Affordable Art Fair, Battersea Fair Guide 2011

Battersea Park20 – 23 Oct 2011London

Contemporary art under £4,000

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WILL RAMSAY

FAIR FOUNDER

NICKY WHEELER

FAIR DIRECTOR

JESSICA HALL

MARKETING MANAGER

NICOLA O’REILLY

PROGRAMMES AND

PARTNERSHIPS MANAGER

CLEMMIE MARSHALL

PRODUCTION MANAGER

CONNIE CLAYTON

DESIGNER

ALISON CLARKE

ELLEN JARLETT

LUCI NOEL

ROMY WESTWOOD

STACEY FORSHAW

MANAGEMENT TEAM

FOCUS PR

PRESS & PR

WBR COMMUNICATIONS

ADVERTISING

THE AFFORDABLE ART FAIRSADLER’S HOUSE180 LOWER RICHMOND ROADPUTNEY COMMONLONDON SW15 1LYT 020 8246 4848F 020 8246 4841 E [email protected] W AFFORDABLEARTFAIR.CO.UK

SAY HELLO TO THE AAF TEAM

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03 A WORD FROM THE FAIR DIRECTOR

06 AAF TALKS

07 THE NATURE OF ART

08 RECENT GRADUATES

10 THE SECRETS OF BUYING ART

14 LUXE FOR LESS

18 STAND PLAN

20 EXHIBITOR LIST

32 SPONSORS AND PARTNERS

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As you meander through the wide green

expanse of Battersea Park, you may feel

removed from the hustle and bustle of

daily city life, but if the art world can be

said to have a capital, then it is right

here, in London. From record-breaking

auctions to the world’s most respected

art schools, blockbuster museum exhibi-

tions to contemporary art fairs, London

has it all, and in abundance

This city is home to some of the greatest arts in-stitutions in the world. Three of the top fi ve most popular museums globally are here: The British Museum is riding high in second place (behind the Louvre in Paris), with Tate Modern in fourth and theNational Gallery at number fi ve. Whilst this can be partly attributed to the volume of tourists attracted to the capital every year, it also goes to show how culturally engaged we are. According to a report published by the Arts Council, 82% of Londoners have attended at least one art event in the last twelve months.

London is also a driving force in the world’s art markets. This October has seen Frieze hold its ninth international art fair in Regent’s Park, and in 2011 alone Christie’s King Street sold no less than fi ve works for over £10 million each – three Picassos, a Bacon and a Warhol. Such events make this city one of the global centres of the top-end art market: it is to London that the world fl ocks to buy art.

A WORDFROM FAIR DIRECTOR,NICKY WHEELER

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THE EMOTIONAL RESPONSE THAT COMES FROM BUYING ART IS QUITE UNLIKE THE PASSING THRILL OF, SAY, THE LATEST DESIGNER HANDBAG

Away from its headline attractions the London art scene is also thriving like never before. Cork Street in Mayfair continues to warrant its reputation as home to many respected international art dealers, whilst in the east, the Hoxton and Shoreditch art landscape continues to change and grow. Down south, in Peckham, Deptford and New Cross, gal-leries are opening seemingly every week. With the largest commercial gallery in Europe now based in Bermondsey, this part of town is now fi rmly on the art map. It’s not just at the gallery level that London is buzzing; it has been claimed that there are more artists per capita in Hackney Wick than anywhere else in the world.

Here at AAF we showcase the very best of what the capital has to offer – nearly half of the 110 gal-

leries exhibiting at the fair are based in London. These range from the venerably historic, such as Gladwell & Co, which was founded in 1752, to the young and hip, like DegreeArt and CueB, which specialise in work by forward-thinking contemporary artists.

But AAF Battersea is not just about London. At the fair you’ll see a broad mix of galleries from across the UK and far beyond. International highlights in-clude European galleries like Radar Architecture & Art and Galerie Libre Cours, and from further afi eld, Decorazon Gallery and West Two Gallery represent American artists. One of the best things about London is the great blend of international cultures and, by bringing all these diverse infl uenc-es together, we like to think the fair refl ects this.

At AAF we aim to make art buying fun for both the experienced collector and the complete beginner. Collecting art should be something that gives great and lasting pleasure: the feel-ing of falling in love with a work of art should be the same whether you’re spending millions on a Picasso or £50 on an etching by an emerg-ing young artist. Because it is not tied simply to price, the emotional response that comes from

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buying art is quite unlike the passing thrill of, say, the latest designer handbag.

Buying art is about personal reaction – it could be a seascape that reminds you of childhood holi-days, a concept that somehow grabs you, or even simply a magical use of colour. Clinical psycholo-gist Hilary Rubenstein explains how we respond to art in the same way we respond to other people. As she puts it, for art collectors such as herself, “The works become like people and really take their place in an emotional sense.” Whatever the ins and outs of an individual’s

response, art is clearly something which has the power to affect us all: since AAF was founded in 1999, nearly half a million visitors have spent £82 million on art at the UK fairs alone.

Despite our twelve years of success, we strive for new ways to keep the fairs fresh and interesting. That’s one of the reasons why every October we curate and host the Recent Graduates’ Exhibi-tion at the entrance to the fair. It not only offers a great opportunity for a selection of the UK’s best young artists to have their work seen by huge numbers of people, it also gives you, the visitor, the chance to see work by stars of the future, as their ideas continue to push our expectations of what contemporary art can be and do. It’s the level of technical skill these young artists have al-

ready mastered, coupled with a fresh approach and conceptual rigour, which attracts me, and I now own artwork from several of our graduates of recent years.

There were worries the recession would kill off the capital’s thriving art scene and that London would struggle to emerge from the shadow of Hirst, Emin and the rest of the Young British Art-ists. These have proved unfounded: in a city with

so much energy and so many world class arts colleges and universities, culture

will always be at the fore-front of everything London

stands for. As the appetite for affordable contem-porary art grows, so do we! AAF is delighted to be launching a new fair this October a few miles north on leafy Hampstead Heath. We know how reluctant Londoners are to travel across the river, so we thought we’d make it easy for you...

Welcome back to Battersea, and enjoy the fair!

Julia Vogl. £1,000,000 | 1,000 opinions (where would you allocate £ 1,000,000 of public spending?)Steel mechanism, rope, pvc mesh banners, Affordable Art Fair viewers opinions. Dimensions variableRecent Graduates’ Exhibition

Nicky WheelerFair Director

Viewing art is a wonderful experience, but there really is nothing quite like owning some yourself. A great piece of art is something you can continue to fall in love with everyday for the rest of your life. But working out where to begin your own collec-tion can sometimes be daunting. Paintings, prints, photography or sculpture; by an emerging young artist or a household name: the choices are seem-ingly endless.

Although appreciating and collecting art should be about personal taste, a little bit of considered advice from an expert can go a long way. Which is why AAF has enlisted a pair of art experts to help demystify different aspects of the occasion-ally opaque world of contemporary art.

BEATRICE HODGKINBeatrice is the author of ‘Affordable Contempo-rary Art’, an invaluable guide for fi rst-time art col-lectors. She’ll be giving talks on ‘what to look for’ and ‘navigating your tastes’ – knowledge-packed but jargon-free introductions to the joys of collect-ing contemporary art.

Friday and Saturday 2pm, at the marquee entrance

JESSICA HALLJessica is the curator of the Recent Graduates’ Exhibition. She is giving a talk and tour to discuss the hot new talent emerging right now from UK art schools, as well as telling you more about the brilliant young artists she’s hand-selected for this year’s show.

Sunday 2pm, at the marquee entrance

PRINTMAKING Q&ASJoin Melvyn from Artichoke Printmakers for an in-formal Q&A to learn a little about the processes involved in printmaking.

Daily 1pm, at the Printmaking Studio

In addition, The Art Fund are on hand to give you information about recommended galleries to visit and exhibitions to look out for, as well as any other art-related queries you may have. They are also offering an extra special discounted membership for AAF visitors.

All talks operate on a fi rst come, fi rst served basis and will last for approximately 30 minutes. The talks are all informal and you will be able to ask the speaker any questions you may have at the end.

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Each Affordable Art Fair sees a whole range of free, fun and informative events and activities, and the theme for this autumn’s fair is The Nature of Art.

THE EDUCATION SPACEThe Education Space is open throughout the fair so feel free to drop in at any time to take part in the drawing activities. We’re also hosting a series of artist-led workshops.

Friday:Stylised illustration of birds with Anna Hymas Saturday:Animation using a zoetrope with Freya PocklingtonSunday:Create your own clay tile with Ros Davis

Artist-led workshops at the Education SpaceFriday – Sunday 3pm Open access at all other times

Please note: children must be accompanied by a responsible adult at all times and cannot be left unsupervised in the Education Space.

KIDS’ ACTIVITY PACKSBased around the theme of Nature, these packs are fi lled with a range of arty activities to help chil-dren from 4 to 11 discover art in fun new ways.

PRINTMAKINGArtichoke Printmakers host daily workshops explor-ing the technique of drypoint printing. Create your own work of art to take away with you.

Workshops at the Printmaking StudioThursday – Saturday 12pm, 2pm & 4pmSunday 12pm & 2pm

SCULPTUREKaleidoscope is running special workshops to give a unique insight into the workings of a pro-fessional sculptor’s studio. A range of techniques will be showcased, including clay modelling, wax modelling and the whole casting process.

Hands-on modelling with clay workshops at the Sculpture StudioDaily 1.30pm & 3.30pm

All workshops are free of charge and operate on a fi rst come, fi rst served basis. Children must be super-vised by a responsible adult at all times and cannot be left at any of the workshop spaces.

The exhibition is not only an amazing opportunity for visitors to view (and invest in) work by the future stars of contemporary art; it also provides a mas-sive boost to the young artists involved. As Jessica puts it, “The transition between the protective and experimental environment of an art school and the wider art world can be a tricky place to be.” By providing a platform for these art-ists to show work to thousands of people, AAF is lending a much-needed helping hand. Past exhibitors who have gone on to great things include Pulse Prize-winner Philip Gurrrey, Jerwood Photography Award-winner Martina Lindqvist, and conceptual artist Tim Phillips, whose work has recently starred in a group show at hot new Mayfair gallery Sumarria Lunn. The sky’s the limit for this year’s crop of recent graduates. You saw them here fi rst.

RECENT GRADUATES’EXHIBITION

One of the most hotly anticipated aspects of the October edition of AAF is always the Recent Graduates’ Exhibition. With work by the brightest young talent from across the UK exhibited at the entrance to the fair, this is a unique opportunity to see the innovative new directions that contempo-rary art is taking. Curator Jessica Hall travelled the length and breadth of the UK to seek out the very best of this country’s emerging talent, before bringing their works together here in London. This year sees work by artists who have graduated from univer-sities as far apart as Glasgow, Northumbria and Brighton, as well as from the many brilliant art col-leges here in London, which do so much to keep this city’s art scene so vibrant. This October the exhibition is particularly strong, with stand-outs including Julia Vogl, who’s just completed her MFA at the Slade. Her work fuses political engagement with wit and interaction, and has already seen her championed by art crit-ic Jonathan Jones in the Guardian and included in an important group show at the Zabludowicz Collection in North London, as well as the Saatchi Gallery and Channel 4 New Sensations exhibi-tion. Her work ‘1000 opinions’ asks us what we would do with £1 million of public money. Take a moment out and have your say. Other highlights include beautiful yet macabre sculptures made out of animal bones by Laura Dray (Glasgow BA); darkly beguiling paintings by Vasilis Avramidis (MA Central St Martins); and strange little architectural dioramas by Tori Drost (MFA Glasgow).

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1 Daisy Millner, BA, Glasgow School of Art

2 Vasilis Avramidis, MA, Central Saint Martins

3 Ed Hannan, BA, University of Westminster

4 Emily Spicer, PG Dip, Byam Shaw School of Art

5 Laura Dray, BA, Glasgow School of Art

6 June Morrison, MFA, Edinburgh College of Art

7 Elisha Enfi eld, BA, University of Brighton

8 Robert Powell, MFA, Edinburgh College of Art

9 Haruka Ono, MFA, Slade School of Fine Art

10 Lucy Boyle, PG Dip, Chelsea College of Art

11 Jane Emberson, BA, Winchester School of Art

12 Jane Hayes Greenwood, BA, City & Guilds of

London Art School

13 Julia Vogl, MFA, Slade School of Fine Art

14 Jill Bourner, BA, Northbrook College

15 Katrine Roberts, BA, City & Guilds of London

Art School

16 Ian Stoney, BA, Winchester School of Art

17 Penelope Kenny, BA, University of Brighton

18 Lisa Murrell, BA, Northumbria University

19 Darius Lambert, BA, Wimbledon College of Art

20 Sarah Louise Hall, BA, Camberwell College

of Art

21 Jwan Yosef, MA, Central Sain Martins

22 Tobias Zehntner, BA, Goldsmiths College

23 Tori Drost, MFA, Glasgow School of Art

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A work of art can be the most exciting and reward-ing purchase you’ll ever make. But sometimes getting started can feel confusing and overwhelm-ing. To make that fi rst step a little easier, Beatrix Hodgkin, author of Affordable Contemporary Art, a guide to buying and collecting, shares a few in-sider secrets which will help build your confi dence, encourage you to rise to new challenges and en-sure you get even more enjoyment out of the art you choose to buy

BUY ART YOU LOVEEveryone always says it, and that’s because it’s the most straightforward, sincere and simple rule when buying art – go with your heart.

DON’T JUST BUY FOR FINANCIAL INVESTMENTSee above point! If you buy for emotional invest-ment you’ll always reap rewarding returns. If the piece proves unsuccessful as a fi nancial invest-ment, you will still be left with a lifetime of enjoy-ment from a piece of art that you love.

TRUST YOUR TASTETake on board your friends’ and loved ones’ opin-ions, and the gallerist’s advice and information – but remember, the real question is what do you think? It’s your decision.

TAKE YOUR TIMEDon’t rush into purchases; take the time to give the art your full attention and think about why you like it and whether it’s right for you.

THE SECRETS OF BUYING CONTEMPORARY ART

Atsuko Fujii. Strawberries & Three Glasses Acrylic on canvas. 45 x 70 cm. £2,000. Quantum

THERE IS SOMETHING FOR EVERY BUDGETLook into the Own Art scheme. Via participating galleries, this scheme allows you to take home art that costs anything up to the value of £2,000, with the interest-free loan repayable over ten months.

Find out about alternative work. You can always ask gallerists about similar works selling at a lower price (and which might not be on display) – these might be smaller works, sketches or studies. Alter-natively, ask if they know of work by another artist who has a similar style, but a lower price tag.

ASK QUESTIONSGet chatting to art dealers. Discover as much as you can about the artists whose displayed work you like. Ask where they are from, how long they have been practising, where they studied, how the gallerist came across them, where they’ve had shows, who they’ve had shows with, whether they’ve won any prizes. This will help give the art-ist context and paint a picture (excuse the pun!) of their standing in the art world and what their infl u-

ences and interests are. Ask about the work too; there might be a great story about how the piece was made, or the inspiration behind it.

SIGN UP TO GALLERY MAILING LISTSIf you particularly like a gallery’s stand at the fair, sign up to their mailing list – you’ll be kept in the loop about their upcoming exhibitions, invited to private views and kept abreast of exciting new works.

BE BRAVEDon’t always go for the obvious. A piece that catches the eye may prove one which loses its lustre with a similar speed. Like that minor track on a CD which you didn’t really pay much atten-tion to at fi rst, but after years of listening becomes your favourite, sometimes art that is initially over-looked proves to hold a quiet charm that takes time to be noticed, and which grows on you. This might be the piece you looked at last, or the one you initially rejected.

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Make time to look at ‘trickier’ pieces. Pieces that provoke rather than stroke the senses, which per-haps challenge, puzzle, intrigue or unsettle may just turn out to be ones that are more rewarding to live with in the long run.

Don’t be afraid of making mistakes. If any hap-pen, hopefully you’ll learn something and that’ll lead you in an exciting new direction!

BROADEN YOUR HORIZONSAside from work by more established artists, make time to look at:

Artist editions, original prints and multiplesMany people overlook prints, but producing them can be just as complex, creative and energetic as a one-off piece; they are a recognised creative method (museums often have many prints), and they can increase in value just as with a unique piece. Being mostly priced lower than one-of-a-kind works, prints are also a great way to buy work by unfamiliar artists or buy more accessibly priced work by established artists.

To order a copy of

“Affordable Contemporary

Art” at the pre-publication

price of £15.00 (instead of

19.95), including p&p within

the UK, please call Sue Slee

on 01394 389 977 or e-mail:

sales@antique–acc.com

and quote “Affordable Art”.

Original work by emerging artistsBuying work by recent art school graduates and promising artists at the start of their career is a fan-tastic way of supporting talent at a crucial stage. It may feel like a riskier investment because you haven’t heard their name before, but you never know – you might just be buying the work of the next Damien Hirst! Look for someone whose work has a strong style that you love. The graduate sec-tion at the Affordable Art Fair is a brilliant place to start.

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The National Art Pass.

50% off admission to major exhibitions.

Visit artfund.org

PLEASE SHOW YOUR CARD FOR FREE ENTRY TO GALLERIES AND MUSEUMS OR REDUCED PRICE ADMISSION TO MAJOR EXHIBITIONS. REG. CHARITY NO.209174

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Ever dreamt of owning art by Emin, Hirst or Laing but think you’ll never be able to afford it? Thanks to the Affordable Art Fair everyone can now grab a slice of the high life

It’s a common misconception that collecting art by household names will be prohibitively expen-sive. After all, it’s the works that sell for millions of pounds at auction that make the headlines.

But in fact, many artists with international reputa-tions produce works that are surprisingly afford-able, as well as their better known pieces that are destined for museums or large private collections.

Marc Quinn is probably best known for his famous self portrait made from nine pints of his own blood, which requires a very dedicat-ed collector to keep it safe and on display! Far less challenging to live with is this gorgeous Marc Quinn print; ‘Lavinia Plantia’ (£2,400) is available at Manifold Editions, which specia-lise in prints by established artists.

LUXE FORLESS

BIG NAMES AT SMALL PRICES AT THE AFFORDABLE ART FAIR

Marc Quinn. Lavinia Plantia. Pigment print. Edition of 59. 70 x 104 cm. £2,400. Manifold Editions

Artizan Editions also works with a number of well-known artists, and is bringing the work of Pop artist Gerald Laing, who rose to fame with an iconic Pop art image of Brigitte Bardot, and whose series of Amy Winehouse images show he is just as in touch with popular culture nearly 50 years later.

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At John Iddon Fine Art you will fi nd this intrigu-ing etching from David Hockney’s sought-after Grimm’s Fairy Tales series, and as it’s edition num-ber 1 of 100, it’s particularly collectible.

You might recall an exhibition at the Hayward gal-lery in which artist Yayoi Kusama’s extraordinary installation ‘Dots Obsession’, a large mirrored space fi lled with red balloons with white spots was a hit with visitors of all ages. Whilst it might be implausible to set aside your spare room for an installation, this delightful screenprint from Olyvia Fine Art is not only affordable, it still leaves room for furniture! In this age of considered consumption, affordable isn’t about cheap, it’s about being able to have, as part of your daily landscape, something you can

cherish for many years to come. An artwork by a well known artist can, without a doubt, bring long lasting pleasure, and it may, just may, be a fi nan-cial investment too.

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Yayoi Kusama. Untitled. Lithograph. Edition of 60 70 x 59 cm. £2,950. Olyvia Fine Art

The Art of Wine is brought to you by Laithwaites Wine, proud sponsor of The Affordable Art Fair

Wine lists are available at The Laithwaites Wine Bar and our team would be delighted to help you choose or tell

you more about any of our wines.

If you would like to learn more about our range or purchase any of the wines you’ve tried, simply please call 0118 903 0410,

email [email protected] or visit our website at www.laithwaites.co.uk

We hope you enjoy our wines as much as we do.

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SculptureStudio

STAND PLAN

4ImpressionsAlicia David Contemporary ArtARLEVARTArt ★Art Exposure GalleryArt FundArt Gallery 826The Art MovementArtichokeArtists in ResidenceArtizan EditionsArtsHouseAvery Contemporary ArtAxolotl GalleryBadcocks GalleryThe BadJupiter ProjectBarbedBell Fine ArtBeside The WaveBicha Gallerybip-Art

L6E11E1J8G1A0I11D10A9A3J3C8K5I4H12J2A10B9H5E10B1

Bleach BoxBlunden OrientalBridgegate GalleryByard ArtCobalt Fine ArtsColumbia Road GalleryCOMODAA GalleryContempop Expressions GalleryContemporary Figurative ArtContemporary Fine Art Gallery, EtonCornwall ContemporaryCrane Kalman BrightonCube GallerycueB GalleryCurwen & New Academy GalleryDecorazon GalleryDegreeArt.comDominic GuerriniDunbar MillaisEdgar ModernEduardo Alessandro Studios

K8A2B6H14I8K4L11C4C3L1L9G2E9H3J6D5G12L4A4D9C12

El Arte de lo ImposibleEnid Lawson GalleryFairfax GalleriesFine Art ConsultancyThe Fine Art PartnershipFine Grime GalleryfourfourGagliardi GalleryGalerie Du FleuveGalerie Envie d’ArtGalerie Libre CoursGladwell & CompanyGreenwich PrintmakersHabascoHalfmoon StudioHanga Ten Hayloft ContemporaryHollywood Road GalleryHoulding and HouldingIngo Fincke GalleryIsland Fine Arts

J11L5A14F9H8L7C1C14F8F11C5F1B5F2E4H11B2L8D3C10E6

Prin

tmak

ing

Stu

dio

RecentGraduates’Exhibition

Jack Fine ArtJames Kinmont Fine ArtJealous GalleryJennifer Guerrini MaraldiJohn Noott GalleriesKaleidoscope ArtsKaren Taylor C A GKendalls Fine ArtLaithwaites WineLena Boyle Fine ArtLiberty GalleryLighthouse GalleryLinda BlackstoneManifold EditionsMarine House at BeerMid Cornwall GalleriesNew British ArtistsNicholas BowlbyNorthcote GalleryOc-Eo GalleryOlyvia Fine Art

A12L12J4D11I6H1K1B4B0K9A6J9J10F6A7L2J12L13I7K2D4

OMNIUM ARSPaintbox Fine ArtPanter & HallPieroni Contemporary ArtPrint EuropeProyecto Arte GaleriaQuantum Contemporary ArtRadar Architecture & ArtRebecca Hossack Art GalleryRed GalleryRichard Goodall GalleryThe Russell GallerySarah Wiseman GalleryScottish Art PortfolioSheridan Russell GallerySkylark GalleriesSmithson GalleryThe Strathearn GalleryTAG Fine ArtsTallantyre GalleryTripod

G4K7E12B8E3K11H15H7G14K6I10D12I12J1A5F4D7I14H10A1F3

Turner Barnes GalleryTurning Tides Contemporary ArtVernissageVilla del ArteWest Two GalleryWill’s Art WarehouseYvonneartecontemporanea

D1J7G11D6L10E7/L14C6

4Impressions – L6

Oxfordshire

fourimpressions.com

01865 516556

Art ★ – J8

art8star.co.uk

07976 294 985

The Art Movement – D10

London

art-movement.com

07973 692 494

Arlevart – E1

Paris, France

arlevart.com

+ 33 1 43 26 23 72

Art Gallery 826 – I11

Knokke-Zoute, Belgium

artgallery826.com

+ 32 475 74 26 45

Artists in Residence – A3

London

artistsinresidence.info

020 7232 1916

Alicia David Contemporary Art – E11

London

aliciadavid.com

07920 102 284

Art Exposure Gallery – G1

Glasgow

artexposuregallery.co.uk

0141 552 7779

Artichoke – A9

London

artichokeprintmaking.com

020 7924 0600

Artizan Editions – J3

Sussex

artizaneditions.co.uk

01273 773959

Axolotl Gallery – I4

Edinburgh

axolotl.co.uk

0131 557 1460

Barbed – A10

London

barbedltd.co.uk

020 8878 1994

Avery Contemporary Art – K5

Kent

a-c-a.biz

07798 601 427

The BadJupiter Project – J2

London | New York, USA

badjupiter.com

07768 400 430

Beside The Wave – H5

Cornwall

beside-the-wave.co.uk

01326 211132

ArtsHouse – C8

London

artshouse.co.uk

07779 590 921

Badcocks Gallery – H12

Cornwall

badcocksgallery.co.uk

01736 731034

Bell Fine Art – B9

Hampshire

bellfi neart.co.uk

01962 860439

Bicha Gallery – E10

London

bicha.co.uk

07721 400 048

Blunden Oriental – A2

London

020 7622 9049

Cobalt Fine Arts – I8

London

cobaltfi nearts.co.uk

07712 002 178

Bleach Box – K8

Cambridge

bleachbox.co.uk

01223 513721

Byard Art – H14

Cambridge

byardart.co.uk

01223 464646

COMODAA Gallery – L11

Ringwood

comodaa.com

07900 616 303

bip-Art – B1

Brighton

bip-art.co.uk

01273 603109

Bridgegate Gallery – B6

Holt

bridgegategallery.co.uk

01829 270101

Columbia Road Gallery – K4

London

columbiaroadgallery.com

07812 196 257

Contempop Expressions Gallery – C4

Tel Aviv, Israel

contempop.com

+972 3 522 8424

Cornwall Contemporary – L9

Cornwall

cornwallcontemporary.com

01736 874749

cueB Gallery – H3

London

cuebgallery.com

07956 412 910

The Contemporary Fine Art Gallery,

Eton – L1

Berkshire

cfag.co.uk

07831 822 641

Cube Gallery – E9

London

cube-gallery.co.uk

020 7935 2600

Decorazon Gallery – D5

New York City | Texas, USA

decorazongallery.com

07538 271 220

Contemporary Figurative Art – C3

London

confi gart.org

020 7602 3654

Crane Kalman Brighton – G2

Brighton

cranekalmanbrighton.com

01273 697096

Curwen & New Academy Gallery – J6

London

curwengallery.com

020 7323 4700

DegreeArt.com – G12

London

degreeart.com

020 8980 0395

Edgar Modern – D9

Bath

edgarmodern.com

07940 597 757

Enid Lawson Gallery – L5

London

enidlawsongallery.co.uk

020 7935 3033

Dunbar Millais – A4

Surrey

fi onamillais.com

01252 793770

El Arte de lo Imposible – J11

Asturias, Spain

elartedeloimposible.com

+ 34 985 17 07 57

Fine Art Consultancy – F9

London

fi neartconsultancy.com

020 7431 9965

Dominic Guerrini – L4

London

dominicguerrini.co.uk

020 7565 2333

Eduardo Alessandro Studios – C12

Dundee

eastudios.com

01382 737011

Fairfax Galleries – A14

Kent

fairfaxgallery.com

01892 525525

The Fine Art Partnership – H8

London

thefi neartpartnership.co.uk

020 7993 3010

Gagliardi Gallery – C14

London

gagliardi.org

020 7352 3663

Galerie Libre Cours – C5

Brussel, Belgium

galerielibrecours.eu

+ 32 473 590 285

fourfour – C1

London

fourfourartists.co.uk

07900 494 933

Galerie Envie d’Art – F11

London

enviedart.com

020 7589 8200

Greenwich Printmakers – B5

London

greenwich-printmakers.co.uk

020 8858 1569

Fine Grime Gallery – L7

Bath

fi negrime.co.uk

01225 443080

Galerie Du Fleuve – F8

Paris, France

galerieroysfeir.com

+ 33 1 43 26 08 96

Gladwell & Company – F1

London

gladwells.com

020 7248 3824

Habasco – F2

Kingston

habascogallery.com

07590 059 149

Hayloft Contemporary – B2

Derbyshire

thehayloftgallery.co.uk

07807 220 995

Ingo Fincke Gallery – C10

London

ingofi ncke.com

020 7228 7966

Hanga Ten – H11

London

hangaten.com

07788 458 201

Houlding and Houlding – D3

Cornwall

houldingandhoulding.co.uk

01726 833181

Jack Fine Art – A12

Kent

jackfi neart.com

020 8658 2467

Halfmoon Studio – E4

London

halfmoonprintmakers.com

020 8670 7313.

Hollywood Road Gallery – L8

London

holllywoodroadgallery.com

07801 624 789

Island Fine Arts – E6

Isle of Wight

islandfi nearts.com

01983 875133

James Kinmont Fine Art – L12

London

kinmont.co.uk

020 3490 0131

John Noott Galleries – I6

Worcestershire

john-noott.com

01386 858969

Kendalls Fine Art – B4

Isle of Wight

kendallsfi neart.co.uk

01983 281414

Jennifer Guerrini Maraldi – D11

London

jgmart.co.uk

07860 325 326

Karen Taylor C A G – K1

Genoa, Italy

karentaylorgallery.com

07764 946 634

Liberty Gallery – A6

liberty-gallery.com

07881 830 709

Jealous Gallery – J4

London

jealousgallery.com

020 8347 7688

Kaleidoscope Arts – H1

London

kaleidoscope-arts.co.uk

020 8879 0250

Lena Boyle Fine Art – K9

London

lenaboyle.com

020 7259 2700

2828

Lighthouse Gallery – J9

Cornwall

lighthouse-gallery.com

01736 350555

Marine House at Beer – A7

Devon

marinehouseatbeer.co.uk

01297 625257

Nicholas Bowlby – L13

Sussex

nicholasbowlby.co.uk

01892 667809

Manifold Editions – F6

London

manifoldeditions.com

020 7370 1200

New British Artists – J12

Bedford

newbritishartists.co.uk

01234 309090

Oc-Eo Gallery – K2

Wiltshire

oc-eo.com

01373 832 939

Linda Blackstone – E4

Hertfordshire

lindablackstone.com

07860 543 535

Mid Cornwall Galleries – L2

Cornwall

midcornwallgalleries.co.uk

01726 812131

Northcote Gallery – I7

London

northcotegallery.com

020 7351 0830

Olyvia Fine Art – D4

London

olyviafi neart.com

07590 515 819

Panter & Hall – E12

London

panterandhall.com

020 7399 9999

Proyecto Arte Galeria – K11

Madrid, Spain

proyectoarte.es

+34 91 389 60 73

Paintbox Fine Art – K7

Canberra, Australia

paintboxfi neart.com

+61 2 6162 1717

Print Europe – E3

London

connectworks.co.uk/printeurope

020 8876 9556

Radar Architecture & Art – H7

Amsterdam, The Netherlands

radar-amsterdam.com

+ 31 6 291 63 300

Omnium Ars – G4

Platja d’Aro, Spain

omniumars.com

+ 34 972 818 611

Pieroni Contemporary Art – B8

Richmond

pieronicontemporaryart.com

07973 306 804

Quantum Contemporary Art – H15

London

quantumart.co.uk

020 7498 6868

Rebecca Hossack Art Gallery – G14

London

r-h-g.co.uk

020 7436 4899

The Russell Gallery – D12

London

russell-gallery.com

020 8780 5228

Sheridan Russell Gallery – A5

London

sheridanrussellgallery.com

020 8953 0908

Richard Goodall Gallery – I10

Manchester

richardgoodallgallery.com

0161 834 3330

Scottish Art Portfolio – J1

Renfrewshire

scottishartportfolio.co.uk

01505 612077

Smithson Gallery – D7

smithsongallery.co.uk

07779 656 083

Red Gallery – K6

Buckinghamshire

redgallery.co.uk

01494 465470

Sarah Wiseman Gallery – I12

Oxfordshire

wisegal.com

01865 515123

Skylark Galleries – F4

London

skylarkgalleries.com

020 7401 9666

The Strathearn Gallery – I14

Perthshire

strathearn-gallery.com

01764 656 100

Tripod – F3

London

tripodartists.co.uk

020 8340 0454

Vernissage – G11

London

vernissage.co.uk

020 8874 0266

Tallantyre Gallery – A1

Northumberland

tallantyre-gallery.co.uk

01670 517214

Turning Tides Contemporary Art – J7

Ceredigion

turningtides.eu

01239 654078

West Two Gallery – L10

London

westtwogallery.com

0790 026 1440

TAG Fine Arts – H10

London

tagfi nearts.com

020 7688 8446

Turner Barnes Gallery – D1

Essex

turnerbarnesgallery.com

01245 493100

Villa del Arte – D6

Barcelona, Spain

villadelarte.com

+34 932 68 06 73

Will’s Art Warehouse – E7 / L14

London

wills-art.com

020 8246 4840

Yvonneartecontemporanea – C6

Vicenza, Italy

yvonneartecontemporanea.com

+39 339 1986674

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