to h i s brother-i n- law Serv ianus) has giventhis descri pt ion of the Alexandr ians Genus hom inum sed i t io
( 1 ) As I am k e e pi ng to b ro a d l in e s , I am con s equ e n t l y n o t a b l e to e n t e r , a t
th i s m om en t , i n to t h e d e ta i l s o f wh i c h th e i n s cr i p t i on s , th e papyr i , a n d th e
ostra ca o ffe r so r i ch a h a rv e st tod ay .
s i ssimum,van issimum
,i n j u rios iss imum, c i vi tas opu len ta
,dives ,
fecunda , i n qua nemo viva t ot iosus (nobody i s id leUn u s i l l i s deus nummus est (they ha ve no othe r god bu tMakri zy a ffirms tha t a va rice was the i r cha rac terist ic ; othe r w ri
te rs ca l l t hem l ia rs a nd audac ious . Bu t they a lso had somegood qu a l i t ies : they were i nge n i os i a tque a c utz
'
ss imz'
,t hey we re
amiable , hospi table (even t hough Ge la l-e l -D in has w ri tten the
con t ra ry ) and possessed the gi ft of in spiring sympa thy . The i rlove of work and of money wa s equa l led by tha t of pub l i cspecta cle s, of gymnas t ics , of feast ing , and of
‘
ma te r ia l en joymen t s . Strabo te l l s us t ha t the cana l con nect ing Alex an driaw i th Canopus was cea se le ss ly covered w i th ba rges crowdedw i th men a nd women on the i r way to amuse themse l ve s moreor less innocen t ly more often less : i n fac t th e objec t of theexcursion s of these good A lexandrian s wa s Ca nopu s , famou s forits debauchery . Excu rs ion s we re no t made on ly to Canopu sAt a l l t imes of the yea r 1» Strabo aga in says, th e Alex an
dr i ans u sed to go to a s teep p lace on th e shore of the sea,
on the Ma reot ic coast,not fa r from Tapos i ri s Magna (Abouki r),
to amu se themse lves a nd ma ke good che e r Fore ign ers and
provincia l s we re a t t racted to A lexandria,t o tha t town fert i
l issima e t cop ios i ss ima omn ium rerum not so much by i tspoets
,i ts learn ed men
,i ts l i te rary and sc ien t ific in st i tu t ion s , as
by i ts cu riosi t ies a nd disp lay of e legan ce , the pub lic spectac les,
the sy mp os i a , and the be au t i fu l women . The Alexa ndrianmi l ieu wa s dange rous , a nd Ca esa r mi st rus ted t roops who
h ad become a ccu s tomed to the l i cen t iou s l i fe of Alex and ria .
A propos of tha t town I ha ve made a l lusi on to Pa ris , and
in t ru th,the compa rison
,mu ta t i s mu ta n d i s
,is n ot too a rbi
trary ; but I think there i s a nothe r town which offers a gooddea l of a na logy w i th r the Greek he ro
’ s lo ve ly daughte rF lorence
,a t th e epoch of t h e Medic i . Th e town s re semble
one an o the r i n the i r l i tera ry and a r t is t ic ac t ivity,i n the i r high
degree of in te l lectua l cu l tu re , i n t he i r wea l th , opu lence a nd
luxu ry and i n the i r love of happy and l igh thea r ted l i fe . It iscu rious to not i ce tha t the re fra in of a ce lebra ted ca rn i va l poemwhose a u thor was Lorenzo de Medic i runs thu s : Chi vuolesse r l ie to s ia De l doma n non v
’
é ce rtezza and i s a l
most the t ra nsla t ion of th e refra in tha t the joyfu l groups i n th e
stree ts of A lexandria sang a t the top of the i r voices : ai rfra me?
x a i m’
wus v , m’
ig tov yap dn ottrgl
'
ox oy av l e t us ea t and drink,
for tomorrow we d ie '
B IBL IOGRA PHY . See ch i efly : LU M B R o so G . , L’Eg i tto d e i Greet 6 d ef
Roma n i , p a g . 99- 1 0 8 ; G p a sma M a x , Ze i tb i l d er a us Al ex a n d r i an n a ch d em
Pa ed a gogus d es C l emens Al ex a n d r i a ns , An b c rg ,1 905 C a s s : C . , Vi ta ed a r i a
e l l ems ti ca ,C a t a n i a , 1 9 1 0 ; PE R D R I Z E T B ronzes gr ecs d
’Egyp te d c l a co l
l ect i on Fouqu et. I n trod u c t ion , p . X c t s u iv .
Al e xan d r i a n Art. The honou r of havin g res tored to cred i tthe a rt of He l len i st ic t imes i s i n grea t par t due to Th . Schre iber
, who h as a t tempted to demon s tra te i n severa l lea rned publ ica t ion s
,tha t the art of tha t per iod dese rved ne i the r th e si
lence nor th e in difference w i th which i t had be en trea ted u p
to ou r days . The resea rches tha t Schre ibe r (d ied 1 9 1 2) un
dertook,w i th incon testable e ru di t ion and compe ten ce
,l ed him
to the con clusion t ha t He l len is t ic Ar t i s essen t ia l ly or exc lus ive ly an Alex andrian Art . (Th e pe ri od be tween the dea th ofAlex ander the Grea t and the Roma n Conqu e st of the l an ds ofthe Cla ss ic Orien t i s ca l led th e He l len i s t ic epoch). Schre i be rma in ta in s tha t the capi ta l of the Lag ides was the cen t re of th eorigin and diffus ion of a l l the new tendenc ies of He l len ist ic Arta nd tha t the c ity h ad a very grea t and importan t influence overRoman Ar t . According to th is theory, the who le or nea r ly the
whole of the ser ie s of He l len i st ic re l iefs (pic tu resque ) a re ass igoed to a n Alexandrian orig in ; n ea rl y a l l the products of toren t ie a rt (me ta l va ses , chas ing e tc . ) of tha t same epoch a re
thought to have b een ma de i n Egypt Alexa ndria t oo i s rega rdeda s the bi rth-place of mu ra l -pa in t ing and of mosa ics . A ccordi ngto Schre iber
,A l exan dria n scu lp tu re possesses very defin i te
characte r ist ics,of which th e mos t e ssen t ia l a re th e p oetry of
Sp a ce, r efi nemen t,a nd l ife. By the s ide of an i dea l i s ti c schoo l
which h ad a s i ts d ist inc t ive fea tu res pictu resqu en ess in has -re l ie f,a nd a n ex treme softn es s a s we l l a s a ten dency towards the
sh a d i ng away of ou t l i nes in other branches of scu lp tu re , the reex isted a second school an ima ted by a pi t i less se n t imen t fortru th and an acu te rea l ism,
charac te r ised by a predi lect ion for
genre-subj ects and for the grotesque . Ma n y a rcha eologis t s
are i n favou r of th is theory , as ; for in stan ce , MM . Cou rbaud , Coll ignon
,Ame lung
,a nd D ieh l ; othe r schola rs ha ve n ot accepte d
Schre ibe r'
s ide a s . Adol f Holm ,D ragendorfl,
Wi ckhofl,Wa ce
,
Kle in,Cu l trera think tha t the poetry of sp a ce a s we l l a s ref
nemen t w ere in ex is ten ce be fore th e founda t ion of Alexand ria ,tha t the influ ence of tha t c i t y upon the origin a nd deve lopmen tof the differen t styles of mura l decora t i on
,an a rgumen t t o which
Sch re ibe r a t tached grea t importa nce , mu st have been ve ry sma l l ,and i n a ny case . consi de rabl y less than the influen ce exe rc isedby th e Greek town s of As ia Minor . These schola rs a l so add
tha t Ale x a nd ria wa s not the na tu ra l home of th e pa s tora l poe t ryof the IIIl d cen tu ry B . C . ; th a t the P tolemies ra the r favou red
d r i l l i schen Kuns l ( 1909 Ac te s d o d e ux iem e C o n g res i n te rn a t i o n a l d ’A rch éo l o
g i e ) ; C o u a a a u n ,Le ba s -re l i ef ro xna i n c
‘
z r ep resen ta t i ons h i s tor i q ues (Bib l iot h equ e d es éco l e s fi a n ca i s e s d 'A t h ene s e t d e R ome , 1 899 ,
fa sc . COLL I GNONM .
, H i’
sto i re d e l a s cu lp tur e grecque, v o l . I I , c h a p . l V ; AM E LUNG W . , D el
l’
a r te a l essa ud rma a p ro po s i to d i d u e t es te r i n v e n u te i n R om a (B u l l . d e l l a
Comm . Arch . c om tm a l e d i R om a,1 8 97 , p . 1 1 0 D us t i n. C H . , Jl l a nue l d
’
a t’
t
by za nt i n .c h a p . I I I ; I IOLM A n Gr i ech r
‘
sch e Gesch i ch te, Ba n d IV ; D RAG ENDORFF‘ , D i e a rrct i n i s ch en Va seu u u d i h r Verh i i l tms z u r a ugus l e i s ch en Ku ns ti n t h e Bo n n er Ja h rb ti c h e r, 1 63 ; IVi ener Gen es i s , 2
,W i e n
,1 893 ;
Wa c n J . R . Ap ol l o s ea ted on the Omp h a l os (An n u a l o f t h e Br i t . Sc h . a t A
th e n s , n . IX ,1 90 2
-0 3 , p .-2 1 1 E D GA R C . 0 , Greek Scu lp tu re . Ca ta l o g u e g é~
nera l d u M u s ée d u Ca i re, ; KLE i N , Gesch i ch tc d er gr i ech xs ch en Ku ns t, Ba nd 3 ;Cu e r a e n a G . , Sagg i su l l
’
a rtc eIl en i s l tca e g reco-roma u a , 1 . La Co rre n te As i a n a , R om a ,
1 90 7 ; PE R D R IZ E T P . ,Bron zes g re cs d e l a co l l ect i on Fouquet , Pa
r i s,1 9 1 1 . See a l s o S I E V E K IN G , B ru n B ru ckma nn D enkmd l e r
, p . 62 1 ; LE C H A‘
I‘
,
R evue d es E tud es a uctcnu es , 1 9 1 1 , p . 1 47 ; STUD N I C Z K A F D a s Symposwn
P tol ema i os 1 1 , Le i p z i g ,Te u h n e i , 19 14 ; C a s p a m F D a s N i l sch tfl
'
P to l ema i os
I V i n th e Ja h rbu ch d es d eu tsch e n a rch . Ins ti tu ts , (XXI), p . 1 -
74 ; Pa n a ss r n c n n n R .
,Al ex a n d r zm s ch e Stu d i en , He i d e l be rg ,
W i n te r, l o . , Uebe r
d a s l a n d sch aj tl tch e R e l i ef be i d en G r i ech en , i b i d em ,1 9 1 9.
Form of gove rnmen t . Alexandria wa s chosen as the ca
pi ta l of the domin ion s subject to the powe r of the Ptolemies,
and the refore possessed supe rb pa la ces and a strong ga rrisonu sed a s th e roya l gua rd .
This roya l res idence was gove rned by a cap ta i n of the townwho, a t first
,on ly en tered on his fu nct ions du ring the absence
of the king, though fin a l ly h is offi ce became pe rmanen t . Thereis every rea son t o b el ieve, in consequence of the ana logies presen ted between this office and tha t of the imp er i a l p ra ef ectu su rbi s (prefect of the town) tha t th e i n i 1 77; Jw
'
l ewc was ra the rthe chief of the pol ice than the mi l i ta ry commanda n t of thetown . Towa rds the close of the Ptolema ic epoch a nd du ringthe Roman epoch
,he bore the t i t le of c rea t ures n7c u o
’
l swg .
Alexandria , i t seems , a t th e Ptolema i c epoch had no mu n ic i pa lsena te (flov /l ti) Amongst the high magistra te s
,e i the r those who
we re specia l l y cha rged w i th the admin ist ra t ion of the town ,
or those who , wh i le res id ing there , ex ercised fu nct ion s a ffec t ingthe whole kingdom, a tten tion shou ld be drawn to the exegetes
(he wore the purple , he represented the n a t iona l tradi tions , h ewa tched over the in te rests of the town and was th e high priesto f the cu l t of Alexande r) ; th e a rch i d i ca st or ch ief judge ; thehyp omnema l og rap h or secre tary genera l ; the n ight st ra tegu s ;the r ouorp tfil a f , the fl eauop él a u s g , th e oi ow vo
'
p oc, the zam’
a z ; the
a l a ba r ch , a kind of financ ia l officier, and probably the gymna
s i a rch . The greater par t of the officia l a cts were procla imedin the agora , where a p la ce was se t a pa rt for tak ing solemnoa th s . Th e powers of these magistra tes w e re not defined by a
const itu t iona l law bu t by a ser ies of Specia l law s,by veri table
porto fo l ios a tta ched to each magis tra tu re to fix its righ ts an d
ob liga t ions . I t a ppea rs tha t i n judicia l ma t ters A lexandria wasabso lu tely independen t of the roya l powe r .From the da te of the conques t of A lex andria by Octavian
Augu stus, Augu s t I“ B . ( 3. 30 ,Egyp t cea sed to be a n inde
penden t s ta te a nd became an ordina ry province of th e Roma nEmpi re
,bu t was subjected to a spe cia l form of gove rnmen t .
Egyp t,a s i t were , formed a priva te prope r ty of the Empe ror
,
who i n h i s ca pa c i ty as successor of th e anc ien t sovere igns ex
erc ised his au thori ty over the cou n t ry by mean s o f a procu ra to ror vice-roy (P raefec tu s Aegypt i). The Pre fec t of Egy pt h ad hisres iden ce i n Alexandria . The forme r magis tra tes of the P to le
ma ic epoch were re ta i ned bu t bes ide them we re pla ced n ume rou simpe ria l offi ce rs su ch a s th e j u r i d i cu s A l ex a nd r i a e, the p rocu ra tor d u cen a r i u s A l ex a nd r i a e i dz
’
ol ogus , the p rocu ra tor Neasp ol eos et Ma u so l ei A l ex md r i a e e tc . e tc .
B IBL IOG RAPHY . G iv en b y W I LC K E N , i n Gru n d zug e u nd Chrestoma
t/zx'
e d er Pa py ruskun d e, I , p . 2 a n d p . 28 . A d d : JO UG UE T , La v i e mu n i c i p a l e
d a ns l’Egyp te romam e
, p . 7 1 e t su i v . ; D i ka z’
oma ta , Auszuge un d Vero r d n u n
gen i n emem Pa p y ru s d e s ph i l o l o g . Sem i n a rs d er U n i v e rs i tat s Ha l l e (Pap . H a l .
Be r l i n ,1 9 1 3 ; en . G 1-o r z G . ,
i n t h e Jou r n a l d es Sa t/ a n ts , 1 9 13 , p . 2 2 ft ;M A R T I N V Les Ep i s tra l e
’
ges . C on t r i b u tmn a l’
ét u d e d e s i n s t i tu t i on s d e P P:
g yp t e g r éc o -rom a i n e , G e nev e , 1 9 1 1 Sr i cm A . , Un te rs uchu ngen zu r Ges ch i ch te1 1nd Verwa l tu ng Aegyp tens un ter rotms ch en H er r s ch aj t , S t u t tg a rt , 1 9 1 5 ; C p .
a l s o : La s q um x J Les i n s t i tu t i ons m 1 1 1 ta 1 res d e l’
Egyp te s ous l es La g i d es ,
Pa r i s , 19 1 1 ; L’
a rmee r om a i n e d’Egy p te , a
’
Augu s te a D tOCIe'
h cn ,C a ‘
r e,
1 9 1 8.
Comme rce . As regard commerce , i t i s known tha t Ale xa ndria for seve ra l cen tu ries wa s the cen tre of the world . The
Ptolemies did much to connec t Egypt w i th th e region s of theRed Sea and of the I ndian Ocean . In the re ign of Pt o lemySoter voy ages of ex plora t ion h ad a l ready begun ; and during there igns of Ptolemy Ph i l ade lphos a n d Ptolemy Eue rge tes n ume rou scomme rcia l fac tor ies w ere establ ished a long the coast s of the
Red Sea : Ars inoe,n ea r the Bit te r Lakes, Beren ice, nea r th e topa z
qu a rr ies, Sote i ra , P to lema'
i s . Theron (the poin t of depa r tu re fore lephan t hun t ing ) e tc . To connec t the Red Sea w i t h A lexandria ,th e cana l tha t Da rius ] had cut from the ea ste rn branch ofthe Ni le towards th e Bi t te r Lakes (a t t ha t epoch these lake swere st i l l i n di rec t commun ica t ion w i th the Red Se a ) was deepened a nd made n a vigable , even for la rge ca rgo boa t s . Phi lade l phos a l so had made a road be twee n Coptos , in the Theba id ,and Be ren ice . Con sequen t l y A lexandria
,provide d w i th a n ex ce l
len t, sa fe , a nd la rge port,a t the en t rance of wh ich the Lag ides
had e rected t he celeb ra ted l ighthou se (which gave i ts n ame toa l l othe r l ighthouse s) connected by a n avigab le ca n a l a nd by
Lake Mariou t w i th the rich d 1stri cts l y ing in la nd , and p la ced i neasy commun ica t ion w i th the Red Sea , rea l ised a l l th e condi t ionsfavou rable to becoming the cen tre of un ive rsa l commerce . The
ra re an d prec iou s merchand i se of A frica a nd of th e East flowedsteadi ly in to the capita l of Egypt
,when ce i t was exported to
Europe a nd to the other coun tries of the Medi te rran ea n a nd
the Black Sea . Si l ver vase s from A lex andria have been discovered a s far away as Hunga ry , and i t i s we l l-known tha t Ol biaand othe r town s of Sou the rn Ru ss ia fe l t the influe nce of the
new capi ta l of the He l len i s t ic world . I t i s ea sy to expla inhow Strabo and Cicero cou ld affi rm tha t the commerce of exporta t ion was much more con side rable i n Alexandria than tha t ofimporta t ion . In rea l i ty the goods tha t Egyp t h ad to in t roducefor the requ iremen t s of i ts inhab ita n ts were sma l l i n quan t i ty .
The coun try imported ch icfiy raw ma teria l,su ch as was lacking
i n the land,i n order t o work i t up and then export the fin ished
produ ct.In the IIII d ce n tu ry B C . Rome en tered in to comme rc ia l
commun ica t ion w ith Egy pt , a nd , pol i t ica l re la t ion s a id ing,com
merce underwen t su ch deve lopmen t tha t a t th e t ime of Cicerothere wa s a regu la r service of n umerou s sh i ps plying be tweenPozzuol i a nd Alexa ndria . The princ ipa l produc ts ex ported we reg la ss-wa 1 e , c 1 y s ta l s, pa pyru s , l inen ga rmen t s , ca t pe t s th e famou sAl ex a n d r i n a bel ua ta cou chy l za l a tap etz
’
a,ivory
,jew
,e l s p rec iou s
vesse l s,pommades , whe a t , sa l ted mea t , t oys , s lave s , ra re or
w i l d beas ts , a nd lastl y a nd most importan t,books . Banking
bu sin ess i tse l f wou l d requ i re too long a discou rse . It w i l l su fficeto reca l l tha t Alex andria wa s t he h ead-qu a rte rs of a Cen t ra lBank for th e whole kingdom and tha t ban ks were n umerou sand considerable i n the chief dis tric ts of the provin ces a nd i n
th e mos t importa n t t own s .Although th e import t rade wa s much in fe ri or t o tha t of export
,this does n o t imph tha t i t wa s neg lected . I t i s su ffic ien t
to me n t ion on e deta i l of a certa in s ign ifica nce : u p to ou r daysand i n Spi te of cen tu i 1es of spol ia t ion a nd d i spe 1 s ion w e havefound and s ti l l fi nd , by thousands, inscr ibed handles belongingto amphora e which we re used for the tra n sport of ce 1 ta 1n commod i t ies f1 om Rhodes , Thasus , Cn idus, and Cre te . Th e am
phora hand les from Rliodes a 1 e very n ume t ous, overwhe lm i ngh
so i n propor t ion to the othe rs,there w i l l be twen ty from Rho
des for each one from Thasus or Cn idus . We n eed n ot speakof A lexandt ia s comme i ce wi th the cou n t 1 y dist ric ts
,0 1 w i th
the town s i n the in te r im,bu t natu ra l ly the men opol i s w as the i r
principa l and favouri te marke t . Papyri te l l us th a t the coun t ry
4 1
people sen t there no t on l y for merchand ise bu t a l so for th ebest q ua lmes of med 1c1ne s .
B IBLIOGRAPHY . AM E ILH ON , H i s to i r e d a comme rce c l d e l a n a v igat i on s ous l es Pto l emees , Pa r i s , 1 766 ; Lo x/1 9 11 0 5 0 G . , R ech erch es su r l
’
éconcmi epo l t tg
’
q ue d e.
l'
Egyp te sous l es Lag i d es , p . 1 38- 1 5 9 ; R O B IO U , Me
’
mo i re s u r l’
e’
conom 1e po l zttq u e e t c . , p . 1 2 1 - 1 24 ; R os r ow z n w M .
,Zu r Ges ch i ch te d . Os t un d
S i l dh a n d e l s i n p to l ema zs ch -ro°
m i sch en Aegy p ten i n t h e Ar ch i v f t'
l r P a p y r us
j orsch ung , IV , p . 298 sq . H e c i te s C u w o s r o w M 1 t : n .
, Fo rsch u ngen zu r Gesc l i t’
ch ted er H a n d e l sbez i eh u ngen z u r Z ez
’
t der h e l l en zs h sch en M ona r ch i en u n d d es1'
6m1'
schen Ka t'
s e i re i ch es . I . Ge s c h i ch t e d e s O s t h a n d e l s i n g r i e c h i sc h -rom i sc h enAegy p te n . Ka s a n
,1 90 7 ; ‘V ILCK E N , Gr zmd z ’lge e t c . ,
Ka p . V I ; E . V O N STE RN ,
Re l a tw ns commerc i a l es e n t r e l ’Egy p te c l l es co l on i es gr ecqu es s i tue’ es s u r Ieba r d s ep te ntr tona l d e l a M er Noi re . C . R . C o ng res I n te rn . d
’A i-
c h éo l o g i c , 2°
se s s .,Ca i 1 e
, p . 225 sg .
In du s tr i e s . Th e le t te r a t tribu ted to Had rian a nd fromwh ich w e ha ve a l ready had occa sion to qu ote gives us a l iv ingpic t ure of the feverish indu str ia l a c t i vi ty of t h e Alex a ndrian s .Ci v i ta s Op u l en ta ,
d i ves, fecunda ,
i n qu a nemo v i va t ot i osu s :a l i i v i tr um confla n t, a l i i s cha r ta confici l u r , a l i i l i n ifi ones, omnes certe cu i u scumq ue a r t i s et v i den tu r et lza ben tn r ; p od agros iquod aga n t h a ben t ; na beu l cceci q uod f a c i a nt , ne ch i r ag r z
’
ci
qu i dem ap ud eos otz'
os i v i vun t Thu s e ven the bl ind an d
the cripp led we re not id l e .
In sp ite of a con tra ry opin ion of Chwostow ’
s,Rostowzew be
l ie ves,and I think qu i te ju st l y
,tha t the products of n a t ive i n
dustry formed by far the la rges t fac tor in Egypt ian comme rce,and
tha t the comme rce which mere l y pa ssed throught th is coun t rywa s of qu i te secon da ry impor tan ce .
A lex an dria had th e monopoly i n the m anu fac tu re of paper,becau se the papyrus was a plan t pecu l ia r to Egy pt . The
same may be sa id of incen se , of a roma t ic essen ces,and other
sim i la r produ cts,the raw ma te r ia l of which wa s brought from
Arabia Fe l ix .
Th e a r t of gla ss-making,a l read y brough t to a s ta te of per
fect ion by the Egypt ian s,sprang in to n ew l ife unde r the Lag ides
and for man y cen tu ries A lexandria wa s a cen t re of the fabricat ion of a rt ic les i n gla ss . The Alexa ndrians we re ve ry ski l fu l inworking gold , si lver, copper , and even i ron . The ir jewe ls and
the i r chased and in la i d va ses were highly though t of and mu chsought a fte r
,whereve r the love of luxu ry
,good a rt ist i c ta ste
,or
fa shion cou ld make the i r influen ce fe l t .Bu t leaving a s ide a grea t numbe r of more or less con si der
able Alex a ndria n in du stries , we w i l l con fine ou rse lves to men t ioni ng the mos t importan t of a l l
,tha t of the wea ving of t issues
and stu ffs , of which sc ience ha s bee n able t o recogn ise fou r teendi ffe ren t va r ie t ies. Carpe t s , dy ed pu rp le an d emb roidered w i th
4 2
figu res o f an ima l s,were a l so ce lebra ted . We may ga in a n i dea
of these from the Pa lest rin a mosa ic or from tha t of th e Thermae Museum a t Rome .
The P tolemies,who were un riva l led mas ters i n the a rt of
monopoly and taxa tion,drew en ormous economica l adva ntages
from su ch grea t commerc ia l and industria l a ct i vi ty . Withou tin sis t ing on th e ex ten t of the i r lan ded es ta te s or on the ri chva r ie ty of taxes levied on prope rt ie s of a l l kinds
,we w i l l re
mind ou r readers tha t the P tolem ies (th e Roma ns do not seemto have changed th e system mu ch) h ad es tabl ished taxes on
impor ts and expor ts i n a l l ports of the Medite rra nean and the
Red Sea ; tha t the se was a lso a tax to a l low me rchandise topass from Upper to Lower Egypt ; and tha t ta x es on impo rtsand exports had to be pa id in a l l th e por ts on the Ni le .
Cer ta in produc ts of agricu l tu ra l indus t ry w e re subject to cons ide rable taxa t ion , othe rs were u nde r a monopo ly. A l l thebranches of indu s t ry properly so ca l led were monopol ised , and
when the State did not reserve t o i tse l f th e right of fabrica t ioni t kept th e exclus ive righ t of sa le . Even the banks d id not es
ca pe mon opoly . In fact they were a l l let to con tra ctors on the
King ’ s accou n t . In the long run,i t was the fe l lah an d the con
sume r, whe ther na t ive or fore ign , who pa id for the beau ty and
glory of Alexandri a .
B IBLIOGR APHY . Se e th e p re c ed i n g se c t i o n , a n d a d d t h e re c e n t m emo i r
o f D r . TH . R E I L , Bci tt‘a ge zu r Kermtm'
s d es Gen l erb es {m h e l l enz’
s tr’
schen Ae
gyp te ’l i LC i pz i g , N o sk e,1 9 1 3 .
Sc i en ce a n d l i te ra tu re : Th e M u s eum a n d th e Li b ra ry .
I f A lexandria wa s beyond con tradic t ion th e cen t re of i n te rn a tiona l commerce , she wa s a t the same t ime a crad le of c ivil i sa tion whose fame h a s left a luminou s t ra ce i n th e history ofhuman progress . Wha teve r posteri ty ’ s judgmen t on A lex a ndria nl i terature may be (Alexandr ian ism s ign ifies pedan t ic a nd overladen erudit ion , subt le ty, a rt ifice , la ck of ta ste , of in s pi ra t ion ,
now a nd then lack of mora l sen se) we ought to a pprec ia te to a
xery high degree the service s A lexandr ia rende red to c la ssicart by ca ta logu ing , cla ss ifica t ion , preserva t ion and in terpre ta t ion .
Moreover even i f i n poe try the Alex andrian age ma rks a pe riodof stand-st i l l and of de c l ine , i f i ts l i te ra tu re i s la rge l y ph i lo logy
,
ye t tha t same age can l ay c la im to imperishable glory i n the
enormous and stupendou s progress ma de in the rea lm of n a tu ra lsc ience , and i n fact i n a l l bra nches of sc ie nce . In geogra phy,which ga in ed much by A lexande r
'
s m i l i ta ry ex ped i t ions and
la te r on by the voyages of d i scove ry organ ised by the I . ag ides ,
i t w i l l su ffice to men t i on the n ame of Era tos thenes. H i s measu remen ts of the terrest i a l me rid ian
,an d h i s geographica l map
of the ea r th , in s pi te of the fa u l ts a nd e rrors inev i tab le a t t ha tepoch , put him i n the firs t place i n the history of geography .
Aristar chu s i s the mos t i l lustr iou s of the a st ronome rs who workeda t Alexan dria ; he fi rst made the grea t discovery
,which i n
modern t imes brought fame to Copern icus and Ga l i leo,tha t the
ea rth is on l y a plane t of a sys tem whose cen tre is the sun .
Geogra phy a nd a st ronomy pre su ppose very advanced ma thema t ica l know ledge. I t wa s i n Alexandria i n the re ign of P tol emy I , tha t Eu c l id w rote h is book of the Elemen t s whichbook s ince the days o f an t iqu i ty h a s rema ined the mos t w ide ly ~
known trea t i se on geomet ry . The grea tes t of the Greek ma
thema t ic ians came from Eucl id '
s sch oo l, Archimedes of Syra cuse ,a nd Apol lon iu s of Pe rge. Archimedes d iscove red the re l a t ionbe tween diame te r and circumference , the theory of the spi ra l
,
the law of gravi ty, a nd the hydrosta t i c prin c iple by which th espec ific we igh t of bodies may be de te rmin ed ; h e did not con finehimse l f on l y to th e successfu l deve lopmen t of scien t ific theories ,but he a ppl ied hi s theore t ica l d iscover ies to mecha n ics : th e ma
chines which he con s tru ct ed excited the admira t ion o f his con
tempora ries to the u tmos t degree . Apol lon iu s of Pe rge shou l dbe remembered pa rt icu la rly a s the founder of t rigonome t ry .
Geogra phica l d i scoveries exe rc ised a grea t infl uen ce on the de
ve10 pmen t of biologica l s c ience . On e of the most rema rkablecu riosit ies for strange rs in Alexandria was the Zoologica l Ga rden
,
annexed to the roya l pa la ce : the P tolemies had brough t togethe ri n th is ga rden a rich col lect ion of ra re and w i ld an ima l s : ser
pen t s,ost riches
,a nt i lo pe s
,e lephan ts . Theophra s tus, on a ccoun t
of his history a nd h is physiology of plan ts,ough t to be cons i
dered as th e fou nder of sc ien t ific botan y . As rega rds a na tomyand physio logy
,i t w i l l be su fficien t to reca l l the fac t tha t the
scholars of Alex a ndria dissected corpses , and,i t seems , d id not
even hes i ta te to vi visect crimina ls . The firs t place i n su rgeryfa l l s to Era s is t ra tus . The doctors who we re educa ted in Alexandri a we re mu ch a pprec ia ted i n th e wor ld of tha t day : Su f
fici t medico a d commendandam a rt is au ctori ta tem, s i Alex and riaese d ixe ri t erud ttum 1
, In orde r to rouse confiden ce i n his abi
l i ty a doc to r has on ly to say tha t h e studied i n Ale xa ndria (0.
( 1 ) Th e re i s no th zng n ew u n d e r th e s u n l Th e Fa cu l ty of A l ex a n d r i a i s
n o th i n g b u t a m emo ry ; b u t a g o o d n umb e r o f o u r m o d em fo l lowe rs o f E s c u
l a p in s m a k e o r h e l te ve th e y m a k e an imp re ss i o n o n t h e pu b l i c a n d i m a g i n e th eya t tra c t c l i e n t s by e n t i t l i n g t h em s e l ve s o f th e F a c u l ty o f Pa n s o r o f a nyo th e r fa m o u s sch o o l . It m u s t h e c on fe s s ed , m o reo v e r , th a t th i s k i n d o f ad v e r
t i sem e n t i s n o t a l to g e th e r i n e ffic a c io u s , e v e n i n o u r d a ys .
Amongst the his toria n s who exer ted the i r ac t ivi ty i n A lexandria
,we ought fi rs t of a l l to men t ion P tolemy I
,who w rote
a book of Memo i r s,the objec t ivi ty o f which ha s often been
pra ised . I t seems l ike ly t ha t H eca tae u s of Abde ra w rote hisH is tor y of Egyp t and h is H is tory of the Jews i n Alex andria .
Bu t the scholars of Alex a nd ria l iked th e history of l i te ra turea nd phi lo logica l s tu d ie s much more tha n re sea rche s in po l i t ica lh istory . Zen odotus of Ephesu s
,th e first l ibra r ian of the L i
brary be longing to th e Museum,consec ra ted h is l i fe to a cri
t ica l ed it ion of the works of Home r,a nd h i s work wa s ca rried
on a fte r h im by Aristophane s of By za n tium a nd by Arista rchus .The men who he l ped Zenodot t ts i n his ta sk a s l ibra ria n , Alexa nder of Ae tol ia and Lycophron of Ch a lc i s we re en trus ted w i ththe t a sk of classi fy i ng t raged ies and comed ies respec t ive l y , whichemploymen t led these two lea rned men t o w ri te a kin d of history of these branches of l i te ra tu re . The su cce ssor of Zenodotu s i n the post o f l ibra ria n i n chief, Ca l l ima chu s o f Cy ren e,d rew up a me thodica l inven tory of th e l ibra ry
,t ha t is t o say
an in ven tory of a l l Greek l i te ra ture . (his wo 1 k , ca l led Tablescompri sed 1 20 rol l s of pa pyrus). U)A good n umber of pupi ls passed through the school of Ca l l i
machus : Herm i ppus (the biogra pher of th e phi losophe rs), Is t rosof Pa phos (an t iqua r ia n ), Apol lon iu s of Alexandria (ph i lologist ).Amongst h is pupi l s too is men t i oned the n ame of h is compatr iot a nd successor i n the man agemen t of th e l ibra ry , Era tosthenes
,chiefly known a s a ma thema t ician a nd geographe r
, bu t
a very compe ten t au thori ty a l so on history , pol i t ics , a nd phi lo5 0 phy. As we have a l ready sa id
,poe t ry i n th e He l len ist ic age
occu pies qu ite a se conda ry p lace i n the history of G reek l i tera ture ; bu t wha tever may be i ts va lue a nd importance ,
i t m u s tbe acknow ledged tha t Alex andria wa s i ts cen tre a n d home . Moreover even i f most poe ts of tha t epoch lose nothing by be ingleft i n obscu ri ty there a re two of them tha t can no t be passedove r in s ilence : Theocri tu s a nd C a l l imachus .Th eocri tus
, who was endowed w i th rema rkable qua l i t ie s a s
a poe t,i s th e crea tor of the buco l i c or p a stora l s tv l e , of th e
( 1 ) A p apy ru s o f th e s e c on d c e n tu ry A . C d i s c o v e t ed a t O x y rh v n c h u s a n d
p u b l i sh e d by G re n fe l l a n d Hu n t i n 1 9 14 ( T/l c Ox y rh y nchu s Pa p y r i , X ,1 3 4 1 , p .
99 ) wo u l d co nfi rm t h e t h e s is a l rea dy s u s ta i n ed i n t h e p a s t by s e v e ra l a rc h a e ol o g i s ts , a c c o rd i ng t o wh ic h C a l l im a ch u s h a s n o t b e en a t t h e h e a d o f th e fa m o u s
L i b ra ry o f A l ex a n d r i a . On t h e b a s i s o f th i s p a py ru s , t h e s e r ie s o f t h e Lib ra r i a n s co u l d b e e s ta b l i s h e d a s fo l l ows : Zenod otn s , Ap o l l on i u s Rod /zi u s , Er a tos th en es , Apo l l on i u s (I s i bo ygwp o: fro m A l ex a n d r i a
, Ar i s top h a n es , Ar i s ta rch us , e tc . See : R o s r a om A . . I B tb l z
’
oteca r i a l essa nd r i n i ne l l a cr ono l og i ad e l l a l ettera tn ra e l l en i s t i ca
,A t t i d e l l a. R . A cc a d . d i To rmo
,I . ( 19 1 1 p .
2 14- 265 .
wha t we k now of the M useum amoun ts to ve ry l i t t le . S trabosays : a The roya l pa laces a lso compr ise the Mu seum
,which
con ta ins a wa lk , a n exed r a and a la rge ha l l i n which _ i sserved the repas t in common for the phi lo logis ts be longing tothe Museum . There a re a l so genera l funds for the ma in ten anc eof the col lege and a priest se t ove r th e Mu seum by the
'~ k ings
and a t the pre sen t t ime by Cae sa r With the ex cept ion ofthese rema rkably precise though somewha t summa ry deta i l sl i tera ry tradi t ion has on l y prese rved ve ry vagu e or con t radictoryaccoun ts of the orga n i sa t ion of this es tabl ishmen t . The priestor presiden t (as we l l as the ord ina ry membe rs) was nomina tedby the king for a defin i te pe riod
,bu t n a tu ra l ly the du ra t ion of
his funct ion s depended exclu s i ve l y on the ca price or th e w i l lof the sovere ign . I t has been a ffirmed tha t the pries t-presiden twas a t the same t ime - priest of Sara pi s and head of a l l th eA lex andrian c le rgy ; bu t decis ive evidence of th is has not beenprodu ced . On the con t ra ry
,i t seems tha t the {sg s i
’
vg of the
Museum ,who was n ever an Egypt ian
,did not d ifi er from the
fsgeug of othe r Greek corpora t ions tha t i s to say he
wa s simply the ep i sta tes or pres iden t of the establ ishmen t ofw hich he h ad th e ma nagemen t . I t appea rs tha t the schola rsof the Mu seum we re grou ped i n sepa ra te con fra tern i t ies , a ccor
ding to the na tu re of the i r occupa t ion s ; they rece ived a sa la ryfrom the roya l t reasu ry which
,added to the reven ues o f the
common funds , assu red them a l i ve l i hood a nd she l ter and a l
lowed th em (teaching was not an obliga tory condi tion ) to con
secra te the i r en t i re ene rgy to the i r studie s and t he i r own
pa rt icu la r resea rches . To these men the Museum offered a l l
the fac i l i t ies for working tha t cou l d be des i red , toge the r w i tha ca lm and tranqu i l l i fe , she l tered from ma te ria l ca res and
su rrounded by a n a tmosphe re of in te l lectua l i ty and e rudit ionWha t we ha ve a lready sa id of th e progress of science in
genera l,rea l ised or qu i ckened by the schola rs of th e Museum ,
and th e fa c t tha t th is inst itu t ion su rvi ved the Lag ides provetha t i t deserved we l l of c ivi l isa t ion ,
a nd tha t it d id not fa i lto accompl ish the objec t for wh ich i t had been ca l led in to be ing .
This does not mean tha t i t ha s a lways a nd i n every respec tbeen admi rable . Timon th e s i l l ographer h as no doubt exaggerated in his sarcasm , bu t perha ps he w a s not the on l y one
who mocked a t th e membe rs of the Mu seum,l i bra ry r a ts
a nd i d l e ta l kers : In popu lous Egypt h e says,food i s
given to numerou s scribb lers,grea t readers of old books
, who
squ abble w ithou t end in the b i rd-cage of the Mu seum (Forthe topography see further on ).
BIBLIOGRAPHY . PA R T H E Y G D a s A ’ex a nd r im
’
sche Museum,Be r
l i n ,1 83 8 ; W am c a a , D a s a l ex a n d r . M useum
,Be r l i r‘
,1875 ; A . COUA T, Le M a
s e'
e d’Al ex . sous l es p rem i ers P l o léme
'
es . C fr . Bov cmfi- l a c n s a c q ,H i s t . d es
Lag i d es ,I, p . 2 1 7 , n . I .
Li bra ry . We are not much bet ter in formed on the
subject of the L ibra ry . In sp ite of th e in comple te documen ts a tour disposa l i t is d i fficu l t to be l ieve tha t the Libra ry
,a t any
ra te origina l l y , cou l d have been inde penden t of the Mu seum,
and tha t i t cou ld have h ad any other a im than to offe r to thescho lar s of the Mu seum the ma teria l s and the tool s requ ired for the i r re sea rche s . Withou t doub t the L ibra r y of Alexandria was not the fi rst i n da te in an t iqu i t y . Withou t coun ti ng the l ibra ries whose ex istence i s vou ched for i n th e Egyptof the Pha raohs, or the very ri ch and we l l organ ised l ibra rythat ha s been discove red a t Nineveh
,l i te ra r y tradi t ion te l l s u s
of col lect ion s of books be longing to Polycra tes,ty ran t of Sa
mos,to P i s ist ra tu s of Athen s , to Clea rchu s o f Heraclea i n
Pon tu s,to D emosthene s , a nd , most rem a rkable of a l l , tha t
formed by A ris to t le . Bu t i f the L ibra ry of Alexandria vi a snot th e fi rs t i n da te
, ye t w i thou t doub t it was the l a rgest,r i
ches t,a nd the most importan t tha t c lass ic an t iqu i ty has known .
Even u nder P tolemy I , Demetrius of Pha lerum (we mu s tadmi t tha t the sou rce of this in forma t ion i s somewha t su 5 picion s) is sa id to ha ve col lected volumes . A t the end ofthe re ign of P to lemy Ph i ladelphos who h ad bough t amongstothers Ari stot le ’s col lect ion , the re we re , we a re tolda mixed volumes in the Mother L ibra ry or Bruch i um , and
unmixed A t the same t ime the l ibra ry of the Serapeum or Daughte r L ibra ry (grown very importan t a t the R0
man epoch) appea rs to h a ve possessed volumes gran tedby the Mu seum L ibra ry (0 .
These were pe rhaps dup l ica tes , non - indispensable volumes,
or more probably a col lecti on of simple rol ls , cla ssified for theu se of the genera l publ i c who cou l d no t benefi t by the grea tL ibrary . Ptolemy Euergetes and his ’ su ccessors con t inued toh un t for books en thu sia stica l ly . One t radit i on
,con tes ted by
Lumbroso w i th good a rgumen ts , bu t wh ich a l l th e same doesnot seem to be too improbable , recoun ts tha t An tony made a
gi ft t o C leopa t ra of simp le volumes from the l ibra ryof Pergamum. In order to i ncrease the i r col lect ion the Pto lem
( i ) Bou c h é-Le c l e rc q th i n k s th a t t h e n umbe r rep re s en ts th e n um be r o f
t h e v o l um e s i n t h e Li bra ry , w i t h th e ex cept'o n o f d u p l i c a te s . D z i a t zk o a n d
o th e rs co n s i d e r t h e n um b e r re fe rs to th e ro l l s o f wh i c h a s i ng l e o ne com
p r i sed e i th er sev e ra l b oo k s , o r po rt io n s o f se ve ra l ho ok s o f o ne work , o r m i sc e ll a n i e s of d i ff e ren t wr i t i ng s by ( 11 6 o r by s ev e ra l a u th o rs .
ies d id not recoil from que st ion able me thods . Eu e rge tes gaveorder tha t a l l trave l le rs d isembarking a t Alexan d ria we reto deposi t th e books tha t they had w i th them . These bookswere kept for the L ibra ry
,whi le the i r owners we re pres
en ted w i th simple copies on ordinary papyru s . The sameking sen t a reques t to Athen s
,on a secu rity of 1 5 ta len t s , for
the t ragedie s of Sophocles , Eu ri pi des , and [ Eschyl u s i n orderto have them copied ; h e kept th e orig ina l s a nd sen t the copiesback to the Athen ians begging them to keep t he 1 5 ta le n ts.Anothe r P to lemy , i n orde r to end the compe t i t ion which t he
king of Pergamum h ad sta rted w i th him ,forbade the ex porta
t ion of papyru s ; this l ed t o the inven t ion of pa rchmen t (Mem
bra na p erg amen i ca ) by th e m anu factu re rs of Pe rgamum .
Even when d i scoun t i s made for ex agge ra t ion ,these na r
ra tives revea l the pa ssion tha t th e Ptolemie s h ad for books ( I ).This pass ion expla in s the rapid a nd ma rve l lou s grow th of th e
Alexandrian L ibra ries, which i n B . C . 48 disposed , i t i s sa id ,
of or even volumes . I t i s l ike l y tha t thesefigures a re somewha t too h igh
,or may hide con s ide rab le e r
rors ; bu t , a l l the same,ex aggera t ion a nd e r rors reckoned for,
this col lect ion of b ooks rema in s immense . An t iqu i ty had n everseen the l ike . Never the less i t i s w i se to be on one ’s gua rdand not to form a n over large and in exac t idea of th e in te l le c tu a l product ion of c la ssic na t ion s . One mu s t n ot con fu se workwith r ol l . In the ser ies of s imple volumes a rol l comprisedone book of a work , or a work i n one s ingle book
,which
wou ld mean 48 rol l s for Homer , 40 for Polybius , and so on .
Moreover very brie f works wou ld coun t for many i n th e num
ber of rol ls . I f we take a ccoun t of the du pl ica tes and of the
mixed rol ls,w e see that the numbe r of works mu s t ha ve been
much less than tha t of the ro ll s . Le t us add that the P tolem ies did not con fin e themse lves to Greek l i te ra tu re
,bu t tha t
they were a lso in teres ted in the prod uct ion s of Barba ria nraces . I t i s l ike l y tha t t rans la t i on s from fore ign langu age sin to Greek were more or less n ume rous ; the on l y one known
is the ce l ebra ted ve rsion of the Bible ca rried ou t by th e Se
ven ty trans la tor s (2).
( I) I t n a t u ra l ly a l so en c ou ra g e d th e fa b r i ca t i on o f v e ry n um e ro u s a po ch ryph a lwo rk s .
(2) Jew i sh t ra d i t ion , wh o se fi rs t so u rc e i s P se u d o -A r i s t ea s,a t tr ibu te d th e
pro j ec t of th i s v ers ion to P h i l a d e l ph u s a n d reco u n t s t h e r e spe c t fu l e ag e rn e s s o f
t h e k i n g a n d th e m i ra cu l o u s a c co rd o f t h e sev en ty-tw o t ra n s l a to rs w h o wo rke d sepa ra te ly. R e n an c a l l s t h i s a s i l l y s to ry It i s n o t on l y impo s s i b l et h a t th e t ra n s l a t i on o f t h e Bib l e w a s d on e by o rd e r o f Pto l emy I I , b e c a u se
i t w a s p ro b a b l y th e wo rk o f t h e A l ex a n d r i an Jews c a rr i ed o u t fo r th e l a rg en u mb e r o f th e i r co- re l i g ion i s ts w ho d i d n o t k n ow Heb rew ; b u t fo r th e same
49
A phi lo logist of ma rk mu s t a lways have been chosen a s th e
head of th e L ibra r y . An Oxyrhynchu s papyru s,X
,ha s
a t la s t give n u s a l is t , which we may sa fe ly a ccep t a s correc t,of th e A lexandria n L ibrarian s unde r t he firs t Pto lemies. Ac
cording to thi s papyrus the l i st runs thu s : Zenodotus,Apol lo
n iu s o f Rhodes,Era t osthenes
,Apo l lon ius the et
’
doyodtpos (ofAlex andria ), Aris tophan es, Ari starchu s, and on e Kydas , un
hea rd of be fore now,who be longed to the Zoyxoq
’o'
goz. Fromth i s papyru s i t seems defin ite l y con firmed tha t Ca l l ima chuswas n ever a L ibra rian . To the la t ter office wa s often addedtha t of tu tor to the roya l princes . Zenodotus educa ted the
sons of Ptolemy Soter, Apol lon iu s of Rhode s wa s tu tor of
Euerge tes I,Era tosthene s of Ph i lopa tor, Aris ta rchus of Phi lo
me to r and of Eue rge te s I I . The la t te r a fte r having dri ven the
Academic ians from the Museum i s supposed to ha ve p laced an
office r a t i t s head “ . The Alex andrian L ibrary did not a lwaysen joy the marve l lous prosperi t y whose h istory we ha ve ju stske tched ; i t i s t ime to reca l l i t s bad da ys . A fi rst ca tas tropheis supposed to ha ve taken p lace in B . C . 48 , du ring the
even ts o f J u l iu s Caesar’s A lexandrian Wa r Achi l las havingbes ieged h im i n the Bruch ium
,C aesa r fe l t himse l f doomed i f
his enemies rema ined ma s te rs of the commu n i ca t ion s by sea .
In orde r to a void t he i r succeeding i n taking posse ssion of hisflee t
,le ft i n the la rge Ha rbou r w i thou t crews or wa tch , C ae
sa r se t fi re t o 7 2 sh ips of war as we l l a s the vesse l s undercon struc t ion i n the a rsena l s . The confi agra t ion was so violen ttha t i t ga ined the quays a nd redu ced the wa rehou ses to a shes
,
toge the r w i th the gra n a r ies of whea t and the depots of books .The more mode ra te his torian s Speak of vo lumes havingbeen bu rn t . Bu t i s t h is number exa ct
,an d did the fi re a c tua l l y
re ach the Museum L ibrary ? We mus t remember tha t the e a rlies t accoun t of this disas te r is fou n d i n a rhe torica l pa ssage ,there fore subjec t to cau t i on ; Sen eca who is the a uthor of i trefers to L i vy ; Dion does no t speak of th e L ibra ry and me
re l y men t ion s a rumou r of the destru c t ion of many prec ious
re a so n i t m u s t b e l a te r t h e n P h i l a de l ph o s . I n rea l i ty ,a t t h e t im e o f t h i s k i n g
t h e A l ex and r i a n J ews h a d no t be com e He l l e n i s ed e n o u g h to re qu i re a Gre e kt ra n s l a t i on o f th e i r h o l y b o o k s Th i s a rg um e n t i s con fi rmed b y th e re su l t s o f
ex c a v a t i o n s . In th e G rc co -J ew i s h c em e te ry wh i ch I h a v e d i sc o v ered n e a r
I b ra h i m i e h a n d wh i c h d a te s from th e re i g n o f P to l emy I I , t h e e p i t a ph s o f t h e
Jews a re d rawn u p i n pu re A ram a i c , wh i c h d emo n s t ra te s t h a t t h e A rama i c
l a n g u a g e w a s s t i l l g en e ra l l y emp l o ye d a n d u n d ers to od ; I am s pe a k i n g h e re o f
t omb s b e l ong i ng t o t h e po o re r c l a s s e s , a n d n o t to t h ose o f r ic h a n d c u l t i v a ted
peo p le .
0
( 1 ) Se e GR E NFE LL a n d H u N T’s I n trod u ct i on 10 Ox y rh y nch u s Pa py r t . X ,
t 24r , a n d A . R o s rAG N i , I B i b l i oteca r i a l es sa n d n‘
n i n e l l a crono l og za d e l l a
Ietl era l u ra e l l em'
s i i ca , A t t i d e l l a R . A cc a dem ia d i To r i no , L ( 1 9 1 4 p . 244-265 .
50
books i n the o’
wwOfix ou rein ) fl/p’l cor (book depots). Moreove r
n e i ther Caesa r nor H irt iu s make s the leas t a l lus ion to the burn ing of th e L ibra ry ; and i t wou ld have bee n d i fficu l t for themto be l ieve tha t the i r s i len ce cou l d e fface th e memory of sucha d isas ter . And wha t rea son wou ld C icero have for not devo t ~i ng one word to this ca tast rophe t o wh ich h is heart as a ph i l0 5 0 phe r and a man of let ters cou l d n ot have rema ined i n
sen sib le ? Strabo vis i ted the town in B . C . 24, a nd drew u pa fa i rl y de ta i led descri p t ion of its monumen t s
,bu t n e i the r does
h e make the least a l lu s ion to the confiag ra t ion . On the
other hand,Caesa r says (perha ps w it h a sma l l gra in of exag
gera t ion ) tha t A lexand ria was guaran teed aga in st dest ruct i on byfire
,because of the techn ica l qu a l i t y of i ts const ru c t ion s . More
ove r eve ryth ing leads us to be l ieve t ha t the L ibra ry wa s a t
some d istance from the Ha rbou r . We must the re fore conc ludetha t th e Museum L ibra ry w as not a t tacked by the flames ; tha tthe confiagra t ion ga ined the shops where books we re deposi tede i ther for commerce or some othe r reason which we are in ignor
a nce of ; tha t t he amoun t of rol l s tha t we re bu rn t mu st havebeen very in fer ior t o the number qu o ted by Sene ca . Bu t
when th e Roman conquest became defin i te the dec l ine a nd ru inmu s t ha ve bee n rea l and progre ss i ve
,e spec ia l ly from the end
of th e second cen tu ry . I t i s n ot on l y probable tha t many ofthe books fou nd the i r way to Rome
, bu t i t i s a l so ha rd tobe l ieve t ha t t he L ibra ry did not su ffe r du ring the troubles and
persecu t ion s of Ca raca l l a . Au re l ian i n A . D . 2 70 h ad th e
g rea te r par t of the Bru ch ium rased to the grou nd : par t of th emembers of th e M u seum took refuge i n th e Se ra peum ,
someof them wen t to Con s tan tinop le . I t mus t be admi tted tha ta fter the thi rd cen tu ry
,a t the l a tes t
,the Mu se um L ibra ry or
Mothe r L ib ra ry pra c t ica l l y ex isted no more . I f th e genera ld isorga n isa t ion was u n fa vou rab le to the prese rva t ion of L ibra ries
,the Spread a nd t riumph of Christ ian i t y dea l t them
morta l blows . In the yea r 3 8 9 , Theophi lu s by the au thori t yof th e Emperor abol ished hea then re l igion s , pra c t ica l ly and of
fic i a l ly, i n Alexandria (see page He a c ted most rigorous ly aga in st the Se rapeum which h a d become th e l ast refugeand the last rampa rt of pagan i sm ; h e took possession of i t
,
des troyed the ce lebra ted sta tu e of Se rapis , a nd gave the temp leup to the flames . Th e n ume rou s edifices s i tu a ted w i thin th e
precinc t of th e Serapeum were not a l l demol ished ; some ofthem were sa ved , bu t e ve ry thing leads u s to be l ieve tha t the
Daugh te r L ibra ry, very probab l y ann exed to th is Temple,did
not escape th e flames. Con sequen t l y i t is di fficu l t or a lmost
5 1
impossib le to admi t the existen ce in A lexandria of a la rge a nd
rea l publ i c L ibra ry a fte r the end of the fou rth cen tu ty lf ) In
my opin ion the pa ssage of Orosius (4 1 6) vt he t e th is a u thora ffirms tha t he had Seen empty book-cupboa rds in certa in tem
ples , i n wha tever man n e r we may in terp re t i t , proves tha t no
public L ibra ry of cons iderable importance exis ted a t tha t epoch .
This n eed no t mean tha t a l l the books had disa ppea red fromA lexandria ; for there mu s t a lwa ys ha ve been a grea t numbe rof books, i n priva te col lect ion s , in ce t ta i n mon a s te r ies
, and
in the schools of the gramma r ians and hea then phi losophers,
schools or Museums whi ch flou rished i n Alexandria un ti lthe end of the V th cen tu ry At any ra te Amru may be
absol ved of the accu sa t ion brought agai nst him by the Arabhistorian Abdu e l Fa 1 ag (five cen tur ies a fte r the conques t ofAlexandria ) of having bu rn t the Gran d Libra ry . Abu -e l-Fa ragre la tes tha t John Ph i IOponu s , who became ve ry in t ima te w i t hAmru
,asked for perm ission to take away cer ta in books in the
Impe r ia l t reasu ry Amru,before forming a deci s ion ,
a sked the advi ce of the Ca l 1ph Oma r . H is piquan t reply iswe l l -known : I f the books con ta in nothing bu t the Cora n theyare use le ss ; i f they con ta in anything e l se t hey are dangerou s .Bu rn them The qua n t i ty o f these books was so grea t (s t i l lquot ing Abu - c l-Farag) tha t they su fficed to hea t the 40 0 0
publ i c ba ths of Alexa ndri a for six mon ths . Whi ls t admi tt ingas unproved tha t a t the t ime of the Arab conquest the Gran dL ibrary had l ong cea sed to ex ist
,this story con ta in s too many
legenda ry e lemen ts to a l low us t o pu t fa i th in i t . Moreover JohnPh i10 ponus had died , i t seems, we l l be fore the Arab conqu est .Bu t i s the legend a l toge the r fa lse
,or does i t reflect a port ion of
historica l tru th,howeve r e xagge ra ted and dis tor ted ? Bu t ler con
c ludes : One mu s t adm i t t hat Abu-e l -Fa rag'
s s tory i s a me refable
,tota l ly des t i tu te of h istorica l fou nda t i on For my part ,
e ven i f the legend sign i fies ,'
a s I be l ieve i t does , tha t theconquerors did not respec t the col lect ion s of books tha t h adsurvived previous disas te rs and had even tua l ly fa l len in to the i rpower, I shou ld not be too severe on them . I f th e Frenchin our own days a fter tak in g possess ion of Con stan t ine bu rn ta l l books and manu scri pts t ha t fe l l in to the i r ha nds, i f the
Engl ish a fter the conques t of Magdo la abandoned there the
( 1 ) I re fe r to BUTL E R , Th e Ar a b Conques t of Egy p t, p . 40 0-
426 B y a m i
n u te a n d c l ew r c r i t i c i sm d rawn from a l l so u r t e s (R u fi n u s A ph to n tu s , O ro s i u s)h e p ro v e s , a g a i n s t th e w r i te r M A T TE R (L’éco l e d
’
A l ex a nd r i e) , t h a t i n t h e V t h
c e n t u ry th e Se ra peu m L i b ra ry d i d n o t e x i s t an y m o re .
(22) C f J M A SP E RO . H or a p o l l on e t l a fi n d a p a g a n i sme égyp t i en , m t h e
Bu l l et i n d e l ’ In s t. F ra npa ts d'Ar c/z. Or i en t ,
v o l XI , p . 1 64 1 95 .
best and the la rges t pa rt of a r ich Abyssin ian l ibra ry, i f th e.
re presen ta t ives of grea t Eu ropea n powers have done wha t theyha ve recen t ly done in China
,i f we thi nk of th e fa te of the
Louva in L ib rary, wha t righ t h ave we t o reproach the Arabsof the V IIIch cen tu ry w i th not be ing of the same min d as a
weste rn phi lol ogist concern ing documen ts of cla ssi c l i te ra ture ?
B IBLIOGR APHY In a dd i t io n t o th a t co n ce rn i n g t h e M u se um o n p . 47 :
C IIA ST E L E .
, Les d es tzne'
es d e l a B i b ]. d’
A l ex . (R ev . H i s t 1 876 , p a g . 484
R 1Ts c 1 1 1. , D i e A l ex Y .
,La B t b l toth éq u e
d es P l ol émées , A l e x a n d r i e , 1 893 ; D z i a r z nco , s l zoth eken 1 1 1 t h e R e a l En cyc lo
pad i e o f P a t i ly I I I , p . 41 1 5 424. See a l s o th e po l em i c b e twee n 5 . It.
Kyr i l lo s M a c a i re a n d S E . M a g d i Bey i n B u l l . d e l a So c . Kh éd i v i a l e d e G eogra
ph i e , sé t i e VI I,n o s . 8 a n d I O .
Ch r i s t i a n i ty i n Al ex a nd r i a . After the chu rch of A lexandri a had had for two cen tu r ies a su ccession of eminen tmen
,Clemen t
,Origen , Den is , Athan a s iu s , Cyri l , i t seemed to
her tha t her glory fe l l short on on e poin t on l y,tha t of not
having been founded i n the t imes of t he a pos t les Sothey a tt ribu ted th e founda tion of the See of A lex an dr ia to St .M a rk . A ma rtyr
'
s chape l dedica ted to a sa in t of tha t n ameh ad rea l ly ex isted in c lose prox imity to th e La rge Ha rbou r ; bu td id i t a c tua l ly commemora te Sa in t Ma rk
,th e Eva nge l is t ? This
is a t le as t very doubt fu l On the other ha nd i t i s ce rta i n tha tduring the fi rs t cen tu ry a n d th e first ha l f of the second cen tu rythe Spread of Christ ia n i ty i n Alexa ndr ia and i n Egypt had not
been con s iderable . Moreover the gnost i cs,who gave a s pecia l
cha racte r to th e firs t period of A le x andrian Chris t ian i ty,had
noth ing Christ ia n abou t them except the i r origin . I t w i l l beenough to reca l l tha t
,though worsh ipping Chris t, Ca rpocra tes
t augh t tha t sa lva t ion as a cqu ired th rough immora l i ty . Sou l she sa id , cou l d no t obta in ble ssedn ess u n t i l t hey ha d pa ssedthrough the who le cy c le of possible a ct ion s
,tha t i s to sa v ,
the se ries o f in iqu i t ies open to human n a tu re 11.
Hadrian,a ccord ing t o h is le tter to Se rvi anus , h ad seen th e
Alex andria n s prostra te themse lve s be fore Se rapis or Christ impa rt ia l ly . They con ce ived no g 1 ea t di ffe rence be tween the
two re l ig ions . From the ou t se t of the princi pa te of Commodu sthe Ch 1 i st ian re l igion
, a lmost complete l y pu 1 i fied of i tsgnost ic doctrines a nd of a l l tra ce of pagan ism
,a ppea rs fi rm l y
establ ished i n Alexandria . In the t ime of Sept imu s Severu s1 93
-2 1 1 ) Christ ian i ty h ad begun to make history,and from tha t
( 1 ) D ) \1 Le c n a a c q , D i ct i'
ou n a zre d ’Arehéo l . Oh r e’
l . ,I, co l . 1 099.
(2) In 828 som e Ve n e t i a n m e rc h a n t s s e c re t l y c a rr i e d awa y t h e ( su p po se d?)
body o f t h e sa i n t , a n d t ra n s po rt e d i t to t h e i r ow n c o u n t ry .
of i ts adheren ts towa rds a mon as t i c l i fe . As ea rl y as the
IV t h cen tu ry the land i n the n e ighbou rhood of the townbegan to be covered w i th mona s te ries
,which grew more n u
merou s e very d ay . In the V thand V I h cen turies the re were
no less than s ix hundred of them,
a l l bu i l t l i ke fort ressesthey were l ike pigeon -cots sa id Severu s of Achmun e in .
The group of monaste r ies of the H en naton (n in th m i le) was
th e mos t famou s . The Museum posse sses 1 6 ep ita phs from the
cemet eries be longing to th is grou p of mona steries .The Pe rs ians i n thei r s iege of A lexandria (6 1 8-6 1 9) ca rr ied
ru in and dea th among the monks ; gre a t numbers were pu t todeath by the sword
,others saved themse lves by h iding i n ca ves
and grot tos . The i r treasures we re pil laged , chu rche s an d othe redifices were bu rn t or dest royed . The mon aste ries d id no t su r
v ive th is d isa ster, a nd th e Arab conquest gave them th e fina lblow.
In the IVth cen tu ry the churches i n A lex andria were fa i rlynumerou s
,and i n the cou rse of the V th
and V I th the i r num
bers s teadi ly i ncreased . Through l i tera ry sou rces w e _knowsome of them by name
,bu t al l a ctu a l t ra ce of them has
disappea red from the groun d . Fa the r F a ivre (paragra ph Ca ta
combes and Eg l i ses ) in his a rt i c le on Alex andria publ ished i n
the D i ctz’
onfla i re d'
h i stoi re et géog rap h i e eccl és i a st i qu es
says 11 i t i s regret table tha t no t race has been le ft of these var
iou s monumen t s and tha t i t i s im possible to de te rmine the i rexact s ite Th e mo st ce lebra ted chu rches we re the fol low ingThe Chu rch of Sa in t Ma rk which mu s t have been n ea r th e
shore of th e Easte rn Harbou r, (not th e presen t Cop t i c Chu rch
of Sa in t Ma rk); some V thcen tur y ma rb le ca pi ta l s w i th the ir
su rface s decora ted w i th flowers and t re l l is-work have been as
s igned to this chu rch ; three of these ca p ita l s a re i n our Mus
eam and a fou rth i n the Ca i ro Mu seum . When Alexa ndriawas taken by the Arabs
,Sa i n t Ma rk ’ s Chu rch wa s bu rn t ; i ts
recon s truct ion was ca rried ou t i n 680 ; i n 8 28 two Ven e t ianmercha nt s, Buono di Ma lamocco and R u st ico di Torce l lo
, re
moved the corpse which had been cons idered to be t ha t ofSa in t Ma rk a nd carried i t aw .ayAnother famous chu rch was th at of Sa in t Miche l or of A lex
ande r. Some arch aeolog i sts ha ve placed i t n ea r the bu i ldingsof th e presen t Mun i cipa l i ty ; i t i s supposed to have been th '
Temple of Sa tu rn changed in to a chu rch .
The Caesareum was a heathen temple , begun by C leopa t rai n honou r of Caesar , bu t comple ted by Octavian and ded 1ca ted
forthw i th to th e worship of the empe rors u nder th e n ame of
Caesareum or Sebasteum . One of the en trances of th is templeor of i ts va st enclosu re wa s qu ite cl ose to the presen t RamlehTramway Te rminu s on the s i te of th e presen t Yehia bu i ld ing .
After the pea ce of the Chu rch,th e Caesareum was disman t led
a nd tu rned in to a Ca thedra l : flsydb ) éx x l rym’
a or Kvgza x o’
v, orDomi n i cum . The “ 8 70310 7 ém 'l flm
'
a wa s p lundered and restoredmany t imes . In 3 68 i t was reconst ru c ted by the pa tr ia rch Athanas ius , la te r, Jacobite s and Orthodox dispu ted its possess ionun t i l 9 1 2 ,
a t which da te i t disappea red i n a conflagra t ion an d
i t s ru in s were n eve r re stored .
The Chu rch of Sa in t A tha na s ius con stru c ted by th e pa t ria rchof this n ame in the Bendid ion or Mend id ion Qu ar ter a nd con
secre ted in 370 was tu rned in to a mosque a t the Arab con
quest . In a l l l ike l ih ood this i s the mosqu e i n the so-ca l ledSuk -e l-A tta rin
,which i n a restored s ta te ex ists to the pre
sen t t tme .
The ora tory bu i l t by Theon a s (28 2-30 0 ) nea r the shore ofthe Eunos tos Ha rbou r wa s re con st ru c ted and en la rged by th e
patriarch A lexande r (3 1 3 After tha t da te i t was u sedas the ca thedra l o f Sain t Ma ry u n t i l the c lose of the IV‘h
cen
tu ry,when the C aesareum became the ca thedra l . Un de r Mus
su lman domin a t ion Sa in t M ary'
s chu rch tu rned in to a
mosque . The Arabs ga ve i t the man ze of Weste rn Mosqu e(Gamaa El Gha rbi) or Mosqu e o f a t hou s and p i l la rs . I ts s i temu st be i n the Ma rina Quarte r
,o n the spot where the con ven t
of the Franc iscan mission a ries is n ow s ta nding . The two pi lla rs of g reen gra n i te decora ted w ith re l ie fs , s tan ding a t eachside of Dr. Sch ie ss
’
s tomb on the l i t t le h i l l i n the garden ofthe Na t i ve Hosp i ta l
,be longed to the Chu rch of Theona s .
There were no va s t ca tacombs i n A lexand ria . The Christ ianceme teries
,pa r t ly subte rra nean
,pa rt l y open t o the sky
,we re
ou ts ide the c i ty a nd we re spread ove r the hi l l s be tween Cha tbya nd Hadra
, nea r th e Sera peum i n the sou th-wes t and beyondthe a ncien t pagan n ecropol is between the Aba ttoir and D ekhe la .
A ve ry in te rest ing tomb was discove red at Karmou s not far
from Pompey ’ s Column i n 1 8 58 , bu t i t has sin ce disappea red .
Fortu na te ly,de ta i led descript i on s of i t have been ' publ ished
many t imes . The a rchi tec tu ra l type of this monumen t . knownas Wescher
’
s Catacomb , diffe rs i n no way from tha t of pagan hypogeums . Access in to a n Open a trium conne cted w i th a
vest ibu le i s ga in ed by a sta i r-way . T he vest ibu le Open s in to a
room provided w i th three n iches hewn i n the l i v ing rock and
forming three sepa ra te ch a pe l s , w i t h a sarcqphagu s i n ea ch .
Ga l le ries opened ou t a rou n d thi s essen t i a l and ce n t ra l port ion
of the tomb . The wa l l s of the se passages we re hol lowed ou t
in to two, three or fou r su perposed rows of Locu l z.VVesch e r
’
s Ca tacomb was decora ted W i th frescoes (see TH .
Sca a ama a , D i e Necrop . von Kom-esch -Chougafa ,p . 1 8 -
3 9) wh tchth e describers have es t ima ted very highly . A symbohca l i n te r
pre tat ion of the Eucha ri s t wa s represen ted t he re and a longseries of images of sa in ts . Another Chris t i an ca tacomb wa s l a t
e l y discovered to the east of the town,on the h i l l s n ea r
Hadra (see B u l l . Soc . Arch . A l ex ,n . 1 1
,p . 2 7 8 bu t
i t has been bur ied for e ve r u nde r the Dea con esses ’ Hosp i ta l .B IBLIOG RAPHY . G . Lum mv n n ,
R ecu ei l d es In s cr i p t i ons Grecqu esch rétt
’
ennes d’Egypz
‘
e ( I n t rod u c t i o n ), 1 90 8 ; D i ct i onn a zre d’Arche
’
o l og i e ch ré
t i emi e et d e l i turgy u n d e r A l ex a nd r i a , t . I , co l . 1 0 98- 1 2 1 0 , p a r D om Ls:
c c n a c q ; a b ov e a l l , t h e r i c h l y d o c um e n te d a rt i c l e Al ex a nd r i e by Pere j . EmV R E i n th e D i ct i omz. d
’h i s loz’
re ct d c géog ra p h i e ,eccl és z
’
a s t 1q ues , Pa r i s , 1 9 1 2 ,
fa sc . VII , c o l . 289-
369 . l ’ . VA N C A UW E NBE RGH , E tu d e s ur l es mon i es d’
E
gyp te d ep u i s {e Conci l e d c Ck a l ced o i n e (45 1 ) j usqu’d l ’ i zzva s z
’
on a r a bePa r i s
,19 14, p . 64
- 8 1 .
Th e Jew s i n Al ex a n d r i a . Accord ing to F lavius Josephu sthe Jews w e re reckon ed among the ea r l ies t inhabitan ts of A lexandri a . The s tory goes tha t a la rge number had no t on lybeen a t tra cted the re afte r i ts found ing, bu t through a le tterof A lexande r's had a l so been proc la imed cit i zen s
,u nder the
same t i t le a s the Macedon ians . Ptolemy I , too , a fter h is cam
pa igns i n Pa lest in e i s sa id to have in troduced a grea t numbe rof Jews in to th e new capi ta l o f Egypt, as we l l a s in to the
for t ified place s on th e ea ste rn fron t ie r of the De l ta .
As to the franchise gra n ted b y Alexa nde r th e Grea t , this isi n a l l probabi lit y noth ing bu t a legend tha t Jose phu s
,Phi lo
a nd othe r Jews had an in teres t i n u phold ing . Bu t this i n no
w ay ju s t ifies the theory of some mode rn schola rs,according
to which th e e stab l i shmen t of the Jews i n Egypt , w i th the
except i on of some iso la ted case s , does not da te fu rther ba ckthan the 2
n dcen tu ry B . C . Withou t men t i on ing pa pyri wh i ch
prove the ex isten ce of Jew ish colon ies i n the Fayum i n the
3rd
cen tury,we w i l l on ly draw a t ten t ion to an in scrip t ion
d iscovered a t Sched i a (2 5 km . from A lex andria ) in connec t ionwith the dedicat ion of a Synagogue
,pl a ced by the Jews of tha t
town under the protect ion of P to lemy IIl , Eu erge tes (246- 2 2 2 )and of his w i fe Beren ice . (Mu seum
,Room 6
, n . We
wou ld a l so ca l l to min d the discove ry of a Gra eco - Jew i sh n e
cr0 p0 1is in Alexan dria da t ing from the re ign of Ptolemy Il,
Phi lade lphos . (The Arama i c inscript ion s found in th is n e cropol is are in th e Mu seum,
Room We a re the refore ob l igedto admi t tha t a numerous a nd importan t Jew i sh colony was
es tabl ished i n A lex andria s ince the beginni ng of the 3rd
cen tu ry, i f not a t th e end of the 4
t hcen tu ry 8 . C . This co lonv
kept i tse l f i sola ted , fu s ion w i th the othe r e lemen ts of the popa la t i on neve r be in g possible ; they l i ved in wha t some h is tor
ians cons ider a regu la r Ghe t to, or a t any ra te i n a spec ia lqua rte r of th e town , the qua r te r A borde ring on the Regia . In
sp i te o f con tra ry a ssert ion s by Jose phus, we mu s t be l ieve tha tthe Jew s d id not en j oy th e same rights or the same privi legesa s the c i t i zen s inscribed i n t ribes 991114 1 5) or as the ordinary
Bu t they w e re ce rta in l y a l l owed a conside rable a
moun t o f a u tonomy . On e of the chief men of the i r n a t ionwas a t the i r head
,an e thna rch
,who , he l ped by a Sen a te
was the adm in ist ra tor and the chie f judge of theCommu n i t y a t one and the same t ime . Natu ra l ly i n cases ofl i t iga t ion be tween Jews and Gen t i le s i t was necessa ry to ha verecou r se t o the roya l jus t ice . The Alexandrian Jews foundemploymen t e i ther a s publ ic con t rac tors (exploit ing taxes orsta te la nds), a s pri va te con trac tors
, a s day- labou re rs or
,more
ex pec ia l l y a l l,a s t rade rs . In commerce they were formi dable
compe t i tors . This e conomica l reason,added to the deep dif
ferences between the i r i dea s on re l ig ion and poli t ics, causedthem to be he ld in avers ion by the Greeks and the othe r inhab i tan ts of the town . Neverthe le ss
,unde r the Ptolemies , an t i se
mit ism n eve r broke out in to rea l c ivi l war . I t was on l y u nde rthe Empi re tha t A lexan dria was sta in ed w i th blood by struggles amongs t i ts inh abi tan ts . Pe rhaps th e chief reason whichprovoked a ba tt le in i ts stree t s i n the days of Ca l igu la may befoun d in the eage rness w i th wh i ch the A lex andria Jew s soughtfavou r w i th
,Rome and posed a s the Empe ror ’s mos t fa i thfu l
subjects . Ca l igu la,however, showed some i l l tempe r when he
me t t hem because they had re fused to p lace his image i n the i rSynagogu es . Je ru sa lem
's revo l t aga in s t Rome in the y ear 1 1 6
re-a c ted i n a terr ible mann er on the Alexandria n Jews . In
orde r to protec t and fort i fy themse lves when menaced w i thdea t h they de st royed the Nemes ion (where Pompey ’s head w as
interred), bu t the i r a dversar ies ga ined the u pper hand,and ki l led
a l l who we re not made pri soners . Afte r tha t t ime the Jew i she lemen t in Alexa ndr ia sank very low ; the Jew s, l ike the Christ ians
,h ad thei r ma rtyrs . In p roport ion as Christ ian i ty ga ined
ground,th e Jew s ’ condi t ion grew worse . One fine day, or ra
ther a n evi l day, Archbishop Cyri l w ished to expe l them a1
toge the r from the town , a s a ma rk of th e defin i te tr iumphof th e New Re l igion . Bu t a l l the same a t the Arab conqu estthey were s t i l l
,or the y h ad once more become
,very numerou s.
In fa c t a specia l c lau se in th e Act of Ca p i tu la t ion was to the
effect tha t th e en t ire Jewish colon y might rema in i n the town .
In the Middle Ages the comme rce of the L eva n t st i l l rema in edfor a grea t pa rt i n the i r hands . In the 1 2
th cen tury 3 0 0 0 J ew ishfami l ies were coun ted in A lexa ndri a . The olde s t synagogueswh ich ex ist a t the presen t t ime can be traced back to the
XVth cen tu ry ; today the Jewi sh colony con s i sts o fsou ls
,or probably more.
B IBLIOGRAPHY . E . SC H U R LR a n d EL t - HA Z A N , A l ex a nd r i a ,i n Th e
Jewi s h E ncyc lop ed i a , N ew Yo rk ,I, pa g . 36 1
-
368 ; BLUDAU , Jud e n un d Jud enverj o lgungen im a l i en A l ex a n d r i a R a m s e s T H Su r 1a d a te d e l a eol om
‘
e
j m’
ve d’
A l exa n d r i e,R e v . d
‘
E tu d e s ju i v e s,T . XLV , pa g . 1 6 1 - 1 64 ; D o n s c n vr z
E . , Jews a nd An t i semttes i n a nci en t A l ex a nd r i a ,A m e r i ca n Jo u rn a l o f T h e o
l ogy , V I I I 728 ; B u n c cm E . , La n ecrop o l i d e I’Ibra h tmi eh , B u l l . So c .
Arch eol . , 9 (n . s . ,T. I , fa s c . l ), p a g . 35 sq . ; VV tLCK E N U Zum A l ex a nd r i n i
s chen An tz’
s em i tzsmus , Le ipz ig , 1 90 9 ; J . P . M AHAF FY,Th e Jews i n Egyp t, M e
l a n g e s N i e l i l e p a g . 659-662 ; JUST E R , Les d a ns I
'Emp i re roma z
’
n ,
Pa r i s,1 9 14.
F i g . 23 .
TOPOGRAPHY
Com e l a. m i a m a c ed o n e co r a z z a
s t i a n e l d e se rto e a”
b a rb a r i ed a g l i a n n ireg g a Al e s s a n d r i a .
C A R D"
C C I .
These bea u t ifu l l ines of the I ta l i an poet con ta in an unde~
n iable t ru th,for they sign i fy the i dea l ever la s t ingness of A l
ex and ri a . In fac t,Alex andrian civi l isa t ion has n ever cea sed
even a fte r i ts d i sappea 1 ance to be of profi t to th e hu
man mind,which w i l l a lways re ta in profound traces of i t . Bu t
wha t of the l ast ingness of i ts monumen ts,i ts temples , and i ts
pa lace s ? Alas ! wha t decept i on and sadness a re here ! As far as
the comple te dest ruct i on of i ts edifices and as the u ncer ta in tyof i ts topogra phy a re conce rned
,Alexandria
,unfortuna te ly
,ta
kes preceden ce ove r ever y o ther grea t ci t y of the a nc ien t world .
In spi te of i ts enormou s l i te ra ry produ ct ion,wri t ten t radit i ons
a s to , i ts bu i ldings a re both ra re and very vague ; and,though
we know of a good n umbe r of temple s,pa laces a nd monu
men ts , i t i s a lmos t a lways impossib le to iden t i fy them i n a
preci se manne r , or to i ndica te the i r ex act We are
able to obta in a b road idea of the genera l a spec t of th e t own ,
a sor t of bird '
s eye v iew of i t , from Strabo'
s ce lebra ted descript ion
,from th e de ta i ls con ta ined e i ther in the Romance of Al
exander by the pseudo -Ca l l i sth enes (2 ) or i n the Amou rs of Leuci ppe and C l i tophon by A chi l les Ta t ius , as we l l a s from oc
I n t h i s s am e A l ex a n d r i a . wh e r e so m a ny th i n g s h av e h a ppe n e d , w e a re
s e l d om a b l e to g i v e t h em a l o ca l se t t in g P a n n a rz a r , B . C . H . . 1 9 t 2 , p . 25 7.
(2) As fa r a s con c ern s t h e to po g ra p h y o f Al e x an dn a,c r i t i c i sm (Lumb ro so,
A u s fe l d ) c on s 1d e rs t h i s n o v e l a s t ru s two rth y .
6o
casiona l not ices met w i th in th e works of many o f the historians of the Gracco -Roman and Chris t ian periods . Bu t the sesou rces do not he l p us to know the topogra phica l and a rch itectu ra l de ta i ls of the s treets , squa res a nd bu 1 l d ings .
For long cen tu r ies,ove r the vas t Spa ce on ce occu p ied by the
mos t bea u t if u l c i ty i n th e wor l d n othing rema ined standingor above th e leve l of the grou nd bu t th e so-ca l led Pompey '
sP i l la r
,the obe l i sks of th e Caesa reum (Cleopa tra
’ s Needles),some co lumns tha t may have formed par t of the anc ien t Gymnas ium, and the wa l ls on the ea s tern shore which h ad been
g iven t he n ame of Cl eop a tr a’
s Pa l a ce . In the cou rse of th e
XIX thcen tu ry Cleopa tra ’s Needles wen t the i r ways
,one to
London,the other to New -York
,the columns of the Gymna
disappeared , Cleopa tra’s Pa lace (7) was demol ished an d
today nothing rema ins t o vouch for the anc ien t gra ndeu r of thetown of th e Lag i des , except Pomp ey
’ s Pi l l a r .
Bu t i f th e XIXth cen tu ry ha s seen the ca rrying ou t of t hesela tter ac ts of vanda l i sm aga inst A lexandria i t h as a l so seen th e
more and more numerou s and the ever more a nd more e ffica
cion s efforts of schola rs to reconst i tu te i t s a rchaeologica l andto pogra ph ica l history . The fifth volume of the ce lebra tedD escr i p t i on de l
’Egyp te (Pa ris , inc ludes a D escr i p t i on
of the An t i qu i ti es of A l exan d r i a and of i ts Nei ghbou rhoodby the engin ee r Sa in t -Gen is ; Sa in t -Gen i s di d not ca rry ou t anyexcava t ion s himse l f, bu t he describes w i th erudit ion , compe tenceand scien t ific honesty al l tha t he had been able to see and oh
serve . H e tries to connect these observa t ion s wi th wha t we
know from l i tera ry t radi t ion wi thou t giving way to too manyhypotheses and combina t i on s . Towa rds 1 866 the Emperor Na
po leon I I I , who h ad conce ived th e proj ec t of w ri t ing a historyof Ju l ius Caesa r , expressed a desire t o have a plan of A lexandria . Th is w as an unexpec ted a nd un iqu e oppor tun i ty to se t
i ts ru in s free from the heavy cove r ing of ea r th which bu r iedthem . Khedi ve Isma
'
t‘
l en tru s ted the as tron omer Mahmoud-ElFa lak i w i th the execu t ion of th is plan , au thor ising him at th e
same t ime to make w ha tever excava t ion s were n ecessa ry . Th e
pecu l ia rly favou rable condit ion s tha t A lexandria offe red a t tha tt ime a l l the an cien t a rea of the town be ing then free ofbu i ld ings a nd on the other hand the ma teria l a nd mora lsuppor t of an a lmos t au tocra t ic Khed ive gave hope tha t thework that was being u ndertaken wou ld lead to ma rve l lous d iscoveri es . Bu t there we re none . Ca n i t be as Hoga rth and
others think tha t the soi l of A lex andria con ta in s no moremonumen ts of the fi rst ra nk ? Or can i t be tha t these monu
62
men ts a re bu ried unde r deep laye rs of ea rth , be low wa te r leve l and inaccessible to the excava tor
’
s pick ?I t mu s t be acknow ledged tha t Mahmou d-E l-Fa laki did hi s
work honest ly,and w i th abnega t ion and zea l . H e succeeded
in draw ing u p a plan of the ancien t town (fig. 24) which h as
since been gene ra l ly accepted , (cf. fig . and for which posteri ty owes h im thanks . Neverthe less , whi le re cogn i zing the
meri ts of t h is lea rned a nd consc ien t iou s schola r,we mu st
con fess tha t an a ttent ive examinat ion of his plan and of th e
a ccompanying memoi r insp i re s some doubts abou t h i s me thodand some rese rvat ions abou t his resu l ts (0 . From 1 87 8 to 1 8 88 ,
a Greek Doctor,Dr . Tassos Nérou tsos
,kep t a record of a l l
the chan ce d i scove ries made i n Alex andria . H e was a goodGreek and La t in schola r a nd a dist ingu i shed epigra ph is t . Con
sequent ly, though h e persona l l y neve r under took any excavat ion s
, yet hi s a rt i c les and his memo ir on An ci ent A l ex a nd r i a
(Pa ris , 1 8 8 8) con ta in a grea t dea l of u se fu l in forma t ion a nd a
g rea t ma ny observa t ion s tha t a re nea rl y a lways correc t (fig .
Doctor Giuseppe Bot t i,who was appoin ted i n 1 8 92 to be
cura tor of the Gracco -Roma n Mu seum tha t h ad ju st been founded
,did no t confine himse l f to mak ing exca va t ion s for the en
r ich .nen t of his Mu seum ; h e as a lways ca re fu l to show the
bearing of his finds on th e topography of the a ncien t town .
The resu l t of his observa t ion s and resea rches was a new
Pl a n of the Town of A l ex a nd r i a a t the Pto l ema i c Ep ochThis p lan (fig. 27) though i t hol ds to the rec tangu la r
a rrangemen t of the s t ree ts d l ffe rs from E l -Fa lak i’
s pla n in manyessen t ia l poin ts a nd in a number of othe r de ta i ls . Bo tt i h imse l f kn ew th e a ctua l w ri t ings of th e c la ss i c au thors
,a nd he
took accou n t of the discove rie s made i n the las t qua r ter of thecen tu ry (of l it t le con sequen ce , howeve r, from a topographica lpoin t of view). Bu t i n consequence of the impossibi l i ty heexpe rienced of ve ri fy ing th e grea te r part of h is deduct ions orcon jectu res on the s i te of the c i t y i tse l f, th e plan he drewou t i s far from be ing a s su re a nd exac t a s one cou ld de s i re .
We mu st n0 t forge t to add the n ames of two ama teurs,
Cou n t Alex Max de Zogh eb , and Admira l Si r Ma ss ie 8 10m
( 1 ) M AHMOUD-E L-FA LA K I . M e'
nzmre s u r l ’a nci en n e Al ex a nd r i e , C op en h a
g e n , 1 872 . Perh a p s H og a r t h’s j u d gme n t i n th e Arch a eol og i ca l R ep or t oj Egyp t
Ex p l ora t i on Fu nd , 1 894-96 , p . 1 7 , i s too se v e re ,b u t i n s p i te o f c e rt a i n resu l t s
o f No ack ’s ex ca v a t io n s (Se e TH I E R SCH , D i e A l ex a n . Koen tgsn ecrop o l e) i t i s
d i fficu l t to ca l l i t. m ex a c t : e Th e c h a ra c te r of m y repo r t b e i n g wh a t i t i s , i tfo rt u n a t e l y d oe s no t e n te r i n to m y p rov i n c e to d e a l a t l e n g t h w i t h t h e re se a t
ch e s o f M ahmo u d -E l I am g l a d th e re fo re th a t I c a n a v o id b a s i ng myow n wo rk o n h i s . I fe e l t h e g re a te s t u n c e r ta i n ty a s t o h i s rec ta n g u l a r m a p o f
th e c i ty a .
fie l d, to those of El -Fa laki , Ne'
rou tsos a nd Bot t i,as prominen t
among those who have sought to con tr ibu te to th e s tudy and
know ledge of Alexandria by observa t ion a t fi rst hand .
Eu ropean a rchaeologists who have had the opportu n i ty o f carryi ng ou t excava t ion s here a nd the re wi th in th e c i ty te rr i toryand of examin ing a ny pa r t icu la r topograph ica l p roblem ha venot been numerous . We may men t ion the n ames of M r . D .
G . Hogarth,Professor Noa ck , an d Professor Th iersch . Cons i
derab le both i n n umber a nd qu a l i ty a re the schola rs who h aves tudied the topography of A lex andria independen t l y of a ny exa
mina t ion of the s i tes and who ha ve ba sed the i r conc lu s ion sex clu s ive l y on the tex t s of the an cien t a u thors and on the re
su l ts of modern ex cava t i ons . I t w i l l su ffice t o reca l l the n a
mes of Lumbroso ,Wachsmu th , Puchs te in , and Ausfe ld . Th e
lea rned a nd methodica l works of these men of sc ien ce a re na
tu ra l ly ve ry a ppre c iable,bu t (as wa s indeed inevi table) th ey
cannot throw a l l th e requ i red l igh t on the subjec t,
and theydo not a l low us t o ve ri fy defin i te l y
,on th e a c tu a l g rou nd , th e
resu l t s obta ined from l i te ra ry t radit ion . In con c luding thisshort bib l iogra phi ca l ana ly sis I do no t ven tu re to say tha t I myse l f hope to a rrue a t more certa in resu l t s tha n my predecessors .On the con t ra ry , I des i re t o lay st ress on the fa c t tha t A l
exandria n topograph y presen t s enormou s d ifficu l t ies a nd en igma swhich a re today
,a nd may be even i n t he fu tu re , in solvable ,
and . in con sequen ce any pla n of a nc ien t A lexand r ia mu s t be
conside red on ly a s approx ima te , con jectura l and provi s iona l .This po in t of vi ew must n ever be l os t sigh t of. As fa r a s Iam conce rned
,whi le drawing a t ten t i on t o th e pla ces whe re
the principa l monumen ts of which a n t iqu i t y h a s le ft u s a re
cord we re , a s I th ink,a pprox ima te l y s i tua ted
,I sha l l con fine
myse l f to po in t i ng ou t th e precise spots whe re monumen t s o fsome importa nce ha ve been fou nd .
BIBLIOGRAPHY . G RA T I EN LE P am , M e'
moz‘
re s u r l a vi l l e d ’A Iex . ,
D e sc r i p t i o n d e I’E g yp te , t . 18 , Eta t m od e rn e p . SA INT -G E N I S , D escr i pt i on d es a n l z
'
qm'
i e'
s d’Al ex . c l d e ses env i rons , i b i d . , t . 5 , p . 1 8 1 sq . ; M a mmo th )
Eu FA LA i c t , M e'
mo i re s n r l ’ a n t i q u e A l exa ,Co pen h a g u e , 1 872 ; T . N é n o u r s o s
B EY , L’a ncz
’
emze Al ex a nd rz’
e, Pa r i s , 1 8 88 ; Bo r n , P l a n d
’Al ex . a l ’ e’
p oq ue p l ol e
'
ma fq u e, A l ex .,1 898 ; LomB R o so G .
, L’Eg i l l o d e l Gr ec i e d e i Roma n i , R om a
,
1 892 ; LU M B R O SO G . , D escr i tton’
z'
l a l t a n i d e l l’
Eg i tto e d’
Al es s a nd r i a ; E rmMANN , Zur s d e d er h e l l e n i s t i s ch en S l r‘
i d l eg rz’
i n d n ng en ,S t ra s sb u rg , 1 88 3 , p .
1 7 sq . ; NOA CK F . , Neue Unte rs uch ungen i n Al ex A th en-M i t t e i l . , 1 90 0 , p . 2 1 6, sq . ;WA CHSMUTH , Zu r Gesch i ch te A lex .
,R h e i n . M u s 3 5 , p . 448
-45 5 ; Z u r Top og .
Al ex . ,i b i d . , 42. p . 46 2-464 ; D i a b a l h r a i n A l ena ,
i b i d . , 43 , p . 3 06-
3 0 8 ; AU S F E LD ,
Neap ol i s m i d B ruch ez’
on i n Al ex , P h i l o l o g u s , 63 , p . 49 t-
497 (c fr. \V 1 LC 1{ E N,
Arch i v,IV , p . z n r Top . 0 . Al ex . a nd Pseu do-Ca l l i s th énes , R h c i n . Mm
5 5 , p . 348-
384 ; d er g r i ech . A l ex a nd er roma n , Le ipz i g , 1 90 7 , p . 1 3 7 sq , s e e a l sot h e a r t i c l e A l ex a n d r i a i n t h e Re a l E n c y c l o pa d i e o f Pa u l y-VV i s sow a
t h e a rt i c l e A l ex a nd r i a i n t h e D i c t i o n n a i re d’Arc h éo l og ie Ch ré t i e n n e (Le c l e rcq ).
H o o a a r n D . G ., R ep ort on p rosp ects of Resea rch i n A l ex . i n Egyp t . Ex p l .
Fu nd , 1894-95 , p a g . 1 -33 ; VA UJA NY, A l ex . et l a Ba sse Egyp te, C a i re , 1 88 1 30
A .
D E 20 0 m m, E tu d es su r l ’a nci enne Al ex . ,
Pa r i s , 1 9 1 0 . Th e s t u d i e s o f Adm i ra l
B l omfi e l d h a ve be e n p u b l i sh ed i n t h e B u l l . d e l a Soc. Arch . d’Al ex .
Geo log i ca l Forma t ion of th e Al exan d r i a n Coa s t. A l
though we,i h h i storica l t imes
,know of on l y one i s lan d (Pha
ros) Opposi te a nd in c lose prox im i ty to the Alex a ndrian coas t ,this same coast
,a ccording to the la tes t geologi ca l con clu s ion s ,
did no t form in prehistori c ages a compact ba nd of l and u n i
ted to the ma i n land . In i ts pla ce there we re numerous sma l lis lands very l i t t le above sea - leve l
,ly ing l ike a ba r a t the en
t rance of the gu l f, the Lake Ma reot is of la te r days , Open ingon the Medite rranean . Through the gradua l r i sing of th e soi l,as we l l a s the incessan t accumu la t ion of th e sa nd from the
dunes,l it t le by l i t t le the se i s la nds become un i ted, forming a n
u n in terrupted tongue of land be tween the sea and the gu l f,which i n con sequ en ce wa s t ra nsformed in to a lake . On t histongue of land A lexander (B . C . 3 3 2
-
3 1 ) fou nded th e n ew ca
pita l of Egypt . Du ring the cou rse of cen tu ries the soi l of Aiexandri a has u nde rgone other modificat i on s . In fact , i ts leve li s not the same as i t wa s a t th e t ime of the P tolemies a nd
Roman s . As the resu l t of violen t shocks of ea rthquake ( I ), orof some geolog ica l phenomenon act ing i n a n a lmos t insen s iblebu t constan t manner
,a subsiden ce h a s taken p lace i n the a rea
of the town I t i s ea sy for instance to see a proof of th isa t Kom-e l - Shuga fa , where , today , the thi rd layer of the necropolis i s u nder wa te r. I t i s the same i n th e necropol is a t Chatby ,where the rema ins of the corpses often floa t i n the i r graves,tran sformed in to t in y lakes . I t is wor thy of n o te
,a lso
,tha t
the is land ca l led An ti rrhodos,which u sed to be i n th e la rge
ha rbou r,has a l toge the r d i sappeared u nde r the wa te r .
Au debeau Bey has proved a subs iden ce of th e soi l of A lexa n dria of a t lea s t 2m . 3 0 , which represen ts the he igh t of the
(1 ) Th e g eo l o g i s t YANKO (D a s De l ta d es N i l ) w a s th e fi rs t t o d raw a t
te n t i on to th e s ub s id en c e o f t h e so i l o f A l ex a n d r i a . Th e e ar t h qu ak e s o f t h e
XIX cen tu ry we re h i s to r i c . I t i s n o t n ece s sa ry t o rem in d th e re a d er th a t t h e
o bse rv a t i on s o f mo d e rn se i smo l o g i s ts h a ve d i sc l o sed con s i d e ra b l e su b s i d en c es o f
s o i l i n J apan a n d i n E u ro pe c a u se d by ea r th qu a k e s h o ck s . Th e l a s t sh ock a t
M es s i n a b ro u g h t a b o u t a su b s i d en ce wh i ch re a c h ed a m ax im um o f 66 em . o n
t h e se a -sh o re a n d a m i n im um o f 1 0 cm . i n s i d e t h e town . A fte r t h e e a rth qu a k eo f Ag ram , i n Au s tr ia , i n 1 880 , a m o v em en t o f t h e so i l i n a h o r i zon t a l d i rec t i onw a s a sc e rta i n e d to h a v e ta k en p l a c e . In Ja pa n , a f ter th e e a rt h qu ak e o f 1 89 1 ,a su b s i d en ce o f 40 cm . wa s n o t ice d a ro u n d a tr i a n g u l a r p i e ce o f l a n d
, m e a
su r i n g 25 k i l om e tre s a t e a c h s id e. In o t h e r p a r t s t h e so i l a d jo in i ng w a s ra i sedfrom 60 to 80 cm . Pro b ab l y th i s sam e ph en omen o n o ccu rred a t Al ex a n d r i a .
(2) It v a r i es b e twe en a m e t re a n d a m e t re a n d a h a l f, o r e v en m o re . Some
g eo l og i s t s a re o f o p i n i o n t h a t t h i s m a y b e t h e re su l t n o t so m u ch o f a su b s ide n ce o f th e l an d a s o f a ra i s i ng o f th e l e v e l o f th e s e a .
the other way, and i t may be right , bu t a t the He l len i st icepoch the princip le of the s tra ight l ine wa s cons ide red exce l len t .Alexandria become a mode l for most of t he la rge n ew ci t ies .As a ru le
,the streets cu t one anothe r a t right angle s
,i n such
a manner that the grou ps of hou ses resembled a chess-board .
The two princ i pa l streets, which in te rsected a lmos t in th e
cen tre of the c i ty, were more that
~
1 0 0 fee t w ide . Ma ny ca
na l s a nd aqueducts passed u nder the st ree ts . The five d istri ctscomprising the town were indica ted by the first five le t ters ofthe a l phabe t
,which stand a l so for the firs t five numbers.
A qu ar ter or nea r l y a thi rd of the area of the ci ty was
occupied by roya l edifices,an immen se collec t ion of pa laces
and ga rdens. In tha t pa rt of A lexan dria l ay the tombs ofAlexa nder and of th e Ptolemies , the Mu seum
,the ce lebra ted
L ibrary, the Thea tre, the Arsena l , and the barra ck s for th eroya l body-gua rd . A long the broad prin c ipa l street wh ich ex
tends from the extreme ea st to th e ex t reme wes t of the ci tynumerou s temples we re e rected
,a l so the Gymnasium a nd Cou rt
of Just ice . On the hi l lock now ca l led Kom-e l -Dik the re wa s a
magn ificen t park l ike enc losu re for monumen ts , ca l led the Pa
n eton .
’
Th e Se ra peum was on a sma l l h i l l to th e sou th-westof the town (the groun d su rrounding th e so- ca l led Pompey ’ sPi l la r). The Stad ium was a t the foo t of this , on t he sou thside . The amphi thea tre of which Josephu s the h istorian speakswas probably a lso in s ide the ci ty . A dyke
,the H eptastad i um,
connected th e town w i th Pha ros i s land,which lay i n fron t
of i t . In th is manne r two ha rbou rs we re form ed,
the la rgeha rbou r to the Ea st (dese r ted nowadays) and the Eunostos (th epresen t ha rbou r). The ce lebra ted ligh thou se
,th e Pha ros
, was
erec ted on th e i s land, the work of Sostra tus of Cn i du s . Va s tbu ria l-grounds stretched to the eas tward (Cha tby -Hadra ) and
to the westwa rd of the ci ty (Gabba r i-Wa rdian). R i ch subu rbs(Eleus i s-Nicopol is) prospe red in the pla in o f Hadra and on th e
hi l l s of Ramleh . The H ippodrome lay to the sou th of the ea
stern n ecropol is,not fa r from Eleu sis .
e qu a e n ec co n fi rma re n ec repe l l ere i na n i m o e st 2 .
TA C ITU S .
Th e Enc los i ng Wa l l s . Fable has not fa i led to ornament and embe l l ish the history of the fou nda t ion of the wa l lsof the a ncien t ci ty . I t is sa id tha t Alexander h imse l f had set
abou t th e t racing of these wa l l s . and as t here was not a su f
ficien t quan t ity of cha l k,he gave the order to use the fl ou r
intended for the soldiers ’ mess . Mu l t i tudes of birds swoopeddown upon the food from a l l qua rters
, and the flou r was no t
long i n disappearing, whi ch was'
i n terpre ted a s a good omenfor the prospe r i ty of the ci ty .
L i tera ry t radi t ion ha s in s isted w i th ex t reme comp lacency on
these imagi na ry deta i ls,a nd by con tra s t n o exac t informa t ion
ha s come down to us a s to the dimension s,the ex ten t , the
shape, a nd the l ine of these wa l ls .Ta ci tu s (H i st. IV,
8 3) a t tribu tes the ir construction to Ptolemy I . Other h i storian s men t ion the wa l ls on l y when t he reis occa sion to make an a l lusion to one or other of th e s iegest he town u nderwen t .I t seems ce rta in tha t th e wa l ls of A lexandria were of
grea te r exten t than those . of any o the r Greek town , w i th the
except ion of Syra cu se and A thens ( 1 hAccording to Qu i ntu s-Cu rt ius the length of the wa l l s was
80 stadia ; a ccording to P l iny 1 5‘ leagu es or 1 2 0 s tadia ; ac
cording to a not ice in the la te r t imes of the Empi re , 1 6 3 60
fee t . St rabo gives the length of t he town as 3 0 stadia ;'
Ste
phen of Byzan t ium as 34 stadia ; D iodo ru s a s 40 stadia ;whi le for the w idth Strabo ha s 7 or 8 stadia ; Stephen ofByzan t ium 8 stadia . (Th e stadium was abou t 20 2 ya rds or 1 8 5metre s).Accord ing to M ahmoud -E l-Fa lak i the rea l length of the wa l l s
was 1 5 80 0 met res ; 50 90 for th e length,and for the w i d th
from 1 1 5 0 to 2 2 50 met res , u sua l l y 1 70 0 me tres . These differen t mea su remen t s , which must be accepted as approx ima teon ly
,-_re fe r to diffe ren t periods . Mahmoud-E l-Fa lak i was th e
fi rst to t ra ce the l in e of the Ptolema i c wa l ls . I t wou ld be ra she ither to a ffirm or to deny tha t h is pl an is ' exact . We musthowever make the rema rk tha t the founda t i ons , five met resw i de, made of a shla r and morta r composed of l ime a nd pounded br i cks
,discove red by El-F a lak i behind Ca pe Lochias can
ha rdl y da te back to the end of the IV centu ry or the beginn ing of the III cen tu ry 8 . C . They mu st be of much morerecen t date . Moreove r t hese founda t i on s cann o t h e defin i te lyt raced for more than 3 0 0 0 metres . Beyond tha t , for a distanceof 2 ki lome t res
,th e exca va t ion s were ca rried on among heaps
of rubbish, which preven ted a c l ose examin a t ion . For th e
n ex i 70 0 me t res the plan is based on t he reports of peoplewho u sed to dig for stone . Beyond the Hadra Mosque
,the
( 1 ) BE LOCH, D i e Bevé‘
l kerung d er gr i echi sch e'
r é‘
mi sch en Wel t, Le i pz ig ,
1 886 , p . 483-84 .
excava t ions, which h ad become very difficu l t, were ca rr ied on
in e ight different sect ions w ide ly sepa ra ted from one an o ther.On l y five of these sect i on s gave resu l ts , and E l-Fa laki himse l fhad to admi t tha t the compos i t ion of t he morta r di ffered so
mewhat from tha t of the port ion of th e wa l ls tha t was discove t ed fi rst. As for the rest a i t has oeen comple te l y impos
s ible to carry ou t exca vat ion s an d the ou t l in e of th e wa l ls onthe map has been comple ted accord ing to the configu rat ion ofthe ground . Gran ted tha t El -Fa lak i 's ou t l ine fol lows more orless a pprox ima te l y tha t of the Ptolema i c pe ri od, (though i t isprobable tha t he w as con found i ng
'
the cou rse of the wa l l s i ntwo differen t per iods) i t must be acknow ledged tha t the pre
mises on which hi s p lan i s ba sed are ra ther unce rta in .
Bot ti though t tha t w i th the ex ception of the fort on the
Heptastad ium and the towers of th e Pha ros, the shores of the
la rge Ha rbour h ad no defence works . On the othe r hand , h ethought tha t, in i mita t ion of Ca r thage , the ea ste rn pa rt of thetown wa s protected by three wa l ls of two s toreys . Each wa l lwa s protected by a cha in or row of towe rs , and he adds : a Asthe city was washed by L ake Ma reot i s i t is l i ke ly t ha t therewas on ly an ordina ry rampart on tha t s ide w i th the u su a l towrers On the wes t s ide as on the ea st there wou l d be a tr iple wa l l .Al l this i s poss ible
, bu t the a rgumen ts advan ced do not a l
low a s to rega rd i t as more tha n a mere hypothes is . Nordo I think tha t this hypothes is ca n be su pported by a pa ssagefrom Su ju t i , quoted by l bn -e l -Hakim
,but u nkn own to Bot t i .
Su ju t i w ri te s : Alex an dria con s i s ts of th ree tow n s,one bes ide
the othe r. each su rrou nded by i ts own wa l l . Al l three a re
enc losed by an ou te r , fort ified wa l l These words, apa rt
from the doubts ra ised by the i r very preci seness,probably re fer
to th e th ree main di s ion s of the t own ; th e Egypt ian,th
Gracco -Roman and the Jew i sh qua rters .Abda l la i bn Za ri f sa vs there were seven for tre sse s and se
ven moa t s .John of N ikiou says tha t the town wa s su rrounded by a
long wa l l fort ified w i t h numerous towe rs,bu i l t a l ong the edge
of the river and a long th e cu rving sea shore , so tha t on bothsides the c i t y was surrounded by w a te r I t i s p robable thatthe wa l l men t ioned by John of N ik iou i s no t the same as tha tof the t ime of the Lagi de s , bu t th e t ype of fort ifica t ion ma y
have been the same . A t any ra te , according to this passageE l-Fa lak i
’
s and Bot t i ’ s p lan s lea ve mu ch too la rge a space be
tween the ci ty a nd the cana l . The fort ifica t ion s w hich ex c ited
the admi ra t ion of t ra ve l ler s in th e M iddle Ages (von Suchem,
Abrey Stewa r t, Berna rd von Breydenbach , Cyri ac of Ancona ,etc . ) were decided ly the w a l ls tha t h ad been bu i l t by the Arabsa t the beginn ing of the IX cen tu ry .
Wha t i s qu it e ce rta in i s tha t the fort ifica t ions of A lexandriawe re a t a l l t imes o f immen se s trength
, for the town proveda lmost a lways to be impregnable .
An t iochu s the Grea t,k ing of Syria (to men t ion on l y the
mos t ce lebra ted siege s) had to w i thdraw f ru stra ten ta t i s moe
n i ba s (B . C . Dioc le t ia n (A . D . 2 9 5-6) spen t e igh t mon ths
in captu ring th e town . Chosroes (A. D . 60 9) and Amru (A .
D . 64 3 ) to en te r the town had to re sort to trea chery .
Wha t we rea l l y know abou t the fort ifica t ion s of A lexandriaamoun t s to ve ry l itt le
1 . Sin ce i ts founda t ion A lexandr ia had a su rrounding wa l lthe max imum length of which m igh t be reckoned a s abou t fi fteen kilome tres .
2 . This wa l l was for t ified by towe rs pla ced a t short distances a pa rt .3 . The course of the wa l l s on th e North-ea s te rn side fol lowed
the l ine of the coas t as far as Ca pe Lochia s,
and then tu r
n ed towa rds the Can a l .E l - Fa l ak i
’
s p lan brings the c i ty-wa l l too fa r to t he Ea st . In
an y case his map lea ves much too la rge a spa ce be tween t he
ci ty -wa l l a nd th e Cana l (D iodo rus , 1 7 , 5 2 ; John of N ikiou ,p .
4 . The wa l l was rebu i l t in th e secon d cen tu ry by the Em
perors Hadria n a nd An ton inu s .
5 . O ther pa r t ia l a lte ra t ion s we re ca rr ied ou t i n the thi rd cen tu ry .
6 . Th e wa l l bu i l t by the Arabs da tes from the beginn ing ofthe n in th cen tu ry
,
The Streets . Mahmoud-E l-Fa laki ’s most importan t discove ry wa s tha t of the stree ts of a nc ien t Alexa ndria . On the bas isof h is exca va t ion s he h as drawn up a pla n of th e ancien ttown
,in which th e s tree t s in te rsect on e a nothe r a t righ t na
gles . i n such a way as to form a kind of gridi ron .
a I have discovered,by mean s of excava t ions
,e leven prin
c i pa l st ree ts in the town of A lexandria , which cross the c i tyfrom one s ide t o the other
,and seven stree t s which pass length
w i se through th e c ity . Th e cen t ra l s t ree t of the seven lon
g i tud i na l s treets i s the Canopi c Stree t the paving stones a ret he same eve rywhe re ; b lack or grey ish b locks abou t ' twen tycen t imetre s t h ick
,and from 3 0 to 5 0 cen t ime tres long and
broad 11, Mr . Hoga rth expresses most dec ided doubts a s to the
rectangu la r arrangemen t of the st reet s ; and even i f ProfessorNoack can assure us that his excava t ions (not ve ry ex tens i veand confined t o a port ion of the Bra chium) gene ra l ly confirmth e plan of the s treets drawn u p by E l-Fa laki , he never th e lessfinds it n ecessa ry to correc t this p lan a t seve ra l poin ts . Abovea l l we a re obl iged to obse rve tha t the pavemen t discove red byMahmoud does not date from the Pto lema ic per iod bu t fromt h e Roman .
Wherev e r it has been poss ible to examin e this pa vemen t , i ta ppea rs to rest on several laye rs of rubbish , a nd this débri s i sfound not on ly a t each side of the stree t
,as Professor Noack
obse rved i t but a l so u ndernea th the pa ving, as has been a scer
ra in ed i n some place s by Hoga rth and i n othe r p la ces by myse l f. This mea ns tha t th e streets at the Roman pe riod did nota l l fo l low the cou rse wh i ch they h ad on th e plan of D inocra tes .
So even i f we admi t tha t El -Fa l ak i 's plan i s perfect l y correct ,we cannot a ccept i t un reservedly as applying to the pre
-Roma nepoch . Bes ides, we not ice tha t the l ongitu dina l s tree ts, for i astan ce , have been a rbi tra ri l y prolonged by E l -Fa laki, on
.
the
East side of the town , as far a s the l ine which h e cons ide redto be tha t of th e fort ified wa l l of the c ity . As a mat ter offact , h e decla red tha t he h ad found no t races of the paving ofthe Canopic Street a t 4 5 5 metres from th e Arab wa l l
,whereas
on his map th e s t reet i s shown for a distance of 1 40 0 met resbeyond this wa l l . I t is true tha t E l - Fa l ak i asse rts tha t thepavemen t was removed a t the t ime of Mohamed Al i
, when the
n ew road was con st ructed ; bu t this a ssert ion may be que
s t ioned for the fol low ing rea son . The remova l of ea rth forthe con st ru ct i on of the n ew quay i n the Eastern Harbou r hasl ed to the disa ppearance of a l l the mounds which u sed toex i st between the Jew i sh Ceme tery, the sea-shore a t Cha tby ,and the subu rb ca l led Camp Caesar . Du r ing th is work
,nume
rou s t race s we re found of t he st reets descr ibed by El-F a lakia s far as the Gymna s ium c lub ca l led .1 Mi lon 11
; bu t there isno t race of roads fu rther n orth or ea st of th a t l ine , whichn ea rly correspon ds to S tree t No . 2 . This suggstes tha t Stre e tNo . L . 4 for example shou l d not have been prolonged on the
pla n beyond the tomb of Sa in t Sidi e l -Cha tby . A furthe r object ion is that , according to the plan
,the s t ree t mu st have cros
sed the most ea ster l y pa rt of th e open -a i r n ecropol is, which
dates back t o ea r l y P tolema ic t i mes .Along the whole of this esplanade we ha ve frequ en t l y come
across traces of cemeteries , bu t ve ry ra re l y of i sola ted hou ses .
The same can be sa id of the mou nds tha t ex ist be tween the
Eu ropean ceme te ries a nd the suburb Of Ibra himieh . I ven tureto think that when these mou nds a re le ve l led i t w i l l be verydi fficu l t to find traces of pavemen t to the ea s t Of Stree t No. 2 .
I f this i s so,we sha l l not need to suppose tha t Mohamed Al i
removed the pa vemen t Of the ea ste rn pa r t of the Canopic Streetand we sha l l be incl ined to be l ieve tha t th is pavemen t n eve rexisted beyond the la st poin t w here i t was poss ib le for El Falaki to have seen i t .Moreove r the modern Abukir Road
,a t the poin t in que
st ion , is not bordered by heaps of debri s i t passes through a n
open ing in the na tu ra l rock ; a nd thus the an c ien t s tree t,for
a certa in port ion of its length , wou l d have been shat i n , a t a
con side rable depth , between two ba re wa l l s Of rock .
I t wou ld not the refore have been bordered by bu i ld ings and
wou ld have had a decided ly di fferen t leve l from tha t of the
ne ighbou ring st ree ts and hou ses . I s this admissible for th eprin ci pa l s treet Of ancien t Alexandria ?The refore
,i f we may draw a conc lus ion from these rema rks
,
the l ine of t he longi tudina l stree ts on E l -Fa lak i’
s plan ough tto be shor tened by severa l hundred me t res in the ea sternsect i on .
The Canopic S tree t forms the back-bone O f E l -Fa laki’
s system. According to h im ,
i t fol lows Sha ra Bab Sha rki Of our
days (Rosetta and S id i Me twa l l i St ree ts). This iden t ifica t ionha s been genera l l y a ccepted .
Bott i is of an opposi te Opin ion . He does not be l ieve tha tth e stree t d iscovered a long the l ine of the Rose tta Road cor
res ponds to the Ca nopic Street . He places this more to the
sou th and i den t ifies i t w i th E l-Fa laki ’s S treet L . 3 .c The n a
me Ca nopic given to this ma in a rte ry indica tes tha t , Of a l l ofth e longitu dina l thoroughfa res of Neapol i s
,this was the one nea
rest to the Canopic Cana l . The avenue of th e Rose t ta,Ga te
i s by no mean s i n the m iddle of the ancien t town,becau se
the re were o thers mu ch nea re r to the poin t of embarka t ionon the Can a lThere i s no n eed to show the feebleness of these argu
men ts ; they a re ba sed on the suppos it ion tha t the Cano picStree t took i ts n ame from its p rox im i ty to the Ca na l . But
this SUppos i t ion'
i s i n a l l l ike l ihood e rroneou s,and i t is more
na tura l to think tha t th e stree t took i ts n ame from Cam pu s ,as its tren d was i n th e d i rect ion of tha t town . Ju st a s i n ou r
days the con t inu a t ion of the Rose t ta Road is ca l led the A
buki r Road .
74
Moreover,i f i t i s true
,as l i te rary tradi t ion leads us t o su ppose ,
tha t the Canopic S treet passed through the cen tre Of the town,
then th a t cen t re,a ccording to our a ctua l know ledge , ought to
be sou ght for by preference a l ong the l ine Of the Rose t ta Roadwhere remarkable an t iqu i t ies ha ve been discove red, a nd no t i n
Moha rrem Bey, to the sou th of Kom -e l -Dik .
Hogarth’
s Object ion s seem to me more ser iou s . Refe rr ing tosome sha fts whi ch h e sank to the north and sou th of the Ro
setta Avenu e a nd a rgu ing from the a l ignmen t of the wa l ls tha thad been uncovered, he concludes « Tha t i n this cen t ra l region a t least
,the anc ien t town wa s bu i l t v ery fa r from the
l ines Of the modern,a nd tha t the a xis Of the Old Canop ic S tree t
must va ry much a t thi s poin t from tha t of the Bou leva rd deRose t te ; the former mus t have read abou t the la tterreads 260 °
In rea l i t y, Hoga rth'
s exca vat ion s were not carried fa r enoughfor us to accept his con c lu s ion s w i t hou t reserva t i on . I t maywe l l be tha t the axis of the an cien t stree t diffe red somewha tfrom tha t of the modern
,bu t to me a l l the same the re seems
no doubt tha t the Canop i c St ree t w a s not ve ry d is tan t fromthe Rose t ta Road of ou r own days
,a nd coincided wi th i t over
a port ion of i ts cou rse .
Eye-w itnesses have Often dec la red tha t they have seen a t
diffe ren t s pots,and I myse l f have Observed
,columns in rows
bo th on the north a nd sou th of the Rosetta Road. Further i ti s eviden t tha t this stree t mu st have passed through th e cen treof the town ,
a nd I be l ie ve th is cen t re mu st have been i n the
triangle formed by the Z iz i n i a Thea t re , the Nabi Dan ie l l Mos
qu e , and Tou ssoun Bou rse . I t i s the re t ha t the ma in t ran sve rsa l stree t ought to pa ss . El -Fa laki
,on the con tra ry
,thinks
tha t the ma in st ree t i s th e one marked R . I. , on his plan .
«1 Sta rt ing from Cape Lochia s,on which there wa s a roya l pa
la ce,i t pa sses c lose to the harbou r reser ved for the pr iva te
boa ts of the kings, c lose to the roya l a rsen a l , and ends a t
a second ha rbou r on the Can a l . A t a distance Of 1 30 me tresfrom the city wa l ls I d iscovered the quays of th i s port
,fa
cing a bridge , probably an cien t He adds deta i l s which wou ldhave been confirma tory Of his i den t ifica t i on i f Noack ’s method ica l resea rches a long this road had not des troyed this theory .
El -Fa laki says : 11 The re i s an u nde rgrou n d aqueduc t on the
ea st s ide of th e road for cu" rying the Cana l wa te r to the pa
lace a nd in to the city to suppl y the cis te rn s A sha l low dra infor ca rry ing Off di rty wa ter i s a t the other side Of the road
,
which has one pecu l iari ty dist ingu i shi ng i t from any other road
n ion these indicat ions are suggest ive enough . I t i s here .abouts
tha t we ough t to look for the cen tre of the a n cien t town , and
con sequen t ly we may say that the broad transversa l streetpa ssed abou t here . I t cou ld not have been very fa r from NabiDan ie l l Street
,though not actua l ly the same ; i ts ax i s may have
la in more direct l y north a nd sou th . To sum u p, the fol low ingpoints may be la id down : The sy s tem of s t reets esta b lishedby El-Fa lak i may fa i r l y correspon d i n i ts ma in l ine s to the
sy stem of st ree ts i n the a n c ien t t own . Th e p la n which h e
drew up may be accepted as ap p r ox ima te, except ion be ingmade for the length of the roads towards th e eas t
,a nd for
the posit ion and di rec t ion of th e ma in t ran sversa l st reet
Th e Coa st-Li ne and H a rbou rs . We ha ve a l ready men
t ioned tha t the ou t l ine of th e shore Of Alex a ndria i s not wha ti t was twen t y- two cen tu ries ago . In fa c t i t i s ea sy to see
tha t from Ramleh to Mex the sea h as ga ined on the lan d ., As
one wa lks a l ong th e shore , tombs, edifices , quays are seenwhich toda y l ie submerged u nder the sea . I t is known t ha t ,before the founda t ion of the town , the shore wa s sepa ra tedfrom the Pha ros Is land by a branch of the sea, and tha t a
con nect ion be tween the con t inen t and the i s land was made bymean s of a jet ty or dyke seven stadia i n length (whence the
name H eptas tad i um,abou t 1 20 0 metres). Con sequen t l y the
a ppea ra nce of the shore a nd of the ancien t town was qu i tediffe ren t from the i r mode rn a spect .The New Quay a long the Portus Magn ns from Chatby a s
far as the Yehia proper ty Opposi te R am leh Tram Terminu s ,has pu shed back the sea to abou t the l im i t s i t may have had
i n an t iqu it y, but beyond the presen t d ay Ram leh Sta t ion westwa rds
,the coa st- l ine diffe red con siderabl y from the l ine i t now
fol lows . Fol low ing the ou ter l ine of the houses to the northof the Bou leva rd Ramleh
,the coa s t l ine t ook a sou th-wester l y
tu rn abou t the presen t ru e Cen tra le and t hen con t in ued acrossP la ce Ste . Ca therin e and Place-de - l a -Pa i l le to the vi c ini ty of theCu stom House , pa ss ing n ea r Fort Ca fa re l l i .When the Alexandria Centra l Bu i ld ings were be ing e rected
a gran ite column s i x me tres long, w i th a diameter of 80 cm .
was discovered i n Ad ib S tree t on the s i te a t presen t occupiedby the ha i rdresser Zoadanos' shOp. Some handsome capita lsof gran i te and ma rble were fou nd a t the same t ime .
Fu rthe r a l ong Cen t ra l Stree t a ma rb le co lumn was foundin i ts origina l pos it ion . I t wa s be low wa ter - leve l and stood80 cm . high, with some fiagston es a t i ts ba se . Nea r the top
of this column, i t wa s pe rfe ct l y easy to dist ingu ish some ca
v i ties cau sed by the fri c t ion of cords, whi le on the flagstones a
worn i rregu la r ma rk w i th t ra ce s of ru st gave eviden t signsof the use of i ron cha ins . I t seems l ike l y tha t this columnwas p laced on the edge of the sea
, upon the quay of the an
c ien t ha rbou r .Thu s , the a rea occupied by the Turkish town (Mohamed A l i
Squ a re,the Midan Qua rter
,and the Ma rina) has been recla imed
from the sea,on both sides of the ancien t Heptastad ium,
whichmu s t have h ad i t s poin t of de pa rtu re a hun dred me t res to the
north-ea s t of Kom -e l -Nadoura (Ca fa re l l i Fort , where the s igna ll ing for the Ha rbou r i s done) and taken a s tra ight l ine forthe sou thern ex t remity of the Pha ros Is land
,leve l w i th the
presen t Arsena l .As a resu l t of the con struc t ion of the Heptastad ium,
two bar
bou rs were formed : The Ea ste rn Ha rbou r (Méya g Atufiv , Ma
gnu s Portu s) which wa s con s idered the most importan t of thetwo by the ancien t Alexandrian s
,and Por t Eunostos
,ou r modern
Ha rbou r .Two Open ings we re made i n the Heptastadium i n order to
fa c i l i ta te di rect a nd ra pid commun icat ion between the two ports .
These open ings were p laced nea r t h e extremit ies of the dyke,
and we may suppose.
tha t they were crossed by bri dges supported on high columns
, whi le a t the t ime of Caesa r,a t any
ra te , they we re gua rded by two forts .The Magnu s Portu s , which , it seems , was very d i fficu l t to
enter , wa s su rrounded by superb ed ifices . I w i l l he re con finemyse l f to men t ion ing tha t a je tty Start ing from Cape Loch ia sprote cted th e port from nor therl y w inds a nd cu rren ts, wh i l ston th e opposite s ide the Pha ros Is land offe red n a tu ra l pro tect ion . A t th e ex tremi ty of this is land
,qu ite close to the en
t rance of the port ,
'
the l ighthouse wa s erec ted, taking i ts namefrom tha t of the i s land (Pha ros). In the middle of the ha rbou r
,
towards the sou th-ea st,the re was an is la nd
,ca l led An t i rrhodos ,
p robabl y on a ccoun t of its shape . On a perfect ly ca lm day, i tis possible to pe rce i ve i ts shape under th e wa ter. A roya l pala ce rose on th i s island . A t th e end of the promon tory ofCape Lochia s there was a sma l l inne r harbou r, reserved for
the pri va te u se of the roy a l fami l y .
A promon tor y ran out in to the ha rbour , a lmost i n fron t ofthe presen t Ramleh Sta t ion . At the end of t his promon tory Ma rkAn tony h ad the Timon ium bu i lt , a sort of phi losophica l he rmitage , where h e u sed t o ret i re from t ime t o t ime . F rom the
t ime of th e la te r Impe ria l e poch , Port Eu nostos became more
frequen ted whi ls t the la rge ha rbou r was more and more deserted . The en trance of t he former mu st have been nea r the
wes tern end of th e Pha ros Is land (Ras-EI-Ti n ), on which therewas a temple to Pose 1don ( r)Inside th e Eunostos there was a sma l l a rt i fic ia l ha rbou r eu
closed on a l l s ides, 77 mflwro’
g , the box , the coffer. A navigablecana l connected i t w i th Lake Mareot i s. H i s torian s think tha tthe n ame Eunostos was derived from Eu nostos king of So loe ,
son -i n-law of Ptolemy Soter ; others th ink the n ame sign ifiedsimply th e harbou r of happy r etur n
,or a rr iva l .
The Ca na l . The Cana l , which suppl ied Alexandria w i thfresh water and which formed the commerc ia l h ighway w i ththe in terior of the coun try, had i t s head on the Canopic branchof the Ni le a t Schedia
,abou t 27 ki lome t re s distance from Al
exandria . This Cana l mu st have fol lowed very close ly the direct ion of the presen t Mahmoud ieh Ca na l . Not far from Ha
ga r-e l -Nawa t ieh i t sepa ra ted in to two b ranche s
,one of wh ich
wen t towa rds Can opus , pa ra l le l w ith th e coast , a nd th e o thertowa rds Alexandr ia .
It i s genera l l y admi t ted tha t this cana l su rrounded the sou thside of th e town
,and empt ied i tse l f in to th e Eunostos through
the Kibotos ba s in . In my Op i n ion this supposi t ion i s not
correct, becau se in the GraecoR oman period the town gra vita ted towa rds the M éya g 1 1mm)
, and i t i s most n a tu 1 a l to thinkthat the most importa n t branch of the cana l wou ld emptyi tse l f in to this port .Moreover Strabo does not say tha t the Sch edia Can a l di s
cha rged i tse l f in to the Eunostos or in to the Kibotos . On the
con tra ry I find his si lence on this subject very sign ifican t . The
fol low ing words a re a l l he sa ys : c A navigable cana l fa l ls in tothis ba sin and pu ts i t in t o d i rect commun ica t ion w i t h Mareot is
On the o ther hand we have a documen t which proves tha t a
can a l crossed Nea pol i s eve n a t th e end of the 4th cen tu ry A .
D . This documen t dea l s w i th a contract passed a t He rmopo lis(Upper Egypt) : the owner of a boa t unde r takes to tran sportto Alexandria and to u n l oad in to the gra na ries a t Neapol i s a
ca rgo of whea t . As Neapol is was precise ly the qua rter ad jo i
( r) M . j on d e t h a s d i scov ered to th e No r th a n d We st o f P h a ro s I s l a n d a
l a rge h a rbo u r wh i ch a t th e p re sen t t im e i s u n d er wa te r . \Ve o u o h t l n o t to
con fou n d th i s one w i th t h e sm a l l h a rbo u r to t h e No rt h o f th e i s l a n d,wh i c h C ae
sa r m e n t i on s. As VI, Jo nd e t’s re se arch e s a re n o t ye t c om p l e te d , w e c an on ly
po in t to th em w i th ou t d i scu s s i ng res u l t s .
(2) Com p a re t h e p l an d rawn u p by Si eg l i n i n wh i ch a can a l i s see n empty in g i t se l f i n to th e l a rg e h a rb ou r .
79
n ing th e Portu s Magnu s, we mu st admi t tha t a cana l passedthrough the eastern por t ion of the town .
This is t rue , moreover, for, the Byza n t ine period,as we
learn from a papyrus di scovered i n Uppe r Egypt and pu
b l i shed by J . Maspero (SeePap . By z .
,II
, 2,p .
A cana l s ta rt ing from Sched ia
, or a t any ra te a branchof th e an cien t can a l
,en la rged
and imp roved,mu st have been
con t inu ed to the Eunostos orthe Kibotos abou t the 4o
t h
yea r of the Emperor Augu stus .Two i den t ica l in sc rip t ion s dated A . D . 1 0 and 1 1 te l l u s
that Augus tu s Fl umen Se
ba s ton a Sch ed i a i nd ux i t u t
p er se toto opp i do flu eret
One of these two inscri p t ion si s engraved on a nummi l i t ic
l imestone co lumn discoveredi n digging the founda t ions forthe Na t ive Tribuna l in BoctoriStreet , c lose to the an c ien tKibotos .
The cou rse tha t Alex a ndria ’ spr in cipa l cana l fo l lowed i n the
ou tski r ts of the town , and pa rt icu lar ly the bra nch which connected the t own w i t h Canopu s ,was ce lebra ted for i ts cha rm .
There were beau t i fu l ga rden sa long i ts two ban ks , (i nter v ir i d i a a b a traqu e l a tere) ; eachga rden was su rrou nded by a
wa l l and the r i ch A lexandrian F ig . 28 .
owne rs had the i r famil y tombsthere a l so . The Canopi c bran chmu s t have separa ted from the ma in cana l a t abou t the s i te of
the presen t Haga r-e l -Nawa t ieh (th e sa i lo rs'
stone), correspondingno doubt to the Hét ga or Patr a e of the ancien ts .Al l the ne ighbou rhood of Alexandria was traversed by se
conda ry can a ls which d ivided the cou n try in to numerou s sma l l
is lands ; vi l lages existed whose names have been d isc losed tous e i ther by the papyri of Abousi r-e l -Me lek or by in scri pt ion s,such a s : vi l lage of Arsinoe
’
; vi l lage of Beren i ce ; vi l lage of theSyrian s ; vi l lage of the An t ioch ian s .
Th e c i ste rn s . The drinking-wa te r u sed by the town was
drawn a lmost en t ire l y from the Cana l a nd s tored u p in num
berless unde rgrou nd -ground cisterns . The in scrip t ion of t he
F i g . 29 .
40 yea r of Augu stu s , spoken of above , in forms u s tha t thisEmperor ordered works to be ca rr ied ou t to provide the who letown w i th fresh wa te r
,bu t we a lso know tha t i n Caesar ’s t ime
cis tern s we re ve ry n umerou s i n Alexan dria . (Al ex a nd r i a est
fere tota sufi ossa sp ecu sque ha bet a d N i l um p er t i nen tes , q u i
bu s a qu a i n p r i va tu s d omu s i nd u ci tu r ).These c is tern s we re fed by undergroun d can a ls conn ected
w i th the bran ch of the river . There were a lso numerous isola ted c istern s . These were fi l led by mean s of ma chines moun ted ove r la rge we l ls, conn ec ted w i th the n ea rest branch ofan under-ground cana l . Othe rs might a lso ha ve been su ppl iedw ith ra in wate r i n the w in te r .A t the Arab epoch the i r numbe r had so mu ch increa sed tha t,
da te , th e c is tern s of A lex andria a re cla ssed amongs t the an
t iqu i t i es of A rab Ar t .B IBL IOGR APHY . BE RNAR D H . , Noti ce s a r A l ex a nd r i e souterra i n e,
i n B i t /1 . 1 11 1 . Egyp t , 2 : M a rs 1 873 ; SA I NT -G E N I S, o . c . M A HM OUD EL-FA LAK I ,o . c . , p . 29 sq q Bo r n
,Les c i ternes d
'
AIex . ,i n Bu l l . Soc. Ar t h
:d ’Atex . , 1 ,
P. 1 5 sqq ST R z Y G ow sK t, D i e Z i s ter n en va n Al ex i n B yz . Zeztsch r tj t, IV ,
p . 92 ; H a u z M a x Les externes d’Al ex . ,
m M onumen ts d e I'
Ar t A ra be , 1 898,
p . 8 1 -86, p l . V-V I I .
The Cemete r i es . Ow ing to the configu ra t ion of the
groun d on wh ich A lexandria was bu i l t the ceme te ries mu s t i n evi tab ly have la in to th e eastwa rd and we s twa rd of t he town .
Strabo Speaks of a s ingle c ity of the dea d , the western su bu rb,th e vsx go
’
n ol tg , a word which now-a -days design a tes a ny hugehypogeum
,a ny va st ceme tery , bu t which or igina l ly was a spe
c i a l n ame for the col lect ion of ceme ter ies si tua ted to the w es tof A lex an dria . However
,exca va t ion s undertaken s ince th e
middle of the X IX cen tury i n th e easte rn subu rbs h ave broughtto l ight numerou s a nd ex ten s ive ceme ter ies da t ing from th e
ea r l iest Ptolema ic pe riod . Probabl y the ea ste rn ceme te ries we rera the r dese rted a t the end of the first cen tu ry B . C . and Strabowas stru ck by th e mumm ifica t ion whi ch must have been usedexc lu s ive ly i n th e we ste rn ceme te ry. To sum up I think we
can draw the fol low ing con c lu s ion s :1 ) Sin ce th e founda t ion of A lexandria
,va s t ceme te rie s were
formed,both to the ea stwa rd and to the w estward of th e town .
2) In the Ptolema i c period, th ey bu ried in the easte rn ce
metery, a lmos t exclu s ive l y,the Greeks a nd fore ign e rs ; in the
weste rn a few Greeks and fore igners,bu t chiefl y Egypt ia n s .
3) At the c l ose of the P to lema ic and i n the Roma n pe riod,
the de ad we re st i l l bu r ied i n th e ea s te rn subu rbs , bu t in mu chsma l ler numbers th a n i n the wes tern .
4) Mumm ifica t ion was u sed ex clu s ive l y in the western ce
me tery .
Th e ceme te rie s discove red in A lexan dria fa l l in to two c lasses : ceme te ries Ope n to the sky
, a nd undergrou nd ceme te ries.The fi rst consis ted of a port i on of land cove red w i t h gra ve sdug on the su rfa ce of the soi l ; these graves a re surmoun tede ithe r by a sma l l monumen t in ston e , or by a mound (tumu lu s)of ea r th a nd sand . A stel e
,pa in ted
,or ca rved i n re l ie f
, so
met imes w i t h an in scri p t ion , e nab led the corpses to be iden t ified . The underground ceme teries , l ike Kom-e l-Shuga fa forexample , we re composed of a vxho le series of passage s , rooms,and n i ches ca rved ou t of th e rock . The pla n of the se was
more or less complica ted (they migh t cons i st of as man y as
Mounds of b roken potte ry . Almost a l l the ea s te rnpa r t of the town ,
as we l l as the Moha rrem Bey di stri ct , Komc l-Shugafa , (th e hi l l of potsherds) and the subu rbs of Hadraand Ibrahimieh were covered w i th mounds made of heaps ofbroken pottery (the Mon tes tes ta cei of the Romans, and the
x egoiy ta of the Greeks). Neru tsos con side red tha t these rub
bish mou nds were close l y connected w i th the buria ls. Am ~
phorae were used not on l y for th e pu rpose of enc l osing the
ashes or bones of the dead of the l owe r c lasses, but provi
F i g . 32.
sion s for the fun era l repa s ts we re a lso p laced i n them and as
i t wou ld have been a bad omen to ca rry home aga in va sestha t had been u sed for su ch a pu rpose
,they we re broken a t
the place of buria l i tse l f 1. Bu t the ori gin of these mon tes
testa ce i mu st be sough t e lse whe re than i n fune ra l cu stoms .Everyone kn ows tha t te rra cotta wa s the most common ma teria l i n an t iqu i t y for a l l kinds of vesse l s used i n da i ly l i fe .
Nea r ly a l l the ki tchen pots were made of terra co tta ; a lso the
jars for l iqu ids and foods ; w ine,oi l
,a nd gra in were expor ted
in terra cot ta vesse l s ; lamps a nd th e innumerable vot i ve and
decorat ive sta tue ttes we re a l so made of te rra cot ta ; and te rracot ta vases were even u sed for holding papyri e tc . Eve ry shi pa rriving a t a Medi terranean or Black Sea port wou l d have
thousa nds of te rra cot ta pots and othe r objects on boa rd . I ti s ea sy to imagine wha t enormou s qua n t it ies of ja rs, etc. mu s thave been broken eve ry day i n su ch a city as Alexandria .
This ma ss of fragmen ts , mixed w i th the re fuse of da i ly l i fe,
as ca rried awa y ou ts ide the town,where , i f there were no
hol lows to fi l l up, i t soon formed a whole ser ies of mou nds .
One can imag ine how la rge and nume rous these mounds musthave become i n the cou rse of severa l cen tu ries ; and one ca n
we l l u nde rstand tha t even the ex trac ti on of cha kf u sed in the
making of con cre te for the founda t ions of st ree t s a nd hou ses,
though i t has been going on sin ce the beginn ing of the XIXcen tu ry , e t succeeded in exhau st ing them .
F ig . 33 .
FROM N ICOPOLIS TO NEC ROPOLIS
Now tha t we have given what seems the most probab le a o
cou n t of the genera l topography , we propose to make a de ta i ledexcu rsion through the whole ex ten t of an c ien t Alex andr ia
,from
the subu rbs i n the ea s t to S trabo ’s « town of th e dead » i n
the west .I t wa s on l y a t t h e c lose of the P to lema ic period tha t the
popu lou s centre known by the name of Ju l iopo l i s a nd Nicopol isgrew up on the shore s of th e sea
,abou t 30 stadia dis tan t from
A lex andria . This subu rb was a lmost as importa n t a s a town i n
Strabo ’ s t ime . The Emperor Augustu s did a grea t dea l to improve the loca l i ty , which h e may have ca l led Nicopol is i n memory of hi s v ictory over Ma rk An thony Nicopol is mu s t ha vestood on the s ite of the Bu lke ley of pre sen t t imes
,spreading over
th e hi l l ocks on the sea - shore,be tween Mustapha Pa ch a and
Glymen 0 pou lo Ti l l w i thin recen t yea rs three column s and
othe r rema in s of a sma l l te tra style temple of the Dori c Orderwe re s ta n ding on a sma l l p romon tory j u tt ing ou t in to the
sea a t this port ion of the coast . F ifty yea rs ago these ru in swe re studied by Colon na-Cecca l di (fig . who w rongly i den t ified them w i th th e temple of Ars inoe (This templ e as we l l as Cape Zephyr ion were si tua ted nea r Can opu s (Abukir).In land
,fa cing Nicopol i s
,on the high grou nd ca l led Abu
Nawa t i r a t the presen t t i me,the re was appa ren t ly a second
centre of habi ta tion or a t a ny ra te a very i mporta n t temp le( 1 ) Se e C R US IUS O 2 14 Top og . A l ex . , I , Ju l i o po l i s N i c o po l i s , J hb . f . P h i
l o log. , CXV I I p . 34-
36 ; SCHWA RTZ \V . , J u l i op ol i s un d Ni kop o l i s , i b id e rn ,
p . 3 0 1-
304.
(2) See C n c c a nm C . , Le temp l e d e Venus Ars i noe a u Cap . Zep hy r i um.
A. n . s . XIX p . 268 -272 ; A u n t s , E tu de s u r l es d i mens i o ns d u tem
p l e q ue Pto l eme'
e Ph i l a d e lp h e a j a i l cons tru i re s u r Ie Cap Z ep hy r i um p resd
’A tex a nd rte d
’Egyp te en l’hon n eu r d e Ven us A rs i noe. R . A . n . s . XX
P°
h imieh accord ing to Neru tsos'
map tha t a tomb w i th a cupolaw as found in 1 8 80
,which con ta ined i n seve ra l rows of n i ches
the cinera ry u rn s of the n ume rous mercen aries se rving underthe Lagides , as we l l a s th e u rns of the re l igious en voys fromvariou s Greek town s . Some of these u rn s da t ing from the [ 11
cen tu ry B. C . a re now exhibited i n our Museum . Somewha tfurt he r in land s tood the impor tan t suburb which a ccording toStrabo derived i ts n ame from the H i ppodrome .
To th e west of the presen t Lake Hadra . in th e middle ofthe X IX cen tu ry, two colossa l g reen gra n i te sta tues of MarkAn thony a s Os iris a nd C leopa tra as I si s we re brought to the
l ight of day . The u ppe r port ion s of these sta tues. un fortu na te lybroken ,
a re st i l l i n existence ; Ma rk An thony is in the Mu seum ,
and Cleopa tra i n Be lgium,in th e co l lec tion of Ba ron de Wa
rocque'
. The ru in ed s i te of the i r d iscove ry i s supposed to betha t of th e temple Thesm0 phorion or Te lest irion , bu t ProfessorSchiff con s iders i t to be the Lage ion . Th e subu rb of Eleu si s ,where the poet Ca l l imachu s l ived mu st h ave la in between the
vi l lage of Hadra a nd Nuzha Ga rdens .To the west of th e dist ric t ca l led Camp Caesa r, be tween
the t ram l ine a nd th e ba thing establishmen t of Cha tby,l ies
th e most anc ien t an d the most exten s ive Greek necropolisi n Alexandria . A fter seve ra l hap ~haza rd excava t ion s i t hasbeen methodica l ly ex plored by the Mu seum Depa rtmen t since1 90 4 . Two or three unde rground tombs preserv ing tracesof a He l len i st ic port ico a re worth v i si t ing . Sa rcophagi i n the
form of couches ca n a lso be seen , and pseudo-doorways and
inscr ipt ion s pa in ted i n many colou rs . Th e su rfa ce tombs are
u sua l ly formed of a pi t or grave over which a sma l l monumenti s ra i sed l ike a l i t t le step- pyramid
,whi ch was no doub t sur
moun ted by a s te la e i ther pa in ted or ca rved in re l ief. Thisceme te ry extends to th e very edge of the sea (0.
I t may be sa i d tha t from this spot and in land as fa r a s the
Cana l ceme te r ies, e i ther Ptolema i c or Roman (these la t terless frequen t) su cceed one a nother a lmos t w i thou t in te rrupt ion .
A necropo lis da t ing from the I I I cen tu ry B . C . was discoveredat Ha t t-e l -Nar , others da t ing from the III
,I I,a nd I cen tu ries
B . C . were fou nd be tween the Wa ter-works,and Hadra vi l lage .
Close bv i n the An ton iades Ga rden stands a sump tuou s tomb,
a t tribu ted by Professor Thie rsch to the Roman e poch In
making the founda t i on s of the presen t Deacones ses ' Hospi ta l aChrist ian ca tacomb wa s d iscovered .
( 1 ) Ba u c cm E . , La N ecrop o l i d i Sci a l b i , Le C a i re , 1 9 1 3 , i h -
4, p . 272 , p l , LX .C omp . PA G E N STE CH E R R . , Nekrop ol ts ,Le i pz i g , 1 9 19 , i n
-4, p . IX ,
8 9
Be tween the Cha tby Necropol i s. (named a fte r a loca l sa in t), thet ram l ine and the Hydrobiologica l Inst i tu te
,some traces o f an t i
qu i t ies have been d iscove red. The beau t ifu l Roman mosa ic nowi n Room 1 9 i n th e Mu seum was foun d a lmost in the cen tre ofthe esplanade . A second mosa i c , w i th huma n figu res
,h a s been
seen u nde r th e Mena sce tomb in s ide the Jew ish cemetery .A t
the west end of the esplana de an ex t ra ordinary number ofsha ft s of red gra n i te columns have been observed . I t wasp"obab ly abou t here tha t the Roya l Qua rte r began . On
en tering th e La rge Ha rbou r,the i sland w i th the Pha ros TO
wer is on the right hand a nd on the le ft a group of rocksa a nd Ca pe Lochia s c rowned by a pa lace on i ts summit . Asa the shi p advances a view i s ga ined of th e pa la ces behind the
1 Ca pe,su rroun ded by ma n y gay bu i ldings and bowers (St rabo).
The ou t l ine of Ca pe Loch ia s ha s cha nged a grea t dea l s incet he olden days . One migh t even say tha t th e Cape has pract i ca l l y disappea red u nde r the waves, w i th the resu l t tha t theen t rance to t he harbou r, which wa s former ly ve ry na rrow
,ha s
now become ex treme ly w i de,obl iging the modern town to
u nder take the con stru ct ion of a break-wa te r to protect i ts quays .This break-wa ter w i l l fo l low ve ry c lose l y the l ine of the
anc ien t cape a nd of the j et ty which te rmin a ted i t . I t i s qu i teeviden t tha t we must i magine th e area of the a ncien t Cape a s
much la rge r than i t is now . The sma l l ha rbou r reserved forthe priva te u se of the kings wa s formed by th e ba s in a t the
inner end of Lochia s in front of the Island of An t i rrhodus .
Ta e’
vdozég o) flaor’
l et a men t ioned by S t rabo mu st ha ve ex tended from Cape Lochia s a s fa r a s th e s t ree t Yu sse f Ei z-EddineE ffendi , nea r Sa id Squ a re . Bes ides th e discovery a ve ry grea tn umbe r of column sha fts to the ea s twa rd of the Mun i c ipa lStables
,the ope ra t ion of leve l l ing the land, (wh ich is s t i l l far
above the leve l of the anc ien t su rface ) brought to l ight somerema rkable an t iqu it i e s . 0 11 t he s i te of the coa s t-gu a rd hou se ,now pu l led down (i t stood some hundred met res to th e sou thwest of Cape Lochias), we re discove red th e fragmen ts of fou rwhite ma rble sta tues exhibi ted in the Mu seum Nos . 3 92 3-2 5 .and amongst othe r a rch itec tu ra l rema in s s ix su pe rb Ion i c capita l s o f n ummu l i t ic l ime stone of the He l len ist i c age (fig .
To the nor th of th e presen t Sursock Bu i ld ings a la rge blockof se rpen t ine-l imes tone was found, a lso two ma rble Corin thi ancapi ta ls . In digging the founda t ions of th e Sursock Bu i ld ingsfou r syen i te column s were found , ha ving a d iametre of 90cm. a nd a length of more than s ix me tres . The la rge Cori n th ian ca pi ta l o f nummu l i t ic l ime s ton e , doubt le ss da t ing from
the III cen tu ry B . C . and now shown i n the Mu seum, No .
1 78 5 5 (fig . 3 6) was rescued from un de r the founda t i on s ofanother house open ing on to th e Rue You sse f B iz-Eddine
This seems ve ry l i t t le for so ce lebra ted a si te , bu t unde rgrou nd
,probably e ven be low w a te r- leve l
,there mu s t certa in l y
be rema rkable ru ins and an t iqu i t ie s . In any case the evidencea t our disposa l en ables us to fix approx ima te l y
,i n a ccordan ce
w i th Strabo, the genera l posit i on of the roya l pa laceOn the wes t
,these bu i ldings mu st have adj oined the Maea nder,
a nd th e Pa lae stra,which two edifice s may be loca ted a long Rue
Yussef Ei l -Eddine Efi end i,to the nor th a nd n orth-ea s t o f the
Governmen t Hospita l . The thea tre Shou ld come n ex t ; a ccording
F i g . 3 5 .
Strabo i t s tood a lmost oppos i te the I s land of An t irrhod us .
We sha l l not be far from th e t ru th if we p lace i t on,or
ra ther be low the sma l l b i l l a t presen t occu pied by the Na t iveHospi ta l . The ground is s trewn w i th numbers o f sha fts ofcolumn s, and wa l l s of con s ide rable thickness ha ve been obse rvedmade of blocks of l imestone . Th e trench tha t wa s made forthe dra in age of Rue Yu ssef E iz 'Edd ine brough t to l i ght the
rema in s of seve ra l rooms, a lso a quan t i t y of rec tangu la r a nd
we l l-hewn l imestone blocks . One of th e rooms con ta ined a
mosa ic of sma l l polychrome pebb les no doubt He l len i st icportray ing a figh ting wa rrior . (Mu seum , Room
(1 Nex t to the thea t re came th e Posi d ium, a promon tory
ju t t ing ou t i n to the sea a t th e spot ca l led Emporium,and whi ch
h as a temple t o Pose idon (Strabo). I t seems t o me tha t weough t to loca te t he Emporium to the North-east of th e Ma i sonCasu l is . The promon tory and the temple of Neptune shou ld
In 1 866,
not far from Ramleh Sta t ion an insc ript ion in
honou r of Ma rk An thony wa s found : and i n 1 80 1 the Membe rsof the Fren ch Mission discovered two ma rb le sta tue s, one ofMa rcu s Aure l iu s
,and the oth e r of Sept im i u s Severu s .
The Caesa reum i s one of the few bu i l dings of a nc ien t Alexandria tha t can be l oca ted w i th cer ta in ty . We ha ve th e evi
dence of C leopa tra ’
s Needles (fig . the two obe l isks whichrema ined i n pos i t ion u n t i l the middle of the X IX cen tu ry .
All the same , howeve r, we a re u nable to dete rmine e i therthe l imits or the area of this ce lebra ted temple . Some foundat ion s brough t to l igh t in 1 874, be tween Ru e Nabi -Dan ia l and
Fi g . 37.
the Obe l isk, were conside red by Neru tsos to be long to the
C aesa reum. Taking in to a ccount the grea t s i ze a t tribu ted to th e
te mple,on e can offe r no objec t ion to those who place i t bet
ween the Ma ison Yehia,the Ca thol ic-Copt ic Cathedra l
,a nd
the Jewi sh Synagogu e .
Pl in y te l l s us of t he ex istence of two obe l isks i n t he enc losureof the Caesareum . They came from the temple of He l iopolisa nd bore the ca rtouches of Thothmes I I I
,of Ramse s I I
, a nd ofSe t i II. As far back as the M iddle Ages on e of the se obe l iskshad fa l len down . This wa s the on e which w a s given to Eng landby Mohamed Aly
,bu t i t was not t ransported to the bank of
the Thames un t i l 1 877 . The other , gran ted to the Un ited Sta tesin 1 879 , i s at presen t i n Cen tra l Park
,New-York ( I ) .
( 1 ) Comp . H. Go n a m o x , Egyp t i a n Obel i sks , Lon d on ,1 88 5 .
These obe l isks did not res t d i rect l y on the i r own ba ses, bu twe re he l d up by bron ze supports sha ped l ike crabs . One ofthese crabs i s now in the New York Museum. I t has a b i
l ingua l in sc ri pt ion (Greek a nd La t in) which te l l s u s tha t theobe l i sks were e rected a t t ha t Spot by the ca re of P . Rubri us
Ba rbarus, pre fec t of Egypt , and u nder the direc t ion of Pon t iu s ,the a rchi te c t , i n the XV I I I yea r of the Emperor (tha t i s tosay Au gu s tus) B . C . 1 3 .
The Caesareum was not a temple erected by Cleopa tt a i nhonour of Cae sa r
,bu t by C leopa t ra tn honour of An thony . The
queen did not fin ish i t . That was accompl ished by Augus tu s,
who in his own l i fe t ime dedica ted i t to the worship of theEmpe rors (hen ce i ts name Z efla oze tov).
There i s no temple i n the wor ld l ike th is on e tha t is ca l ledSebasteum, the temple of Caesa r
,pa t ron of naviga tors . This
very la rge and ver y no t iceable temple whose l ike exi s ts inno othe r place, ri ses ma jest i ca l l y in fron t of the sa fest ha rbou rsi t i s fi l led w i th vot ive offerings cons i st ing of pictu res
,sta tues
,
11 and obj ec ts of si l ve r a nd gol d . I t i s su rrounded by a broa denc losu re and p rovided w i th port icoes
,l ibra r ie s
,men ’s apart
men ts , sacred groves, propylaea , vas t spaces and ba l ls Open to11 the sky
,a nd i n one word
,w i th a l l the mos t sumptuous embe l
l i shmen ts . I t is the hope of sa fe ty,bo th for those who em
bark he re,and for t hose who re tu rn from a voyage Ac
cording to th i s pa ssage of Ph i lo, who wro te i n the yea r 40
A . D . , we See tha t this temple,dedica ted to the worshi p of the
Emperors, and placed i n fron t of the ha rbou r, was cons idered
a s the specia l protec t ion of na viga tors . This is con firmed bya vot ive base discove red in 1 90 7, unde r the fou nda t ion s of theEl iahu Ennabi Synagogue. On the fron t face of this ba se thereis an i nSC 1 ipt ion da ted Februa ry 1 5
t h A . D. 1 4 (43rd yea r of
the Emperor Augu stus ) invoking divine protec t ion on a vesse l .The Caesareum was sacked by the troops of Consta n t iu s I I,
i n 3 56, re s to red i n 3 66 by the Chri st ians who turned i t in t oa chu rch ; aga in bu rn t and de st royed, i t was once more restored . Afte r th e taking of A lexa n dria by the Arabs the templepassed from the han ds of the Orthodox in t o those of the Ja cobi tes
,then i t was g iven back aga in to the Orthodox . I t wa s
fina l l y de st royed i n 9 1 2( 1 )
Along the coas t- l ine beyond the Caesareum a nd the Emporium
,which wa s a sort of commerc ia l Exchange (to the nor th
( 1 ) M G R . KY R 1 L 1. o s MAC A l R E ,i n Bu l l . Soc. Kh éd i v. d e Ge
'
og ra p lu e, Vme
Sér i e, N o s . 6 a n d 7 , G . A R V A N IT AK I , To Ka m oig e t ov , ron oyg a q um
’
; o’
wu g gnu x r’
)
Li e/1 151 17, Ka tg ov , 1 90 1 M E R R IAM , Th e Ca es a rum a n d th e wor sh i p 0
a t Al ex . Tr a ns a ct i on s of Amer tflc Ph i /0 1 . As s oc-ta t , XI V
ea st of the Ma ison Ca su l i s) stood the Aposta ses . The se we reshops or depots , (be tween the presen t Ma i son Casu l i s a nd Rue
Cen tra le). In this quarte r the temple of the Thra c ia n goddessBendi s was probably situ a ted (Bendid ion). He re a l so the Ars i noe ion must have stood . An inscript ion in forms us
, too, tha tthere was a temple dedica ted to Aphrodi te not fa r from thi sspot . Th e Arsinoe ion was a supe rb ed ifice vau l ted i n su rba seda rches . I t a ppea rs tha t the Sema , as we l l as the prin c ipa lTemple of I si s, wa s a l so bu i l t i n this Sty le of archi tectu re .
A colossa l ma rb le Sta tue of Serapi s wa s brought to l ight underthe Adib property (on the north side of R ue Che ri f Pacha) ;this s ta tu e i s now i n the Mu seum .
We know tha t the Museum and the L ibrary were i nc ludedi n the Roya l Qu a rter. We mu st there fore look for them tothe sou th of the bu i ldings we have a l ready enume ra ted, t ha tis to say to the sou th of the roya l pa laces , of th e thea tre, and
of the C aesareum .
On th e other ha nd,the founda t ions of a temple ded ica ted to
Is is and Osorapis, e rected during the re ign of Ptolemy lV Phi10 pa tor , we re discove red u nder the Tu ssun Ex change (MahomedAly C lub
,Cook ’ s Agen cy
,and I ta l ian Club). The Museum
then ought to l ie t o the north and the ea st of this spot . In
1 848 , a t the angle formed by th e Rue Rose t te and th e stree tto th e Ca i ro Sta t ion
,i n the ga rden of the Au st rian Consu la te ( ‘l
a b lock wa s discove red in ten ded to hold rol ls of papyru s and
bea ring the inscript i on : Three volumes ' by D ioscurides
Atoox ovg t'
dov y Some people have proposed to regardthis block as a re l i c of th e ce lebra ted L ibra ry , and cousequen t ly they p la ce tha t bu i ld ing be tween Rue Nabi Dan ia l andthe Tussu n Excha nge . We ha ve on l y to th ink of the enormou s we igh t and of the grea t d i fficu l ty of work ing gran i te topersu ade ourse lves tha t i t i s impossib le for such book-ca ses tohave been u sed in the L ibrary of the Ptolemies
,w hich pos
sessed hu ndreds of thou sa nds of rol ls.Worthie r of cons idera t ion from the topographica l poin t of
v iew i s the discove ry of th e pedesta l of th e sta tu e e rected tot he rhetori cian Ae l i us Demetr iu s by the ph ilosophe rs (Museum ,
Room a s ta tue wh ich i n a l l l ike l ihood must have stood i nthe Mu seum . This pedesta l w as foun d in Ru e Che ri f Pacha .
In rea l i ty we ha ve no abso lu te and indispu table c lue to enab leus to fix the ex a c t posi t ion of these two famou s Ptolema i c
( 1 ) A . J . R E I NA CH (B . S. A. , 1 1 , p a g . 3 5 0 ) h a s g iv en th e h i s to ry o f th i s
d i s co ve ry , a n d s hows t h a t , a s fa r a s con ce rn s th e to pog ra p h y o f a n c i en t A l ex
an d r i a ,i t i s o f v e ry l i t t l e impo r ta n ce .
A la rge ma rb le pedesta l o f the He l len i st ic period was ex
t racted from the foundat ion s of the hou se i n fron t of the Zizin i aThea tre (Ma ison Li font i ). This pede sta l had been tu rn ed overto be u sed as a ba se for a s ta tue of th e Empe ror Va lent in ian
,
which sta tue had been ere cted by a comes ord i n i s p r im i a c
p er or i entem . Others statues were discovered u nde r the ex -Ger
ma n Con su la te . The He l len i s ti c statue in w hi te ma rble ,represen t ing Hercu les res t ing,now in the Mu seum w a s foun don the s i te of a ne ighbou r inghou se (fig.My Opin ion is tha t we ough tt o look for the cen tre of thean cien t town a t this Spo t
,
and it is h e re tha t we oughtto place the poin t of in tersect ion of the two ch ief st ree ts,the longi tudina l (or Canopic)and the stree t tha t crossedi t . Th e For um Augus t i a nd
the Tetrapy l on shou l d a l sobe in close prox imity . The
tomb of Alexande r the Grea tis u sua l l y placed nea r th issame spot, on the si te ocenpied by the Mosque NabiDa n ia l .
The Soma or Sema (0.
Alex ande r h ad expresseda w ish to be buried i n th e
Oa sis of Jupi te r Ammon . bu t
Pto lemy I . stopped a t Mem
phis th e splendid convoy tha twas transport ing th e body of the Conque ror and bu ried h im
according to the Ma cedon i a n custom,tha t i s to say in a sa r co
ph agus shaped l ike a bed or x i i ’vn. Cer ta in tombs discovered a t
Alex an dria,da t ing from the beginn ing of the He l len ist i c age
F ig . 3 8 .
( 1 ) I t se em s th a t t h e two te rm s a re b o t h ju s t i fia b l e . To t h a t i s to
say th e corp se, th e mummy , m a y h av e i n d i ca ted A l ex a nd e r ’ s m ummy , th e nt h e sepu l c h re i t se l f, t h e Co n qu e ro r ’ s fu ne ra ry tem p l e . TO Z fiy a m a y h a veb e en a p p l ied m o re p a rt i cu la r ly to th e wh o l e co l l ec t i o n o f se pu l c h ra l b u i l d i n g se re c ted by Pto l emy IV
,Ph i l o pa to r, i n hon o u r o f h i s a n c e sto rs i n c l u d in g A l e x
and er t h e G rea t .
(Chatby , An fuchy, Sidi Gabe r), may give us a genera l idea ofthe fune ra ry temp le and of th e sa r cophagus which con ta inedthe rema in s of the Conque ror . An un cove red a tr ium or squa recou r tya rd, whence en tran ce was ga ined in to a room for lamenta t ions or p ra yers , and a t the end of th is
, the eel l a w i th thebed -shaped sarcophagu s (fig . Na tura l l y
, remember ing therank of A lexande r and the fa c t that h e was rega rded a s a
god, we mu st imaginethe decora t i on and the
funera l fu rn i tu re as correspond ingly rich .
Ptolemy I I,Phi l ade l
phos,w ished to make
Alexan der ’s Tomb on e
of the mos t importan tcen tres of Egypt 's newcap ita l , and h e t ran sferred the body to A lexandria . The tomb wa s
placed i n an enc losu re,
separa ted from the restof the town by a wa l l
The sepu l
chre i tse l f,con sist ing of
an en trance sta irway, a
squa re cou rt,a long ves
t ibu l e a nd of the cel l a
which con ta ined th e bedl ike sa rcophagu s
,mu st
,
in my Opin ion , have beenunde rground.
A temple in tended for F l g ' 39 °
the ce remon ies of worship , and probably su rrounded by por t i cos, was bu i l t above
i
the
sepu lchre . A t a la ter da te the kings and prince s of the Ptolema ic fami l ies were in terred in spec ia l tombs a rou nd the
Founder of the c i t y . We are u nable to say whethe r thesela t ter pre ferred crema t ion to bu ria l or mummificat ion . Polybiu sspeaks of s i lver funera ry u rns con ta in ing the ashes of PtolemyIV and his w i fe Arsinoe, whi le Dio Ca ss iu s on the con t ra ryte l l s u s tha t Cleopa t ra was emba lmed .
Not far from the Gama of Alexander, Ph i lade lphos had erec tedthe tombs of hi s pa ren t s , Pto lemy I , a nd Be ren ice . The 08 61 1»
6168 1 9)a réuevog or the encl osure of th e brother god s was pro
bably the sepu l chra l en closu re tha t Ph i lade l phos cau sed to bebu i l t for h is sis ter and w i fe
,Arsinoe, and for himse l f. I t seems
tha t Ph i IOpator formed the de s ign of col lect ing i n one s ingleand la rge Ma usoleum a l l his ancestors , in c luding Alexander. By
th e side of this col lect i ve Mau soleum,there rose, one a fte r the
othe r the va riou s Mau sol eums be longing to Ph i lopa tor’
s su ccessors . The tomb of C leopa tra and An thony wa s not very farfrom this Spot. I t mus t have been i n the Roya l Qu a rter, pro
F i g . 40 .
bably n ea r the temple of Isis P lusia,tha t is to say somewhere
abou t the north end of Rue Nab i Dan ia l .The gold coffin which con ta ined the body of the Conqueror
was removed by Ptolemy X I ( 1 0 7-89 B . C .) and repla ced by a
glass coffi n . The la s t Cleopa t ra , i n a momen t of n eed,pi l la
ged a l l the objects of va lue deposited in the tombs of A lexanderand of her own an cestors . The Roman Emperors as a ru leshowed grea t venera t ion for the Macedon ian hero ’s sepu l chre ,an d h is worship la s ted long in to Roman t imes . Augu stu spiou s ly v is i ted A lexa nder ’s tomb ; Ca raca l la deposi ted there a s
ex - voto his man t le , his be lt and his jewe l s .
wou ld pay an honourable debt a nd make i tse l f famou s s throughou t the whole world i f i t me thod i ca l l y explored this spot ofground down to i ts lowes t laye rs . In spi te of th e wea r andtea r of cen tu ries some ves t iges be longing to th e funera ry templeof A lexander wou ld w i thou t doubt be brou gh t to l ight. Theserema in s
,p iou sly prese rved
, wou l d soon become the goa l of anendless St ream of pi lgrims .
B IBLIOGRAPHY. ZO G H E B AL E X . ,R ech erch es s u r I
’a n e . A l exa , p . 1 5 1
1 74 ; a n d a b ove a l l TH IE R S CH H . ,D i e Al ex a n d r i n i sch e Ké
'
n tgs necrop o l e tn t h e
Ja h rbuch d . K. D . Ar ch a eol . Ins ti tu ts , 1 9 1 0 , v o l . XXV, p a g . 5 5 -97 .
F IG . 4 1 .b
Th e Gymn as ium, th e Tr i buna l , the Pa ne i on . In h isdescr ipt ion of Alexandria
,S t rabo a t a certa in poin t exc la ims tha t
the town is fu l l of monumen ts a nd temp les (1mm ) s’
ou v o’
waBn
udm w n a i The Gymn asium is the handsomest edifice,
i ts port icoes a re more tha t a stad ium i n length Short l y a fte rwa rds he adds tha t the broad long i tud ina l stree t ex tends fromthe Necropol is to the Canopic Ha rbou r, p a ss i ng a l ong byth e Gymna s i um (n a gd u ! yvuuoiocov). Appa ren t l y we shou ldloca te this va st edi fice i n the eastern sect ion of the Can opicStreet , to the north eas t of the Kom -e l -Dick Qua rter . I t wa sin the Gymnas ium tha t the pompous ce remon y took place a t
which M ark A nthony,i n th e midst of an immen se crowd
,pro
c la imed C leopa tra Queen of Ki ng s and distributed a con si
derable port ion of the heri tage of A lexander the Grea t be tween th e Queen and the son s tha t she had had by Caesa r and
by Ma rk An thony himse l f.The t r ibuna l (todtx aozfig t ov ) is men t ioned by Strabo a fter theGymna sium . He places i t a t the cen tre of the town . I be l ievewe ough t t o Sea rch for i t nea r th e Z i z i n i a Thea tre . Probablythe oep
’a or i; oiyogoi , or Forum Aug u st i of the Roman e
’poch,is
none other tha n the d t x aon j g tov of t he Ptolema ic age .
After the tribuna l , S trabo speaks of the Paneum, a sma l la rt ific ia l mound i n the form of a tope or fi r- cone ; a Spira lsta ir l ed u p to i ts summi t, when ce one e n j oyed a pa noramaof the whole town . We must pictu re this spot as dedica tedto the god Pa n
,the enclosu re be ing a magn ificen t pa rk , su r
rou nded by groves . Archaeologis ts agree in iden t i fying the
Paneum w i th the hi l l ock Kom-e l -D ick 0 )To the nor th of the Rue Fuad
,be tween i t a nd th e Bou
leva rd Su l ta n Husse in,l itera ry t radi t ion men t ion s no edifice of
any i mporta nce , bu t a s this zone lay a long the C anopic Roa di t mu st ha ve con ta ined some of th e temples a nd magn ificen thou se s which b0 1 d ered this grea t longitudina l s t re e t a ccordingto D iodorus . I t shou ld be men t ioned here t ha t in Rue An
to ine was d iscove red,among othe r things , th e ba se of a Statu e
tha t Ptolemy I I I had erec te d i n honou r of his phys ic ia n tha t i nRue Gerbe l the ba se of a Sta tue of a grea t pe rson age of the
cou rt o f the P to lemie s wa s brought to l ight ; a nd tha t from th e
grounds of the Mena sce School s comes the grea t syen i te columnnow s tand ing i n P lace Sa id .
Along Ptolemy Stree t , i n fron t ofth e V i l la Sa lvago , we re fou n d seve ra l ma rble column s of consi derab le s ize , engraved w i th Christ ian symbols . Somewha tfu rther on
,i n the Al fred Mena sce property. a t the s ide of Rue
Fuad I , a n enor n ou s red -gran i te column wa s discovered ,a l so a ma rb le head of Alexa nder the Grea t . Be l ow the Mu n icipa l i ty bu i ld ings , Neru tsos pl ace s a temple of Sa tu rn . The
g round traversed by the ea s te rn sect ion o f Rue Fua d a s fa r a s
the Eu ropean ceme teries shou ld have con ta in ed a fa i r numbe rof bu i ld ing s and monumen t s . The ma rble grou p of Dionysosand the Faun (Mu seum , Room 2 1 ) wa s fou nd in the publ icga rdens to the north, n ea r the forme r poli ce -ba rracks . in the
l i tt le va l ley down whi ch a s tream run s ; while a hu ndredmet res fu rther sou th a red gra n i te base wa s discove red e rectedin hon ou r of Ptolem y V
,by the comma nde rs of the roya l gu a rd ;
( r) T h i e rs c h h a s t r i ed t o p ro v e t h a t t h e P a n e um w a s n o th in g b u t a M a n
so l e um fo r t h e P to l em i e s , a n d th a t i t m ay h a v e s e rve d a s a m o d e l fo r Ha rtma n ’s
M a u so l e um (C a s t l e o f St . Ang e lo ) i n R ome . Bu t i n t h a t ca s e t h e s i l en ce o f
St ra bo se em s i n exp l i ca b l e .
a l i t t le fu rthe r on ,towa rds th e ceme teries , w as the h a ndsome
sha ft of an obe l isk, whi le c lose to the o ld Rose tta Ga te , a t a
grea t depth,a numbe r of gran i te co lumn s we re discove red .
The inscribed s lab men t ion ing the cana l cu t by Augu s tu s be tweenSch ed i a and Alexandr ia (V ien na Museum) was found by Pu
g iol i to th e right of th e Rose t ta Ga te .
The base pu t up i n honou r of Lycarion , which con ta in s veryimportan t deta i ls abou t the admin istra t ive orga n isa t i on of A lexandria in Pto lema ic t imes . w as discove red behin d the moundof Kom-e l-Dick
,between th is a nd the ea s tern wa l l of the Arab
town,before i t reaches the Fuad Ga te .
The qua rter A, the spec ia l res idence of the Jews , wa s con t ignou s to the Reg ia . and con sequen t ly shou l d ex ten d to the
north of Fuad Ga te, i n th e vic in i t y of th e Mohamed -A l i i n
dustria l schools .Th e Temple of Nemes is ought t o l i e be tween th i s spot a nd
the Eu ropean ceme teries . be cause Ap p i anus records t ha t Caesa rhad Pompe y ’s head buried nea r the wa l l s of A lex andria a nd
tha t th e spo t whe re this took pla ce was a fterwards ca l ledthe sacred pre c in c t o f Nemes is ~ Th e Nemes ion la s ted
u n t i l the days of Tra jan ,when i t w as dest royed i n a revol t of
the Jew s. who had ba rricaded themse l ves w i thin i t . We
mu st there fore be l ie ve tha t th e Nemes ion wa s c lose to th e
Jew i sh Qua rte r .In the La t in cemete ry we ha ve t o record the discove ry of
the doorwa y and very thick a labaster wa l ls of an a partmen t which ma rks the Si te of an importan t edifice . Un fortu
nate ly the pa rts tha t are vis ible bea r no in scri pt ion , and i twas imposs ible for us to pu sh our resea rches any fu r ther forfea r of en croaching on the mode rn tombs of the Greek a nd
La t in ceme ter ies .A t the sou th of Kom-e l-Dik , on the s i te occupied toda y by
th e Moha rrem Bey Qua rte r. anc ien t w r it ings make no men t ionof any public bu i ld ings . A sect ion of the n OJtQt
'
a t (mou nds of
rubbi sh and broken potte ry) wa s ce rta in l y i n this qu a rter , forex ample . the hi l locks on which the Arab forts Nos . 8 werebu i l t (Kom-e l ‘Gi l leh
,where the Seconda ry Governmen t School
stands today).Neve rthe less i t occa s i ona l l y happen s, i n exca va t ing for the
founda t i ons of houses , tha t t ra ces of some remarkab'
e monumen ta re found . In R ue Men asce . for in sta nce ,
an in scri pt i on in
honou r of the Emperor Tra jan was discovered , su pposed tohave be longed to a t r iumpha l a rch . And one often come s acrosscap ita ls of va r iou s s i zes, sha fts of columns
, and mosa i cs .
This in forma t ion is not improbab le , but it i s beyond doubt tha tth e on l y vi l lage of any importance wa s tha t of Rh a kot i s . Thiswas situa ted on the r is ing ground tha t today is occupied bythe ru ins of the Serapeum and by the Kom-e l -Shuga fa Qua rter.The popu lat ion con sisted of soldie rs depu ted to gua rd the coa stand of shepherds . Strabo te l ls u s tha t the su rrou nding cou n t ry wasu sed a s pastu re - land . This origina l e lemen t of na t ive pOpu
la t ion wa s increased by th e transfer of some of the inhabi tan tsfrom Canopus. The ea r l iest men t ion of the hamle t is found
'
i n a hie rogl yphic inscription dated 3 1 1 B . C . This in scrip t i on,
engra ved by order of a priest ly Col lege , i s i n honou r of the
Sa trap Ptolemy, who chose a s his res iden ce the fort ressof King A lexan der
,a s i t is ca l led, on the shore of the Ion ian
Sea,a place pre vious l y known a s Rhakot i s Rh akot i s
,says
Strabo now forms tha t port ion of Alexandria si tu a te d bey on dthe nava l work-ya rds . The n a t i ve qu a rte r of th e n ew capi ta lof Egypt grew u p a rou nd this an cien t vi l lage . I t correspondsto the presen t qua r te r of Kom- e l -Shugafa and i t s en vi rons
,the
ve ry di st rict wh ich u p to our own days h a s rema ined p reeminen t ly the n a t i ve qu a rte r .On the sma l l hi l l where the Temple of Serapis was afte rwa rds
bu i l t the re mu s t ha ve stood a sa nctua ry of some n a t ive god .
Apa rt from the supe rb and ce lebra ted Se rapeum ,the wea l th
and beau ty of which migh t hear compa rison w i t h those of theCa pi tol , this pa rt of the town possessed some othe r cons iderable edifices . An Anubion st ood qu i te n ear th e Serapeum(we ga ther this from a recen t ly d iscoverd hierogl y ph ic in scri pt ion ). The Anubi on wa s a Temple dedica ted to Anubis and
had a bu r ia l ground for sa cred a n ima ls . To the sou thwestof th e Serapeum, be tween i t and the sma l l hi l l o f Kom-e l ~
Shuga fa , th e savan ts o f the Fren ch Ex pedit ion made ou t the
plan of a Sta d i u m . The immen se and ex t reme l y ancien tArab cemete ry which spreads to th e North of the so-ca l ledPompey ’s P i l lar (Serapeum) hides , no dou bt, importan t an t i qu ities .In the ol d Engl ish ceme tery (nea r the Jesu i t Schools) w as discovered a ba se i n honour of Moevia Te rt ia , e rec ted by the
gove rn ing body of the Nemes ion . C lose by pa rt of an a rch itrave w i th a ded ica t ion to Sera pis was brough t t o l igh t
,as we l l
as a ma rbl e capi ta l of the Byzan t ine pe r iod,i den t i ca l w ith those
of St . V i ta le of Ravenn a . Un de r the Col lege of th e Sa lesian senormou s fou nda t ion s have been observed
,w i th gran i te ba s in s
,
sa rcophagi , and sha fts of column s .Further on
,to the righ t of Rue Ibrahim I
,nea r the Rue
des Soeu rs , we re two enormous sha fts of double corner-column s
i n syen i te , the sec t i on ha ving the form of an i vy- lea f or o f ahea r t. This type of double column i s the same as t ha t fou ndin the sma l l temple a t Ramleh pub l ished by Colonna -Cecca ldi ,and ca l led by h im temple of Arsinoe Zephyri te (fig .
These rema in s prove the existen ce of a temple whose Si zemu st h a ve been con s ide rable .
To the west of the Serapeum there stre tched a whole se rie sof hypoga ea da t ing mos t l y from the Roman a nd Christ ia n pe
riods . We fi nd tha t the i r a r chi tectu re and decora t i on are ofteninfl uen ced by Egy pt ian art . On e may pra c t ica l l y cons ide r thema s forming pa rt of Strabo ’ s vs x go
’
n oi tg .
THE PHAROS ISLAND AND THE PHAROS .
The is land of Pha ros wa s known in the days of Home r,who
p laces i t a s a day di stan t from one of th e mou ths of theNile and say s i t i s provided w i th a good harbou r. Herodotusdoes not speak of i t a t a l l and w e ha ve to come down to
S trabo before finding any de ta i led reference to i t . Th e i n for
ma t ion given us i n Home r ’ s Epic is too summary and tooindefin i te to a l low us to draw conc lu sion s abou t the importa nce of the i s la nd i n pre
-Alexandrian t imes ( I ). Mr Jonde t,
the eng tneer, who has studied in de ta i l the Shores of the Ph a
ros Is land,h as discovered a fa i rl y ex tens i ve ha rbou r on the
north-west side,a nd he i s tempted to iden t i fy i t w i t h the ba r
bou r of which Homer has left us a descri pt ion In th e De
Be l lo A lexandrino men t ion i s made of a ha rbou r of the Phariotes
, which Mr. Jonde t iden t ifies w i t h the north-ea s t sect ion ofthe ha rbou r d iscovered by him . Beside s th i s ha rbour Mr . Jonde tha s found n umerou s founda t ions and constru ct ion s which todayare unde r wa ter. A long the shore , in the in terior of the i s land,ru ins of hou ses a nd c istern s a re seen ,
a s we l l a s e x ten s ive ce
me teries . Eviden t ly ,i n an t iqu i ty , the i s land had‘ a grea ter su
perfic ia l a rea t ha n i t h as a t presen t , and i t must a lso have beenpopu la ted by a fa i r n umbe r of inhabitan ts . At the t ime ofCaesa r the vi l lage of Pha ros wa s as la rge as an ord ina ry town .
The popu la tion cons isted chiefl y of the na t i ve s of the cou n t ry (v i cu s
( 1 ) T h e hypo th e s i s h a s b ee n p u t fo r th t h a t (p ap a ; c om e s from a n a n a l og o u s
Eg yp t i a n wo nd m e a n i n g c l o th o r l i n en ; t h e G re e k s m ay h a v e g iv e n t h e n a me
l ’ h a ro s to t h e I s l a n d ,wh i th e r t h ey c a m e to b u y m a te r i a l c a l l e d p (h )a a r , wh i c h
th ey u sed fo r m a k i n g ex p e n s i v e an d l ux u r i o u s g a rm e n t s .
( 2) Se e Jo n o a r G . , Les Ports s u bmergés d e l ‘a 11c 1 enn e i l e d e Ph a ros (T.
IX o f t h e M émo i re s p r é se n t és a l ’ I n s t i tu t d’
Egy p te ). Ca i re , 1 9 1 6 , i i i p . 1 0 1,
p l . IV ; c omp . my re v i ew i n B . S . A . A . n . 1 6 , p .
23 74 43 ; WE I L L R Les P or ts
a n téh el l éu i q ues ae Ia co‘
te d’
AIex a n d ri e c i l’Emp i re Cre tms . B . I . F . XV I
Aegyp ti orum) who for th e most pa rt devoted themse lves top ira cy aga in st th e shi ps tha t were un for tu na te enough to approa ch the is land . As we l l a s the famou s Pha ros , which wason the north-east poin t of th e is la nd , l ite ra ry t radi t ion recordsa temp le dedica ted to Pose idon , erected a t the western poin t(Cape R a s -e l -Tin),Cae sa r complete ly deva sta ted the is land in revenge for the
res istan ce i t offered to his m i l i ta ry opera t ion s .H i rt i us (De Be l l o A lexandrino) records tha t the vi l lage of
Pha ros wa s fort ified by high towe rs conn ected togethe r a nd
adds tha t many of the hou ses were 3 0 feet high .
The most impor tan t monumen t tha t has been discove red isi n fron t of Anfuchy Bay . This i s a He l len i s t i c Ceme te ry in terest ing from a n a rchi tectu ra l poin t of view and espec ia l ly on
accoun t of i t s mu ra l pa in t ings and decora t ions .The is land owes i ts fame prin cipa l l y to the l igh t-hou se whichma rked th e en trance to the grea t ha rbour of A lex an dria . Th i s
towe r gave i ts n ame to a l l othe r l ight -hou se s U ), and i s s t i l lth e most famou s of them a l l . be ing , accord ing to the una n imou s opin ion of an c ien t au thors , the ma rve l of Alexandria . the
admira t ion of a l l ma nkind In fac t i t was c la ssed among the
Seven Won ders of the World . Un fortuna te ly i t s admirers haveconfined themse l ves to en thusiast ic eu logies . w i thou t describingi t in de ta i l . Even i ts ex a c t s i te has not been de te rmined pastdispu te .
Some a rcha eologis t s w i l l no t adm it tha t Fort Ka i t Bey,bu i lt i n th e XV cen tu ry by the Su l tan of tha t n ame . occupiesthe si te of th e l ight -house of a n t iqu i t y . They p la ce it on the
Diamond . a rock tha t i s now su bme rged . ra the r to the northea s t of the poin t Ka i t Bey . Bu t they a re w rong . One of thereasons aga in st them is decisive : the a rea of the Diamon d istoo restr ic ted to ha ve su fficed for su ch a cons t ruct ion a s
'
the
Pha ros . I t i s t rue Strabo says tha t the Pha ros stood on
a large rock su rrounded b y the sea, whi l s t K a i t Bey i s con
nected w i t h the la nd a t its sou th -west end . Bu t i f. on the
one hand . we shou ld no t in te rpre t t his pa ssage of the geo
grapher of Ama s ia too l i tera l ly, on the othe r ha nd we mustcon s ider tha t i n an t iqu it y things w ere not a s they are t oday .
The rese a rches and sou ndings of Mr Jonde t prove tha t thepoin t Ka i t Bey was former ly an i s la nd . I t i s probable tha t a
shor t a nd n a rrow cau sewa y had been made between th e sh oreof the Pha ros Is land a nd th is i s le t
,to fa c i l i ta te th e bu i lding
( 1 ) At fi rs t t h e a n c i e n t s u se d fi re s i gn a l s wh i c h t h ey l i g h te d o n th e to p s o f
mo u n t a i n s a n d h i l l s a lo n g t h e co a s t .
in ma rb le and pa rt l y in bron ze . The innumerable column swe re for the mos t pa r t of Aswa n gran i te . (Surrounding FortKa i t Bey , it i s possib le to see enormou s ma sses of Sha fts ofgran ite column s
,placed hor izon ta l ly one on the top of the other
,
eviden t ly u sed to form a kind of breakwa te r to protec t the fort).Is is was frequen t ly associa ted w i th the Pha ros . espec ia l ly dur
i ng th e Roman pe riod . Isis Phari a h ad probably a san ctua ryqu i te close to the l ighthou se . In th e Ptolema i c pe riod we
know very l it t le abou t the bu i l d ing. Roman coin s stru ck a t
Alexa ndria , principa l ly those of Hadrian ’s t ime , often reproducei t . I t a ppea rs tha t i n th e I I cen tu ry A . D . the third storeywas ru ined . Afte r th e Arab conquest it is supposed to havebeen t ransformed in to a mosque , a nd i n th e XV cen tu ry in toa fortress by Su l ta n Ka i t Bey, a nd u p to the end of the X IXce n tu ry i t was j oined to the ma in lan d by a n arrow je tt y on ly(fig.
Through la ck of a ny de ta i led descri pt ion by con temporaryw ri ters modern schola rs ha ve in te rpre ted the e lemen ts of tradit ion i n a subject i ve manne r
,and i n the i r a t tempts to recon
st ru ct the edifice t hey have somet imes drawn on the i r imagina t ion . It w i l l su ffice to glance a t the recon st ruct ions ofEbe rs, V e i tme jer, and Adle r . Professor Thiersch ha s wr i ttenth e mos t recen t s tud y ,
and has gone most deep ly in to a l l the
quest ion s bea ring on the Pha ros . In the la rge volume whichthis schola r ha s publ ished under the t i t le of Pha ros 1
,he
has taken ca re to pass i n review a l l the documen t s tha t re la teto the famous l ighthouse , as we l l as a l l the la te r monumen tstha t may have been influenced by th e a rchi tectu re of thePha ros .It seems tha t the ancien t l ighthouse st i l l s tanding n ea r th e
ru ins of Ta pos i ri s Mag na (Abu s i r of M ar iu t) reproduced, i nreduced proportion and n a tu ra l ly w i thou t the r ichness a nd
decora t ion of the origina l , the a rchi tectu re of th e Alexandria nPha ros . This la t te r, a ccording to Professor Thiersch '
s re
con st ru ction , had three s tore y s . the firs t squ are , the second oc
tagona l a nd the thi rd cy l indrica l (fig . The e n t ra nce was
rathe r high up on the sou th side,a nd was reached by an exte rior
s ta i rway The wa l l s of the Towe r were pierced w i th numerous a ir~holes or w indows . The first floor was 60 me t re s highand e nded in a pla tform , whose fou r a ngles were decora tedw i t h gigan t ic bronze cen tau rs , or sea-monste rs . The second ’
s torey was 30 me tres h igh , a lso fin i shing i n a p la tform . The
lantern was formed of e ight column s su rmoun ted by a cupola,
above wh ich was ra ised a bronze s ta tu e (probably of Pose idon )
The tota l he igh t of the towe r including the s ta tue of Pose idon was abou t 1 20 me tres . Na viga tors cou ld beg i n to see the
l i gh t of the Pha ros a t a dista nce of 30 ki lometers .BIB ! IOG RAPH Y . On th e Ph a ro s , se e Tm a n s c n H . , D er Pha ros Anti ke
Is l am a nd Occi d en t (wh i ch m en t i o n s a lm o s t a l l t h e p rec ed vn g‘ l i t e ra tu re ). On
So s t ra tu s , see Pa a u n z e r . Sos tra te d e Cn i d e, a rch i tecte d a Pha re , i n t h e Revued . Etudes a n c i emzes , t . I , 4 p . 26 1 - 272 ; c fr . LOMB R OSO , L’
Egz’
tto d e i
Greet e d ez’
R oman i , zem e éd . , p . 1 1 7 sqq .
THE SERAPEUM.
The sma l l hi l l on which s ta nds the su perb monol ith knownby the name of Pompey '
s P i l la r,or more correc t ly Diocle t ian '
sPi l la r ( l )
,ma rks the s i te of the Se rapeum ,
tha t i s to say the
temple dedica ted to the worshi p of Se rapis .Gra t ien l e Pere and Mahmud El-Fa lak i had a l ready though t
it probab le tha t the pla teau on which Pompey ’s Pi l la r stan dshad formed part of the Serapeum , and this hypothes is h ad beenshown t o be exa ct by Wa chsmu t h (Bur s i cm J a h resber i ch t
,I I ,
1 8 7 3 , p . 1 0 9 3) in spi te of the doubts ra ised by Kieper t . SinceBott i ’s excava t ion s , those of the Si egl in miss ion , and my own
,
no further doub t seems possible .
Serap is i s re g a rded by some historian s (2) a s one of the mostingen ious po l it i co- re l igious crea t i ons of the first P tolemies . In
orde r to e stabl i sh a certa in cohes ion be tween the Egypt ian s andth e
'
Greeks,Ptolemy I though t i t n ecessa ry to crea te a d i vin i ty
tha t they a l l migh t worship in the same way ; e i ther by transforming the Egypt ian god Osor-Hapi in to Serapis , or by in troducing in to Egypt the Serapis worsh i pped a t Sinope i n the
Euxine (3) he crea ted a god of the underw orld,ha l f-Egypt ian
ha l f-Greek, whose worsh i p soon invaded the Graeco -Romanworld and showed a mos t ex traord ina ry v i ta l ity . The Greeksconsidered the god as Dionysos
,and the Egyp t ian s a s Osi ris ,
bu t these two aspects were u n i ted in one essen ce whose energywa s thus doubled. He was a lso con s idered as a Chthon ian( r) A cc o rd in g: t o th e d ed u c t ion s o f th e l a te D r . Bo t t i , fo rme r c ura to r o f th e
A l ex a n d r i a n Mu se um , th e p re sen t co l um n a p pe a rs to h a v e rep l a c e d t h e Ser a p i sCol umn , a n d to h a v e b e en t h e wo rk o f th e Th eo do s i a n dyn a s ty t o pe rpe tu a te th e
tr i um p h o f h n s t i a n i ty . A t t h e en d o f t h e IV c en t u ry t h e ed i fice i t se l f w a s
c al l e d th e A rca d i um, a nd a c co rd i n g to Bo t t i th e Co l um n m i g h t b e n amed th e
Co l um n o f A rca d i u s .
(2) A g a i n s t th i s v iew see W . Sc a un a a r ,Ei nj z
‘
i h rung i n d i e P ap yruskund e,t sp 333) 1
?n (Sera p i s ) i n a pro fo u n d a n a l y t i ca l s tu d y d e fe n d s th e E gypt i a n o r i g i n
of Se ra p i s o r Sa ra p i s . (R evue d e l’h i s ton'
e d es rel ig i ons , Com p . SE TH E ,
Sa rap i s Be r l i n . We i d em a n , 1 9 1 3 . p . 1 7 ; WE BE R , Aegyp ti sch Gr i ech i s ch e Gotter 1m H e l l en i smus , G ro n i n g a , 1 9 1 2, a n d pa rt i cu l a r l y , W ILCK E N U . , D i e Gr i e
ch z'
schen D enkmd l er n 1 mm D ramas d es Serapeums van Memp h i s , In J a h rb .
Ar ch . Inst , 1 9 1 7 , (B d . XXX II), p . 149 sq q .
on a throne l ike Plu to,holding a sceptre
,an d w i th Ce rberu s ( I )
at his side . He was c lothed i n a chi ton and h ima t ion (seefig . Sera pis resembles Zeu s close ly , bu t one of the ch a
rac terist i cs which he lp u s to recogn i se him is the bu she l-measu re (modius) or the sacred ba sket of Mysteries (Ka lathos) whichhe bea rs on the top of h is head, a nd which symbol ised the
inexha us tible fe r t i l i t yand fecund ity of the
e arth a t the t ime of harvest . The modiu s or kalathos i s often ornamen
ted w i t h branche s ofol ive and ears of corn .
The fea tu res of Serap is we re cha rac terisedby an ex treme gen t lenessof e x p r e s s i o n , m ixedw ith an en ergy fu l l ofmystery and somet imesof te rror. We are toldtha t th e origina l sta tu ewas made of a mix tureof the most va ried materi a l s, gold , s i l ve r, cop
per , lead, t in , sa pphi re,hema t ite , emera ld and
topaz. Mr . I sidore Levyh as demon stra ted tha tt his a ccoun t on l y reprodu ces the formu la accor
ding to which on th e
occas ion of th e F eastsof Os i ris in the mon th
E l g ' 45 ’ of Khoiak the sacredimages and r i t u a l i s t i c
s ta tues were made and renewed year by yea r.I t a ppea rs tha t the figu re of Serapi s bea ring th e ka la thos and
( t ) Th e h yb r i d .mo n s te r c ro u c h i ng n e a r t h e s e a ted Se ra p i s w a s (a ccord ingto P l u ta rc h ) l oo k ed u po n a s p a r t Ce rb eru s an d pa r t d rag o n ev e n i n th e t im e o f
Ap i o n . I t i s a cu r io u sl y com po s i te c re a tu re ; i t h a s th re e h e a d s,t h a t o f a l i o n
i n th e m i d d l e,o f a b a rk i ng d og to t h e l e ft
,a nd t o th e r ig h t t h a t o f a s n a rl i n g
wo l f . A serpen t e n tw i n e s th e wh o l e w i th i t s co i l s a n d l i ft s i t s h e a d u p a bov e
t h a t o f t h e l i on . LE V Y, o . c . Th e m o n s te r t h a t a ccom pa n i e s Se ra p i s i s a lway sre pre sen t e d o n th e rep l i ca s wh i c h a re i n t h e M u seum a s a ba rk i ng do g w i tha n o th e r d og
’s h e ad a t e ach s i d e , a se rp en t b e i ng c o i l ed ro u n d i t s b ody . O n l y
on e sm a l l b ro nze rep res e n t s a l i o n , b ea r i ng o n i ts h ea d a s e rpe n t su rm o u n te d
by a k a l a th os (fi g .
1 1 3
having Cerbe ru s beside h im i s of more recen t da te than h ad
been su pposed up to the pre sen t . The la tes t schola r who ha s
discussed this que st ion does not tra ce the origin of th is sta tuefurthe r back than to the re ign of one of the successors ofEuergete s
,Ptolemy IV or V I.
He re is i ts descri p t ion according to the most recen t reconstruct ion . The head of t h e god was tu rned sl ight ly towa rdsthe right shou l der . H is ma ss ive ha ir formed a veritable mane ;
five thick locks fe l l towa rds the fron t of h is head an d hungover h is forehead a lmost down to his eyebrows
.Above these
five were s ix othe r locks of ha i r, th ree of which fe l l towa rdsthe fron t a nd three behin d . The se la tte r pa r t ly covered a
circu lar pad , a ppa ren t l y a cushion su rroun
ding the foot of the modius, wh ich itse l f wa sornamen ted w i th three ol ive t rees i n r el i ef ,one to the right
,one in the fron t , and one
to the left , from the upper edge some ea rsof corn may have hung. Th e bea rd was
th ick and cu rled and w as not di vi ded in totwo symme t ri ca l the cu r l s of th e bea rdfe l l over and covered his t hroa t. Th e co
lou r of the st a tue was of a blu ish black ,bu t in orde r to make certa in s de ta i l s v isib lei n the semi-obscu r i ty of the ce l l a they mu steviden t l y have been brough t in to re l ie f bysome l ighte r colou ring . The eyes wou l dcerta in ly be whi te
,the pupil s se t in prec iou s
stones . The mod i u s was a l ight co lou r, F i g . 46.
which made the three ol ive trees stand ou t
i n re l ief aga ins t th e dark backgrou nd . Th e ea rs of corn wereof du l l gold
,th e sceptre of shin ing gold, and no doubt the d ra
pe ry as we l l a s the sanda l s had the i r effect he igh tened by.
a
fin e decora t ion o f gold or s i lve r . These meta l s we re l ikew l se
used to orn amen t the thron e and the stool , a lso th e eyes and
jaw s of Cerbe rus . Within a rich ly decora ted cel l a , by the un
ce r ta in l igh t o f cande labra , th e whole sta tue mu st , i n the noc
turna l ceremonies , have produced a n imp ress ion of supe rna tu ra lma jesty (Amel u ng).The dest ru c t ion of this ma ste rpiece was due to the fana t i c i sm
of the Pa tria rch Theophi lu s (A . D . I t i s sa id tha t thela s t rema i n s of the sta tue we re me l ted dou n by Amru tomake coin s . The A lexandr ian type of, th e Sera pis spreadrapid ly .
It w i l l su ffice to men t ion as proof of thi s the grea tnumber of copies exist ing in every Mu seum of an t iqu i t ies ,
‘
These
copies , more or les s exact,are made of ma rb le , te rra -cot ta
a nd bronze .
Besi des'
the colossa l column whi ch we sha l l admi re presen t l yand the two obe l i sks men t ioned by the historians of A lexan dr i a ,the Se ra peum mu st ha ve con ta ined a grea t q u an tity of a l ta rs
,
shrines, in script ions , sta tues made to thank th e god for ben efi tsrece ived or to implore his good w i l l . As a ma tte r of fact , i nsp i te of grea t vanda li sm , the excava t ion s ca rried ou t i n the pre
ci ncts of the temple s in ce 1 892 , e i the r by Bo tt i , or by the Ge rmanS 1egl in mission , or by myse l f, have brought to l igh t a goodn umber of a n t iqu it ies
,some of which h a ve been left on the
spot , nd others ca rried to th e Mu seum . Ammi a nu s Ma rcel l imzs
F i g . 47.
his Gest. XX I I, 1 6,1 2
,w ri tes these words : a th e Se
rapeum possesse s such va s t ha l ls wi th column s,and is decora ted
w i th figu res i n such high re l ie f as t o appea r a l i ve,and h as so
many oth er works of a rt,tha t nothing i n the wor ld i s consi
de red more sumptuou s than i t except the Capitol,which is the
e te rna l p ri de of the augu st c i ty of RomeAccording to the his torian Rufi nus , the Christ ian s, a fter the
destruct ion and burn ing of th e Sera peum i n 3 9 1 A . D .
,made
ha ste to bu ry th e s ta tue of Se rap is and any other i dols tha tthey cou ld l ay the i r hands on . And on e may we l l be l ieve i t.At Rome
,when
,by the edicts of Con stan t iu s and Con stan t inu s
II (A . D .
, 34 1 ) the pagan bu i ldings of the Jan icu lum were bu rn tand then ra sed to th e groun d, any s ta tues e tc . tha t had res is ted the fire were pu t away ou t of s ight . There is therefore
the western s ide of the base a n inscri pt ion can be read in ho
nou r of that Emperor . The tex t of this in scr ip t i on has gi venrise to long discu ss ion s amongs t scholars, becau se the su rface ofth e gran ite is very wea therworn and seve ra l le t ters a re qu itei l legib le neverthe less the reading i s now a lmos t certa in , and
according to the conclu sion s of the la test edi tor, the name ofthe pre fect must be
toy [60]1dt a t ov a i 't ox goi roga
t or 51 0 1 1 0 5 750 1!
Atox b yu a vov t or o’
wz’
x nrov
é’
n a gl og At’
ytfin zo i ) .
The column mu st have been erected a fte r the yea r 2 97 . Aform idable revolu t i on h ad b roken ou t i n Alex andria du ring tha tyea r. Dioc le tian bes ieged th e town which fe l l a fte r e igh tmon ths res istan ce . The Emperor then took u p hi s res iden cethere for some t ime in orde r to reorgan i se th e admin is t ra t ionof Egyp t . He w i shed to show himse l f merc ifu l and gene rou s,and amongst other ben e fact ion s he ordered th e gratu i tous dis tr ibu t ion of bread to the poor . The Column mu s t have beenerec ted i n his honou r and a s a tha nk -offe r ing for his c lemencyand generos i ty .
The in script ions in fa ct says11 To the very just Empe ror
,tu te la ry god of Alexandria ,
Diocle t ian,th e Invin cible
,Pos tumu s
,prefec t of Egypt (h as e
rected this monumen t).The formu la employed i n the in script i on leads us to be l ieve
tha t the capi ta l of the p i l la r was su rmoun ted by a sta tue ofthe Emperor. In the Choiseu l-Gouffier Col le c t ion there u sedto be fragmen ts of a colossa l porphyry s tatue foun d towa rdsthe beginn ing of the X IX cen tury a t the foo t of the co
l umn . I t ha s been surmised, though, i t seems, in correc t l y , tha tthis sta tu e
,which ju dging from the fragmen t s mu st have been
very rema rkable,might be tha t of Dioc le t ian fa l len from the
top of the’
capita l .The substru ctu re i s formed of blocks tha t ha d be l onged to
va riou s monumen ts of grea ter an t iqu i ty . One block bea rs inre l ief the figu re and the name of Se t i I (wes t s ide) ; a notherat th e ea st s ide has an in script ion i n honou r of the queen Ars inoé Ph i l ade l phos , carved on
'
the green gran i te ba se of a sta tuethat an Alexandrian
,Thes tor
,son of Sa tyros , had e rected to
the ce lebra ted siste r and w i fe of Ptolemy II .The tota l he igh t of the column in cluding th e ba se and the
capi ta l i s 26'
me tres 8 5 (88 fee t). The sha ft mea sures 20 m . 7 5
1 1 7
and i t ha s a diame ter of 2 m . 70 a t the ba se,a nd 2 m . 3 0 a t
the top .
This column h as a lways exc i ted the admira t ion and imag in a t ion of tra ve l lers (fig 49 Cyr iac of An cona ( 1 4 1 2) a nd
Leo the African ( 1 49 1 - 1 5 1 7) have spoken of i ts he ight and size ;Pe l legr ino Broca rd i ( 1 5 57) dec la res tha t he has never seen anything l ike i t
,e ithe r i n Rome or an ywhere e lse . One ex traor
di na ry story is re la ted i n connect ion w i t h the capi ta l of thepi l la r . In 1 8 3 2 , when Eugene of Savoie wa s i n Alexan dria ,
twen ty-two people are sa id to have mounted up to the top,
and sa t the re m a ci rc le t o lun ch .
F i g . 49 .
S trange rs ha ve not a lways been con ten t with on l y admiringthi s fine monumen t
,they have a lso w i shed to possess i t . In
1 7 37 , in a report sen t to Lou i s XV,i t i s proposed to remove
Pompey ’ s Column 11 as i t threa ten s to fa l l in to ru ins (sic) andt o t ran sport i t to France to ra ise a sta tu e of the king on its
11 summit . I t is one of the la rgest and most ancien t monumen tsof pa st ages
,and i t wou ld be to t h e pra ise of ou r king to pre
c serve'
i t
A simi la r projec t had been formed in the t ime of Lou is XIV .
The n ame 11 Pompey ’ s Pi l l a r must have been inven ted bythe Franks during the Cru sades . The i r not very deep lea rn ingmay have con fu sed i t w i th the p lace whe re Pompey ’s headwas bur ied (Nemes ion ) a nd t ran sformed the cu pola whi ch the
Arab wr i te r Abd-e l -La t i f ( 1 4 6 1- 1 2 3 1 ) dec la res h e saw u pon the
F ig . 5 0 .
cap ita l,or the sphere which accord ing to XVI cen tu ry de
s ign s was placed on the capi ta l, in to a the preciou s urn whichcon ta ined the head of Pompey 11
. This legend i s the cousinof tha t which , wi thou t a ny hi stori ca l evidence , pla ces Tra jan
’ sashes on the top of the column which bears h is name , and
those of Ma rcu s Agri ppa on the pedimen t of the Pan theon .
In the ground a round the column , rema in s of ancien t fou ndat ion s can be seen everywhe re, shafts of red or green gran itecolumn s
,a rch i tectu ra l fragmen ts of the Roman peri od
,be lon
GUIDE TO THE MUSEUM
INTRODUCTION .
The quest ion of founding a Mu seum i n Alexandria w as firstdiscussed i n 1 89 1 . Previou s to this
,priva te col lect ion s had
been made by Z izi n ia ,Ha rris
,Pug io l i , Demetriou , bu t t hey had
va n i shed,the con ten ts be ing dis tribu ted far and w ide in Eu
rope and Amer ica . The col lection of the Egypt ian In s t i tu te,which was i n the n a tu re of a publ ic col lection , h ad been removedto Ca i ro
,when the Inst i tu te migra ted the re . In spi te of this
d is persa l of th e olde r co l lec t ion s,the re was s t i l l hope tha t w i th
ca re a va luable Mu seum might be organ ized in Alexan dria .
Th e rema rkable researches of Mahmu d-E l -Fa laki a nd th e
learn ed inves t iga t ions of Neru tsos h ad shown clea rl y tha t i fA lex andria cou ld not give to a rchaeologica l scien ce and art
the i mmen se wea l th of monumen ts which her pa s t g lory ledone to expect , ye t sh e he ld benea th her soi l man y h i stori ca l lv
inte rest ing ru in s . Th e Governmen t An t iqu i t ies Depa r tmen t was
w i l l ing to he l p a nd promi sed tha t permi ssion wou l d be gran tedto exca va te some other Gracco-Roman s i tes .The idea of foundin g a M u seum
, which origina ted w i th the
Athenaeum Society, was we l l rece ived by the press. The publ ic,
the Governmen t and the Mun ici pa l i ty showed cons iderable interest .
Bot t i had a l ready drawn up two cata l ogue s , th e fi rst i n 1 893
(Notice des monumen ts expose’
s au Muse'
e Gre’
co-Roma in d’
Alex
andri e), the other i n 1 90 0 (Ca ta logue des monumen ts , The
a Not ice n is importan t on l y from the poin t of view of the h i story of the ins t i tu t ion ; the Ca ta logu e even w i thou t takingin to accoun t the new classifica t ion
,i s an terior t o the cons
truct ion of the s ix las t rooms and,i n con sequen ce
,has l ost i ts
pract i ca l u t i l i ty. Th e presen t work is in tended to se rve as a
gu i de for the ordina ry visitor ra ther than for the scholar . In
accordance w i th th is a im I have made some genera l rema rksabou t each group of objects, and then have confin ed myse l f topoin t ing out the monumen t s of mos t i mpor tan ce . A de ta i ledscien tific ca ta logue is i n cou rse of publ ica t ion i n th e se ries o fthe Gene ra l Ca ta logue of Egyp t ia n An t iqu i t ies .
TOPOGRAPHY OF ALEXANDR IA.
A col l ecti on of p l a n s a nd of v i ews of th e a nci en t a nd mo
dern town i s disp layed i n the ves t ibu le a nd in the sma l l roomto th e left of th e en t rance
,a lso photographs of p la n s and a t
tempted restorat ions of its ancien t monumen t s . A ser ies of pho ~
tographs of anc ien t and modern works of art in spi red by the
history of Alexan dria shou ld comple te t his sect ion of the Mu
seum, the importance and in te rest of which w i l l in crea se as soonas I am able to c lass i fy it more m e thodica l ly in a more appro~
prta te se t t i ng.
1 . A recon s truc t ion of the Pha ros . Or igin a l de s ign s by ProfessorAugus te Thie rsch which were used by Prof. H . Thiersch forthe i l lustrat ion s of h i s volume on the Pharos (s . p .
2 . V iew of Portus Magnu s (I).P lan of an c ien t Alexandria , by G . Bot t i .V iew of A lexandria according to a Du tch wr iter of theXV I cen tu ry .
P lan of the an c ien t town by Mahmu d -Rl - Fa laki .P lan of the an c ien t town by Neru tsos .
P lan of the surroundings of A lexandria by Mahmud-E l- Fa laki .Photograph of the obe l i sk of the Caesa reum (C leopa tra ’s Need le ) taken shor t ly before i ts transport to New York .
9 . Recon struct ion of the Pha ros by Eber s, by Vei tmejer, by Adler .
4s
t»
OO
\1
01
m
1 0 . Photograph of For t Qa'
i t bey a t the t ime of Bonapa rte,
a lso of the ru in s of the same for t i n its a c tua l s ta te .
1 1 , P lan of A lexandria by the Egyptian Mission ( 1 7 991 2 . P lan of the tow n in 1 8 5 5 .
1 3 . An imagina ry recon stru c t ion of the Serapeum made i n the
XV I I I cen tury according to th e descri p t ion by Aph thon ius .
1 4- 1 8 . Pho tographs of Flemish tapes tries reproducing e pisodes inth e l i fe of An thony an d Cleopa t ra .
1 9 . Photograph of the remarkable pi ctu re represen t ing C leopat raby Mo‘
i’ se Bian ch i .
20 . Photograph of the mosa i c of Pompe i i (Naple s Museum) ca l ledth e ba t t le of A lexande r. To th e le ft, the Conque ror, ba re -hea
ded,on a horse .
2 1 . Photograph of the mosa ic of Pa les trina (nea r Rome , BarbertniPa lace) repre sen t ing, a s i t seems , a bi rd ’s eye view of Egypt ,beginn ing a t Alexandria and Canopu s (a t th e bot tom ,
to the
le ft) and con t inu ing to Nubia .
In th e sma l l room to the le ft
2 2 . L a rge plan of modern Alexandria drawn up i n 1 890 ; Ad
mi ra l Si r Mass ie Blomfie ld has ma rked on i t,i n black
,a p lan
of the ancien t town .
2 3 . P lan of ancien t Alexandria by Sieg l in .
24 . P lan of Alexan dria a t the beginn ing of the XIX cen tu ryby Va len t ia ( 1 80 2
2 5 . P lan of t he town i n 1 868 , b y Barrau .
26 . Photogra ph of the ce lebra ted pictu re by Be l l in i represen t ingSa in t Ma rk preaching to th e Alexandrian s .
27-67 . Othe r view s a nd reconst ru ct ion s .
In the pa ssage between the ves t ibu le and Room 6 , a hori ~zon ta l glass ca se : a col lect i on of we apon s and in st rumen t s instone of prehistoric age , from the Fayoum and from othe r re
gion s of Egypt . Gift of Mr. Se t on Ka rr .
GREEK AND ROMAN INSCRIPTIONS .
I t i s not n ecessa ry to in s is t on the ve ry great importance tha tevery epigraph ica l documen t may ha ve for the di ve rse bran chesof an cien t studi es . H i s tory . topogra phy , the history of a rt , ofre l igion
,of ma nn e rs
,phi lology
,in fa ct a l l s tud ie s con ce rn ing
ancien t l i fe,publi c and priva te , rece i ve some n ew l ight nea rly
eve ry day from inscript ions, of which the re a re many differen tsorts ; publ ic decrees and honori fic insc ript i on s (genera l ly on the
ba ses of statues, some times on the shafts of column s) ; vot ivededica t ion s ; mi l i ta ry dip lomas (on bron ze plaques); epita phs ; humb le bu t in te res ting inscript ion s on the handles of amphora s, onthe plaste r stoppe rs clos ing pottery vases
,on tesser a e i n i vory,
lead,etc .
Our col lect ion of Gracco-Roman in scr i pt ion s presen ts example sof eve ry ca tegory , and some of them are of such importan cetha t they have given rise to specia l monogra phs . Nea r ly a l l ofthem have been ga thered toge ther in to Room 6 (a t left of entrance). They come from a lmost a l l pa r ts of Egypt, and la rge lyfrom Alexandria i tse l f. Be fore en tering Room 6
,glan ce a t
Ca st of the Rosette Stone . (Th e origina l i s i n the Brit ish Ma
seum).
I t i s we l l -kn own th a t t h e s tu dy of th i s s tone h as resu l te d i n th e
d ec iph er i ng of h i e rog lyph i c wr i t i ng , a nd h a s thu s con s t i tu ted the po i n tof d epa r tu re o f a l l ou r know l edge o f Ph a raon ic Egypt . Th e s ton e con ta i n s i n th re e wr i t i ngs h i erog lyph ic , d emot ic , a nd Greek one a n d th e
same d ecree , promu l ga ted by th e pr i ests o fM emph i s , i n B . C . 1 96-5 , i n
honou r of K i n g P to l emy Ep iph an e s , on h i s corona t ion . Th e s ton e wa s
d i scov ered i n Au gu st 1 799 , by M r . Bou ch a rd (an officer i n th e F re n cha rmy) i n For t St . Ju l ien nea r th e town of R ose t ta . The fort w a s d e
mo l t s ed a dozen yea rs a go .
’
The on ly r ema in in g sou v e n i r i s t h e wa terco l ou r reprod uc t ion o i i t sh ow n h ere by th e s i de of th e i n scr ip t ion
By A rt i c le X I I of t he C a p i tu l a t i on o f A l ex an d r i a , S i gned by Ge
n era l M enou for th e e v acu a t ion of Egypt , th e R ose t ta Ston e fe l l
in to th e possess ion of t h e E n g l i sh . I t wa s a t on ce tra n spor ted to London a nd d epos i ted in th e B r i t i sh M u s eum . A fter th e a t temp t by Sa cya nd Akerb l ad , wh ich re su l ted i n fix ing th e re sp ec t i ve pos i t i on s of s e
ve ra l p ro er n ames , M r . Youn g , w ho sh a red Zoega’s hypo the s i s tha t
h i e rog l yp i c groups i n s i de a n ov a l , or ca r tou ch e , en c losed the n ame s
of sov e re i gn s , stu d i ed th e cartou c h e of t he R ose t ta i n scr ipt ion , wh i ch
a ccord in g to th e Greek tex t sh ou l d con ta i n th e n ame of K in g P to l emy .
a n d h e su cceed ed i n mak in g ou t th ree s i gn s , P . T. I . ; i n a no th er ca r
tou ch e a t Ka rn ak , w i th the n ame ofQu een Be ren i c e, h e mad e ou t t h e
s i gn N . B u t t here h e s topped , h i s l a ter effor ts b e ing comp le te ly wrong .
The mer i t o f hav in g e s tab l i sh ed the pr i nc ip l e s for t he dec iph er ingo f h ierog lyph i c wr i t i n g ( 1 8 2 2) mu st be a sc r ibed en t i re ly to Franco i s
Champo l l i on ( 1 799 A fter h a v in g s tu d i ed t he ca r to u che s on the
R ose t ta Ston e he had a n opportu n i ty o f exami n i ng th e obe l i sk o f Ph i
l a e . con ta i n i ng a b i l in gu a l i n scr ipt ion (h i erog lyph i c a nd G re ek) i n wh ichth e re wa s a ca r tou ch e i d en t i ca l to th a t on th e R ose t ta Stone a n d on e
oth er . H e a scerta i n ed th a t th e wr i t i ng of roya l name s wa s ex c l u s ive]
a lph abe t i ca l and fixed th e s i gn s th a t g a v e th e t ra n scr i pt i on Z .
By a se r i es of rea son i n gs a nd compa ri son s h e soon su cced ed in dec i
ph e r ing the o th e r cartou ch e , Wh i ch w a s th a t o f C l eopa tra . H e p roved
th a t the l et ters i n Greek scr i p t common to th e two n ame s of P to lemya nd C leopa tra were reprodu ced by h i erog lyph i c s i gn s i d en t i ca l i n th e
3 . Sim i lar ded i ca ti on ,anonymous .
1 0 . D ed i ca ti on of a ch ap el and of some a l ta rs to Zeu s for thehea l th of King Ptolemy II I . White ma rble . The i n scri pt ionwas found a t Siu f (Ramleh) and con sequen t ly gives u s an i a
terest ing piece of topogra phica l in forma t ion .
1 1 . Th e Jews (of’
Iovda l 0 1 ) res iding a t Sch ed i a ha ve con secra teda synagogue on beha l f of King P tolemy I I I , of hi s w i fe and
s ister Beren ice, and of the i r son . Slab of limestone . FromSched ia (ne ighbou rhood of Kafr-e l -Dawa r).
Th e in scr ipt ion p rov e s th a t a l re ady u nd er P to l emy E u e rge tes (247222) th e Jew s formed a commum ty i n the l i tt l e town o f Sch ed i a a n d
th a t th ey posses sed a syn agogu e there . T h i s bu i ld i n g wa s a l ready ca l l ed
by th e n ame , so frequ en t ly u s ed i n l a te r a ge s , of «1 H ou se of P r ay er
The d ed i ca t ion o ffers a n a rgumen t to tho se w ho b e l i e v e t h a t i n E gyp t ,a s i n Syr ia , t he t i t le 1168 1 90 1; (Si s ter of th e K in g ) b e l on ge d to t h e qu ee nby r i gh t . I n fa c t B eren ice w a s h e r h u sb a nd ’
s cou s i n an d n o t h i s s i s te r .
2 3 . D ed i ca t i on to Anubi s for th e hea l th of Pto lemy V I Phi10 pa t0 r and of h is w i fe , made by the 11 Eld ers (n g s oflzi zs gozlof the corpora t ion of mi l lers (u b v dl r oon o
’
n wv). Slab of whitema rb le . From Alexandria .
Bread made of du rra (61 139 01) wa s i n common u se amongthe people . The re we re seven sen iors of the corporat i on ,a nd the firs t h ad the t it le of priest . They were a l l of Egypt ian origin ,
a l though th e inscript ion wa s drawn u p in Greek .
A profe ssion a l a ssocia t ion , w hose members were pu re ly E
gypt i an and w hose organ i sa t i on was pa rt ly re l igious , ex ist ingi n Egyp t i n th e th i rd cen tu ry B. C . ,
is something qu i te new
a nd most in te rest ing .
24 . D ed i ca t i on to Se rapis and Is i s in honou r of Ptolemy IVPh i lopa tor and of his wi fe and si ster Arsinoe, by Archepo l i s,son of Cosmos
,ci t izen of A lexandria , in sc ribed i n the deme
n ow a n eg . Slab of whi te marble . From A lexandria .
Th e adm in i s tra t ive organ i sa t io n of th e popu l a t ion o f A l ex a nd r i a i n
e lu d ed,for t he c l a ss of i n hab i tan ts h a v i n g th e r igh t o f c i t i z en sh ip, a
d iv i s ion in to tr ib es E a ch phy l e wa s su bd iv ided i n to a ce r ta innumber o f d eme s . Th i s i n scr i pt ion in forms u s of a d eme of wh i ch we
we re prev i ou s ly ignora n t .
3 1 . Ba se of sta tu e for King P to lemy V,Ep iphanes , ded ica ted by
the chiefs of the n a t ive corps d ’
e’
l i te con s t itu t ing the Gua rdof the Roya l Pa la ce . Red gran i te . From Alexandria (ga teFuad I )
37 . Li n tel of door i n w hi te l imestone ; on i t a dedica t ion i s
1 27
seen , fou r l ines i n length, Of a argo'
zw l or a nd of a flog omot toZeu s Sote r , by Lysimachus , son of Bas tach i las , a nd by his son s ,on beha l f of King Ptolemy VI
,his w i fe C leopa tra
,and the i r
brothe r Ptolemy. From Be ren i ce (Red Sea).37
a. This in script ion te l ls us tha t , un de r the re ign of Ptolemy
V I I I , Sote r ikos , son of Ikad ion of Gortyn a (Cre te) and one ofthe commande rs of t he roya l gu a rd. sen t on mission by Paot is , str a tegos of the Thebai d, having su ccessfu l ly accompl ishedh is ta sk . dedicated this stone to Pan . th e god of the ri ghtroad, and to othe i gods a nd goddesses . Whi te ma rb le .
From Coptos .The s tra tegos was responsible for the sa fe ty of the Red Sea
sh i pping and the ca ravans of preciou s stones and spi ces whichtrave rsed the eas tern desert .
40b
. D ed i ca t i on to Try phena , probably of Nau cra t i s , nu rse ofKing Ptolemy XI I I , by h er fe l low - ci t izens .
44a
. Long l i s t of Ptol ema i c mer cena r i es i n ga rr ison a t He r
moupo l i s Magna (Ashmu ne in , Upper Egypt).They had dedica ted this inscri pt ion w i th a l l the i r names
,
i n honou r of the King,to than k him for ce r ta in concess ions
tha t he h ad gra n ted them .
44b
. (P laced on the ground , rest ing aga in st the w a l l). B a se ofa sta tue in red gra n i te erec ted by the town of A lexa ndriain honou r of Lyca rion, son of Numen ios , brother of Ptolemy,and uncle of anothe r Numen ios (a l l eviden t l y peop le of highrank). Lycarion had the t i t les of re la t i ve of the King, hoh ora ry chie f (doy en) of the forme r officers of the Cou rt,min i ste r of fi nance
,ex eg etes (a re l igiou s and admin i stra t i ve
pos t), rec tor of the gymnas ium . The documen t , which may beda ted in the fi rs t cen tury 8 . C . , is ve ry importan t for the
a dmin is tra t i ve orga n isa t ion of the town of Alexandria i n the
Ptolema ic epoch. From A lexan dria .
1 0 7 . Ba se of col umn . The lowe r su rface , engraved in handsomecha racters , bea rs a dedica t ion to the gods by the n gv t oivs tg
(pres iden t s) and the secre tary of the sena te . White ma rble .
From Abu-Mandu r (Rose t ta).
Th i s i n scr ipt i on wou l d h a ve a grea t impor ta nce for th e adm in i strat iv e h i story of E gypt u nder th e P to l em i es , i f there d id not ex i s t
.
a
doub t a s to i ts E gyp t i a n or i g i n . Pre v i ou s to th e P tol em i es , N a ucra t i swa s th e on ly town h a v i n g a H e l l en ic con st i tu t ion , w i th th e e l emen ts of
th e s en a te an d o f th e ra i l s . The re a re groun d s for be l i ev i n g th a t Al exa ndr i a , P to l ema i s , a n d H ermopo l i s h a d a l so been orga n i zed a s c i tysta tes a t th e beg i nn i ng of th e P to l ema i c epoch a nd th i s i n scr ip t i onwou l d prov e th e e x i s ten ce of a no the r commun i ty co
‘
mp l e te ly H e l l e
n i zed a t Abu -M an d u r (an c i en t Bo l b i t i ne ) ; b u t th e D or i c d i a l ec t of
the tex t makes one su spect tha t th e i nsc r ipt ion found i n th a t pl acecame from R hodes . D r . P l auma nn h a s recen t ly tr i ed to V i nd i ca teA l exand r i a ’ s c l a im to th i s importan t documen t .
1 8 5 . Li on ’
s hea d forming a spou t for runn ing w ater ; i t ha sbeen ca rved i n a b lock on which h ad been engraved a longzod i a ca l i n scr i p ti on ; this block mu st have been pa r t of asola r c lock
, which , according to obse rva t i on of the ri s ing ofth e sun
,showed the na tu ra l mon ths a nd season s , even fixing
the periods du ring which na viga tors migh t or migh t not ri skleaving the coast for th e h igh sea s . The documen t is un iqueof i ts kind . Nummu l i t i c l imes tone . From Mariu t .
6 (In the m iddle of the room ,i n fron t of the bu l l Apis).
A l ta r found i n s i tu,by the Siegl in par ty of ex cava tors , in
the grou nd a t Pompey’ s P i l la r (so ca l led). The inte rior, a t pre
sen t empty,was fi l led w i th cinders . The fou r su rfa ces a re
s t i l l decora ted in pa rts w i th blue-colou red ga rlands . On the
fron t s ide of the a l ta r a dedica t ion can be read pa in ted inda rk b lue many of the w ords are e ffaced to the honour of P tolemy I I and of h is s i ster and w i fe Arsin oe .
Retu rn ing to the e n t rance door,to the right :
42 . Ba se of sta tu e dedica ted by the n a go’
ton og Aph rod is ius t oAn thony
,the Grea t
,the In im i table , his god and bene factor, i n
the yea r 1 9 of C leopa tra , and 4 of An thony, th e 2 9t h of Xoc
'
a n
24“ of Decembe r B . C . 50 . Grey gran i te . From A lexan
dria , n ea r the Ramleh Sta t ion . This is the on ly epigraph icdocumen t a l luding to th e sort of ex isten ce tha t th e Tri um
vi r led in Egypt ; an ex isten ce idyl l i c,fool ish
,and t ragic a t
one and the same t ime .
Among th e L a t in or Greek in script ion s of the Roman epoch,
the most numerous are engraved on the ba ses of s ta tues erectedin honou r of one of the Emperors .
49 . Col umn in n ummu l i t i c l imes tone . He ight 2 m . 3 6 . F romAlexandria
,Mine t -e l -Bassa l . The inscript ion engraved on th e
column i s b i - l ingu a l , La t in a nd Greek . I t t rea ts of a cana l oraqueduct con st ructed by Augu s tu s, from Sched i a (ne ighbou rhood of th e presen t Ka fr-e l -Dawa r) to A lexa ndria , a length of3 5 ki lomet res, - in the yea r 40 of the Empe ror
’s re ign .
This formu la of da t ing according to the yea rs of the so
vere i gn w as employed i n Egyp t,even at the Roman epoch .
Egypt was cons idered a s th e persona l doma in of the Empe ror.The imperia l year began on the 1
s t of Thot,the fi rs t day of
the Empe ror Ma rcus Au re l iu s, bene factor and saviou r of t heu n iverse
,tha t the town (of A lexa ndria or of Pachnemun i s ?)
ha s had engraved by care of Is idoru s, high admin i s tra t iveoffic ia l, grand priest of Apollo, gu a rdian of th e Se rapeumof Pa ch nemun i s . White marble . From Kom-e l -Kh an z i ri
Pachnemun i s,i n the Sebennyt i c nome .
In fron t,in the middle
,
of th e wa l l to th e right
92 . L a rge rectangu la r base i n whi te m arble (he igh t 1 m . 50 ,w idth 1 m . 1 5 , depth 0 m . 50 ) for a sta tue of Va len t in i anusa eter n nm imp era torem erected by C. Va l er i u s Eu seb ius , v i rcl a r i ss imns , comes ord i n i s p r im i a c p er or i en tem . F romA lex andria (Rue Roset te . from the excava t ions for th e foundat ion s of Ma ison Li fon t i
,found a t a depth of seven me tres).
The ba se i s of grea ter a n t iqu i ty tha n the actua l inscri pt ion .
C . Va le ri us Eusebius,a c i vi l a nd admin i stra t ive magist ra te of
high rank w i t h ju risd ict ion i n the Orien t,and (evi den t ly) a l so
in Egypt , h a s taken th e t rouble to remove th e ancien t i nscript ion (perhaps a P tolema ic one) i n orde r to engra ve the n ew
i nscri p t ion on the same fron t su rfa ce of th e base,bu t reversed .
This sort of economic van da l i sm most regre ttable from a
historica l poin t of View,wa s a la s ! too often resorted to i n
Alexandria .
In th e upright g lass ca se in i ron a long the r ight wa l l, not ice
59 . Two bron ze plaques . They form the two par ts of a M i l ita ry D ip l oma found a t Coptos i n 1 88 1 .
The Emperor a ccorded ce rta in privi leges to the soldie rswho had honou rably a ccompl ished the i r t ime of service. H e
pub l ished a l aw comprisi ng the l i st of a l l those soldie rs whohad been favou red i n this way .
This l aw engraved on b ron ze was depos i ted i n th e Capi to l , and eve ry sold ier rece ived
‘
a d ip l oma,tha t is to say, two
bron ze table t s : th e l aw was e ngra ved on one of them ,a nd
on the o ther the n ames and cert ific a tes of the soldie r . The
two tablets forming a d iptych we re un i ted by mean s of cordssea led w i th seven sea ls ofwax
,each of which bore the n ame
of one of ‘ the seven Roma n ci t izens who ha d to bear w i tnessto th e au theht i c i ty of
'
the copy . Gene ra l ly these privi legeswere as fol lows : ex ten s ion of the rights of ci t izen shi p to the i rson s and to the ir d i rect descendan t s, and the righ t to con
t ract ma rriage in the form of connubiu m in conformi ty w i thRoman civi l law .
Our ce rt ifica te, i ssued du ring the re ign of Dom i t ianus,A
.
D . 8 1 - 96 , i s in favou r of C . Ju l iu s Saturn in us . This genera llaw a ppl ied to so ld ie rs who had accompl ished a t least 2 5years of serv ice
,and who a t tha t t ime formed pa r t of the
three de tachmen ts of cava l ry a nd of the seven cohor ts ofin fan t ry i n ga r rison i n Egyp t.
BIBL IOGRA PHY . D E JA R D IN S , R ev. Arch , Oc t . 1 5 , 1 883 ; C . R . Ac a d .
I n scr i p t i o n s e t B e l l e s Le t t re s 1 883 (v o l . I I ), p . 441 , C . I . L . I I I , 1 862 ;B RE CC IA , Is cr i z i on i g rech c e l a ti n e , Ca t a l o g u e G en era l , N . 5 9 , Ta v . A .
In th e same gla ss-ca se see 6 1 3 , a Ta bl et of Wood con ta in inga long La t in in scri p t ion
,w r itten a t Alexandria on Ju ly a
n d
A . D . 94 , according to the a u thorisat ion de l ivered by the
Pre fec t of Egyp t on the preceding day . The copy of twoimperia l ordinan ce s can be rea d con fe rring specia l righ ts andpr ivi leges on certa in ca tegories of Roman soldier s who hadrece ived honourable discha rge (honesta m i ss i o), a lso a decla
ra t ion made u nde r oa th and SUppO l’
ted by th e test imony ofseven w i t nesses tha t the three son s of the ve te ran C . Va
ler i u s Quadra tu s were born du r ing the t ime of h i s se rviceand a re the refore Roman cit i ze ns . Th i s ex treme l y in teres
t ing documen t,has given ri se to numerou s d isser ta t ions . I ,
w i th severa l othe rs,see i n i t a ce rt ificate of th e r ight of c i ti v
zen sh ip for the son s of a ve teran , de l ivered by the Prefectof Egypt
,based on a mi l i ta ry diploma i n bronze tha t h ad been
presen ted to h im ; others see i n i t an or igina l documen t,ana
logous to the mil itary dip loma s,bu t not iden t ica l . Up to the
presen t, mi l i ta ry ce rt ifica tes for the legionarie s are u nknown,
a nd i t i s supposed tha t the con cess ion of ce rta in pri vilege s tothem may ha ve been de l ive red on wooden table ts , mi l ita ry diploma s i n bronze be ing rese rved for the au xil ia ry t r0 0 ps .F rom Batn -He ri t (Fayum) Theade l ph i a .
B IBLIOGRAPHY . C p . B a a c cm , Iscr i z i on i gr ech e e Ia ti nc, p . 46, 269sg . Ad d : A . D e G ra s s i . D i u n a t a v o l e t t a d i l e g n o , d i Fa yum . Arch eog ra fo
tr i e s t i n o,Vo l . VI I . fa sc . I ; Ln s q um n J L’Arme
‘
e roma i n e d’Egyp te
d ’Augus te d D i ocl e'
ti en,Ca i re
,1 9 1 8 , p . 297 sqq .
Ep i tap h s , f u nera l stel a e. The fune ra l inscrip t ions found i n
the bu ria l grounds of A lexandria a re e i the r engraved or pa in tedon a s te la (genera l ly i n l imes tone from Mex, often too in num
mu l i t i c l ime stone , more ra re ly in ma rble) wh i ch was pla cedabove the tomb . In the tombs i n th e form of l ocn l i , the inscript ion was pa in ted on the ex te rior su rfa ce of the s lab which
[ 3 2
cl osed the en tran ce . On tha t slab a door was reprodu ced i nco lours (fai r ly-we l l p rese rved example s can be seen fu rther on
,
Room and above we re wri t ten the n ame of the de
ceased an d the word 1 01598 , the la t te r be ing preceded, from the
beginn ing of the second cen tu ry B . C . by the ex press ion 1 9 770 1 5
a nd somet imes by s vyi vxet , a formu la which become s more frequen t i n subsequen t epochs . In addi t ion to the name of the defunet
, we find the name of his pa ren ts,and more ra re l y tha t of
his cou n t ry . Gene ra l l y these in sc rip t ion s are ve ry poor i n de
ta i ls,bu t we possess , among othe rs
,one ve ry pre tty ep i ta ph
(no .
The fune ra l ste la cou ld ha ve , i n re l ief, a scene rep roducingsome t ime s the f a rewel l wh i ch the deceased i s taking of hisfriends or some episode ou t of hi s l ife as when he i s re
presen ted amus ing h imse l f w ith his fa vou r i te dog, or w i th a
bird , etc . or aga in the scene of th e fune ra l repas t .In stead of ha ving a bas- re l ief as decora t i on
,the ste la wa s
often pa in ted . The pa in t ing was done di rect on the stone , oron a coa t ing of stu cco over the stone .
The scene s tha t a re pa in ted u su a l ly possess a less gener i c andmore ind ividua l charac ter than those tha t are ca rved in re l ie f,the re be ing a grea te r l iberty a l so of movemen t . The des ignsare often fine a nd ca refu l l y ex ecu ted and a re never in the s ty leof those daubs done w i t h broad strokes of the bru sh of whichone sees so many on t he a lmost con tempora ry wa l l -pa int ings ofDe los . The flesh of th e men i s a lways pa in ted in red, or red
brown ; tha t of the women in whi te,or in l ight pink. The re
a re no conven t ion a l colou rs for the c l othing and wea pons . The
a croter ium a nd t he tympanum of the pseudo- na iskos are pa in tedi n ye l low
,red , or b lue ; the frieze of th e ovol i has red con tou rs
on a ye l low or blue groun d . Th e inscri pt ion i s a lmost a lwayspa in ted on the pseudo-a rchit rave i n red or black le tte rs .The Alex an drian has -re l ie fs a re usua l ly of sma l l d imen s ions
(no . 27 , Room 1 6,is a n ex cept ion ) a nd those of rea l ly ar t ist i c
importance a re few i n n umbe r . Bu t never the less the i r in teresti s cons iderable be cau se they presen t a series which en ables us
t o fol low,for se vera l cen tu r ies , the deve lopmen t of this k ind of
monumen ts .Though the nummu l i t i c l imeston e which is the ma ter ia l most
often u sed for the oldes t of these sma l l monumen ts keeps inperfec t preserva t i on
, ye t the work of ca rving i t is very d i fficu l t .Tha t is the reason why pre feren ce i s given t o the soft and friab le rock - l imestone of Mex which , howeve r , does not offer la rge,even , pol ished surfaces, free of holes . F i rs t of a l l the stone
8 3b
. This ha s-re l ie f, which is cracked and whose su rface i s ve ry
worn , i s one of the mos t expressive a nd most tou ching of thefune ra l monumen ts of a n t iqu i ty. A woman ,
wea r ing a tun icand man t le
,is sea ted on a couch (a t tm) w i th head- rest , cus
bions,a nd cove rle t ; her fee t are res ting on a s tool . She i s
dying , bu t i s trying to ra ise the Uppe r pa r t of her body, as
though st riving to brea the . Her le ft a rm res t s on the shou lderof a l i t t le gir l , who i n order to su pport her i s forci ng herse l f to s tan d firm a nd s teady . The dying woma n
’s r ighta rm i s round the shou l ders of a nothe r and olde r g i rl , the
lower pa rt of whose figu re is h idden by her mother ’ s knees .This you ng gir l embrace s h er mothe r 's n eck and i s making an
effor t,which is de l i ca te and a t th e same t ime ene rge t ic, to
hold her,i n orde r to preven t her giving way a l toge the r. ‘
Asone can see
,i t is a pic tu re tha t is fu l l of sen t imen t , of t ru th
and of expression . (See No . 8 2 b,s im i la r
,and pe rha ps older ,
but more wea the r -worn , and less successfu l i n execu t ion ;no . 1 0 8 i s probably spu rious). L i me stone from Mex . FromA lexa ndria (Hadra).
84b
. A young woman,cl othed i n a tun i c
,is si t t ing on a sea t ,
a nd i s looking tow a rds the le ft . She i s ju s t taking an ornamen t ou t of a box tha t a se rva n t i s p resen t ing to her. Therea re traces of colou ring ; th e se r van t
’s ga rmen t mus t have beenpa in ted a blue colou r . Mex l imestone . From Had ra .
87b
. In the shape of a sma l l shrine . Pe rfe ct prese rvat ion (fig .
A woman , who i s draped i n a tun ic and man t le , i ss i t t ing on a cushioned sea t . The pose of he r body show s upi n profi le , bu t her face i s tu rned fu l ly towa rds us The e l bowof her righ t a rm is res t ing on he r kn ee
,a nd her w ri st sup
port s her head which rests on the back of her ha nd . A m a idservan t
,s tanding uprigh t behind he r mist ress, is waving a fan
above h er hea d. The a t t i tude of thi s ma id -servan t, which is
frequen t on th e Alexandrian ha s -re l ie fs , i s n eve r me t w i th on
the At t ic ba s-re l ie fs . Nummu l i t i c l imestone . From Hadra .
88 b. Stel a w i th p ed imen t (fig . A lady, wear ing a tun ic
and a man t le wh ich a l so covers her head , is si t t ing on a verys imple cha i r ; she i s holding ou t her right arm to a n otherlady standing upri gh t
, wea ring a tu n ic w i t h a high gird leand a l so a ma n t le . A t the bot tom of the scene i s ca rved th ein scri pt ion : Vi ol a/1 10 501 , f l imot
'
ooa t The two womenIsidora and A rtemisi a were n a t i ves of Pi s id ia .
Notice the fineness of the design , the grace o f the l ines ,the s l igh t de pth of th e su rfaces . The ha i r is drawn ove r theforeheads of the two faces
,i t cove rs the i r ea rs
,and forms
‘3 5
a knot at the back of the i r necks . The i r heads are sma l l a nde legan t , t he ir figu res s l ight , the ir l imbs which a re long and
slende r are covered by a ma ss of drape ry . Nummu l i t ic l imestone . From Hadra .
We w i l l confine ou rse lves to n ot icing Nos
92b, wh ich represen ts a young man si t t in g on a fragmen t of
a co lumn , on to which he has thrown his cloak (a not he r figu reough t probably to be fa cing him).
1 50b,a chi ld standing
,is holding a goose u n de r his le ft a rm ,
a nd i s bending down towards a l i t t le dog .
9 1b,two women s tanding facing one another, c lasping b ands .
97b,a n old man s i t ting on a cha i r
,on the back of wh ich he
supports h i s le ft a rm ; his right arm rest s on a cudge l . He
has th in fea tu re s,an aqu i l in e nose , and a poin te d bea rd . H e
i s ga zing far i n fron t of h im. A por tra i t fu l l of ch ara cter,
a nd rich i n express ion obta ined w i th a few strokes .96
b. Stel a of the soldie r Lycomedes . I t i s in te rest ing becau seof the form of the pedimen t .
On accoun t of the ir poor s ta te of prese rva t ion,the p a i n ted
stel a e col lected in this room are of no rea l in te rest except forex pe rts . Fu rther on (in Rooms 1 7 , 20 and see the beau
t i fu l col lec t ion from the bu ri a l grounds a t Cha tby,Ibrahimieh
,
and Hadra .
3 1 7 . Love ly ep i tap h , of which the sen t imen t i s a s de l ica te as
i t is exqu is iteOt
’
in éu 67) [wimp a s 921 658 149 dega co0 611» c
’
ga rdu 1 9 0 1/ [ to g da tp i b’
a l ofioa oégm/
Oboe uez‘
a ifiéwv oi v’
oi yo'
tx l v t or 771 1 108 ; a aw
ytuu'ao lov on tsg cb i y iytl o
'
ovvog da rtédw t’
oi l /i d oov oozea myyd n o t i/g n oy t'
ooa g ,
Ka fi rog‘
én s i y a /l sgdu ooig n a g é'
dcv os 71 119 5.
11 Thy mother,0 Phi l ox enu s , doth no mor e recei ve th ee
i n her a rms,cl a sp i ng thy d ea r n eck
,af ter a l ong a bsen ce .
Thou w i th thy y oung comp a n i ons dos t no mor e en ter the
i l l u str i ou s ci ty ,r ej o i c i ng i n the shady cou r t of the gym
na s i um. B u t h er e a re thy wh i te bon es l a i d,wh i ch thy f a
ther br ough t h i ther wh en Ka unos ha d con sumed thy fleshw i th devou r i ng fi reThe you ng ma n
,whose dea th his fa ther mou rn s , and whose
ashes he h as brought from Kaunos to Ale xandria , w as probablyse rving i n P tolemy 's fleet
,on e of whose port s w as Kau nos .
3 1 8 .Anothe r me t rica l in scri pt ion of the Roma n period , disco
ve red a t Gabba ri , placed i n a cenotaph u nder the por tra i t oft h e goldsm i th Kanobus, who , fa r from his na t i ve town , dieda t the age of twen ty six and a ha l f y ea rs i n I ta l y whe re he
had been for e leven mon ths .3 1 9 .
Anothe r metrica l inscrip t i on , fa i r l y good, from Sakka ra .
The Roman has-re l iefs , which a re u sua l l y scu l ptu red en
F i g . 54.
creu x represen t the f uner a l re
p a st, tha t i s to say the dead per
son ,fu l l -face , rec l in ing o n the couch
(u l i’
vn) w i th a cup i n his r igh t ha nd ;i n fron t of him i s a table w i t h mea tand bread a nd an amphora ; in a corne r, a sacred an ima l : ja cka l , fa lcon ,
e tc . (See 3 1 7b; 3 30
b; 27 2
b; 37 1 b).
O the r s re presen t the dead pe rsons tanding upright
,fu l l-face . (See 2 5 2
b;
247b; 3 2 2
b; 2 5 5
Th e fun era l in scri pt ions of th e R0ma n epoch
,whe the r i n L a t in or
Greek , are ge nera l ly r iche r i n de ta i ltha n the P to lema i c i n scri pt ion s .No . 3 7 1
b,re fers to a ce rta in Sa
ra pion,dea d a t th e age of 70 yea rs ,
i n the y ea r 4 of the Empe ror (th ename of the Empe ror, u n for tuna te ly,i s neve r ind ica ted). This Sara pion hadbeen pre s iden t of the two Gymnas iums of Nikin ; h e wa s a good fathe r, a good hu sband , a good frien d,cheerfu l
,vi rtu ou s
,and free fr om
trouble .
Almost a l l th e La t in inscript i on sbe long to soldiers a nd supply the fo l
lowing deta i ls : D . M . (D i s Man ibus sacrum) ; the name of thedeceased, the pe riod during which he h ad se rve d in th e army,the offi ces he had fi l led , the n ame of the pe rson who had e rected the monumen t . (See No . 480 , on a pedes ta l
,in the cen tre
of the wa l l).
480 (fig . Au re l iu s A lexa n der, a Roman soldier , i s repre
sen ted i n high re l ief, i n a s tanding a t t i tude,on th e sha ft of
a column of b lu i sh marb le . The sold ier w a s of Macedon ian
1 3 8
l i te ra ry , judic iary , a nd magic papyri ; La t in and Greek papyri ;hiera t ic
,fun era l
,demotic pa pyri ; Ptolema i c, Roman , Byzan t ine ,
Copt i c papyri,e tc. Papyru s
,for w ri t ing on , wa s prepa red by
taking the sta lk of the p lan t . st ri pping off the r ind , keepingon ly the soft in terior i n lengthw ise sect ion s ; of these the fi rstlaye r was made . Ove r and across this anothe r laye r wa s pla
ccd . These two laye rs were n ot a rra nged l ike pla it ing or wea
ving,bu t s imp ly la id toge the r ; they w ere then moistened w it h
a l iqu id whose n a tu re we a re ign ora n t of, a nd a fter having beenpressed i n a manne r tha t made them adhere c lose ly, they we rea l l owed to dry . The pa pyri were t hen ready to rece ive the
s igns which wou ld be w ri t ten on them by mean s of a sma l lpoin ted reed ; some t imes the poin t was le ft p la in ,
some t i messp l i t i n two h a lves ; the i nk u sua l ly had i ron a s a ba s is , or sootmixed w ith gum and wa ter . The leaves cou l d be gummedtoge the r a t the ends to make papyri of one or two metres i nlength which were wou nd up i n a rol l . When covered w i thwr it ing the pa pyri wou ld be depos i ted i n priva te or publi c a r
chives, or i n a l ibra ry .
The papyri, which on a ccount of the humidi ty of the so i l have
no t been we l l prese rved in the ru in s of th e an c ien t town s ofthe De l ta , a re n umerou s , on the con t ra ry, i n the Kimdn an d
the cemeteries of the Fayum and of Midd le a nd Upper EgyptA Kom (plu ra l Kimdn), an Arabic w ord s ign i fying a l it t le hi l l . i sformed of th e ru ins of th e hou ses of the a nc ien t town
,of t e
fuse and of rubbish of a l l sor ts . Gra n ted favou rable cond it ion sof dryness on th e on e s ide
,a nd on the other
,protect ion aga inst
a ny deteriora t ing substance , the Korn preserves in tact a l l the
pieces of papyru s that have been thrown or deposited there .
I t is p robable tha t no t on ly torn or u se less papyri w ere thrownon to the dust heap , bu t even who le a rchives which had los ta l l in te re s t for succeeding genera t ion s . Con siderable quan t i t iesof papyr i ha ve a l so been found i n dese r ted hou ses where theyhave rema ined h idden t i l l ou r days . In the K6ms i t i s not
u sua l t o find any la rge quan t i ty of papyri ea rl ie r th a n th e
Roman epoch .
P tolema ic pa pyr i are obta in ed often enOUgh from the ru insof hou ses da t ing from th e pe riod of the Lag ide s , bu t hardly eve rfrom the Kim
’
ans formed of re fu se an d .rubbish . This is ex c
( 1 ) T h e town o f M en d e s (n e ar M a n su ra ) i s th e on l y t own i n t h e D e l ta. t h a t
h a s y i e l d ed p apy r i , b u t t h ey a re ca rb o n i s ed . Beyo n d t h e bo u nd s o f Eg yp t , H er
c u l a n um i s th e o n l y town th a t h a s fu rn i sh ed p a py r i . Ca rbon i sed p a py r i i n g re a tq u a n t i t i e s b e lo ng i n g to th e l i b ra ry o f a n Ep i c u re a n ph i l o soph e r we re fo un d b e
twe en 1 75 2-1 754 i n t h e ru i n s o f a su b u rb a n v i l l a a t He rc u l a n um ( n ea r Na p l e s ) .
T h ese p a pyr i a re pre se rv ed i n t h e N a pl e s M u s e um .
pla ined by the fact tha t the pa pyr i of preceding epochs wou ldbe fou nd i n the lowe r laye rs of the kom in vaded by damp
,and
,
on the othe r hand , i t i s poss ible t ha t i n Roman t imes thepea san t s had a l ready begun to make u se of the exce l len t ma
nu re resu l t in g from the decomposi t ion of the vege table ma t te rd e posi ted i n the Kom. Papyr i of the Pto lema i c age, and a lsoof ea r l y Roman t imes , a re found i n the ceme te r ies of the i r respect ive per iods , ceme teries not on ly of human be ings bu t a l soof the sacred an ima l s (crocodi les , ca t s , dogs , It was infa c t the cu stom to cover the mummy w i th a case made ofcanva s
,of pla ster
,and of old papyru s. Papyri a l so , we re depos
i ted beside the corpses .To men t ion Greek papyr i on ly (Lat in papyri up to th e pre
sen t a re very rare), i t i s qu i te eviden t tha t the discovery of newpa pyri i s of the u tmost im portance for sc ience . These re sea rcheshave often not on ly restored to the admira t i on of the i n tel lectua l world magn ificen t l i te ra ry fragmen ts
,tha t had been con
s idered los t for eve r, bu t they ha ve b rought to the l i ght of dayan incompa rable series of documen ts bea r ing on the history ofpriva te and publ ic l i fe i n Egyp t, P to lema ic as we l l
'
as Roman .
And no on e i s ignoran t of the pa rt and influ en ce tha t Egyptexe rcised a t tha t epoch
,i n the genera l history of civi l i sa t ion .
The science s which profit spec ia l ly by the power fu l a id of papyro logy a re ph i lology
,hi story of an t iqu i ty
,history of l aw . and
t heology . Up to the last few years,pa pyri had not fu rn i shed
an appreciable con tribu t ion to the know ledge of anc ien t Alexand ria ; bu t now the Abus i r -el -Me lek pa pyri
,i n the Be rl in Mu
seum (con t racts , letters , e tc . ) and th e papyr i of the phi lo log ica lcol lege a t Ha l le (ext racts of A lexandrian laws a nd decrees) forman inexhaus t ible sou rce of preciou s in forma t ion on the topography
,as we l l as on th e publ ic a nd private l i fe of the A lexan
d ria ns of the Ptolema i c a nd Augu stan periodsThe fi rst Greek papyrus from Egypt tha t rea ched Eu rope is
one w hi ch was bough t by a mercha n t i n 1 77 8 , a nd which passeda t once in to th e possession of Ca rdina l Borgia ; i t was edi tedi n 1 778 by N i co las Schow . In th e cou rse of the X IX cen tu rythe Museums of Eu rope rece ived seve ra l papyri , the resu l t offortuna te discove rie s made by the fe l lahin . Me thodica l excavat ion s u n de rtaken by schola rs w i th a view t o sea rching for thesepreciou s documen ts on ly da te from 1 8 89
-
90 . The most importan t ex pedit ion s
,some of which are s t i l l working, w ere th e
( 1 ) O th e r a n a l o go u s p apyr i o f th e I I c e n tu ry A . D . from B a t u-Her i t ( F a y um )w i l l b e p u b l i sh e d sh o r t l y . Se e SCHUBAR T W . , i n Amtl i ch e Ber i ch l e a us d em
K6n i g l . Kuns tsa mm l . ,Be r l i n , No v emb e r p . 5 5 sq .
Engl ish ones (of F l inders Pe trie , a nd above a l l of Gren fe l la nd Hun t
,who made the famou s d iscover ies a t Oxyrhyn chos
Behnesa,Uppe r Egyp t), the Fren ch (Jougu e t and Lefebvre), the
Ge rma n (Schaefe r, W i lcken , Ruben sobn , Zu cke r, Schubart), theIta l ia n (Schiapa re l l i , V i te l l i . Brecc ia , P iste l l i). Bes ide s thesesystema t ic resea rche s
,the casua l d i scoveries and c landest ine
ex ca va t ion s of the na t ive s have con t inued i n such a manner tha tquan t i t ies of papyri have pa ssed . in to commerce be tween the
yea rs 1 8 90- 1 9 1 7 , and , in con sequ en ce
,have been dispe rsed to
the fou r corners of the world . Every phi lologica l Fa cu l ty ofany importance today possesses some papyr i ; p riva te col lect ion sa re equ a l l y n ume i ou
'
s : the mos t importan t among the se lastbe ing tha t of the A i chduke Ra in ie r (V ienna ) a nd tha t of LadvAmherst (bough t by P . Morgan ).Our col lect ion
,formed espec ia l ly of Greek papyri , from th e
P tolema ic to th e Byzan t ine epochs (III cen tu ry B. C . to the
V l - V I I cen tu ry A . D .) and of Copt ic pa pyri i s not r ich whencompared w i th the splendid co l lect ion s of Englan d, German y ,Fran ce
,I ta l y, Sw i tze rland , and of Ame rica . Bu t ou r Mu seum
n eve rthe less possesses some firs t c lass fragmen ts. Th e col lec t ionw as formed pa rt l y by pu rchase
,pa rt l y by con t ribu t i on s from
the Gene ra l Direct i on of th e A n t iqu i t ie s Depa rtmen t , and pa rt lyaga in by the gifts of Ma i t re G lymen0 pou l o and of M . AdolpheC a t taou i
,who among others h a s ceded to the Mu seum of Alex
andria a ce l ebra ted judic ia ry papyru s .
Gla ss -case N . nos . 1 -3 . H omer , Fragme n ts of the l l l iad . 11 0 . 4 .
Schol i a Home ri c . no . 5 . Ca l l ima chus . Fj agmen ts of HymnIV to De los .v
,84. v i i /1 9001 1] 11 3311 ya 1
‘
9 [ovow ore dg ifia g 131 1558 1 ,1 1 1311 91201 1 d
'
a]fi n /i ou'
ovow 61 1; dgvo iv [0 1321 an 09151 1 01 .
Tot; 11 391 451 An oMoov v n ox ol m og [a l r oi yol cbflry,m0éy§a z]o d
'
ovx a rél eoror a n s 1h yoa [g 831 1 9 7130 ,
Qi jfln, u n fi e“
ad/111 1 11 01 I O’
V a v tm a n ocLu ov s l éyxu g
y rj M a én ovca fli aCso ua r csvcobla c.
ow rco 11 0 1] [ 711 961311 1 uévs t 1 9 1 91 09 771 0 ; 8 5 9 770 135 39 1 1 t éOvryx ev uéya g , n ah / o
a i]voyév s [ 1]or o’
tn o 1 1 019 15971 0 1 1
a gvco]ou m tpo'
su t a fi 8 9 t 0 !é99 [ 8 t a’
r usa 21 1321 1 0 1 9oi l /l
'éjun eg §]Qéco 1 1 1 0 11 1131 3 90 11 3) o
’
t [n o do’
up myg
6 . Isocra tes , 37 , 3 8 , 3 9 of th e Pa negy r i c ,
In the same gla ss-case,some other c lass ic fragmen ts . Among
the non - l i tera ry Pto lema ic papyri , see no . 1 4 . Requ est of a
p r i soner to the ki ng . 1 5 . Comp l a i n t ag a i nst th e coma rch
Pa ky s i s . 1 8 . D ecl a ra ti on of good s a nd members of househol d .
Amongst other papyri,there are priva te lette rs (nos . 60
,
con t ract s (nos . 7 9, 88 , 96 , e tc . no . 7 9 sa le of a came l) ;no . 1 1 3 i s a request by cer ta in fa rmers of Soknopa iou Nesos(Fayum ) to the stra tegos of the nome of Arsin oe t o comp la i naga in st an agressor and h is fou r brothers who h ad w i shedto pre ven t them sow ing the i r seed , and in tended to appro
pri a te the i r fie lds . No . 1 1 9 i s a p apy ru s a bou t Mag i c, con
ta in ing formu la s of invoca t ion to the good gen ius Ni lus, t o thegrea t sp i ri t Sabaoth
,for a l l sorts of good fortun e . No . 1 2 2 i s
a request , l i bel l a s, for a ce r t ifica te of having sa crificed to the
gods , du ring the pe rsecu t ion of Decius,by a lady Au re l ia ,
pries tess of the god Pe tesu chos,to th e commi ssion i n cha rge
of the sacrifices .
In glass-ca se 0 . Wooden Ta bl ets u sed by schola rs ; on tha tma rked no . 1 some verse s of Home r are w ri t ten .
VAR IOUS MONUMENTS IN THE CENTRE OF TH E ROOM .
3 5 2 Co l ossa l Sca ra b found a t Pompey ’s Pi l la r . I nscri pt i on inhie roglyphic to the god Kh 0 pri (XIX dyn asty). Red gran ite .
Length 0 m . 90 ,height 0 m . 6 0 .
3 5 1b
. Sp h i nx of remarkable workma nship , un fortuna te l y w i thou t_
a head . The car tou che of H ar—em-h eb (XV I I I dyn a sty) i s$31, carved on i ts ches t and between i ts fron t paws . Discove red
nea r Pompey ’ s Pi l lar . I ts head h ad been broken in ten t iofi n a l l y in to a thou sand pieces .3 5 1 . The god Ap i s found i n pieces ( 1 89 5 ) to th e west of the
so - ca l led P o m p e y ’ sPi l la r
,a n d restored
i n 1 898 by the scu l ptor Ma rcucc i. T h i smonumen t u n d o u b ted l y be l ongs to the
t ime of the EmperorHadrian ; this is i h
d ica ted by a f r a gm e n t a r y ins cri p t i onfou nd w i th the broken sta tue o f t h e
bu l l and which shou ldhave formed pa rt ofthe pil la r p la ced a s
F i g . 5 6 . support u n d e r t h e
1 4 3
bod y of the an ima l . I t i s a monumen t wor th deserv ing a r
ten t ion . Bla ck gran i te . He igh t 1 m . 80 (fig.
3 5 0 . Fema l e Sp h i nx . This sta tue is worked w i th a freedomwh ich was not customa ry i n pre
-Alexa n drian days . I ts headis in cl ined to one s ide, and i ts paws crossed i n fron t . Ye llow ish l ime s tone . From Alexa ndria (Serapeum) (fig .
R O O M 7 .
Some of the monumen t sexhibi ted i n this room werefound i n th e exca vat ions m
i
a
de i n the n e ighbou rhood ofAbuki r i n 1 89 1 , by H . E .
Da n inos Pacha ; h e d iscove
red some ru ins there whichhe h as iden t ified as be ingthose of th e sa nctua ry ofMenu th i s . These monumen ts ,probably, w ere not ca rvedfor th e pla ce where theywe re d iscove red , bu t t ran sported thi the r from He l i o F i g 5 7 .
pol is or Sais .
1 . Col ossa l s ta tu e (he igh t 2 m . 8 2) a Pharaoh of the MiddleEmpi re (of the fore ign dy n asty of the Hyksos) bu t appropriated by R amse s I I . To the righ t the l ikene ss of the Prin ce ssH u t ‘Ma -Ra , daughter of Ramses I I , can be seen ca rved . She
,
i t was,who, according to tradi t ion
,saved the in fan t Moses .
3 a nd 5 . Two hea d l es s sph i nx es ; th e fi rst bea rs the n ame ofAmenemh a t IV ,
the second tha t of a Pha raoh of the X I I dyna sty
, bu t i t a l so ha s been u su rped by Ramses I I . Redd i shsan dstone . Length 1 m . 87 . he igh t 1 m . 40 .
4. H ea d of Pha r a oh . From Abuki r .1 8 . B us t of a s ta tue of R amses Red gran i te . C lose to thi sbust
,photographs a re exhibi ted of the fie l d of the excava
t ions (w i t h the monumen t i n p la ce), a lso the colossa l grou pi n gra n i te of Ramse s I I and his daughte r , a t pre sen t to beseen i n th e cou rtya rd of the Mu seum . From Abuki r .
(Ca rved slab) Act of a dora t i on t o the god Horu s , a nd no . 6 ,
fragmen t of a statue of Ramse s V I I I , found i n Alexand ria .
N
Glass-ca se B . no . 1 3 . Bu st of a Sa i t i c Ki ng . Work of th e Mem ~
phis school ; ca racteri sed by fine gracefu l ex ecu tion . Bla ck gran i te (fig. No . 1 4. Bea u t if u l hea d of a y oung Pha r a oh .
Pedesta l 1 7- 1 9. Two cover s for sa rcop h ag i i n pa in ted wood .
Glass-ca se C . Two i ncomp l ete sta tu es of the same person . o f
A
the name of Psherep h ta h , a high offic ia l a t the Cou r t of theP to lemies ; h e was scribe to his k ing
,ve ri fie r of the t rea
su re,chief of the secre ts of the hou se of Phtah . of th e Ra
sa t i t,of the Serapeum of Rh akot i s
,and of t he fun e ra l hou se
of Anubis on i ts moun ta i n, chief of the roya l wa rdrobe
,e tc .
1.
Ye l low l imeston e . From Alexandria (Sera peum).
R O O M 8 .
supe rb H a thor -hea d cap i ta l i n black basa l t . This ty pe ofcapi ta l (see the Temple a t D endera), come in t o fash ion i n Ptolema ic t imes
,and w as frequen t l y employed in con s t ru ct ion s
of tha t period . This one was found lying by i tse l f,in Ale x
andria,to t he sou th of Rose t ta Ga te .
2, 4 , 5 . An th rop oi d sa r cop hag i , of nummu l i ti c l imestone
,
found in a necropo l is in the provin ce of Keneh .
Fun era l ba s -r e l i ef . I t formed the l in te l of a door and is rema rkab le for the finen ess of i ts des ign a nd for the vi v ac i tyof e xpre ss ion in i t s figu res . I t formed pa r t of the decora t ionof a He l iopol is tomb 0 ) (fig . Pharaoh Zanu fir
, son ofAnkhupsamma tik
,whose moth e r wa s the Lady Nube i t i
,is
sea ted at the le ft,on his throne . An enormou s bouqu e t of
l otus is plan ted in th e ground behind him ; a second bouquetin fron t of h im ; a crane perched on the highest flowe r isho ld ing an open lo tu s i n i t s beak ; two d ifferen t k i nds ofducks
, w i th a l otus bud i n e ach of the i r beaks , a re fa stenedby the i r w ings to the kn ot which holds the bouquet . Be
y on d , three scenes of me rrymaking are depic ted , whi ch are
sepa ra ted from each othe r by two bouquets s im i lar to tha ton the ex t reme le ft . In the fi rst scene a rha psodist i s singing,accompa nying h imse l f on a t rigon . H e i s an aged ma n
,as i s
shown by the w rink les on his fa ce a nd th e folds of hi s neck .
H e is s i t t ing on a stool ; his head is shaved and his feet shod
(x) Th i s b e a u t i fu l re l i e f i n a l l i t s d e ta 1 l s a n d i n i t s h e a r i n g to o th e r ha s-re
l i e fs o f th e sam e s ty l e , h a s b e en s t u d i ed b y G . M a sp ero, M use'
e e'
gyp t i en ,I I 1
P. 84 seq ,I h a v e ta k en m y d e sc r ip t i o n from t h i s .
G l ass-case E . A Mummy da t i ng f rom the XX VI dy na s ty in i tssycamore coffin . The ou te r coffin i s no t decora ted . The
paste boa t d (ca rtonnage) case for the mummy i s pa in ted overi ts en t i re su rfa ce . The mummy s ma sk i s pa in ted pin k, thewig black . A t the base of the n eck th e goddess Ne ith i s pa in ted bea ring the s ign of l ife
,i n profi le to the right . A broad
and r i ch necklace hangs f1 om the mummy’s shou l ders . The
rest of the body i s divided into six hori zon ta l zones ; and i n
each of these,on a golden -ye l low groun d, scenes of fu ne ra l
ri tua l a re pa in ted . The predomina t i ng co lou rs are green (forthe flesh) and black (for the clothes).Gla ss-ca se B Ou ter coffin of Mummy from the second
e xcava t ion a t De i r -e l -Baha r i in 1 89 1 . (See Ma spero, Gu i de tothe Ca i ro M u seum). The in ter ior su rface has a red-colou redground ; the figu res a re pa in ted i n ye l low,
green a nd whi te .
On the vert ica l s ides of the coffin , on the end nea r the head ,a w inged serpen t
,i t s w ings ou tspread , and w i th the sign of
the goddess Ne i th on i ts brea s t ; s ix gen i i standing n ear a n
a lta r su rmoun ted by a vase for l iba t ion s form th e decora t ionof the inner s ides . A t th e bot tom of th e coffin
,on th e i h
side , a t the end near the he ad a serpen t i s dep ic ted twi s tedi n many folds and i n i ts folds holding the s ign of l i fe .
Under th is the goddess Ne i th is s ta nding , in profi le towa rdsth e right ; to the left are hieroglyphic s igns a nd to th e righta serpen t twined round a lotus p lan t . Low er down i s thesou l i n the form of a bi rd on a pedesta l . In th e zone be low
,
a sea ted d ivin ity is seen i n profi le,tu rn ed to the righ t, wea r
ing a plume , sign of t ru th . Ex ter i or of the coffin (to the
left of th e vis i tor). The moun ta in of the West . Above, thegoddess Nu t embracing t he d isc of the Su n ; in th e cen treof the d isc i s the venera ted sca rab of Khepra : con t inu ing tothe righ t, three rows of ja cka ls , dog-headed apes and hawksadoring the Sun . The scene tha t fol low s has
,a s i ts cen tra l
poin t, the mummy i tse l f, whi ch is p la ced upright a t the ex t remeright of the coffin- ca se wi t h i ts profi le turned towa rds the
left ; twe l ve personages, women weeping a nd some priestsc lothed i n pan the r-hides , bow down be fore the mummy and
make offer ings to i t . , The mummy is placed a t the en tranceof the tomb
,a recta ngu la r edifice su rmoun ted by a sma l l py
ramid . Exter i or of the ca se, to the righ t of the v is i tor.The mou n ta in of the Wes t
, the goddess of the North w i ththe eye of Horu s ; the goddess Ha thor , in the form of a whitecow spo t ted w i th black , descends the moun ta in . The son ofthe decea sed fol lowed by a woman cl o thed in b lack (the w i
147
dow ), i s mak ing numerou s offer ings to the divin i ty (vases, a
goose, loave s of bread, cakes , A boa t floa ts on the
Ni le,to convey the decea sed and his mothe r . The boa t i s
be ing towed,a pi lo t standing i n the prow direc ts the move
me nt , and holds the ropes wh ich a re a ttached to fou r jacka l sof An ubis a nd three hawks w i th huma n heads . Be low ,
a
second boa t w i th three rowers i s tran sport ing th e offerings .Gla ss-ca se A (380 ) from the same ex cava t ion a t De i r- e l -Baha ri .A lthough ra ther le s s we l l preserved than the previous co ffin
case, th is one is covered w i th bea u t i fu l pa in t ings in bri l l ian tcolou rs (on a go lden -ye l l ow ground
,figu re s in ‘ green . black
and red) represen t ing a whole ser ies of scen es of funera l r i tua l .
MUMMIFICATION .
I do not in tend to give a fu l l accoun t of th e va riou s me
thods of emba lming in su ccess ive dyn a st ies,as a vo lume wou ld
be requ i red for tha t pu rpose 11. Thu s begin s the chap te r tha t the
l ate Sir Armand Ru ffe r has wri tten on the Method s of Emba lmi ng , in his in terest ing H i stol og i ca l Stud i es on the Egyp ti a n
Mummy , and in rea l i t y no exha u st i ve work on this subjec t ex is t sIn consequen ce
,the fac ts summa r ised here may be rega rded
as be ing i n the ma in correct,bu t wi th the rese rva t ion tha t the
me thods of emba lming va ried in diffe ren t pe riods . In this ac
coun t I cannot do be t ter than fol low close ly tha t given by Professor El liot Smith , A . Luca s , a nd Si r Armand Ru ffe r . Amongc lassica l w riters , two have left u s fa i r l y de ta i led descri p t ion sof the process of mummi fica t ion : H aa ooor us
,H i s tory , Book
I I, and D 1oooa os or SICILY
,Bi b l i oth eca e H i st , I , 9 1 . Th e i r
conclus ion s mu s t be a ccepted w i th ca u t ion and con t ro l led s e
cording to the resu l ts of the resea rches t ha t savan t s , chemis ts ,a nd his tologis ts have made and are con t inu ing to m ake on the
mummies themse lve s . For those whom the sub ject specia l ly i hterests I draw a t ten t ion t o the very rich bibl i ogra phy a t the
end of th e chapte r .We do not know exa ct l y th e epoch a t which the Egypt ian s
began to pra ct ice mummi fica t ion , bu t i t seems ce rta in tha t thecus tom wa s a l ready we l l establ ished in the fifth Dyna sty (ci r . B.
C . I t i s t rue tha t there a re numerous examp les of we l lpre se r ved bod ies da t ing from the ea rl ier pa rt of the An c ien tEmpire and from pre
- dyna st i c t imes,bu t the i r wonderfu l s ta te
of preserva t ion is th e resu l t of a n a tu ra l process of dessica t ion .
Mumm ifica t ion was probab ly an inven t i on of th e Os i rian cu l t .The pr ies ts of Osi ris taught tha t th e body of man was sa credand not to be aban doned to the beas ts of the de se rt , becau sethe bright and regene ra ted enve lope of the pu rified spir i t wou l dspring from i t . A very
o sad de s tin y was reserved for the sou ltha t was deprived of its doub l e
,i ts un iqu e su pport , i ts m ummy .
Most of the mummies that have been examined da te from bet
ween the i 7t h Dyna sty and the beginn ing of th e s ix th cen tu ry
A . D .
,for un t i l the end of tha t cen tu ry
,Christ ian s d id not
think tha t mummi fi ca tion wa s opposed to the prin ci p les of thenew re l igion .
In the i 8 th an d 1 9th dynast ies the me thods a dopted a imed
chiefly a t the preserva t ion of th e t issues of the body i t se l f. A tthe beginn ing of the 2 1
St dynasty, emba lme rs in t roduced the
pract i ce of restoring to the shru nken and dis torted body th
form wh ich it had i n grea t pa rt lost du ring th e ea r ly stages ofthe emba lming process , and for th is pu rpose, l inen , sawdust ,ea rth, sand , and va rious othe r ma te ria l s we re pa cked unde r thesk in . A t a la ter period, the emba lmers aba ndoned thi s ex traord ina ry pract ice and devoted the i r ch ie f a tten t ion to imi ta t ingthe form of the body by means of w rappings and ban dages ra therthan by pa cking the body i tse l f. The resu l t was a rapi d de ter iorat ion in th e manner of preserving the body
,a nd , a t the same
t ime,a greater e labora t ion i n the a rt of bandaging which at
ta ined i ts perfection in Ptolema ic t imes. In th e la ter R omanpe riod
,this art dec l ined and when t he u se of pi t ch was discar
ded i n Chris t ian t imes,the emba l mers re tu rned to the use of
common sa l t, wh ich probably was th e ea rl iest subs tance em
ployed for the preser va t ion of th e body .
According to Herodotu s,three di fferen t methods of emba lm
i ng were pract ised . In th e first, which was the most expen
s ive , the bra in and v i scera were removed,the body-ca vi t ies we re
washed w i th pa lm -w ine and fi l led w i th myrrh , cassia , a nd otherSp ices , an d the body was then p laced i n a ba th of 11 na tron 1
'
for seven ty days,a t the end of which t ime i t w as removed
from the ba th , washed , and w ra pped i n l inen ba ndages, which
we re fastened togethe r w i th gum. The bands of l inen mighta t ta in a w idth of 20 cm . and a length of 40 0 0 me t res . In the
P to lema ic a nd Roman epochs , especia l ly,the bandaging was
very compl ica ted,not to say a rt is t ic . In the second method
of mummi fica t ion oi l of ceda r wa s in jected in to the body,
which was then placed i n the 11 na tr on 1 ba th . Th e thirdmethod
,wh ich was the chea pest and on l y u sed for the very
poor,
consisted i n rin s ing the abdomen w ith 11 sy rma ea 1»
the d i vin i ty su pposed to protec t the con te n ts : Amse t , Hapi ,D uamu tef, Kebehsenu f, the fou r son s of Horu s (fig . Th e
body cavity wa s then stu ffed w i th sawdu st , or w i th myrrh , ca ss ia ,or other spices . A t othe r epochs the vi scera we re replaced in thebody cavi ty , and i t wa s then cus toma ry to place w i th some ofthe organ s certa in wax or pot te ry mode ls of th e children ofHoru s . F lowers and othe r vege ta ble substances
,e spec ia l ly on ions,
are often found among th e w ra pp ings on th e su rfa ce of the
body or u nder the mummy,a nd some t imes bu ria l - scenes are
a lso represen ted on the w rappings (See p . 1 66,
fig . Aconven t iona l death -ma sk w as pla ced in a posi t ion corresponding
F i g . 5 9 .
w i th the fa ce of the dea d ; th is was some time s made of ca r
ton nage , a t o the r t imes of wood or pla s te r . Du ring the R0
man epoch,be tween A . D. 5 0 a nd 1 50 , the mode was in tro
duced of p lac ing w ithin the bandages a most rema rkable portra i t pa in ted i n encau s t i c on a tablet of wood to repre sen t thefa ce of the decea sed .
The art o f emba lming reached i ts he ight i n the twen ty-fi rstDyna sty . At tha t period , the process w a s cos t ly in the ex treme
,
and a n e labora te mumm i fica tio n of a body cos t abou t 7 0 0 poundssterl ing i n the modern va lu e of cu rren cy . The simp lest processadopted by th e poor a lways ran in to an ex pen se of at least1 0 pounds s te r l ing .
I t seems ce rta in tha t among the ma te ria l s employed for packi ng the body of th e dead we re common sa l t , n a tron
,rea l re
s in , oleo-resin s , ba l sams, gum- res in s,gums
,na tu ra l and ar t ific ia l
pi t ch, bu t not bi tumen . a I ha ve ne ve r fou nd bitumen in anymummy 1 sa id the la te Si r A . Ru ffe r
, and my ex perien ce ex
tends from Prehi stori c to Copt ic t imes Mr . Lucas had a l
ready come to the same con c lusion .
The proces s Of emba lming took place i n es tabl ishmen ts a d
hoc,each directed by a spec ia l ist ca l led choa chvtes who had u n
der h is orders a numbe r of priests and priestesses,scu l ptors
,
ca rpen te rs,spinners a nd porters . Each e s tabl ishment wa s divided
in to three sec t ion s ; the fi rs t,acce ssible to the publ ic , w he re
the d iffe ren t ty pes of sa rcophagi w e re ex posed ; the second wa su sed as a n opera t ing-room for the mummificat ion ; and th e
thi rd cons isted of shops a nd labora t ories , where unguen ts,bal
sams,he rbs
,and a roma t ic essences
,etc .
,were prepa red .
La st ly i t may be poin ted ou t t ha t ou r know ledge of th e process of mummi ficat ion i s very incomple te
,and that many of th e
sta temen t s fou nd in popu la r w orks on Egyptology requ i re mo
BI BLIOGR APHY . P a r r m a nw T . J . , H i s to ry of Egyp ti a n M umm i es .e tc . , Lo n d o n . 1 834 : Fou q u a r , Note p our serv i r a t ’ h i s to i r e d c I’emba umemcn t
en Egyp te . Comm u n ic a t io n fa i te a l ’ In s t t tu t Eg y p t i e n d a n s l a s éa n c e d u 6 M a rs
1 89 6. Le C a i re . 1 896 ; P ro fe sso r E LL I OT SM IT H , A con tr i bu ti on to th e s tu dyof M umm ifi ca t i on i n Egyp t , M émo i re s p ré s en té s a l ’ l n s t i tu t Eg y p t i e n ,
T . V,
p . I , Ca tre , 1 90 6 ; a n d v a r i o u s o th e r repo r ts a n d a c co u n t s i n th e B u l l . d e l‘
l ns l .
Egyp t , 1 90 7, 1 90 8 ; Ca i ro Sc i en t . Jou r n . ,1 90 8 ; An n a l es d e Serv i ce d es An t i
qm te’
s ,1 90 3 . 1 906 , 1 90 7, com p . a l so Th e R oy a l M ummy i n Ca ta l ogue gen e
r a l d u M u s é : d u C a i re ; A . Lu c a s . Preserva t i vc M a ter i a i’s u sed by th e Anci en t
Egy p ti a n s i n Emba lm i ng ,C a i ro
,N a t i o n . Pr i n t . Pre s s , 1 9 1 1 ; S i r M A RC ARMA ND
R ow a n , R ema rks on th e H i s to l ogy a nd p a th ol og i ca l An a tomy of the Egyp ti a nMumm C '
t i ro , Sc i en t ifi c Jou r n a l , n ° 40 , 1 9 1 0 ; H i s to l og i ca l Stud i es on Egypt i a n umm i es , M émo i re s p ré s e n t és a l 'In s t i tu t Eg yp t . , C a i ro ,
1 9 1 1 M . A . R UF
m m a n d A . Rm r'
r x, Notes on two Egyp ti a n M umm i es d a t i ng / r am th e Pers i a n Occup a ti on of Egyp t , Bu l l . Soc . Ar ch . d
’Al ex n o 1 4 ; R a u r'
r rcn L.,D e
I’Emba umemen t a va n t et a p res Jes us -Ch r i s t.c p . Comp te-r en d u pa r Ja q u i n n
d a n s Le Sp h i nx XV, 2 1 16 ; L . R E UTT E R h a s wr i t te n o n t h e s am e su b je c t
i n La R evue Scze t i 9 Se p temb re 1 9 1 6 LEW I S SP E NC E , M y th s a nd
Legend s of Anc i en t Lo n d o n,1 9 16 ; BUDGE E . A . W .
, Th e M ummyCh a p ters on Egyp ti a n f u ne ra l Arch a eol ogy , He f te r a n d Son s , Cam b r i d g e .
R O O M 9 .
1 . Fragmen t of the door of a tomb of a personage of the Anc ien t Empi re .
2 . The god H oru s, the e l de r , under the form of a hawk in
a naos . He wea rs on his head the double crown of Uppe rand Lowe r Egy p t . The n aos ha s a double frieze formed bya double episty le decora ted w ith the sola r d isc be tween two
urae i . From D ende rah .
5 . F ragmen t of a s ta tuet te of a sea ted scr i be .
7 . Cap i ta l of a Pi l l a r w i th a H a thor h ea d (comp . Room
7 , no Gi ft of Mr . L . Av i erino . Probably from Alexan
dria .
9 . Sta tu e of the goddess Sekhet, w i th th e head of a l ioness,found in ex ca va t ing the founda t ion s for Ma ison Mavrides,
rue Cher if Pacha . Black ba sa l t . XV I I I dvna sty . He ight 1
m . 2 .
1 4 . Bla ck ba sa l t . He ight o m . 4 5 . Bu st of Ki ng Ps ammeti k II .
An amu le t in the shape of the goddes s Ne i th rests on the
k ing's ches t,su spended from his neck . The goddess wears
a fea the r on her head , the symbol of t ru th. From Alexandr ia , Eastern Harbou r .
1 6 . Bu s t of a n E gy p t i a np r i est . The eye s a re in la id
,
of ivory a nd e bon y .
2 1 . Fr agmen t of Obel i sk ofKi ng Set i I, fou nd i n Alexandria
,i n the Labbane d i s
tri ct . Bu t i t mu s t h a v ebeen t ran sported from He
l iopo l is a s the King is re
presen ted paying his devo~t ion s to Atu n .
27 . A sea ted hea d l es s s ta tue
of Ra mses I],found on the
pla teau of the so-ca l led Pompey
’s P i l la r . Red gran ite, he ight 1 m . 0 9 . Good work
man sh ip .
30 . Rounded stel a . The se rpen t Aga thodaemon,i n profi le towa rds
the left a nd wearing th e double roya l crown,ra i ses i tse l f up
on i t s coi led ta i l , be tween two crowned hawks and a thirdw i th w ings ou ts pread .
3 1 . Pa in ted fu n era l stel a . Bas-re l i ef repre sen t ing o ffe r ings be ingmade a t a fune ra l . (Middle Empi re).
3 2 . Ye l low l imestone . He ight 0 m . 2 3 . R ou n d ed stel a . The godOsiris sea ted be tween I sis and Nephthys
,who are standing
up. Be low,a demotic in scri pt ion .
36-
3 7 . P lanks of a coffin on which a re design s of fune ra l geni i .3 8 .
.Alaba ster . Base of a column from th e pa la ce of King Ramses I I I i n the town of On i on .
3 9 . Ye l l ow l imestone . Length 0 m . 3 0 , he igh t 0 m . 2 2 . R i ch lydecora ted sa cr ifi ci a l tabl e of the Crocodi le god (Pe tesuchos).The god is represen ted i n r el i ef , in a ba s in of rectangu la r
F i g . 60 .
wa s tended, or scenes of adora t ion of th is divin i ty (fig .
A mummified crocodile,covered w i th a whi te c loth, i ts head
su rmoun ted by a high crow n,i s placed on a l i t ter ca rried on
the shou lde rs of fou r priests . These p riests are a dvancingon the left of the specta tor
,u nder pa lm- trees and amongst
w rea ths of flowers . Two of the p rie s ts p recede the god .
a nd a group of othe r priests is advanc ing to mee t them . Bothpar t ies are ra is ing the i r hands as high as the i r heads in an
a tt i tude of adora t ion,of praye r
,or sa lu tat ion .
In the cen tre of the wa l l,a t the ba ck of the room ,
the la rgewooden door of the ex terior pylon of the temple i s exhibi ted .
The door is ve ry sol id a nd a lmos t in tact . A Greek in scri pt ion carved on i ts ou ter su rface in forms u s tha t th e Pylonand the door we re erected by Aga thodoros, son of Aga thodoros of Alexan dria
,en rol led i n the second h ipparchy, in ho
nou r of King Pto lemy (Eue rge tes I I), of h is s i s ter and wifeCleopat ra , and of his w i fe and n iece Cleopat ra , in 1 3 7 B. C .
Close by,photographs are to be seen of the l imestone pylon
,
flanked by two l ion s,a s we l l a s of the cou rtya rd , the cel l a
,
a nd the a l ta r . Other mon umen ts from these excava t ion s a re
in this same room (the y a l l have a sma l l w rit ten explana tiona t tached to them). We ha ve tran sported and ha ve reconstrueted th e pylon and th e a l ta r of this in teresting temple i n the
Mu seum cou rtya rd.
R O O M 10 .
This room h as been dedica ted to the memory of th e la te SirJohn An ton i ad is who, w i th a generos i ty which we hope t o seemore w i de ly imi ta ted
,presen ted to the Mu seum most of the
exhib its i n th is room,an d man y other ob jec ts . The An ton iad i s
Room con ta in s a rich series of sma l l Pha raon i c monuments,
a l so jewe l le ry of differen t epochs : sta tu e t tes of de i t ies,objec ts
of w orsh i p,u shabt i s
,amu le ts and ca nopic ja rs i n a labaste r .
The re a re a l so some mummies and s ome mummy~cases .
At th e en tra nce of the room,pedes ta l B . Ye l low l imestone .
Length 0 m . 8 5 , w id th 111 . 1 . From Samanud . H a ndsome ta bl efor sa cr ifi c i a l ofi er i ngs , of the t ime of King Amenemhat ofthe X I dyn as ty . The table is divided i n to two pa rts . In one
t here are two rectangu la r ba s ins provided wi t h sma l l channe lsintended to carry the residu e of the l iba t ion in t o the other
5.
sect ion of the table con si st ing of a ba s in w i th steps . The segradua ted ba sin s symbolised the Un i verse
, accord ing to the
idea s of the Egypt ians,tha t is to sav l i fe on Ea r th and l i fe
bey ond the tomb .
Glass-ca se C . 3- 2 5 . Sta tuettes of Os i ri s and Os i ri s On nOphr i s .
Some t imes he is represen ted s tanding,crowned w i th the
u raeus, th e doub le crown , and the fea the r, and hold ing the
scou rge and crook (nos . 3 , 5 , 7 , 1 0 , a t othe r t imeshorns are added to these symbols
,i ndi cat ing the powe r of th e
Nile (no . or the so la r d isc (no . or aga in he i s rept esen ted w i th ne i the r whip nor crook (no . Often the wordsOs iri s gives l i fe for eve r 1 ca n be read i n hieroglyphics on
the ba se . Os ir is a t fi rs t repre sen ted the inconstan t and sa vageNile of the prim it i ve epoch . As t h e dwe l lers on the riverbanks lea rn t how to regu la te the cou rse of th e r ive r , h e showed th e plea san ter side of his na tu re, a nd i t w a s not longbefore he t ran sformed himse l f in to t he ben efa ctor of human i ty . As ki ng he was l ord of th e ea rth , and he taught me n
a l l trades . He a l so became the gua rd ian of the dead . The
town of Bus i r i s i n th e De l ta wa s the p la ce of origin of h isworship. bu t he became th e princ i pa l de ity of Abydos .
26-40 . The B u l l Ap i s crowned w i th the u raeus a nd the sola rdisc . The
'
bu l l Apis w a s th e l iving image of Phtah u ponea rth . H e was kep t i n one of t he cou rts of the temple ofPhtah
,a t Memphis
,where h e gave forth orac les . When he
died he w a s la id i n a tomb i n the Serapeum . There w as
never more than one Apis a t a t ime,a nd no bu l l w as
worshipped as Apis u n less h e bore certa in sacred ma rks , a
black pa tch on his fiank,a t riangu la r spot on h is forehead
,
and a c rescen t o n his che st .4 1
-
4 5 . The goddes s H a thor . Ha thor,goddess of the mou nta in
w hich sepa ra ted the lan d of Egyp t from the othe r world , wasrepre sen ted in the form of a cow or of a woman w i th cow
'
sea rs . She w a s the goddes s of beau tv , whom the Greeks ident ified w i th the ir Aphrodi te .
46-60 . The god Phta h . Phtah wa s iden t i fied w i th Vu lcan and
was the supreme de i ty a t Memphis . H e is repre sen ted e i thersea ted or sta nding. holding a sceptre w i th his two hands , hisfa ce smi ling a nd shrewd . He i t was who gave form to a l l
tha t exists. Nos . 60 (bis) and fol low ing, represen t Phtah Pata ikos
,or th e reappea ran ce of th e su n tha t conque rs the sha
dows .6 1 -6 8 . The god Nofi r tum . Nofirtum was th e son of Bas t i t , or
1 5 6
of Sekhe t , and he seems to have pe rson ified one of th e formsof th e sun
,or rathe r sola r force
,the a rdou r w ith which the
sun,when i t ri ses
,dispe rses i ts e terna l enemies .
69-
7 6 . The god Num or Khnum (Knuph , Kn umh i s , C nu -phis ofthe Greeks). He played th e same role a t Ele pha n t ine a s
Ammon a t Thebes,a nd Phtah a t Memphis
,tha t i s to say, he
represen ted th e supreme god, crea t ive and pr imordia l ; bu tunder the name of Num-Ra he wa s a deified man i fe s ta t ionof the sun . He i s re presen ted w i th the hea d of a ram .
77— 1 0 6 . The goddes s Thue r i s or Ap et, w i th the head of a
hippopotamu s , a nd pen dan t brea sts . Som e t ime s she is l ionheaded . She person ifies the space i n which the sun is created , she is the goddess-mothe r and n u rse .
1 0 7- 1 3 2 . Sma l l figu res of Anup or Anubi s w i th the head of awolf or of a dog . H e i s th e god of emba lm ing an d of hurying (see a t K6m-el -Choga fa the prin c ipa l scen e in the bas
1 e l iefs of the cen tra l n iche ) and the god of the de ad .
1 3 3- 1 79 . The god Thot w i th a n ib i s head . Thot , i den t ified bythe Greeks w i th Hermes
,w as th e god who in ven ted w r iting,
the god who w e igh s,the gu iding in te l l igen ce of the Un i
verse . Origin a l l y Thot i s a lun a r di vin i ty , bu t he i s a t the
same t ime th e secre tary of the gods, the ce lestia l judge,the
god of w isdom and of sc ien ce . The ibis a nd the dog -headedape w e re sacred to h im. The princ i pa l cen tre bf his worshipw as the town of Schmun
,He rmopoli s Magna of the Greeks
,
the mode rn Aschmune i n (provin ce of Assiu t).
Glass-case C . In the lower compa rtmen t , a co l lec t ion of pottery from exca va t ion s made by F l inde rs Pe t r ie a t Ta rkh am.
I I and III dynast ies .
Gla ss-case D. 1 . H ea d of a mummy . The fa ce i s pa rt ly con
cea led by a cover ing made of sma l l l in en bandages . 2 . In
terest i ng hea d of a mummy wear i ng a gi lded mask , i n a
good sta te of preserva t ion : th is mask i s wor thy of noticebecau se i t is mou lded on the face of th e deceased, and con
sequen t ly give s us eve ry de ta i l o f the physiognomy . 3 . Pa int ed wood . A recumbent corv
,in profi le towa rd the right . The
in terior i s hol low and the squa re open ing worked un der itsn eck commu n i ca te s w i th a rectangu la r ba s in tha t the cow holdsbetween i t s fron t legs . Th is was a kind of box for votiveofferings for the sou l of an offic ia l in cha rge of the ca t t le ofAmmon ,
a s the hieroglyphic in scr ipt i on ca rved horizon ta l lyon the back of the cow informs u s . Good workma n sh i p .
crown of Low er and Upper E
gypt) (fig . Son of I sis and
Osi ris,he represen ts the sun ; he
res tore s th e ris ing su n to l ife .
The idea of represen t ing the sun
a s a fa l con fly ing i n the sky i sof grea t an t iqu i ty .
90 . Bronze,he ight 0 m . 2 3 . The
god Rd w ith the he ad of a ram,
wea r ing the p schen t, sea ted i n
fron t of an obe li sk . The obe l iskwas the essen t ia l pa r t of th e
temp le of R51, and repre sen ted
th e res iden ce of the god (fig .
9 1 . Fa ience , he ight 0 m . 1 1 The
god Rd w i th the ram ’s head ,w ea ring the p schen t , stan ding
u pright, the righ t han d on his brea st,and the l e ft hang ing
down a t his s ide .
92 (she l f Wood, pa in ted and gi lt (see a l so 9 2 a- b,she l f
Sta tue of Os i r i s . The base i s often i n the form of a boxdest ined to hold fu nera l pa pyri .
9 3- 1 0 7 . Sma l l boxes i n bronze,
‘in tended to hol d the re l ic s of
se rpen ts, crocodiles , and othe r
sa cred an ima l s . The an ima l swhose rema in s were en c losedin the box we re portrayed on
the u ppe r su rface .
1 0 8 (she l f k). Fa ien ce (fig .
Beau t i fu l l en t i cu l a r amp u l l a
of a green ish glaze , decora tedw i th bead-mou lding on the r im,
and w i th a neck lace on the
body of the vase . The neckis flanked by two crou chinga pes form ing handles . An in
voca t i on to Phtah and to Ne i thi s engraved on the ra ised bandwhi ch ru n s round the bodyof the vase . This kind of vasewas a popu lar New Yea rDay ’s gi ft .
1 0 9 . Pre t t y l i t t le s ta tu et te of a
man w i th ram i n blue fa ience . F ig . 64.
F ig . 63 .
'59
1 1 0 . L ea f of the da te pa lm . Ba sket i n which dom fru i t andeggs had been placed .
Glass-ca se DD . Col lect ion of Al a ba ster va ses from th e excava
t ion s made a t Sakkarah (Memph i s). IV-V I dy nast ies .
Glass- cas e E . Uppe r she l f. Bron zes . S ta tuettes a nd busts ofva ri ou s d ivin it ies
,not yet c lass ified . (Osi ri s , Ha rpocra tes , Ma t ,
Ba s t).1 . Pot te ry . The god H obs s tand ing u p right . 2 . Th e same i n
porce la in . 3 . Bronze . Th e god Porce la in .Fou r
F i g . 65 . F ig . 66 .
Typ hon i a n gen i i , uprigh t a round a cyl inde r su rmoun ted by asca rab . 5 . Bronze (fig . A fine j a cka l , in profi le t o right ,l y ing on a lotu s flowe r . 67 . Bron ze . Sacred i ch neumons .
8 - 1 0 . Bronze . Sa cr ed fi sh . 1 1 - 1 3 . Fi sh hooks probabl y symbo l i ca l , dedica ted to some d i v in i ty. 1 4 . Ha rd greyish stone.
Fragmen t of an a r t icl e of toi l et,of which i t formed the
handle : i t shows a n egress ly ing down fla t on her face , hera rms stre tched ou t in fron t . 1 5 . Porce la in . Ph ta h Pa ta i kos
t rampl ing on two crocodi les , his hea d flanked by two Horusfa lcons , i n fron t of a pi l lar decora ted w ith images of Is is inre l ief, who i s represen ted s tanding, her head adorned w i th thesola r di sc . 1 6-2 2 . Pec tora ls of Ha thor
,of Bast
, a nd of othe rd ivin i t ies . 2 3 . Bron ze . Va nq u i sh ed Ba rba r i a n (comp . R 15 1
NACH , Rep er to i r e , I I, 424, his body bare,a he lme t on his
Fi g . 67.
In the lower compartmen t,
excava t i ons ca rried ou t by Fl inde rs Pet rie a t Tarkh am .
and I I I dyna st ies.
head ; he i s si t t ing on his lefthee l , his left knee rest ing on
th e grou nd,his righ t leg dou
bled up ; his hands a re ra i sedabove his head to support a
la rge b ronze disc . 24 . Pre ttyl i tt le f l a sk i n blue fa ience , itsbody decorated w i th a se r iesof images of de it ies in re l ief.2 5 . B lack ston e . A Sp h i nx
bea r ing a sa crific ia l table on
i ts ba ck .
In the cen t ra l compa r tmen tof the same glass-case
,Frag
ments of Papy r i , pa rt l y hierat ic (4 1 2 and part ly de
mot ie (4 1 7a collect ion of potte ry from the
I I
Glass-case F (see a lso A . G . I . Ex ter i or cover i ngs of Mummyca ses . Pa in ted wood . The su rfa ce of these cove rs i s fi l led upw i th scenes re ferring to th e jou rn ey of the mummy i n the otherworld , or to the protec t ion i tWe w i l l confine ou rse l ves
rece i ves from differen t de it ies .to reproduc ing , as typ i ca l , the
descr i pt ion of th e s cenes represen ted on coffin F . This i s
the cove r of the Coffi n of Chon sumes , priest of Ammon at
Thebes . From the excava t ions of De i r-e l-Baha r i,i n 1 89 1 . The
mummy of Chonsumes i s i n the Ca iro Museum .This cover
is mummy-sha ped : i ts headbea rs a bouqu et of lotus
,sym
bol of re-bir th ; the n ecklacewhich covers i ts brea s t i s composed of flowers and buds ofthe lotu s ; in the cen tre of th enecklace , th e sca rab of Khepra is seen , wearing the so la rdisc
,i ts w ings ou tspread on
the dad (n i lometre).
F IRST PICTURE . To th e le ft .Osi ris i n a naos
,ornamen ted
wit h a u raeu s,i s s i t t ing i n F i g . 68 .
ou tsp read wings,a promise of resu rrect ion , an d fina l l y the
solar disc be tween the goddess of the north and tha t of thesou th, the mystic eye of the r igh t a nd tha t of th e left, and
a u raeus on each s ide . To the r igh t, Os i r i s , weari ng a greencrown w i th two ostrich p lumes (ju st i ce and tru th) is sea tedin fron t of the sacrificia l table
,at ten ded on by Isis who is
s tanding up . The u su a l praye r tha t a l l good a nd pu re thingsshou l d be given to Chonsumes . Fa c ing Os i r is , a gen ius i ss tandi ng
, whose head is formed of th e emblem of Amen tet .To the left
,an ana logou s represen ta t ion .
L owe r down , a repet i t i on of these figu res : t he gen iu s hasa sca rab on his head ; and the symbol of Amen te t is behindIsi s . A t th e foot
,three gen i i face to face w ith the goddess,
who h as w ings and the body of a serpen t . The last sceneshows u s the defunc t pray in g i n fron t of a hawk -headedOs i r i s , wea ring th e sola r disc and seated a t th e sacrific ia ltable .
Gla s s-case H . Upper compa rtmen t . Al a ba ster Ca nop i c J a r s .The se ja rs were in tended to rece i ve th e en tra i ls of the decea sed ex t ra cted from th e body and emba lmed sepa ra te ly .Fou r va ses we re requ ired for e very corpse : one for the stomach
,one for the in test ines
,one for th e lungs
,and one for
the l i ve r,and ea ch vase wa s placed u nder the protect ion of
a fu nera ry gen iu s : Amset , Hapi , Thu amu tef,and e h sen nu f
,
who were th e fou r sons of Horu s .By the s ide of these canopic jar s are some a l a ba str a or
lachryma rie s,cups
,ca n tha r i
,sma l l morta rs
,e tc .
In th e cen tra l compa rtmen t,sma l l toi le t va ses : a perfume
bu rn e r ; other s for holding koho l, the black powde r wi th
which men and women t in ted the i r eye la shes a nd ey ebrows(nos . 1 no . 3 was u sed for paste perfumes and perfumedu nguen ts ; no . 4, a va se to mix colou rs i n . On a ccou n t oflack of spa ce , no . 5 , sa cr ifi ci a l ta b l e in ye l low l imeston e , we l l -prese rved and of fine workma n ship
,h as been
placed here .
In the lower compa rtmen t,la rge a laba s te r canopic ja rs .
Glass-ca se BB (she lf d ). Sma l l image of the goddess Ma a l .She person ified the space in which the sun come s in to be ing.
2 -20 . Sma l l images of the god Shu . H e person i fied th e cosmicforce of the sun ; he holds up an d bears th e a tmosphere .
2 1 -24. Sma l l images of Chonsu,lun a r god
,compu ter of t ime ,
and the god of hea l ing .
2 5-
3 2 (she lves 6 and e). Bron ze (no . 2 9bron ze gi l t) (fig . Sta tuet tes of thegoddess Ne i th , chiefly worshipped a t Sa i s .She i s wea r ing the Crown of the North .
She is often represen ted a rmed w i th bowand a rrows
,which must be an a l lu sion to
the rays da rted from the eye of the sun .
She i s , a t the same t ime, a wa r di vin i ty .
Women officia ted a t her worship,as we l l
as a t tha t of the goddess Ha thor.3 3
-
36 (she l f f ). Bronze . S ta tue tte s of Ami n on
,Ammon-Rd . He much re sembles
the god M in,
a nd l ike him bea rs two
high plumes on his head. H e was the
su preme god of Thebes,a nd person ified
the hidden de i ty,man i fe st ing himse lf
on l y by th e sun .
37-67 (she l f g). Bron ze , porce la in , te rracot ta . Sma l l image s of the god BeS.
No . 37 is a very fine a nd pe rfec t l y prese rved example (fig .
B es person ified the fie rce hea t of th e sun i n his cha
racter of war-god . He wa s a l so the god of mu sic and ofdanc ing . He ha s a deformed body, prom inen t eye s
, protru
ding tongue,and crooked legs . H e became a very popu la r
god in the Graeco-Roma n age . Th e ora ce ls h e pronouncedi n a sanctu a ry nea r Abydos we re very mu ch sought a fter .He was even cons idered th e god-protec to rof the dead a nd of the tombs
,from whi ch
he warded off evi l spi r i ts .68- 90 (she l ves h and i ). H a rp ocr a tes or
Horu s the You nger He i s represen
ted w i th his head ba l d except for on e
l ock pendan t on his shou l der . He h a s
been given the form of a chi ld w i th dimpled l imbs . He holds his finger to hismou th, which apparen t ly sign ifies that hecommands si lence on the profound my steries tha t have been revea led to him. Later on (room i n a ri ch se rie s of sma l limages in terra cot ta of the Roman epoch ,we sha l l see th e grea t va r ie ty of a t tribu
tes be stowed on this chi ld-god . Sma l l monumen ts of la te per iod (see Nos . 9 1 -94)represen t h im stan ding u p on crocodi les.
F i g . 69 .
F i g . 70 .
F i g . 7 1 .
mother
and holding e ithe r a scorp ion or a l ion ,two se rpen ts or a ga ze l le ; above the
god, the monster Bes make s a gr imace,
which here seems to repre sen t the des
tru ct i ve fo rce of Na tu re in oppos i t ionto e tern a l you th as person ified by Horus . Usua l ly this combina t ion of divin i t ies has a prophy la c t ic a im : the re isa des i re to augmen t the magic forceof these images aga in st evi l Spi ri ts.No . 9 5 (she l f k). Porce la in . Sma l l i mages ofKhem th e god who made his own mothe r pregnan t a nd begot himse l f.
96- 1 3 5 and fol low ing . Nume rou s s ta tuesand sta tue ttes of Is i s e i the r a lone , moreoften suckl ing her son Ha rpoc ra tes (fig .
Orig ina l ly Is i s was mere ly the
goddess of Bu to, a town i n th e De l ta .
By h er own powe r she became the
of Horu s . A t a n ea rly pe riod popu la r mythologya ssocia ted her w i th he r n e ighbou r Os i r i s
,god of Bu s i ris and
Mendes . Os ir is became her b rothe r and her hu sband ; andwhen he was trea che rou s ly ki l led by Set (th e pr in c ip le ofe vi l) I sis brough t h im to l i fe aga in . Isis i s the fema le princ i ple of gene ra t ion , indispen sable t o the perpe tuat ion of th e
Fig . 72 .
species . Eventu a l ly, and more espec ia l ly i nGraeco-Roman t ime s, powe rs innume rab le were
,l i t t le by l i tt le
,a ttribu ted to her. She
represen ted the h abitab le and nou ri shing Ea rth ,sh e symbol ised Natu re (she w as often repre
sen ted ve i led,to in dica te that Na tu re hid i ts
secre ts from man ). She wa s cons ide red w iserthan any other divin i ty, w iser than a l l men
and a l l phi losophers . There was n othing un
known to h er in the Heaven s or on the Earth .
She it was who re igned i n the ce lest ia l hemisphe re
,who presided ove r agri cu ltu re (Is is
Deme te r), who wa t ched over the l i fe beyondthe tomb (Is i s-Heca te), who gu a rded n avigat ion . She w as often iden t ified w i th good -fortune (Is i s-Tyche). Th e nu rs l ing tha t she pressesto her bosom i n th e s ta tue s and s ta tuet tesof th e Graeco -Roman epoch
,or the young
boy who s ta nds by her side,i s her son Har
Gla ss-case M . Beau t i fu l mum
my ca r tonn age (fig.
A t the top,be tween the
bands which confine the
fa ce and th e throa t of themummy
, one sees the goddess Ma a t (th e just), goddess of right and of t ru th
,
w i fe of the god Th ot . Shei s sea ted to the left
,hol
ding th e sign of l i fe ; i n
the spa ce be low, the Ibis
of Thot ; the os tri ch p lumeof t ru th i n fron t of h im.
A grea t w inged sca rab isex tended on the breast of
the mummy : th e firs t figu re t o the righ t (w ith a hawk’s
head) i s the gen ius Tuamu tef ; he i s fo l lowed by e h sennuf,
F ig . 74.
themse lves when the n ameof the decea sed w as ca l ledou t
,to execu te the forced
labou r tha t Os i ri s h ad the
r igh t to exact from them.
Th e formu lae tha t are en
graved on the i r bodie s cor
res pon d w i th thi s i d e a .
Numbers of them we re depos i ted i n the tomb w ithth e mummy . Those ear l ierthan the XV I I I d ynastya re u sua l ly made of g ran ite
,l imes tone
,or a l aba s
ter . Unde r the XV I I I dyn as ty, te rra co tta coveredw i th a blue gla ze beg in sto appea r
,and, wha t a fte r
wa rd came i nto gen era lu se
,stone and terra cotta
glazed green . In the
l owe r compa rtment,some
terr a cotta va ses an d so
me w rea ths of dried n a tura l flowers .
w i th a jacka l ’ s head . A t the oppos ite s ide,tha t i s to say,
to the le ft of the sca rab,the gen iu s Amsel
, w it h a humanhead
,i s seen fo l lowed by H ap i , w i th a baboon
’s hea d .
F IRST PICTURE. Osi ri s-Onnofri s,standing up, an d fol low ed
by the goddesses Isis, Neph tys , and Maa t,i s be ing presen ted
w ith the sou l of the decea sed in the bodi ly fo rm which she
wore on ea rth . The presen ta t ion i s made by Thot,Anubis
,
and another goddess Ma a t .SECOND PICTURE . Os iris i s si t t in g as the judge of the dead
on a throne p laced on th e l owe r ha l f of a serpen t ’s body,th e
upper ha l f of which ra ises itse lf u p in fron t of the god tofrighten those who might w i sh to approach . Isi s i s sta ndingbeh ind Os iris . The dog of the In fe rna l Region s is a lso keeping gua rd over th e god . Anubis i s a rranging th e double ba
lance ; in one of the sca les h e h as pu t the hea rt of the deceased, a nd in the other a s ta tu e t te of Maa t . Th e sca les a reeven . Thot announces this to Osiri s
, who pronou nces j udgmen t .TH IRD P i cTURE . Osi ris is rece iv ing the homa ge of Isi s a nd
R’
é-Hor,to the right , and of Neph tys and Anubis, to th e left .
FOURTH Pi cr una . The fou r principa l gen i i o f Amen tet , thefour son s of Horus
,gua rdians and protec tors of the tomb
,
pass to th e right, i n the fol low ing order : Amset,Hap i
,Tua
mu te f,a nd e hsennu f.
Glass -ca se 0 (hori zon ta l). Col lect ion of Sca r a bs and Amu l ets
in va r ious ma te r ia l s.The amu le t in th e form of a sca ra b i s a symbol of pre
sen t and fu tu re con t inuan ce : to ca r ry one was a gu a ran teeaga inst dea th . A thou sand myst ic s ign ifica t ions deve l oped ou t
of this first mean ing ; bu t afte r having con st i tu ted for centu ri es a means of protec t ion aga in st a l l sorts of evi l s the
l i t t le sca rabs fin i shed by be ing n othing more than jewe ls ,w i thou t any re l igiou s va lue ; they were moun ted i n finge rrings
,formed pendan ts for n ecklaces , and so on . The amu le t
in the sha pe of a l i t t le co lumn in green fe ldspar (nos . 1 7 59and fo l l.) is a symbol of d iv ine re ju ven escen ce . The Myst i c eye , the Uzat (nos . i 7 3 6 and fol l .) is a protect ion aga in stthe Evi l Eye , aga in st words of envy a nd anger
,and aga in st
the bite of serpen t s. Nos . 1 760 ,1 76 2 , 1 784, dada , dudu ,
were the emblems of ete rna l du rabi l i ty . 1 i 54 , hea rtshaped .
1 5 3 5 : Black stone , Two Fi nger s , the index an d the middlepressed toge ther and st re tched st ra igh t out . 1 5 3 2 : Ma sk
of B es which protec ted aga ins t evi l spi ri t s . I t a ppears tha t
at first many of these amu le ts we re not con s ide red a s su ch ;they w e re on ly im ita t ions on a sma l l sca le of the ob jects tha tin olde r t imes we re placed in the tomb a t the Si de of the
dead (see Nos . 1 1 5 1 a nd fol low ing, im i ta t i on s of the headreston which the head of the mummy rested ; No. 1 5 3 0 ,
imita t ion s of an ima ls,cow s
,sheep, 1 78 3 : D r i nk i ng
-cup
i n the form of a b i nd or roe,i ts fee t t ied together and i ts
body flatten ed and hol lowed ou t in to a squa re hasm .
B IBL IOGR A PHY. See : FLIND E R S PE T R I E W. M . , Amu l ets (over 1 70 0Lon d on , Con s t a b l e ; R E I SN E R G . A .
, Amu l ets (Ca ta l . G én . d u M u sée d uC a i re), Ca i re , 1 90 7 ; NEW BE R RY P . E . , Sca r a b-sh ap ed Sea l s (C a t a l . G én . d u
M u sée d u Ca i re) , Lo n d o n , Co n s ta b l e , 1 90 7 ; KN IGHT A . E . , Amen tet, An ACcount of the God s , Amu l ets a n d Sca ra bs of the Anci en t Egyp t i a n , Lon d on ,
1 9 1 5 , Longma n s Gre e n a n d C .
Glass-ca se P (horizon ta l). This case con ta ins some sma l l p erf ume-va ses from Rhodes and Cy pru s (no . 1 887 , Aryba l los ;no. 1 887
3,amigda lo id va se) and j ewel s of diffe ren t epochs
,
which a t some fu tu re t ime w i l l be placed in the i r re spect ivechronologica l se ries . 1 7 9 3 , i 797 , 1 7 98 : Bra cel ets of th i ckgold wi re . 1 7 94, 1 796 : Two bra cel ets a l ike i n Sha pe w i thse rpen t ’ s heads as termin a ls . 1 79 5 : Br a ce l et ma de of a ba rof gold
,ben t
,not c losed
,fin i shed at the ends w i th an Isis
bu st (see nos .1 8 r8
,1 820 of the same type
,bu t of Si lver).
1 799- 1 80 6 : Eigh t ea rr i ngs of go ld and precious stones . 1 80 7
F i ve Cl a sp s, subject a human mask . 1 82 1,1 8 2 2 : Si lver bra
cel ets termina t i ng in busts of Se rap is a nd I s is . 1 8 2 5 : Gold :Twen ty one fi gur i nes of Egyp t i an d ivi n i t i es mean t to bea t tached to the mummy clothes . 1 8 26 , 1 8 27 : Br a cel ets, d iame ter o m . 0 9 5 , depth 0 m. O 3 5 ; hem i spher ica l cu rved su rfacedecora ted i n r el ief w i th rose ttes and beads i n lozenges (Byzan t in e epoch). 1 8 3 0 : Gold : Neck l a ce composed of a fine
cha in and n in e sma l l images of Egypt ian di vin it ies . 1 8 3 2-
3 3Gold : Handsome pa i r of E a rr i ng s . 1 8 3 8
- 1 840 : Coppe r-gi l tBra cel et ; a fla tten ed coiled se rpen t . 1 846 : Gold : R i ng w itha sca rab. 1 847
- 1 8 5 3 : Gold : Ea r r i ng s . 1 8 64- 1 8 72 : Gold : Eight
R i ngs . 1 8 56 : Gold : Br a cel et in the form of a se rpen t,of
ex qu is i te workmansh ip . 1 8 5 8 : Gold : Ch a i n closed by a me
da l l ion of a Gorgon i n re l ief (comp . 1 8 6 1 : A spi ra lr i ng ; the two ext remi t ies te rmina te in se rpen t ’s h eads. 1 87 3Gold : E a rr i ngs . 1 87 4, 1 88 2 : Gold : R i ng and ea rr i ngs .
1 889 : Gold : Sma l l image of Venus Ana dy omen e. 1 890
Gold and rubies : sma l l r i ng (Ea ste rn Ha rbou r , Alexandria ).1 89 5 : Gold : Diam. 0 m . 0 6
,Br a cel et termina t ing i n bu sts of
H a rp ocra tes and Cor e. 1 899 : Neckl a ce i n gold and eme ra lds .
1 9 . Ye l low l imestone,he igh t 0 m . 3 5 . A re l ief represen t ing
H oru s as a wa rrior, i n profi le to right , holding a shie ld inh is left hand
,his head su rmou n ted by the doub le crown of
Uppe r and Lowe r Egypt .20 . Sands tone , he ight 0 m . 60 . R el i ef rep resen ting a Ptol emy ,
the shou lders to fron t,the face i n profile to le ft . The head
is covered w i th a w ig, and h e is wea ring a dia dem which isdecora ted in fron t w ith a u ra eu s . Ra ther soft workmanship .
24. The N i l e reposing, to righ t ; his spou se th e goddess Anuke
(or E u th en i a ) i s seen bes ide him .
3 3 . The va se of the goddess Anuke be tween two Aga thodae
mons,fa cing each othe r .
34. Two m i tred Aga thodaemons , facing each o ther ; the on e on
the righ tfirepresen ts Serapis , th e othe r Isis (fig .
F i g . j, 75 . F i g . 76.
3 5-
3 6 . Two fragmen ta ry Ste lae from Cha tby bea ring scen es ofworship of the serp en t Aga thod a emon (fig .
3 8 . A l exa nd r i a n Is i s wea r ing a tu n i c an d h ima ti on drawn upto h er head, on which rests a modiu s
,or ca la thus ; in h er
right hand She holds a long torch . Sh e is s tanding u prightbe tween two se rpen ts . Th e one to the left is crown ed wi ththe p sch en t and car r ies a Hermes -wand in i ts coi ls
,the
other is crowned w i th the sola r disc,the fea the rs and horns
of Ammon , and holds the s is t rum of Isis .3 9 . Ba s-r e l i ef represen t ing Min e rva , a rmed ; Zeus , Serapis, andHe rcu les .
40 ,Is i s-Ceres
,and H or -H era cl es unde r the form of two Aga
thodaemons con fron t ing on e anothe r .4 1 . Pa in ted stucco : a s l ab from a 11 l ocu l u s found at Gab
ba ri by Bott i i n 1 90 0 . In th e cen tre of i t a young gi r l is
5 5 . To the right Of B es, a sma l l n ude woma n is seen,playing
on the s ist rum a nd tambou rine .
60 . Black gra n i te (fig . A hea d fu l l of ex press ion,repre
sen t ing a pries t,ana logou s to no . 42 : both a re crowned w i th
a diadem of two lotus flowe rs , fas tened a t the top of the
forehead . (See other s imila r heads i n the same gla ss -case).6 1 . Eleven p l a ques in ye l low l imes tone , intended for the decora t i on of a temple a t Athribi s (Benha). They cons i s t of fragmen ts of has-re l iefs en cr eux . By th e side of the human fi
gu re sea ted towa rd th e left the re are t races of Greek le tte rs ;the head of the figu re is crowned w i th many symbols, crocod i le , ichneumon , ram
,e tc .
,of exqu is ite workman sh ip
,su r
moun ted by the crown of Ammon . In fron t of this personage ,
the god Horu s is represen ted,w i th a human body and a
hawk ’s head, in profi le t o th e right . Above h i s head are
the horns O f an ox and an enormou s so la r d isc,from th e
fron t of which protrudes a u raeus . Between and above thesetwo figu res
,a Sphinx , i n profi le to le ft , an d ‘
a fa l con,w i th
the dou ble crown of Upper and Lower Egypt, a re represen
ted in sma l ler propor t ion .
6 2 . Ye l low l imes tone . Pre t ty l i t t le Na os,u n fortunate ly i n a
poor sta te of preservat ion , bu t giving an exact idea of certa inconst ruct ion s of the He l len i st i c epoch . I t is dedi ca ted to Is iswho is re presen ted i n high re l ie f, in the cen tre of the n i che ,s i t t ing on a throne a nd su ckl ing her son Ha rpocra tes . The
sides of the throne are formed by two sphinxes . Two highcolumn s
,w ith flower capi ta ls
,su pport a ve ry lofty pedimen t
,
di vided in to two sect ion s,one of which is decora ted w i th a
w inged solar disc . There is a den t icu la ted frieze above,
whi ch supports the Coping,con sist in g of a n a rched corn ice ,
in the cen tre of wh i ch is depi cted the sola r d isc . A li t t lebehind, two columns w i th papyru s-shaped capita ls
,surmou n
ted by a ba c i w it h Ha thor heads,su pport an a rchi trave on
which i s a u raeu s frieze . Fu r the r behin d s t i l l i s the t ruecel l a whose en tra n ce is flanked by two pedesta ls on whichtwo sphin xes face one anothe r : the en t ran ce h as on ly an ar
ch i trave above i t crowned by a den t icu la ted frie ze . A de
mo t ie in scrip tion is engra ved on the base of the Na os . Ye l lowl imestone . From KOm-e l -Hawa l id .
66 . (Above gla ss -case A). Slab of ye l low l imestone , on the fron tface of which a long serp en t i s carved
,i n profi le to right .
The serpen t’
s body is coi led rou nd six t ime s and i ts h ead issu rmoun ted by the plume
,symbol of tru th . Good workman
shi p. From Alexandria .
1 74
78 . Black gran ite . Beau t i fu l sta tue of a goddess or of a priestess of Is is . The shaw l which covers her shou lde rs formsthe Is i s knot on her breas t. From Fuab
,Ga rbi eh .
79-80 . La rge blocks of l imestone
,rest ing on the ground . C i
ga n ti c foot -p r i nts are carved on them . The se foot - pr in t sw e re dedicated to some divin ity (Se ra pis, Isis) as ex -votos fora pi lgrimage accompl ished
,or for benefits rece i ved : though
more often they represen ted the idea of the re l igiou s va lueof the foot or of th e foot-prin t a s a man i fes ta t ion of d ivin i ty .
B IBLIOG R APHY . Se e i n th e R ev u e L’H omme p réh i s tor i qu e a n
a rt i c l e by W. D e o n n a c Le p i e d d i v in e n Grec e e t 531 R ome
In the midd le of th e room , a mosa i c h as been placed, whichwas d i scovered i n the Mohar rem-Bey qua rter of the town .
PICTU RES 1 - 5 : To those who a l ready know the mu ra l pa in t ingsof Pompe i i the fragmen ts a rranged he re w i l l seem ve ry poor ;neve rthe less these same poor fragmen ts a re of cons iderab leimportan ce
,not on l y becau se they form vest iges of a b ran ch
of a rt which mu st have been ve ry flouri shing at Alex a ndria
(see An fuchy Necropo l i s), bu t a l so becau se the Pompe ianpa in t ings in the i r origin and deve l opme n t mu st have beengrea t ly influ enced by the d i fferen t kingdoms which were formed a t th e dividing up of th e empire of Alexande r the Grea t ,and doubt less more e spec ia l l y by A lexan dria i tse l f. Bes ides ,some of these fragmen t s are fa i rly p re t t y . (See P i c tu re s 3 and
5 in pa rt icu lar).
R O O M 12.
PORTRAITS AND SMALL SCULPTURAL \VORK.
Nea rl y a l l the Scu lptu res i n the Mu seum have be en col lectedtoge the r in to Rooms 1 2 and 1 6. On accou n t of la ck of Space
,
we ha ve been obl iged to place the colossa l Sta tue of Hercu lesi n th e midd le of the Rotu nda i n th e ga l le ry tha t crosses thega rden
,and the colossa l head of Ma rc An thony i n the garden
i tse l f. Un fortun a te ly,for fear of breakage
,we have been obl iged
to leave i n Room 4 th e funera ry grou p i n nummu l i t ic l imestone
,in which Queen Beren ice may pe rhaps be recogn ised as
Niobe . The group of Dionysu s and th e Fa u n,discove red re
cen t ly, h as been placed i n Room 20 .
As an in troduct ion to thi s sec t ion the vis i tor migh t read inthi s Gu ide the pa ragraph on A lexan dri a n a rt
,page 40 . Al l
the scu l ptu res i n the Mu seum be long to the He l len i st i c and Roman epoch (from the I I I cen tu ry B . C . to th e III cen tu ry A .
I t i s di fficu l t some t imes to give i ts da te w i th absolu teprec is ion
,or even wi th approx ima te ce rta in ty, bu t in many case s
aga in the approx ima te date of origin seems eviden t and ca n be
a ffirmed w ithou t much dange r of e rror .Our desc ri pt ion begin s a t the
wa l l to the righ t of the en trance .
1 6 Whi te,coa rse-gra ined
ma rble,he ight 0 m. 3 1 , of
the face 0 m. 20 (fig.
Por tra i t of a y oung ma n, probably an a th le te . Th is bustmu st certa in l y have forme dpa r t of a s ta tue. The headis s light ly in cl ined to i ts righ t .The neck is stron g and firm ;the mu sc les round Adam’ s app le we l l defined . The struetura l bu i ld of the fa ce i s 1 0
bus t,bu t we l l propor t ioned ;
the tr ia ngu la r forehead doesnot descend qu ite s tra ight bu tprojects not iceab l y from a l ineacross the middle down tothe eyebrows and th e top ofthe nose . The eye s are deepset and su rrounded by heavyshadows ; the lowe r eye l id isa lmos t hor izon ta l , the u pper 1 8 pronounced ly semi-ci rcu lar .The nose is straight
,the mou th sma l l and Sl ight ly open , t h e
rounded l i ps we l l formed . The ha i r i s thick,bu t mere ly
ske tched,somewha t cu r l y , and hanging down on the tem
p les . In Spite of the ca lm of i ts look, this beau t i fu l headexpresses ene rgy, one might e ven say pa ss ion . I be l ieve i t
be longs to the IV cen tu ry B . C . One i s tempted to compa rei t w ith the works of Scopas . From Alexandria (i ).
1 6at (On the la rge capi ta l, a t the s ide). Coa rse-gra inedwhi te ma rble
,he ight 0 m . 3 1 , of the face 0 m . 2 5 . In sp i te
of the poor sta te of prese rvat ion of this hea d, i t i s e a sy‘to
see in i t a p or tra i t of Al exa nder the Grea t . The portra i ts
of Alexander, accordi ng to the descri pt ion P lu ta rch h as leftus
,can be recogn ized by a t lea s t three essen t ia l characteri s
t ics,name l y : 1 . by the l ong ha i r fa l l ing ove r the forehead ;
2 . by the sl ight ly upturned gaze (am ) fli e’
n ew ) ; 3 . by the poseof the hea d and the neck (u l i
’
mg eg a l rj l ov ). H is foreheadis a lmost divided i n ha l f by th e st rong proje c t ion made bythe lowe r port ion . H is eyes a re deep
,the eyebrows a ccen tu a
ted . The pu pi l o f th e eye is not ma rked . A cyl indrica l holei n the top of the head no doubt he l d some ornamen t a t tached to the diadem . Ev iden t l y this i s a fragmen t o f a sta tue .
I t seems to me t o show th e influ ence of the school of Scopas . From Alexandria (Rue Rose t te).
1 7 Red gra n ite,he ight 0 m . 34, of the fa ce 0 m . 2 5 .
Schre iber recogn ises this as a H ea d of Al exa nder the Gr ea t,
belong ing to the He l len is t ic epoch , and probab l y influen cedby some sta tue of the Conqueror ca r v ed by Lys ippu s . Bu t
the work derives a l so from Egypt ian art . Gran i te , t o beginw i t h , is a ma te r ia l employed a lmos t ex clus ive l y by th e n a
t ive s cu l ptors ; and i t was not u sua l i n Greek a rt to ca rvethe eyeba l l s Of a di ffe ren t ma teria l a nd in la y them i n th e hollows of the eye . Wha t was in la id here ha s disa ppea re d a nd
we see nothing bu t the hol lows (same techn iqu e in head No .
3 3 in green gran i te of A lex ander IV , posthumou s son of theConqu e ror, a nd i n No . 60 , i n red -co lou red gran i te head ofPtolemy Ph i IOpa tor). On the top of th i s head the re i s a la rgehole
,which mu st have been u sed to fix a n orn amen t : Schre i
ber thinks a u ra eus se rpen t,bu t i t wou l d more l ike ly be an
Ammon crown . From A lexandria .
B IBL IOGRAPHY . SCHR E I BE R , Stud i en ueber d a s B tl dn i ss Al ex a nd ers des Grossen , p . 46 an d fo l l ow i n g .
1 8 Fine -gra in ed white ma rb le , he igh t 0 m . 2 5 . H ead
of a y ou ng wa r r i or (fig . 8 1 H e i s tu rned exact ly fu l lface , and i s l ooking s tra ight i n fron t of h im . He wea rs a
he lme t w i th a chin s trap . This he lme t-cap forms an angleat the top of his forehead
,bu t adhe res close l y to his head
,
leaving his ea rs exposed . Some long fi ne tresses fa l l on to hisforehead from be low the he lme t . The forehead , t riangu la r i nou t l ine , i s cha ra cterised by a ma rked project ion a t its junct ion w i th the n ose . H i s eyes a re dee p -
set , the a rch of theeyebrow i s emphas ised , the hol low which sepa ra tes the eyesand the nose i s fa irly deep . The sma l l mou th
,s l ight l y Open
,
has not been cu t in a s t ra ight l ine,bu t in a double curve .
The face is oblong. The structu ra l bu i ld of the head is based
men of the He l len is t i c art of Alexandria was found i n th e vic i n i ty of th e so- ca l led Pompey ’
s Pi l la r .2 1 Coa rse-gra ined whi te ma rble , he ight 0 m . 3 4, the
face 0 m . 2 0 . H ea d of a woma n su rmou n ted by a crown .
This is evident l y a qu een ,a nd I am in cl ined to iden t i fy h er
a s Be ren ice , w i fe of Ptolemy II I Eu erge tes (247 -2 2 2 B .
A wea l th of ha ir in t hick waved tresses, cove ring pa rt of theea rs
,i s ga thered in to a chignon a t th e nape of the n eck .
Part of the ha i r which covers th e fron t of the head esca pesfrom beneath the ma in tresses and hangs down h er ch eeks
and behind her ea rs , i n sma l lcy l indrica l cu rl s . We find the
same coiffu re i n othe r portra i ts of P tolema i c Queen s .(See the la rge glass case, nos.
1 0 and This head wassu rmoun ted by an orn amen t ofgold
,fixed i n a roun d hole .
In ancien t t imes,in order to
tea r away this ornamen t , ther ight ha l f of th e face was
smashed from th e nose up
wa rds . F rorn th e ne ighbou rhood Of Pompey ’s P i l la r.
1 9 Coa rse -gra ined whitemarble
,he ight 0 m . 2 6, the
face 0 m . 2 0 . Th e su rfa ce h asbeen corroded by sea -sa l t
,as
F ig . 83 .i t was foun d lying u nder wa
ter n ea r the Ea stern Ha rbou r ,bu t i n spi te of i ts dep lorab le sta te Of prese rva t ion i t is ea sy torecogn ise the de l icacy of the workman sh i p of this hea d w i thi ts ve ry cha ra cte ri st ic fea tu res . I t i s p la in ly a portra i t ; somea rcha eolog is ts be l ie ve i t t o be a portra i t of C leopa t ra ; as a
ma t ter of fa ct the profile of th e he ad does reca l l th e profi let ha t the famous Queen shows on her coins, w ith her ha irpa rted i n th e cen tre of h e r forehead and de scen ding in grea twaves over her temples and ea rs to form a heavy chignona t the n ape of h er n eck ; bu t , to my m ind , th e absen ce of thediadem rende rs t his iden t ifica t ion doub tfu l . Th e fa ce i s infu l l fron t and looks st ra ight a head
,th e eyes a re ra the r deep
set,the pupi ls are not ma rked . From A lexandria .
203 F ine-gra ined white ma rb le
,he ight 0 m. 3 2 , th e face
0 m . 20 (fig . This head w i t h i ts clea rly cha racterist ic
fea tu res,i s a lso e viden t ly a por tra it ; i t repre sen ts J u l i u s
Ca esa r . H i s face i s not iceably broader i n its u pper pa rt . H isbrow i s broad and high and is qu i te unshaded by his shortfla t ha i r . The fea tu res a re thin
,de l ica te
,and fu l l of i n te l l i
gence ; the temples ma rkedly bu lbou s . The ea rs stand ou t we l lfrom the head . The eyes have n ot got the i r pupi l s ma rked .
In the sma l l gla ss-case C . we draw a tten t ion to severa l women ’
s
h ea d s whi ch mus t have be longed to sta tue t tes of sma l l d imens ions, bu t of care fu l workman shi p . 2 : Ven us coi l ing herha i r. 5 , 6 , 7 , 8 : Heads and bu s ts of Venu s ; No. 8 i s thebest of them a l l . Th e fema lehead NO . 4, has i ts eyes pa in tedi n red a nd black
,and bea rs
other tra ce s of po lychromy .
9 : Alabaster- l ike ma rb le : Aplump E ros w i th chubby l imbs
,
t ied to the t runk of a tree .
From Alexandria .
La rge gla ss-ca se A .
1 - 2 . Fema l e h ea d s of sma l l d imensions and i dea l i st ic style .
3 . Ma n’ s h ea d . 46 Fema l e
h ea d s . Alexandrian work ofthe pre
-Roman period.
5 Coa rse-gra ined whi temarble
,he ight 0 m . 2 2 , t he
face 0 m . 1 6 (fig . You ngwoma n of an a ri stocra t i c stamp .
H er sku l l i s sma l l,her fa ce
ob long,and s l ight l y incl ined towa rds her le ft . Her featu res
a re fine and de l i cate . H er ha i r is par ted in to seve ra l t resses ,ra the r ske tchi ly indica ted, drawn round from the foreheadto the back of the neck, where they are fastened by a ribbonor bandeau which su rrounds the head. Her forehead is lowand triangu la r. H e r ra the r deep-set eye s ha ve not got the i rpup i ls ma rked . Her eyebrow s are a lmos t horizon ta l . Her
nose is thin and s t ra igh t,her mou th sma l l , and s l ightly open
ed . The you ng woman i s looking far away in fron t of h er ,h er ex pression i s gen t le
,though t fu l and dreamy . G i ft of Mr .
An ton iad is .
7 White marble . Fema l e hea d w ith very compl ica tedha i r-dre ss in g. She is wea r ing a w ig formed of numerou s
F i g . 84.
t resses a rranged i n rows one above the o the r,which hide
her ea rs a nd_ part of h e r cheeks . To the r igh t a nd left ,
placed over the w ig, a t each side of the face,are hanging a
l ion ’s head and an ox’
s head . The w ig is su rmoun ted by a
c i rcu la r crown,th e ou te r su rface of which is decora ted w i th
large dots i n high re l ief ; a thick w rea th of flowe rs su rrou n dsthe crown , and there i s a crescen t above the forehead . Mightthis not we l l be an image of a P tolema ic Queen as a goddess ?
8 L imestone . Fema le hea d w i th a r ichl y cu rled head
F i g . 85 . F i g . 86 .
dress,su rmou n ted by a crown , ornamen ted w i th a solar disc
be tween two horn s . The eyes were in la id . P robably the portra i t of a queen a s a goddess .
1 5 Coa rse -gra ined white ma rb le,he ight 0 m . 1 47 , the
fa ce 0 m . I O . Th e back pa rt of th is hea d i s le ft in the
rough (i t w as probably fin i shed in a diffe ren t ma teria l); bu tthe face i s i n a pe rfect sta te of prese rva t ion . Traces of theci rcu la r diadem are to be seen a round th e ha i r . The headis s l igh t ly inc l in ed towa rds i ts le ft , th e b road forehead is not
qu i te st ra ight , bu t makes a project ion towa rds the root of thenose
,which is Stra igh t a nd regu la r. The eyes a re not deep
se t,nor a re the pu pi ls marked . The mou th is sma l l , the up
per l i p s l ight ly ra ised ; the neck is thick,an d Adam ’ s apple
The coronet res t ingtra i t of a Queen . I
F ig .: 89 .
2 3 ,Ou the pedesta l) : Nummu l i t ic l ime s ton e
,he ight 0
m . 3 3 , th e face 0 m. 2 2 . R ea l i st i c Por tr a i t of a n aged
ma n, w ith n e ithe r bea rd nor mou stache
,wea ring a fe l t cap
adhering close l y to h ishead . H is ra ther coarse fea tu res are
ve ry individu a l . I t i s eviden t ly a portra i t of a warrior (Macedon i an From A l e x a n d r i a(Gabba ri).
B IBLIOGRAPHY . SCH R E I BE R,N e
crop . von Ko‘
m-esch -Schuk. , p . 225 ; RmNA CH A . J ., Les Ga l a tes da ns l
'a rt a l ex
a n d r i n , p . 73 , fig . 3 5 .
3 2a P la s te r
,he ight 0 m . 48 ,
the fa ce 0 m . 2 2 . Ma l e Bu st,n a
ked,w i th n e i the r bea rd nor mou
sta che . Th e beau t ifu l face ha s a
pen s ive ex pre ssion ; i t i s t u rned'
a
l itt le towa rds the le ft . The ha i ris abun dan t and cu r led
, the foreheadrounded. The eyes
,ra ther la rge
,
ha ve s l igh t l y protuberan t pu pi ls .The nose is regula r , the s t ra ight F i g 9°
mou th we l lmou lded,w ith fi ne l ips .
The u pper ha l f of the fa ce is ra ther broad when compa redw ith the lowe r ha l f. The fea tu res have ma rked individu a
1 8 2
on her ha i r in dica tes tha t thi s is a porrega rd i t a s the portra i t of Be ren i ce I l
,
w i fe of Ptolemy III.
In the u ppe r she lves of the sameglass-ca se A ,
l e ft sec t ion . 2 3-28 .
Other sma l l fem a l e bu sts of theHe l len i st ic epoch (see no . 2 5 , ofgood workmanship) of soft formsand vague, en igma t i c e x pression .
On the lower she l ve s, 20
Coa rse-gra ined wh i te ma rble,height
0 m. 1 5 . a t of the god Pa n .
The an ima l - l ike n a tu re of this divimity is rende red w i th marked rea l i sm .
2 l H ea d of a Fa u n,crown ed
w i th flowe rs,ver y rea l i st ic.
2 2 . H ea d of a n o l d Fa un,
of re
ma rkable execu t ion .
1 83
l i ty, a nd.
a re those of a dis t ingu ished young man i n the flowe r of h i s age (fi g . This bu s t was found ove r a sa r
c0 phagus a long w i th the otherplaster bu s t tha t faces i t .
3 3 he ight 0 m . 5 5 . He rewe have a you ng man w i thcoa rser fea tu res than those ofthe preceding bust . The facei s la rger
,fla t ter
, and the neckthicke r . H is eyes have the i rpupi l s enhan ced by a ci rcle
,
a nd the i r iri s by a ma rk in the
shape of a sta r. The forme ryoung man was u nc lad
,t h i s
one i s dressed ~ i n tu n i c a nd
ma n t le (fig . Judging fromthe cond it ions of the i r discove ry
,
these two busts may be a t tribu
ted to theAn ton ine pe riod . FromAlexandria (Wes t Necropol is).
Fi g . 9 1 .
24 (Pedesta l) : White ma rble , he ight 0 m . 34, the face0 m . 20 . Pa rt of the corn ice of a bu i lding h as been u sedfor this rea l i s ti c hea d
,w i th i ts somewha t coa rse , cha racterist ic
F i g . 92.
fea tu res . As a ma tte r of fac t weca n st i l l see on the ba ck somea rchi tectu ra l mou ldings . The ha i rhad to be ca rved sepa ra te l y and
stuck on l ike a wig . The man
ner i n wh ich th e base of the
neck is cu t show s c lea r l y tha tthe head was to be fitted on a
sta tue .
28 (On the bracke t by the
s ide of glass-ca se D). B l u i s hma rb le , he ight 0 m . 30 . Ma l e
hea d,w i th a th ick, cu rl y bea rd
a n d l ong mou staches. B r o a dw r ink led forehead, w i th a not iceabl e projec t ion above th e nose .
The eyes,which are very deep
set , ha ve an express ion of dom i n a t ing force . This head must certa in l y ha ve be longed toa sta tue of Hercu les . I t i s a fa i r ly good piece of work, bu tit i s in a bad state of prese rva t ion . From A lexandria .
Sma l l gla ss-case D . I . Whi te marble , he i ght 0 m . 0 9 . M a l e
hea d w ith long b ea rd,long mou sta che s , a nd w ith long ha i r
l ike a woman ’ s . Dionysu s , or Escu lapiu s . From A lexandria .
Nos . 4-8 . Tors i of Hermaphrodi tes ; no . 7 displays goodworkman sh ip .
Gla ss-ca se D . 1 . White marble,0 m . 2 5 . In thi s Por tra i t of a n
aged woma n,very emacia ted and w i th cha ra c te rist ic fea tu res
,
some have sought to recogn ise a portra i t of Cleopa tra to
F i g . 93 .
wards the end of herl i fe . This iden t ifica t ioni s a t leas t very doubtfu l ;bu t the dete rmined ex
press ion of the fa ce isrea l l y rema rkable . Th e
para l le l tresses of h e rha i r are roughly worked,h er sma l l forehead iscrossed by a furrow
,her
eyebrow s a re ex treme lyrominen t , her eyes are
hol low a nd of an oblongshape and the p u p i l sare not ma rked . T h e
n ose h a s a n aqu i l inecu rve , the mou th is broad,the l i ps thin , whi le the
shrunken cheeks revea lth e ou t line of the jawbones
B IBL IOGRAPHY. See
Ra p p or t sur l a ma rch e d as ervi ce d a M usée p end a n t 1910- 1 91 1 , P]. V ,
fi g . 1 7.
On a ba se : no . 3 3 he igh t 0 m . 5 5 . Green ish gran ite .
Colos sa l hea d of a young king w i th diadem an d u ra eu s,bu t
w i thou t the dou ble crown of L ow e r and Uppe r Egypt .Some peop le iden ti fy i t a s Ptolemy V
,others as Alex ander
IV, posthumou s son of Alexan der the Grea t . In any case
i t i s a fine spec imen of Gracco-Egyp t ia n scu lp tu re execu tedin a ccordance w i th the n a t ive canon . The eyes were in la id .
BIBLIOGR APHY. See B u l l . Soc . Arch . d ’ Al ex . , n . 7, p . 48-49 .
60 . Col ossa l head of Ptol emy I V Ph i IOp a tor adorned w i th th e
bea rd su rrounds the face . The forehea d is broad , the pu pi lsof th e deep-se t eyes a re shown by a c i rcle , wh i le the iri s isma rked by a sma l l c rescen t-sha ped hole . The s tra igh t nosei s ra the r broad at i ts ba se . The head is s l igh t ly tu rned to the
left . The ex pression i s though tfu l . From Alexandria (fig .
5 2 White marble,he igh t 0 m . 3 5 , reckon in g 7 cm . for
the neck . H ea d of a y ou ng ma n w i th abunda n t,cu rl y ha i r .
A t the cheek-bones the facei s rema rkabl y broad, but
the cheeks themse l ves re
cede a l i t t le . Th e i ris ofthe eye i s ma rked by a
c i rcu la r hole . This h e a dha s been iden t ified as a por
tra i t of M a r cus Aurel i us,
i n h is you th .
Large gla ss-ca se B,to the
righ t. 3 5-
4 5 . B usts a n d
heads of Serap i s . NO. 42
i s prov ided w ith a ca la thus ;3 8 , a la rge ring i n ma rb lebea ring a bus t of Serapis inre l ief in the place of thebeze l of the ring . NO . 4 5 ,
in b lack stone,im i ta tes the
colou r of t he sta tue in the
Se ra peum and ha rmon isesF ’g ‘ 94‘
w i th the sombre characterof the god , who was look
ed on a s the king of the lowe r region s.Cen tra l sect ion of the same glass- ca se : 20 -24. Five sma l l headsrepresen t ing A l exa nder the Grea t i n a more or less idea l i sedmann e r . No . 2 0 i n white l imeston e is of ske tchy workmanship . 2 2 se ems to be a copy
,in redu ced proport ion s
,of an
origin a l by Lysi ppu s,the favouri te scu l ptor of the Ma cedon ian
Conqueror; The portra i t has a sweet express ion,dreamy
and a lmos t weak,as a lso NO . 2 3 , fou n d a t Kom-e l -C hogafa .
No . 24, on th e con tra ry,wh ich corres pon ds we l l w i th the
descr ip t ion of th e port ra it of A lex ander given by P lu tarch(see unde r No. expresses a n a lmos t pa in fu l stra in ofthough t, energy and w i l l . Th e forehead is nea r ly divided inha l f by a horizon ta l fu rrow . From Alexan dria (fig . 2 2
,p .
BIBLIOGRAPHY. SCH R E IBE R , o . c .
24 White ma rble , he i ght 0 m 2 8 . The r igh t ha l f ofan exp r ess i ve hea d of an aged bea rded ma n
,w i th w rinkled
brows , deep -se t eye s , and pronouncedly a rched eyebrows .This head formed pa r t of a s ta tue of H ercu l es .
27 Whi te marble , h e ight 0 m . 1 5 . Smi l ing hea d of a
ch i l d,tu rned to the left , w i t h dimpled cheeks
,high round
forehea d, deep-set eyes,sma l l mou th open enough to a l low
the teeth to show ; th e chin i s sma l l and round . FromAle xan dria .
Left sect ion of the same glass-ca se . On the top she l f, not icethe head of a chi ld No . 4, in teres t ing becau se of the ornamen t which hangs from i ts ha i r on to the forehead ; i t i sformed of a sma l l gold p laqu e
,from whi ch three gol d disks
were su spended . A la rge round hole fi l led w i t h lea d on th e
top of the head mu s t have been u sed to fix a me ta l ornamen t . From A lex andria (Na t i ve Hospi ta l).
Midd le she l f. 9 White ma rble,he i gh t 0 m . 2 1 5 . The
fron t port ion of a n ol d ma n’
s hea d, w i th ne i the r beard nor
mou s ta che ; th e forehead is broa d and wrinkled ; the a rchedeyebrow s are drawn toge the r a s i f i n thought or preoccupat ion . From Alexan dria .
1 6 Whi te ma rble , he igh t 0 m . 2 6 5 . The h inde r ha l fof a tor so of Venu s . On l y the part from the base of hern eck to the thighs is prese rved . There a re some rema in s ofha i r on the shou lde rs . This torso, of exqu is ite workmanship
,
shows the goddess i n t he prime of beauty .
In the lowe r she l f, n ume rou s hea d l es s s ta tu es of Venu s, re
presen t ing h er e i ther n u de,or i n th e ac t of wrapping h er
se l f in h er man t le on leaving t h e ba th . NO . 6 5 (3446) i s thebes t of these . Whi te ma rb le
,he ight 0 m . 50 ,
from Aschmune in .
An image of Venu s was u sed to decora te the nup t ia l chambe r of n ear ly a l l young ma rried coup les . This ex pla ins whyso many. sta tue t te s of this d ivin i ty (in m a rble
,bron ze, and
ter racotta ) are found i n the hou ses of provin cia l town s .B IBLIOGRAPHY . R E I NACH S. . R ep erto i re, I I , In v . 3448 ;
k m 3439 ; k m 3446 ; k m 3449 ; In v o 3 43 4
Pedesta l : 3 5 White ma rble,he igh t 0 . m . 3 0 . The fron t
ha l f of a Serap i s hea d,ra ther weak i n execu t ion and ex
pression . The ha ir,bea rd and mous tache s a re ca rved supe r
fic ia l ly and give no impress ion of movemen t or l i fe. The fea
tu res a re regu la r, bu t somewha t fi a t .B IBL IOGRAPHY
, A ME LUNG , R . A .,I V se r i e s
,I , 2
, p . 1 89 .
36‘JVh i te ma rble , he igh t 0 m . 3 0 (fig. Th e hea d
of Zeus , placed cl ose by, i s ve ry l i fe-l ike and fu l l of ex press ion
,i n spi te of the absen ce of the ha i r and bea rd , which
may have been worked sepa rate l y in pla ste r. The broad forehead is high
,and i s ma rked by a deep horizon ta l fu rrow
an d by la rge bumps which give him an ex press ion of profoundthough t and ene rgy. Th e eyes a re deep -set , the n ose strongand stra igh t
,the mou th sen su a l . This head has been com
pa red w ith another Zeus Head i n th e Naples Mu seum . The
t ype of i t a lso reca l l s the
Zeu s of Ot r icol i .BIBLIOGR A PHY . S I E V E K I N G
i n B RUCKMANN , D enkma el er , no . 60 5 .
Glass-case F . Some l i t t le w inged Cu pids sta nding up w i tha bird in the i r righ t hands(348 3 or si tt in g downholding a goble t w i th the i rr ight han d shou ld be
F ig 95 not iced amon gst these sma l lbron zes . No. 3494 (fig. 44,
p . 1 1 1 ) i s a we l l -ca rved and complete example of the mon
s te r Cerberu s w i th his three dogs ’ s heads (the la te ra l heads ,sma l le r and of na rrowe r shape than th e cen tra l head
,rea l ly
resemble the heads of serpent s), and w i t h se rpen ts tw i stedrou nd his legs and che st . No . 3 50 2 (fig. 46 , p . 1 1 3 ) re
produces an other type of th e same mon ste r , name l y a dogor a l ion w i t h the serpen t rea ring i tse l f u p on his head
,and
wea ring the mod i u s or ca l a thu s of Se rapis .
3 8 White marble of a coa rse gra in , he igh t 0 m . 3 2 ,the fa ce 0 m . 1 8 . An u n i d en t ified bus t , whi ch formed partof a sta tue . I t i s a por tra i t of a young bea rded man ; he i sl ook ing to his righ t, his head l ight l y in c l ined towa rds therigh t shou lder . H i s fea tu re s a re chara cte r is t i c and coa rse .
The s tru ctu re of his head is broad,the p lan es of his face
mee t i n i rregu la r l ines . The cheek-bon es are large and pro
37 Whi te ma rble, he ight0 m . 30 . This d i ademed hea d
of Zeu s (or of Serapis) is ofpoor workman ship
,bu t never
th e less th e expression i s fu l lof force and ma jesty .
to represen t me ta l crown ,formed of two bands soldered
one to the other,and
‘
end i ng above i n sma l l a rcs open a t the
top.This d iadem was ornamen ted i n fron t , a t the top of
the forehead, wi th a kind of meda l l ion i n re l ief, con ta in ing a
sta r en c losed i n a ci r cle , an emblem worn by th e priests ofsome or ien ta l divin i t ies . From Alexandria (Korn -c l-Chogafa)(fig
B IBLIOGRAPHY . Sc n a a ra n a ,0 . c . , p . 262-266 , P l . XLV -XLV I .
On the she l ves : f our f ema l ehea d s
,w i th chara cte ri s t i c ex
press i on s .
4 1 Ye l low l imestone ,he ight 0 m. 2 2 . You ng 141 0
ma n w i th a sma l l face and
i r regu la r bu t pleasan t fea tu res .The ha i r in sma l l and numerou s cu r l s frame s the temp lesand covers h er ears . A man
t l e or ve i l cove rs the uppera nd hinde r pa r t of the head ,fa l l ing behin d it on to her
shou lders . T h e forehead i ssmal l and rou nded , her ra therlarge eye s have the i r pup ilsma rked by a c irc le . The nose
“ is“ 97 ° i s s l igh t ly tu rned up, her chini s round
,sma l l and promin en t .
Good example of th e rea l i s t i c s ty le .
42 You ng woma n more than a l i t t le plump,w i th a round
,
fa t face . The eyes are la rge,and prominen t : the pupi ls are
not ma rked. The coi ffure i s ra the r compl ica ted ; one cu rli s ca rr ied over th e top of the head at right angles to the
forehead ; others are wa ved : pa ra l le l to the forehead ; wh i leother tresses hang down be low the ea rs , which they leaveen t i re l y exposed
,and behin d th e n eck .
43 He igh t 0 m . 2 5 . This hea d ha s a lmost vi r i le featu res ; the waved ha i r, pa r ted at the midd le of th e forehead
,fa l ls over the temple s in broad tresses and
, cove ringha l f of the ea rs
,is kn o tted up a t th e n ape of the neck .
44 White ma rble,he i gh t 0 m . 3 5 , inc luding 1 3 cm .
for the neck . This mu s t have formed pa rt of a s ta tue,la rger
than l i fe,represen t ing a woman w ith a robus t a nd roundish
face. She i s tu rned s l igh t l y towa rds the right ; the pupi ls ofthe la rge eye s are not ma rked ; the exp ress ion is swee t yetseriou s .
Above the cap i ta l s pla ced aga in st th e sma l l wa l l on the way
In
I
to Room no. 1 1 there i s a col os sa l h ea d of a man,he igh t
0 m . 60 , of whi te ma rble (the top and th e back of the headare m issing). I t is of semi-Egypt ian sty le , and was probablyu sed as a mode l in a scu lptor ’s studio . Gift of Ti grane Pacha .
the pa ssage between Rooms1 1 and 1 2
Coarse-gra ined whi tema rble
,he igh t 0 m . 2 3 , the
fa ce 0 m . 1 7 . This i s a p ortra i tof a y ou th ; its rea l i sm i s ve rytrue to l i fe and yet gracefu l .H e l ooks towa rds his left andwea rs a seriou s expression . Th e
head is of dol i chocepha l i c sh a
pe , the back pa rt prolongedlike a pea r
,the summi t of the
forehead promin en t . The pupi lof the eyes i s not marked . The
ha ir i s s imply rough -sketched .
Schre ibe r con s iders th is to be
a portra i t of an Egypt ian chi ld, Fig" 98
but he migh t equa l ly we l l beof Greek or Roman orig in . From Alexandria (K6m-e l -Choga fa) (fig 97)
B IBLIOGRA PHY . SCHRE IB E R,o . c . , p . 269, P]. L I I I-LIV .
Coa rse -gra ined whi te marble,he igh t 0 m. 2 1 (of the
cran ium), 0 m . 1 4 (of the fa ce). Por tr a i t of a ch i l d be t
ween three and five yea rs old w i th abundan t ha i r t iedup in a kno t on the top of i ts forehead and fa l l ing on toi ts temples and beh ind i ts neck i n long cu r ls . I t is a we l lnou rished chi ld
,w i th i rregu la r bu t s ympathe t i c fea tures .
From Alex andria (K6m-c l -Chogafa) (fig.
B IBLIOGRAPHY. Sc n nm n a a , o . c .
, p . 270 ,P I. LV -LV I .
Coa rse- gra ined whi te ma rble , he igh t 0 m . 3 8 , th e
face 0 m . 1 3 5 (fig . Por tra i t of a you ng woman , in
a perfec t sta te of prese rva t ion and of rema rkable beau t y . She
is looking tow a rds her righ t , into the dis tance . H er eyes ,which seem a lmost ve i led
,have ne ithe r the i r pupi l s nor i ri s
marke d. H er nose i s aqu i l ine,making a dist inct a ngle w i th
the plane of the forehead. The ex press ion of the fa ce i sser iou s and sad .
’
H er very cha racte r ist i c fea tu re s do not
possess perfect regu lar i ty,bu t a re neve r the les s a ristocra t ic and
de l icate w i thou t be ing meagre . The coifi u r e, which cons istsof a t hick a rch of sma l lcu rls round the forehead,h ad been brough t into fa
sh ion by Ju l ia,daughter of
Ti tu s . F r om A lex andria
(Kom-e l -Choga fa).
B IBLIOGRA PHY . SCH RE IB E R , o c .
, p . 266 , P]. XLV I IXLV I I I .
4 Coa rse -gra ined wh ite ma rble
,he igh t 0 m . 3 7 ,
th e face 0 m . 2 2 . A bustwhich mu s t have formedpa r t of a sta tue . Por tra i tof a woma n
,st i l l young ,
a nd w i th refi n ed fea tu res .
The coiffure i s iden t ica lw i th tha t seen on the coin sof Ju l ia Soem ia s, the fa
mou s mother of H e l iogaF ‘g ' 99 ° ba lu s . The ha i r i s pa rted
in the middle of the forehead and fa l l s i n symme trica l waves over the temples
,then ,
leaving the ears comple te ly ex posed,i s ga the red toge t her a t
the back of the neck in to a fla t , thick chign on . On ac
coun t of th is coiffu re i t ha s been suggested tha t this is a
por t ra it of Ju l ia Soemias he rse l f.
Towards the cen t re of the Room
27 White ma rble , he igh t 0 m . 2 3 . Th is i s a sta tuetteof Ven u s
, headless , w ith i ts a rms a nd l egs broke n ha l f wayu p, and though i t does not revea l any ex t raord ina ry techn ica lsk i l l, yet i t produce s a n agreeable impress ion . The g
oddess is
is a rra nged in l ong cur l s a l l round his forehead . From A
l ex a ndri a (Kom-e l -Chogafa ).
B IBLIOGRAPHY . SCHR E I BE R , o . c . , p . 268,P l . L I -L I I .
On the bra cke t t o th e left
6 5 Whi te marble ,he igh t 0 m . 2 8 . A h ea d
,which
w i t h i ts thick a nd curly ha i r, i rregu lar fea tu res , la rge eyes ,re trea t ing temples
,thick n ose and fleshy l ips
,repre sen ts a
young ma n of non -Eu ropea n ra ce .
On th e bracke t to th e righ t
67 Whi te marble,he ight 0 m . 1 2 . You ng woma n of
a type tha t i s fore ign to Egypt ; he r forehea d i s low,her
eyes a re prominen t,h er fa ce i s sma l l and devoid of expres
s ion,the ha i r i s dressed i n fla t , pa ra l le l cu rl s a long the fo
rehead and ga t he red behin d in to a round chignon above the
n a pe of h e r n eck .
R O O M I3 .
Gla ss- ca se A . Spe cimen s of the di fferen t qua l it ies of marble,
gran i te,a laba ster
,porphyry
,e tc . , col lected du ring the ex ca
va t ions w i thin the boun ds of A lexandria .
Gla ss-ca se F . 1
F ig . 1 0 0 .
Sma l l tor so of a n a th l ete,of very
ca re fu l workman sh ip . Th e ana
tomy h as been we l l-observed, themu sc les are ski l fu l ly represen tedi n re l ief.
2 Coa rse -
g ra ined w h i t ema rble
,he igh t 0 m . 1 7 (fig .
Smi l ing y ou ng Fa un ,or Si lenus
,
tu rned towa rds th e r igh t, lookingu p in to the distance . H i s thick
,
u n kemp t l ocks a re su rrou nded bya hea vy crown . The Fa un ’s an ima l n a tu re i s indica ted by his poin ted ea rs , a s we l l - as by h is coa rseand vu lga r fea tu res . H is la rgew ide -opened eyes have their pupil s
ma rked by a round hole . H i s ha l f-opened mou th a l lows hi stee th to be seen. The work shows rema rkable techn ica l abi l i ty .
3 Alabas te r- l ike ma rble . Torso of a n ep lzebu s or of a
d i vi n i ty (He rma phrodite The pos tu re reca l l s tha t of the
He rmes of Pra x i te les holding the chi l d Dionysos on h is leftfore-a rm.
5 Bronze,he ight 0 m . 1 4 3 . H ea d of a n eg res s of
a str ict rea l i sm i n a l l i t s de ta i ls a nd of ve ry ca re fu l workansh ip.
B I BLIOGRAPHY ,B R E CC IA , B . S . A . ,
1 5 , p . 48-5 1 ; 0 F F OR D -JOHN 5
TON,i n Anci ent Egyp t, 1 9 1 6 , p . 1 44.
Above this glass -case F . A slab of l ime stone w i th a coa rse lyworked re l ief. I t represen ts N emes i s c lad i n a short tun i c ;she is w inged and flying or run n ing towa rds th e r igh t . Her
r ight foo t,l i fted up behind , i s pressed on a whee l which
sh e i s eviden t l y revolving . On a second whee l , behind the
first, is pla ced th e r igh t fore-
paw of a w inged gri ffin,ano
ther symbol ica l represen ta t i on (in an ima l gu i se) of Nemes is ,goddess o f jea lou sy and of vengeance
,whose worship was
so w ide -Spread i n Gracco-Roma n t imes .B IBLIOGRA PHY . PE R D R I Z E ‘
I‘ P . , B . C . H . , XX I p . 599
-60 2 ;i b id em , XXXV I p . 248
-274.
Above the large capita l of gran i te between Rooms 1 3 and 1 5
Whi te,coa rse -gra in ed ma rble
,he igh t 0 m . 5 7 . Torso of
P a n . In spite of the absen ce of the head an d of the goa t ’ sfeet it is ea sy to recogn ise th e div in i t y who person ified the
bru t ish,sen sua l l i fe of the fie lds . I t is we l l-kn own tha t the
represen ta t i ons of Pan a re of two princi pa l types . In the
one the t ra i ts of h is an ima l na tu re predomina te ; in the
othe r the an ima l ism is reduced to the min imum . Ou r torsoi s of th e first type . The t horax and the a rms are coveredw i th long ha i r
,his legs a re eviden t l y t hose of a he-goa t . A
goa tskin hangs from the le ft shou lder a nd enve lops th e
left arm,thu s lea ving the res t of the body free a nd u nc lo
thed . Wi th his le ft han d h e may ha ve su pported h imse l f ona cu rved st i ck . H is right a rm was ben t aga inst his brea st ;in his right hand h e probab ly he ld a sy rin x . The re i s ca
refu l work in thi s torso ; i ts ana t omica l structu re , the ma ssesof mu sc les and the i r movemen ts are reproduced w i th muchprec i s ion and de l ica cy . I be l ieve tha t th is sta tue dates fromthe He l len ist ic age .
1 96
G la ss - ca se H . 1 . Bron ze , he ight 0 m . 28 . I s i s . Sta nd ing up
r ight,in a n a t t i tude of re pose , one l eg advanced, h er left
ha nd l ifted u p holding some obj ect (va se or fru i t). She is
c l othed i n a tun ic and man t le , the two ends of whichform an Isis knot u pon her bosom . He r ha i r i s a rranged inthick coi ls , one above a nother , a nd forms a fringe on h er
forehead . The godde ss wea rs a vu ltu re -cap , su rmoun ted bya disc in se rted between two horn s and two plumes . Her
r ight arm i s miss ing . An ordina ry Gracco-Egypt ian type.
(Comp . EDGAR , Greek Bronzes ,2 7 669
2 . Bron ze , he ight 0 m . 0 5 5 . Ca
r i ca tu r e of a Roma n sena tor,
or ora tor,draped i n h i s toga
,
w i th th e head of a rat . I t i siden t ica l , or a lmos t so , to the
sta tue t te reproduced by CHAMPFLEURY
,H i s to i r e d e l a ca r i
ca tu r e,page 1 2 1 .
Gla ss- ca se D . Severa l torsos ojE ros
,H ermap h rod i te, a nd of
Venus .
( 1 642 B ea u t ifu l hea d of a
d i mp l ed a n d sm i l i ng ch i l d.
Th e we l l-mode l led mou th isha l f Open . On the forehead,a t ta ched to th e thick
,cu rly
ha i r,i s a represen ta t i on of a
me ta l orn amen t,formed of a sma l l cha in to which seve ra l
sma l l meda l l ion s a re a ttached (fig .
F i g . 1 0 1 .
In the n i ches on th e wa l l s o f th e room : H ea d l ess Sta tues ofd rap ed women (4, 5 , 6 ,
5 . Whi te ma rble,he ight 1 m . The we ight of th e body fa ll s
on the left leg ; the right leg i s ben t ba ckwa rd s . The tu n ici s m ade of a fa i r l y thick ma teria l
,over t h is is th e hima t ion
,
whose le ft end hangs ove r the left shou lde r,w hi le the other
end drawn round th e back u nder th e r igh t a rmpit,a l s o fi
n i shes on the le ft shou lde r .6 . He ight 1 m. 1 8 . Th e we igh t of th e body is born e by the
r ight l eg, whi le the le ft i s ben t backwa rd . This woman i s
R O O M 14 .
Al l tha t cou l d be saved of the so-ca l l ed Mosa i c of Medusa
has be en a rra nged i n the pavemen t i n the midd le of thisroom . The mosa ic stood orig in a l l y on th e Moun t of O l ives(Gabbar i ) a nd a descri pt ion of i t was publ ished i n the Rev.
A r ch .,1 846 . A t that t ime i t wa s i n a s ta te of perfect
preserva t ion . A l l tha t now rema ins (len gth 2 m . 24, w idth2 m . 20 ) formed pa r t of th e cen tra l compa r tmen t of the
three whi ch composed th e en t i re mosa i c . In the cen t re a
head of a w inged Medusa (now a l toge ther van i shed) su rroundedby an aegis or Gorgon e ion . This mosa ic, composed ofsma l l polychrome cube s
,i s of fa i r ly good workmanship .
Aga in st the wa l l a t the back
1 Whi te ma rble,he igh t 1 m . 8 2 . Sta tue of a Roman
orator or w ri te r . To his r igh t i s a c i sta fi l led w ith severa lvol umi na (papyrus rol l s). H e i s holding a rol l or a mapp a in
his left hand . The we igh t of the body rests on th e r ight leg ,
the le ft i s ben t and s l igh t l y i n advance of the other . H e isdre ssed i n a tu n ic a nd a large man t le (toga ) wh ich en ve lopsthe body
,lea ving pa rt of the brea s t u ncovered . H is right hand ,
on a leve l w i t h his bre as t,i s res t ing on th e fo lds of his toga .
This sta tue was fou nd a t Aschmou ne i n (Hermopolis Magna).
In th is room and in the n ex t a re exhibi ted most of our
fragmen t s of a rchi tec tu re , a lmost a l l of which un for tunate lycome from a cc iden ta l finds . Excep t for th e fun e rary ste lae .
n one of the othe r fragmen ts have been fou nd i n s i tu w i th the
rest of the ed i fice of whi ch they formed pa r t.On the whole , we n ot ice tha t ma rb le wa s not frequ en t ly
employed ; we may even say tha t i t wa s a ra r i ty,a nd that the
ma te ria ls most often u sed we re n ummu l i t ic l ime stone and softye l low l imestone l ike t ha t of M ex .
Nummu li t i c l imeston e,on a ccou n t of i ts i rregu lar su rface and
th e d i fficu lt y of giv ing i t a pol i sh,d id not a l low of de l i ca te
de ta i l , so i t was covered w i t h a laye r of stucco and then de
cora ted w i th the he l p of polychromy . This techn iqu e was a l sou sed for th e Mex l imestone . This l imes tone
,whi ch is coa rse
,
len t itse l f neverthe le ss to the u tmos t ex igen cies of the scu l ptor's hand and thu s en abled th e a rchitec t to employ a some
wha t in tri ca te style of decora t ion ,i n which polychromy cou ld
be u sed w it h the ha pp ies t effect .
BI BLIOGRA PHY . SC H R m B E R , Ko‘
m-esch -Sch ukaj a ,Ch ap . XIX ; D E L
14 11 1 1 5 0 11 , H el l en i s t i sche B a u ten i n La tzum,St ra s s b u rg , .9 1 2 , I ], p 1 42 ; 149 ;
1 5 7 sq . ; 1 64 sq . ; 1 66 sq . Se e a l so : E. W I E G A N D, Ba a l bek a n d R om . d i e rb‘
.
m i sch e R e i chskuns t i n i h r er En tw i cke l u ng u nd D ifi er en z i er u ng , i n Ja h rbuchd es I ns t i tu te, XXX ( 1 9 1 4) pa r p . 3 7 a n d fo i l .
2 -
4 (3 664 , 3 668 , L imeston e . 2 -
3 . Two cap i ta l s and
a port i on of ha l f-column s wh ich correspond . 4 . Cou ple ofha l f-column s and cap ita l s of th e same t ype . The columnsa re formed of sheaves o f pa pyru s and l otus s ta lks
,and the
capi ta l s,of th e blossoms of th e same p lan t s . This flora l
t y pe of column and capi ta l was much employ ed in the Graeco
Roman period . Tra ces of polychromy (l i gh t red,ye l l ow).
From Alexandria, (rue Su l tan Hu sse in ,
ex -ru e d'
Al lemagne ,founda t ion s of the M a ison Levi et Fra ncis) .
5 L imestone an d p las te r. Uppe r pa rt of a n i che ored i cu l a w i th sma l l, ca rved , hexagona l compa rtmen ts ; the cor
n i ce i s decorated w i t h a frieze of long den t ic les a nd w i th a
g r a eca . From A lexan dria (Ma fru sa ).6 . L imestone
,he igh t 1 m . 3 8 . Door of a l ocu l u s (fig .
in imi ta t ion of a temple en t ran ce . Whi le the pedimen t isi n the Greek style , a l l th e rest reca l l s Egypt ian art . Two
co lumns su pport a frieze w i th a double ep i s ty l i um , the
u pper ha l f of which i s decora ted w ith w inged aga thodemons
in re l ief, placed to the right and left of a bouqu et of lo tu s .The ped imen t i s t riangu la r, w i thou t acrote r ia . The facadeof an Egypt ia n temple is represen ted i n re l ief on th e s labwhich fi l l s the doorwa y ; i t i s su rmoun ted by a high friezeof u ra ei to fron t
,the ir heads orn amen ted w i th the sola r disc .
In the cen tre of the faca de i s a p rett y bu nch of five lo tu sflowers . Be low this door i s th e l i me stone table
,reconstruc
ted as i t s tood in the tomb ; it mu st ha ve se rved for the
recept i on of fune ra ry offerings . From Ma frusa (We s te rnCemetery). Two a labaste r Sp h i nxes (length 0 m . 56) ha vebeen p laced on this tab le , the one i s ho ld ing an a l ta r be tweeni ts fron t paws
,th e othe r a sea ted s ta tue tte of Osiri s . A
thi rd Sp h i nx ,of ma rbl e
,formed pa rt of a cubic block which
was used to support the large sarcophagu s exhibi ted i n room1 7 , to the le ft of the door open ing in to the ga rden -cou rtya rd .
High up , in the middle of the wa l l,fragmen t of the cor n i ce of
an ed ifice,decora ted w i th lozenge sha ped mou ld ings .
20 0
Glass- case B . Cap i ta l s, vol u tes of cap i ta l s , corn i ces w ith re
ma in s of polychromy (b lue, pink , ye l low). From Alexan dr i a .
Glass- case A . 1 -2 (top she l f). Two Cor i nth i a n cap i ta l s verywe l l carved
,w i th rema in s of polychromy. From A lexa ndri a .
3 . Papyrus-shaped Cap i ta l .
In the cen tre of the w a l l to the r igh t of the en t ra nce :
F i g . 1 0 2 .
1 0 L i mestone,he ight
’
0 m . 80,w id th 0 m. 70 . The
c los ing s l a b of a l ocu lus . I t bea rs,i n re l ie f
,the represen
ta t ion of a double foldin g door, each ha l f d i vided in to two
pane l s ; on ea ch pan e l i s a knocke r shaped as a l i on ’s headholding a ring .
R O O M 1 5 .
A t the en t ran ce of room 1 5 . Green gran i te,he igh t 0 m. 50 .
Cap i ta l of a Corin thian type w i th smooth l eaves and volutes . Ptolema ic per iod . From Alexandr ia (Na t ive Hospi ta l).
3
In a wooden frame : 68 a nd 69 . Se ve ra l f r agmen ts of sma l l
corn i ces i n s tu cco,de cora ted w i th re l iefs re pre sen t ing e i the r
gr iffi ns con fron t ing ea ch othe r, w i t h a conven t ion a l i sed pa l
mette be tween t hem,or
“
w inged sphinxes , a lso con fron tedor bucr a n i a a nd pa lme t tes . Fa i r ly fine work of th e Pto le
ma i c per i od .
29 . The fron t s i de of a sa rcopha gu s decora ted w ith a frescopa in t ing . One n a i l pla ced i n the cen t re and one at ea ch
F i g . 1 0 6.
end support a long ri ch festoon of flowe rs bou nd by a thinl ong ribbon . In the cen t ra l por t ion i s a comic mask sus
pended to the ribbon . In the space w i thin the two loopsof the festoon
,two cocks a re pa inted , vi s -a-vis , ready to
a t ta ck one another . A clever bi t of work (2n d
cen t u ryA . No. 5 0 . Anothe r port ion of the same tomb repre
sen ts an a rchi tecton i c pe rspect ive .
Above,on the wa l l s
68 . White marble . Cor n i ce of a port i co , dedica ted (to an Em
peror by the c i ty,
15
2 0 4
69 . Shaft of a col umn i n l imes tone en case d i n a fin e coat ingof stu cco
,smooth i n the u pper pa rt and flu ted in the lower.
The Corin thian capi ta l , decora ted w i th lea ves and s ta lks ofacan thus and w i th corymbs
,i s we l l-p re served and re ta ins e
viden t t races of polychrom y (red , y e l low ,b lue). F-rom Alex
andria . (Had ra) (fig .
Cap i ta l s No‘
. 3 , and 707 1 a l so re ta in ve ry ma rked traces ofpo lychromy.
R O O M 16 .
A t the en trance : Two l i on ’
s hea d s forming wa ter spou ts .
To the right of the ent ra n ceI . P laced upon the shaf t of a g ra n i te co l umn (he igh t 1 m . 45 ,diam . o m . 90 ) bea ring a La t in in scri pt i on i n honou r ofT(itu s) Longaeu s Ru fu s, pre fec t of Egypt i n 1 8 5 A . D .
,are
two l a rge cap i ta l s of Cor i n th i a n typ e, i n nummu l i t ic l imestone (w id th of each side a t the top 1 the lower ha l fdecora ted w i th a can thu s leaves
,the upper ha l f wi th con
fron t ing volu te s . In the middle of the upper edge i s a largeOpen flowe r . The corn e rs a re each decorated w i th a largelea f cu r led ove r in to volu te . From A lexandria .
4 Whi te ma rb le,o m . 4 5 . Torso of a nu de ma l e sta
U‘
tue (end of a chlamys vis ible on the left shou lder) repre
sen t in g a di v in i ty or a hero . The mu sc les of the chest andabdomen a re rende red w i th force a nd tru th. The head andthe a rms were worked sepa ra te l y . The ba ck was not worked ;i t is cu t ve rt ica l l y and
‘ shows a squa re ca vi ty . The statuemu st have formed pa rt . of a grou p, probabl y placed on the
t ympanum of a temple . From Alexandria .
White m a rb le , 1 m . 1 0 . Tor so of a s ta tu e of a
Ma en a d a lmost nude . The n ebr i s‘
(fawn skin ) i s fastenedon her righ t shou lder and covers on l y her ‘
righ t brea st , partof her body and her le ft thigh . The a rt i s t ha s sought torepresen t a woman in th e firs t flush of you th . Her breastsare round , we l l-shaped ; e rect a nd fi rm
,her forms e legan t,
slender and a t the same t ime robu st .(38 6 3) White ma rb le , 1 m . Tor so of a n u nfin i shed sta tue
of a god or of a hero . H e i s a lmos t nude ; the' chlamys
which i s c la sped on h i s righ t shou lder was thrown .over his
does not be l ong to i t . Sta tue of a woma n dre ssed i n a
tun i c fa s tened by a gi rdle u nde r her brea sts ; she is a lso wea ri ng a ma n t le . She i s s tandin g u pon a pede s ta l hold ing a
cornu copia i n her left arm . (Is is-Tyche
B IBLIOGRAPHY . R E INACH S.,R ep er to i r e, I I I , p .
1 2 On a co lumn of green i sh gran i te : Coa rse -gra inedwhi te ma rb le . Remarkable bu st of D emeter -Se l ene
,w i th
diadem and ve i l ; two horn s on her forehead. Her head isin cl ined to the r ight of the specta tor
,her large ey es are
we l l formed , the pu p i l s ma rked by a c i rc le,a nd the i ris hol
lowed ou t (fig .
1 3 Coa rse -gra ined whi te ma rble , he igh t 1 m . 30 .
Sta tu e of a d rap ed woma n . The tu n ic is bound by a girdlebe low the breasts
,th e man t le i s thrown rou nd the body wi th
a gra cefu l movemen t . The lady is represen ted w i th he r rightfoot advan ced in the a ct of wa lk ing ; w i t h h er r ight handshe holds up her tun i c so a s no t to l et i t t ra i l on the
ground. Th e r ight arm was worked sepa ra te l y . From A
lex andr ia (Sidi-Gabe r).
BIBL IOGRAPHY . R am a c n S., Rep er to i re , I I ,
1 4 F ine-gra ined white ma rble,he i ght 1 m . 1 5 . Young
nymp h who,w i th her two hands
,mu st have been holding
th e han dles of a va se res t ing on the t ree-t runk be fore h er.
From Alexa ndria .
B IBLIOGRAPHY . B RE CC IA , B . S. A. , 7 , p . 72 , fig . 24.
1 5 Coa rse -gra ined whi te ma rb le,he igh t 2 m . 1 0 . Sta
tue of a Roma n l a dy dres sed in chi ton and hima t ion . She
is s tanding u p right, facing the specta tor. The we ight of herbody res ts on her righ t leg , h er le ft i s drawn back . Thisi s a fune ra ry sta tue . I t w a s discove red i n the ceme tery.a t tached to the qu a rte rs o f t he Roma n Legion encamped at
Nicopol is . (Mu s tapha Pacha).B IBL IOGRA PHY . R E I NA CH S. , Rep er to i r e, I I ,
1 6 Fin e-gra ined whi te ma rble , he i gh t 0 m. 6 3 . Tor soof a y ou ng ma n a s a her o
,the body a lmost nude
, th e
chlamy s thrown ove r his back . This fragmen t of a sta tuerevea l s a rema rkable de l icacv of execu t ion .
1 7 Ye l low l imestone,he ight 1 m . 2 0 . Torso of Ven u s
very much damaged, bu t of good workmansh ip . The upperpart of th e goddess ’s body is naked ; from a sense of modesty or pe rhaps of cold on le a ving her ba th, she i s t ry ingto hide h er brea s ts w i th her left hand a nd a rm
,whi le h er
r igh t arm i s lowe red to l i ft up her c lothes lyin g a t her fee t .From A lexandr ia .
On the ma rb le she l f above th is V en u s :
1 8 He ight 0 m. 5 0 . Col ossa l bu s t of some unknownpe rson (divin i ty).
1 9 He ight 0 m. 5 8 . Co l os sa l bu st of Sel ene, recogn isable by the t ips o f the horn s growi ng ou t of the forehead .
2 0 He ight 1 m . 4 5 . H ea d l ess s ta tue of a woma n
c lothed i n a chiton w i th long ap op tygma and i n a man t ledraped so a s to leave u n covered her righ t s ide a nd leftbrea s t . She is represen ted s tanding on a ba se , facin g the
specta tor. The we ight of he r body rests on h er left l eg ;the righ t l eg {is s l ight ly ben t . The fol low ing in scr ipt ion i sengra ved on her right knee :
s
Aaroll l o wiov 1371 0 118 1 ,
Ammon i us,son
‘ of Apol lon ius,is the au t hor of thi s work .
B IBL IOGRAPHY. V o n B i s s m G , D i e Gr i ech i s ch -roem i s chen A l ter
tuemer i n M useum zu Ca i ro, i n Arch . Anze iger , 1 9 0 2, p . 204 ; R E INA CHS. , R eper toi re , I I I , (no t
2 1 On a column of grey ish gran i te : Coa rse-gra inedwhi te ma rb le, he ight , 0 m. 80 . Col os sa l bu st of a p r i es tessof Is i s (probabl y a qu een ). Un fortuna te l y the su rface of themarb le is corroded . The eye s we re in la id . Over her chi tonshe is wea r ing a fringed shaw l fa sten ed i n th e I sis knot onher bosom . From Alexandria .
2 2 Limes tone,he ight 1 m . 40 . H ea d l ess s ta tu e of a
p r i estess of Is i s . On h er left a rm she i s holding the s i tu l a,
th e va se con ta in ing sacred wa te r . Th e Si tu la an d the s i st rum
(see page 1 6 4) cons t itu ted th e cha ra cte ri st i c in strumen t s ofthi s d i vin i ty. The s istrum wa s probably in the miss ing righthand . Bes ides the ch i ton and h ima t ion she i s wea ring the
shaw l fa sten ed i n an Is i s kno t on her brea s t . Perfunct oryworkman ship . From Uppe r Egypt .
2 3 White ma rb le,he igh t 1 m. 3 7 . Sta tue of a p r i est
ess of I s i s . She ca rries a cornu cop ia aga in st her le ft forea rm. Same dress a s the preceding sta tue . Large Is i s kn oton the breast. From A lex andria .
24 Coarse -gra ined whi te ma rb le , he igh t 1 m. 30 . Lowerport ion (from the thighs to the feet) of a col os sa l ma l e
s ta tu e, draped . Good workman sh ip . From th e n eighbou rhood o f Abuki r.
2 5 White marble,he ight 0 m . 60 . Mediocre bu s t of
Socr a tes (a uthent ic i ty doubt fu l): G i ft of Mr. An ton i ad is .
Above the syen ite column tha t fol lows
2 8 . A beau t i fu l Ion i c cap i ta l da t ing from th e 3rd cen tu ry B. C .
Width be tween the ex terior points of the volu te s o m . 8 5 ;of the s ide of the abacu s o m . 8 5 ; he igh t (taken at the
cen t re) 0 m . 28,he igh t of th e volu te o m . 3 5 (fig. 3 5 , p .
This ca pi ta l is exact l y simi la r to those of t he temple of Athena Polia s at Pr iene . It w a s discovered w i th fi ve othersqu ite i den t ica l (see the one placed Oppos ite on anothe r co
l umn of syen i te ; th e others fou r a re exhib i ted i n the courtyard) nea r th e uéya g 1 112 131» (Ea ste rn Harbou r) be tween rue
Jousse f B i z -Eddin e and Si ls i l eh (Ca pe L ochias).2 6 P la ster , he igh t 0 m . 98 . Co l os sa l bus t of D iony
sos Serap i s or of Hermes Sera pis (see th e two w ings on histemples); probabl y in ten ded to decora te the wa l l o f a temple,as wa s a l so the bust of Isis which i s fac ing i t .
BIB LIOGRAPHY . EDGAR,Greek Scu l p tu re. Ca ta l og ue g én éra l (M u
s ée d u Ca i re) , p a ge 69 .
27 White m a rble,he ight 1 m . 3 5 . This i s t he most
an cien t Greek fu nera ry bas -r el ief fou nd in Alexand ria . Itmu s t date from th e 4
t hcen tu ry B . C . I t was probably im
ported from Athen s . A woman i n profi le to the left, issea ted on a stool to th e righ t . She sad l y bows he r head ,rest ing i t on her right hand which i n turn rests on her rightl eg . She is c lad i n a chiton a nd hima t i on ; a serva n t-ma idstands i n fron t of he r presen t ing a box con ta in ing the jewe l sw i th wh ich the lady w i l l adorn herse l f for he r la st journ ev .
From A lexa nd ria . (Labbane Qu ar te r).BIBLIOGRAPHY. PFUHL , Ai ken . M i ttei l . , 1 90 1 , XXV I , Al ex . Gra b
r e l i ef s , p . 264-265 .
9 Coa rse- gra ined , whi te m a rble,h e igh t 0 m . 60 .
H ea d l es s sta tu e of D i ony sos . A plump and fleshy figu re,ye t a t th e same t ime grace fu l and s trong . H e 1 8 s tandi ng on a pli nth , to fron t . The we igh t of his body rests on
hi s left l eg ; his righ t leg i s sl igh t l y ben t backward . The
Not ice , c lose by, a secon d sta tu e, sma l ler , he igh t 0 m . 40 , but
a lmos t iden t ica l .B IBLIOGRAPHY. R E INA CH S . , Rep ertoi re, I I ,
3 1 Ba th . Of b lack stone,yie ld ing a n a lmos t me ta l l ic
sou n d,obta ined
,i t seems , from a qu arry be twee n Coptos
(Uppe r Egypt) a nd Beren ice (Red Sea ). L en gt h 2 m . 3 5 ,he ight 1 m . The la tera l su rfa ces are decorate d , th e one
w i t h two open —mou thed l ion s ’ heads w i th lo l l ing tonguesand fine ly ca rved cu rly manes ; the othe r w i t h two l ions ’
heads iden tica l w ith the preceding and be tween them ,in the
middle,c lose t o the l ower edge
,a l ynx ’ s head, whose hol
lowed mou th was used for emptying the ba th . This bathh as been t ran sformed in to a sa rcophagu s by th e addit ion ofa l id of pink gran i te . Fr om A lexa ndria (Wa rdian , westernceme te ry).
3 2 (3 867) Coarse gra ined white ma rb le , he igh t 0 m . 5 1 . Be l
l erop hon on h i s ho rse Pega su s . Be l lerophon i s a stride ofPegasu s
,the fabu lou s w inged horse whom cer ta in protecting
gods had sen t to the young he ro when h e was going to fightthe Chimaera . The monumen t h ad a su pport in g pi l la r at
the back . The s trong mu scu la r horse is rea ring up and ma
king an effort to bou nd forward . The ca va l ie r is se i zing i tsn eck w i th his le ft arm
, while h e tu rns back , perhaps tosee the effec t o f his blows on th e Chimaera . Be l lerophon
’
shea d as we l l a s tha t of Pega su s a re missing
,th e l ower ha lf
Of the horse ’ s legs a re a l so broken off . This fin e monumen tHe l len i s t i c
,from a l l appea ran ce wa s foundby Fagiol i
i n a we l l i n the Eas tern ceme te ry .
B IBLIOGRAPHY. R E INA CH S Rep erto i re , I I , 5 0 74 .
3 3 Col ossa l f oot , i n ma rble . shod w i th a ca l ceus richlydecora ted and su rmoun ted by a headless bus t of Se rapis.On t he hin der pa rt
,above th e hee l
, two u raeu s serpe n ts aree rect ing themse l ves
,a nd be tween them can be seen th e
lowe r sec tion of a s ta tue t te of a sea ted chi ld,p robabl y Har
pocra tes An in scri pt ion i n Greek is eng ra ved on the hee lmen t ion ing tha t th i s ex -Voto h ad been ded ica ted to Serapionby P(ubl iu s) Ac i l ius Zos imos and Ae l i us Dor i phorus . FromAlexandr ia .
BIBLIOGRAPHY . SCHM I DT C . , i n Arch . An z e iger ,1 896 , p . 5 4 ; D E
R i c e r, i n R ev . Areh . , IV sér i e , 1 . I I , p . 1 9 1 M . B re n n a . i n Ath . M i ttei l . ,XXXV p . 8, n o te 2 ; Wa m a m c u,in A th . M i l l ett XXXVI I p . 3 8 .
In the cen tre of the room
34 Ve ry coa rse-gra ined whi te ma rble,he ight 1 m. 98 .
Col ossa l Eag l e, in repose From the Is le of Tha sos . Giftof H. H . the ex -Khedive Abba s He lm i (fig .
A t the ba ck of this,rest ing aga in s t i ts pedes ta l
F i g . 1 0 8.
3 5 Nummu l i t ic l i me s tone,length 1 m 20 he ight 0 m
60 . A h i p ba th . From Alexandria .
36 Whi te ma rb le, he ight 1 m . 0 5 , w i d th of the bottom o f each side 0 m . 48 , a nd of the top
,o m . 3 6 . Tr i a n
gu l a r Ba se . The l ower port ion of the la te ra l su r faces iso rn amen ted wi th pa i rs of volu te s i n the form of an S
,w i th
rose t tes of conve n t iona l ised flowers and w i th the w ings ofthree sphinxe s whose bodies a re fi t ted in to the corn ers of
the cande labrum which is supposed to res t on the backsof these three monsters . Above the sphinxes the angle i sdecora ted w i th a ver t ica l row of a s traga l s . On the u ppersu rface the cen tra l hole is in a low tripod decora ted w i thcu r l ing lea ves of acan thu s and vine .
37 (393 1 Black basa l t,len gth 1 m . 9 5 , he ight (of the
recep tac le)'
0 m. 6 1 , of the cove r 0 m . 2 0 . Sa rcOp hag ns
i n th e form of a ba th . The la tera l su rfaces of th e receptacle are decora ted w i th l ion s ’ heads and w i th a l yn x ’ s headi n re l ief
,l ike No . 3 1 , which was foun d a t the same t ime
and i n t he same p la ce as this on e . The cover of the sar
cophagu s h as i t s fron t decora ted w i th a hea vy festoon offru i t and flowers (among which the poppy predomin a tes)he ld a t su i table d is ta n ces by three w inged gen i i who a re holdi ng a crown an d some poppy blossoms in the i r bands .
38 Wh i te m arb le,he igh t 1 m . 20 . D r ap ed sta tu e of
a ma n sea ted on a p iece of ra i sed grou nd H e i s w ea ringa chi ton and hima t ion , the righ t end of which is gatheredover h is knees . H i s hea d and his a rms (which a re missing)we re worked sepa ra te l y and inser ted in the body . This isprobabl y th e sta tue of a wr i te r (Men ander From LowerEgypt
3 9 Whi te marble,he igh t 0 m . 8 5 . A For e-a rm hol
ding a la rge sphe re i n its Open han d . I t mu s t have be longedto a colossa l s ta tue (of an Empe ror The e ffort of themu sc les and the swe l l ing of the ve in s cau sed by the efforta re we l l reprodu ced . From Benha (the a ncien t A thribis).
To the le ft of the en trance
40 Nummu l i t ic l imestone,he igh t 0 m. 64, w idth at
the s ide t o the ex tremi t y of t he volu te o m . 92 . Cor i n
th i a n Cap i ta l . Capi ta l of a flu ted column res t ing aga inst api la s te r . This re l ic of a large ed ifice whi ch mu st ha ve stoodi n the roya l qua r te r (i t wa s foun d i n ex cava t ing for the
founda t i on s of a hou se bu i l t a t the s ide of rue You sse f BizEddi n e) mu s t da te ba ck to th e I I I cen tu ry B . C . The lowerha l f i s decora ted w i th a can thu s leaves and spi ra l s prays . In
th e cen tre of the u pper edge a nd be low on each side of thisa re three flowe rs whose l ong s ta lks emerge from among the
acan thus leaves (fig . 3 6 , p .
4 1 (3 92 5 ) Whi te marb le , he ight 0 m . 5 2 . Nude ma le tor so,
preserved from the base of the n eck to the pub is. Th e a rmswe re ca rved sepa ra te l y a s i s shown by the holes made to
2 1 4
4 5 Whi te ma rble,he igh t 0 m . 7 5 , w idth (between the
ou te r port i on s of the knees) o m . 60 . Fr agmen t of a sta
tu e sea ted on a th rone , la rge r than l i fe . A large man t leen ve lops th e legs (a l l the u pper pa rt of th e sta tu e, whichwas worked ou t of a nother b lock of ma rble , is m issing) ;an end of the man t le
,drawn a cross the le ft thigh , i s gather
ed ove r the legs be tween which i t fa l ls i n beau t i fu l richfolds . The lower pa rt of th e le ft leg , from th e knee downwa rds
,was ca rved sepa ra te l y , a nd i t was n aked . I f this had
not been the case,we shou ld no t u nde rsta nd why the art
i s t shou ld have worked w i th such ca re even the folds of theman t le that fa l l over th e fron t of th e throne. It i s a lso eviden t tha t the s ta tu e wa s placed high u p and tha t these de
ta i l s cou ld be seen from be low . The workman sh ip of thisp iece of scu lptu re i s fu l l o f vigou r ; espec ia l ly rema rkablea re th e numerou s folds of t he m an t le
,de ep-cu t
,supple
a nd fu l l o f mot ion . This work ma de a grou p w it h the
three preceding s ta tu e s , bu t , to my m ind , i t revea l s a moresk i l fu l and more refin ed techn iqu e . I t i s probable tha t thiss ta tue s tood i n the cen tre of th e pedimen t and formed the
chie f figu re of the grou p .
BIBLIOGRAPHY. R E I NA CH S.,Rep er toi re , IV , (femme a ss i se );
C p . C . R . Aca d . ,1 90 8 , pa ge 79 4.
46 Ve ry coa rse -gra ined wh ite ma rb le,he ight 1 m . 20 .
Ma l e tor so . The chlamys fa stened on th e right is thrownove r the shou lders a nd back , and on l y covers the upperport ion of th e breast . The l imbs a re robu st
,a nd the mu sc les
stand ou t st rongly,Th e we ight of the body wa s borne
by the right l eg ; th e le ft leg was advanced and s l igh t lyben t . In sp i te of its deplorable sta te of pre serva t i on ,
i t i seasy to recogn i se a good piece of work .
47 Whi te ma rbl e w i th blu ish m a rks,he igh t 1 m . 90 .
A co l os sa l s ea ted sta tu e of Serap i s in a good sta te of prese rva t ion . Ha l f the nose i s m i ssing
,a nd th e mu stache is
ra ther corroded . The a rms a re broken off above the e lbow.
The god i s sea ted on a high throne , hi s fee t rest on a stoolpla ced diagona l l y . The r ight leg i s i n adva n ce
, a nd th e soleof the foot res ts en t ire ly on th e s too l ; the le ft l eg i s d rawnback , a nd on l y the t i p of the foot rests on the s tool . The
clothing con s is ts of a tu n ic (chi ton) w i th short sleeves and
of a man t le , the le ft part of which descen ds stra ight downfrom th e shou l der i n the fron t ; th e res t of the ma n t le fa l l sbehind the back , leaving the r igh t shoul de r free a nd drawn
ove r the left th igh fa l l s aga in in heavy folds towa rds thefoot . The body is repre se n ted to fron t . the head s l igh tl ytu rn ed towa rds hi s righ t h and . The broad an d high forehead protrud ing towa rds the base i s shaded by locks ofha i r fa l l ing from the summi t of the head , the long cu r ledha i r form ing a veri table man e . The eyes a re too large(ne i ther pupi l nor i ris i s m a rked), bu t deep -se t towa rds theroot of the nose ; the
eyebrow i s empha si zedand a lmost swol len . The
nose was st rong and
st ra ight . A rich curledbeard frames the cheeksa nd the s trong squa rechin . A long mu stachedrooping l ike tha t of a
Chinama n ,w ith cu rl ing
ends,shade the s inuou s,
fl e s h y,h a l f - o p e n e d
mou th. The express ionof the sta tue i s med ita t i ve , seriou s a nd gen t lea t the same t ime ; i ta lso revea l s t r a n q u i lassu ra nce a nd ca lm eu
thori ty . On the summi tof th e head a ppea rs thelowe r edge of a mod i u s
,
which must have been worked sepa ra te l y and fixed in to a
deep rectangu la r cav i t y . H is le ft ha nd ra ised to the leve lo f h i s shou lde r rested on a lon g scept re , his righ t on the
head of the gu a rdi an of th e inferna l region s , the threeheaded Ce rberus (fig . 4 5 , p . 1 1 2) Roma n e poch . From A
lexandria (Rue Adib).
BIBL IOGRA PHY . On t h e s t a tu e s o f Se ra p i s , Se e : AM E LUNG , Le Sera p ts d e B r i a x i s , i n Rev . Arch .
,IVm° Sé r i e
,Tom e I I , p a g . 1 77
-2 0 4 ; C p .IS I DORE LEV Y, Sa r a p i s . (Ex t ra i t d c l a R e v u e d e l ’ H i s to i re d e s R e l i g i o n s ,
W a n n a W D i e a egyp t i s ch e-g r i ech i s chen Te rr a kotten , B e r l i n C u r
;(u s
,1 9 1 4, p . 25 e h sq . R E I NA CH S . ,
R ép er to t re . I I , Se e a l so p . 1 1 0
o . 3 .
F i g . 1 0 9 .
48 White ma rb le,he ight 0 m . 60 . Sea ted Se r ap i s .
This example h a s no head,bu t t he re a re more rema in s of
Cerbe rus than i n the preceding sta tue . The cen t ra l headof this c reatu re i s a l ion
’ s w i th se rpen t s ’ heads a t the s ides .
49 Cha lk a nd pla ste r,he igh t 0 m . 5 5 . Col ossa l head
of Ser ap i s (fig . 1 0 9) on th e top of a beau t i fu l column i n
vio le t ma rble .
50 White ma rb le,he ight 0 m . 5 0 . Torso of a sta tue
(Os i ris ?) represen t ing a man c lothed in a smooth cl ingingtun ic, with long sleeves . The tu n i c i s tu rned down a t the
u pper edge a round th e n eck . H e holds both hands againsthi s breas t
,graspi ng th e scou rge w i th hi s r igh t and the
Osi ri s crook w ith h i s left . On th e edge of the tun i c,which
folds back,a re represen ted i n re l ief a sta r w i th seven poin ts
,
two sca rabs , and a crescen t ; onhis brea st, to r igh t and left
,
are two la rge sta rs . On the
be l l y are two Apis bu l l s,facing
,
on ea ch s i de of a l ong se rpentwhich moun ts vert i ca l ly Up the
length of hi s body to the topof h is brea st. O ther sta rs
, vo
lu te s , e tc.,we re on the lower
pa rt of th e body . I t this indeed a s ta tue of Os i ri s, as Profes
s or Webe r be l ieves? I at firstfan c ied i t to represen t a priestof Sera pis or of Mi thras . FromA lexandria (ru ins of Serapeum,
so-ca l led Pompey ’s pi l la r).B I B L I O G R A PH Y. BRE CC IA ,
R a ppor t su r l a ma rche d u Se rv i ce d uM uSe
'
e ( 1 9 1 0 p . 1 3 , p l . IV ; ‘VE BE R ,F i g . 1 1 0 . Terra kotten , p . 46 , fig . 25 .
5 1 Blu ish ma rble,h e ight 1 m . 2 5 . Another s ea ted
s ta tu e of Ser ap i s , ve ry badly p rese rved .
On the bra cke t
5 2 Whi te ma rble , he ight 0 m . 5 0 . Th e fron t pa rt ofa co l ossa l hea d of Ser ap i s . The sku l l and the ha i r mu sthave been comple ted i n plaste r . For the chara cte ris t ics ofthis head w e shou ld ha ve t o repea t a lmost the same thingsw e have sa id con cern ing othe r and be t te r images of Serapis . Al though the work has n o pa rt icu la r de l ica cy
,i t is
no t coa rse . The numerou s an d e v i den t tra ces of po lychromy shou ld be not iced (when the sta tue was discovered therewe re even some tra ces of gi l ding).
2 1 8
ken off above the bi ceps, the le ft foot and hand a re a lso
missing . The head and th e left hand w e re in se rted . Apol lois represen ted ha l f-naked . H is man t le , thrown on his knees ,leaves h is abdomen a nd brea st qu i te u ncovered ; drawn roundhis righ t hau nch and a l i tt le way u p h is back, i t is ga theredove r h i s left fore -a rm
,t o fa l l aga in be tween his legs . His
left foot rested fla t on the groun d, his r igh t wa s drawn back a
l itt le a nd ben t . H e i s represen ted as a young man w i th st rong,l i the l imbs
,his musc le s h igh ly deve loped . The mode l i s we l l
reprodu ced . Th e dra pe ry is a l i t t le hard i n t rea tment . Itis probably a redu ced copy from a n origina l i n bronze . Itda tes back to the He l len ist ic period and th e origina l maybe placed i n the g
rdcen tu ry B . C . Th e omp ha l os is a
short cone-shaped t ru nk , p la in and w i thou t orn ament . The
omp ha l os was su pposed to re pre sen t th e n ave l of the world ,and i t stood a t De l ph i i n the shrine of the temple a t the
s ide of the golden s ta tu e of A pol lo . I t i s often representedcove red w i th w rea ths a nd branches of lau re l . The red gra
n i te ompha los (see 543
,pla ced on the groun d i n fron t of
the sta tue of Apol lo), which I ha ve re cen t ly obta ined fromHadra , i s su rrounded by a serpen t ; this i s ev i den t ly an a l
lu s ion to on e of the fu ndamen ta l dogma s of the Py thian re
l ig ion , t o th e vic to ry ga ined by th e god over the serpentPython . Our Apol lo sea ted on the ompha los was boughti n Alexandria i n 1 90 2 , bu t i t appea rs tha t i t ha s been im
ported from Asia Minor .BIBLIOG RAPHY. ALAN J . VV AC E , Apo l l o sea ted on th e Omp ha los ,
i n Ann u a l of th e Br i ti sh School a t Ath ens , v o l . IX ( 190 2 pag . 2 1 1 -242 ;R E INA CH S. , R ep er toi re , I I , IV ,
5 5 Green gran ite,he ight 0 m . 60 . B ea rer of a Wi ne
sk i n . This s ta tu e h as been described , w ron gly to my mind,a s tha t of Bacchu s s tumbling ove r a fu l l w ine-skin . To me
i t seems more l ike ly tha t w e a re dea l ing he re w i th one ofthose gen re subjec ts , those st ree t scen e s , the ta ste forwhich a ccording to some a rcha eologists cha rac terised. one ofthe styles of Alex a ndria n a rt . We probably have h ere ei thera wa ter -se l ler or w ine-ca rrier (see the bunch of gra pes on the
t ree-trunk). Pe rfunc tory w orkman shi p .
56-
59 . Fou r h ea d l ess Roma n sta tue s,me re l y orn amen ta l , hono
ra ry o r funera ry.
‘They were a l l discovered in Alexa ndria ,probably near t he Roman ceme tery a t Sid i 'Gaber.
B IBL IOGRAPHY . A . J'
. R E I NA CH , Bu l l . Soc. Ar ch . , 1 1 p .
306 sq .
56 Whi te ma rble w i t h la rge blu i sh ma rks,he ight 1 m .
5 5 . A short dr a p ed p er sonage, somewha t p lump , his rightleg re st ing aga in s t the tru nk of a t ree
,his le ft leg free and
s l igh t ly ben t ; he is c lad i n a tu n ic a nd toga . H i s right a rmwas stre tched ou t and rested on the t ree t ru nk . Wi th hisle ft h and , ra i sed to the leve l of his wa is t
, he i s ho lding a
map p a . H is feet a re shod w i th ca l cei of the common e s ttype (p eron es) made of su pple lea ther . Poor w orkman ship .
57 Whi te marb le , w i th blu i sh ma rks , he i gh t 1 m . 7 3 .
D rap ed p erson ag e in the same posit ion a s the preceding,
ex cept that the righ t arm instea d of be ing s t re tch ed ou t isfo lded across hi s breast a nd rest ing i n the fo lds of the toga .
He i s shod w i th the ca l ceu s p a tr i c i n s ._
Studio work .
5 8 White ma rble, he igh t 1 m . 7 5 . D rap ed p ersonages tanding i n the same a t t i tude as the preced ing sta tues ; bu tthe right l eg , instead of rest ing aga in s t a t ree - trunk or pi l la r ,i s in con ta ct w i th a book-case (cap sa ) su rmoun ted by rol l sof pa pyrus . H e holds a n zap p a in his righ t ha nd a nd a
pa ter a in his le ft . H e i s w ea ring a r ing on the ring- finge rof h is left hand . Ca l ce i of the commonest t ype a re on his
BI BLIOGR APHY . See No s . 5 6-
5 9 : R E I NA CH S . ,R ép er to i r e , I I , 625 32.
5 9 Whi te marble , he ight 1 m . 3 0 . D rap ed p ersonag estanding w i th his left l eg aga in s t a cap sa su rmoun ted by a
bundle of rol ls . H i s le ft ha nd,which i s lacking . wa s l i fted
to the leve l o f his wa i st ; h i s righ t hand , st re tched ou t a
l i tt le s idewa ys,holds up an end of the rich and ample toga .
More ca re fu l work than th e preceding sta tues .
On the bra cke t
60 R ea l i st i c p or tra i t of a woma n of ma tu re age
w i th vu lga r fea tu re s,soft fleshy cheeks , an d ha i r brushed flat ly
i n pa ra l le l waves from he r forehead to th e back of he r neck .
6 1 White ma rble, he ight 0 m . 6 5 , leng th 1 m . 40 (fig .
R ecum ben t p er sonag e . An old man ha l f recumben ton a bed . Th e we igh t of th e body res ts on th e left side.
H i s head is sligh t ly tu rned to his r ight . He is dressed i n a
tun ic and man t le . The lat ter on l y covers his le ft shou lderand his legs . The left fore-a rm ,
res t ing on a k i nd of cu shion
,chie fl y su pports th e
'
w e igh t of the upper portion ofth e body. In his left hand he holds a drink ing-goble t , w h i lehis r igh t han d stre tched ou t a long his r ight hip holds a
bouqu e t of flowers . H i s fea tu re s are ind ividua l , and the
head a s a por tra i t i s very wor thy of a tten t ion . The la rgeroun d sku l l i s qu i te ba ld on t h e u pper pa r t . The w i de forehead is fu rrowed by deep wrinkle s . The la rge prominen teyes have n e i the r pupi l nor i r i s marked , and they are sur
rou nded by thick eye l i ds . Th e a rch of the eyebrow is verys l igh t l y accen tua ted . A broad s tra igh t nose su rmou n ts a w ides inuou s mou th . H is w i de ch in i s cove red w i th a fine bea rdindica ted by su perficia l tou ches ; so i s a l so his mustache
,
th e e nds of which droop down -wa rds l ike that of a Chinaman .
This studio -work is fu l l of fau l ts,but th e head shows much
cha ra cter . The s la ckne ss of a n old man ’s figu re is a lsorendered w i th a ce r ta in amoun t of su ccess .
B IBLIOGRAPHY. SCH R E I BE R,K6m-w ck -Sch ukdj a , p . 256 ; COLL ]GNON , Les s ta tues f une
’
r a zres , p . 3 57 , fi g . 227 .
At th e en t rance of room 1 7
62 Whi te ma rble,length 0 m . 40 . Fu n er a ry Gen i u s .
H e is l y ing on his righ t s ide,re st ing his head on his folded
left arm . H is righ t a rm i s st re tched ou t i n fron t,near a
torch tha t is res t ing on th e groun d. The head , which ismissing, - was in ser ted . The resembla nce of this type offunerary gen iu s to tha t whi ch fa ces i t
,shou ld he rema rked .
Those cri t ics who do no t be l ieve i t to be ea rl ier thanI ta l ian R e na i ssan ce may be w rong.
F i g . 1 1 2.
F i g . 1 1 3 .
the end of the 4t h
.
the n eck and the mou th. The
bands whi ch s u r r o u n d t h e
shou l de r and the be l l y a r e
joined to each ot her by vertica ll ine s or by pa lme t te s nea r the
ha ndles (fig .In the spaces
thu s en c losed are pa in ted in
brown or black , runn ing spira ls,pa lm- leaves
,rose ttes
,fes toon s or
ga rla nds of flowers,sprays of
ivy,of ol ive lea ves, of lau re l
(fig. 1 1 4, comp . fig . 1 1 3 ; fig .
3 2 ,p . More ra re l y an ar
ch i tecton i c pe rspec t ive is metw i th
,dol phin s (fig . 1 1 5) aquat ic
bi rds,w inged horses, a bat t le
s cene (fig .or the profil e
of a huma n head .
These u rn s a l l da te from the
3rd cen tu ry B. C . or even from
They have been fou n d i n grea t n umbersa t Cha tby
,a t Ibrahimieh , a t Hadra (hen ce the u sua l denomi
na t i on of Hadra -Va ses) a nd in the weste rn ceme tery (GabbariWa rdian ).when ce i t was imported toCypru s
,Cre te , Rhodes
,an d
in to Sou thern Russ ia .
Seve ra l of these u rn s bea r ,e i the r pa in ted or engraved on
the be l ly or on the shou lde rof the va se, th e n ame of thedecea sed , often accompan ie dby his fa the r ’s n ame a n d tha tof his coun try .
One group of these in scri pt ion s a l lows u s to fix w i thprec ision the da te of t he i ruse . They be long e ither toPto lemy
’ s me rcena ries who
came from Thrace,Cre te ,
Thessa l y, e tc .,or to ambas
sadors i n conn ect ion w i th there l igious feasts (Oswgoi ) sen ton missions to Alexa ndr ia ,
This t ype of c ine ra ry u rn origina ted i n Alexa ndria ,
F i g . 1 1 4.
where they died and we re bu
ried by an officia l or by an un
dertaker .
p’
) The se con d c lass is madeup of the va ses wh ich wh i lesimila r i n shape to the preceding , ha ve been decora ted by a
pa in t ing i n body-colou r a fterthe ir baking . They have beencoa ted w i th whi tewa sh
,and on
this surface there have b e e npa in ted in va rious colou rs (some
t imes in ve ry good pre ser va t ion ),fes toons of flowe rs
,or ribbons ,
or wea pon s (fig . 3 3 , p .
Pana thaena i c amphorae , fune rarymonumen t s , a Gorgon
’ s head,
a nd even por t ion s of clothing(for example
,a pa i r of shoe s).
The te rra co t ta u rns va rn i shedbla ck
,w ith a superposed de
cora tion in white , (fig . 1 1 7 )
F ig . 1 1 5 .
often bea ring meda l l ions or p la tes i n re l ief, are equa l l y com
F i g . 1 1 6 .
mon in Alexandria, bu t they
have nothing speci a l ly A lexandrian abou t them
,having
been impor ted from abroad(probably from sou the rn I ta l y),or be ing loca l im i ta t ion s ofth is same fore ign s tyle . C in erary u rns i n a laba s te r are
a l so fa i rly common . Towa rdsthe close of the He l len i s t icpe ri od a nd i n the Roman per iod te rra cot ta u rn s ename l ledgreen
,and leaden u rn s become
common . Some gla ss u r n sha ve a lso been found .
B IB L IO GRAPHY . SCHR E IB E R Tm , D 1 8 N ekropo l e von Ko
‘
mes ch Sch nkdj a ,
Kap . XVI , §7 ; Ba n c
C IA E v Isc r i‘
z i om'
gr ech e e l a t i ne
(C a ta l o g‘
u c G én é ra l ) , p . IX -XV I I ;La N ecrop o l i a t Sc i a tb i , p . 25 sq . ;PAG E A STE C H E R R . , D i e g r i ech tsch
a egyp tzsch e Samm l u ng Erns t van
Steg l i n ,Ba n d I I
, 3 e r Te i l . A l l p rev io u s l i t e ra tu re i s to b e fo u nd qu o ted int h e se b ook s . In a g en e ra l m a n n e r, I re fe r to t h e s e p u b l i c a t i on s f0 r ev e ry t h i n gth a t co n c ern s t h e c e ram i c prod u c t s pre se rv e d i n o u r M u se u m a n d pu b l i sh ed
u p t o n ow .
LAMPS. The quan t i ty of lamps tha t are found a t A lex-i
andria, e i the r in the rubbish heaps , or ins ide and ou t side the
tombs,i s rea l ly ex traordina ry . The Museum possesses a col
lect ion of many hun dreds,of which a sci en t i fi c fifpubl icat ion
w i l l show the grea t 3
importance . As a m atter of fa ct, lampsmay be reckon ed amongs t the mostprec iou s an d the most in terest ing produc ts of the ce ramic a rt i n an t iquity .
Usua l ly the Greeks u sed candlesfor l ight ing pu rposes , bu t t races oflamps a re found as fa r back as the
Mycenaean epoch , an d they must havebecome common i n He l len i st ic t imes .We h ave discovered a con siderablenumbe r in th e tombs of the 3
rdcen
tu ry B . C . Gold,bron ze , a labaster
and g la ss ha ve be en u sed from of oldi n th e making of lamps ; bu t bakedc lay is n a tu ra l l y the predomina tingma ter ia l . Mos t lamps a re made in a
mou l d of two she l l-shaped sect ions ,u ppe r and low e r
,which are ad ju sted
one to the othe r before baking.
I t i s ea sy to dist ingu i sh th e preF ’g ° ” 7 ‘
Roman, Roma n
, and Christ ian lampsi n ou r co l lec t ion . The pre
-Romanlamps have usua l ly no decora t ion i n re l ie f ; they a re a l so verys imple ; a roun d or cy l indrica l rece ive r w i th la rge centra l holeto pou r i n th e oi l . They are n ot p rovided w i th a ny handle a t
th e ba ck,and ha ve on l y a sma l l p rojec tion a t the side pierced
w i th a sma l l hole which mus t ha ve served to thread these lampsby the dozen on a string hanging from a n a i l
,e i ther in the
workshop where they we re made,or i n th e lamp -se l ler
'
ss ta l l . The re servoir of some othe r lamps is sha ped l ike a he
m i sphe re , moun ted on a foot , w i th a la te ra l ha ndle in the formof a fa i r ly large ring
,and a slen der p romin en t spou
't, i n the
end of which is a c i rcu la r hole from which the lamp wickprotruded . The u ppe r edge of the cen tra l h ole i s decoratedw i th a ru nn ing sp i ra l in bla ck on a red ground .
Some ofthese lamps a re made of a bea u t i fu l red c la y
,w i thou t any
Fables , spec ta cle s a t the c i rcu s, riba ld scene s e tc . We mustcon fine ou rse lve s to poin t ing ou t in the fol low ing pages on l ythose lamps tha t are in tere st ing e ither becau se of the i r shape
,
or because of the bea u t y, or importance , or cu r ios i t y of the
scenes represen ted on them .
BIBL IOGRAPHY . I t wo u l d be im po s s i b l e , a nd a l so o u t of p l a ce , t o
m en t i o n h ere t h e imm en se se r i es o f p u b l i sh ed wo rk s d e a l i ng w i t h Lam ps i n
fo rm e r ag e s . T OUTA IN ’ S ex ce l l e n t a r t i c l e c Lu c e rn a » i n t h e Di cti onn a i re d esAnt i
'qu i tés gr ecques c l roma i nes . ed i te d by Sa g l i o -D a remb e rg ,co n t a i n s p rae
t i c a l l y a l l th e b i b l i o g ra phy u n t i l a b o u t 1 90 4. A n um b e r o f R om a n Lam p sfrom Egyp t h av e b e e n d e a l t w i th b y H . B . ‘VALT E R S , (Ca ta l ogue of the Gr eeka nd Rom a n Lamp s i n th e B r i t i sh M us eum
,Lo n do n , An i n t e re s t i ng
s t u dy , W i t h a p ro fu s e i l l u s t ra t i o n o f type s a n d s h a pe s , h a v i n g re fere n c e a l so to
t h e co l l e c t i o n s o f t h e A l ex a n d r i a M u se um,h a s b ee n wr i t t e n b y FL I NDE R S
PE TR IE i n R oma n Eh na sy a , 1 904, p . 41 4, P l . LI I I-LXXIV . T h e Arch . Anze i
’
gero f J u ly 1 9 1 6 c on ta i n s th e t e x t o f S i ncFR I ED LO E SC H K E ’
S impo rta n t l ec tu re o n
t h e h i s to ry o f l am ps i n An t i qu i ty . Lo eschk e , w ho h a s u n d e r t a k e n t h e t a sk o f p u
b l i sh i ng th e v o l um e d e a l i ng w i th Lam p si n th e se r i e s of Si eg l i n
’s Ex pe d i t i o n , h a s
re cen t ly ed i te d t h e r i ch p u b l i c a t io n La m
ren a ns Vi nd on tss a (Zu r i ch , Se e
a l so CA R TON L. , Les Fa br i qu es d e l am
p es d a n s l’a n cx
‘
enn e A/ r z’
q ne i n t h e B u t
l et tu tr i mes tr i e l d e l a Soci e‘
te'
d e Ge'
o
g rap h i c et d’
Arche’
o log i e d 'Ora n ,O ra n ,
p . 6 1 - 1 0 3 .
TER RA COTTA STATUETTES (fig .
Since the grea t discovery of te r racot ta figu r in es a t
Tanagra , then in Asia M inor and
in othe r pa rt s of the Greek world ,. grea t in te rest ha s beenbestowed on this branch of ant iqu i t ie s. The A lexandrian figu
rines,a l though l i tt le known up to now ,
a re n e verthe less ofrea l importance
,whethe r on a ccou n t of the i r va r iety or on ac
coun t of the i r de l i cacy and o f th e idea l i sa t ion of certa in types .Figu rines of a grote sque form gene ra l l y appea r more freque n t lyin th e Roman pe riod . Archa eologis ts h a ve often a sked why
the a nc ien ts placed these figu r ines in t he i r tombs . Origina l l ythese figurine s
, which a re of a vot i ve cha ra cter, a re eviden t l yconnected w i th fu nera ry be l iefs
Nothing is more na tu ra l than tha t du ring cen tu rie s of fa i th ,a a s in the t imes o f the wa rs of the Medes, re l igiou s imagesrepre sen t ing the di vin it ies shou ld be in te rred w i th th e de
funct ; the corpse was su rrou n ded by his gods ; to these wereadded his weapon s
,his jewe l s , every thing he h ad been fa
mi l ia r w ith du r ing his l i fe . L a ter on when re l igious sen t imen t re laxed
,th e t radit i on wa s st i l l he l d in re spe ct, though
F i g . 1 22 .
i ts mean ing w a s obscu red ; and i t rema ined cu stoma ry toa p lace , i n th e tomb of th e decea sed , figu r ines which w ou ldreca l l to him
,in the othe r l ife
,the compan ion s of his morta l
ex istence ; these personages wou ld give a cha rm to the semi1 rea l l i fe tha t wou ld st i l l an ima te him in the tomb ; theyrepla ce the l i ving be ings , s laves, horses , which i n he roic t i
me s we re sa cr ificed on the tomb of the wa rrior in order thata h e migh t en te r Hades e scorted by h is u sua l compan ions
The re is ce r ta in ly a grea t dea l oft ru t h i n this beau t i fu l page of M . Coll ignon
's,bu t I be l ieve t ha t in Alexan
drian and Roman t imes th e origina lsymbol ica l mean ing was comple te ly obscu red and tha t the influe n ce of re l igiousbe l ie fs on this cu stom was nu l l or a l
mos t nu l l . Th e pre sen ce of these fi
gu r i n es seems ra the r the ma n i festa tionof a psychologica l s ta te ea sy enough todivine
, bu t difficu l t t o ana l yse . Thesefigu rines
,which are nea r l y a lways found
i n th e graves of women and chi ldren ,and n ever in those of men or of agedpeople
,are there to ind i ca te in some
fash i on th e de l ica te a ffec t ion of the
su rv ivors . They represen t the flower ofmemory
,the n eed of pu t t ing an atmos
phere of l i fe a round those who havebeen prema tu re l y deprived of i t ; the
most sol id bonds of affect ion towardsthe aged a nd t owards men do not ma
n i fest themse l ves w i th th is n a ive poetrya nd de l i cacy
,which have so in timate
,so
profound, and so n a tu ra l a mean ingwhen chi ldren , you ths , a nd young wome n a re concerned . In
shor t, i n th e less primit ive periods, a ccording to my idea , the
te rracotta figu rines p la ced in the tombs ha ve no p rec i se symbo l ica l s ign ifica t i on . By force of trad i t ion
, and as the man ifes ta t ion of a sta te of min d , ju s t a s a s tr ig i l or a sword isla i d bes tde the - corpse s of men of r i pe age or of so ldiers , soby the s ide of o the r corpses
,according to age and sex
,there
a re de pos i ted te rra cotta figu rin es, w rea ths , e tc .
As regard s th e fabrica t i on of these figu rines,t he re are two
proce s ses : the la rge r n umbe r a re made by the he l p of mou lds ,others are made by han d . In both ca ses the figu rines were
F i g . 1 23 .
B IBLIOG RAPHY . KISA A D a s G l a 5 1m . l .’ter
tame ; Bo n n e r , Not i ce h i s tor i que d e l’
a r t d e l a ver
r er i e n e’
en Egyp te i n Descr i p t i on d e l ’Egyp te , M e
(An t tqm tés ) t . I I , p . 1 7 a n d fo l low i n g ; Ifn o s nin i t . La verr er i e a n t i que ; SAN G I O R G ] , Co l l ez i on e az
'
t'etr i a n tzch i , M i l an o , 1 9 1 4 ; R o s r owz a w M . , h a s p u
b l i sh ed i n 1 9 1 4, i n co n n ec t i on w i t h a b ow l d i scov e red a t
O l b i a ,a n o t e on p a i n te d g l a ss i n th e l a t e He l l e n i s t i c
pe r i od , o f wh i ch M ’ M O R I N J E A N h a s g iv en a d e ta i l e d
r e v i ew i n t h e R ev . Arch . . 1 9 1 7 , t . V . p . 3 1 1 a n d fo l lowi ng ; M O R 1 N J E AN
, La t‘
crr rr i e e n Ca tt l e .
t . 0
F ig 1 2 4 In glass -case A ‘: n ume rou s p l a tes , ba l sama
r i es,some r
of them st i l l wrapped up in
dried da te- lea ves . 1 2 two cups w ith a
ye l low groun d spot ted w i th m auve .
In glass-case P
1 (39 69) B eard ed ma sk in polychrome gla ss paste ; 2
3 4 Amp hor a - shap ed vases w i th mu l t i -colored lmes (fis 5 6 7 (3 9 59) 8 (396 5)B a l sama r i es of e legan t forms , w i th pol ychrome l ines orla ye rs giving an agreeable ef
fec t (fig.
On the sma l l wooden co lumnQ : A l a rge g l a s s va se whichwa s u sed a s a cinera ry urn .
In glass -ca se 0 : Nume rous bolt l es and ba l sama r i es . On the
she l f i n the midd le : Fragmen ts of mur rh i n e a nd m i l FM
In the gla ss -case A : a beau t i fu l col lect lon
of bott l es and of o the r va ses of e legantform
,which exh ibi t an admirable i rides
cence : see No . 1 (7 27 8) w i th an ova lbody
,long poin ted foot and very high neck
(fig . 2 3 (7 26 3) shaped l ikea bird (fis 4 s 6
(7 2 1 1 ) l ike amphorae ; 7 (7 26 5 ) a verysma l l ph ia l , i t s body decora ted w i th a
bra nch of ol ive leaves in re l ief ; 8 (7 297)l i ke a n amphora w ith corded body ; se
ve ra l ba l sama rie s of e longa ted form (G1ftof Mr . Rotha cke r).
l efi or i va s es , a nd glass mosa ics. I t wa sthe he ight of fa sh ion i n th e He l len is t icpe riod to cover or to in crust wa l l s ofbri ck w i th s labs of ra re r ma te ria l
,
“
ma r
b le . a laba ster, e tc,or to work on the
wa l l s mosa ics made of gla s s-pa s te . The
I ta l ia n t rave l ler F i l i ppo Piga fe tta i n the
XV I cen tu ry was fortu na te enough tofin d some ol d houses i n Alex andri aw i th the i r wa l ls s ti l l reta in ing decorat ion s of admirable workman sh ip .
In the gla ss - ca ses Nos . 1 - t o,fastene d
to the pi lasters a lon g the wa l ls of th i sroom
,man y hu ndreds of han dles of am
phorae a re exhibited chosen from a
mon gst many thou sands ; they are a l l
ma rked w i th a stamp or w i th a sea l .The mean ing of these inscript ions is no t qu i te ce r ta in ye t .
The a nc ien ts u sed la rge amphorae (the re are a number ofthem placed he re a nd there i n a l l the rooms) for t ra n sport ingcerta in commodit ies, such a s w ine
,o i l
,corn ,
fru i t , eggs . The
handles of these receptac les gene ra l ly bore a ma rk whichshowed the i r place of origin : R hodes (the ha ndles from Rho
des are in a ve ry grea t ma j ori ty i n Alex . i , Cn i du s,Tha sos
,
Pa r as,Smy rna ,
e tc . The cu stom of stamping the amphorasorigina ted a t Rhodes . On th e Rhod ian stamps the make r
’s nat ion a l i ty is n e ver in dica ted
,whe rea s a lmos t
everywhere e lse the worker adds his na t ion a
l i ty on the s tamp .
These s tamps,when they are comple te
,give
us . pa rt ly on one handle , and par t ly on the
O the r,or on one handle a l one , th e fol l owing
indica t ion s : In Rhod es,the name of the p r i est
of the Su n,th e month
,the n ame of the m a
ker,a nd the a rms of th e town (th e rose , the
head of the god He l ios) or some othe r emblem ;i n Tha sos , on l y the place of origin Ga ota w, a
k ind of hor n ,e tc .
,a nd th e n ame of the ma ker ;
in Cn idus , th e indicat ion of origin Km’
dwv orKmdc
’
wr ,the name of the p h rn ra rqn e a nd tha t
of the p otter , a nd some emblem .
,Some a rchaeologi st s ha ve a ttribu ted a n o f
F i g . 1 27 . fic i a l s ign ifica t ion to these stamps , Others no t .
F i g . 1 26 .
Accord ing to those who see an offic ia l cha ra c te r i n the stamps ,t hey were a ffixed by magistra tes and test ified to th e paymen to f a tax : others th ink tha t t h e stamps were makers ’ ma rks and
a t the same t ime equ i va lent to a s tamp a ffix ed a fter officia lverifica t ion of the con ten ts . Bu t i t wa s more l ike ly that the
stamp ing was a priva te affa ir,a l l ow ing the m ake rs to advert i se
the i r products ; a t the same t ime t hese sign s pe rm i tted the
manu factu rers,i n the i r workshops , to fol low the cou rse of the
comme rcia l opera t ion s through which the amphorae shou ld pass .Moreove r
,when on ce s tamping became th e custom (the stamp
ing of the amphorae mu st ha ve been copied from the stampi n g of bricks , the objec t of which was to protect the ownerra the r than th e make r aga in st the ft), its va lue as an advert isemen t a nd a s a con tro l ove r th e work was soon apprecia tedI t was in fa ct a precau t i ona ry measu re
,and a safeguard aga inst
possible frau d : the stamp indica ted the mon th of manufacture,a nd con sequen t ly be fore the manu factu re r pu t on the marketthe a rt icle s manu fa c tu red a t tha t da te , i t was ea sy to ascertainwh ether a theft had taken p la ce . The mou lds for the s tampswe re probably made of wood .
B IBLIOGRAPHY . On t h i s qu e s t i on a v e ry r i ch b i b l i og ra ph y ex i st s . Seein th e l a s t i n st a n ce : M A RT IN P. N I LLSON , Timbres a mp ho r i q ues d e Li ndos ,C o p e n h a g en ,
1 90 9 ; BLE CK M AN N F . . Zn d en rh od zsch en Ep onymen H e l i oswz‘
es
ter n i n Kl z'
o, X [ p . 249 sq . ; H . VO N GA E R’
I‘
R I N G E V, Ber l i ner Phi lo
’
ogWoch ensch r tj t , 1 9 1 3 , p . 1 2 4 sq . Fo r t h e Bi b l i o g ra ph y re fe rr i n g to EgyptHR E C C i A
,B . S . A . , 9 p . 74
-8 5 . Ad d : PR E I S IG K E F Samme l b uch gr i t ch .
Urkn n d e tz a ns Aegyp ten , pa ss im ; PA G E N S’
I‘
E C H E R R . , D i e G r i ech z’
s ch -a eg yptzsch e Sa mm l ung E . van Steg l i n , p . 1 5 2 sq . ; B R E c cm , R a ppor t s u r l a ma r
eh e an Servi ce a h M nse’
e ( 19 1 9
Gla ss- ca se B (to th e le ft of the en tran ce). Some m i r rors,a
ry a thu s or s imp u l um ,a sma l l va se i n th e shape of a spoon
w i th a fa i r ly deep bow l an d a long ha ndle ; i t was u sed toscoop up the wine ou t of the vesse l to fi l l the cup. Somel amp s made of bron ze . Othe r domest ic u tens i ls : keys,C la sps
,spoons
,e tc .
In the midd le compa rtmen t , a certa in numbe r o f stone pol i sher s u sed by goldsmi ths an d jewe l le rs .
In the lower compa rtmen t s,
a col lect i on of leaden ci nera ryn rn s .
On the sma l l column B ‘. Bron ze H e lmet. 8 2. A la rge Oi no
choe . B3
. Ca n del a brum .
Glass-case C . (Upper she l ves). Terr a cotta figu r i n es found i n a
rubbish -heap in the Moha rrem Bey qua rter.
2 34
preme deity i tse lf. In rea l i ty these gnost i c s tone s were ta
l isman s . The i r represen’ ta t ions an d in script i on s are very
va r ied a nd complica ted a nd of a fan ta s t ic imagina t ion tha tprobably defies ex plana t ion . Simple sou l s be l ieved tha t t heseta l isman s exe rcised a div ine influence an d con s ide red the i rinscri pt ions as the n ame of God . Often the re i s no con
n ect ion wha teve r betw een the insc ri p t ion s and the figu rinesengra ved on the stone s so frequen t ly found i n Egypt .
Gla ss-ca se D . In the u ppe r compa rtmen t a se ries of sma l l vo
ti ve a l ta rs in terraco t ta a nd l imestone . No . 1,on she l f ( 1
,
F ig . 1 29 .
shou ld be n oti ced,i ts ex terior su rfa ce i s de cora ted w i th
festoon of’
flowers u phe ld by Cupids : 2 . The fou r facesof the p i l la r bea r bu s ts i n re l ief of Is is He ca te
,of Isis
,
and of Ha rpocra tes ; No . 3 bea rs two ea rs on one of itsfa ces i n order to in vi te the divin ity to l is ten we l l to thepraye r.
She l f b . Rema in s of Pel ves tha t i s to say Ba s in s in tendedfor hea t ing wa ter in , for the wa shi ng of l inen , c l o thes
,feet .
e tc . The ma rk of the fa ctory i s engraved on the edges ofthe vesse l s . (See BRECCIA, R app or t 1 9 1 9
She l f c. and middle compa rtmen t , two Egg ja rs : Ar ret i nePottery . Many of these vases bea r the mark of the factoryAvi l i ; Primi ; At i l i i ; C . Mu rr i ; C . Chrest i , e tc .
,and i ts 10
ca l im i ta t ion s ( terraSigi l la ta) n dog ; Xa
g t g ; Z a gam g , e tc .
On a ra i sed ba se a t the
ea s te rn end of t h e
room i s p la ced a col ossa l sta tu e car ved ou t
of a porphyry monol i th . I t i s the la rgestex i s t ing sta tu e i n thisma teria l . The h e a dand the righ t a rm are
lack ing . Heigh t 2 m .
8 3 . I t represen ts e i
ther an Emperor (D o
cl et i a n accord ing toNeru tsos), or a Ch r i stas Pa n t okra t or according to Strzygow sk i . Ma le figu re sea ted on a thron e w i th a
ba ck,dressed i n a tun i c a nd hima t ion . This work may da te
from the 4t h cen tu ry A . D . I t was fou n d i n Alex a ndria a l
mos t in fron t of the At tari ne Mosque , on the' sou th side of
the s tree t . Gift of the Zogheb fam i ly .
F i g . 1 3 0 .
B IBLIOGRAPHY. Sr a z v c ow s x t , Kop ti sch e Kuns t (Ca ta l o g u e G én éra l d a M u sé e d a Ca i re), p . 1 -6 ; R E INACH S . , R ep er toi re, I I ,
In fron t of th is s ta tue,pla ced . agai ns t its ra i sed
on ly wh i te m a r b l e
sa r cop hagu s decora tedw i th a my thol og i ca lsubj ect i n re l ief
,dis
covered in Alexan dria
(fig . The typica lsa rcophagu s of A lexandria is the sa rcophagu sw i th ga r lands (see inthis same room the two
sarcophagi to r ight a ndleft of the door leadingin to the ga rden). Th e
fron t face is d ividedin to two scenes
,the
sma l le r one t o "t h e
r igh t,
’the othe r to the F i g . 1 3 1 .
le ft . In th e sma l l pic tu re , a woman (Bacchan te) i s seenca rrying two torches , to l igh t the way for He rcu les , whoi s drunk a nd stumbl ing an d wa lks w i th di fficu l ty su pportedby two Faun s ; a third Faun car r i es ove r his shou lder thec lub abandoned by th e god . The ma rb le projects somewha tat the le ft of this scen e and th i s p rojec t ion sepa rates the
two scen es . Beyond thi s pro jec t ion the prow of a boa t eme rges to
'
indica te tha t the mee t ing be tween the sleepingA riadne an d Dionysos fol lowed by his band of compan ionsi s taking pla ce i n the i s la nd of Nax os
,where Ariadne has
d i semba rked a lone when coming from C re te i n pu rsu i t ofTheseus . The Ath en tan h ad fa i led to keep h i s promise of
ma rriage to h er and had le ft Cre te secre t ly after hi s exploitaga in s t th e Mino tau r . A
ria dne,ma d l y i n love , set
sa i l a lone to re join him ; bu t ,t i red by the long voyage
,she
res ted i n the Is le of Naxos ,Sh e i s represen ted plungedi n a profoun d sleep (see the
figu re of Hypnos,god of sleep
,
standing to the r ight of Ariadn e , bending over h er and
“
ca ress ing he r w i th his righ thand) l y ing on a low bed
,on
he r le ft s ide . In con sequenceof unconSCtous ly made i n her s leep, she isha l f u ncove red . D ionysos
,su rprises her i n thi s provoca t ive
a tt itude and is profou nd ly stru ck by h er be au ty,which a lso
e xci tes the l ive l y admira t ion of his compan i on s (Pa n , Si lenopappus, Fau ns Faunesses). By sign ifica n t mot ion s they a l l
ex press the i r en thu s iasm and the i r reques t not to w ake the
beaut i fu l s lee pe r . The en d of th e s tory is we l l -k nown : Dionysos ma rries Ariadn e . On th e la te ra l su rfaces of the sar
cophagus a re represen ted Faun s and da ncing Maenads on the
right (fig . and on the left a vin tage scene (un fin ished)(fig . We have he re an eviden t a l lu s ion to the Diomysian mysteries which he lped to spread i n th e ancien t worldthe idea of a happy immor ta l i t y . V in tage scenes , Bacchicemblems, or the figu re of Dionysos himse l f ca l l to mind the
product ion of w ine,the be verage of immorta l i ty
, which was
offered to those who were invi ted t o the ce remon ies ofthe myster ies . In spi te of ra ther ca re le ss ex ecu t ion and
inequ a lit ies wh ich ca tch the eye , th is pie ce of work is
F ig . 1 3 2.
over a l a rge squ a re a l ta r w i th a crote ria ; to the righ t , behindthe queen i s a sma l l con i ca l co lumn , enw rea thed w i th ga rlands(see G la ss- ca se S . No . An inscri pt ion is engraved on
the fron t of the a l ta r (G la ss -ca ses Nos . 5 -6) Gau‘
w s’
vsgyezd’
w,
and a t fou r cen t imetres above th e a l ta r a second in scriptioni n honou r of the qu een Ba a l /116 0 77; B eg s l ng , dyer/917; 1 157577;
(G lass-ca se S . 7 , 8 , 9 The fol l ow ing shou l d be n ot icedamong the o the r fragmen ts i n Glasscase F . she l f C . 7 : a fi gh ti ng scene.A wa rr ior
, who h a s probably fa l lenfrom his horse (obse rve the horse infu l l fl igh t
, on the left hand), a rmedw i th a shie l d an d w i th a sword ,t ries to de fend h imse l f aga in st ane le phan t who i s pu rsu ing h im and
l i ft ing up i t s trunk a t him . The
body of the e lephan t is cove redw i th r i ch tra pp ings
, wh ich provestha t this i s no hun t ing scene .
8 . Fragment of a Skyp hos . A cen
tau r i n profi le to r igh t,w ith front
fee t ra i sed, l ifts up a la rge stone inhis r igh t hand to st rike down a wa rrio r whom he t ries tohold fas t w i th his le ft . The warr ior
, a rmed w ith a shie ldand a sword
,h as hi s right arm ra i sed above his head in
order to strike ha rd,bu t he seems to be on the poin t of
su ccumbing. Beau t i fu l workman ship , i n high re l ief. (Observethe e legan t flora l decora t ions of ma ny of th e other fragments).
In the lowe r compa rtmen t,two long sect ion s of two l eaden
wa ter p ip es (Diam . o m . 1 4 ; o m . 0 9) and seve ra l terracot ta ptpes .
Fi g . 1 3 5 .
BIBLIOGRAPHY . On th e su b je c t o f
g l a ze d po t t e ry i n Egyp t a t th e G rac co - Ro
m a n ep och ; FL INDE R S F a r m m, R oma n O l a z
i ng K i l ns (St u d i e s , p . 34-
3 7) M em ph i s , 1 ,
p . 1 4- 1 5 , p l . XL IX ; M eyd um a nd M emp h i s .
p . 4 1 -43 : Ama rn e , p . 2 5 ; Za u x R . ,Gl a s i erte
Tongefltsse { in An ti qua r i a n; (Amt l i che Be
r t'
ch te a us d . Kuns ts a mm l u ng en , Ju l i 19 1 4,N o . B I ENKOW SK I , B u l l . d e Z’Aca d . d es
Sci ences d e C ra c ov ie . Ap r t l -J u n e , 1 9 1 2 ; B a n ccm , Necrop ol i d z Sci a tb t
'
, p . 1 87 , n o . 6 1 4 ;R a m a c u A o .
,La m a r t d e B renn a s . etud e
s u r que l ques fi g u ra ti ons d es ( ta n l oi s da ns
l ’ a r t h e l l e’
n i s tt’
q ue , t . XX I , M on . P .
"ot, p.
1 96 sq .
239
Gla ss-case G . Th i s glass- ca se conta ins pa r t of the fu ne ra ry furn i ture from the Necropol is a t Cha tby (see p . th e mostancien t n ec ro pol is of A lexa ndria , da t ing from between th e
end of the IV and the fi rst ha l f of the I II cen tu ry B. C .
Amongst the pot tery not i ce the e legan t bl a ck va rn i shed cup s
( 1 - 2 ) w i th the long batonne t handles,a t ta ched to the
vase on l y by the i r l ower ends (fig. some ka n th a ro i
(fig . 1 3 3) or the same type some skyp ho i (4 A
mongst the terracotta figu rines,
see No . 6,th e fou r which
have been pla ced round the cine ra ry u rn s i n the same po
s i t iou i n which we discovered them ; 7 . A wrea th of a r t i
F i g‘
. 1 36.
flowers pa in ted ter racotta (fig . 8 . La urel
wrea th ; 9 . An i vy wrea th in gi l t bron ze a nd te rra cot ta1 0 . A c i ner a ry u r n i n i ts ca se formed of two large te rracotta bas in s ; 1 1 . Ch i l ds
'
Ba th'
u sed as a sa rcophagus ; 1 2 .
Sa r cop hag n s for a'
ch i ld made ou t of a la rge terracottadra in -pipe ; 1 3 . Ci nera ry u rn of terracotta cove red w ith a
coa t of gi lding ; 1 4- 1 5 etc . Tea r-bottl es , sma l l d i shes
,a l a
ba s ter cup s .
Glass-case H . Ten c i n era ry u r ns,hydri form
,of the type of th e
Hadra Va ses ; 5 .Decora t ion or ol ive of lau re l b ran ches ; 6 .
Sprays of i vy. Urn No . 7 , con ta ins the a shes of a ce rta i n
G lauc ia s ; No . 8 .bea rs on i t s fron t su rface rac i ng scene
in the s tadium.
Gla ss-case K . Ci n era ry u rn s of_which the da te of bu ria l can
be fixed w i th precis ion,see the Greek i n scri pt ion pa in ted on
the body of the u rn s . 3 . Urn of Me nec les , a Cre tan , ca va l ryleade r : died i n 2 8 1 - 0 B. C . (the 5
t h year o f th e king,tha t
i s to say of Ptolemy Phi lade lphus) ; Ph i lon h as undertakenhis funera l ; 4. The pe rsonage whose a shes a re en closed inthe u rn wa s a nat ive of Pamphyl ia : he died in 27 8
-
7 B . C . ;
6 . The urn of Tha les, n a t i ve of Cyzicu s , re l ig iou s envoy, diedin 2 78
-
7 B . C . ; 8 . Urn of At ta los , n a t i ve of Aca rnan i a .
Glass -ca se L . (Cha tby Necropolis). Ci nera ry u r n s decora tedw i th ol ive branches and sp rays of ivy in black
,before the
fina l baking (see Nos . 1,
C ine ra ry u rn s covered w i tha coa t ing o f white-wash and decora ted w ith a polychromepa in t ing i n gouache Nos . 3 , 4. Wrea th of flowers and
r ibbon s ; 5 . Fune ra ry monumen t,breas tpla te and sh ie ld ; 6.
Brea s tpla te and sh ie ld (fig . 38 , p . these la s t con ta inthe ashe s of so ldiers . Ter r a cotta fi gur i n es 7 . You ng womanw i th a la rge con ica l h at (peta sos) on her head (fig.
Pa i n ted s tel a e. 8 . A wa rr ior taking leave of his two sons .
To the l eft of the door in t o the ga rden : La rge sa rcop hagusi n wh i te ma r b l e
, breadth, 1 m . 9 8 , he igh t (w i thou t the cover)0 m . 98 (fig . I t has a very heavy cover w i th r idge downcen tre and w i th acrote ria a t the fou r corners . The front ofthe sa rcophagus is decora ted w i th festoons of flowers and offru i t (whea t-ea rs, poppies, an d gra pes) su spended from na i lsto which bucran i a a re a t tached ; a n enormou s bunch ofgrapes h angs from th e lowe r pa r t of each fe s toon
,whi le the
upper space w ithin th e fes toon s i s decorated w i th rose ttesor (in the case of th e cen tra l on e) w i th a Gorgon ’s head.
From the Weste rn Ceme te ry (Wa rdia n ).Above this sa rcophagu s : Mosa i c re presen t i ng the person ifica tionof the legend of the r ive r A l pheu s (the young man to the
le ft) pu rsu ing th e bea t i fu l n ymph Are thusa (fig .
Are thu sa w as a n ymph of El is, where Al pheu s was the river-god . H e fe l l mad ly i n l ove w i th Are thu sa , who ,
wishi ng to escape hi s pu rsu i t s
,took refuge a t Syra cuse i n Sici ly .
A pictu resque foun ta in ca l led by th e n ame of Arethusaexis t s a t Syracu se u p to our own days . This legend isfounded on th e be l ief of the a n cien ts tha t the foun ta in ofArethusa in Sic i ly i s the mou th of th e Alpheu s
,the largest
r iver of the Pe lopon ne sus which myste rious l y disappearsundergrou nd .
242
fusion i t wa s n ecessa ry to pla ce spec ia l m a rks on the mum
mies : wooden table t s were there fore a t tached to th e neckor on the breast of the mummy -ca ses
,and on these the name
and paren tage of the decea sed w ere e i ther w ri t ten in i nk orrough ly engra ved , somet imes in Demoti c, some t imes i n Greek D
.
(G . Ma s p nao). Nearly a l l the t able t s which a re in ou r Mu
seum we re sen t to A lexa ndria i n 1 8 9 2 by the Gene ra l Depa rtmen t of An t iqu it ies . They mu st have been obta inedfrom the bu ria l grou n ds of Achm in and Sohag .
In th e two sma l l gl a ss- cases 1 1 - 1 2 (fas tened on th e in side wa llsof the pi l la rs in th e eas t s i de of the room) : ha nd l es of bras i ers or portab le oven s . I t is extreme l y ra re t o fi nd the
comple te va ses of which these handles formed a pa rt : there isone of them i n the Gen e va Mu seum(see the photogra ph i n Glass -casewhich ha s be en iden t ified w i th a brasier(n t
’
tQa v vog or e
’
oxoig a ), and more recen t l yw i th a portable oven (x l t'fla vog or x g ifla vog).I ts sha pe i s tha t of a la rge ba sin witha fa i r ly high foot
,con cave unde rn eath,
w i th three so l id ha nd les p r o j e c t i n gbeyon d the edge . Mr. Wa lte rs
, who
does not know those i n ou r Museum ,
e st imates the number of examples inF ig 1 3 8 .
the diffe ren t col lect ions a t more thana thou sand ; w e a l on e have severa l hund reds of them . These han dle s a re de~
cora ted w i t h re l ie fs on a squa re re presen t ing e i ther a sprayof leaves, or rose t tes , or thu nde rbol ts , or a grotesqu e bearded head , some t imes wea r ing a poin ted cap (fig . 1 38 ) or w iththe head of a n ox . Some t ime s these handles bea r the ma
ke r’
s n ame , u sua l ly H eca ta ios . I t has been ma in ta ined thatthe grote squ e heads on these h and les represen t gen i i of different k in ds p la ced here by supers t i t i ou s be l ief : they are
supposed to have protec ted t h e cooking of the food . Furtwaeng ler i den t i fie s them a s Cyc lope s, the compan ions ofVu lcan .
In the midd le of the room there are placed seven mumm i es
from the Fayum . Notice the on e ex hibited i n glass-case Ti t re ta i n s in tac t i t s comp li ca ted swa th ings , which revea l aspec i a l a nd e ven a rt i st ic abi l i ty in prepa ring mummies (fig.
See a l so Gla ss-ca se U (at the back of the north-east
pi l la r in the room). Over themummy
'
s face i s placed the
p or tra i t of the d ea d ma n pa in ted i n encaust i c on a woodentable t a rt ist i ca l l y framed i n a
borde r of canva s and p la s te r,gi lded and fa s tened down bythe bands which enve lop the
mummy . I t represen t s a fa i r l yyoung , robus t man ,
w i th a
la rge face a nd p r o m i n e n tcheek-bone s. H i s ha i r i s bla ck ,short, a nd fri zzy
,his forehead
na rrow . H i s eyes wh ich are notover- la rge , are of a n in ten seblack ; his n ose i s fine and
stra igh t . A slende r mu stache ,drooping i n Ch inese fash ion
,
su rmoun t s a sma l l , cu rved, fleshy mou th . A short bea rd
,
black , fi ne and fr izzy, frameshis fa ce
,which has a though tfu l ,
me lan cho ly expressi on . H i sbody i s cl othed in a whi te tun i c .
There i s a qu ite remarkab levigou r of express i on , t ru th , ands t rength of co lou r i n this pa in ti ng . (See p l . in tr i ch romy).
Glass ~case X (fig . The pre
c i s ion w i th wh ich the se portra its reproduced the fea tu resof the defun c t can a l so be ob
se rved on the mummy whichi s s t i l l i n i ts sycamore ca se
(not i ce the curve of th e nose ).See a l so Gla ss-ca se Y .
I t i s though t tha t these portra i ts
,taken du ring l i fe t o be
hung on one or othe r of thewa l ls of the hou se , were tak
en down a t dea th,i n order to
be p laced on the corpse . The da te of these portra i tsbe fixed approx ima te ly be tween 50
- 1 50 A . D .
F ig . 1 39.
BIBLIOGRA"HY . EB E RS
, H el l en i s ti sch e Po r t r a ets a ns d em Faj j um ;
E DGA R C . C ., On th e d a t i ng 0] th e Fayoum Por tr a i ts i n Jou r n a l of H e r
Iem’
c Stu d i es , v o l . XXV ; Gri m m : E . ,Les Por tr a i ts d ’
An tmoé a n M uséeGm
'
mef, Pa r i s, Ha c h e t te . 1 9 1 4 ; R E I NA CH A. , Les Por tra i ts g r e‘
co e’
gyp t i ens ,Rev . Arch . , 4th Se r l e s
,XX l V p . 3 2
- 5 3 ; st h Se r i e s 1 PWL. D H: G R U N E t s e rv
, E tu des comp a ra t i ves . Le Por tr a i t . Tra d i ti ons h e ll éms t i qu es et i nf l u ences or i en ta l es , R om ,
1 1 1 . i n fo l io ; FL INDE R S Pa r a naW . M . , R oma n Portra i ts a nd Memp h i s I t!; P ortf o l i o of H awa r a Portra i ts
, C h a p . I-I I I (c A m u c h d eb a te d q u es t l on h a s b e e n wh e t h e r t h e se p o rt ra i t s were pa i n ted d u r i n g l i fe o r a fte r d e a t h . T h e o p in ion o f Si r Ccc i l Sm i th from t h e a rt i s t i c im p re s s i on w a s t h a t m a ny o f t h em h a d bee n
p a i n te d from m emo ry so l e ly fo r t h e
pu rpo se o f pu t t i ng on t h e m ummy
B IBL IOGR APHY . G L IM ET E ,
o . c .
F i g . 1 40 .
On the sma l l column HH,KK,
Two c i nera ry u r n s i n g reen
a n d b l ue ename l discovered a t Gabba ri (Weste rn Ceme tery).Roman period .
On the sma l l co lumn LL. Ter r a cot ta c i ner a ry Ur n va r n i shedbl a ck ; a whi te spra y of i vy is pa in ted on i t
,runn ing round
the vase ha l f-way u p a nd over th e n eck . Fou r sma l l p la tesin re l ief, re prese n ting o ld Si len i , decora te th e shou l de rs ofthe u rn . B. C . III. From Alexa ndria (Hadra Nec ropol is).
It the‘
centre of the room w e have recen t l y p laced an in terest tng mosa tc fou nd a t Thmu is
, an d the scene represen ted on
The hori zon ta l gla ss -ca se s EE,
FF,GG ,
con ta in masks ofpa in ted pla ste r and gilded plas ter
,a l so fragmen ts of pacto
ra l s,coa t ings for hands and
fee t e tc . found partly (glassca se EE) i n upper Egyp t
,part
ly in Tapos i ri s Magna (Mariut)and pa rt ly in A lexa ndria . Asa ru le n ot one of these maskscan pre tend to be a por tra i tof th e deceased
,i n Spite of
ma rked differences that maybe seen between one mask and
a no ther (see espec ia l ly glassca se EE) and certa in persona lcha racte rist i cs th a t may be
observed on others .
R O O M 18 .
Gla ss -case A (to the righ t of the en t ran ce) : Twel ve A l exa n
d r i a n ci nera ry u r n s i n terracotta,hydriform , pa in ted before
baking in bla ck , red,brown
,ma roon e tc . (see p . The
series exhib i ted i n t h is ca se presen ts a ri ch va r ie ty of the
diffe ren t decora t i ve mot i fs and combina t ion s u sed for vase s1 . R ibbon s
,bran ches of lau re l and O l ive ; 2 . P-a lme ttes, ro
settes , bra n ches of ol ive ; 3 . Archi tec tu ra l perspec t ive : ba
lust rade and porti co w i th v iew of a ga rden where two
geese are w a lk ing ; 4 . Branches Of ivy and of ol ive ; 5 .
Scen e of a comba t : of the fou r comba ta n t s, one h as beenmorta l ly wounded and i s st re t ched on the ground (to the
r igh t), h e is wea ring on his head a he lmet w i th a r ich crest ;a se con d comba ta n t h as fa l len on his knees and i s t rying todefend himse l f w i th his sword aga in s t an a dversary who isstanding i n fron t Of him and mena cing h im w i th his swordwh i le protect ing himse l f w i th a sh ie ld ; a fou rth combatanti s ju s t ru n n ing up a nd making a ge stu re as though to throwa la rge stone (fig . 1 1 6 p . 6 . Branche s of v ine and
bunches Of grapes .
Glass -ca se B (to th e left O f en t ran ce) : 1 -
9 . Amp hora e and
fr agments of Pa n a thena i c amphor a e. As is we l l-known ,t hese vases we re in ten ded t o con ta in the sacred O l ive Oi l
given as a prize to the w inners of the famou s games on the
occa s ion Of the Pa na thena i c fest iva l s . On one side A thenai s repre sen ted a rmed w i th h e r he lmet a nd sh ie ld
,sta nding
be tween two column s, on th e tOp O f which are e i ther cocks,
or ow ls , or a sta tue Of Athen a e tc . ; i n the fie l d,the fol low
i ng inscri pt ion a rranged ve rt ica l ly : TON AGENEQEN AQAQN
(Pri ze g iven a t Athen s in th e a th le t ic games) ; often a secondin scri pt ion gives the name of the a rchon then i n offi ce ; ont he O the r s ide of th e amphora a scene from th e games inthe s tad ium . Our No . 1 i s da ted i n the yea r of th e a rchonPh ras ik le i des , 3 7 1
-0 B . C . : No . 2 (prize g i ven to a w inneri n the race) i s da ted i n th e yea r of N icomachos
, 34 1 -0 B . C .
These two amphora e come from Cyrena ica .
The fragmen ts exhib i ted a t th e s ide were found i n A lexandria
,bu t . one of them comes from A then s ; Others may
be l ong to va se s made i n Alex andria,imi ta t ing th e Athen ian
vases i n form and decora t i on .
BIBLIOGRA PHY . BRAUC H IT SC H G . , D i e p a n a tena i sch en P rei s am
p h oren , Te u b n e r, 1 9 1 0 ; Bn a c cm , Le Anfore p a n a ten a i che d a ta te i n [ scr iz i am
’
g rech e e l a ti n e (Ca t a l ogu e G enera l ) , p . XVI I I -XX .
Gla ss-case C . D . E . In the uppe r compar tmen ts there i s a co l
lect ion Of H el l en i sti c Pottery va rn i shed i n me ta l l i c b lack,
often w i th a su pe rposed de cora t ion i n whi te or i n red (cups ,gla sses, sma l l hydriae , skyphoi , lecythi , In gla ssca se C
,not ice the ca n th a ru s
,NO . 1
,which is decora ted
w i th a chessboard pa t tern i n whi te a nd w i th a series ofsquares O f a reddish -ye l low colou r , in ser ted one in the o ther ;t here is a lso to be seen th e rema ins of a pla st ic inscript ion in red be low th e exterior edge of the Open ing . In
gla ss-ca se E : NO . 1 Cup ,of Mega r i a n typ e, s ig
ned by Menemachos,and w i t h a represen ta t ion
,in re l ief, of
th e j u dgmen t of Pa r i s , reproduced tw ice on the two ha lvesof the ex te ri or su rfa ce ; t he Phrygia n he ro is sea ted right ,on a rock ; the O thers a re a rranged from r ight to le ft
,i n
the fol low ing order : Hera , A thena Aphrodi te (si t t i ng down ,a t tended by a l itt le Eros), a nd behind her He rmes . The
name of Menemachos is engraved in re l ie f on the e xte riorof the bot tom Of the va se .
B IBLIOGRAPHY . PAG E N STE C H E R R . ,D i e Gr i eseh i sch a egyp t i sch e
Samm l u ng E . va n Steg l i n , 3 Te t l , p . 1 93-4, P l . XX .
In the compa rtmen t i n th e midd le Of the se same gla sscase s the re are a rranged some hu ndreds of l amp s of th e Ro
ma n p er i od , (a method ica l c lass ifica t ion Of the e x treme l y r ich
F ig . 141 , F i g . 1 42 . F i g . 1 43 .
col lect ion of lamps tha t the Museum possesses w i l l be madeshort l y).Notice in glas s -case C : NO . 1 . Two w inged V i c tori es hol
d ing u p a meda l above a cy l indrica l a l ta r su rrou n ded w i thlau re l ; 2 . A shepherd taking a s iesta n ea r a fou n ta in whi lehis flock gt azes , a rou nd h im ; 3 . A w inged Eros ri d ing on
a dol ph in,and play ing on a lyre (fig . Not ice a lso a
whole ser ie s Of Egypt ia n or sy ncre t ic divin i t ies (Se rap is , I sis,
Fi g . 1 44 . F i g . 145 .
Ha rpocra tes ; He l ios emb ra c ing Se rapi s th e se rpen t Aga thodemon ; Isis -Cere s ; Sera pi s be tween I s is and Ha rpocra tesetc ) ; 4 . (fig . Wi t h two w i cks : A priest of H a rpocra
tes bearing th e god ’s a l ta r ; to the r ight and left of the lampbow l , two Aga thodemon se rpen ts , th a t on the right w i th the
head of Se rapis , and tha t on the le ft w i th the head of Isis .In gla ss- ca se D : NO . 1 . Tri ton
,2 . Faun pursu ing a nymph ;
h e.h as se ized h er by her ga rmen t
,bu t sh e, protect ing her
dress,
w i t h her left hand , has se ized him by the chin and ispush ing h im back energe t ica l l y (fig.
young woman ,sta nding i n a gra cefu l pose look ing towards
the left ; th e blue a nd t he pa le pink colou ring Of her clothesa re perfec t ly p rese rved (see t ri chromy). 9 . A woman -dancer(fig. A young woma n
,s tan ding to fron t, dressed in a
chi ton a nd a man t le drawn Ove r h er head ; w i th her lefthand she i s holding the tw o en ds Of he r ma n t le t ight a
ga in st he r breast (fig . 1 2 3 , p . Noti ce a l so the figu rineson the second she l f and i n pa rt icu la r
,Nos . 1 1
,1 2
,1 3 , 1 4.
F ig . 1 48 .
Gla ss-case G . In the m idd le compa rtment , some more Arre
t i um p ottery a n d i m i ta ti on s of i t ; among the la t te r noticeth e re l ie fs 1 . Se t -Typhon (From Kom -e l - Choga fa , Se ra peum);2 . Serapis ; 3 -
7 . Dromeda r ies (Memphis).
B IBLIOGRAPHY. Sc n a n ra r m . T H . , D i e Nek rop ol e v an Ko‘
moeschSch ugdj a ,
T e i l V I , p . 298 sq . PA G E N ST E C H E R R .,D i e Gr i ech i sch ~a egyp
ti sch e Sa mm l ung E . van Si eg l i n , 3 Te i l , p . 1 0 0 sq .
Among th e h ea ds of fi g ur i n es i n terracot ta ex h ibi ted i n the
u pper compa rtmen t : (gla ss - ca se C). 1 . A n aked chi ld a stride on i ts mothe r 's left shou l de r, i s pla ying w i th her and
caress ing her face . Obse rve a lso the r ich va r ie ty and the
In the middle compa r tmen t : Or i
g i na l p ottery f rom Arret i um a nd
i m i ta t i on s,
e i ther loca l , or m ade in
Asia Minor . Numerou s f r a g m e n tsbea r th e s ignatu re e i th e r of the potter or Of th e man who made the
s tamps for the decora t ion . Amongth e subject s wh ich decora te the ex ‘
te ri or su rfa ce of these vases (terrasigi l la ta) i n re l ief, th e most remarkable i s NO . 1 . A w inged gen iusp laying a doub le flu te . See a l so : 2 .
Head Of Hercu les i n p rofi le to left .3 . Gladia tor
,comba ta n t s
,and comic
ma sks . In th e r igh t sect ion of thesame compa rtmen t : the rema in s oftwo large dishe s i n term s ig i l l a ta ,of l oca l manu fac ture ; in the centreof th e bot tom of th e dish
,a da te
pa lm ; to the right and left of this,and Mau r itan ia con fron t ing : a l l round the
scene Of w i l d bea sts : l i on,boa r
,e tc .
compl ica t ion of th e co i ffures (No . 2
,a lso 3
-
4 andfol low ing); 5 . Cha rming sta
tuet te of a boy si t t ing on a
rock , h i s head tu rned towa rds h i s left ; he i s dressedi n a tun ic and a man t leclasped on his righ t shou lder ; h i s ha i r i s long a nd
curled a nd fa l l s on his shou lders , his express i on i s smi ling ; the colou ring is we l lpreserved ; 6 . The head of ayoung w oma n
,su rmou n ted
by a hea vy crown ; the
statue wa s of con s iderabledimens ion s (he igh t from the
ba se of the neck to th e topof the head 0 m . F i g . 1 49 .
In glass -case H
Upper compa rtmen t. Sect i on to the le ft . F ig ur i nes i n te rr acotta : 1 . Smi l ing chi ld s i t t ing on a m inu te b iga ladenw i th grape s , drawn by a couple o f dogs (fig . 2 . Chi ldstanding u p smi l ing ; w i th i ts le ft hand i t is l i ft ing up th e
lower edge of i ts tu n ic w h ich i s fi l led w i th fru i t . In the
cen tra l se ct ion : 3 . Bu s t of Hercu les ; his righ t a rm ,holding
h i s club,
he ight 0 m . 0 8 , of powe rfu l forms , fu l l Of vigou r and force,
exce l len t ly mode l led (fig. 5 . Anothe r bust Of Hercu les
F i g . 1 5 0 .
is ra ised above his head ; 4 . Head of He rcu les,
(pla ste r) ; 6 . Head Of Sera pis .In th e m idd le compa rtmen t : Some spe
cimens of p ottery of the R oma n p er i odw i th r el i ef s . 1 . He len
,pu rsu ed by her
husban d Mene lau s who is threa ten ing toki l l h er to a venge her t reachery , is cl ingingw i th frigh t to a s ta tu e Of A thena , whoseprotect ion she implores ; i n making thismovemen t, sh e le ts her ga rmen t s l i p down
,
thu s di sc los ing a l l h er cha rms ; a t thi ss igh t
,so the my th ru ns , th e w ra th of Me
ne laus i s ca lmed a nd give s way to re a
wakened love . This s i tu a t ion i s ex pla ined
he re by th e l i t t l eCupids who hold backMene lau s ’ a rm whichis a rmed w i th a sworda nd a l ready l i fted u pt o st rike . The workmansh ip is mediocre
,
bu t the s c e n e i scha rm ing ; 2 . Hercu
les fe l l ing the Nemeanl ion ; 3 , 4, 5 . Her
cu les w rest l ing w i ththe bu l l ; 7 , 8 , 9, etc.
Ma sks and Bacchicscene s ; to
,1 1
,1 2 .
Gorgon ma sks ; 1 3 .
F'g ‘SL Fragmen ts of a figur ine made of very
fine clay and Of carefu l workman shi p , no doub t He l len ist ic ;i t represents Leda a n d Zeu s, the lat ter tran sformed in to a
swan , a s th e myth re lates (fig.
BIBL IOGR APHY . B R E CC IA E . , D i a l cu n i f rammen ti d i va s i can
rapp resen ta nze a r i t i evo, i n B . S. A. ,1 1
, p . 2 9 8 sq .
Gla ss -ca se I . F ig ur i nes in terra cot ta . Col lec t ion of cha r a cter sa nd thea tr i ca l ma sks (fig 1 5 2 , 1 5 3) a lso ca r i ca tu res and
grotesqu e or p a tho l og i ca l figu r i n es (fig .
Glass-ca se K . Te rra cot ta s from the rubbish heaps near Hadra(Alexandria). Not ice :
Fi g . 1 5 2. F i g . 1 5 3 .
F i g . 1 5 7.
th e w i ne-sk i n . Othe r figu rines o fthis type h ave recen t ly been discovered a t Kertch .
BIBL IOGRAPHY. R E IN ACH A o . c
p 3 8 ; P H A R M A K OWSK Y, Fra gme n ts d e s ta
tu ettes d e Sa ty r es d e l a v i l l e d e Ker t ch ( i nR u s s i a n ) , O d e ss a ,
1 9 1 2 , p . 1 8 , P l . I I .
In the sect i on to th e r ight , a series
of l a mp s , s ta tu ettes , a nd l a nter n s1 . Lan te rn decora ted w i th a nakedVenu s
,knee l ing down and coi l ing
h e r ha i r ; 2 . Bu s t of Mine rva ; 3 .
Eros ; 4 . Bu st of a n egro ; 8 .W0
man playing on the t rigon (fig .
9 . Lamp w i t h a stand ; 1 0 . Lampi n form O f a s ta tue t te : Venu s standi ng on leaving h er ba th ; h er c lo
the s ga thered i n folds rou n d her
knees leave th e res t of h er body u ncove red , her hands are
ra ised making a coi l of h e r long ha i r ; 1 1 . Lamp i n form Of
a s ta tuet te : w i nged Eros pa ssiona te ly embrac ing Psyche(fig.
B IBLIOG RAPHY . LO E SC H K E S. , An t i ke La te rn en m i d Li ch tha us o
ch en .,Bo n . Ja h rb u c h e t , I Ic f t 1 1 8 .
In the cen t ra l sect ion :
F i g . 1 5 8.
1 2 . Facade Of a temple : the approachto i t is u p a fl ight Of s ix s teps flankedby sphinxes ; the column s a re pla in a t
the i r l ower end for a thi rd. Of the irhe ight and are then flu ted a nd sur
moun ted by Corin t hia n capi ta l s ; the
ped imen t i s t ria ngu lar w ith acroteria ;a s ta tu e Of Mine rva i s seen i n the
middle of th e ce l la ; 1 3- 1 4 . Masks ;
1 5 . Lamp whose ha ndle i s formed Of a
w inged Eros crou ching ; 1 6 (fig.
Th e sha pe of this lan te rn or n ightl igh t i s su pposed by some t o be a re
product ion (a very bad one no doubt)of the ce lebra ted Pha ros of Alexandria ,whose firs t storey wa s square
,the se
2 5 5
cond oc tagona l,a nd the thi rd cyl in
drica l ; 1 7 . S ta tue of Minerva ; 1 8
1 9-2 0 . Busts of Minerva ; 2 1
,e tc .
Lamps wi th fee t.
In the hori zon ta l compa r tmen t i n the
middle of the room :
Col le cti on of Roma n l amp s,'
seve ra l Of
which bea r the ma rk of the fa ctory(Strobi l i , Octavi , Nea rl y a l l o fthem have th e u pper su rface decora tedw i th the figure of an an ima l (dog , l ion ,bear
,ga ze l le , bu l l , dolphin , eagle , ibi s,
rabbi t,gra ss -hOpper, a nd so on ).
Glass-case L. Ter r a cotta mou l d s employed in the making of the ter racot ta
FM 1 5 9.
figurine s (see Nos . 1 -2) and mou ldse i ther for stamping bread and cake s,perha ps a l so stoppers of amphora e or for decora t ing i n
re l ie f certa in ceramic produc ts . By the s ide O f each mou ldi ts impression in p laste r i s exhibi ted . Some of them are offa i rly fine workmansh i p and reprodu ce gra ce fu l mot i fs . 1 -3 .
Bu s ts of Dionysos (fig . 4. Ven u s or Amph ri t i te on a
sea-horse ; 5 He rcu les w res t l i ng w i t h a Cen tau r ; 6 . A n udeold dwa r f, da nc ing by the s ide of an amphora fi l led w i thw i ne ; i n his right hand h e holds a {trig0 n ,
a nd i n his le ft a
goblet ; 7 . Arion , as t ride a dolph in , p lay ing a p a ndou r i on ;8 . A cock stru t t ing to the left
,i n cha rac te r i st ic pr ide .
B IBLIOGRA PHY. A bou t p a s t ry ,c a k e a n d b rea d m o u l d s
,Se e : PA SQU I ,
Not i z i e deg l i Sca vi , p . 25 7 a n d
fo l low i n g ; B IE BE R , 75 P rogramme
z um Wi nke l ma nn sj es te ,1 9 1 5 , p . 3
-
3 1 ;h um a n , Crustu lum et M u l sum i n R0m 1 s c h g erma n i sch e Korresp ond en zb l a tt, IX ,
2 ( 1 9 1 6) m a rs -a v r i l ,
In the cen tre of the room
Glass-case FF. Co l l ecti on of fr a gments of pottery f rom Na u
cra ti s (Kom Ga ief).As is we l l known ,
Naucra t i swas the town where Amasi s
, F i g . 1 60 .
2 56
towa rds the midd le of the 6‘h cen tu ry B . C col lec ted the
grea ter pa r t of the G re ek mercen aries and mercha n ts , who
s in ce the t ime of Psammet ichu s h ad been sca t te red abou t i nse vera l of the for t ified camps of Egypt . Na tu ra l ly the seG reeks ca rried on trade w i th the cou n t ry of t he i r birth ; andcon sequen t l y we find in the ru in s of ‘
the town man y fragmen t s of Rhodia n vases , Ion ia n , Cyprian , At t ic, e tc . ,
of theand 4
t hcen tu ries B . C .
B IBLIOGR A PHY . FLa E R s I’ E T R I E \V . M N a ukra ti s , Pa r t I ,
( 1 884 GA RDNE R E . A .,N a ukra ti s , Pa r t I I , ( 1 88 5 Se e a l so : An nua l
of th e B r i t i sh School , V , 26-97 a n d Jou rn a l of H e l l en i c Stud i es , XXV, r .1 0 3
- 1 36 ; a z Hu c o . Fu nd e a u s N a ukr a t i s . Bettrc'
i ge z u r A rch do l og i e1 1n d Wi r l seh aflsg es c lzrch te d es VI I u n d VI J u h rh u nd er ts 0 . Oh . , Le i pz ig ,1 908 .
F i g . 1 6 1 .
The mosa i cs which decora te the floorof this room a re made of sma l lpolychrome cubes . The des ign sexhibi t very va ried combina t ion s or geome t r ica l patterns .They have a l l been procu red from the ru in s of Canopus (tothe sou th of Fort Tewfik , nea r Abuk ir), where they probably de cora ted th e Se rapeum or one of its a nnexes .
F ig u 1 62.
Severa l o f th e l amp s in the pyramida l gla ss-ca se in the middleof th e room are rema rkable e i the r for the number of thei rw icks (Nos . 1 or for sha pe (No . 9 a winged Eros sleepingfig. or for th e scene tha t i s represen ted i n rel ief on
the bow l o f th e lamp ; 1 0 -20 . Gladia tors,single or in pa i rs,
due l l ing (fig . 1 62 a nd 2 1 . Th e three Graces ; 22 . Min erva ; 2 3 . Alexandria n Is is
,a cornucopia on her le ft arm,
an oa r i n her r ight hand ; 24 . A V ictory, in profile to left,hold ing a rou nd sh ie ld or a meda l l ion (fig . 2 5
-26.
Fau ns playing or dancing ; 27 . Eros rid ing a sea-horse , thelamp-border ri ch ly de cora ted
,the ha nd le formed of a bust
2 58
a lso large n umbers of grotesques , of ca ricatu res , of peasa n t s ,of workmen
,of gen re subjec ts , and figu res of a n ima l s. So
me of them were u sed as vot ive offe r ings i n the temp le ortombs
,others we re placed in side th e hou ses ove r pieces of
fu rn i tu re e ithe r as a man i festa t ion of re l igiou s fee l ing orsimply a s an ornamen t . Some aga in w ere n othing bu t ch i ld ren ’s toys
, wh i le certa in othe rs no doubt had a magi c , prophylact i c sign ifica t ion . To a l l these s ta tu e t tes tha t a re n e i
the r ca r ica tu res nor figu res of an ima l s, a n a t tempt ha s beenma de to a t ta ch a symbolica l or re l i gious mean ing (womenmou rners
, con cubines of the deceased, or the i r food -bea rers ) .I t i s eviden t tha t the images of the divin i t ies were no t
ex c lus ive ly decora t ive , and tha t they were u sed as i n terme
dia r ies between ma n a nd god ; but ve ry often ,accord ing to
my opin ion,those who made th e images and the common
people who bough t them did not see any pa r t i cu la r person i fica t ion ia a l l these dol ls , and did not at t r ibu te any prec i sesymbol ica l sign ifica t i on t o them a t a l l . In th e ma in
,many
of these figu res are not very differen t from those tha t are
so ld nowadays to the v isi tors a t cou n try fa i rs and a t fest iva l s around ce rta in san ctua ries . Al l these sta tue ttes were
pa in ted i n va rious colou rs,bu t in most ca se s ~ the colou ring
h as a lmost en t i re l y d l sappeared .
B I BLIOGRAPHY . W . Sc um n r , D i e Gr i esk - a eg . , Ter ra kotter t NyCa r l sberg Gl yp toth ek, Co p en h a g e n , 1 9 1 1 Ch oi x d e mon umen ts e
'
gyph ens
,I Im e s é ri e (G lyp t . Ny-Ca r l sbe rg ), B rux e l l es , 1 9 1 0 ; KA UFMANN C . M . ,
D i e a eg . Terr a kotten d . gr i'
ech -roem. Epoque, Ca i ro . Se e zu d e d i t i on mu c h
i m pro v ed , n ow pu b l i sh ed u nd e r t h e t i t l e o f Aegyp ti s ch e Kor cp l a s t i k1 9 13 ; R E I NA CH An ., Ca ta logue d es a u ti q . recue i l l i es d a us l es [ ou i l l es d e
Cop tos en 1 91 0 - 1 91 1 , exp ose'
es o u M usee d e Lyon , p . 87 sq . ; Wa n n a W . ,
D i e a egyp ti sch -
gr i echi sch en Ter ra kotten (Koe n i g l . M u s . zu Be r l i n ) , Be rl i n ,Cu rt i u s, 1 9 1 4.
I t i s m u c h t o b e reg re tt ed th a t t im e d oe s n o t a l l ow u s t o m a k e u se o f
t h e b ea u t i fu l a n d m a st e rl y v ol ume Terres cm’
tes grecques d e l’Egyp te
wh i ch h a s j u s t b e en p ub l i sh e d an d i n wh i c h PA UL PE R D .{ I Z E T g i ve s i l l u s
tra t i o n s a nd mos t v a l u a b l e comm en t s on th e m a rv e l l o u s Fou qu e t c o l l ec t ion .
In the gla ss-ca se P
She l ve s a . b . 1 -24. I t has been supposed, bu t this i s doubtfu l,that the terra cotta cones
,hol low i n the in ter io r
,gen era l ly
Open from t op to bottom, (he igh t 1 8 -2 2 cm.) are holders
for torches . Often they are pha l l i c in form,and they bear
i n fron t, in ba s-re l ie f, some times a figu re which i n certa indeta i ls sugge s ts Serap is-Dionysos a nd i n o thers Priapu s ; so
me t imes aga in an old Si len ic head on the lower. pa rt , a ttached by bran ches and bunche s of grapes to a ju ven i le head
(probably of the Dionysos -cycle) placed n ea r the uppe r ex tre
mi ty . Instead of be ing a u ten s i l, may i t not ha ve been a
decora t i ve obj ect, to wh i ch n ever the less popu la r superst i t iona t t ribu ted a prop l tta tory i nfluence on fecundi ty or aga in s t
F ig . 165 .
the evi l eye‘
t ; 24-
3 1 . I t has been proposed to rega rd thesea rt ic les as handles of sis trums or shea ths for dagge rs . Theyare sorts of r eversed cones tha t one m ight thin k formed w i thclusters of long leave s su rmoun ted by a doub le cornu copi a
or a kind of ca lyx or even by two torches, a nd decora tedi n the u ppe r par t e i the r w i t h a bu st
,of Se rapis be twee n
fe s toon s of flowers and bu nches of grapes, or w ith a u raeu sse rpen t l i ft ing i tse l f up be tween th e cornucopia s . 3 2
-
3 5 .
Li ba t ion or ra ther l amp s . In the figu re standingaga in s t the column ,
some have recogn i zed the goddess tha thol ds the sh i e l d (Athena or Rome) i n fore ign pa rts ; bu t i tshou ld be obse rved tha t a few of these obje ct s are w i thou tany su ch figu re . A column ,
su rmoun ted by a sw an'
s h eadw ith a long neck , stands above an oblong recepta cle, roughly
resembl ing a boa t , su pported on
two or fou r fee t . Aga ins t the i nner s ide of the column stands a
woman , wea ring a he lme t an d res ti ng on a sh ie l d .
She l f c. 3 6-
40 . Women sea tedon a h igh cubic ba se, the ir kneesw ide apart
,th e soles of the i r fee t
brough t toge the r, the i r man t l esdrawn ove r the i r heads . Ou r ex
ample s have a l l got the i r a rms broken off, bu t i t is probable th a t thesefractu re s are not in ten t ion a l . The
a rms were m ade sepa ra te ly and
joined on w i th p las ter,and as mo
reover they we re ra i sed in the a ir,
they we re very l iable to be broken
F i g . 1 66 .
off : a . d . 8 . These figu res are
su pposed to be those of womenp ray i ng or weep i ng (as a ma t ter
of fac t,they a re often smi l ing), Some t imes nude , somet imes
c lo thed . Ove r the ga rmen t they wea r a long cha in , whichd escends from th e n eck over the brea s t
,whe re th e two
e nds cross a nd fa l l over the hau nches to mee t behind . The
cha in i s secu red on th e breas t by a large p laque or rou ndc la sp .
She l f ]. Nume rous sta tuet tes of B es,hi s han ds lying on
his knees , or ca rry ing a sword i n h i s r igh t han d i n the
man n e r of a w a rr ior. On th ree o f th e examples,
a naosof the bu l l A pi s represen ted in p rofi le t o the righ t
,w i th
the sola r d i s c be tween i ts horn s,is placed above th e high
corone t of p lume s (fig.
In glass-ca se Q
i n He l len i s t ic t ime s b y this form of Horu s(Child -Horus), on which a grea t quan t i t y ofsymbols was la vi shed . Chil d of the Su n a n d
I s i s-Ha thor,of a l l ch i ld gods h e wa s the
best-known , and was a l so con s idered as th e
ofispring of the firs t prote ctors of A lexandria ,th e Agathodemons (good ge n i i ) w i th serpen tbod ies ; a l so as a Chthon ic di v in ity
,a god
of fert i l i sa t ion and fecu ndi ty .
G lass -case R . She l f a . H a rp ocra tes sta ndingu p, to fron t , dre ssed i n a long tun ic , hishead sha ved exce pt for a long cu rl fa l l i ngfrom behind h is r i gh t ea r (th is cha ra cte r ist ica l low s u s to dist ingu ish Ha rpocra tes ea s i lyfrom Eros or from a ny othe r chil d , morta lor divine) ; a double l otu s bud on the top
of h i s hea d as a head-dress (fig . Wi th h is left ha nd h eholds a vase propped on his hip
,a nd w i th his righ t h and he
makes a gestu re of p lu nging in to th is va se . Ha rpocra tesw i th a vase , bu t crowned w i th flowe rs , dre ssed i n a man t lec lasped on his r igh t shou lde r and thrown over his ba ck , thefi rs t finge r of hi s r igh t hand he ld aga inst h i s l i ps . Whi lesome a rchaeologists fi nd a myst ico magic s ign ificat ion i n the
cha racteri st ic gestu re of Ha rpocra tes tou ching his l ips w i thhis fi rs t finger
,as though he w ere invit ing
the i n i t ia ted to keep the secre t of the
mys te ries shown to them,others see in i t
n othing bu t a n a tu ra l reproduct ion of apose tha t i s very frequ en t ly seen i n chi ldren and espec ia l ly Egypt ian ch i ldren .
They a lmos t a l l agree howe ve r on the
symbol ica l s ign ifica t ion of the vase,
a s
be i ng express i ve of Ha rpocra tes a s a d ispen s i ng divin i ty pou ring forth the ben efici a l wa ter of the Ni le . The l otu s flowe rsa re a sola r a tt ribu te
,becau se the Chi ld of
the Sun spra ng from a l otu s-flower. The
same figu re , n aked,i thypha l l ic . She l f b .
Ha rpocra tes dressed or n aked,res t ing a
ga ins t a p i l lar, hi s head su rmou n ted byt h e crown of Uppe r a nd L owe r Egypt , 3
cornucop ia on h i s left a rm,
’
his fi rs t fingeraga inst his l ips (fig . In some of the F i g , 1 70 .
F ig . 1 69 .
26 3
ex amples h e i s wea r ing th e crown of Ammon .She l f c .
The same ; the same, sea ted .
Gla ss-case S . She lve s a,b,c. H a rp ocr a tes w i th the double
crown of the Pharaohs, naked or dressed in a tun ic,sea ted
or ha l f- re c l in ing , e i ther on his righ t or left s ide , a vase i nhis left hand , a nd his right fore-finger on hi s l ips . Th e
same sea ted on a cubic base,wea r ing a heavy wrea th su r
moun ted by th e double crown of the Pha raohs between two
lo tu s buds . Eviden t ly the double crown sign ifies that hewas a divin ity who had powe r over Upper and Lowe r Egypt .
G la ss -case T . She l f a . H a r
pocra tes wea ring the doublecrown , clothed i n a shor ttun i c
,his first finger on h is
l ips,mou n ted on a horse re
presen ted in profi le,wa lk ing
to the left . She l f b. The
same w ithou t a crown,dres
sed in a chlamys, armed witha rec tangu lar shie ld and w i tha sword (fig. The samer iding a s tride a goose . The
same r id ing a sacred bu l l .These va ria t ion s on the samemo t i f were probabl y du e topopu la r fan cy
,qu ite apa rt
from any re l igiou s s ign i fica
t ion . She l f c. H a rp ocra tessi tt ing on his le ft leg, on a h igh c i rcu la r base ; th e miss ingrigh t arm has been replaced by an ob long fis su re (cou ld thisbe the cove r of a moneybox She l f d . H a rp ocra tes n aked
,
sit t ing,smi l ing
,of plump forms, w i th a bu l l a su spended to
it s neck . Bus ts of the same type . She l f e. H a rp ocr a tes
sea ted, a vase between his legs,from which he i s d raw ing
something w i th his right hand ; th e first finger of his le fthand is on his l i ps. Double images of Ha rpocra tes s ide bys ide . She l f f . H a rp ocra tes i n a naos . Th e same, wea ringthe double Pha raon i c crown ,
sea ted on a la rge lotu s -flower.The same
, as Osi ri s . The same,support ing hi s own image
sea ted on his left shou lder .
Fi g . 1 71 .
Gla ss-ca se U
She l f a . 1 -4 . Zeu s sea ted on a t hrone,h is shou l ders tu rned three
qua r ters to the left, his head tu rned to the r ight ; his mant l e on ly covers his back and the lower ha l f of his legs, leaving bare the 1 es t of h is body w i th i ts powerfu l p roport ion s .At h is fee t there i s an eagle w i t h ou ts tretched w i ngs, it shead ra ised u p towards him . 56 Sta tuette of Serap i s sea
ted on a throne in the posi t ion tha t we have a l ready h ad
occa sion to desc 1 ibe man y t imes,h i s righ t han d res t ing on
the he ad of Cerbe ru s ; the dog is s tan ding, to fron t , aga in stthe god ’s righ t l eg .
F ig . 1 72 . F i g . 1 73 .
She l f b . Bus ts a nd meda l l ion s of Serap i s , handles of am
phora e w i th an image i n re l ief of this popu la r div in i ty . Bustof Serapis i n a sea t w i th a rms .She l f c. In the le ft ha l f : A l ex a n d r i a n Is i s
,a cornucopia
on her left arm,a nd her righ t arm rest ing on a n oar. Isis
su ck l ing her chi ld Horu s ; 5 . Isi s offering her breast to the
sacred bu l l . In the right ha l f : Is i s (or a priestess of Isis)ri chl y dressed w i th heavy w rea ths s lung across h er body,her head su rmoun ted by the Ha thor crown
,her righ t hand
ra i sed shaking the s istrum. The same,holding i n h er r ight
hand,ra ised to the he ight of her shou lde r
,the va se con ta in
i ng the sacred wa te r.
amphora ; some t imes a flu te-playe r to the righ t , and a
woman -dan ce r to the le ft . Even in the se figu rin es Schre iberthough t h e cou l d recogn i ze con cubines of the deceased .
She lves d , e . Gracefu l figu rin es of E ros in di ffe ren t a tt itudes
,laden w i th va r ious symbol s ; standing, holding a long
and heavy torch ; standing, to fron t , dressed i n a . tu nic,his
w ings spread,his head res t ing on his r igh t shou lder, his torch
ove r hi s left shou lder a nd behind hi s n eck . Eros as a war
rior, i n profi le to the right,the p ol os on his head , dressed
in a chl amys,a rou nd shie l d in h i s le ft hand
,a sw ord i n
F i g . 1 75 .
his righ t (fig. Th e same w i th a torch . Eros as a war
ri or,t o fron t
, a rmed w i th a n oblong sh ie l d,standing on a
lotus-flowe r (fig. E ros sta nding praying,h is hands
c la sped on his breast . The same lying on his left s ide and
making of his left arm a cu shion for h is head . The same ,sea ted , as leep
,wea ring the polos on his head
,his chin sup
ported ou his clasped ha nds, which res t on his drawn -uple ft knee .
In gla ss -case X
She l ves a,b,0 . Sma l l H ea d s be l onging to figu r in es of d ifle
ren t types ; they a re rema rkab le for th e richness , varie tyand compl ica t ion of the ha i r (fig .
She lv e s d,e, f . Woma n sea ted on a ra ised base play ing
the tr i gon . Two y ou ng women playing at ep h edr i smos .
Gen re subj ects : Gro tesques ; Ca rica tu res ; Va riou s objects.She l f d . 1 . Wa ter -ca rr i er , a la rge va se fi l led w ith wa ter
on his righ t shou l der ; 2 . The da te -ga the rer : a monkey issubst i tu ted for the peasan t (fig . 3 . Peasan t
,his back
laden w i th da te-pa lms ; he is s inging a nd p layi ng the doubleflu te a s he wa lks ; 4 . Came l la den w i t h amphorae
, amongwhich the came l -drive r i s sea ted ; th e came l
,which has been
knee l ing order to faci l ita te loading,i s on the poin t of
Fi g . 1 76.
rising beg in its journ ey ; 5 . (fig. A fr0 g playingthe lyre and s i tt ing on a la rge fish (ca rica tu re of Arion6 . Very gracefu l lamp
,the handle upl i fted by a young negro
crouching down holding a la ntern i n h is l eft hand ; 7 . Uppe rpa rt of a va se in the sha pe of a negro ’ s head ; 8 . Pa stophor i
(priests of low rank) ca r rying a n aos in process ion .
Gl ass o case J . Va r i ou s obj ects . Uten s i l s . An ima l s . Ci r cu s sub
j ects . A man wea ring “
a p o l os on his head,standing i n
a ca rt w i t h two whee l s,i n t h e ac t of whipping the horses
(which a re lacking). D aggers and handles of daggers .Arm-cha i rs . La rge l otu s flower on a ba se w i th s teps .Bird on a n a pple (7) Griffin tu rn ing a whee l w i th i ts
268
right fore paw . Symbolica l repre sen ta t ion of Nemesis.Th e bu l l Api s . A grou p of dogs (the M a l tese t ype pre
domin a tes) ; a leopa rd , a n e lephan t , horses ha rn essed orunha rn essed . Observe the wooden horses fixed on whee ls
,
wh ich were used a s chi ldren ’s toys .
G la ss-ca se Z . Temp or a ry a r ra ngemen t . She l f b. Notice 1 - 2
Sor t of glasses or cups formed of two face s w i th stronglya ccen tuated fea tu res joined toge ther back to back ; 3 . Sma l lreceptacle in the form of a bun ch of gra pes surmoun ted bya human head w i t h a th ick w rea th a nd w ings (Psyche ?) d .
1 . Ca rica tu red and grin n ing hea d su rmoun ted by an enormou s eye . Th is ob j ec t h ad eviden t ly a prophy lac t i c v i rtue(fig . 2 . Bus t of he rcu lean pugi l ist or w rest le r .
A series of figu rines st i l l requ i ring c la ss ifica t i on has beenp la ced i n a room u sua l ly locked
,which can on ly be seen
w i th the Cura tor ’s permission .
Fi g . 1 77 .
270
The space be tween the sepa l s i s occupied by pa i rs of con
vergen t volu tes separa ted by a figu re resembling the poin t ofa lan ce . The fou r a ngles are
occupied by fou r goblets, whosehandle s are prolonged in to largevo lu te s . Two sides of the squ areare borde red by b road bandsw i t h a fre t pa ttern . The mosa icis made of sma l l p olychrome st0 °
ne cubes (b lack, wh i te , ye l low,
reddish-brown) ar ranged w i t hta s te .
In th e u pr igh t gla ss -ca ses A ,B , C ,
D have been collected figu rinesi n te rra cot ta whi ch were nea rly
F i g . ” 9 .
a l l found a t K6m-e l -Chogafa .
Glass-ca se A . An ima l s,sa cr ed or
otherw i se . She l f a . Eag le,H en
,Lion
,Anubis . She l f b.
Dogs ; No . 5 Cerberus (the two s ide heads a re missing) hischest su r rounded by the coi ls of two ser pen ts ; ca re fu l workman ship ; the fie rce expre ss ion of the guardian of Hades iswe l l- rendered . She l f c . Asses laden w i th a large sack, orw i th pa i rs of amphorae .
G lass-case B . She l f a . H a n d l es of l amp s Nos . 5- 8 Poly
phemus u nder a tree,ha l f recumben t
,
play ing the Pan -pi pes ; a ram a t hisside
,a ly re su spended from a bra n ch
of the tree . She l f b. H a nd l es of 5l amp s : 1 (fig. The Ni le
, in th e 1
form of a handsome old man,w i th a
long cu rled bea rd ; h e i s a lmost naked
(his man t le enve lops hi s thighs on l y) ;he i s sea ted above a lotus -flower
,a
double lotu s-bud i s on his head,a cor
n uc0 pia on his le ft a rm,
a bra nch ofpa pyru s i n his r ight han d . See a lsoNo . 2 : a femin i ne figu re
, (Eu then i a or F i g ‘3 0
Egyp t) is ha l f recl in ing a t the fee t ofN i lus and looking towa rds h im . She l f b. Sera pis on a throme ; bust s of Se rapis and of Isis ; I s i s on a throne suckl ingHoru s . She l f c. Bu st s of Se rapis . She l f d . Busts of Isis .
2 7 1
Gla ss-ca se C . She l f b . 1 . Seven s to ppe red amphorae a rranged ou brackets above a la rge «1 zi r 2 . Harpocra tes s ta nding, dressed in tu n ic and ma nt le
,his head su rmoun ted by
a heavy crow n, a cornu copia on hi s le ft arm,
his righ t forefinger on his l i ps
,a goose a t his fee t ; 3 . Canopic vase w it h
the head of Os iri s, on a ba se ornamen ted w ith re l ie fs ; 4 .
Dog-headed a pe , a bu l l a on his chest suspen ded round h i s
neck , his head su rmoun ted by th e sola r disc . These fou rfigur ine s come from a tomb i n the Wes tern Ceme tery .
She l f d . 1 . Head of Hercu les crowned w i th ivy ; 2 -
3 . Headsof Mine rva ; 4-
3 . Heads of Pan and of Si lenu s ; 6 . He rcu les ,nude
,s tandi ng to fron t
,his c lub in
his righ t hand,ca rried l i ke a ca ne ,
a l ion sk in on his le ft fore-arm,th e
a pples of th e Hesperide s , which hehas ju st s tolen
,in his h a l f-ra ised
hand ; 7 . Hermes or Mer cu ry aga in sta p i la ste r ( fragmen t of a va se ? )s tand ing
,to fron t
,dressed i n a
chlamys thrown over h i s back ,th e
ca du ceu s i n his left hand .
Glass ~ca se D . Amu si ng ser ies of g r otesque figu r i nes a nd ca r i ca tu r es
(fig .
In the uprigh t glass -case I and I I h asbeen ar ranged the funera ry fu ru ttu re col lec ted du ring the excava t ion s o 1 9 1 2 i n the Necropol is a t Hadra .
In glass-case I , obse rve above a l l the su perb va se i n blue-g lazed wa re (fig. absolu te l y in ta ct, decora ted w i th threemasks of Bes i n re l ie f on the shou l der and a sta tue t te ofBes s tanding be tween the shou l de r a nd the mou th . The
whole of the ex te r ior su rfa ce is ornamen ted w i th figu res o frea l or fan tast ic an ima ls, bordered by ba nds of rose t tes and
spi ra l s (beginn ing of the 3rd cen tu ry B . Not ice a l so
severa l te rra co tta figu rine s . She l f a . Sta tue ttes of y oungwomen
,standing to fron t
,dressed i n chi ton and hima t i on ,
he ld on the breas t by the le ft hand, the right hand raisedand res t ing on the hip . She l f b. 1 . Woman -p layer on the
trigon ; 2 . Cha rming figu rine of a smi l ing chi ld, ha l f-naked(the man t le thrown over its left shou lde r and behind it s back).
ha nging on to a herma of Dionysos for protec t ion aga ins tsomeone who wan ts to take from him an a pple which he i sgrasping w i th h is r igh t hand ; a goose i s lean ing aga in st hisleft l eg . Del ica te colou ring
,we l l-prese rved ; 3 . Boy and g1rl
(the forme r naked,the la t ter dressed i n a chiton ) a re quar
re l l ing ove r a duck (fig .She l f c . 1 . Hea d of a de
gene ra te or mad ma n,of ex qu i si te w orkma n sh ip ; 2 . Superb
head of a harnessed horse ; 3 . O l d S i lenu s ; 4 . Ha rpocra tesha l f-rec l in ing i n a boa t fi l led w ith amphorae ; h e i s crown edw i th flowers
, w i th two lo tus-buds and w i t h the double crownof Uppe r and Lowe r Egyp t .
Gla ss-case II. Ci ner a ry u r ns w ith polychrome decora t i on,and
u rn s w i th decora t ion in bl a ck se t off w i th white ; a labasteru rn s ; a red -figu red l eka ne.
B IBLIOG RAPHY . B n a c cm ,R a p p or t su r l a ma r ch e d u Se rv i ce du
M u se'
e pen d a n t l'
a nuée 1 9 1 2 .
In glass - ca ses I I I a nd IV are exhibited : Twe lve beau t i fu l a laba ste r ci nera ry urn s .
In the fou r n iches se t i n the wa l l s of th e r oom
Be tween gla ss -ca ses A and I : 1 . Fun e ra ry ste le of nummu l i th icl imes tone (the scene tha t wa s pa in ted on i t h as a l toge therd isa ppea red) i n memory of the The ssa lon ian
,H ipp ocra tes
son of Ph i totes , who mu st have been one of the me rcena
ries i n the se rv ice of the Ptolemie s ; 2 . S te le i n th e form ofa na os bea ring in re l ie f a scene of touch ing in s pi ra t ion , butbadly preserved ; a young girl i s endeavou ri ng to hold up in
bed h er dying mothe r, whose brea th is fa i l ing her ; the threecu sh ion s p la ced behind h er ba ck fa i l to give her a ny re l ief.
Be tween glass~cases II and B : 3 . Ste le pa in ted i n the form of
an ed ifice su rmou n ted by a corn ice decora ted w i th triglyphsand me topes : the pa in ted scene represen t s a woman takinglea ving of her husband, whi le a ma i d a rrange s her funera ltoi le t (i t i s in terest ing to not ice the a rt i s t ’ s e ffort to reproduce a room i n pe rspec t ive w i th i t s ce i l ing decora ted withmou ldings).
BI BL IOGRAPHY . B a mc c m, R ap p or t PA G E N STE CH E R R . ,
Nekrop ol i s , p . 74 .
Be tween g la ss- ca ses C and I I I : 4 . S te le i n the form of a sma l l
R O O M 20 .
In the middle of the room is pla ced the grou p of D i ony sosand the Fa u n
, u n for tu n a te l y mu ch mu t i la ted . I t wa s discovered to the le ft of Rose t ta Ga te , du ring the demol it ion ofthe for t ifica t ion s . In spi te of i ts mu t i lat ion (nothing bu t the
torsos rema in ) t h is grou p , ca rved i n beau t i fu l whi te
F i g . 1 84.
ma rb le,m akes a good impression . In the comple te group,
Dionysos i n a ca re less pose was su pport ing h imsel f on a
young Fau n , pa ss ing h is le ft arm rou nd his neck . The
Fau n was plac ing h is righ t a rm behind th e back of Dionysos .The god ’s right l eg was res t ing aga in st a vine-stem , by the
side of which was a pan the r. Man y repl ica s of th i s groupare known
, (ou rs resembles, more pa rt i cu la rly , tha t of the
Chia ramon t i Museum,Va t i ca n ), the origina l of which is be
l ieved to derive from th e school of Prax i te les .BIBLIOGR APHY. BRE CC IA , Ann a l es Serv . A n t . , V II , 22 1 -25 ; Law
An n a,Grupp i d i Ba cco con nu Sa ti ro ,
i n A u sou i a ,IX
On the ma son ry stage to the r ight and le ft of the entrance
severa l
Fi g . 1 85 . F i g . 1 86 .
up over her head,Her name wa s
I s o d o r a and
she came fromCyren e .
You ng ofli cerca n te ring on a
su perb horse ,towa rds t h eleft . The horseis ri ch l y har
nessed . T h e
rider is arm
ed with brea stpla te
,sword ,
and. spear ; a
chlamys clasped on his brea stfl o a t s behna ih is back . A serv a 11 t hokfi ngthe horse ’s ta i lvvh li I ns righuhand runs behind his master. This is an
officer fr o rnNi a c e d o n i a
, mg . w%
2 / 5
p a i n ted ste l a e,
some of whicha r e we l l preserved
,i h spite
of the i r twen tyt w o cen tu riesex i sten ce
(le ft). A _wo
ma n sea ted i n
a h i g h a rm
cha i r, i n p rofi
le to th e righ t,
dressed i n a
chi ton and hi
ma t ion d r a w n
i s nu rs ing a l i tt le chi ld on her knees .who d ied i n Al exandria a few
year s a fter thefounda t ion o fthe ci ty (fig .
In t h e l a r g eglass-case A
,a
grou p of c iner a ry u rn s maybe see n . Not i ce No . 1
, an
u rn which iscove red w ith a
coa t,
o f ye l
low stu cco, onwhi ch a pa t
tern w i th geometrica l a n d
flora l mot i fs i sstamped (ev ident l y an im ita t ion of vasesi n gold or si lver) ; notice a l
so the samples
276
of pot tery va rn ished b lack (fig . 1 8 5 )of va r ied forms ; figu r ine s in ter raco tta ;polychrome g lass vase s (fig .
La rge gla ss -ca se B . Othe r beau t i fu l figur i nes
,a nd othe r va ses : You ng women
sea ted ( 1 - 2) or standing (3 -4-
5 ) c lothedfor wa lk ing ou t ; a woman -playe r on
the trig on (fi O . 1 87) some chi ldrendoing the ir school - lesson s (fig . 1 88) (78 -
9) or p la y ing w i th a n ima l s e tc.
There shou l d a l so be n ot i ced a la rgea labaster dish
,which mu st have been
u sed a t a funera l repa s t , a fte r which i twa s broken a nd i t s p ieces depos i ted inthe tomb .
B IBLIOGRAPHY . B e a c o n Ev La n ecro
p o l t d i'
Sc i a l b i , t . I , p a g e LV I , 2 1 2, t . I I , P]Fi g . 1 88 . LXXXI I
,Ca i re , 1 9 1 2 .
R O O M
In the glass-table 1 Wrea th of a r tifi c i a l flower s i n
pa in ted or gi l t terracotta . More than a hun dred flowerscan be coun ted he re , con s is t ing of some fou r or five va riet ies. Seve ra l of them have the i r corol l ae i n a s ingle piecew i th a wavy edge a nd a sma l l bu d i n re l ie f i n th e cen tre .
O the rs a re en t i re ly gi l t ; othe rs aga in have the i r corol lae
formed of e ight oblong sepa ls wh ich a re pa in ted i n d ifferen tcolou rs
,red
,green blue
,e tc .
B IBLIOGRAPHY . BRE CC I A E Gh i r ta n d oma n i a a l essa nd r i n a ,i n
M use’
e Egyp t i en , I I I , 1,a nd i n Necrop o l i d i Sci a l b i , C a p . V I I .
In the same gla ss -ca se : Other wrea ths and bran ches of laure lor of myrt le , th e leave s i n gi lt b ron ze , the be rries i n terracot ta
,a l so gi l t ; 2 . Gorgon Heads
,Bucra n ia , Mask in gi l t
stu cco,in tended t o be in la id i n a sa rc0 ph agu s or i n a wood
en case ; 3 . Min u te figu rines of w omen -da nce rs , a nd sma l lcolumn s i n gi l t stucco : these too we re p robably in tended to
decora te a sma l l wooden box ; 4 . Seve ra l fragmen ts of glassmosa ic wi th flora l decora t ion s ; 5 . A double flu te i n i vory :
the two pipes a re composed of se ve ra l dist inct p ieces , care
2 7 8
In the large gla ss-cases D and FF a re exhib ited a l l th e mon u
men ts col lected from the necropol i s of Ibrahimieh (3rd
cen
tu ry B . Amongs t the nume rous in scri pt i on s pa i p ted inred shou l d be noticed par t icu l arl y those tha t a re w r i t ten i n
Arama i c cha racte rs ; they he l p to fix the chronology o f the
Jew i sh colon y in A lexandria : a colony wh i ch goes ba ck ,th e re i s no doubt
,to the beginn ing of th e 3
rdcen tu ry B. C .
The other ste lae in trodu ce to u s person s from Bengas i (Xenera tos , son of Charman t ias
,from Beren ice of the Hespe
Fi g . 1 9 1 .
rides) ; from Sidon (Simote ra , daughte r of H e l i odo rus) ; fromth e is lan d of Thera (Teucosmos, son of Socri tos, from Thera)e tc . Among st th e n umerou s figu r in es the beau t ifu l boy(gla ss-ca se D, No . 1 ) w i th his e lbows rest ing on a pi llar, hisman t le thrown ove r his legs
,th e u pper pa rt of his body
n aked and pa in ted i n p ink (be fore th e baking), his longcu rled ha ir su rmou n ted by a crown su pposed to be of meta l).2 -
3-
4 . R ema in s of Siren s a s women -mou rne rs tea ring the i rha i r i n a pa roxysm of grief, e tc .
In glass - case F . A group of figu r i n es i n p a i nted p l a ster (discovered in a tomb which is u ndoubtedly of a la ter period
,
Hercu les, Ha rpocra tes, M i n on a boa t be tween two can opicvases, the one w i th an Os i ris head
,the othe r in the form of
a bunch of gra pes ; M i n in a boa t be tween an amphoraa nd a column , etc . Amongs t the
c inera ry u rns t herea re man y which s t i l lreta in the i r orn ament a t ion roun d t h e i rnecks, formed of a
w rea th of a r t ific ia lflowe rs (fig .
Notice b e s i d e s i n
gla ss -ca se F the pa in tings on th e c ine ra ryu rn s : 1 . Scene of
F i g . 1 93 .
comba t ; 2 . A W i ngedh o r s e ( b e a u t i fu l
design ) between two columns (symbol i s ing the Stadium).
F ig . 1 92 .
B IBLIOGRAPHY. Ba n c cm Ev .,La n ecrop o l i d e l ’ Ibra h im i eh , i n
B . S . A., 9 , p . 3 5 sq .
Gla ss -case E . Grotesques a nd ca r i ca tures i n p a i nted p l a ster ;fragments of figu rine s and te rracotta figurines from K6m-e l
Choga fa . In the mi ddle compa r tmen t a col l ect i on of l amp s ,man y of which are in te resting . 1 . D iana a s hun tress ; 2 .
Sea ted Venus busy w i th h er to i let a fte r her ba th,he l ped
by Cupids (fig . 3 . V enu s lea ving her ba th ; 4 . Ven usstanding up in the a ct of dress ing he rse l f ; a l i t t le Cupi dholds up a mirror to her (fig . 5 . The god Pan ,
a
crooked st ick in his le ft han d, a flu te in his r ight (fig.
Fi g . 1 94.
R O O M 22.
This room bea rs the name of H .H . Prince Toussun,be
cau se H .H . has given to the Mu seum nea rl y a l l the an t iqu i t ieswhich decora te i t, and which come from Canopus (Abukir).
F i g . 1 95 .
Among t h e monumen ts whichthrow some l igh t on the town ofCan opus
,there a re dedica t ion s to
Se ra pis and to I s is whi ch take us
back to the fi rs t ha l f of th e 3rd
cen
tu ry B. C . (on the wa l l t o the leftof th e en t rance : No . i
,in honour
of P to lemy Phi lade lphus an d of hisw i fe , by Ca l l icra tes son of Boi scosof Samos ; 2 -
3 , i n honou r of Ptolemy and Beren ice
,others da te
from Roman t imes : certa in i nscr ipt ion s commemora te Canopu s in i tsChrist ian days . There i s , bes ides , a
fi ne se ries of a rchi tec tura l rema in s ,beau t i fu l capi ta l s of a flora l type
,
O the rs of the Corin th ian orde r butdecora ted w i th the crown of Isis
(the solar disc be tween two horn s) ; there are a l so some re
ma rkable pieces of scu l ptu re (fig . 1 9 5 A l l i s), and a ser ies ofterracotta figu rines . Not i ce in gla ssca se C : i
,the beau t ifu l scene
of an ol d man and boys i n the
porch of a gymn as ium (fig.
a scene fu l l of l ife and of goodworkman shi p ; no t ice a l so No . 2
a rich ly ca pa r isoned e lephan t bea ri ng a warrior (i ) on i ts back : a
crowned Ha rpocra tes,his crown
be ing of flowe rs and the two lo tu sbu ds
,i s sea ted on the ground i n
fron t of the a n ima l a nd i s ca
re ssing i ts trunk w i th his le fthand , whi le his righ t i s thrus tin to a vase ; No . 3 . Woman play F i g . 1 96 .
2 . Another a na logou s vot ive ofleri ng, a lmost con tempora ry.
From Th eade l ph i a (Ba tn - Herit,Fayum ).
The o ther frescoe s a l l be long to a crypt or subter ra nean ch a
pe l discovered far ou t in th e Ma reot ic desert , t hirty k i lometres (be tween 1 8 and 1 9 mi les) in a s tra ight l ine to the
sou th-wes t of Alex andria . These frescoes are eviden t lyChris t ian (they a re p laced here for lack of othe r space),and they da te from th e 6 th cen tur y . They he lp t o demonstra te tha t th e sou rces of Chr ist ian Art i n Egyp t mu st besought for i n He l len ist ic a rt . Mou l ded ce i l ings ca rved orpa in ted are very common i n Alexandrian art a t the t ime ofthe P to lemies (Nos . 1 a l so wa l l s of rooms pa in ted in imita t ion of ma rble a nd a laba s ter (Nos . 3 -
4 , Wa l ls pa in tedw i th mon umen ta l human figu res are common i n the art ofth e Roman per iod .
Th e crypt wa s composed of an en t ra nce s ta i r-way, a roomtha t was a lmos t squa re
,a nd a second sma l le r room
,a t the
end of which wa s a n i che . The rema in s of the mou ldedce i l ing be long to the firs t room
,the w a l l s of which were
decora ted w i th a pa in ting of S t . Men as (No . 3 , t o left ofen t ran ce), w i th the scene of the Annun c ia t ion (4 and
other sa in ts whom i t h a s been imposs ib le to iden t i fy . Amongt he decora ted basemen ts , not ice the corn i ce w i th compl ica ted in ter l a cing, in the cen t re of which a b lue bird and so
me flowers are pa in ted . In the semi c i rc le on the a rch-waybetween th e fi rst and second room
,a hea d of Christ was
pa in ted in a meda l l ion (th e face be ing of an Egypt ia n type,No . The w a l l s and va u lt of the se cond room we re de
corated w i th tapest ry hangings (7 i n th e n i che a t the end
was pa in ted a sa in t (9) standing i n a n a t t i tude of adorat ion ,i n the middle of a ‘
cu riou s land scape probab ly mean t to re
presen t Paradise .
B IBL IOGR APHY . Ba a c c u E v . , R a p p or t su r l a ma rch e d u servi ce
du M use'
e gre'
co- roma i n d’A l ex a nd r i e en 1 91 2 , p . 1 - 1 4, P l . I-IX .
GARDEN COURT.
Retu rn ing now through the la rge squa re room ( 1 7) werea ch th e ga rden by the door i n th e west w a l l
,Open ing on
to the ve ra nda .
In the midd le of the ve randa i s placed a co l ossa l sea ted statue
of H ercu l es (fig . 39 p . Coa rse -gra ined whi te ma rble,
he ight 2 m . 1 5 . With the except ion of the lower ha l f ofthe left leg which wa s worked sepa ra te l y
,the sta tue inc lud
ing the sea t w a s ca rved ou t of one s ingle block . Un fortu
h a te ly this fin e s pec imen of He l len i s t ic a rt h a s had th e headand righ t shou lde r mu t i la ted .
The god of he roic strength is represen ted si tt ing i n an a t
t i tude of ca lm an d repose . The u pper port ion of his bodyi s qu i te n aked, for hi s ma nt le i s thrown ove r his legs and
one end of i t on l y, drawn rou nd the l owes t pa r t of hisback , is ga the red u p on his le ft fore- arm
,which is ra i sed
horizon ta l ly. Hanging down by h is left thigh we see th e
head of th e l ion - skin ; and by th e s ide of thi s,ca rved in high
re l ief i n the block which serves as ba se , i s h is c lub . H ispowe rfu l proport ion s and we l l-deve loped musc les are rende redwi th force and tru th , a nd yet w i t h supplen e ss . The ana tomica l structu re i s minu te ly s tudied , th e mode l l ing is of t emarkable workman shi p . I t ha s been compa red to the ce lebrated torso i n the Va t i can (which was forme rl y be l ieved torepresen t Hercu les , bu t which rea l ly represen t s Polyphemus),a ma sterpi ece of Apol lon ius
,to whom (0 1 to his school) ou r
Hercu les might be attribu ted . This t ype of statue of a sea tedd i vin ity is fa i r l y common amongst Alexandr ian scu l ptu res .(See the draw ing of the Va t i can torso i n a frame c lose by i t).
BIBLIOGRAPHY. R E INA CH, R ep e r toi r e, I I, 2294 .
In th e nor th sec t i on of th e garden may be seen seve ra l f u ner a ry monumen ts from the Ch a tby Necropol is , n umerou s sa rc0 ph ag i of marb le and of gra n i te of the ga rland type
,and
some capita l s .
A t the foot of the sta i r-way two sp h i nxes , good workman ship ,headless
,from He l iopol i s .
In the middle of the ga rden,the re is a la rge ci rcu l a r ba s i n
made of a s ingle block of pink gran i te ; behin d of thisa colossa l group i n gra n i te of Ramses I I and his daughter ,represen ted si t t ing side by side . From Abuki r .
At the end of th e ga rden,aga ins t t he wa l l : Co l ossa l h ea d in
green gran i te (discove red n ea r Hadra Lake , in th e ru in s ofthe anc ien t Te les te rion
,see p . This head represen ts
Mark An thonv w i th the a t t ribu tes of Os i r is . We know ,i n
fact,tha t An thony an d C leopa t ra had the i r s ta tu es erected as
Isis and Os i ri s a t the en trance of the famou s temple .
28 4
In the midd le of the wa l l to the right is an enormou s q ua
dra ngu l a r ba s i n (sa rcophagu s) made ou t of a s ingle block ofgra n i te . Fac ing thi s i s a l a rge wooden p r ess f or oi l or forw i ne
,dat ing from the Roman pe r iod , foun d a t Theade lph i a
(Fayum).
In th e north-western sect i on of the ga rden - cou rt , I have (by re
duci ng the distances between them to a lmost ha l f the i r or igina llength) reconstru cted the s ton e py lon s and the a l ta r be longing to the temple of Pn epheros , discove red a t Theade lph ia
(see room 9 page Thi s temple wa s bu i l t on the planof the Egyp t ian sanctua ries : the re were three su ccessivecourtya rds ; and i t was on ly by t ra versing these tha t en tra ncecou ld be obta ined to the ves t ibu le of the prin cipa l chape l .Frescoes (see rooms 9 and 2 2
a
) once adorned seve ra l of thewa l l s in the variou s rooms
,th e wa l l s be ing bu i l t a lmost en ~
t i re ly of unbaked bricks (fig. The re i s a bea u t i fu l Greekin script ion , ca rved i n handsome le tters on one single blockof stone 0 . 4 5 cm . deep and 2 me t res long
,over the doorway
a t the en tra nce of the temple,be tween the door i tse l f and
the corn ice . This inscrip t ion , da ted the n in th day of the
mon th of Thot,in the 34
i h year o f King P tolemy Euerge tes( 1 3 7 B . te l ls us that the pylon s an d the stone vest ibulehad been dedica ted to Pn epheros by Aga thodo rus , son of A
gath adorus , ci t izen of A lexan dria, in scribed i n the secondh ippa rchy, who dedicated this bu i l ding to the god who was
doubly grea t , i n honou r of Kin g P to lemy and of QueenC leopa tra his sister (and w i fe) and of Queen Cleopa tra hisw i fe (and n iece) a nd of the i r chi ldren .
Two l i ons of Tura l imestone are a t e i the r si de of the
doorway ; demot ic in scri pt ion s are engra ved on them and on
the i r pedes ta ls . Afte r pa ss ing through the open pylons whichformer ly stood a t the en tran ce of the su ccess ive cou rtyardswe reach the principa l chape l a nd the a l ta r on which the
crocodi le god was exhibi ted a nd gua rded . In the cen tra ln iche we fou nd
,s t i l l in place, some sma l l wooden rol lers,
which mu st have been used for s l id ing in to posi t ion the bieron which the crocod i le god wa s carr ied . I have h ad a modelof the bie r made (origina l i n room 9) w i th i ts sma l l pi l larsor props to hold up th e coverings p laced over the cro ~
codi le . A wop den ba rrier preven ted the publ ic from ap
proachi ng too c lose to the god , whi le two wooden shu ttersc losed the uppe r ha l f of the doorwa y of the chapel and
,
when necessa ry, hid th e divin i ty from s igh t . I be l ieve the
i n i ts way tha t th e comple te vic tor y of Chris t ian i ty ove rpagan ism i n Egypt was a t ta ined by ve ry s low degrees .
In the sou th-easte rn se ct ion of the ga rden we have reconst ructed two tombs cu t ou t of rock found i n the WesternCeme te ry . One of them da tes ba ck to the 3
rd cen tu ry B . C .
a nd the other to th e is t
cen tury A D .
The fi rs t one (A) i s a ce l l a enc losing a sa rcophagu s in the
form of a bed a nd s t i l l re ta in ing t races of the pa in t ings wi thwhich i t wa s decora ted . The cel l a
,which we en te r by
mou n t ing five steps , w a s pre ceded by a l ong rectangu larvest ibu le
,u sed for mee t ings of the su rviv ing re la t i ve s (room
for weeping ), and by a squ a re a tr ium (fig . 40 p .
BI BL IOGRAPHY. Ba n c c m ,i n M us e
'
e Egyp ti en , II, p . 6 1 sq . C p .
R a pp or t s u r l a ma rche d a s erv i ce d u M u se’
e p en d a n t l es a nnées 1 91 0
1 01 1 , p . 4 sq .
The other tomb (B) i s s imp le r . The en tra nce i s throughan a rch
,whose vau l t i s de cora ted w i th a la rge she l l in re l ie f
(same decora t ion a t K6m -e l i Chogafa) ; th ree n iches a re sunkin the three wa l ls and in ea ch of these i s scu l ptu red a sar
c0 ph agu s of the ga r land type .
Afte r moun t ing th e veranda aga in and pa ss ing i n fron t of theCu ra tor ’ s office and the Museum L ibra ry
,we fi nd ou rse lves
i n the vest ibu le,whence we rea ch the rooms con ta in ing an
t iqu i t ies of Chri s tia n t ime s and th e numisma t ic cabine t .
R O O M I .
For Chri s t ia n i ty i n Alex a ndria see p . 5 2-
5 6 .
To righ t and left of en t rance
1 - 1 7 . Fu nerary ste lae, i n whi te marble,probab ly from one of
th e famou s mona ste ries,so-ca l led , of the H enn a ton (or the
n i n th m i l e to the we st of Alexandria,t owa rds Ma riu t), and
re fer ring to monks,ca l led e i ther ddel cpo
’
g (broth er) or(abbot ). This last des igna t ion does not a lways indicate sa
ce rdota l dign i ty, bu t wa s a t i t le of d ist in ct ion for certa in
lea rned or par t icu lar l y v ir tuous monks . Some of these followed a profession . Abbot Doroth eus (2 ) w as a wai l i ng , a
playe r of s tringed instrumen ts . Abbot Serenu s (4) was a
doc tor (ia rgo’
g) a nd h ad t ran smi t ted the secre t s of his art to
h is d isc i p le John . The grea te r numbe r a re en t i t led mastersof the novices . Fifteen of these in scri pt ion s a re da ted fromthe era of the Ma r tyrs . The most anc ien t i s dated i n the
n in th indict ion,year 2 3 2 a fte r D iocle tian , which corresponds
to yea r 5 1 6 of ou r e ra,
as the era of th e Ma rtyrs sta rtsfrom 284 A . D .
B IBLIOGR APHY. La n a vn a G Ep i ta p hes d e moi nes a l ex a nd r i ns ,i n Bu l l . Soc. Arch . d
’A l ex . , 8 , p . 1 1 1 9 ; R ecu e i l d es 1 1 .s cr ip t i ons chre’
t i en
nes d’Egypte, n o s . 1 1 ; B a it c c u ,
Bu l l . Soc . A rc .h 1 6 p . 74 a n d 1 7 p . 1 79 .
Along the wa l l to the righ t of the en t rance there a re ar
ra nged abou t two hundred Christ ian fu nerary inscri pt ions(pa rt l y in Greek , part ly in Copt ic) found e i ther i n Alex andria ,or in d ifferen t pa rts of I owe r and Upper Egypt (princ i pa l lya t Assuan
,Achmi n , and Achmunen ). The i r form is some
t imes t riangu la r,some t imes rectangu la r
,su rmou n ted by a
sma l l ped imen t .Man y begin w ith the formu la 2 1 01 17 1 0 11 (Ste le
t his be ing especia l ly cha rac te ri st ic of the in script ion s fromAchmin ; ma ny others begin w i th the formu la ’
Ex ocp h0¢7.
The se formu lae a re fol lowed by the n ame of the deceasedman or woman Wi th the epi the t ua n dgcog or p an dg t a , the i rage , da te of the i r dea th , and somet imes thei r profession
No . 5 3 i s a n ep itaph,pa rt ly me t rica l
,to a lady, J oa nn i a , dau
gh ter o f Ammon i us , of Hermopol is , sa id to have been em i
n en t a s a poe tess and Speaker,a s we l l as famou s for her
know ledge of l aw .
On the ste lae 1 0 3 , 1 0 6 , 1 0 8,1 1 1
,1 1 9 , 1 20
,1 30 , 1 3 5 , 1 44, we
may obse rve the differen t forms of the cross i n Egypt . N .
1 30 shows the mos t ancien t of a l l the monograms : repre
sen t ing a t one and the same t ime the n ame of Chri st andthe sign of H is cross . No . 1 0 6 i s nothing bu t th e anc ien thieroglyph ic symbo l
,the Ankh
,sign i fying l if e : th is symbol
is pa rt icu la r to Egypt . We find a l so the cross w i th a loopor hand le , the squ a re cross (w i th fou r a rms of equa l lengta nd the cross w ith the horizon ta l a rms shor tened (fig . 1 9
B IBL IOGRAPHY. La r a a v a n G R ecuei l d es Inscr ip ti ons ch réti enn es d
’
Egyp te , Ie Ca i re ,1 90 7 .
Upo n th e d i ff e re n t fo rm s o f th e Cro s s s ee E . L . BUTCH E R,\V . M .
FL INDE R S PETR I E , Ea r ly f orms of th e Cross i n Anc i en t Egyp t , 1 9 1 6 , Pa rt III
Glass -case A : Towards the cen tre of this wa l l . Terr a cotta Fi ~gu r i n es . Ha loed women
,kn igh ts
, wa rr iors,an ima l s
,e tc .
,
F ig . 20 1 .
290
qua r te r of th e town . I t i s in th e form ofa tru nca ted pyrami d . In the middle ofeach of th e fou r ve rt i ca l fa ces of which ,so to say, th e ba se i s formed, the re i s ahead Carved i n high re l ie f. On the s ide
which faces the en t ra nce in t o th is rooma young woman
’s head,her h a i r pa rted i n
the middle of her forehead , fa stened by a
ribbon,and gathered in to two clusters a t
the n ape of the n eck ; to the righ t of th ishea d of a young woman w i th long hai rtw i sted i n a coi l round h er head and
crown ed w i th bun ches of gra pes and ofvine-leaves ; on the s ide Opposi te to the
en t rance : th e head of a bea rdless youngman
,smi l ing
,h is ha i r fa l l ing i n disordered
locks : on the fourth side : a bea rded head ,ba l d on the top, crown ed w i th branches ofvin e and w i th sma l l bunche s of grapes .Fesoons in high re l ie f enci rc le the l id ,th e i r en ds t ied toge ther a t the cornersand abo ve ea ch of the heads . M . Strzy
gowski finds i n th is mon umen t one more proof in favou rof h is theory on the Orien ta l orig in of Chri s tian art . (Afragmen t of a s imi la r sa rcophagu s i s i n the Con s tan t inopleMuseum ; not ice , on the ea s t s i de
,the photograph Of a sar
c0 phagus of iden t ica l type i n th e Va t i can , con sidered to betha t of Sa in t Con s tance).
G las s- table H. Wr i t ing s on l ea th er (Coptic)con tai n ing acts of piou s dona t i on s madeto a conven t l n the t own of Moh ond i
(Upper Egypt). M i n u te obj ects i n l ea d ;By za nti n e we igh ts and Gnost i c s tones .
G la ss-ca se I . Cu ri ou s Cush i on i n ba nd s
(polychrome wool) a rranged in su ch a
mann er a s to form a ser ie s of squ a re s .I t was discove red unde r the head of abody in th e Chris t ian Ceme te ry of Ant inoc .
Glass -case K . Co l l ect i on of ca rved bon ea nd i vor y . Al l these fragmen t s have F i g , 2oz ,
29 1
ce rta in l y been in la id in furn i tu re or boxes or have beenu sed to decorate u tens i l s and weapon s . The grea te r pa rt ofthem do not belong to the Christ ian per i od, bu twe have co l lec
ted them herei n order not todispe rse t h e mamong differen tseries and a l sofor pract ica l reasons . They were fou nd, for themost par t , i n the rubbish heaps of a n cien t Alex a ndria
,a nd
i f,as a ru le are not rema rkab le for de l ica cy of ex e
cu t ion ,the i r c t-ma tter i s a lways in te resti ng. Moreove r
the re a re some tha t have a ce rta in a rti st i c va lue : 1 978 . Pa
r is or Adon i s standing, the u ppe r part o f hi s body n aked,
F i g . 20 3 .
wear ing a P cap ; he i s support ing himse l f on a th icklong st ick ; nude young ma n
,i n profi le to the right
,
w i th strong r deve lopmen t,his head tu rned backwa rds
,
his pe ta su s hanging behind his neck (Me rcu ry 1 993- 1 944.
Venu s, n ude , s tanding, a dol phin a t h er fee t ; 20 0 0 -20 0 6 .
Women playing the cymba ls , the body n aked (the man t le floating behind), i n a da n c ing a t t i tude ; 2 0 0 7 .
In a the bus t of a young man ad
va n c ing to th e le ft , hea d tu rned to the r ight ;good workma n sh ip ; 2 0 1 2 (fig. A person age (Si len us) dressed on ly in a chl amysc lasped on the r igh t shou l der , his head ben tba ckwards
,hi s body agita ted w i th the in
toxi ca t ion of the da nce ; 20 2 1 (fig .
A bearded o ld ma n , h is body n aked, su pport ing h imse l f on you ths who a re holdi ng him up (Ba cchus w i th you ng Fau ns);2 0 2 7 . Woma n s ta nd ing
,dressed i n a tu n ic ,
lean ing aga in st a sma l l column , offeri ngw i t h her left hand a goble t t o a nude you thstanding a t her left s ide ; 20 38
-2 0 44 . Ve
n us and nymphs ; Venu s a nd Faun (fig .
20 5 8 . Bacchan te agita ted by the in toxica t i on of the da nce ; 20 87(fig . The god Pa n i n his dua l na tu re , human and an ima l(he-goa t), lea ping and grasping a crooked s t ick in his hands .
F i g . 204.
B I BLIOGRAPHY . STR Z Y G OWSK I H e l l em'
s ti s che a n d kap t i s rheKu ns t i n A l ex a n d r i a , i n B . S. A . , S. P.1 -99 ; C p PAG E DIST E C
H E R R ' : D 1 3
Gr i ech i sche-a egyp ti sch e Sa mml ung E . van Si eg l i n , 3 .
,
Te i l , p a g e 229
. C p;A . ,
o’
a r s z’
va o’
wdyhv z/J a 1 0 17 en “ a rre a rs e fi i 'm ov
dgxm ol o l oym ofi Jifovoet'
ov i n E 171 . A975 ”1 91 5 , p . 1 38
-1 45 1 9 1 6 Po
Along the le ft wa l l
G la ss- ca se L . Severa l dozen s of amp hora s topp er s of p la ster ,stamped . Many of them bea r in scr i pt i ons , o the rs i mages ofsa in ts or Chris t ian symbols. These stamps mu st have beenused as ma rks of ownership . She l f a : Va rious inscr ip t ionsengra ved or pa in ted . She l f b : 50 -
5 1 . Hea d o f a bea rded
F 1g . 20 5 . F ig . 206 .
sa in t,w i th an au reole ; 5 2
-
5 6 . Sa in t s tan ding be tween two
pa lm branches,pra y ing . She l f c : 5 7
- 68. Three fi shes (fig .
7 0 . An eagle w ith ou t-spread w ings ; 7 1 . L ion roaring ,in profi le to righ t
,r is ing up on his h in d
'
legs , an in scr ipt ionround abou t ; 7 2 -
7 3 . Two birds u nder a tree w ith threeenormou s branches (fig . 7 5
-80 . A‘ sta nding ange l w ith
ha lf-Opened w ings, h is arms spread ou t , his head i n a n im
bus . She l f d : Mon ogram. (See PAGENSTECH ER,o. c
Pl . XLV l I-XLV I I I).
In th e middle compar tmen t : Col lect ion of"
l amp s i n beau t i fu lred terra cot ta , the uppe r sect ion be ing decora ted w i th re l iefs .For ex ample
,1 -2
, w ith Emperor'
s Heads ; 2 -
5 , w i th the fi
gu re of a cock ; 7 - 1 0,w i th tha t of
.
a l ion ; 1 1 - 1 4, w ithcrosses and fine sacred monograms (fig, 1 5
-2 1 , w ithpa lms ; 2 2-24, w i th va ses, e tc .
294
Sa in t Mena s are Spread fa r and w ide ove r the ancien t world .
Ampu l lae have been found e ven in Rome,Athen s , Da lma t ia ,
e tc. The grea ter n umber, before the discove ry of the sanctua ri es of Abu -Mina
, were found i n Alexa ndria, whence
wa s drawn th e col lect ion exhibi ted i n these two ca ses. In
spi te of gene ra l un i formi ty of t ype,m any dozen s o f secon
da r y va rie ties of these ampu l lae can be d i s t ingu i shed . Thisis due to d i fferences e i the r i n the formu la and th e posi t ionof the in sc rip t ion
,or i n the symbols mou lded i n re l ief on
the two fa ce s . Gene ra l ly Sa intMena s is to be seen represen tedas a R oma n soldie r
,a n imbus
round h is ba re head,stand ing
to fron t,praying, between two
crouce i ng came l s . Some t imesthe head of the Sa in t i s in the
middle of a n in s c ript ion : AFIOYMH NA E YAOFIA (Eu logy ofSa in t Mena s). EYAOFIA TOY
A F I O Y MHNA MAPTYPOS
(Eu logy of Sa in t Men as,
the
Marty r) or othe r simi la r formul ae . The Opposite s ide i s ofteni den t ica l w i th the othe r
,bu t
some t imes i t i s on l y decoratedw i th a n in scrip tion inse rted i na c i rc le (fig . Amongs t thesymbols most frequen t ly me t
Fi g , 20 8 w i th , e i th re on one face or on
the other, we notice the cross,
a sa i l ing boa t , conven tion a l flowers
,a ba ske t fi l led w i th loaves . Some t imes and even fre
quen t l y , i n stead of the image of the sa in t,there i s the head
o f a negro . eviden t ly p laced there w i t h a view to rel igiousprose ly t i sm amongst the popu la t ion s of n egro ra ce .
B IBLIOGRAPHY. La c u ca c q H . , t o t h e word Amp ou l es , i n D ict i onn a i re d
’Arch e’
o l og i e ch rét i enn e et B i b i i b i d . A d d : D UT ILH e t BLOMF IE LD,Sa i n t M en a s d ’AIex a n d r i e , i n B . S. A ., 6 , p . 38 ; KAUFMANN C . M . ,
Zu r Ikon ogr ap h ze d es M ena s -Amp u l l en ,Ca i ro
, D i em e r, 1 9 1 0 .
Be tween th e two cases i s exhibi ted a ba s - r el i ef i n ma rbl e
repre sen t ing Sa in t Me n a s i n the same a t t i tude a s on theamp u l l a e be tween two crouching came ls . This ha s -re l ie f isdou bt less a poor copy of tha t which stood on the sepu lchre of the Sa in t a t Ma riu t . I t wa s discove red in the ru ins
of a sma l l chu rch to the Wes t of A lexandria (Dekhe la ),whence were obta ined a lso the two column s
, the one spira land the other smooth, whi ch are on each s ide of the basre l ie f, a s we l l as the fine cha n ce l screen which is be tweenthe two column s , and a l so the ca pita l s exhibi ted on thebra cke ts a t the s ide of the ca se s L . M .
B IBLIOGRAPHY . CR UM o B a a c cm , D'un ed ifi ce d ’
e’
poq u e ch re'
ti ennea cl -D ekhél a , i n B . S . A.
, 9 , p . 1 -1 2 . C p . R oemi sch e Qua r ta l sch r if t, 1 90 6, IV .
1 11 the frames P, Q,
R, S , a re shown some Cop ti c tap estr i e
sfrom the Christ ian ceme terie s ofAchm in a nd An t i noe
,the most
an cien t of which da te from the
th i rd cen tu ry . They were w0
ven on a vert i ca l l oom . Raw
l inen thread wa s u su a l ly employed for th e wa rp
,and the woof
was of wool and i n rare casesof wool and l inen . The finenessof the t issues d iffe red accordingto the c loseness of the threadsi n the wa rp . The tapest rie sformed pa rt of the t issue i tse l f.One cha racterist i c t ype con s i s tsof designs fine ly tra ced i n ecrul inen on a background of brownor pu rple . These des igns w ereproduced by means of a shu t t le F i g . 209 .
t h a t the w eave r wou ld fl ingfrom one poin t to another a longthe wa rp ; now- a -days r ess a u ts a re no longe r u sed . The
Egypt ia n and Gobe l in tapestries w ri tes M r . Gerspach , fromwh i ch we have taken these techn i ca l de ta i l s, are the re
su l t of work tha t i s so iden t i ca l,excep t for a few secondary
detai l s , tha t I have been ab le w ithou t any difficu l ty to havecopies of them made by ou r pu pi ls in the tapes t r y school(Gobel in). The decora t i ve sub jec ts have been taken from the
an ima l and vege table world , and from geometry . L ions a re
to be seen,pan the rs
,dogs
,bea rs
,fishe s
,geese
,horses
,i n
short eve rything tha t may be reprodu ced by pa in t ing<1 A t ten t ion shou ld a l so be drawn
,says Mr . Gerspach , to
the care whi ch the Copts pu t in to the i r e dgings and borde rings . Uprigh ts
,cu rsives, fo l iage , tw i sts , flora l ornamen ta t ion
,
in terlacing,den t ic le s
,cu r ls
,wa ves
,vine s
,ce l l s , tongue pa t
te rn,cren e l lat ion s , chevron s
,prec iou s s ton e s , spi ra ls , scrolls,
e tc .
,a re a lways very appropria te ly employed in re la t i on to
the ma in subject,i n respect of design ,
colou r and importa n ceon e rema rks the a lmost con s tan t des i re to produce an ef
feet by making th e ou ter border run i n an Oppos i te direct ionto tha t of the prin cipa l pa t te rn These observa t ion s maya l l be ve rified on th e col lect ion of tapestrie s i n the Mu seum ,
ex h ibi ted i n the fi ve frames men t i oned above,i n room 1
,
and on many othe rs i n rooms 2 -
4 .
B IBLIOGRAPHY. Fo e a n e n R D i e Gra eber nnd Tex t i lj n nd e von
Ach m i n -Pa nop ol z’
s , i n -40,1 89 1 G n a s p x c n M . , Les ta p i s s er i es cop i es , l n
1 890 : G um a r E, Les Portr a i ts a
’An th i noe , tu Pa r i s , 1 9 1 4; STA R T LAU
R A , Cop ti c Cl oth . Ba tt lefi e l d M u seum. H a l t/ am ; VA N GE NN E P A . e t JaQU I E R G Le t i s sage a ux ca r tons et s on u t i l i sa t i on decor a t i ve d a ns l
'
E
gyp te a nc i enn e , Neu c h a te l , 1 9 16 ; BA ILLE L J on as , Les ta p i s ser i es d ’An
t i n oc a n M nse’
e d’
Or l éa ns . Or l ean s , 1 9 1 7 ; EKR E R A I SA BE LL A , Co l l ecti ond
’
a n czrn nes étofi es e’
gyp ttenn ees (Ca ta l og u e orn é d e 45 4 ph o tog ra v u re s ),B ru x e t te s , 1 9 1 6 ; H a s s u N G E Etofi es et tap i sser i es cop tes . Pa r i s , 1 9 1 4 ;KE NDR I CK A . F . , Ca ta l ogu e of tex t i l es f rom bu ry i ng -
groun d s i n Egyp t ,v o l . I : Gra cco -Roma n P er i od (V i ct o r i a. a n d A l b er t M u se um , D ep a r tmen t
o f tex t i l es), Lon d o n ,1 9 20 .
To th e right of gl a ss case M,fas tened to th e wa l l a nd on two
bracke ts,are other stel a e and s l a bs decora ted w ith in terest
ing re l ie fs . The two which show Zeu s,i n re l ief
,transform
ed in to a swan embracing Leda,
a re pa rt icu la rl y cu rious .Copt ic a rt had not re jected a s a decora t ive mot if this paganand somewha t riba ld myth which had been reproduced somany t imes by He l len i s t ic a rt i n monumen ts of exqu isi tefineness ; bu t i n the ha nds of Copt i c workmen th e execu
t ion i s so coarse,tha t these re l i efs resemble car ica tu res .
The h igh-rel i ef pla ced above frame S represen ts two women
dressed in t ight,short, an d very low-n ecked tun ics ; they
a re ha l f rec l in ing to the righ t and left of a ba sket,re st ing
the i r e lbows on the loaves w i th which the ba ske t is fi l led,
the i r r ight l eg doubled up, the i r left s t retched ou t ; w iththe ir left hands they a re hold ing on to th e long bran chesof a tree which hang over the i r heads .
Aga inst the wa l l to th e left of the en t ran ce in to room 2 thereis a ma r bl e p l i n th found at Haga r-e l -Nawa t i eh (subu rb ofA lexan dria) n ea r the bank of th e Mahmudieh Can a l . The
Greek inscri pt ion engraved on i ts fron t face re fe rs to the
c lean s ing of the ca nal
,ca rried ou t by a governor of Alexan
dria i n the Byzan t ine period (unde r Leo
st ru ck a t Alex andria (Nummi Aug u storu n i A l exa n dr i n i ). Na
ru ra l ly other groups of coin s accru ing from excava t i ons on E
gypt i an soi l find and w i l l find the ir pla ce here .
Room 3 . Gla ss-ca se A -B (to th e righ t of en trance).
1 (fig . Tetra dra chm s tru ck i n the n ame of Al exa n der
th e Grea t,dur i ng the sa trapy of Cl eomenes (3 30 -
3 2 3 B. C . )Obver se : Hea d of He rcu les i n l ion - sk in . R everse : On the
right from the top downwa rds : AAEEANAPOY ; Zeus, tol eft
,sea ted on a thron e h i s left hand l i fted u p holding
sceptre,the . eagle i n h i s r igh t hand . Hea d of Ammon in
the fie l d to le ft .
Fi g . 2 1 0 ,
2-
4 5 . Coi n s s tru ck du r i ng th e sa trapy oj Pto l emy ,son of
g u s (from 3 2 3-2 to 30 6- 5 B .
Th e s i lver coin s have a l l got on the Obverse the head ofAl ex ander the Grea t, i n profi le to right , w i th the hornsof Ammon
,the e lephan t-skin on his head and th e aegis
knot ted round his n eck . Th e R everses of certa in seriesrepresen t Zeu s sea ted on a throne
,as on the coin s be long
ing to the sa trapy of C leomene s ; othe r ser ies represent A
thema Promachos,s trid ing to righ t
,i n the fie ld on left AAE
SANAPOY from th e bot tom upwa rds,an d i n fron t of Athena
a sma l l eagle , i ts w ings c losed, i n profi le to right .After th e dea th of Ale x an de r the Grea t
,Ptolemy
,son of
Lagus, gove rned Egypt as sa trap u nder the su ze ra in ty ofPhi li p Arri daeu s a t firs t (3 2 3 then un der tha t of Alexa nder IV, posthumou s son of th e Conqueror
,from 3 1 7
-
3 1 1 ,B . C .
,a t which da te Cassande r mu rde red the boy king and
thi s crime defin i te ly broke Up the u n i ty of th e empire . The
299
satraps became th e rea l k ings of the i r provin ces and towa rds30 6
-
5 B . G. , they effect ive l y took tha t t i t le .
F ig . 3 1 1 .
46-274. Co i ns str uck by Ptol emy ,
when h e became Ki ng ofEgyp t (Ptol emy Soter).They may be divided in to two principa l se r ies : one wh ichconta in s the most a ncien t coins , w ith the head of Alexan de ron the Obver se
,and Athena Proma chos on the R everse l ike
the coins of the sa tra py (fig. the other series is composed of more recen t coin s which bea r on the Obverse the
head of Pto lemy Soter,to righ t
,diademed
,w i th an aegis
knotted rou nd hi s n eck . On the R everse IITOAEMAIOY
F ig . 2 1 2 .
BAEIAEQE a t the r igh t, an d i n the Space be tween a n eagle w i th closed w ings, to le ft , standing on a
thunderbo l t, and to the le ft of the eagle a let ter or a mo
nogram (fig. In gla ss-case A a beau t i fu l grou p of 1 4
pen tadrachms in gold may be seen (fig .
Ptolemy I,re ign ed t i l l 2 8 5 B . C . A t tha t da te h e abdi
cated i n favou r of hi s son (born of Beren i ce ), P tolemy I I,known by the n ame of Phi lade lphu s ; Ptolemy I, died in2 8 3 B . C .
Gla ss- case 3 0 27 5-
5 5 0 . Co i n s stru ck du r i ng the r eign ojPtol emy II Ph i l a delp hus (from 2 8 5
-
4 to 246-
5 B .
These coin s may be grouped in t o se ve ra l se ries . Therea re some tha t repea t the t ype of the coin s of Ptolemy I , a l
low ing,n a tu ra l l y
,for diversit y in th e monograms (see some
beau t i fu l gold pen tadrachms , Nos. 27 5- 280
,and the s i lver
tetradrachms which fol low them). O thers have on the i r Obver se : Head of Ars inoe w i th crown and ve i l , i n profi le tothe righ t ; a nd on the R everse th e eagle w i th the in scri pt ionAPEINOH Z t o the l eft, and di l AAAEArbOY to th e right(Nos . 3 3 1 - 342) and e specia l ly the beau t i fu l gold coin 342
(fig . Others have on the Obver se the bu s t of Z eusAmmon , and on th e Reverse some times one , some times twoeagles (Nos. 343 Othe rs a re of the P to lemy Soter type
,
bu t ha ve on the R everse,behind th e eagle , a sh ie ld (Nos .
3 7 3 Others aga in are a l so of the P tolemy Soter type ,bu t as we l l as the monograms have various symbols (shie ld,club
,i n fron t of th e eagle (Nos . 3 8 3
-
427 , The
gold coin s 4 28 -
434 an d 4 3 6 have on the one s ide the two
bu sts of Ptolemy l,and hi s w i fe Be ren ice
,and on the other
the bu sts of P tolemy I I,a nd his w i fe Arsinoe. Above the
bu sts of the former the in scrip t ion OEQN ; above th e othersAAEAQQN . In th e spa ce behind the Ade lphi (brother and
sister) a shie ld (fig .
P to lemy II,ma rried a s his firs t w i fe the daughte r of Ly
s imachus of Thra ce (Arsinoe I), then his own s is ter ArsinoeI I
,w idow of Lys ima chu s , whom she h ad caused to be as
sa ssin a ted by h er blood brothe r Ptolemy C e raunus. Bu t her
a ccompl ice had oblig ed her a fter th is to flee from Thra ce,
an d she sought a re fuge a t Alex andria . This woman suc
ceeded so we l l i n ge t t ing rou nd her brother tha t he ex i ledhis fi rst w i fe and m a rried h is s iste r
, an ac t ion , however,which con formed to th e tradit ion s and mann e rs of the a n
c ien t n a t ive dynast ies . Ars inoe,a woma n of ex treme po
l i t i ca l abi l i ty. rece i ved, whi le l iving , a lmos t d i vine honours,
and a t her death was de i fied .
G la ss-case C . 5 5 1-6 1 9. Co in s str uck by Ptol emy III, Eu ergetes
(from 247-6 to 22 1
Atten tion may be drawn to the s i lve r decadrachms o r
n amen ted w i th the bust of Arsin oe I I , Ph i lade lphu s, w i t hcrown and ve i l on the Obverse
,and th e dou ble cornucopia
and the in script ion APZ IN OH Z GPIAAAE/MPOY on th e R e
ver s e (fig. The bronze coin s have e ither the head ofZeu s Ammon or the bust of Ptolemy III (Nos . 60 1 -60 3 ) on
the Obver se ; the s i lver tetradrachms bea r on the con trarythe bust of Ptolemy I (Nos . 604 On the R everse ge
nera l ly an eagle i n profi le to the left on a thu nder-bol t, often
hea d tu rned backwa rds,a nd cornucop ia e i ther high Up
behind th e eagle or i n fron t of i t at th e bot tom .
Ptolemy I I I succeeded his fa the r in 247-6 B . C . He mar
r ied his cou s in Beren ice,daughter of Maga s of Cyren e , a
woman of rema rkable sag ac i t y . Ptolemy en la rged the Egypt ian empire by mean s of a vic toriou s expedit ion aga inst Sy ria .
0 -67 3 . Co i n s s tr u ck by Ptol emy I V (from 2 2 1 -0 to 204
Observe pa rt icu la rly the Supe rb gold octod ra chm (No. 620 ) w i thth e bu st of P tolemy II I, his head su rmoun ted by a diademc rown ed w i th rays , th e a egis knot ted on his r ight shou lder ;th e cen t ra l poin t of the triden t ends i n a sceptre . On the
R everse a corn ucopia whose u pper edge is ornamen ted withrays (fig . 62 1 . Tet radra chm i n s i lver w i th the bu sts ofSerapis a nd Isis on the Obver se
, a nd on the R everse an eaglestanding on a thunde rbol t in profi le to the left
,hea d tu rned
to the r igh t, a nd,a double cornu copia on i ts ba ck (fig.
30 3
Ptolemy IV ma rried hi s siste r A rsinoe . They died myster i ous l v, Vi ct ims of a cou rt in trigue, i n 2 0 4
-
3 B . C .
F ig . 2 1 7 .
Glass-case C . 67 9-684 . Glass -ca se D . 68 5 699 . Co i n s s tr u ckfby
Ptol emy V,Ep ip ha nes (from 2 0 4
-
3 to 1 8 1 —0 B . On
the Obverse somet ime s the bu s t of Ptolemy I some t i
mes that of Isi s crowned w ith whea t-ear s (680 and
somet imes tha t of Ptolemy VHe married Cleopat ra , daugh ter o f An t iochu s , king of Syria .
Glass -ca se D . 70 0 and follow ing . Co i n s stru ck d u r i ng the r e ig n
of Ptol emy VI (from 1 8 1 -0 to 1 74-
3 8 . unde r the re
gency of his mothe r Cleopa tra . The three p iece s worthy ofa t ten t ion i n this ser ies are th e gold octad rachms
,represen t
F i g . 2 1 8 .
i ng th e bus t of Cleopatra,exact l y Simi la r to tha t of Ars i
noe I I,w i th d iadem
,ve i l , a nd sceptre . The let ter K a t the
back of her head i s the cha rac ter ist i c indica t ion of the n a
30 4
me On th e R everse APEINOH E’ t o th e
left , di l AAAEAdi OY to the righ t, w i t h a doub le cornu copiabe tween (fig .
The Ptolema ic coin s st ru ck i n late r t i mes bea r no in tere stexcep t for spec ia l ists . We w i l l con fine ou rse l ve s to draw i nga tten t ion on the bron ze coin s exh ibi ted in gla ss
:
ca se E 1 (NOS.
1 0 5 9 and fol low ing) bea ring on th e.Obver se the bu s t of the
la st of the Ptolema i c Queens,th e famou s C leopat ra V II
(fig .
B IBLIOGRAPHY . On th e Pto l em a i c c o i n s se e a b ove a l l SV ORONOSI . N .
, To‘
t N otu'
ou a t a 1 0 6 n gd t ovg 1 65 7 H t ohey a i'
w v , A th en e s , 1 904- 190 8 .
In glass-case F . a re exhibited gold an d sil ve r coin s from
F i g . 2 1 9 .
cedon ia , Thrace, Phrygia , Syria , e tc . othe r region sAsia Minor .
In this same room no . 3 , I ha ve brough t toge ther prov is iona l l y the first n u cleu s of a col lect ion of p l a ster -ca sts as we l las photogra ph s of Gracco -Roman monumen ts discovered in A
lexandr ia or i n Egyp t and exported abroad. I hope one dayto be ab le to add t o this col lect ion a room consecra ted to the
complete i conogra phy of A lexande r the Grea t, and othe r roomscon ta in ing casts of t he mos t s ign ifican t monumen ts of He l len ist ic a rt
,as we l l a s of the maste rp ieces of Greek a rt before
Alexander th e Great and of th e art of the Imperia l per iod .
1 . Bas-re l ief re pre sen t ing H ermes Psy chop omp os (gu ide of th edead), forme rly in Alexandria , now i n the Bri t i sh Museum .
Through the l ibe ra li t y of the Admin is t ra t ion of th e Brit i shMuseum , we a lso have No . 2
,So l a r d i a l
, an d No. 3 , Ba r
3 0 6
of the cou n t r y and th e Mu seum whe rethe origina l i s to be found.
IMPER IAL COINS OF ALEXAND R IA .
This series i s of th e grea test importance,not on ly for the his tory of the Roman
domin a t ion of Egypt,bu t a l so and above
a l l for the h is tory of the re l igiou s syn
cre t i sm of that epoch,
a s we l l as for thetopogra phy of A lexan dria . As a ma t ter of
fa ct the R everse of these coin s often gives a represen ta t ionof some Alexandri an god or temple or monumen t .
F ig . 22 1 .
Room 2. Glass-case A : 1 -64. Bron ze . Co i ns s tr uck u nd er
Octa v i a nus Augu s tu s (B . C . 30 A . D . On th e Ob
ver se there is usu a l l y the head of Augustu s,in profi le to
r i ght . On the R everse d ifferen t symbols . Eagle standingon a thunde r-bolt to left ( 1 Va ses A l ta rsShea f of whea t -ears (2 2- 2 5) e tc . One series presen ts on the
Obver se th e portra i t of L ivia,w i fe of the Empe ror (48
6 5-
96 . Ti ber i u s (A . D . 1 4 Nos . 6 5 -80 in bron ze ; 8 196 i n b i l lon . 97
- 1 0 1 . Cl a ud i us (4 1 - 54 A . D . ) and An ton i a his mother ; 1 0 2- 1 2 1 Cl a u d i u s ; 1 2 2- 1 90 . Cl aud i u s a nd
Messa l i n a . Th e coin s of whi ch we give a reproductiona re No . 1 0 8 (fig . shea f of whea t-ea rs
,and No . 1 3 5
(fig . on th e Obverse : hea d of C laudius wi th diadem,
profi le to the righ t,
and on the R everse : Caduceu s be tween fou r ears of corn . 9 3
-
4 1 6 . Nero (A . D . 54-68) so
me t imes a lon e,some t imes w i th Agri ppina , w i t h Augu stus ,
Wi th Tibe r ius, w i th Poppaea . 4 1 7
-
46 3 . Ga l ba (A . D . 68
F ig . 222 .
Fi g . 223 . F i g . 224.
464-487 . Otho (A . D. 488 -49 5 . Vi tel l i u s (A
D . 496-
548 . Vesp a s ian (A . D. 69 , D ec. 2 1 A .
D . 79, June 549-
5 5 3 . Vesp a s i a n a n d Ti tus . 5 54-
5 74 .
Ti tu s (A . D . 79
Glass-ca se B . 57 5-68 3 . D om i ti a nu s (A . D . 8 1 Among the
R everses not i ce : No . 66 5 . The Emperor i n a quadriga ,drawn by e lephan ts ; 668 . Th e Emperor i n a cha riot drawn
by cen taurs ; 669-67 2 . Fron t view of Triumpha l A rch ; 67 5 .
The Pharos ; 687 (fig. Fron t view of Triumpha l A rch ,w i th three a r chways , the cen t ra l one be ing higher thanthe two othe rs ; on th e top of the pedimen t
,two V i ctories
a t th e angles,and i n the m iddle th e Empe ror i n a quadriga .
684-692 . Nerva (A . D . 96 69 3
-
982 . Traj a n (A . D .
98 Not ice among the Reverses : 697 (fig . Fa
l “1g . 225 .
3
cade of the Temple of Serap is i nt he Greek s ty le , w i th t r iangu la rpedimen t ; the capi ta l s are Corinthian ; in the midd le, Se i apis Standi ng , rest ing on a l ong scep tre, hisrigh t han d on a s te le ; 7 5 0 (fig.
Temple of ISIS Facadeof a temple i n the Egypt ian sty le ;two la rge py lon s conn e cted by a n
a rchitrave , u n der which th e doorOpen s ; on the top of the arch it rave a godde ss can be seen , facing ,hold ing a long sceptre i n her leftha nd ; this temple wa s ce rta in l y in
Alexa ndria . 70 3-
70 4. Ni lu s rec l in ing to righ t ; 7 7 1 . Sera pissea ted on a t hrone ; 77 2 . Se rapis on the sa cred ram ; 7 8 0 .
Trophy ; 7 8 5 (fig . Triumpha l A rch, w i t h three a rch
ways su rmoun ted by t rophies ; 7 99 ,Th e Emperor on a
quadr iga ; 8 0 4-80 7 , on a quadriga of e lephan ts ; 87 1 . Se rapissea ted on a throne
,h is head surmoun ted by a modiu s
,his
right hand rest ing on the three -headed Ce rbe rus ; 8 90- 89 1 .
Modiu s ' fi l led w i th ears of corn on a cha rio t drawn by w inged se rpen ts ; 892 . Modius on the top of a column
,gua rded
by two w inged se rpen ts,con fron t ing .
F i g . 226.
G la ss -ca se C : 990- 1 477 , a nd gla ss -ca se D
,up to No . 1 60 2 .
H a d r i a n (A . D . 1 1 7 The R ever ses a re very varied ;1 0 2 5
- 1 0 26 . The Empe ror on a qu adriga of e lephan ts ; i o 5 i .
H ippopotamu s ; 1 0 5 9 e t pa ssim : Serpen t ; 1 0 92- 1 0 9 5 , see
F ig . 227.
3 1 0
1 45 0- 1 4 5 1 (fig . Isis Pha ri a an d the Pha ros ; 1 5 96 (gla ss
case D). On the Obver se : Bust of An t inou s on horse-back,
F i g . 230 .
in profile t o righ t, holding a caduceu s in his r igh t hand(fig.
Glass-ca se D z. 1 60 3- 1 92 5 . Gla ss- case E : 1 92 6
- 2 1 66 . An ton i nu sPi u s (A . D. 1 3 8 1 6 3 9 (fig. The Pharos ; 1 6 57
(fig . Sera pis sea ted on a throne,three- qua rters t o left
,
the left hand holding a long sceptre, the righ t hand he ldover the head of Cerberus ; 1 7 2 3 . Eu sebe ia i n the middle of
F i g . 23 1 . F i g . 23 2 .
a tetrasty le temple ; 1 7 26 . Hercu le s ove rthrow ing the Ne
mean L ion ; 1 7 5 6 . Temple of H ermanubi s ; 1 7 5 7 .Winged
V i ctory,in profi le t o r ight
,wri t ing on a Shie ld ; 1 7 60 .
3 1 1
Trophy ; 1 78 2- 1 7 9 5 . The Zodia c ; 1 8 1 9 (fig . The Em
peror sea ted , he lmet on hea d,lean ing his e lbow on his
F i g . 233 .
temple , w i th the image of Eu sebe ia be tween the cen tra lcolumn s ; above , in th e middle
,flame s ; 20 3 6 (fig .
Hexasty le temple,w i th fa i rly high podium ; acrote ri a , an d
,
on the top,
flames .
Glass-ca se E : 2 1 67- 2 20 8 . M a rcus-Au rel i us (Cae sa r A . D . 1 3 9
2 20 9 sq . M a r cus -Au re l i u s (Emperor, 1 6 1 - 1 80 A .
2 1 80 . Temple of Se rapi s ; 2 20 2 - 2 204 . Hexa sty le temple ;2 3 26
- 27 . On the Obver se : Bust Of the you thfu l Fau st ina ,w i fe of Ma rcus Aure l ius ; on the R ever se : Head of Se rapisabove a sacred ram .
Gla ss -case F . This ca se enc lose s th e coin s st ru ck a t A lex and ria under Lu ci u s Veru s
,Commodus a nd Severu s A l ex a n
der . 2479-2480 . A very beau t i fu l R ever se : Pha ros and sa i l
i ng-
Ship .
In glass-case K-L,the beginn ing of a col lec t ion of Roman‘
Consu la r coin s and coin s of th e Empire .
In ea ch of the fou r n i ches set i n the wa l ls of the room isplaced a ma rb l e cap i ta l from the ba si l i ca of Sa in t Menas .These capi ta l s a re u sed as ba ses for fou r p la ster -casts e i the rof s ta tues or bus ts of A lexande r t he Grea t : 1 . Cas t of th ece lebra ted Herni a discovered by Cheva l ier Aza ra
,nea r Tivol i ,
a t presen t a t the L ouvre . No . 2 is a l so a t the Lou vre .
No . 3 wa s taken a t firs t for the god Mars,but a rch ae log i sts
have s in ce iden t ified i t as Alexa nd er ; No . 4 . This beau t i fu lhead of th e Conque ror wa s d i scove red a t Alexandria i n
1 888 ; i t i s now i n the Bri t i sh Museum .
Room 4 . In fron t of th e en tran ce : A l a rge p i thos of terraco t ta
,of the Cop t i c period
,discove red a t Te renu th is (De l ta).
The exterior su rface i s decora ted wi th the image of a Sa in t(Christ ?) praying, i n a meda l l ion . In a l owe r zone, to the
righ t and left , a re pa in ted b i rd s,apples and aqua t ic plan ts .
In the gla ss-ca se A -B. 2 8 0 8-3 98 5 , i s ex hibi ted t he con t inuat i on of the Numm i Augg . A l ex a nd r i n i from Al exa nder -Sever u s to N umer i a n u s Ca esa r (A . D .
In glass-ca se C, 3 986
-
42 8 3 , from N umer i a nu s Ca esa r to D o
m i ti u s Dom i t i a nus (A . D .
Nos . 4284-
4 397 comprise the coin s of the Nomes (provin
ces or d is tri c ts of Egypt). These coin s w ere s tru ck by the
differen t provinces of Egypt u nder Hadrian , Tra j an , and An
ton in us .
BIBLIOGRAPHY . Fo r t h e Impe r i a l Co i n s o f Eg yp t con su l t t h e wo rko f M . G . D A T TA R I , A
’
umi Augg . A l ex a n d r i n i : Ca ta l ogo d e l l a co l l ez i on e
G D a tta r i , Ca i ro , 1 90 1 ; M I LN E j . G . , Th e R oma n ca rnage of A l ex a nd r i a ,
Stu d i es (Bri t i sh Sch oo l o f A rc h a e o l og y i n Egyp t ) , 4, p . 3 0-
34.
On the brackets are shown f uner a ry i n scr ip ti ons from Akoris
(Upper Egypt) which have no in teres t excep t for the Studyof Graeco-Egyptian proper n ame s . A beau t i fu l ser ies of f ragmen ts of embro i dered tap es try from An t i noe may be seeni n th e frames 1 -8 .
The Col ossa l sta tue of n ummu l i t ic l imestone , which is in thisroom , da tes back to the He l len i st ic pe r iod (fig . I t wasn ot possible to remove i t to the scu lp tu re ga l le ry for fearof break ing i t . A middle -aged woman i s sea ted i n a higha rm-cha i r ; She i s wea ring a chi ton w i thou t s leeves and a himat ion
,which is drawn u p ove r her head , bu t lea ves u ncove red
h er right a rm lying a long h er thigh . H er left a rm is wrapped i n a n end of the hima t ion a nd h er chin re sts on h er
hand . The woman is looking towa rds h er right, w i th a sad
and mou rn fu l expression . A you ng gi r l wea ring a long tu
n i c is lean ing aga in st her mother’ s le ft l eg ; her feet are
crossed,h er head l i fted up, she i s l ook ing a t h er mother
towa rds h er right . She i s holding a sc rol l i n her left handwhich is ra ised up to her chin ; h er right a rm i s foldeda cross h er brea st . In spi te of i ts poor Sta te of preserva t ion this grou p lea ves a good impress ion a nd revea ls an
able hand . I t h a s been t hough t . and probably w ith just ice,tha t th is sta tue represen ts Beren ice
,w i fe of P tolemy I I I , in
mou rn ing for her daughter, who, as a ma t te r of fac t,di ed
a t a n ea rly age . I t was on th e occas ion of the dei fica t ion ofthis l i t t le princess t ha t the pries ts of Egyp t
,assembled in the
temple of Ca n opu s, d rew up the famous Decree of Canopusi n t hree differen t w ri t ings
,hieroglyphic
,demot ic and Greek.
B IBLIOGRAPHY. Journ . In tern . d e N um i sma ti que, I P l . 1 0 ;M on . P l ot, IV PI. 1 9 , pa r M . C OL L I GNON ; c tr . Sc u a m n a n
, Komesch -Schuka
'
j a , p . 273 , fi g . 73 ; R a m a c a , R ep er to i re , I I , p .
Room 5 . Gla ss-case A . Temp ora ry exh i b i t i on of co i ns whichdo n ot en te r in to the two pri ncipa l se ries : Athen ian Tetradrachms
,some of which have an in script ion in re l ie f added
a fte r be ing s truck , an d n ea r l y a l l of which a re marked w i th
a s tamp , (a squ a re hole , a hole in the shape of a ' cone,or of a
sta r ). Some of them come from Memphis,some from KOm-c l
Nakhla e l —Baharieh (Lower Egypt). Some gol d d a r i cs . Two
gol d meda l l i ons of Ga leri u s Max im i a nus . 1 0 2 sma l l Romancoin s , s i lver, di scovered at Benha (A thr ibis), gift of the 1 Direc t i on Ge
’
n e’
ra le of the Se rvice of A n t iqu i t ie s ; the i r da tesexten d from the Emperor V espa sian to the Emperor Albinu s .
Glas s-ca se B . Col l ect i on of R oma n a nd By za n t i ne goldpa rt ly from a find made i n Alexandria (Cha tby) andfrom Benha (A thr ibis).
Gla ss-ca se C . Stock of a gol dsm i tha nd moneta ry officer . Discove red a t Mi t-Rah i neh in 1 8 60 byM ar iet te, and i l lu stra ted by LONGPER IER in t he R evu e Num i sma
ti que T . 4, p . 40 7-
42 8 .
Here can be seen coins from di fferen t pa rts of Greece , pieces ofsi l ver of di fferen t we igh ts readyto be re-worked ; some sma l lSi l ver idols ( 1 3 2 , Bu l l A pi s ).R ings and rema in s of r ings w i t himages of the divin ities engrave don them. O ther ana logou s fragmen ts from a 11 fi n d 11 made a t
Samanhud .
Gla ss-case D. Roma n Coi ns str u ck F i g » 239.
a t A l exa nd r i a for the se rvi ceof th e Empire u nder the Tetra r chy (A .
D . 2 84
Gla ss-case E . Roman Co i n s s truck a t Al ex a ndr i a for thevice of th e Empire by the su ccessor s of the Tetra r chyer A . D . By za nt i ne coi n s struck a t A l exa nd r i a
Gla ss-case F. Lea d Coi ns .
On the brackets : Fun era ry ste l a e from Upper Egyp t (in grea tpa rt from Akoris).
In th e uprigh t gla ss -case A a re tempora ri ly a rranged some
p a i n ted p l a ster ma sks which w e re d iscove red i n th e bea
then necropol is of An t i noe by M r. Gaye t .
3 1 6
In the upright glass—case B . Poly ch rome Pottery from Ko‘
m
e l-Chogafa .
Sma l l g lass-cases C . D . Amp u l l a e of Sa i n t Mena s a nd Sa i n t
Thekl a : l amp mou l ds for amp u l l a e and l amp s, from the
sa nctua r ies of Sa in t Mena s a t Mariu t. In the cen t re of thewa l l : Fine ma rb le p i l a ster fou nd i n th e Cenob ia annexed tothese same san c tua ries : he ight 1 m . 80 , w id th 0 m . 5 8 , depth ,0 m. 20 . The left Side has no t been worked, t he l owe r par t ofthe righ t side and of the fron t su rface is smooth and pol i shed
,
whi le the u ppe r pa rt (he ight 0 m . 5 3 ) is orn amen ted w i th a
re l ief ; a thick wrea th t ied w i th ribbons , (which fa l l symetrica l l y in a Spira l towa rds th e base) is seen in the m idst ofla rge acan thu s leaves , which ri se vert ica l l y towa rds the anglesand on the r igh t s ide ; in th e cen tre of the w rea th a cross wasca rved i n re l ief
,now mu t i l a ted : this mut i la t ion probably
da tes back to the epoch of th e Arab Conquest (fig .
The task of our Mu seum fin i shes w i th this v isi on of Mus
sulman civil isa t ion pene t ra t ing in t o the coun try whose cap ita lfor long cen tu r ie s had been the ci ty fou nded by the Conque ror .A new h istory now begins for Egyp t
,a history in which Alex
andria e i ther plays a seconda ry pa rt or disappears a l togethe r .
F ig . 240 .
m 4 3 1 8
Close to the en tra nce,a Spi ra l sta i rca se leads to the fi rst
storey landing (fig . To th e r igh t and left a re two semic i rcu lar n iches
,provided w i th ben ches and decora ted i n the
uppe r pa r t w i th a l a rge she l l in re l ie f. This same decorat ivemot i f, whi ch 18 found aga in on the ce i l ing of the s ta i rca se leadi ng to the second floor, i s u nknown to Egypt ian art . On the
othe r hand i t i s very frequen t l y seen i n the me ta l industr ia lproducts of the He l len i st ic age ; i t was popu la r i n Egypt du ringthe Roman period , and wa s a l so much employed i n Copt ic a rt .
The sta i r case was u sed on l y by the l i ving ; the dead werelowered by cords down the l ight -sha fts
,then passed through
la rge open ings made i n the wa l ls,and fina l l y depos i ted i n the
chambers of th e lower floors .On pa ssing t he two semi-c i rcu l a r n i ches we find ou rse lves
in a c i rcu la r chamber, inthe middle of which is a
sh aft covered by a kind ofd o m e d k iosk con s ist ingof a pa ra pe t a nd e ightpi l lars which rea ch to th evau l t of the chamber . Th e
five ma rb le heads,whose
p laster casts are exhibi tedhe re
,the or igina ls be ing
i n the Mu seum,were dis
cove red a t the bot tom ofthis shaft .Chambers w i th sarc0 p
hagi and l ocu l i or n ichesfor cinera ry u rn s openou t of this rotunda . The
sma l l open ings in the wa l lswe re in tended for lamps
,
the smoke of which hasleft e v iden t t race s .The tr i cl i n i um fu nebre,
the apartmen t whe re th e
relat i ves of the decea sed F ig . 242 .
met for a fune ra l repas ton the days sa cred tothe worshi p of the dead (for the Roman s, the day of vio le tsdies v io lae ; the day of roses d ies rosae
,and others) l ies
to the left of the en tran ce, i n the la rge ha l l .The ha l l measu res 8 . m. 50 . by 9 . m . The roof i s su ppor ted
by pil la rs . The tr i cl i n i um preserves i ts origin a l a spec t . The
three cou ches a s we l l as the pi l lars support ing the roof are
cu t ou t of the sol id rock . The table , which wa s probabl y ofwood , was no doubt placed i n the m iddle ,
be tween the threecouches . Th e couches were cove red w i th matt resse s a t the
t ime of each mee t ing.
F ig . 243 .
leaving t i e tr i cl i n i um a sta i rcase leads secondstorey .At this poin t there i s a pic tu resqu e a nd a t tract i ve view or
th e cen tra l and most importan t pa r t of the tomb (fig . 243 )
3 2 2
very low- a rched pedimen t, ornamen ted w i th a s im ple solar disk .
On the side wa l ls of the vest ibu le there a re two n iches Sha
ped l i ke Egypt ian door-ways in which two sta tues of whi tel imestone
, one of a woman (to the left) and the other of a
man (to th e righ t), are st i l l s ta nding (fig. The type ofthe two heads is not Egypt ian , bu t th e sta tues themse lves havebeen execu ted accord ing to the princi p les a nd mode ls of Egyptianart . Professor von Ri ss ing h a s remarked that the type and
th e head-dress remind u s of the p las ter heads of the two firstcen tu r ies of ou r era and of th e ce lebra ted F ayum portra i ts . We
may add tha t the man ’ s head,in i ts techn ique, presen ts remark
able ana logies w i th the pla s ter bu sts la te l y found in a t omba t Suk-e l-Ward ian (See Museum,
Room 1 2, Nos . 3 3 37 and
Accord ing to von Biss ing the two s ta tue s , a s we l l as
the modu les of the a rchi tectu re a nd the gene ra l decora t ion ,
lead us to place t he origin of the monumen t i n the pe riodbe tween the Emperors Ve spa s ia n an d Hadria n .
In the back of the vest ibu le a door is pie rced,su rmou n ted
by a corn i ce ornamen ted w i th a w inged sola r disk and a friezeof u rae i . Such a frieze is frequen t ly me t w i t h in Egyptianarchi tectu re o
fa la te pe riod .
To the righ t and left,on ba ses i n th e form of an Egypt ian
na os , a re two grea t serpen t s or bea rded dragon s ca rved in basre l ief
,wea ring the doub le crown (pschen t) and having beside
them the caduceus , symbo l of Mercu ry or He rmes, and the
thyrsus , symbol of Dionysos or Bacchus . These serpen ts appear to be not on ly agathodemon s (good gen i i) bu t a lso the
se rpen ts sacred to Os i ri s and to Dionysos (gods of the dead)and to He rmes (the gu ide of the dead).Above t hese dragon s shou ld be n ot iced the Shie lds bea ring
a Gorgon’
s head standing ou t from a kind of a eg i s . Th e use
of this te rri fying symbol was perhaps in tended to keep away
from the tomb a ny w i cked person s or thieve s .The chambe r con ta in s three n iches
,placed on pedesta l s, on
the three sides of th e room . In each of the n i ches there i sa sarcophagu s hewn
,toge ther w i th i ts
'
l id, ou t of the sandyrock . They close ly resemble one another ; the on e a t the far
en d on l y d i ffe rs from th e O t he rs i n de ta i l s of ornamen tation .
On the fron t of i t the re i s a fes toon of flowe rs ; above thisga r land , i n the cen t re
,the re i s a figu re of a woman l y ing down ,
perha ps meant to represen t the deceased for whom the sar
cophagu s was dest ined . Two masks a re su spended from the
rings tha t hold the w rea th, Si len u s to the righ t and Medusato th e left . The fron t pa rt of the l id is decora ted w i t h a
3 2 3
horizon ta l festoon i n re l ief formed of leaves and berrie s of ivyand ol ive .
The two sa rcophagi i n the s ide n i ches a re absolu te ly ident ica l, one w i th the other . On the fron t face there is a fe stoonof grapes , w i th ribbons a t the ends ; i n the cen t re the sku l l ofan ox is suspended from a ring. To the r igh t and left abovethe wreath are two heads of Medu sa . The fron t pa r t of th el id is decora ted w i th a meande r (fig .
F ig . 245 .
e covers of the se sa rcophagi , decora ted a t the corne rsw i th sma l l acrote r ia or horns, a re on ly im itat ions , becau se i twas fea red tha t
,ow ing to the perishable na tu re of the ston e ,
they woul d be broken i f they we re moved abou t . The a rchitect found a pract ica l and ingen iou s way of su rmoun t ing thisdi fficu lty . From behind
,i n the ga l le ry tha t su rroun ds the fu
nerary chambe r, he cu t Open ings an d then hol lowed ou t the
sa rcophagi . Thu s the bodies we re not brought in to the sma l lcha pe l or a t any ra te we re onl y de posited the re for a shor t
t ime for th e la st praye rs ‘ of the ceremon y . The y we re thenla id i n the i r tombs by way of t he ou ter corridor.On th e wa l l s of each n iche ,
'
above th e sarcophagu s, t he re i sa cen tra l re l ief, w i th two sma l le r side re l ie fs . They a re workedw i th a rounded chise l in ‘
a free though somewhat l i fe less ma n
ne r. Cer ta in deta i ls a re s ti l l enhan ced by colou r i ng. The
sub jec ts a re of a re l igiou s and fun era ry charac te r, but i t maybe presumed tha t n e i the r th e owner of th e t omb nor the
a rt ist who decora ted i t wa s able t o u nde rs tand the mean ing of
t he symbols whi ch they t ried to copy from the monumen t s ofthe Pha raon i c age
The scene re presen ted on th e cen t ra l wa l l of the n iche a t
the end of the chape l portrays Os iri s mummified , w i th th
roya l diadem and the u ra eus on his head,stre tched on a fune
ra l cou ch, which is shaped l ike a l ion bearing the Osirian crown
su rmou n ted by the sola r di sk , a nd holding in i t s fron t clawsthe fea the r, symbol of the goddes s of tru th . Unde r the couch,three Canopic ja rs are Seen
,in tended to con ta in th e en tra i ls
of the decea sed : one of these h as a hawk ’ s head as a cover ,a nother a human head
,a nd th e third a dog ’ s head . The god
of emba lming,A n ubi s
,w i th a dog ’ s head
,s tands up righ t be
hind the bed,the disk wit h two u rae i on his head , and a lo
tu s-shaped drink ing-cup, flanked by two serpen ts,w i th a han
d le l ike a st irrup, he l d in his left hand . A wa te r- l i l y p lan trises from the goble t . The god holds his right ha nd over th emummy .
Thot, (god of wr it ing a nd or sc iences,represen ted by a hu
man body w i th the head of an ib i s), stands at th e head of th ebed holding a scept re a nd a vase , and as symbol of th e resu rrec t ion he offe rs the dead man the s ign of l i fe . At the footof the bed Horus is seen
, (god of the sun with the head of ahawk), a l so hold ing a scept re a nd a va se but w i thou t anysymbol ica l a t tribu tes i n h is hands .
In th e sma l l space to the righ t,a t th e end of th e sarcopha
gu s, a pr ies t i s represen ted w ea ring two feathers on his head,
a n d cl othed i n a pan the r skin th rown ove r a l ong robe . He
offers a lotus bud an d a cu p w i th a n ewe r to a woman who
i s wea ring a la rge w ig and d iadem su rmou n ted by th e sola rd isk . She i s l i ft ing u p her two ha nds
,th e pa lms towards
h er face . There is a n a l ta r shaped l ike a shea f of papyrusbetween th e pr iest a nd t h e woman
, who is making a ges tureas though rece iv ing offerings .On the sma l l wa l l to the left a priest i s seen reading pray
e rs from his scro l l i n fron t of a pe rson age (the decea sed) who
3 26
To the right of the en trance door Anubis is standing, w i thth e body of a man and th e head of a dog, a s god of wa r
,
wea ri ng a Roman cu irass and the shor t sword of the leg ion a
ries su spended on a bandolee r. H e holds a shie l d on his righ ta rm
,and a Roman lan ce i n his left hand .
At the other s ide of th e door, e rec t on a pedes ta l and cladl ike a Roman so ldier, stan ds Se t-Typhon or Makedom, w ith the
head of a wolf and th e t a i l o f a dragon . These divin it ies a re
part icu la r ly cha rac te ristic of th e Graeco-Roman pan theon a nd
form a ha ppy complemen t of the cu riou s m ixtu re of Gracco-Roman a nd Egypt ian forms
, a mix tu re which produ ces i n the a r
ch i tectu re a nd scu l p tu res of this tomb an effect u n ique in i tskind .
The most probable da te of th e origin of this tomb is t h e
per iod be tween th e Empe rors of the F lavian fami ly a nd H a
dria n (tha t i s to say between the end of the 1S t
and the firs tha l f of the 2
n dcen tu ry A .
The personages represen ted by th e tw o statu es p laced i n
th e vest ibu le and by the re l ie fs (the ma n a nd th e woman towhom t h e pr iest s of the dead are addre ss ing prayers) are the
origina l owners of the tomb. There i s no th ing to show tha tthey were very rema rkab le folk , bu t eviden t ly they were fa i rl yrich . Whethe r they we re Greeks or Roman s
,or as i t may
we l l be possible , Egyp t ian s , they fol lowed the syn cre t ic ten den c ies which a t tempted to mou ld and to mix, bu t wi th a n un
su ccessfu l and in organ ic re su l t, the be l iefs and th e a rt i s t ic formsof Greece w i th the be l ie fs and the a rt is t ic forms of the East .On leaving th e fu ne ra ry chape l a nd i ts vest ibu le we en te r the
ou te r ga l le ry which su rrounds i t . We pa ss through th e doorto the right a t th e foot of the monumen ta l s ta i rway . Numerou s l ocu l i a re cut i n the wa l l s of th is ga llery . Some ofthem a re st i l l c losed and have s labs re ta in ing the ir a ncien t inscri pt ions, pa in ted in black or red
,indica t ing the nam e and age
of the de ce ased . Usua l ly the l ocu l i con ta in severa l bodies(from two to fou r). In some of th e n i ches u rn s a re st i l l i nplace , con ta in ing the a shes of those who pre ferred crema t ionto bu ria l .Othe r ga l le rie s open ou t from this one
,leading to chambers
re semb l ing the cen tra l chape l,bu t devoid of a ny orn amen ta
ti on .
I t seems tha t or igin a l ly th e tomb had not the comp lex p lanthat we obse rve to-day. Va r iou s chambe rs and ga l le ries seemto have been added a t su cces si ve epochs . The tomb is thoughtto have owed i ts en la rgemen t e i t he r to fami l ie s who su ccess iv
e ly took posse ss ion of i t, or, a ccording to von Bissi ng'
s Opi
n ion , to some profe ss iona l unde rtake r . But it i s not rea l l ynecessa ry to suppose tha t the en la rgemen t is due to e i t her ofthese cau ses . I t may w e l l be tha t the tomb was u sed bymembe rs of on e a nd the same funera ry corpora t ion .
On a scending the monumen ta l sta i r-way on ce more , we a re
ab le to pene tra te through a n open ing made i n one of the sma l lchambe rs off the ou ter ga l le ry, in to a no ther tomb con sis t ing ofa long sta i r (provis iona l ly c losed), of a very deep, la rge qu a
d rangu lar Shaft,of a la tera l ga l le ry whe re sarcophagi a re to be
seen and in te rest ing rema in s of pa in t ing,
and last l y o f a vastha l l , the wa l ls of which are p ie rced w ith man y rows of l ocu l i .The frescoes which decora te this tomb a pproa ch very close lyi n style t o the re l ie fs in the adjoin ing tomb .
In the n iche carved i n the north-west wa l l of th e la tera lga l le ry , above the sarcophagu s
,the fol low ing scen e i s pa in ted
on a thick coa t ing of whi te s tucco, which a l so covers the
whole surface of the sa rcophagu s and the n iche .
I s is and Neph tys are facing on e anothe r, the i r wings ou t
spread , protect ing the mummy of Os i ri s . They, as u su a l,are
wea ring long c l inging tun ics a nd have the so la r d isk on the i rheads be tween the horn s of a cow . To the right and l e ft
,behind
each goddess,a ma n i s standing, his hea d su rmoun ted by two
horns . The sceptre which he holds in his right hand indica testha t he i s a god or a king
, bu t i t is not possible to iden t i fy h im .
Ne i ther are we able to give a name to th e figu res sea tedon a throne
,pa in ted on the sma l l la tera l wa l l s . Above these
p ictu res a ga r land of Simple oblong leaves runs a l l a rou ndThe two p i laste rs a re a l so pa in ted . On th e l owe r pa rt the re
i s a des ign represen t ing a n et t ing ; above,
on the inn er side ,the b i rd of the sou l
,tha t is to say a bi rd w i th a bea rd less hu
man fa ce,w i th the sola r d isk be tw een two horn s and w i th the
u raeu s . On the ou ter s ide of the pi la s ters Horus-Re (des ign ated as such by the fa lcon pa in ted above him to the left). He
i s standing on a lotu s flowe r and i s holding a lotu s flower i nhis righ t hand .
Fa in t remai ns of two goddesses may be seen on th e ce i l inga nd be tween them two w ings a t tached to a whee l . The pe
d imen t is decora ted w i th symbol ica l figu res . Be l ow a sola rdisk a cu p i s pa in ted from which flames seem to a scend .
To the r igh t and left of this ve sse l two sphinxes face one ano
the r . Each of them pla ces i ts righ t paw on a whee l . Pe rha pswe may see he re the griffi n of th e goddess Nemesi s, or be t ters t i l l
,the goddess Nemesis herse l f i n he r zoomorphic aspect .
3 2 8
fi Th i s tomb is ca l led 1 The Ha l l of Ca raca l la for the fol lowi ng rea son A grea t qua n t i ty of sku l l s and bone s of horsesa nd men were found he re by the la te Dr . Bott i , who, to ex
pla in the i r presence,connec ted them w i t h th e ma ssa cre of the
you ths of Alexandria by the orde r of Caraca l la . He supposedtha t the u n fortuna te you ng men pu rsued by the Empe ror ’s soldie rs hoped to Save themse lve s by hiding w i th the i r horses inthe ca tacombs, bu t they were s toned to dea th i n the i r pla ceof refuge .
The hypothesi s i s not improbable,bu t on e cannot say tha t
i t is a t a l l certa in .
A large mosa ic of geome tr ica l des ign forme rl y ex isted on the
summi t of the hi l lock which covers the ca tacombs . The i nclemen cy of the wea the r a nd proposed excava t i on s ha ve ca u sedu s to t rans fer i t to the Museum . A beau t i fu l view ove r the
wes tern subu rbs of the town,the h a rbou r
,and L ake Ma reo t is
can be obta ined from th is s i te .
BIBLIOGRAPHY . Le s B us -r e l i ef s d e K6m~e l ~ Chougaj a éd i té s p a r l aSoci été Arche’o l ogrq ue d ’AIex a nd r i e . T cx te p a r F R . y o u B I S S INO D e ss i n s
p a r G i LL i fi R ON ; D i e N ekrop o l e von Ko‘
m-esch -Sch ngdj a , A u sg ra bu ng e n u n d
Fo r sch u ng e n h era u sg e g e b e n v o n E . SI E G LI N , b e a rh e i te t v o n T H Scm zm n n a ,
%e i pgi g , 1 90 8 . B a n d I Tex t S. XV I
, 41 7 i n G ro ss -Fo l i o,B an d VI I I
a fe 11 .
The deceased, wea ring a l ong robe and a kind of he lme t
,
i s looking towa rds the righ t a t a person who i s a ppa ren t lyspeaking to him and i s offe ring him . a vase w i th his le ft hand .
Th is figu re is wea ring a robe which cove rs the ches t a nd bodydown to th e knees
, and has a w ig on the head bound by a
golden c irc le t w i th a ribbon a t th e back an d a u raeu s on hisforehead . I t is probabl y a represen ta t ion of Os iris . Isi s s tan dsbehind h im , a l so looking a t th e deceased . He r long robe lea ves
PLA N
H YPO C EES
L‘
ILE DE. PHARO SA N FO UC H v
l / n'
vm
Hy p o c f i: l
H y p oc tc l l
Re le v e e l d re s s é pa r
E. S l M O N D BEY
F i g . 246 .
her breasts a nd one arm exposed . She wea rs a golden c irc leton her head w i t h a dia dem . This appea rs to be the scen eof the lu st ra l wa te r .On descending th e second ha l f of th e s ta i rca se , the vau l t of
which is decora ted w i th l ozenge -Shaped geometrica l design s , a
thi rd pictu re i s seen i n fron t of u s,placed high on the wa l l .
On ly the righ t ha l f of i t s t i l l exis ts . The scene mu st havebeen th e in t roduc t ion of the decea sed to Osi ri s
,god of the
Dead, who is represen ted sit t ing on a very ornamen ted throneto the le ft . The god wea rs mummy-swa th ings , the sola r mitreon h i s head , and holds the flag e l l um and th e di vin e sceptre i n
his hands . The dog A nubis takes pa r t i n the recept ion and
looks on a t the scen e . Horu s , ca rrying a va se i n his r ighthand, advan ces towa rds Os iri s, a nd in trodu ces th e deceased toth e God of th e Dead ; the figu re of the deceased is a lmostcomplete ly e ffaced .
We now en te r the a tr i um (mea su ring 5 m . 40 by 4 m . )whose wa l ls sti l l preserve traces of decora t ion i n the same styleas that of the sta i rcase wa l l s
,known as the fi rst Pompe ia n
s ty le or in crus tat ion style .
The en trance in to tomb A (see plan ) is on our right hand .
The ve st ibu le i s a lmos t qu adrangu la r i n shape . For some u h
known rea son the decora t ion of th e wa l ls w as never comple ted ;the wa l ls are covered w i th a layer of whi te s tu cco on l y
,bu t
they s t i l l re ta in inscri pt ions and drawings ske tched i n b la ckou t l ine (d ip i nt i ) which a re not lacking i n in teres t . Thesedipin t i seem to have been done by some a rt isan who w a s
working i n th e hypogeum,a n ex tempore a rt ist who drew boa t s
a nd even a man’
s head , a ca rica tu re maybe of one of hiscompan ions . See on the le ft-hand wa l l th e ske tch (OX td ) ofAn t iph i los by D iodorus , who n a tu ra l ly wrote the i nscript iontoo . On the righ t -hand wa l l there i s a draw ing of a boa t w i t hi ts sa i l Spread ou t and a vesse l wh ich recen t in vest iga t ion s haveproved to be a war-shi p
, w i th a tu rre t,the na v i s tu r rz
‘
fa
of th e Romans .The door in t o the funera ry ch a pe l is i n the mi ddle of the
wa l l a t the end of th e vest ibu le . We en te r i t by two low
s teps . The archi trave ove r the door was formed of a friezeof u ra e i a nd su rmoun ted by a w inged sola r disk . The da rkin te rior is devoid of any decora t ion .
We now re tu rn t o the a tr i um in order to en te r tomb B,
which is in a be tte r sta te of preserva t ion a nd pret ti l y decora ted (fig . Fi rs t of a l l we n ot ice tha t the chambe r before u s h as rece ived two successive coa ts of decora ti on . In
cer ta in spots the more recen t coa t i ng h as fa l len away and lefta n olde r decora t ion exposed
,which i s of the same s ty le a s tha t
on th e s ta i rca se : a ra the r high dado imita t ing a labaste r ormarb le s labs on a greyish-ye l low ba se . Above the dado and
up to the corn ice t here is a design of recta ngles i n i mi ta t ionof Op u s i sodomum, ou t l ined i n reddish brown . The la ter decora t ion consis ts of a dado imita t ing a n a laba s ter fa c ing , bu t
the space be twee n t his cou rse and th e corn i ce w h ich su rmoun tsth e w a l l is decora ted w i t h grea t r ichness a n d va rie t y .
Overth e dado a re t hree row s of sma l l b la ck a nd whi te squa res
,
l ike a draugh t-boa rd , then a n a rrow stri p i n imita t ion of a la
the t ran sforma t ion i t u nderwen t some cen tur ies a fte r i ts orig in a l con s tru ct ion . The ea rl ier tomb con s isted of a rectangu la rchambe r th e wa l ls of wh ich were decora ted in the in la id style(fa c i ngs in a labas te r s labs
,and rec tangu la r b locks a rranged in
equa l layers). The ornamen ta t i on of th e vau l t imita tes ca rvedoctagona l compa r tmen t s conne cted w ith one anothe r by sma l lsqua res . The re is no doubt tha t th is wa s a He l len istic tomb,and to i t a n ew con st ru ct ion was added a t the Roman pe
riod,bu i l t of baked bri cks a nd con ta in ing three sarcophagi .
This la ter work however,does n ot comp le te ly hide the ancien t
decora t ion , which i s fa i r ly we l l prese rved i n the origina l funerary chambe r (en tered by the pa ssage t o the righ t of thecentra l sa rcophagu s).
B IBLIOGRAPHY . Bo r n , Descr ip ti on somma i re d e l a n écropo l e d ’An
f ouchy ,i n Bu l l . So c . Arch . d
’Al ex . , n o . 4, p . 1 6 -
36 ; R . M . BLOMF I E LD , Sketchof An ci en t Wa r -Sh i p on Wa l l of Tomb nea r Anf us lu
’
Ba y ; Sc a m s , A l exa n d rm t
'
s clt e Dip i n t i , E rs t e r Te i l , Le i pz ig ,H i rsc h fe ld
,1 90 5 ; AS SMA NN E D i e
Sch i'
flsb i l der von Al th tbu rus a n d A l ex a n d r i a . in J a h rb u c h d . k . d . a . In s t i tu t s ,XX], 0 . 1 0 74 1 5 ; PAG E N ST E C H E R R N ekrop ol i s , Ka p . I I I a n d IV. I h a v ere ce n t ly d i sco v e red a n d ex p l o r ed som e o th e r pa i n te d tomb s
,n o l e s s i n te re s t in g
th a n t ho se d e s cr i b ed a b o v e . A s I a n n o t in t im e,to g i v e a su i t a b l e d e sc r i p
t ion in t h i s ed i t i on , I re fe r fo r t h e p re s en t t o my c R a pp or t s ur l a ma rched u s ervi ce d u M u sée p our [ 9 1 9
-20 Ab o u t t h e m u r a l h e l l e n i s t i c d ec o ra t i o ns e e R o s r ow z nw M Anci en t Decora ti ve Wa l l -P a i n ti ng i n Journa l of H e!Iem c S tu d i es , v o l . XXXIX p . 1 44
- 1 63 , V I - IX,a nd B i b l i og ra p hy i bi d .
THE N E IGHBOURHOOD
OF ALEXANDR IA
TAPOSIRIS MAGNA KARM ABU MINA
A visi t to Mareot is a s far as Tapos iri s Magna (Abus i r)a nd to the sa nctua r ies of Abu Mina may be cou n ted as one
of t h e most in teres t ing ex cursion s to be made i n Egypt .Th e bes t sea son to go the re i s from Jan ua ry to the la s t daysof Ma rch when the desert flora i s in fu l l b loom. A whole day13 requ i red for a vi s i t to e i the r Tapos i ri s Magn a or Ka rm Abu
M ina , two days i f both a re to be vis i ted .
Th e t ra in wends through numerou s fla t - topped hi l locks su r
moun ted by l ime -k i l ns, a nd a fte r passing Shefkha na i t ru nsa long a lengthy
,nar row dyke sepa ra t ing th e sa l t -works of
D ekhe la from L ake Mariu t . The first s ta t ion a fte r the dykei s Abd- e l-Kader
,a l it t le vi l lage p ic tu resque l y p laced a t th e
foot of a sma l l h i l lock su rmoun ted by a ceme tery . Th e nextvi l lage , Amri eh
,i s the re siden ce of th e Mamu r of the di s t rict ;
a weekly marke t is he l d here and i s la rge l y a t tended .
Th e lan d su r rounding Amrich i s we l l -cu l t iva ted,w i t h ga r
dens,vineya rds and pa lm-grove s . A l l th is i s the resu l t of expe
rimen ts ca rr ied ou t by the ex-Khedive . The n ex t ra i lway s ta
t ion i s ca l led Second Ma riu t ; then come s Hawari eh . We
ca n see the Tower a t Abus ir some t ime be fore w e arrive a t
Bahig, 40 k i l omet res from Alexandria . The trip ma y now be
e ffected by mo toring a long the road which pa sses the Mex
ga te s across the vi l lage of th is name , run s towa rds Dekh e laa ffording a sp len did sight of Agamy promon tory
,then tends to
the sou th crossing the sa l t -pans on an emba nkmen t to the hi l lson the fu rther side . A t th e top of these the road branches
— J 3 36
off in to two direc t ion s,th e one towa rd Amri eh
, the othe r, i n
the wes t,to Bahig . Not far from th e la t te r vi l l age a no ther
h a s la te l y sprung up, named Burg , where a n in st i tu t ion has
been fou nded for organ i z ing on a large sca le among th e Be
dui ns the manu factu re of the cu riou s rugs pecu l ia r to the region .
In an t iqu i ty , a s i n our own days,there wa s a lake i n the
distric t of Ma ri u t . I t d isappea red i n th e Midd le Ages to be
fi l led in aga in i n Apri l 1 80 1,when
,i n orde r to isola te Alex
andria,th e Engl ish out both banks of th e Cana l , now ca l led
the Mahmudieh , thu s le tt ing i n the w a te r from the AbukirLake in to th e Ma riu t Lake . At tha t t ime the Abuki r Lakewas in commun ica t i on w i th the sea .
In c lassic t imes the Ma riu t Lake was conn ected by a cana lwi th the Canopic branch of the Ni le
,and wa s in commun ica
t ion w i th A lexandria by mea ns of anothe r cana l . A t the GraecoRoman pe r iod the re were e igh t ve ry fer t i le i s la nds i n the mid .
d le of the lake , inhabi ted in th e summe r t ime by rich la ndown ers who bu i l t charming cou n t ry-hou se s and fa rms there .
The shores of the lake were of ex traordina ry covered w i th vineya rds whose vin tage had the hon ou r of be ingmen t ioned or ce lebra ted by V i rgil , Hora ce , Luca n , Strabo, Col ume l la and Athena eu s . Even today we find tra ces of tha tcu lt iva t ion . In 1 9 1 3 a Governmen t Dredge r working across theMa riu t Lake brought u p la rge qua n t i t ie s of vine bra nches .Mahmud-c l-Fa lak i w r i tes (An t i qu e Al exa nd r i a, 1 87 2 , p . 2 3)
Innume rable fie lds t ha t w e can s t i l l see today a re ca l ledKa r i n or v ineya rd . We con stan t ly fi nd
,when excava t ing
among th e ru in s of the coun t less town le t s and vi l lages of thedis trict
,the rema in s of w ine -factories
,pres ses
,c istern s
,wa ter
whee ls a nd we l l s,a l l of this proving th e pas t prosperi ty of the
coun try and the abundance of its w ine and oi l produc ts and
confi rm ing the sta temen ts of a n cien t wr i ters concern ing the
bea u ty of thi s vine- la nd a nd the wea lth of i ts la rge popu la tionBu t n a tu ra l l y we shou ld no t exagge ra te this prosperi ty and
wea l th,though they were certa in l y grea t when the economica l
and demographica l condi t ion s of an tiqui ty are taken into con
s idera t ion . It seems a lmost certa in t ha t even i n those daysthe on l y cu l t iva t i on poss ib le wa s ex tensi ve cu l t iva t ion , and tha tt rees we re ra re . It is qu i te l ike l y tha t th e gradu a l dry ing u pof a l l the reg ion s of Northern Africa which h ad begun i n pre
histor ic age s w as continu ing s low l y down to his toric t imes .Afte r th e Roman pe riod the se geologica l and cl ima tologica l( 1 ) See W e a p o n
, R ep o r t on M a r i u t D i s tr i ct I !) Th e Ca i ro Sci en tifi c Journ a l , No s . 72
-73 , v o l . V l , Se p tem b e r an d Oc t o b e r 1 9 1 2, a n d B i b l i og ra ph y i b i d .
3 38
a nd is con s ide red to be the pa lace of Abu Ze it , th e conqu erorof Barba ry . I t is
,howeve r, nothing e l se than th e temple
of Os i ris, which indeed h as gi ve n i ts name to the town
(fig .
In fac t th e name Abu s i r indica tes tha t th e p lace , was probably sa cred to Osiris . Tapos i ri s w a s the cen t re from whichth e Prefect of Egypt took the cen su s for the L ibya n Nome .
I ts ma rke t was so much frequen ted tha t the Emperor Ju st in ian(A . B . 5 27) had a mun ic ipa l pa lace and pub l ic ba ths bu i l t there .
Accord ing to Dioscor ides a nd P l iny th e region of Tapos iri sproduced the b es t qu a l i t y of Abs i n th i um ma r i num
,a plan t
which was much employed i n the worship of I sis .As soon as we reach the hi l locks to the North of the vi l
lage of Bahig we see i n the dis tan ce,ra the r to the le ft , th e
signa l towe r (Towe r of the Arabs) and the ru in s of th e grea ttemple . The modern n ame of th e loca l i ty, Abus i r, i s in i t se l fan indica ti on tha t th e ru in s a re indeed those of anc ien t Ta
pos iri s . The schola rs who firs t s tu d ied the ques t ion i n th e
1 8 th a nd the ea rly 1 9t h
cen tu ry (D’
An v i l le,Champol l ion , e tc .)
drew th e correc t con c lus ion . Moreover,
an in scr i ption tha t Ihave d iscove red du ring the exca va t ions ca rried ou t in th e ru in sh a s fu rn i shed u s with posit i ve eviden ce tha t this is rea l l y Ta
pos i r is . The inscript ion i s on th e base of a vot i ve s ta tu e tte ofb lack gran ite
,dedica ted by th e pries ts of Tap os i r i s : n [37]v
Xoignrog 8 130 8677 of oi no i Ta n ooa t'
gawg fega l g . During th e excavat ion s we have foun d numerou s rema ins da t ing from th e P tolema i c pe riod
,but sca rce l y any trace of Pha raon ic c ivi l i za t i on .
Con sequen t l y we mu st accep t as tru e the Opin ion of the t ra
ve l lers of th e 1 9th cen tu ry
,tha t th e town and i ts subu rbs a re
n o t ea rl ie r than the fi rs t cen tu r y of the Ptolema ic dynasty ( I )(5 0 0 - 2 0 0 B .
Wa lk ing becomes very ea sy a s soon a s we reach th e pla in .
The ru in s of the a n cien t town cover th e sou the rn s lope of thehi l l, on which th e temple wa s bu i l t
,as far as th e dyke l imi t
i ng this s ide of th e lake, Which u sed formerly to ex ten d a l itt lebeyond Tapos i ri s . The temple
,which mea sures 86 me tres in
w id th and i n len gth , is bu i l t i n the Egypt ian s ty le,bu t on l y
the ou ter w a l ls rema in,m ade of l imestone b locks measu ring
abou t I m . t o 1 m . 1 0 in leng th , and abou t 5 0 or 60 cm . in
( I ) I t d o e s n o t fo l low from th i s th a t Fa c h o’
s a ss e r t i on i s c or re c t , t h a t th eEgyp t i a n s e re c te d n o m o n u men t s n o r fo u n d ed a n y town i n t h e M a rma r i c a befo re t h ey h a d b ee n su b d u ed b y th e Gre e k s , a n d t h a t i n p rev i ou s t im e s th i sco u n t ry w a s o n l y i n h a b i te d b y wa n d e r i n g t r i b e s a n d p e rh a p s a l s o b y B e rb e rsan d Li bya n s A t G h a rb a n i y i a t a s we l l a s a t Ab u G i rg e , th e re a re Con s i d era b l e rema i n s d a t i n g from th e t im e o f R a m se s I I .
depth . They are ve ry care fu l ly hewn , and many of them st i l lre ta in anc ien t ma rkings engra ved on them .
The spa ce comprised w i t hin this va st enclosu re produ ces th eimpre ss ion of a grea t void
,a nd excava t ion s have on l y brought
to l igh t the lowe r port i on of wa l ls tha t be longed to a serie sof chamber s ba ck ing on to th e sou the rn wa l l , a s we l l a s t racesof a sma l l Christ ian chu rch
,the apse of which wa s bu i l t a
ga in s t th e py lon sThe ea stern w a l l of the temple consis ts of two pylon s , the
princi pa l en tran ce in to the temple be ing be tween them . In the
in te rior of these py lon s . a na rrow sta i rca se i n the th ickness ofthe w a l l s a l lows us to a scend to the top . Then ce we mayen joy a ma rve l lou s view over the deser t a nd the sea
,the tu r
quoi se-blue co lou r of which i t wou l d be diffi cu l t to ma tch any
whe re e l se .
From t ime to t i me,mingl ing w i t h the louder voice of the
ocea n,the re rises from th e va st sol i ta ry pla in t h e primi t ive and
me lan choly song w i th which some Bedu in ca l l s to the Su l tanaof his dreams . If the a i r i s clea r , i t i s possible to di st ingu i shfa r awa y to the north - east th e l igh t -hou se of Alexandr ia and
the ci ty i tse l f.The temple has two other sma l ler en trances , facing one a no
ther i n the n orthern and sou thern wa l ls . The sou the rn ga teopen s on to a sma l l p la teau which descends gen t ly towa rds thetown , the fi rs t hou ses of which are qu i te n ea r. The northe rngate opens a lmost stra ight on t o the hi l l- s ide ; i t commun ica tedw i th a stree t which descen ded i n a steep mpe towa rds the
p la in an d the sea .
The nor the rn and sou thern wa l ls a re prese rved to the i r fu l llength and in severa l p laces to the i r fu l l he igh t (abou t 9 me
t res). The i r thickn ess i s 4 me t res a t the ba se and 2 metres at
the top .
While th e sou the rn wa l l res t s direct ly on the rock , the
northern i s suppor ted by a p la tform fo rmed of e normou s blocks ;this wa s n eces sa ry i n orde r to obta in a hori zon ta l su rface . The
weste rn wa l l i s a lmost i n ru in s and in fac t n one of th e wa l lse i ther w i th i n or w i thou t presen t an ex a ct and u n i form su r
face . They are divided in to sect ions forming sa l ien ts one
w i th th e other, th e sa l ien t be ing 2 5 to 3 0 cm . The sec t ionstha t project a re t hi cke r (9 m . ) than those t ha t recede (7 me t
res). The re a re fou r grooves on the ou ter face of th e pylon sin tended to hol d ma sts for flags and banne rs when some 5 0
lemn fea st was be ing ce lebra ted .
At some period or other th e temple ha s been tran s formed
in to a fortress . This is proved by n ume rou s pieces of flu tedDoric column s which a t th e presen t t ime form t h e u ppe r row sof the n orth -western port ion of the w a l l of en c losu re . Herea nd there
,quan t i t ies of worked b locks (tr ig lyphs and me topes)
may a lso be seen , which had once formed pa rt of the friezeof an immense bu i lding. This t ran s forma t ion in to a for t ressaccoun ts for the tota l d isappe a ra nce of a l l th e ed ifi ces whichon ce ex is ted w i th in th e enclosu re wa l l .To the east of th e temple extend s a va s t esplanade , now
occupied by the coas t -guard ba rracks . To th e sou th of theseba rra cks we ha ve d iscovered th e ru in s of a hou se
,i ts floors
decora ted w i th mosa i csof geome tri ca l de s ign s .C lose to the sou th
ea s t corner of th e templeone may vis i t the ru insof se ve ra l priva te hou ses ,bu i l t pa rt l y of we l lhewn
l imeston e b l o c k s a n d
pa rt ly of su n-dried bricks(fi g . Th e w a l l swe re covered w i th a
coa t ing of pa in ted stucco.
The en t ran ce door ofone of the se hou ses 0 pens on to a terra ce ma ~
de of large blocks . Be
low this terra ce the rea nother floor la rge cubica l ba semen t . This ba
sement ha s th e same ax is as a rectangu lar room on a lowerstory , wh ich room
,pa rt ly hewn i n the rock and pa rt l y bu i l t
,
wa s certa in ly a place in tended for worshi p . We reach i t bydescen ding to th e wes t through masses of ru in s be longing toa differen t per iod . Among these we may observe a chamberwhose wa l l s are covered w i th a very sol id coa t ing of red ce
men t ; i t con st i tu ted a k ind of st ra ine r for ra in wa ter, whichpe rcola ted even tu a l ly in to a l owe r c i s te rn . A whole seriesof amphora e w i th hole s i n the i r bot toms
,a rranged on an i n
c li ned plane , were inserted i n the pipes commun ica t ing betweenthe upper chambe r a nd the c is te rn .
The prin c i pa l en tra nce of th e oblong a pa rtmen t hich we
have iden t i fied a s a place of worship open s towa rds the sou th .
At the end of th e room,i n the n orthern wa l l , is a high rec
tangu lar chape l , a column a t each side of i t (fig. Three
A pipe , th e beginn ing of which we have n ot been able todiscover , ca rried a l iqu id (wa te r or w ine) in to this receptac le .
The l iqu id w as ca rr ied off by anothe r pipe , pierced in the op
pos i te w a l l and disappea r ing underground ; but we have not
been able to find where i t wen t to .
A semi -c ircu la r n iche i s cu t in the nor th wa l l o f the rec
ta ngu la r chamber ; a sma l l w indow-
Open ing i n the easte rn wa l la l lows u s a g l impse in to a se cond rectangu la r room . Thisla t te r commu n ica tes w i th th e ou te r a i r by mean s of a squaresha ft i n th e cen tre of the roof which i s s l igh t ly vau l ted .
A large open ing in th e sou th wa l l of the fi rst chamber is a t
presen t fi l led up by a heap of grea t blocks . From this chamber w e pene tra te by a n a rrow ,
va u l ted pa ssage , Open ing c loseto th e west corner, in to a round subterra nean apa rtmen t w i tha dome . This apa rtmen t j oin s on t o a nother
,wh ich i s abso
lu te l y i den t ica l both i n form a nd propor t i on s ; bu t whereas th evau l t of the la tter is comple te l y closed i n , the forme r commu
n i ca tes w i th th e ou ter a i r by a sma l l c ircu la r Open i ng in the
cen t re of the vau l t .In the tho l os a
,ju s t be low the cupola
,quadrangu la r n i ches
abou t ha l f a metre deep an d somewha t h igher are cu t a l l
round the wa l l s . A low la rge step stands on th e ground before ea ch o f these n iches. and i n fron t of th e s teps sma l l bas ins are hol lowed ou t . The va u l t is cove red w i th in script ion sa nd ske t che s (g ra ff i ti ) left by a ncien t v i s i tors , bu t they throwno l igh t on the ob ject and n a tu re of this subte rran ean chamber. Th e second chambe r (7 presen ts pre t t y nea r l y the samefea tu re s as chambe r a .
Professor H . Thiersch has i n no doubt tha t this is a tomb .
Accord ing to him the n i che s he ld c inera ry u rns,an a logou s to
those of which the Mu seum possesses so rich a col lect ion and
of which some were d iscove red (be tween Cha tby a nd Ibrahimieh) in a tomb w i th a cu pola . Bu t i n Spite o f ce r ta in unden iable a na log ie s w i th th e hypogeum of th e me rcena ries descr ibed by Ne ru tsos
,Thiersch ’s conc lusion leave s us doubtfu l .
In fact , wha t connect ion can the bas in s on the fl oor havew i th the n iches ? Of these the re i s on ly one row in ea ch ofth e two subte rra n ea n chambers
,wh i le i n the one s ingle thol os
i n Alexandr ia the re we re five rows . Moreove r we have discove red no traces o f a shes
,or human bone s, nor even a frag
men t tha t m i ght have be longed to a c in e ra ry u rn amid a l l th e
earth a nd rubb ish which fi l led two -thirds of these subte rra neanrooms . Ne i the r do the chambe rs an nexed to the thol o i lookl ike those of a tomb . I t is difficu l t t o form any dec ided op i
The su rround i i l lock i s fu l l of tombs . Some a re sha pedl ike graves in which the corpse was depos i ted i n a coveringof plaster
,the fa ce be ing hidden by a gi lt pl a s te r mask .
O ther tombs are in the form of pi ts,othe rs aga in i n th e form
of rooms . These la t te r gene ra l l y con s i st of a l ong s lopingcorridor or sta i rway leading to a room the w a l l s of which are
occupied by severa l rows of l ocu l i . In one of these tombs wenot i ce that horses were some t imes bu ried by the s ide of themen .
Looking towa rds the sou th , from the summi t of the temple ,we can d is t ingu i sh qu i te c lea rly a dyke more than a k i lometrelong, which runs pa ra l le l to the l ine of b i l ls from ea st towest . I t ends towa rds the wes t be jond a fine bridge , whichno doubt dates from th e Roman age . I t seems eviden t tha tthe lake ex tended as fa r as Taposi ri s , a nd tha t the dyke eu ~
c losed i ts wa ters i n a kind of ha rbou r. In this w ay Tapos i ris
commanded two ports or ha rbou rs : on e for in land commercew i th the distric ts bordering on Lake Mareot i s , a nd th e otheron the sea for ex te rior comme rce .
Close to the bridge tha t we have ju st been men t i on ing, wecan see a broad a nd w e l l- pa ved road which moun t s gradua l l yu pwa rds i n a s t ra igh t l ine towa rds th e temple
,a nd
,pa ss i ng it
a t some fi fty me tres to the west , descends the opposi te s lope .
Below the p la in , on t h e shore , a l l traces of the road seem todisappea r, though the Bedu in s of the ne ighbou rhood declaretha t i t con t inu es down to th e edge of the sea . Probabl y the
object of this road was to fa ci l i ta te commu n i ca t ion betweenth e ha rbou r on th e sea and th e harbou r on the lake .
The su rrounding hi l l s are fu l l of qua rr ies, which a re some
t imes ve ry pictu resqu e . These qua rr ies provided the l imestonerequ i red for the con struct ion of this beau t i fu l p rovin cia l c i tyof Graeco-Roman Egy pt . There a re a l so numerou s grot toes
,
some of them n a tu ra l , Others a rt ificia l .Th e ru in s which l ie ha l f-an -hou r to the north of Abus ir,
on the shore,be l ong to th e an c ien t town of Pl in th in e
,and this
sma l l sea -side town gave i ts n ame t o th e whole gu l f.
B I BLIOGR APHY . PA CHO , Voy a g e d a ns l a M a rma r i que, p . 7a n d fe l l . SCHOLZ , ( 1 8 20 Rei s e i n d i e Gegen d zrv i s ch en A l ex a nd r i a u nd
P a r d ton i um , p . 48 a n d fo l I. ; M I N U TOL I (vp n ) H ., R e i s e z um Temp e! d es J up
p i ter Amma n , p . 1 4 a n d fo i l M A HMUD -E L-FA LAK X, o . c . , p . 97-98 ; R on a c
( tH I -B R I C H E TT I , Al l’ O a s i d i G i ove Ammone p . 3 4 an d fo II. ; T a ra n s c rx
H Ph a ros , e tc . , An h a ng , p . 20 2-2 1 1 .
346
no t long be fore a chu rch wa s bu i l t ove r the tomb . This chu rchafter some t ime wa s fou nd insufficien t , and the Empe ror Arcad iu s (39 5 -40 8 ) proposed and ca rried ou t th e erection of ala rge bas i l ica which was added on to the eastern port ion ofthe origina l bu i lding . The san ctua ry h ad i ts t ime of grea tes tprosper ity i n the 5
thand 6 t h cen tur ies . Th e worsh ip of the
Sa in t Spread not on ly through a l l th e Ma reot ic region (see the
frescoes from Abu Girge and the ba s- re l ie f from D ekhe la) bu ta l so th rough th e whole of Egypt , Northe rn Africa , even toAsia Minor (Smyrna), Gau l , Da lma t ia , and Rome , where a chu rchdedica ted to Sa in t Menas was e rected on th e V i a Os t ia
,be t
ween the ga te a nd St . Pau l 's Bas il ica . I t wa s fou nded by an
Alex andrian corpora t ion ,u nde r Pope Pe lagius I I
,i n 5 99 A . D .
During the 7th
and 8 th cen tu ries the Ma reot ic edifice su f
fered much spol ia tion and destru c t ion,st i l l more tow ar ds the
middle of the 9 th cen tu ry . Short l y a fter this th e MohammedanGove rn or orde red
.the trea sures of th e chu rch to be handed
ove r to h im . From this da te i t may be sa id t ha t the bas i l i caof St . Men as ceased to exi st . I ts memory was preserved i n
the n ame Abu Min a , or Bu Mna,as th e Bedu in s a lways ca l led
the ru in s , which w e re iden t ified i n 1 90 5 by the German schola rMon signor Kau fmann .
The systema t ic exca va t i on s which he wa s able to undertakeand fol low ou t on a la rge sca le ga ve ve ry impor ta n t resu l ts .As a m a tte r of fac t , he l a id ba re the basi l ica bu i l t by Areadin s and i ts an n exes : th e t omb of the sa in t , numerou s coenobi aand some sma l le r bas i l icas . Al l these con struct ion s are ex
treme ly ru ined, bu t the i r magn ificen t plan i s sp read before ou r
eye s a nd gives us a n exac t idea of the i r monumen ta l proport ion s . Moreove r
,i n Spi te of theft
,de s truc t ion
,and spol ia t ion
,
we fee l , when we s tand on the spot , a n impress ion of the
wea l th of this group of sanctuaries wh ich h as been just i l y ca l
led a ma rb le c ityHa l f an hou r before a rri ving the re from th e ra i lwa y stat ion
of Bahi g we can see th e t own of Abu Mi na on the horizon,
ly ing amongst th e low hi l l s of a distr ic t which is now a deser t .Our rou te takes us pas t th e ceme te ry chape l t i l l we reach
the sma l l hou se be longing to the An t iqu it ies Depa rtmen t .Here we dismoun t and proceeding on foot s ou thwa rds u n ti lwe a rrive i n a few minu tes a t the la rge ba s i l ica . We are a t
once st ruck by th e enormou s qu an t i ty of ma rb le,more or less
i n fragmen t s , wh ich cove rs the fie ld of ex plora t ion .Where
ma rb le h ad not been u sed , la rge , we l l -qua rried blocks of limestone replaced i t. Th e ba s i l ica prope r ha s a length of 60
me tres , and a w id th of 26 m . 5 0 . The t ran sept h as a lengthof 50 me t re s . The tota l length of the group of sacred bu i ldings compri sing the bas i l i ca
,the ea rl ier chu rch Over the Sa in t ’ s
tomb, a nd the bapt istery is a s mu ch a s 1 20 me t re s . The ba
s i l ica had three naves . The roof was su ppor ted by 5 6 ma rb lecolums su rmoun ted by beau t i fu l capi ta l s of a can thus leave s .The ma rble bases of these column s a re a l most a l l i n place , a nd
he re and the re we see more or less broken capi ta l s ; bu t someof the capi ta ls have been removed to Frankfort
,whi le othe rs
are i n the Alexandrian Museum .
The. wa l l s were cove red w i th ma rble sl abs . The apse w as
bu i l t of la rge rectangu la r l imes tone blocks , length 1 0 m . 7 0
a nd depth 6 me tres. There a re three chambe rs be low the
apse,
fi l led w ith huma n bones . In fron t of the apse sta nd th esubsel l i a and the ca th ed r a . The la t te r is p la ced i n th e middleof the ea ste rn wa l l of an a lmost squa re en closu re
,shu t ofl b y
a fence . The a l ta r s tan ds i n th e cen t re of this enc losu re whicha lso con tai ned the presby tery and the sclzol a ca n torum . Two
doors on the sou th Side of the fence gave a ccess to the eu
c losu re , which, on the o ther s ide,commun ica ted w i th the prin
ci pa l nave by mean s of a long corridor or cen t ra l pa ssage .
Seve ra l doors on the sou th s i de of th e bas i l i ca open in to a
very va st a tr i um, the floor of which is strewn w i th blocks o f
ma rb le,sha fts o f columns
,capi ta l s
,gra t ings , e tc . The pre
-ex
i st ing chu rch prec lu ded any othe r si te for the a tr i um .
Nea r th e north-west corn er of the norh t n ave , ju st whe rethe ba s i l ica bu i l t by Arcad ius join s on to th e orig ina l chu rch
,
there is a ma rble s ta i rwa y leading down to a pa ssage w i th a
vau l ted roof. The wa l l s and ce i l ing of th is pa ssage we re co
vered w i th s tucco,the ce i l ing be ing moreover ca rved in recta n
gu la r compa rtmen ts . The passage , which i s 5 me t res high ,a fte r descen ding gen t l y towa rds the sou th tu rn s abru pt l y tothe wes t and termina tes i n a very high subte rranea n chamber ,hewn i n the rock . This i s the sepu l chre of Sa i n t Menas . The
grea t has-re l ie f of th e sa in t s tanding be tween two kn ee l ing came ls mu s t have been placed on the sou th wa l l . The bas-re l ie fdiscove red at D ekhe la , now e xh ibi ted i n ou r Mu seum (roomis probabl y a copy
,i n reduced proport ion , of the origin a l ba s
re l ief which decora ted th i s crypt . To‘
th e crypt was an nexeda sma l l chape l , th e cu pola o f which was decora ted w i t h beaut i fu l po lychrome mosa ics .On t e -a scend ing the sta i rway we en te r the n orth n a ve of
the origina l chu rch bu i l t ove r the tomb . Thi s was a sma l l bas i l ica wi th three n aves and no t ransept . The a x is of the apse
348
corresponds exa ct ly w i th tha t of the large ba s i l ica bu i lt byArca d ius . The dimen sion s of the sma l l edi fi ce a re : length 3 8
me tres . w idth 2 2 m . 50 . Nea r the end of the cen t ra l na vewe not i ce a ciste rn from wh ich th e holy wa ter was ev iden t lydrawn w i th which th e pi lgrims ’ ampu l lae we re fi l led . The
ru in s of the ba ptistery l ie to the wes t of th is chu rch . The
bapt i stery is quadrangu lar i n sect ion . bu t fou r n iche s con st ru eted in t he corn ers conver t th e in te rior in to the form of an
oc tagon . This cen t ra l con st ru cti on was su rmoun ted by a low
cupola . A c i rcu la r p isc ina su nk in the cen t re of the roomwa s comple te ly l ined w i th polych rome ma rble s labs . Two op
pos i te s ta i rs of fou r steps ea ch, l ed down to i t .On lea ving the bapt is te ry we a sce n d a sma l l mound wh ich
is nea r by , an d ha ve a bea u t i fu l v iew of the whole ex ten t ofthe ru in s and of th e ne ighbou ring coun try .
Ve ry vas t coenobi a extended to the northwa rds of the san ctua ry. in commun ica t i on w i t h i t . On ly a pa r t of the se h a s
been la id open , enough to give one a fa i r ly good i dea of th e
manner in which the monks l ived,of the wa y the ce l ls were
a rra nged,of th e refec tories whe re they me t for the i r mea l s i n
common ,etc . Certa in doors give access to these coenob i a from
the ba s i l ica . By passing through the door be tween the bapt istery and the chu rch over the tomb
,we can vis i t some of
these ce l ls,the ha l l tha t Kau fma nn iden t ified a s the ta bl i n um ,
a nd fu r the r on some rooms devoted to the en te rta inmen t ofst range rs (x enodochia). A w ine -press
,i n a fa i r ly good sta te of
prese rva t ion,ca n be seen a shor t di stan ce off .
Eigh ty me tre s or so away from the coenob i a there i s a ci rcu lar c is te rn 1 4 me t res deep, the diame te r of which measu res
5 m . 20 . This enormou s sha ft i s en t ire ly bu i l t of su pe rb l imes tone b locks , ve ry we l l hewn . A t the s ide of the c isternthere is a collect ion of ce l l s and of pi sc inae , some of thembe ing very st rongly cemen ted . Al l roun d these the rma e pas
sages a nd hypocau sts may be Observed . A sma l l ba s i l ica w i thtwo apses at oppos i te ends of the bu i ld ing stands qui te c lose tothem .
We now go towa rds the sma l l hou se be longing to the An t i
qu i t i es Depa rtmen t . To the north o f this ex tends a vast ce
metery (7t h to 9 t h cen tu ries), in the mids t of which the re r ise
the ru in s of a nothe r la rge basi l ica w i th th ree n aves supportedby p il la rs and w i th it s apse con st ru cted i n t he thi ckness of a
wa l l which is rec t i l inea r on th e ou ts ide . (See for the ampu l laeof Sa in t Me na s p .
3 5 0
abou t three ki lometres aw ay from For t Tewfik , tha t i s to say,
close to Abukir,n ea r Borg-e l -Ramleh . Moreover the ci ty a nd
th e vi l lage were so near one another tha t the la t te r migh thave been rega rded as a subu rb of Ca nopu s . Indeed the na
me may often have been u sed to in clude Menu th i s . Beforeth e fou nda t ion of Alexandria , Ca nopus was the capi ta l o f t heMene la i t Nome
,and probably th e most importan t por t on th e
De l ta .
Legend te l l s us tha t th e ci ty rece i ved i ts n ame from the
pi lo t of Mene laus, who was bu ried a t thi s p la ce on h i s jou rneyback from Troy . I t is poss ible tha t the n ame was de rivedfrom the god Canopus
,a god w i th a human or a n ima l
’
s headon a body shaped l ike a ja r, one of th e represe n ta t ive formsof th e god Os iris whose worsh ip was so popu la r a nd pe rsi s ten ta t Ca nopus. Though H eka taeus kn ew the p la ce as a de se rti s la nd , Aeschy lu s speaks of i t a s a tow n . Egypt ian tex ts ofthe t ime of R amse s I I I ca l l this p lace Kuu Ku tu t , and thoseof th e Greek pe riod s imply C anu p
,or Peku te t . Th e fa ct i s w e
do no t ye t understan d the rea l mea n ing of the name Canopus .
Afte r the fou nda t ion of A lexandr ia , Canopu s los t some of i tsimportance bu t con t in ued to be a cen tre of rel igiou s an d com
merci a l act iv i ty during pagan t imes,
even unde r the Romanru le . The place became a kind of subu rb of the ca pi ta l
,a
pleasu re resort for th e Alex a ndrian s .
Moreove r the rema ins of numerous a nd importan t ru in s proveto u s tha t i t must have been inhabi ted for long cen tu ries
,even
a fter the t riumph of Chris t ian i ty .
Bes ides i t s trade i n woven ma teria l s,pe rfume s
,sa l ted-fish ,
prese rves and swee tmea ts , as we l l as hen na (a complexionpa in t for ' lad ies) Canopu s a l so manu fa ctu red ha ts w i th verv
la rge brims ca l l ed by th e A lexandria ns n éra oa x a vwflm d.
The c ity was connec ted w i th Alexandria by a ca na l,whose
banks we re bordered by beau t i fu l wa l led garden s,be l onging to
ri ch A lex andrian s,who often wou ld p lace the i r fami ly tomb
there a lso . This cana l wa s cons tan t l y covered w i th boa ts ofa l l kinds , laden not on l y w i th m erchandise a nd bus iness men ,or w i t h in va l id s seeking some mira cu lou s cu re
,bu t a l so w i th
happy pa r t ies of p lea su re-seekers . These,i t seems , amu sed
themse l ves n o t on l y we l l bu t too we l l,for the i r behaviou r was
often sca nda lous . Th e org i es of Ca nop u s have been made famou s by th e an y bu t eu log ist ic re fere nce s of Strabo (XV I I,Seneca (Epist . V
, Lucan (Pha rsa le , Li b .X) a nd Juvena l
(Sa t . V I ; XV).The a nc ien ts had a super la t i ve i dea of the beneficen t cl i
mate and of the beau ty of Canopus . See wha t Ammianu sMa rce l l inu s says on th i s subje ct : Canopu s is abou t 1 2 mi lesdistan t from Alexandria . According t o a n cien t tradi t ion th e
town was ca l led a fte r Men e lau s’
pi lot, who was bu r ied here .
I t is a very p lea san t p lace w i t h temples and chee rfu l hos te l s ;soft w inds blow a nd the a i r i s so sa lubriou s that i f a man
dwe l ls t he re h e can fa n cy he is in a nothe r world a s h e hea rsthe con stan t wh ispe r of th e l ight a nd ba lmy bree zes pa ssingover t his sun-wa rmed land (Ammianu s Marce l l inus
,Reg.
Gest . XXI I , 1 6
Canopus wa s ce lebra ted for i ts san ctua ry of Serapis v is i tedby nume rou s p i lgrims who wen t t here t o imp lore the god tocure the ir i l lne sses .Th e sanctuary dedica ted to I s i s a t Menu th i s nea r Canopu s
was equ a l l y popu la r, Is i s be ing worshipped there u nder th ename of Mistres s of th e Sea , whi le a t Canopus she was known
as Gu ide of th e Muse s . Rufinus says tha t the temples a t Ca
mopus and Menu th is were more sp len did even tha n those ofA lexandria We may form some idea of the Se rapeum a t
Canopu s from th e Canopus of Hadri an ’s V il la near Ti vol i ,The Emperor Hadr ian cer ta in l y imita ted very c lose l y the san ctuary whose ru ins we are now
These ru ins ought to ha ve been me thod ica l l y excava ted and
respec ted,bu t u nfortuna te l y they have been too long aban
domed to the vanda l i sm of qu a rr y worke rs .In the i r presen t sta te th e ru in s give a most im pe rfect idea
of th e pre sumab le magn ificen ce of th e bu i ld ings . Neverthe les slet the reade r look a t the beau t i fu l sca t te red sha fts of Dori ccolumn s of Aswan red gran i te, w i th a u n i form modu le ofo m . 90 , and from 2 to 7 me tres long ; let h im glance ove rthe vas t exten t of ground cove red by mosa ics , (the bes t pieceshave been removed to th e Museum ,
room the qua n t it y oflove ly architectu ra l fragmen ts of l imestone cove red w i th p laste r,i t s beau ty enha n ced by p olychromy ; let him ca st an eye aga inon the grea t ma rble capi ta l s
,a nd he w i l l be forced to acknow
ledge tha t t ra di t ion may not have exaggera ted t he richness andsp len dou r of Canopu s .The sa nctua ry a t Canopus mu s t have been a l ready flou rish ing
a t the beginn ing of the 3rd
cen tu ry 8 . C . u nde r P tolemy I I .( 1 ) Th e Va l l ey of Ca nop us i n th e v i l l a H a d r i a na m u s t h a v e b e e n m a d e a r
t i fic na l l y i n t h e t u fa o f th e h i l l . Had r ia n h a d a re p rod u c t ion m a d e t h e re o f t h e
c an a l w i th th e Se ra pe um a s a b a c kg ro u n d . A l a rg e n i c h e w i t h a fo u n ta i n a t
t h e e n d o f t h e v a l l ey i s i n a g o od s t a t e o f p re se rv a t i o n . Beh i n d i t t h e re i s a
sys tem o f s u b te rra n e an g a l l er i es e n d in g i n a cel l a , i n wh i c h th e re w a s pro b a
b ly a s ta t u e o f Se ra p i s . Ma ny o f t h e s ta tu e s i n th e V a t i ca n m u s t h a v e com e
from Can op u s . (Eg y p t ia n M u seu m,R om e ) .
3 5 2
Ptolemy I I I and his w i fe Beren ice a lso con tr ibu ted grea t l y tothe prospe ri ty of the Se ra peum a nd of th e town . A coun ci lof priests wa s he ld at Canopu s to de ify the young daughte r ofEue rge tes and Beren ice
, who died i n the 9 th yea r of her father
’
s re ign . The decree issued by the prie sts on th is occas ionwas drawn u p (l ike the Rose t ta Stone) i n three sc ri pts , and
copies of i t were sen t to the most importa n t temples of Egypt .Moreove r we possess dedica t ion s to Os i ris and I s is i n a sso
c ia t ion w i th Ptolemy Eu erge tes and his w i fe Be ren ice,found
not ve ry fa r from the si te of th e mosa ics and la rge gran i tecolumn s . A gold tablet commemora t ing the fou nda t i on of a
temple dedica ted to Osiris wa s discovered i n th e t imes ofMahomed-Aly n ea r For t Tewfik . The in scri pt ion engraved on
the table t may be tra n s la ted thus : King Pto lemy, son ofPtolemy a nd of Arsinoe
,Brothe r-Gods
,and Qu een Beren ice
,
his sis te r and w i fe (ha ve dedica ted) thi s temp le to Os i risThi s table t is n ow in t h e Bri t ish Mu seum .
The fame of the mira c les performed a t Ca nopu s an d Me
nu th i s spread far and w i de in the an cien t world, and i t was
no passing fame . I t su rvived pagan ism . The pa tria rch Theoph i lus, he who des troyed th e A lexa ndr ian Sera peum ,
did not
spare tha t of Canopu s an d in sta l led a mon as te ry there,whi le
another one wa s set u p a t Menu th i s,in the temple of Isis .
Many people st i l l adhe red to t he a nc ien t fa i th and ma ny sighed for the prosper i ty which the mirac les of Sera pis and I si s h adb rough t to th e tow n . There fore , a t the beginn ing of th e s
th
cen tu ry (see FAIVR E, D i ct i onn . d’
H i s t. cl de Ge’ograp h . ecc l é
s i a s t i qu es , col . 3 24) the pa tria rch Cyri l dec ided to convey the
body of St . C y r to Menu th is (toge ther w i th tha t of S t . Johnwho ha d been bu ried w i t h St . Cyr i n St . Ma rk ’
s Bas i l i ca , Alexandri a) i n orde r to replace th e old hea l ing cu l t by a new
on e . Numbers of mi rac les were soon performed a nd th e fameand prospe r i ty of the new san c tuary became a s grea t a s tha tof th e ea rl ie r .
Meanwhi le Se rapis and Is is had not ye t fi na l ly depa rted .
The i r worshippers wen t on holding ga the r ings a t Menu th i s
un t i l the c lose of the cen tury .
Th e presen t vi l lage takes i ts name from th e Chris t ian san ctu a ry : Abba ky r or Ap a ky r (St . Cy r) ha s g rown in to Abukir .The con stan t in tercou rse between Alexandria and Rome l ed the
Alexandrian sa i lors to erec t temples to Serapis and I sis i n the
capita l o f the Empi re, a nd after th e t riumph of Chri st ia n i ty a
chu rch was bu i l t a t Rome d ed ica ted to SS . Cyr a nd John .
Thi s church st i l l ex is ts i n fron t of S t . Pau l ’ s Ba s i l ica,on the
3 54
some of them da te from th e Pha raon ic age, some a re Pto le
ma ic or Roman,while othe rs are eviden t ly Christ ian .
Th e exhibits i n room 7 we re found some hundreds of me
t res to th e east of the place ju s t men t ion ed (fig. I t i ssu pposed tha t this was th e s i te of a temple dedica ted to Is i s .To th e sou th-ea st of For t Tewfik
,there can be seen
,st i l l in
the i r origina l posi t ion,some enormous p ink gran i te blocks
which mu st have formed pa rt of a colossa l edifice .
F i g . 25 3 .
To th e north of the fort , be tween i t and the shore,there IS
a la rge subterranean tomb da t ing from the He l len is t i c age.
Before descen ding to the shore i t i s worth whi le to cl imb upto th e top of one of the hi l l ocks to see the beau t i fu l viewover Mon tazah and the Ramleh shore a s we l l a s th e promon toryan d bay of Abukir i tse l f.Down by t he edge of the sea
,there are some fine ru ins
w ashed by the wa ves, apparen t ly - pa rt of a la rge ba thing-e stab l i shmen t ; the re are a lso en ormous fragmen ts of a colossa l gran i te s ta tue lying n ea r.We wi l l re turn to Abuki r Sta t ion a l ong the shore .
Qu i te close to
Dan inos Pa cha ’ s house there i s a vast sub te rranean tomb, whichrea l l y l ies ins ide Prince Tussun ’
s property,but commun ica tes w i th
othe r hypogea extending u n de r the hou se of Da n i nos Pacha .
I f t ime pe rm i t , a short wa lk towa rds the vi l lage and bayw i l l not be w i thou t i n te rest . The sma l l v i l lage of Abukirowes its ce lebri ty to the grea t nava l ba t t le of Augu s t 1
St1 798 ,
when Admira l Ne l son ann i h i la ted th e Fre n ch F lee t (i f th e
wea ther i s clea r,we can ea s i ly dist ingu ish Ne lson Is lan d) a nd
to th e ba tt le of Ju ly 2 5th
1 7 99, when Bon apa rte de fea ted the
Tu rkish a rmy,which had disemba rked he re .
A bright fu tu re i s i n s tore for Abuki r,as a p la ce of re s iden ce
for Alexandrian s du r ing the ho t wea ther,a nd even as the objec t
of a plea san t excu rsion a nd pea cefu l resor t a l l through the yea r.I ts posi t ion is rea l ly pic tu resque a nd fine , and i t s cl ima te isvery hea l thy. Ba thing on a de l igh t fu l beach and i n a n
perfec t cl ima te must have coun ted for some thing even i n the
mirac le s worked by Sera pi s and Is i s .The promon tory on whi ch For t e l -Tarabando stands shou ld ,
I th ink,be iden t ified w i t h Ca pe Zepb i rion of an t iqu i ty
,and
consequen t ly we ough t to look for the Temple of Ars inoe Z e
phyr i t i s nea r th is promon t ory . This temple was erected i n ho
nou r of Qu een Arsinoe Phi lade l phu s by th e Admira l Ca l l icra te s .The con s iderable n umber o f devot iona l a c ts performed i n thi sne ighbou rhood by the admira l
,proves
,I think
,tha t Canopu s
wa s a nava l ba se of the Ptolemie s .The re is no doub t tha t the ru in s of Canopu s and Menu th i s
,
in sp ite of the va n da l i sm of which they ha ve been vict ims forsu ch long yea rs
,have not ye t spoken the i r la st word .
B IB LIOGRAPHY. D UCHE SN E L. , Le Sa nctu a z’
re d’Abouk i r , B . S . A . ,
1 2, p . 1 -1 4 ; E . Ba e c cm , Ant i qu i tés de’cou ver tes d M a a moum h
,B . S. A . , 8 ,
p . 1 0 74 1 7 ; Fm v a e J . ,Ca nopu s , M énou th i s , Abouki r , t ra n s l a t ed by D r . A l ex .
Gran v i l l e,A l ex and r i e , 1 9 1 8 .
Rosetta . Afte r passing Maamu rah the ra i lway c rosses th enarrow tongue of land between Lake Edku and the Med i terra
nean . The town of Rose tta (R achi d, t ran scrip t ion of the Cop t i cname Ra ch i t) was fou nded in 87 0 A . D . u pon the ru in s ofan importan t ci ty of an cien t t imes, which i n a l l l ike l ihoodwas Bolbit ine .
This cla ss ic ci ty mu s t ha ve ex tended a long th e bank of theNi le from Rose t ta to the Mosqu e of Abu -Ma ndu r . Roset ta ha s
a n a lmos t en t i re l y n a t ive popu la t ion numbering someand i t pre sen ts an exa c t pic tu re of wha t l i fe i n an Ori en ta l
ci ty mu s t have been former l y , when th e n a t i ves came veryl it t le in con ta ct w i th Eu ropean c ivi l iza t ion .
Un t i l the beginn ing of th e 1 9th
cen tu ry Rose tta was th e
pr inc i pa l port of Egypt, an d in Spi te of i ts con t inuous dec l ine ,due to the growth of Alexa ndria du ring the 1 9
t h cen tu ry, the
town is s t i l l the cen t re of a fa i r ly importan t trade , which isnow on the increase
,a s the cou n t ry distr ic ts tha t l i e behind
the port a re grow ing in prospe rity .
Roset ta ’ s stree t s a re n a rrow and fu l l of l i fe . The old Arabhouses bu i l t of black a nd red baked br icks a re cha rmingly pi cturesque , and the in te l l igen t trave l ler ough t not to miss see ingthem . These hou ses a re often five storeys high a nd s tand on
e i the r side of the long na rrow st ree ts . Thei r a spec t i s mostva ried, not one of them re sembl ing a nother . Even i n one and
th e same hou se the re i s a cu rious ave rsion to u n iform i ty . In ma nyca se s the upper storeys
,rest ing on an cien t column s
,project over
the ground-floor ; or aga in th e facade of higher storeys is supported on e legant conso les . Rema rkable va r ie ty i s a l so dis playedin the ri ch wood carvings decora t ing the doors and w indows .A visi t shou ld be pa id to th e an ima ted and p ictu re sque sa le
or ma rke t . Pla it ing of ma ts is one of the in du strie s that i sin a fa i r state of deve lopmen t ; th e vis i tor can look on a t the
cu rious methods u sed by the workmen .
In ser ted in to the Arab bu i l dings or ly ing abou t i n th e s t ree tsare n umerou s a rch i tectu ra l fragmen ts be longing to edifices ofthe Gracco -Roman epoch
,and obta ined
,probab ly
,from a n cien t
Bolbit ine . One inscrip t ion amongs t othe rs,i n Rose tta i tse l f
,
proves the ex is tence in th e an c ien t c i ty of a la rge templededica ted to th e worshi p of C leopa tra . A superb a rchi trave ofgreen gra n ite from an Egyptian temple had been u t i l i sed in a
Christ ian Chu rch, a nd i s now in th e Alexandrian Mu seum .
Pharaon i c rema in s are ple n t i fu l ; l ikew i se gran i te columns .Handsome ma rb le ca pita l s in the Corin thian and Ion ic sty lesof a rchi tectu re have been col lected from Rose t ta and s t i l l exis tthere in grea t quan t i t ies .The re a re a lso seve ra l mosques of the i 6t h a nd fol low ing
cen tu rie s which we l l repay a vis i t . The la rges t of them isthe Gama Zaghlu l
,famous for i ts grea t numbe r of column s .
The Mosque Mohamed e l -Thu le t i , ra ised 4 me tres 60 abovethe leve l o f the ground
,h as five row s of column s i n i ts in te
ri or, whi le the Mohamed e l -Abbass i Mosque is a handsomebu i l ding, w i th i ts porta ls , i ts cu pola
,and i ts e legan t mina re t .
The ce lebra ted Rose tta S tone was fou nd i n Fort St . Ju l ianto the north of the town . (Th e fort h as been demolished ;the on ly documen t tha t commemora te s i t i s a wa ter-colourd raw ing exhibited i n the G ra eco-Roman Mu seum. See p .
CORRIGENDA ET ADDENDA
In sp i te of the most d i l igen t a tten t i on wh i ch I
a nd my fr i ends ha ve gi ven to the correct i on of the
p roofs, i t i s p roba bl e tha t error s a nd i ncongru i t i esst i l l rema i n on the defin i te sheets . The tra nsl a t i on ha doften to be remode l led i n the cou rse of the p r i nters
’
comp os i t i on ; i t i s therefore p oss ibl e tha t mi sp r i nts
ha ve escap ed our not i ce. Wh i l e rely i ng on the
rea ders’len i ency i t i s my duty to exonera te from a ny
even tua l blame the Is t i tu to d ’
Art i Grafiche,whi ch ha s
ca rr i ed out the work i n a most sa t i sfa ctory ma nner .
It i s a l so my duty to ma ke a substa n t i a l cor
rect i on i n the p a ssage of the tex t,where I men t ion
the monster gu a r d i a n of H a des,comp an i on to Sa
rap i s (page 1 1 1,fig.
The d i scovery of a sma l l fr agment of a ma rbl e
rel ief ha s l ed me to re- ex ami ne the rep resenta t i onsof Cerber us, ei ther a l on e or w i th Sa rap i s, ex i s t i ng i n
the M useum,a nd I have come to the conc l usi on tha t
the p rev a i l i ng, i f n ot ex c lus i ve,Alex a ndr i a n typ e of
the thr ee-headed monster i s not the trad i t i ona l Greekone wi th three dogs
’
heads, but one cons iderably d i fferent, a lready known owi ng to the descr ip t i on left
by IVIa crobi us a nd wh i ch ca n be i dent ified i n sever a l
monuments . In mak i ng a fresh p ubl i ca t i on on the
Greek monumen ts of the M emp h i s Serap eum,P rof .
Wi l cken W ha s i l lustra ted w i th h i s h igh comp etenceth i s mor e r ecen t typ e of Cerberus demonstra t i ng : 1 )tha t the Cerberus coup led to Sa rap i s i n the famoussta tue a ttr i buted to B r i ax i s belonged undoubted ly to
th i s typ e ; 2) tha t the same rema rk app l i es to the
Cerberus d i scovered i n the D romos of the M emp hi s
Serap eum ; 3 ) tha t the exp l a na t i on of th i s typ e ca n
be found i n Egyp t i a n my thology . Accord i ng to MA
c aosw s (Sa turn ,I,20
,1 3) the Cerberus who wa s p la ced
n ex t to the sta tue of Sa r ap i s worsh ipp ed i n the mostimp or tan t A lex a ndr i a n temp l e, had i n the m i dd l e a
l ion ’
s hea d, much bigger tha n the other s,on the l eft
a dog’s hea d turned up a s i n a fr i end ly a tt i tude
towa rds the god ,a nd on the r ight a wol f
’s hea d . The
who l e monster wa s en c i rc l ed by the serp en t’
s coi l s .
The wolf wou l d rep resent the a n ima l sa cr ed to
Anubi s,the dog the a n ima l sa cred to Upua t , the l i on
to Os i r i s,to whom the serp ent i s a l so a d ap table, th i s
a n ima l bei ng a ssoc i a ted wi th ma ny chton i a n d i v i
n i t i es . Th i s typ e of Cerberus wa s a l rea dy i den t i
fi a bl e i n a br on ze now ex i st i ng i n the Br i t i sh M a
seum, p ubl i shed by M ICHAELIS i n Journa l of He l len ic
S tud ies,VI
,293 ; a l so i n a terra cotta of the Ny
Ca r l sberg G lyp totek ed i ted by W . SCHM IDT a nd i n
a s tone mou l d i n the Tu r i n M useum i l l ustra ted byTH . SCHRE IBER i n h i s A lexandrin ische Toreu t ik. In
the fr a gmen t of ba s -rel i ef l a tely d i scovered wh i le
d igg i ng the g round roun d the so—ca l l ed Pompei i
( 1 ) W 1 1.c x e w U. , D i e
gr i ech i schen D enkmc
’
i l er am D rama s d es Serap eums von Memp h i s , ID J a rbu ch d es In s ti tu ts , XXXI I p . 1 90 .
to observe tha t the three hea ds of the monster a re
ea si ly r ecog ni zabl e a s the l i on ’s hea d ( i n the cen tre)
much bigger than the l a tera l ones ; a s the dog’s
head on the left, a nd tu rned up ba rk i ng ; a s of the
wolf’s hea d on the r ight . The whol e body i s enc i r
c led by the serp en t’
s coi l s . We fi nd thus r ep roduced wi th grea t ex a ctness the typ e descr i bed by
M a c robi us .
On c losely observ i ng fig . 44 a t p . 1 1 1 wh i ch I have
wrong ly descri bed a s Cerberus w i th three dogs’
hea ds,
one ca n recog ni ze i nstead the Cerberus of the new
typ e. Our bron ze wh i ch i s of a fine workma nsh ipresembl es very much
,if i t i s not i den ti ca l to, the
bron ze of the Br i t i sh Museum,i n wh i ch , if one bea rs
i n mind the p a ssage of M a crobi us ’ book a l ready
quoted, the three hea ds ca n wi th certa i n ty be i den ti
fi ed a s those of a l i on,a dog a nd a wo lf. Th i s re
p resenta ti on of Cerberus , however , i s not the on ly one
ex i st i ng i n our M useum . The same typ e shou ld be
recogn i zed i n some ter ra cotta s comi ng from Kom el
Shuga fa (see Room 1 9, g lass A,nos . 1 0 7 1 7 and
on sever a l ha nd les of bi g l amp s bea r i ng i n rel i efthe image of Sa r ap i s wi th h i s monstruous comp a n i onnea r h im (see R oom 1 9, g lass B) a s wel l a s on a
ma rble gr oup of about one th i rd of i ts na tu ra l si ze,
wh i ch i s unfor tun a tely mut i l a ted (see Room 1 6,no .
La stly I wou ld men t i on tha t the Cerberus w i th a
s i ng l e l i on’s hea d a nd wi th a l i on ’
s body, enc i rcl ed
by the coi ls of the serp en t, the for ep a r t of wh i ch i s
above the l i on ’
s hea d a nd i s crowned wi th a cala
thus (p . 1 1 3 , fig . i s not rep resented i n our col l eeti on by one ex emp la r on ly , but by two (Room 1 2
,
gla ss 7, no . See a l so, for the s i ng l e
- hea ded
Cerberus,the mummy ca se rep roduced a t page 166
,
fig . 74, second p i ctu re.
Page 1 23 a dd,before GREEK AND ROMAN INSCRIP
TIONS. Stone s (or P la tes) for grind ing mea l ; p re
sen ted by D r . Cummi ngton (of D evi zes!. Found i n
the D eser t of Sa ha r a 410 0-
5 0 0 Ki lom . sou th fromthe Med i terra nea n l i ttora l
,between the Oa ses of Siwa
a nd j a ra bub .
In th i s d i str i ct, comp r i s i ng the Oa ses of Ga ra,
Ger ba , J a ra bub, Kha rga , D a h l a a nd Fay um,Cap t .
Wi l l i ams a nd St. Bux ton D a vi dson of the Light Ca r
Pa trol s ha ve found imp l ements rep resen t i ng Per i odsfrom the ea r l i est Pa l a eol i th i c (Chel lea n) down to
the Acheu lea n a nd N eol i th i c Solutrea n . These p e
r i ods cover two g l a c i a l ep ochs wi th thei r wi de
cha nges of temp era ture a nd submergence. The t ime
covered i s est ima ted a t y ea rs .
H . W. SETON KARR
F i g . 3 56 .
Comme rce
Indu striesScien ce and l i tera tu re . The Museum L ibra ryMuseum
L ibrar y .
Christ ian i t y i n Alex andriaThe Jews i n Alexandr ia
TOPOGRAPHY .
Geologica l forma t ion of the Alexandrian Coa s t
Genera l V iewThe En closu re Wa l ls
The Stree ts .
The Coa r t-L ine and Ha rbou rsThe Cana l
The cis te rns
The ceme teriesMounds of broken po t tery
FROM NICOPOLI'S TO NECROPOLIS
[ Ju l iopo l i s or Nicopol i s 86 Cast ra Romanorum 8 /
Roman mi lita ry ceme tery 87 Ele usis on th e sea 87
H ippodrome 88 Thesmophorion or Te lest irion 88
Cha tby Necropol i s 89 Roya l Qua rte r 8 9 Grea t Ha rbour 89 Maeander
,Pa laest ra
,Thea tre Pos idum 90
Baths 9 1 C aesa reum 92 Museum 9 5 Aposta ses 9 5Licin ium 9 5 Tych eum 9 5 Forum Augu s t i 96
Te trapylon 96 Th e Soma or Sema 06 The Gymna
s ium,th e Law-Cou rts
,the Pane ion 1 0 0 Temple of
Sa turn 1 0 1 The Quar te r A (Jew i sh Qua rter) 1 0 2 The
Temple of Nemesis 1 0 2 Triumpha l a rch of Tra j an1 0 2 Mosque of th e Thou sa nd Pi l la rs (St . Ma ry
’ s orTheonas
’
Chu rch) 1 0 3 Rh ako t i s 1 0 4 The Sera peum1 04 The S tad ium
Favum terracot ta Sta tue t tes (Room 1 8)Fu ne ra ry furn i tu re from Hadra Necropol is (Room 1 9)Pa in ted s te lae from Hadra (Room 1 9 ; see a l so Room
Tesserae (Room 1 9)Marble grou p of Dionysos a nd
‘
Fa un (Room 2 0 )Pa in ted ste lae from Chatby (Room 20 )Fune ra ry furn i tu re from Cha tby Necropo l is (R oom 20 ; see
a lso Room 1 7)Funera ry fu rn i tu re from Cha tby a nd I brahimieh NecrOpo
l i s (Room 2 1 )An t iqu i t ies from Ca mpus (Room 2 2)He l len i s t ic and Chr ist ian frescoes (Room 2 2
3 )
Colossa l sea ted sta tue of He rcu les (ve randa )Colossa l head of Ma rk An thon y (Ga rden Cou r t)Temple of Pn eph e ros (Ga rden Cou rt)Chris t ian funera ry s te lae (Room 1 )By zan t in e ma rble capi ta l s (Room 1 ; see a lso Room 2 2 97 )Porphyry l id of a sa rcophagu s (RoomCarved bone and i vory (Room 1 )Amphora stoppers (Room 1 )Chris t ian lamps (Room 1 )Ampu l la e of Sa in t Menas (Room 1 )Comic ta pestries (Room 1 a nd 4)Ptolema ic coins (Room 3 )Imperia l coins of Alex andria (Room 2 5 )
The Ca ta combs of K6m-e l -Chogafa
The Necropol is of An fu shy
The Ne ighbou rhood of Alex andriaTapos iri s Magna .
Sanctua rie s of Abu MinaAbukir (Canopu s)Rose t ta
Corrigenda et Addenda