Afghan Media Consumption Among Glaswegian Diaspora A Quantitative Study Sanjar Qiam, MSc Centre for Cultural Policy Research University of Glasgow 01, August 2008 1 | Page
Afghan Media Consumption Among Glaswegian
Diaspora
A Quantitative Study
Sanjar Qiam, MSc
Centre for Cultural Policy Research
University of Glasgow
01, August 2008
1 | P a g e
Table of Contents
Introduction ………………………………………………………………………… 03
Literature Review ………………………………………………………………….. 05
Methodology ………………………………………………………………. 16
The Research Process ……………………………………………… 17
Survey Findings and Analysis …………………………………………………….. 21
Conclusion …………………………………………………………………………. 36
Appendix …………………………………………………………………………... 38
Bibliography ……………………………………………………………………….. 40
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Introduction
This study of the Afghan community in Glasgow examines media
usage and patterns of audience habits with a focus on
consumption of ‘Afghan Media’1. The survey data is the basis of
the analysis that links diasporic Afghans with mass media. The
research project also aims to analyse media and consumption
variations on the basis of the demographic data to determine
the affect of gender, class, ethnicity and UK social
structure.
The experience of diasporic identity is central to the Afghan
community of Glasgow. The intensification of Islamic identity
1 Afghan media is referred to all media contents produced for Afghans; itcould be by Afghan producers inside or outside Afghanistan or byinternational broadcasters inside or outside Afghanistan. The literaturereview provides a detailed breakdown into five tiers to what is referred toas Afghan Media. see pages 14 - 153 | P a g e
in Afghanistan and the wider Muslim world, and the response of
the global community, in particular Britain, have resulted in
the creation of a diasporic Islamism with similar features to
Afghan Islamism but different political goals2.
Glaswegian Afghans are members of a British minority that
remains socially, culturally and economically disadvantaged
with low economic efficiency as well as low life standards in
a national comparison.3 The community has also established
substantial differences to its home country in their way of
living. The impact of media on such a group is, in many ways,
an interesting focus of study. The identity of Afghans in
Glasgow is shaped and transformed by their location, language,
religion, culture and position in history. The significance of
their presence in British society, which has vastly different
cultural and material consumption and organisation, is
overwhelmed by the diapora’s self-construction both through
media consumption and the identity they brought with them.
‘Diasporism’ is the most significant identity determinant of
Afghans in Glasgow. Among many other aspects of life,
experiences of sexuality and gender differ drastically in the
UK from Afghanistan. Nevertheless, the attitude of Glaswegian
Afghans to both remain conservative, changing little from
those brought with them from Afghanistan. Social class also
constitutes an axis of multiple attributions for Glaswegian
Afghans. Class belonging is related to their background in
Afghanistan, because of the immediacy of immigration
experience. The Glaswegian Afghans surveyed here are first2 On Afghan diasporas’ aspirations and views see pages 31 3 Scotland 2001 Census 4 | P a g e
generation immigrants of the last fifteen years. They
predominantly come from a middle class Afghan background,
mostly with a strong element of rural identity, thus forming
part of the lower working class in Glasgow.
It is particularly interesting to study the diasporic media
consumption in the context of the post Taliban media boom. The
diaspora has become a commercial and political marketing tool:
the BBC established an international Persian television4
channel in 2008 with a budget of £15m per annum to cater to
the Persian speaking community worldwide and the US government
has given more than £10 million to Voice of America’s Farsi
television station5 and a further £ 8 million to improve Radio
Farda6. In addition, a joint television station of Afghanistan,
Tajikistan and Iran is due to be launched soon to cater for
regional and transnational audience (Media news, 2008).7 Afghan
private media has also developed strategies and mediums to
reach the diasporic audience. Diaspora participation in Afghan
media is seen as commercially gainful. The Pashtoon television
station, Khyber, is the first of its kind in Afghanistan,
4 Nigel Chapman Director of BBC international on Persian TELEVISION, Retrieved July 28, 2008, from http://er.bsysmail.com/go.asp?/.pages.071025.overtoyou/bBBC001/u05ZZA/x6IFV51
5 AboutFast facts of VoA Farsi TVTELEVISION, Retrieved July 28, 2008, from http://www.voanews.com/english/About/FastFacts.cfm
6 About Radio Farda in English, Retrieved July 28, 2008, from http://www.radiofarda.com/inenglish.aspx
7 Media News in Farsi, Retrieved July 28, 2008, from http://www.medianews.ir/fa/2008/07/09/persian-language-tv.html 5 | P a g e
Pakistan and worldwide. The station aims not to be attached to
a locality and to appeal to a global Pashtoon audience.8
Diasporas are politically seen as agents whose influence could
result in political and religious moderation. The transformed
identity of diaspora is perceived as multiplicity of
crossovers and mixes. Numerous Afghan media outlets have
received grants from various sources to target and integrate
diaspora in Afghan ‘mediascapes’. The injection of diasporic
diversity and perceived liberal Islamic views could persuade
Afghans in the home country to ease their views of Islam and
allow for a more circumstantial interpretation. The image of
an Afghan businesswoman in western dress driving a sports car
to a multi national mosque in London could affect an Afghan
man’s attitude toward his wife who rarely leaves home and
never without a man.
The media representation of the diaspora with the political
weight attached to it creates ‘mediascapes’ of imaginary
homelands. The mediascapes according to Marie Gillespie
(Gillespie 1995: 24) become the site of desires for change
which are transferred to the living ‘ethnoscapes’.
I developed an interest in Glasgow’s Afghan community after
moving to the city to undertake an MSc. in media management.
During my stay in Glasgow and through social observation I was
struck by how the Afghan community had remained culturally
more traditional, with conservative Islamo-political views
8 About Khyber TVTELEVISION, Retrieved July 28, 2008, from http://www.avtkhyber.com/website/about.htm 6 | P a g e
when compared to some parts of Afghan civil society9 and
Afghans I know in Kabul. This contradiction between identity
principals and the structure of cultural sphere of Glasgow
encouraged me to explore how media tastes and patterns shapes
diasporic Afghan character. Theories of identity formation and
the effect of culture in the process are well rehearsed in
cultural literature. I wanted to study the use of media among
Afghan diaspora and then connect the findings with the
theories of mass media and identity relation.
I chose Glasgow as a sample to survey diasporic Afghan media
habits. The research question I asked was: Do Diasporic Afghans use
mass media to sustain their shared sense of identity? The methodology used
in this research aims to link the micro social issues of
routine media consumption with the macro diasporic issues of
identity and culture.
Literature Review
Diaspora is a sense of dual belonging; a physical connection
with the territory of residence and a bond, often cultural,
with another nation. Afghan diaspora in the UK is a dispersed
group made up of those who arrived in the UK during the three
9 Afghan civil society is a loose term and different to what is commonlyknown as civil society. It is best described as a group which is not purelyinspired by Islamic sentiments, unlike the government. Afghan civil societyis the space which has embraced the most diverse actors. The institutionalactors include NGOs, media, women's organizations, business associations,individual academics and writers, coalitions and advocacy groups. Thefunction of this group is administered liberally in comparison with stateand clergy sponsored institutions. 7 | P a g e
decades of war, seeking work and better living conditions.
Cohen argues that the voluntary or involuntary dispersal of
emigrants can lead to an idealization of the country they have
left possibly combined with a collective memory and myth about
it (Cohen, 1997:172). Sporadic media articles could be found
with heated expression of nationalism by diasporic Afghans
although it is hard to investigate further largely due to a
lack of statistical information about diasporic Afghans’
patterns of nationalism. However, diasporic communities
throughout Europe continue to rely on imagined communities
which are usually closely connected with already existing
national states, some of which, e.g. Turkey and Algeria,
actively attempt to retain the emigrated population’s
connection to the homeland (Pedersen, 1999: 64).
Cohen (Cohen, 1997: 180) defines diasporic relationship as a
strong and long-lasting ethnic group consciousness, which may
be extended to include other members of the same ethnic group
residing in other countries. A problematic relationship to the
society in which they now live is similarly often found.
The issue of diasporic identity within the western world has
moved to the front of the political debates in the last few
years. Will Kymlicka (Kymlicka, 2003: 198) argues that the
largest feature underlying the debate and current
controversies surrounding migration are the themes of culture
and identity, citizenship and loyalty.
The role of media in forging collective identity has long been
realised and used. David Morley has noted the role of radio in
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sustaining the British Empire. In his Christmas 1932 message
to the Empire, transmitted on the BBC, King George V said “I
speak now from my home and my heart to all of you. To men and
women so cut off by snows, the desert or the sea that only
voices out of the air can reach. To all, to each, I wish a
Happy Christmas.” Here we see one aspect of the crucial role
of broadcasting in forging a link between the dispersed and
disparate listeners and the symbolic heartland of national
life, and of it is role in promoting a sense of communal
identity. (Morley, 2000: 105). Nikos Papasterdiadis has argued
that when communities and nations are dispersed, their social
meanings and values change. In such circumstances ‘the symbols
and narratives of the nation can only resonate if they are
admitted to the chambers of the home’ (Papasterdiadis, 1998:
4).
There is a direct correlation between diaspora media usage and
their wider social condition. The negative valuation of
British social space can have important consequences for media
use. In Moores’ (Moores, 1996: 47) study of a British Asian
family, the father had explicitly agreed to install satellite
television as a bribe to keep his young sons indoors within
the safe boundaries of the home and family unit. Clearly, the
father sees more moral value in satellite television than in
the social space of Britain, adding the growing concerns about
the dangers posed to young children by strangers in the UK.
Christiansen (Christiansen, 2004: 194) argues that families
from ethnic minority are far less likely to watch the national
channels of their present society, due to their greater9 | P a g e
tendency to watch satellite television. This was confirmed by
British (Gillespie, 1995; Gillespie and Cheesman, 2002),
Sweden (Weibull and Wadbring, 1998), Germany (Eckardt, 1996)
and Denmark (Carøe and Sell, 2000) supplemented with
quantitative investigations by Mikkelsen (Mikkelsen, 2001). In
Sweden, ownership of satellite dishes is reported to be up to
twice as frequent among ethnic minorities (Weibull and
Wadbring, 1998: 54). Audiences of transnational media can have
varied motives and interests for consuming material produced
behind their national boundaries. In a survey of Bulgarians’
motives for adopting satellite television, Maria Bakardjieva
concludes that they range from “understanding of the Truth”,
to learning about “the aesthetics of the world” (Bakardjieva,
1992: 448). One thing is clear: satellite technology generates
a “tension zone” between the local, daily environment and the
screen reality. ‘The local environment is often seen
fleetingly, where global events – war in Iraq ... are
portrayed as coherent, if often violently foreshortened
visions for our gaze’; ‘the irony is that the general becomes
clear through [media] representation whereas the immediate is
subject to the fragmenting effects of our limited experience’
(Peters, 1997: 82); John Durham Peters call this the “Bifocal
Vision” (Peters, 1997: 79-81).
The tension which could potentially grow from media and spread
throughout various elements of diasporic social life is only
strengthened by the irreconcilability of international media
and local environment. This tension is triggered by the
general lack of satisfaction that diaspora gain from local
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programmes. The study of ethnic minority views of British
broadcasting conducted by James Halloran (Halloran 1995: 23)
reported considerable dissatisfaction from British media among
diaspora.
Another similar study conducted by Sreberny and Ross of a
Bangladeshi group in Burnley found strong preference for cable
and satellite services. One respondent express his preference:
“these new cable companies have got Asian programmes, the BBC
will have to catch up … compared with cable the BBC is forty
years behind” (Sreberny and Ross, 1995:50).
A survey of British viewers conducted by the Independent
Television Commission found that ethnic minority households
were more likely than white British to access overseas media,
even though British media such as BBC2 had introduced several
Asian casted programmes (Cumberbatch and Woods, 1994: 20).
A diasporic group whose economic and cultural conditions vary
and who differ from the mainstream host society are less
likely relative to the host society to consume mainstream
media. The social positioning of the Afghan diaspora in
Glasgow and their contribution to local society need to be
understood in order to explain their media consumption. Media
consumption is portrayed by Christiansen as a social practice
in which a complex problem area such as multiculturalism and
immigrants’ social integration appears in concrete form
(Christiansen, 2004: 203). We can usefully explore the
relationship between patterns of media consumption and
11 | P a g e
patterns of residence (Morley, 2000: 126). “Mobile
Privatisation” is a framework used by Raymond Williams
(Williams, 1989: 26) to explain activities which are centred
within the physical boundaries of residence, which is
different than retreating privitisation ‘It is not living in a
cut off way’(Williams, 1989: 26) James Carey (Carey 1989) has
studied the effect of media technologies in reshaping
‘communities … not in place, but in space, mobile, connected
across vast distances by appropriate symbols, forms and
interestes’ (Carey, 1989:160). Technologies provide the
“mobility” means, however the locality drives and directs it
or, in Williams phrase, the locality drives the privatisation.
Moores uses the journey analogy for describing media
consupmtion ‘we need to specify the kind of “journeys” that
are made. Who chooses to go where, with whom and why?’
(Moores, 1993: 623). Transnational “journeys” have been
something that has concerned communities and nation states,
espicially among ethnically diverse groups. In Iran and other
Midde Eastern and Central Asian countries, the possession of
satellite dish (DBS) is a criminal offense. DBS and
international viewership is not only the concern of oppressive
regimes but to show it is a source of concern in western
liberal democracy I quote part of French Ministry of Social
Affairs report:
The number of DBS (satellite dishes) is constantly
growing, particularly in banieues … the various
channels broadcast in Arabic, which could undermine
years of literacy classes and other efforts at
12 | P a g e
Gallicising on these people (refering to ethnic
minorities). Moreover, the religious content of
certain programmes will probably increase the
Islamisation of the Banlieues. 10
The compression of time-space for diaspora has different
meanings: the geographical distance of diaspora not only
shapes the consumption of media but also forms the politics of
culture. A study of television viewing by Green in remote
parts of Australia shows how physical distances of audience
retain a clear and obvious pertinence. The introduction of
satellite television to remote and regional Australia
connected the country: as one of the respondents put it “as it
is now, the rest of Australia could disappear and we’d be the
last to know. The lack of outside communication in the town is
very frustrating and tends to make the town insular and self-
centred” (Green, 1998: 32) the mean of communication effects
time-space in this remote area in a way that is distinct from
the rest of the country with peculiar consequences for the
local community.
Given the tribal and rural structure of Afghanistan; it is ‘a
society exclusively dependent on oral communication, in which
there is no sense of time separate from space, it is
impossible to conceive of remote strangers as consociates:
their very distance in space allocates them to a
correspondingly different status in time’ (Narvaez, 1986:
10 cited in Morely 2000: 157
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129). When member of a rural society like Afghanistan disperse
across the globe, the space created between the individual and
the consociates is not separated by time largely due to modern
communication technologies that function as a “contractionist”
medium creating a sense of spatially continuous locality.
The conflict in Afghanistan has not come to any solution,
despite attempts by international community to achieve peace.
The situation is made even harsher by natural disasters such
as famine, drought and internal displacement. Wars and
poverty are two of the root causes of Afghan immigration to
Britain. Much of Afghan immigration to the UK today has been
motivated by what David Harvey (Harvey, 1989: 4) calls
“flexible accumulation” and other such contemporary modes of
globalizing capital (Clifford 1994, 331). However, just as
there was a distinction to be drawn in the historical diaspora
between the entrepreneurial “middlemen minorities” and the
“proletarians”, there are two kinds of class relations
involved here (Esman 1986, 336-37). Thus, at one level,
diasporic movement is a cause of the globalisation of capital
in the sense identified by Joel Kotkin (1992): ‘The continuous
interaction of capitalism with dispersed ethnic groups—not
just the staid history of financial flows or the heroic
stories of nation builders—constitutes one of the critical
elements in the evolution of the global economy’ (Kotkin,
1992: 17). The control over both government projects and
international aid investment in Afghanistan attained by the
“expatriate Afghans” are classic cases in point. Several
ministers, advisors and hundreds of directors have been
14 | P a g e
recruited from Afghans abroad. President Karzai and his
brothers used to live and do business in the US before his
return to Afghanistan. Much of the private media is also owned
by “expatriate Afghans” with the exception of, a handful of
small outlets.
Karim Karim(1998) in his paper presented to the XXI biennial
conference of the International Association for Media and
Communication Research in Glasgow suggested that we can even
think of such diasporic communal networks as ‘a third tier of
inter-regional connections’, after world organizations and
nation-states. Indeed, the Moby Capital group owns Tolo
television, Lemar television, Radio Arman and several
marketing agencies. It was set by three Australian-Afghan
brothers with funding from USAID. An Australian Broadcasting
Corporation (ABC) television report on 13 November 2006 by
Trevor Bormann covers the Australian reared Mohsenis’ family
business: “As well as Tolo TV, they run a radio station,
publish a magazine, and there are plans for a million dollar
feature movie.” Bormann adds “This from a family with
absolutely no media experience anywhere else.” The Mohsenis
did not work in media in Australia, in attempting to explain
their success Bormann offers “… with the help of a new
generation of entrepreneurs, schooled and skilled abroad”.
Ariana Television and the Afghan Wireless Communication
Company are owned by an Afghan-American. At this level,
diasporic membership can be “a source of real power, both
political and economic, in the world system” (Friedman 1997,
85), and ‘diasporic consciousness and style of life well
15 | P a g e
adapted to the new opportunities presented by globalization’
(Cohen 1997, 165).
Yet, for many Afghans, their diasporic movement is an effect
of global investment patterns and international inequalities.
For instance among the Afghan community of Glasgow there are a
few dozen Afghans who avoided deportation after their requests
to remain in Britain were refused. They found employment in
black labour market, usually in the construction and food
industry, and attempted to make as much money as possible
before being caught and sent back to Afghanistan. Among them
is a university graduate who finished a Master degree at the
University of Glasgow. Such structured class and economic
differences are in tension with mythic notions of common
ethnic origins and cultural belonging (Sinclair and
Cunningham, 2000: 21). The situation of Afghan illegal workers
in Glasgow and other major British cities could be best
explained in the framework of global capital and ‘flexible
accumulation’. David Morley writes on the issue of post-
modern, upper-class ‘migrancy’: the contradiction of people
who have come from dominant-class origins in peripheral
nations and become complicit in “a rhetoric which submerges
the class question and speaks of ‘migrancy’ as an ontological
condition” (Morley 1996, 347). While it might be true that
“the rich also cry” and have their own forms of alienation, it
is clearly a fallacy to identify the diasporic experience
exclusively with the subaltern and to not observe the dangers
of a naive postmodernist culturalism (Sinclair & Cunningham,
2000:18).
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In a New Yorker report on January 20, 2003 Jane Kramer gives an
account of the kind of people from Afghanistan who came to the
UK and the benefits they can potentially bring to their new
society. She writes of a woman named Afsana:
‘Among refugees, England is the destination of
choice. It is doors are ajar, if not entirely open;
it is pockets are deep, if not actually stuffed with
cash; and it is big cities are so polyglot that no
one who survives the trauma of what is by all
accounts a humiliating and very dangerous journey
will find himself entirely alone’.
Afsana is an “immigrant” straight out of the stereotypes. The
arrival of continuous waves of immigrants to the UK, escaping
oppression and war and looking for a better life, has been a
matter of concern for the British Home Office and wider public
opinion. The burden placed on the welfare system by immigrants
leads to a popular belief that Britain is being targeted by
the poor.
It is almost impossible for ordinary Afghans to make it to the
UK. The journey is long, dangerous and full of traps, if using
the services of a human trafficker, fees in excess of £ 6000
are required and often out of reach for ordinary Afghans.
Afghans who left the homeland during the war and were granted
residence in the UK were generally rich and resourceful enough
to break the poverty circle and run away. Some Afghan migrants
have made the most of the new opportunities presented to them
in Britain. Kramer reminds us of Afghans, including women, who
17 | P a g e
used the expertise they gained in Afghanistan when they
arrived in Britain:
‘Shakiba Habibula … today, a research fellow at the
London School of Tropical Medicine; Najiba Kasraee … a
producer and writer at the BBC World Service who
broadcasts childrens’s stories to the Farsi speaking
world; Seema Ghani, who came as a medical student and
[now] … devoted herself to an orphanage and a health
clinic for women and children she had founded with her
first British pay check’11
The prolonged conflict in Afghanistan has prioritized the
homeland-diaspora relationship both directly, through family
and friends, and indirectly through media. It appears that
throughout the diasporic cultural history immigrants are
closer to their homeland in times of crisis than in times of
peace. Dona Kolar-Panov (Kolar-Panov, 1996) studied the
Croatian diaspora in Australia in the light of the war in the
former Yugoslavia. The study traces gradual and often nervous
formation and reinvention of Croatian cultural (diasporic)
identity which, in turn, became fully fledged diasporic
nationalism, through the use of media, during Balkan wars.
Further, according to The last few decades have witnessed
numerous bloody ethnic clashes in all four continents diaspora
had played a strong role in most of the clashes; among others.
Khaching Tololyan (Kokot, Tölölyan and Alfonso, 2000) is cited
in Huntingdon (Huntingdon, 1996: 274) “diaspora has played a
major role on both sides of the prolonged struggles between11 Jane Kramer, January 20, 2003, New Yorker report18 | P a g e
Israelis and Palestinians, as well as in supporting Armenians,
Croatians and Chechens in their conflicts. Through television,
faxes and electronic mail, the commitments of diaspora are
reinvigorated and sometimes polarised by constant contact with
their former homes; “former” no longer means what it did”.
The sociocultural influence of media consumption among
diaspora is an issue which deserves some deliberation. I would
caution against a uni-dimensional approach to media influence.
Paddy Scannell argues that the political outlook which
conceives media as a tool of representation as an approach
which “systematically misunderstands and misrecognises it is
object” (Scannell, 1986: 156 and 136) argues that broadcasting
is not to be understood as ‘form of social control… cultural
standardisation or ideological misrepresentation … [but] as a
public good that has unobtrusively contributed to the
democratisation of everyday life most notably through it is
promotion of a “communicative ethos” of more inclusive and
extensive forms of sociability among it is audiences’12.
The relationship between Afghan media and the Afghan diaspora
could be characterised less as one of inclusive sociability
and communicating through a public good medium and more as one
of an obtrusive politicisation. The positive social
contribution of diaspora via Afghan media cannot be understood
unless media is seen as a forum for community representation.
The representational role of transnational media has been
reinforced by the politically driven mushrooming of
international broadcasters and the financially-motivated12 Scannell, 1986:13619 | P a g e
establishment of private channels. Afghan media seeks a
diaspora audience and its participation in order to broaden
their reach. The content of Afghan media discussed below is
yet another indication to the extent it is influenced by power
and politics.
Lila Abu-Lughod argues that transnational television has had a
profound democratising effect in Egypt. Abu Lughod writes that
television’s central importance is that it ‘brings a variety
of vivid experiences of the non-local into the most local of
institutions, the home’ (Abu-Lughod, 1995:191) also confirmed
by Meyrowitz (Meyrowitz, 1985) and Papasterdiadis
(Papasterdiadis, 1998). She notes that when Nobel prize
winning author Naguib Mahfouz lamented the decline of the
traditional public sphere in the form of the Cairo coffee
house, where people would go to listen to storytellers, he
‘forgets that this older form of entertainment, with the
imaginary non-local worlds it conjured up, was only available
for men’ (Abu-Lughod, 1995:191).
Islam is an integral part of Afghan culture and is a strong
element shaping Afghan media content. Diasporic Afghans,
despite their physical distance from Afghanistan, remain
within the meticulous details of Islam. Afghan media provides
the platform for Afghan Islamic discourse in the UK. Afghans
connect through media to discuss faith and to communicate
Islamic practices. Islamic teachings could prevent Afghans
from progressing to assimilate into British society, by
internalising and sharing some of the secular-western values.
Western values, in sharp contrast with Islam and Afghan20 | P a g e
culture, have a strong emphasis on the right of women to
equality, and the right of the individual against conformity,
yet Islam does not grant the individual the right to
personally decide their choice of food, drink, dress code,
behaviour and thought. In British society human rights are
highly regarded as a code of conduct and the individual is the
decider of their own faith. In Islam, human nature and the
rights of conduct are ultimately derived from the final
revelation of Allah to Mohammad as given in Quran. Unlike
Christians and Jews, Muslims live strictly by teaching of
Islam; for instance the first article of Afghan constitution
assures nothing in Afghanistan could be contrary to Islam and
Sharia. Islam is safe from criticism because Islamic states
have outlawed criticism but also the teaching of Islam
prohibits individual Muslims from questioning and allowing
others to question, even in the UK and the rest of Europe.
Islam endorses cruelty13 and deplorable treatment of women is
instructed by Islam on numerous occasions14. The right to free
expression is not substantiated by Islam and censorship is a
common practice in Afghan media. Peter Mandaville argues that
the influence of Islam on diasporic media is not always a
source of threat. The media provides channels for new or
previously disenfranchised voices of Muslim diaspora
13 As for the man or woman who is guilty of theft, cut off their hands to punish them for their crimes. That is the punishment enjoined by Allah. (Quran, Surah 5: 38)
14 Men have authority over women because Allah has made the one superior to other and because they spend their wealth to maintain them. Good women are obedient. As for those from whom you fear disobedience, admonish them and them to bed apart and beat them. (Quran, Surah 4:34)21 | P a g e
(Mandaville, 2001:169). Both activists and Islamists have
exploited the media for their own benefit. An outright refusal
of Islam by disenfranchised groups of Muslims might result in
their alienation and a narrower reach of their message, while
an acceptance of Islam as a faith system but allowing moral
autonomy and situational interpretation might be more of a
common practice among diaspora. Peter Mandaville (Mandaville,
2001: 169) argues that media offer spaces for communication in
which the identity, meaning and boundaries of diasporic
community are continually constructed, debated and re-
imagined. Such a role could only be materialised if free and
honest debates are not overshadowed by Islamic principles.
Discretionary discourses, reserving expressions which might be
deemed un-Islamic, by diaspora in media allow the flow of
communication but might not be the place to re-imagine
boundaries.
Of particular interest is how media outlets have made use of
the market potential of the diaspora. Media organisations have
created markets out of dislocated peoples, even if it is
assumed that diaspora redefine their cultural identities in
hybrid terms. The dichotomy of Afghanistan and British
diasporic media cultures develop in the intersection of
national, regional and transnational spaces. I divide the
media used by the Afghan diaspora, under the term Afghan
media, into five tiers:
National: produces content in and for Afghanistan also
made available to diaspora through technologies. Example:
Ariana, Tolo and Tamadon television stations22 | P a g e
International: produced by foreign media organisations
for Afghans in and outside Afghanistan. Example: BBC
Persian, RFE/RL, Ashna
Transnational: interpreting the mainstream for Global
audience. Ariana in US, Farda in Sweden
Local: interpreting the mainstream for a diasporic
locality – example Radio Ariana Holland.
Community: produced locally in Afghanistan: Radio Zafar,
Radio Amu, Radio Sahar and etc; available for the locality
in Afghanistan through FM signal and globally on the
internet for smaller diasporic unit – a specifically
locally affiliated version of diaspora.
Afghan media of each tier are of various sizes, levels of
professionalism, success and lifespan. They employ different
technologies and have different entrepreneurial, cultural and
political goals. What they all have in common is that they
address Afghans or a particular ethnic, linguistic or
religious group.
Afghan media, produced and targeted at national market, is
influenced by diasporic culture. The most popular television
programme in Afghanistan - Afghan Star15 – is an imitation of
Britain’s ‘The X Factor’. Afghan television schedules, copying
popular western genre, and are full of reality shows, soap
operas and paranormals. Television stations such as Tolo and
Ariana, set the standard for style and genre and are run and
owned by diasporic Afghans. The managers of the television15 http://www.afghanstar.tv 23 | P a g e
stations are influenced by western media which they have been
exposed to since childhood. When any of these television
stations are launching a new programme, it is often inspired
by western programme ideas. Quite often the television station
brings an Afghan or foreign media consultant who lives in the
west to oversee the initial launch period. The projection of a
pro-modern tenor is partly a populist approach to increase
ratings but also another method of self-censorship, something
regularly practiced by media. Serious current affairs
programmes such as 6.30 and Haqiqat on Tolo and Ariana
stations have caused tension on several occasions with the
authorities and warlords. Stations and producers of
investigative programmes have been threatened and harassed
when programmes challenge an authority, Nassir Faiz producer
of Haqiqat programme is currently in the custody of NDS
(National Department for Security) a move condemned and
labelled illegal by the Afghan parliament too. Entertainment
programmes, on the other hand, are raising little social,
governance or cultural controversy. It is more often at a
‘soft’ entertaining level. In the short term, self-censorship
helps to avoid conflict but in the long run, as Silverstone
argues, it gives rise “to anti-politics of withdrawal from the
public sphere … of conformity, self-interest and exclusion”.
(Silverstone, 1997:14)
Methodology
Do Diasporic Afghans use mass media to sustain their shared sense of identity?
Acquiring a reasonable answer needs more than theoretical
24 | P a g e
speculation about Afghan diaspora and patterns of media
consumption. The objective of the empirical investigation will
be to analyse media consumption patterns and assess activity
and passivity, choice and control, creativity and constraints.
The research will combine creative problem-solving abilities
with analytic rigour.
Cultural studies, media studies and diasporic theories are
used to supplement the survey questioning. Media audience
studies by scholars such as Stuart Hall and John Fiske having
pioneered the field moved the study to follow the method of
assessing a link between media consumption and cultural
identity. The research uses both qualitative and quantitative
methods of investigation. The study benefited from a
questionnaire method of reaching a larger number of
informants, and, therefore, evidence based legitimacy for the
findings The questionnaire was distributed using a random
probability sampling method: meaning, data was collected from
those who volunteered.
The research involved 47 respondents in the survey. The data
was used to make analysis of how the media consumption
patterns can vary within diasporic audience. A smaller group
of 3 people were interviewed to collect qualitative data. The
aim of the open-ended interviews was to complement the
analysis drawn from quantifiable information, as well as
understanding the underlying reasons for audience habits.
Interviews were unstructured but, wherever possible, focused:
interview schedules were not used but nor was the open to
25 | P a g e
indefinite length. The purpose of the interview was to gather
insights in order to make better sense of the data collected
by the survey.
Media is at the centre of culture in contemporary social life,
and this is particularly true for diapsoras. The survey
questions aimed to understand the context of media use. The
research questions are designed to find as much information as
possible about informers’ creative lives. The questionnaire
(see Appendix pp. 38) covers, among other things, personal
communication, cultural and media venues, taste and
preferences, social activities, media product ownership and
social contacts. The first part of questionnaire was designed
to acquire personal data, in order to construct a demographic
analysis, to address the difference between lower class and
middle class diaspora media consumption and tribal politics,
the effect of assimilation and secular notions of equality.
In conducting the research, lessons learned from previous work
to produce analysis in a particular locale was taken into
consideration. For example the work of (Gillespie 1995);
(Lull 1988b, 1991); (Gray, 1992); (Hobson, 1980) and (Morley,
1986).
Any quantitative approach to audience study is hindered by
generalisation. No sampling quantitative method could be
developed to reach the entire target. The use of qualitative
method, along with cultural and diasporic theories has reduced
the reliance on quantitative findings. The qualitative method
offers a different perspective to the study of the audience,
26 | P a g e
i.e. the active choice of the consumer. In order to make any
diasporic and cultural analysis of Glaswegian Afghans’ media
consumption, it is imperative to assess the recreational
meaning of media content for the audience. The recreational
use of the audience is informed by different processes through
which the audience appropriate, accept and reject the media.
In fact, the connection of both qualitative and quantitative
findings with macro issues such as politics, economics,
culture and language could be more valid by observing and
investigating the creativity and underlying assumptions in
audience choice. Qualitative and quantitative methods are
interwoven in this research. Observational interviews offer
individual insights while the survey data generalises the
group’s media patterns.
For the purpose of this study, the diasporic Afghan is aged
over 18 and includes both men and women. The participants are
drawn from both the working and middle classes with the
knowledge of one of Afghan languages, Farsi or/and Pashto. The
Farsi language dialect spoken in Afghanistan is referred to as
Dari or Farsi-Dari. In this research, I refer to it as Farsi.
The choice of city was made on the basis that Glasgow has the
largest Afghan community in Scotland. Glasgow is also the city
where I study and I have the most knowledge of among British
cities.
The Research Process
The questionnaire proved to be an intimidating method to
survey Afghan diaspora. Only those who personally knew the
27 | P a g e
questionnaire administrator or were outgoing to bond and talk
in a first encounter responded less hesitantly. Informants
were specifically intimidated by the depth the survey was
investigating: they were happy to talk about scattered bits
and pieces of their media usage, but some of them hold back
when alerted by the curiosity of the researcher to investigate
further. Some informants’ reservations to share their
experiences in depth was apparent in both the questionnaires
and interviews. It would be safe to state that the use of
structured interviews as an alternative to questionnaires
would have also been hindered by hesitance of some informants.
Having that said, it is worth mentioning that the Afghan
community in Glasgow is probably fairly resentful towards
questionnaires and forms, this relates to their broader
experience of dealing with British bureaucracy as asylum
seekers, Afghans have to fill out a lot of forms, while they
come from a communal culture where state bureaucracy does not
exist or is not of concern to them. Filling out forms is a
collective activity for most Afghans and assistance is
provided by the Afghan Scottish Society. Volunteers help
fellow Afghans to fill out forms for employment, migration,
social benefits, health care, housing and other requirements
Although an attempt was made to make the questionnaire short
and compact, a shorter version might have gathered more
responses at the cost of shallow analysis of the group media
usage.
Group over-politeness in the preparatory stage of research
tended to raise false expectations of the number of28 | P a g e
respondents who might take part in the research. It was
initially thought that around 100 respondents could be
reached. It was wrongly understood that the group is open and
available to provide information due to the cultural
expectations of a helpful behaviour. A culturally determined
mindset among those participating in the survey can also
encircle a group determined “reasonable” response, ignoring
evaluation based on personal beliefs. Such rationalisation of
responses results in gathering ungenuine data, a risk that the
study bears.
A total of one hundred and fifty respondents were identified
in and around Glasgow who could be reached by questionnaires.
Majority of which, forty seven respondents participated in the
survey. The majority of respondents were Pashtoon. Majority of
Afghans living in Glasgow, although are Pashtoons, other
ethnic groups such as Tajik, Hazara, Uzbek and Baluch also
took part. Attempts were made to include families from
different social classes, but the educated middle-class, by
Afghanistan standards, was the group most willing to take
part. It was more difficult to reach women, and the women
surveyed are those who either have a responsibility outside
home or are outgoing and influential housewives. It was hard
to reach women through their husbands, though some success was
achieved. Husbands were confident that they could speak for
their wives and women in general, and seeking women’s views
brought little contribution to the survey when balanced
against the time and effort to get in touch with them.
Youngsters under 18 were not included in the survey when
29 | P a g e
designed, nevertheless it proved easier to access youngsters
and they were more communicative and open than their parents.
All questionnaires returned were in Farsi, English
questionnaires were not preferred by respondents.
Figure 1: Surveyee Profile
ID
#
AGE SEX OCCUPATION YEARS IN THE
UK1 48 M ARCHITICT NO RESPONSE2 23 M STUDENT 23 24 F STUDENT NO RESPONSE4 25 F STUDENT NO RESPONSE5 37 F UNEMPLOYED 76 35 M PhD ECONOMICS NO RESPONSE7 43 M PhD LITERATURE NO RESPONSE8 32 M STUDENT NO RESPONSE9 NO RESPONSE NO RESPONSE NO RESPONSE 610 45 F HOUSEWIFE NO RESPONSE11 42 M UNEMPLOYED NO RESPONSE12 22 M STUDENT NO RESPONSE13 31 M SHOPKEEPER NO RESPONSE14 48 M UNEMPLOYED NO RESPONSE15 21 M STUDENT NO RESPONSE16 51 M PENSIONER NO RESPONSE17 31 F UNEMPLOYED NO RESPONSE18 30 M UNEMPLOYED 519 47 M UNEMPLOYED 120 65 M PENSIONER 121 47 M UNEMPLOYED 922 19 F STUDENT NO RESPONSE23 24 M SOLDIER 2024 26 M NO RESPONSE 1425 23 M UNEMPLOYED 826 36 M DRIVER 8
30 | P a g e
ID
#
AGE SEX OCCUPATION YEARS IN THE
UK27 32 M SHOPKEEPER NO RESPONSE28 56 F FORMER DOCTOR NO RESPONSE29 30 M ARCHITICT 1230 44 M BUSINESSMAN 131 42 M DRIVER NO RESPONSE32 34 M UNEMPLOYED 933 25 M UNEMPLOYED 1234 48 F HOUSEWIFE NO RESPONSE35 20 M STUDENT 236 52 M FORMER ARMY OFFICER NO RESPONSE37 22 M STUDENT 238 45 M SHOPKEEPER 1039 NO RESPONSE M WRITER 340 31 M INTERPRETER 841 21 M UNEMPLOYED 542 28 M DRIVER NO RESPONSE43 36 M MECHANIC 1244 34 M DRIVER 445 29 F HOUSEWIFE 746 41 M CARPENTER 947 28 F HOUSEWIFE 12
The research includes three open interviews. Three out of six
originally contacted came forward to participate after
anonymity was ensured. Interviewees had previous acquaintance
with the researcher and were first contacted by telephone.
Three declined the request on the assumption that they did not
have much information to share about their media use. Two
potential interviewees with no previous acquaintance with the
researcher are among those contacted. They raised more
31 | P a g e
concerns than those with prior acquaintance. Although
informants were assured of the anonymity, they asked questions
such as: ‘Do you need to record our names and addresses. Will
anything we say affect our status in the UK? Why do you need
to record us? Will the University of Glasgow share it with the
Home Office?’ Particular concerns were raised about any knock
on effect of the information provided by respondents, whose
asylum cases are still awaiting responses, regarding their
state in the UK as refugees and the case they had presented to
the Home Office. One of the interviewees said
‘the case I have presented to home office is a complex
retell of my life; they [Home Office] are reviewing my
asylum request for the last two years and I have to go
for questioning every month and provide the same
answers every time to similar but differently asked
questions… every month they seek information on me and
I do not want them to find anything new. It could
negatively affect me and my family here.’
They were also concerned about being recorded despite the
fact they were assured it was for the researcher’s own
reference. As a result, it was decided not to record
interviews and instead relied on note-taking during
sessions which came as a relief for those participating in
interviews. Concerns of potential interviewees were not
limited to practical personal information. Some expressed
doubts about the outcome of the research despite it being
explained to them that the information was to be used
solely for the purpose of the researcher’s degree32 | P a g e
requirements. It was asked whether the interviews benefit
them and Afghans in anyway. Those who consented to be
interviewed were at ease to speak openly. Interviews were
carried out in public places during or after a social
event. The choice of location helped to keep the
interviewee at comfort and consequently open, but it also
made it difficult to keep him focused. The interviews, on
average, lasted ninety minutes. All interviews were carried
out in Farsi.
Figure 2: Interviewee Profile
Interviewee A Interviewee B Interviewee
CResidence
PlaceGlasgow Glasgow Glasgow
Origin in
AfghanistanLogar Sarobi Parwan
Gender M M MAge 38 26 42Language Pashto/Farsi Pashto Farsi
Occupation Taxi DriverJobless,
Graduate
Jobless,
PoetEthnicity Pashtoon Pashtoon TajikResidence in
UK7 years 2 years 10 years
Survey Findings and Analysis
33 | P a g e
Glaswegian Afghans who took part in the survey are of a wide
age group with the youngest being 19 years old and the oldest
65 years old. The median age of participants was 32 years old.
The median is the middle age in the age range of respondents -
an equal number of older group falls above it as well as an
equal number of younger groups below it. The median age is not
the average age.
Figure 3
Survey participants have lived in Britain from one to twenty
years. The median of respondents’ residence in the UK is eight
years with an average of 10.5 years. The median of UK
residence is the middle number of years the informants have
spent in the UK in the range provided by total respondents.
This proved to be a sensitive or difficult question to ask and
21 respondents did not provide a response.
Figure 4
34 | P a g e
As obvious from ‘Figure 5’ women are underrepresented in this
research for the reasons discussed in the methodology section.
Figure 5
Survey participants come from diverse backgrounds, however the
majority are unemployed or studying. Some respondents were not
sure about their occupation and unwilling to discuss it. This
includes the two largest groups of respondents, i.e.
unemployed and student. They felt that providing their
occupation details along with some other personal information
might compromise their anonymity even if they did not give a
name or address. Most of the unemployed and some of the
students are on a key benefit scheme which officially means
they should not be working while some of them take work in the
unofficial Black labour market or help out with family
businesses. Respondents who identified themselves as a PhD,
student, a former officer or former doctor are effectively
unemployed. They maintain the designations from Afghanistan
because they are perceived as lifestyle rather than job. A
tendency exists among respondents to mention their former
designation as their occupation, but they were encouraged to
only provide one title for their occupation and that it should
be the job they have now.
35 | P a g e
As outlined in the literature review, it was concluded that
there is a strong correspondence, on one hand, between
diaspora occupation and social class and, on the other, media
consumption and lifestyle. On the contrary, the analysis does
not find any noteworthy correlation between occupation and
media consumption or the broader lifestyle. This could be
explained by respondents’ occupational experience in
Afghanistan and the common employment challenges and
opportunities they face in the UK. The group is predominantly
from the rural middle class in Afghanistan but there are some
urban middle class and urban upper working class among the
respondents too. The rural middle class of Afghanistan is
defined as an educated individual who had been to university
in Kabul and could have had a job in Kabul but his family, or
at least a big part of the family, lives in the village and he
would consider the village as home or original home. The rural
middle class tends to be politically and socially
conservative. Respondents have a collective experience where
they had to abandon their former occupations of Afghanistan
while they carry an idealisation and myth about it. Their
struggle to establish their professional careers in the UK has
left most of them unemployed or studying. Some have managed to
find some manual jobs Social benefits in the UK are another
element which influences respondents’ occupation. This did not
exist in Afghanistan and social benefits homogenises groups
professional experiences. The differences between Afghanistan
occupation has been overshadowed by the collective myths and
idealisation. Afghanistan occupations have changed to mythical
36 | P a g e
ideals. A homogenised occupational experience has no
significance on media consumption differences.
Figure 6
Afghan media is heavily consumed by respondents, they reported
using one or another medium to receive Afghan content, with
81% of respondents accessing more than one medium of
television, radio, book, newspaper, magazine or online media.
Twenty one percent used more than three mediums to receive
Afghan contents. Television is by far the most common form of
medium; some 87 percent of respondents come in contact with
Afghan media via Television. Radio is the second most popular
medium with 57% regular access to radio, and 51% read Afghan
books; that are books in Farsi or Pashto from Afghanistan or
about Afghanistan.
37 | P a g e
Figure 7
When asked to name their favourite media outlet, participants
produced a diverse range of outlets. Twenty seven respondents
listed 20 different outlets, the remaining 20 respondents
either did not give a station or it was counted invalid due an
error. The most popular outlet was the BBC, among the first
three choices of which ten respondents. However, the
information about the BBC channel was not specific. It was
also not clear whether respondents were referring to BBC
programmes in English or for Afghanistan, with the exception
of one respondent who stated BBC Scotland. The second most
popular outlet was Ariana television followed by Radio Salam
Watandar. The fourth choice was the British newspaper ‘The
Sun’.
Figure 8
Indicate top three media outlets you
use? Respondent
Percen
tINVALID 12 26%
BBC 9 19%
38 | P a g e
NO RESPONSE 8 17%ARIANA 7 15%SALAM WATANDAR 4 9%SUN 3 6%SKY 2 4%THE MIRROR 2 4%GUARDIAN 2 4%STV 2 4%ITV 1 2%BAKHTAR 1 2%DAILY MAIL 1 2%METRE 1 2%ARMAN FM 1 2%RADIO WATANDAR 1 2%MUJAHEED 1 2%CAPITAL 1 2%CLYDE 1 2%BBC SCOTLAND 1 2%RADIO FOUR 1 2%RADIO AZADI 1 2% Total Number of outlets 20
The survey also found that Afghans respondents maintained
extensive personal contact with Afghanistan. 62% telephone
Afghanistan to talk with family and friends at least once a
week and 28% call twice a month. Diasporic contact with
Afghanistan is through both interpersonal communication and
mass media. It is hard to establish the relationship between
the level of Afghan media consumption and the level of
personal communication. The survey data suggests the level of
both British and Afghan media consumption. An analysis of the
39 | P a g e
relation between general media use and personal contact with
Afghanistan yields no particular pattern.
This is an area of interest for those Afghan media outlets
targeting diasporic communities. Given the difficulties of
establishing personal communication, in Afghanistan, the
precariousness of the postal system and mobile phones are also
limited to a few urban centres with low quality and high
costs. Afghan outlets are attempting to bring personal
communication to mass communication, a feature already popular
in Afghanistan and are an important issue of marketing in
order gain diasporic participation. Linking mobile phone and
other forms of person to person communication with mass media
brings revenues to the media outlet. The radio or television
station either charges a premium on the caller or broadcasts
the message for a fee. Personal advertisement in the form of
obituary, classified advertisings, marriage and other ceremony
announcements, and many other public service announcements
(PSA) are a good source of revenue for the stations. This way
the diaspora can contact their families, community and the
radio and television stations with better quality and for a
smaller fee than mobile phone.
In addition to the substitutive relationship between media and
phone communication, there is also the possibility of a
complementary character between media and interpersonal
communication. Interviewee B personal experience describes
such a link:
40 | P a g e
‘I call my family in Afghanistan at least once a week
on average, it could be more frequent but sometimes I
do not talk with my family for up to three weeks… I
call if I hear something in the news; like I called
them last week after seeing reports and pictures of a
suicide attack in Kabul … I wanted to make sure they
were all fine. I know “the sound of the drum is loud
farther” [an Afghan proverb meaning negative events are
amplified in the distance] they [the media] make things
sound worst than they are… it is also useful to keep up
with the news, the family might not tell you all about
the general situation or might not know.’
The extensive interpersonal relations that exist between the
Afghan community in Glasgow and their relatives in Afghanistan
creates a flow of communication and information which places
Afghan media messages and contents of Afghan media about
Afghanistan in a particular context. This extensive
interpersonal link reshapes media content and makes it
relevant to a diasporic context. The effect of such a mediated
media is far greater than an isolated use of media. There is
also a counter explanation for the relationship between
interpersonal connection and extensive Afghan media use by
abandoning the active approach to media use and audience
selectivity and assuming that Glaswegian Afghans are dogmatic
in their media use. Glaswegian Afghans live under certain
cultural and personal circumstances, the effect of
selectivity, choice and personal communication is shaped by
41 | P a g e
diasporic values, beliefs and habit under peculiar cultural
and personal circumstances.
Figure 9
Survey participants were heavy media users: thirty three – or
70% of- respondents consume more than 50 hours of media a
week.. Twenty eight percent of respondents used more than 40
hours of Farsi and Pashto media a week, while 23 percent use
used more than forty hours of English media and 32% use
between 30 to 39 hours. Fifty three percent of respondents
consumed a mix of languages, predominantly Farsi and Pashto
with English or another foreign language.
42 | P a g e
Figure 10
The extent of media use is connected with the audience
interpretation of the content. The heavy use of media by
respondents could be explained by a relatively light reading
on content. Interviewee C, while talking about television at
his home, said:
‘The television set at home is switched off for a good
part of the day but my wife switch it on in the
afternoons to watch her favourite soap… it is on in the
evening and watching television is a family activity in
the evenings. I try minimising kids viewing in the
evening and my wife try to keep occupied with chores
during the day so she does not get stuck with the
television. Television in this country could be a waste
of time, newly arrived families with no job and not
many friends here spend most of their time watching
television… children and my wife watch television on
holidays and weekends.’
43 | P a g e
From what C is describing it could be understood that passive
television viewers spend more time than interpretive and
engaged viewers. Similarly, women and children who seem to be
reading less on television are more frequent viewers. The
questionnaire cross tabulation also showed a tendency among
female participants towards slightly more frequent media use.
The table below shows the use of media according to
respondents’ gender. On average, women consume 34.5 hours of
media per week Compared to men who, on average, use 25 hours
of media. Figure 10 shows the relationship between gender and
time spent with media.
44 | P a g e
*40 Hour s or mor e m ore = 49 bas ed on th e 9 numb er differen t betwee n each c oded val ue
**less t han 9 = >1
*** Valu e averag e for ba nd A is driven f rom aver age of 2 0 and 49 hours
Value av erage fo r band B is driv en from average of >1 to 29 hour s
Value av erage fo r band C is driv en from average of 0
Figure 1 1
Glaswegian Afghans have a distinct relationship to that media
content aimed at diaspora. The production of such content and
text is isolated from the consumption. On the other hand, the
broader British media is more connected with everyday affairs.
Thirty two percent of respondents said they consumed 30 hours
of British media, especially television and video content.
Some 60% of respondents reported owning a collection of
English video CDs or DVDs. Interviewee ‘A’, on the purposes of
his media use, said
‘During the day when I am working I have my car radio
on… tuned to BBC, Clyde or Radio Four. I listen to a
lot of music and try to understand talk shows on Radio
Four to improve my English. When I am home I usually
spend time with children in the living room watching
English television. I often listen to BBC Afghanistan
or another Pashto or Dari station [alone]… I would like
to stay aware of Afghanistan issues and the coverage in
45 | P a g e
British television is bias and for entertainment
purposes of British audience… my wife also listens to
Afghan radio stations during the day.’
It is, perhaps, that British media seems to be more for
entertainment and passing time, but it is also used for
practical purposes too. Throughout the interview with ‘A’, it
became apparent that he used British media, especially radio
in his car, to listen to traffic news, weather forecast, local
events, community information, learning English and general
education. Whereas the use of Afghan media is more like a
ritual, an activity connected with an idealised home. The
content of Afghan media is more subject to interpretation. The
light use of Afghan media could be explained by the concept
put forth above regarding the connection between
interpretation and the extent of media use. Interviewee ‘A’ on
the use of Afghan media added
‘I would like to see my children and other Afghan
children using more Afghan programs. Using Afghan
media would improve their language skills as well as
educate them about their country and people…
especially programs about ethics and morality would
help children grow up as Afghans… a relative of mine
who lives in London records morning programs on
Afghan media for his children. They can not catch up
with the morning programs, because of time
difference. Then he plays the programs for them at
the evening. His children are very polite and kind
and they speak better Dari and Pashto than I do. They46 | P a g e
sometimes imitate radio presenters and talk with a
formal language for example “at this morning press
review program we will look at Kabul morning papers;
Hewad is out this morning in colour print and
broadsheet binding. The front page is editorial” the
children could imitate an entire program. Sometimes
they ask me what editorial is or broadsheet binding
is and I frankly do not know… People who use Afghan
media talk about issues that we would not normally
discuss.’
Both Afghan and British media shape Glaswegian Afghans lives
in ways that extend their characteristic values, and styles
that are already in place. A possible lack of influence of
Glasgow on its Afghan community could be attributed to a
stalled transition of their diapora’s characteristic values.
Survey participants have spent a median of 8 years in the UK,
while only 11% have contact or friendship with white Britons,
an substantial number, 50%, of the respondents are only in
contact with other Afghans while 23% have contact with more
than one social group. Figure 12 displays social contacts
among Afghans.
Diasporic Afghans in Glasgow are starting to shape a
community, similar to other ethnic minorities. The community
is created as a result of social interaction, individuals and
groups with home diasporic Afghan socialise are within their
boundaries and those outside the boundaries directly and often
conversely effects diasporic Afghan. Despite most of the
community members come from educated middle class background47 | P a g e
and they choose to live in a liberal society but their
aspirations and world views are traditional and conservative.
These conservative views are formed in the process of
establishing relationship and interaction with other
individuals and groups in Glasgow. Diasporic Afghans’
aspirations are similar to those of other Muslim minorities
and the general Muslim community. Aspirations of a Glaswegian
Afghan with a university degree and middle class experience in
Afghanistan are contrary to their Afghan counterpart. For
instance, the presence of British troops in Afghanistan is one
of the issues of the most concern to the British Muslim
community and in particular Afghan diaspora. The General
consensus among Glasgow community seems to be in favour of
withdrawing British troops from Afghanistan. Afghan Scottish
Society was among the organisers of Scotland against the war
parade in March 2008. This is sharply different than public
opinion in Afghanistan. A survey conducted in 34 provinces of
Afghanistan by The Asia Foundation (TAF) in 2006 discovered
that the majority of Afghans do not want foreign troops to
leave.
Figure 11
48 | P a g e
Glaswegian Afghans are making good use of media technologies:
38 respondents, 81% of the total participants, own more than
one media device and 43% own more than three media devices
Figure 13 illustrates the ownership of media devices.
From the results of this survey, it appears that media can
smoothly infiltrate traditional groups. The use of media
devices and content reception is predefined as well as other
routine domestic activities including the function of viewing
spaces, children viewing and women access and control of
media. Media could also be hindered by tradition and it is use
limited to certain aspects of it is features. There is also a
positive sides media and it is technologies could challenge
conformity and transform culture when it challenges dogma and
fosters free expression.
49 | P a g e
Figure 12
Value Frequency
Percentag
eMORE THAN ONE MEDIA DEVICE 38 81%Television set 37 79%MORE THAN TWO DEVICES 31 66%VHS/DVD/CD player 28 60%Radio 27 57%Satellite 25 53%Broadband 21 45%MORE THAN THREE DEVICES 19 40%Cable 6 13%NO ANSWER WAS PROVIDED 1 2%
Although respondents said they were extensive media users, at
the same time, they are pluralist in the choice of medium,
channel and language. A little over half of the respondents
used media in English or another foreign language. The single
largest group of respondents used 32% between 30 to 39 hours
per week of English programmes. Respondents were quite
pluralistic about the space and people they use media with:
66% used media alone and with either their family or friends,
while 47% of respondents consumed media alone as well as with
both family and friends. Multiple spaces of media, especially
50 | P a g e
television viewing, allows the audience to appropriate
programmes for each viewing space. All three interviewees used
public home spaces, private spaces and family home space to
view television or video in general depending on the type of
programmes. It became apparent in the course of the
interviews that interviewees refrain from watching unknown and
unrated western television programmes with their families due
to the fear that it may contain sexually explicit scenes or
nudity. All three interviewees, similar to some survey
respondents, watched western made films but preferred watching
alone or with male friends. The television programmes and
channels that are watched collectively at home are confirmed
to be free; of nudity; often not trusted by producer or BBFC
recommendation but personal experiences. British and Western
in general, represented in Hollywood movies, standards of
evaluation of nudity and sex do not seem to be trusted by
interviewees. In the case of unexpected nudity or a sexual
scene, the family male controls the remote and he would fast
forward the video or change the television channel.
The questionnaires also showed the lowest consumption form is
watching western programmes with the family: only 19% of
respondents consume western media in family circles. The
difference in usage is perhaps linked with the apprehension
about the perceived effect of media. A general anxiety was
expressed by interviewees about the effect of media, which
seemed limited to western content. The heavy use of Afghan
media is not perceived as ‘dangerous’ as western media and it
51 | P a g e
is negative effect on vulnerable groups i.e. children and
women.
Figure 13
Respondents are also pluralist in consuming media content;
they have access to a wide and diverse number of media genres
from news and current affairs programmes to art and comedy
programmes. Fifty seven percent of respondents consume more
than five genres of programmes.
52 | P a g e
Figure 14: Type of Media Content Consumed
News and current affairs programmes are the most popular: 81%,
- 38 respondents - stated news and current affairs programmes
in Farsi or Pashto among the genre of programmes they used;
while English news and current affairs programmes were
favoured by 47%. Afghan music programmes were second, with 79
% saying they listened to Afghan music. The third most popular
programme was western-produced feature films with 55%. The
least popular genre was western art and literature with 9%.
The globalisation reach of news programmes showed an
interesting dilemma in this survey. Why is it that Afghan
current affairs programmes that are not produced to target
Glaswegian Afghans, but rather primarily for a homeland Afghan53 | P a g e
audience, how these programmes could attracted an unintended
audience from a better resourced British media? Glaswegian
Afghans are connected to Afghan media because of their
interest in the region. Realities, speculation, trivial events
and rumours are covered differently by Afghan media and
British media and the Afghan coverage appeals to Glaswegian
Afghans. It is not only the cultural meaning of news and
current affairs which differs in a culturally sensitive media
viewing but also the meaning of entertainment, music and
education differs too. Interviewee ‘C’ describes why he
follows news and current affairs.
‘I was not very interested to be aware of events under
Taliban; I decided with myself that the war has been
going on for too long and nothing was changing, same
fighting was continuing day in and day out. Things
have changed now, events in Afghanistan are important
for everyone and in a way it is interesting to listen
to news… once you are a regular news listener then it
become a habit; for me it is a habit.’
The language diversity of Afghanistan is not well represented
in Afghan in all five genres of media including international
broadcasters transmitting into Afghanistan. BBC Afghanistan
and the Afghan state broadcaster RTA (Radio Television
Afghanistan) broadcast a few hours – off peak – for minorities
but the services are said to be underresourced. In interviews,
respondents said that language is an important determinant of
audience loyalty. According to C:
54 | P a g e
‘I usually tune to radio stations which are in Dari,
although I understand Pashto. Some radio stations have
mixed Dari and Pashto programmes which I listen to but
I do not go looking for Afghan programmes in Pashto…
it is easy to understand when the station is in Dari;
I do not like stations which are bilingual; it feels
very crowded in the station.’
Minority languages such as Uzbeki, Turkmani and Baluchi are
not mixed in Afghan media in the same way that Farsi and
Pashto are. Minority languages are spoken by a big part of
Afghan population – for example, Uzbeki is the first language
for around three million Afghans - and a large part of
diaspora. Interviewee C quoted an Afghan Uzbek acquaintance in
Glasgow who watches television programmes from Uzbekistan
because he is comfortable with the language.
Conclusion
In the last few years diasporic Afghans have become even more
interested in Afghan media. This research shows extensive use
of Afghan media by diasporic Afghans in Glasgow. Glaswegian
Afghans also maintain vigorous personal contact with their
relatives in Afghanistan. The apparent reasons are their
interest in affairs of their home country and the
technological improvements which make such a connection both
feasible and cost effective. Nevertheless, the analysis
presented in this research points to a direction with complex
relationship between research informants and media use.
Glaswegian Afghans’ consumption is not taking place in a
55 | P a g e
vacuum but effected by their diasporic experiences and
aspirations. The existence of this context underlies the use
of Afghan media and also an important factor when we try to
understand the effect of media and audience consumption
habits.
Media interpretation is also crucial in the discussion of
diasporic interest and engagement with content and the media
itself. Diasporic society is a tight knit for those who opt to
live within it. The interpersonal connection effects the media
message, it is reshaped to make it relevant for diasporic
problems. The meaning of media content for diaspora depends on
their level of education, occupation and contact with other
diasporic Afghans in Glasgow and with family and friends in
Afghanistan.
Media usage patterns were not found to be connected with
diaspora’s social class in Afghanistan. Contrary to the
emphasis on significance of class in former home and diasporic
identity, outlined in the literature review; no particular
link was found between working class, urban middle class and
rural middle class media consumption. Diasporic Afghans with
various backgrounds from PhDs and writers to students and
labourers used media not much different from each other. This
could be partly due to the small number of survey
participants, preventing the research to find patterns to
group participants. It could be argued that the context of
diasporic audiences have an effect on their media use, perhaps
greater than Afghan class background. The heavier use of media
than the British average as well as the extensive use of56 | P a g e
British media by Afghan diaspora reinforces the significance
of media use context and interpretation. The patterns of
British media use vary between respondents depending on their
professional statue, social interaction and free time. The
context of British media consumption relates to the
interpretation which could be made by audience, their
knowledge of English and attitude to Britain and Afghanistan
are important.
Diasporic Afghan background shapes their identity and cultural
practices in Glasgow. Extensive interpersonal communication
with family and friends in Afghanistan and strong connection
with each other inside Glaswegian Afghan community, have
strong influence on diasporic identity and are as a result of
their Afghan background. Glaswegian Afghans’ experiences and
aspirations bear influence from their Afghan background; the
experiences of the survey written above under the ‘Research
Process’ shows the attitude and sociability of Glaswegian
Afghans maintains Afghanness.
Appendix: Questionnaire
WHICH MEDIA ARE USED BY THE AFGHAN COMMUNITY OF
GLASGOW?
This questionnaire aims to gather data for a survey to explore mediause patterns among Glasgow’s Afghan community. My name is Sanjar Qiam and I am a Master’s student at Centre for Cultural Policy Research (CCPR) in the University of Glasgow. This questionnaire is in connection with the requirements of my dissertation and the data gathered may inform future publications. It will take less than 10
57 | P a g e
minutes of your time to fill this out. If you want to share more about your media use, that would contribute greatly to my study. Further contribution will take the form of interviews; in which caseyour contribution can remain anonymous as in this questionnaire. I will happily call you back to arrange a time at your leisure if you leave your contacts with this questionnaire; alternatively I could be reached on (+44) 079 48 25 4642 or [email protected] ; add: 22 Winton Drive D3, Glasgow, G12 0QA. Please write details
Age: Sex: Occupation:
How long have you been living in UK:
1. Indicate top three media outlets you use?
A.……………………………………………………….B………………………………………………………C……………………………………
Please encircle more than one option if appropriate
2. How often do you call family and friends in Afghanistan?
A. Once a week B. Twice a month C. Once a month D. once every
three months
3. Which ethnic group has the largest number of your UK
contacts and friends?
A. White British B. Afghans C. other ethnic minorities
D. Other, ………..
4. How do you socialise in the UK?
A. With Afghans and in Afghan setting B. With White British and
in Afghan Setting
58 | P a g e
C. With Afghans and in British setting D. With White
British and in British Setting
E. Other, please give detail
………………………………………………………………………………………………………………
5. Which of the following media equipment do you have at home?
A. TV set B. VHS/DVD/CD player C. Satellite D. Cable E. Radio
F. Broadband
6. Which Afghan media do you access?
A. TV B. Radio C. Books D.
Newspaper/Magazine E. Online media
Please mark circles as it applies
7. How often do you attend each of the following venues?
Museum Cinema Concert Library Other, ………..
Once a weekOnce a MonthOnce in threemonthsOther, please specify
8. Which of the following media collection do you have at home?
Video Audio Magazine/Newspaper
Books Other, ………..
FarsiPashtoEnglishOther, please specify
59 | P a g e
9. How many hours of media in each of the following languages do you use in a week?
40 Hours or more
Between 30 to 39
Between 20 to 29
Between 10 to 19
Less than 9
Farsi and PashtoEnglishArabicOther, please specify
10. With whom do you use media?
Alone Family FriendsFarsi/Pashto mediaBritish/Non-AfghanmediaComment:
11. Which type of media content do you use?
News/currentaffairs
Documentary
Featurefilm
Comedy
Culture/Art/Literature
Music
Other,…
Farsi/PashtoEnglish/western
Please provide any extra comment that you feel is important:
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