/ UNIVERSITY OF JAMMU It is hereby notified for: the informoiion of oll concerned thot ihe Vice- Choncellor, in onticipotion to ihe opprovol of ihe Acodemic Council, is pleosed to outhorize the odopiion of the revised Syllobi iasubject Music of Mosiers Degree progromme lsi to lVth Semesters for the exominotion to be held in the yeor os under olongwith %oge of chonge:- Adoplion of revised svllqbi of M.A. I to lV semesler M.A. lst Semester for lhe exqminolion to be held in ihe yeo(s) Dec. 2010,2011, 2012 Course No. Title Applied Theory-l History of lndion Music-l Stoge Performonce-l ProcticolTest-l Tooqe of chonqe Chonge is less thon l0% No chonge Chonge is less thon l0% Chonge is less thon l0% Toooe of chonoe Chonge is less thqn 10% Chonge is less thon l0% Chonge is less lhon l07o Chonge is less thon l0% 400 40r 402 403 M.A. llnd Course No. 450 451 452 453 Semester for the exominotion lo be held in the yeor(s) Moy 201 1,2012 & 2013 Iitle Tooqe ol cho'noe Applied Theory-ll Chonge is less thon l0% History of lndion Music-ll No chonge Stoge Performonce'll Chonge is less thon l0% ProcticolTest-ll Chonge is less thon l0% M.A. lllrd Semesfer for the exominolion to be held in the yeo(s) Dec. 20]0,2011'2012 M.A. lvth Semester for ihe exqminotion lo be held in the yeo(s) Moy 201 'l , 2012 & 2013 Course No. Title 500 501 502 503 Course Nq 550 551 552 503 Applied Theory-lll History of lndion Music-lll Stoge Performonce-lll Procticql Test-lll Title %oqe qf chonqe Aesfhetics Chonge is less lhon '10% Music from Vedic Period to Preseni Chonge is less thon l0% Times ond Regionol Folk Music Stoge Performonce Chonge is less thon 10% ProcticolTesl Chonge is less thqn 10% (1O/June/ ADP/21) Conld.
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/
UNIVERSITY OF JAMMU
It is hereby notified for: the informoiion of oll concerned thot ihe Vice-
Choncellor, in onticipotion to ihe opprovol of ihe Acodemic Council, is pleosed to
outhorize the odopiion of the revised Syllobi iasubject Music of Mosiers Degree
progromme lsi to lVth Semesters for the exominotion to be held in the yeor os under
olongwith %oge of chonge:-
Adoplion of revised svllqbi of M.A. I to lV semeslerM.A. lst Semester for lhe exqminolion to be held in ihe yeo(s) Dec. 2010,2011, 2012
Course No. Title
Applied Theory-lHistory of lndion Music-lStoge Performonce-lProcticolTest-l
Tooqe of chonqe
Chonge is less thon l0%No chongeChonge is less thon l0%Chonge is less thon l0%
Toooe of chonoe
Chonge is less thqn 10%Chonge is less thon l0%Chonge is less lhon l07oChonge is less thon l0%
40040r402403
M.A. llnd
Course No.
450451
452453
Semester for the exominotion lo be held in the yeor(s) Moy 201 1,2012 & 2013
Iitle Tooqe ol cho'noe
Applied Theory-ll Chonge is less thon l0%History of lndion Music-ll No chongeStoge Performonce'll Chonge is less thon l0%ProcticolTest-ll Chonge is less thon l0%
M.A. lllrd Semesfer for the exominolion to be held in the yeo(s) Dec. 20]0,2011'2012
M.A. lvth Semester for ihe exqminotion lo be held in the yeo(s) Moy 201 'l , 2012 & 2013
Course No. Title
500501502503
Course Nq
550551
552503
Applied Theory-lllHistory of lndion Music-lllStoge Performonce-lllProcticql Test-lll
Title %oqe qf chonqe
Aesfhetics Chonge is less lhon '10%
Music from Vedic Period to Preseni Chonge is less thon l0%Times ond Regionol Folk MusicStoge Performonce Chonge is less thon 10%
ProcticolTesl Chonge is less thqn 10%
(1O/June/ ADP/21)
Conld.
The olternotive question popers ore required io be se- :s oer theregulotion given os under:-
University
i). lf ihe chonge in the Syllobi ond Courses of Study is less thon 25%, no olternotilQuesiion poper will be sel.
ii). if the chonge is 25% ond obove bul below 50% otternstive Qurestion Poper be set forone yeor.
iii)' lf the chonge is 50% ond obove on whole sctherne is chonqed ofternstive euestionPoper ore set for two yeors.
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MASTER DEGREE PROGRAMME IN MUSIC
SCH EM E:
The following courses of study ,r. pr"r.ribed for the 1-s and 2nd Semesters of Master Oegiee
Programme in Music:-
FIRST SEMESTER:
COURSE NO.
400
401
402
1{}3
AJI mrrus amc c@mrydsqry
srcmfrrqE;Egb
450
451
452
453
All courses are compulsory
DISTRIBUTION OF MARKS
THEORY
4- Credit Course
STAG E PERFORMANCE/PRACTICALS
Applied Theory -l 4
History of lndian Music - I
Stage Performance - I (Practicals)
Practical Test - |
lp$dils't -r
History of lndian Music - ll
Stage Performance -ll (Practicals)
Practical Test - ll
SEMESTER EXAMIf{ATION
80 marks
CREDITS
4
4
4
4
I
4
4
4
SESSIONAL ASSESSMENT
20 marks
TITLE
l:,,r1ai1,
4-Credit Course 50 marks 50 marks
9**
tr
SESSIONAL ASSESSMENT
ZA % of marks in each theory paper and 50 % in practical paper shall be reserved for sessional
assessment. ln case of regular students,internal assessment received from the colleges will be
added to the marks obtained by them in the university examination and in case of Frirnte
candidates marks obtained by them in the University emmination shall be increased
p ro portio n ately i n accorda n ce with th e U n iversity Statutes/Regu lati ons-
L ,y-
FIRST SEMESTER
Course No
Credit : 4
Duration of Examination
Course No:400 Title: Applied Theory-l
Credit :4 Maximum Marks :100
Duration of Examination r Z%hrl a)Semester Examination : 80
b)Sessional Assessment : 20
Syllabus for the examinations to be held in December Z.OLO,}OL1- &z0tz
SYTLABUS
UNIT-I
1.1: Detailed description of notations (vilambit and drut khayal)or {maseet khani,raza khani gat)
of ragas {i)Yaman(ii)Ahir Bhairav(iii)Darbari Kandra{iv)Adana(v)Des (vi)Mian Malhar with alaaps
and tans or-'tdas in different layakaries.
.2: ErlU[a s'hi.rcf-{ otr ragro as descrilihec ab@u,e
l-3: Cornpansim and ontrast d fifFerent tdc ,nrrilig &Em h ffinem b1eiel(B-[aal,Char Taal, Dhamar,Deepchandi)
UNIT II
ll.1: Detailed study of Gharanas of Vocal music.
ll.2: Historical development of following ragas: Bhairav,Kandra and Malhar.
ll.3: Principles of compositiorfrrind vadan and vrind gaan.
UNIT III
lll.1: Biographical sketch of the following musicians:
lll'2:Rag Vargikaran from ancient to modern times (according to ancient,medieval & scholi'i! ofmodern times).
lll.3:study of Nibadh & Anibadh
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NOTE FOR PAPER SETTING
The question paper will contain two questions from unit jand three questions eadl frorn unit-ll and Unit-lll.Total number of questions to be set in the question paper will be F€htThecandidat€ will be required to attempt four questions selecting adeast one questiqn fu-orn each
unit"All questions shall carry equal marks.
B(X)I(S RECOM}IEI*D€D
{1) Rise of il{usic in Anciemt Wmfld hV Ctrt Sachs
{2) l-listory of Mrlsicail lnstrurnemts hy Crrrt Sadrs
{3) Flistorical Derc{oprnerut of Indlan Musna by kajnamard Sffiamd
t4) Bhartifa Sar€eet l(a tthas W SS.PranFpe
{5} Bhartifa Sargeet Ka fthas bV UrneshJoshi
(61 Natya Shastna bV Bharat
t7) Bhrit Deshi by Matang
{8} Sangeet Ratanakar bySharang Dev
(9) Bhartiya Sangeet Vadaya by Lal Mani Mishra
(10) Short Historical Survey of Music by V.N.Bhatkhandey
(11)Sangeet Chintaman by Acharya Brihaspati
(12)Sangeet Shastra Praveen by J.N.Pathak
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FIRST SEMESTER
Course No :402
Credit : 4
Duration of Examination :
Minutes for each student.
Title : Stage Performance -l
Maximum Marks :100
a) Semester Examination : 50
b) Sessional Assessment : 50
30 to 45
Syllabus for the examinations to be held in December 201:O,20LL &2OL2
SYLTABUS
1. Demonstration of a raga selected from prescribed syllabus along with Alaap jod '
Maseet Khani,Raza Khani gat with todas and jhalas for instrumentalists .
Alaap Bada Khayal,ChotaKhayal with proper gayaki,Tarana for vocalist.
----Marks 35
2Ability to sing one DFrrupad or Dhamar for vocalislOne dhun for instrumentalis.
nilarks-15
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FIRST SEMESTER
Course No : zl03
Credit : 4
Trtle : PrasticalTest -l
Duration of Examination : 3O to 45
Minutes for each student-
Maximlun'n lk{anks :1@
alSernester Emrnrlrmation : 50
b) Sessfronall Assesslrrent ; 5fl
Syllabts forr tl're exanmfrmations to be held in Decernben 2010,201f &2012
stLlAEl,Js
1" Tr.rning of lntrumenrt.
2. Following ragas are prescribed for practical paper
From above ragas any 4 ragas be selected for detailed study out of which 3 Slow Khayal orMaseet Khani Gat and all the six for Drut Khayal or Raza Khani Gat.
Demonstration of following talas playing on hand with different layakaries:(i)Ek Tal (ii)Char Tal (iiilsul Tal (iv)Dhamar {v)Deep Chandi (vi)Jhumara
(vii)PunjabiTal
Comparative studies of the ragas.
Practical file
3.
4.
5.
\#9/
sEcohtD SEMESTER
Course No :450 Title : Applied Theory -ll
Duration of Examination: 2%hrs.
Maximum Marks :100
alSemester Examination : 80
b) SessionalAssessment : 20
Syllabus for the examinations to be held in May 20L1,2012 &2013
SYTLABUS
UNIT-I
t.1: Detailed descriptiqn of notations lVilambit and Drut Khayal] or [Maseet
Khani,Raza Khanil of the Ragas(i)Maru Bihag{ii}Desi(iii)Gour Malhar(iv)Todi {v)
tvluhani( vilBageshwri with alaaps and tans or todas in different layakaries.
fl-2:cnrfrtir=il stttdv d ragps desoriibed ahotre'
1.3:Comparison and Contrast of differenttalaswritirgttern in ditrerent k4fakari6
(ilJhaptal(iilRupak {iii)Ga1'jhampa iv}Jhumara v}Punjabi Tal
UNIT-II
ll.1:Study.of Gharanas in lnstrumental Music (Sitar)
ll.2:Classification of lndian lnstruments and detailed study of the following instruments
(a) Sitar (b)Vichitra Veena (c) Sarod
ll.3:Knowledge of musical terms with examples:
Mee nd, ka na,ghaseet, mu rki,functions of jawari,
Zamzama,al a n ka r,va geya ka r
uNlT-1il
lll.1:Biographical sketch of the following musicians
(dlUstad Mushtaq Ali Khan {e)Dr"l-al Mani Mishna (f)Pandit Ravi Shanker {g}Girja Devi
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lll.2:Detailed study of Voice Culture"
lll.3:Define concept of Drone,Principle of musical Drone(Tanpura)
NOTE FOR PAPfR SETNNG
The question paper will contain two questions from unit - I and thnee questioris eactr frornunit-ll and Unit-lll.Tstal number of questions to be set in the question paper willil be Elght.Thecandidate will be required to attenxpt four questions selecting adeast one qr.rcstion fnom eachunit.All questions shall canry equal rnanks.
BOOI(S RECOMMET{DED
(1) Kramik pustak malika by V.N.Bhatkhandey.(2) Malhar Ke Frakar by J"T"Shah
(3) Kandra Ke Prakar by J.T.Shah
(4) Sarang Ke Prakar by J.T.Shah
{5) Sangeet Ke Gharaon ke Charcha byS.K.Chaubey
(6) Sawaron Aur Ragon ke vikas me Vadyon ka yogdan by lndrani Chakravarti(7) DhwaniAur Sangeet by Lalit Kishore Singh
(8) Sitar Marg by Shri Pad Bando Padhyaya
{9) Tansen aur Saini Giarana Ke parampara by Sunita Dhar(10) Hindustani shastriya sangeet Gharana parampara by shambhu Nath Mishra
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SECOND SEMESTER
Course No :451
Credit : 4
Title : History of lndian Music -ll
Duration of Examination : 2%his.Maximum Marks :100
a) Semester Examination : 80b) Sessional Assessment : 2O
Syllabus for the examinations to be held in May 2011,2012 &2013
SYIIABUS
uNtT-r
1.l:History of lndian music of medieval period from 13th to lgth century
1.2:Knowledge of following Granthas
{a) Sangeet Ratanakm........Sharang Dev(b) Swar Male Kalanidhi.....Ramamatya
ll.1: Establishment of swaras on 2|Shrutis from ancientto modern times according todifferent scholars with relation to vibrations of string on the length of veena.ll.2: Time theory of Ragas. tts Origin and development.ll.3: origin of notation system along with its merits and demerits.
uNrT-ilt
lll.1: Detailed Study of Khayal style of singing, Survey & evolution of Thumri & maincharacteristics of purvab & punjab ang Ki Thumri.lll.2: Evoluiion of thatas ud,
lll'3:Qualifications and disqualifications of Vocatists and lnstrumentalists.
i't(.
NOTE FOR PAPER SETTING
lT::::::: ::::r_*',,:oyn two suestions from unit _r and three que,srjons each from unit_
:"lli::tlll,t:iiT.::::" questions to be set in the quesrion paper.wiilr he Eight"rheL15,t Et" t ilc
::::T:::l::-.1''"d to anempt four questions serecting atreast me question from eachunit.All guestions shalt carry equal marks.
tsOOI$ RE@MMENIDED
t!.) Rise olf Mtrsic in Ancient World By Curt Sachsf2) N-llstory sf h,lusicai lnstruments by Curt Sachs{3) Flistoricar Dweropment of lndian Music by prajnanand swarni.{4) tshartifa Sangeet Xa I'thas by Umesh Josh!.(5) ilatfa Shastra by Bharat(5) Bhrit Deshiby Marang(7) Sangeet Ratankar by Sharang Dev(8) thartiya Sangeet Vadaya by tal Mani Mishra(9) Short Historical Survey of Music by V N Bhatkhandey(10) Sangeet Chintamani by Acharya Bhristata.(11) BharatKaSangeetSidhantbyAcharyaBhrispat(LZl Sangeet Shastra praveen byJ.N.pathak
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Duration of Examination : 30 to 45 mintuesFor each student.
SECOIVD SEMESTER
Course No :452Credit : 4
Title : Stage performance -llMaximum Marks :100
a) Semester Examination : 50b) Sessional Assessment : 50
Syllabus for the examinations to be held in
SYttABUS
May 201L,2012 &2013
1) Demonstration of ragas selected from prescribed syllabus arong with:i Alaap,jod.
li Maseet Khani,Raza Khani,gat with todas and and jhalas for instrumentalists.
I Alaap,Bada Khayal,Chota Khayalwith proper gayakili Tarana for vocalists.
...Marks 35
2l Ahflilry *o mg qre Dtnpd c Dtsrsfuuursrs, prryirydq* dhun fwinstnmentalHs ... Marks 15
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SECOND SEMESTER
Course No:453Credit :4
Title : Practical Test JtMaximum Marls :l0O
Duration of Examination : 30 to 45 mintuesFor each student. a) Senwter Fnrnination : 5O
bl Sersional Assessrnent :5Oslhbus forthe examinations to be held in May zo11.zo12 &2013
stu.ABts
1) Tuning of insbumefit2) Following ragas are.prescriH for practicals(i)Maru Bihag{ii)Desi(iii) Garr Mathd iv}Todi (v) lytuttan( vi}Bageshwari
From above ragas any 4 ragas be selected for detailed study out of which 3 slow Khayal orMaseet Khani Gat and allthe six for Drut Khayal or Raza Khani Gat.
3) Comparative studies of ragas
Demonstration of foilowing tatas praying on hand with different rayakaries(i)Jhaptal(ii)Ru pak { iii)Gajjhampa ivlhumara v)punjabi rar
Practicalfile
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SEMESTER COURSES
FOR
MASTER'S DE€REE PR*GRAIVIME
rilrMuSl€
of study are presc.ribed far the 3'd and 4th Semesters of Master's Degree
THIRD SEMESTER
The following courses
Programme in Music :-
COURSE NO.
s00501502s03
All Courses are comPulsory.
@rrRsE llo.
550551
5s2s53
TITLE
Applied Theory -lllHistory of lndian Music-lll
Stage Performance -lllPractical Test-lll
CREDTTS
4
4
4
4
FOURTH SEMESTER
TITI,"E
Aesthetics
Music from Vedic Period to Present
And Regional Folk Music
Stage Performance -lllPracticalTest-lll
SEt\4ESTER EXAMINATIONS
80 Marks
SESSIONAL ASSESSMENT
20 Marks
CRHXTS
4
44
4
L5
An (pev5eo ave c.o-'1"'^l+rr)
DISTRIBUTION OF MA'RKS
THEORY
4 Credit Course
4 Credit Course 50 Marks 50 Marks
SESSIONIAL ASSESSMENT
?a% at the marks in each thecry paper and 50% marks in stage perfcrmance and practical paper
shail be reserue,J fo;' sessicriai assessmeni lil case c,f regular students, i*ter*al assessnlefit
received fn*rn the college rviii be added t* the r.:":arks obte ined by thern in the unive;'sit'/ exarnination
and in case of private candidates marks obtained by them in the university examinatiorr shall be
increased pr"oscrtiorrateiy in eccorda*ce u;iih ti:e Staiuieslreguiaticn:'
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COURSE NO.sOO
CREDITS :4DURATION OF EXAMS: 2%hrs.
THIRD SEMEST'FR
DFTAILED SYTLABUS
TITLE: APPLTED THEORY-l ll
MAX. MARKS: 100
a) Semester Exam : 80 Marks' b) Sessional Assessment : 2O Marks
SYLI3BUS FOR THE EXAMINANOHS TO 3E HE1D IN THE DEC. 2O1O.2tn1&AN:I
SYIIABUS
ut{]T - |
1,1: Writirg in Bhat Khandey l{otatirn System Vilambit Khyal,Chob KhyaUMaseetKhaniGat Raza Khani Gat in Ragas(slrudh Sarangshyam Kalyan,Bhatiyar,Komat
Rishabh Asawari,talitMarwa,Ragesttwari)& Talas(SwariJat) in sirgle and doublelayakaries with definition .
1.2: Compare & contrast the ragas & talas mentioned above including the ragas andtalas prescribed in first and second semester courses.
UNIT_ II
il.L: Elementary knowledge of Western Music, Harmony, Melody, Swar, Scale Equally temperedScale, Diatonic Scale, Major tone. Minor tone, Semi-tone, Free Vibration, Forced Vibration, AbsolutePitch.
ll.2: Western Notation System.
ll.3: Bio-graphical sketches of the following:- Mozard, Beethoven, Handel.
WIT-!Xh
lll.L :Dekshini Taal Padpti
lll.2 :Comparative study in Ragas of Carnatak & Hindustani Sangeet padhati
lll.3:Classification of the instruments of Hindustaniand Carnatak music.
t&
sgrE FoR PAPER SETTING
The question paper will contain 2 Qtrestions from Unit - I and 3 Questions each from Unit -ll& Unit -ltl. Total number of questions to be set in the question paper will be fight. ihe
candidates will be required to attempt four questions selecting atleast one question from
, each unit. All questions shall carry equal marks.
BOOKS RECOMMENDED:
1) Sangeet Manual by Dr.Maritunjay Sharma& Ram Narayan Tripathi
2\ Bhartiya Sangeet Sangrah by Shalinder Kumar Goswami
3) Sangeet Subodh by Dr.Devinder Kour
4\ Sangeet Saar by Veena Mankaran
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couRsE No.501CREDITS :4DURATION OF EXAMS: 2%hrs.
THIRD SEMESTER
DETAILED SYLISEUS' TITLE: HISTORY OF |HDIAN MUStCJfi
SYTjjBUS FOR TTIE ExAMTiIAilOflS TO B€ HE[I! IT{ THE T}Ec. UNO. EIIII & IItrJT
5Yu-A8U5
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1.1: History of lndian Music frrom 18m C-entury onrmrds.1.2: contribution of Pt. v.N- Bhat Khandev & pt- v.D. paluskar in the field of Music.
UNIT-II
ll.1: Classification of taalas
ll.2: lmportant aspects of Prabandh, Dhatu, Angas, Jaaties, Varieties of prabandhas
ll.3: Writing of Hindustani taals in Karnataki Padhati & Karnataki Taals in HindustaniPadhati.
ll.4: Detailed study of Rabinder Sangeet.
UNIT -III ESSAYS
lll.1: Kaanth Sadhana, Relation of Music with other fine Arts, Music & Religion, Role of Mediain development of lndian Classical Music, Music in Society, Shastria Sangeet & Folk Sangeet.
NOTE FOR PAPER SETTING
The question paper will contain 2 Questions from Unit - I and 3 euestions each from Unit _lt
& Unit -lll. Total number of questions to be set in the question paper will be fighti thecandidates wili be required to attempt four questions selecting atleast one question fromeach unit. All questions shall carry equal marks.
SCISKS RE€OMMENDED:
li Bhariiya Taaloan Ka Shastriya Vivachan by Dr.Arun Kumar Sen
2i Sange*t Vishared by Vasant
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THIRD SEMESTER
DETAILED SYLLABUS
COURSE NO.5O2 TITLE: STAGE PERFORMANCE-III
CREDITS:4 MAX. MARKS : 100
DURATION OF EXAMS: 30-45 MlN. FOR EACH CANDIATE a)Semester Exam :80 Marksb)Sessional Assessment : 20 Marks
SYLLABUS FOR THE EXAMINATIONS TO BE HELD IN THE DEC. 2010. 20T.1 & 2012
SY1IABUS
One ilbef{dnni Gaq orre Razaltani Gat willt aln4, JoqTodas Jhalas for lnslnrnenbkard One Bara Xhayal, One chhota ftayal with frtll qryaki forVocalists
ln any one of the ragas prescribed in course No.SS.
Elementary knowledge of Playing slow or fast compostion on Harmonium.
NOTE:- The candidates may not be interrupted during performance.
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2.
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couRSE NO.503
CREDITS:4DURATION OF D(AMS: 3G45 MIN.
THIRD SEMESTER
DETAILED SYLLABUS
. TITLE: PRACilCALTEST-|||
MAX. MARKS: 10O
FOR EACH CANDIATE a)Semester Exam :5O Marks
b) Sessional Assessment : 50 Marks
snrSls
1- TunitEof hrtnrrstr2. capacitv to phy d|eras of Teenbal , $n@al, R$alg Kehava on TaHa-
3- Demonstration of folkrwing talas in single & douHe Layalarie$ srari" Jat
5. One Thumri or Dadra for Vocalists in Ragas:- Kafi, Bhairvi, Khamaj
Or
One Gat other than Teen taal for lirstrumentalists'I
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COURSE NO.55O
CREDITS :4DURATION OF EXAMS: 2%hrs.
rouR'IrtlEMEsIEg
DETAILED SYLLABUS
TITLI:AESTHETICS
MAX. MARKS: 100
a)Semester Exam : 80 Marks
b) Sessional Assessment : 20 Marks
SYTLABUS FOR THE EXAMINATIONS TO BE HELD IN THE MAV. 2011, 2012 & 2013
SYLLABUS
UNIT- I
1.1": Aesthetics and its applications in Music and fine Arts"
1.2: lmportance of Aesthetics in lndian music.
1.3: Art as a forrn of expression.
[,ruT- n
Itt lfisbrbl ouffiplAristotb & Plab
_11.2: lmportance of Navrasas in lndian Classical Music.
ll.3: The four facets of Aesthetics in Art Kala , Art & Craft.
uNtT-lll
lll.1: Classification of Art.
!11.2: Feelings and emotions in Music
lll.3: Aesthetics as theory of fine art and its appreciation.
NOTE FOR PAPER SETTING,4
The question paper will contain 2 Questions from Unit - I and 3 Questions each from Unit -ll& Unit -lli. Total number of questions to be set in the question paper will be Eight. The
cendidates will be required to attempt four questions selecting atleast one question from
each unlt. All questions shall carry equal rnarks.
"\
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BOOKS RECOMMENDED:
1. Asethetical Essay by S.K. Sexsena
7. Hindustani Music & Aesthetic concept of furm by Anjali Mittal
3, Bhartiya Sangeet & Aesthetic by Madhurhta Bhattnagar
4. Accoustizl Perspective on Raga and RasaTheory bySayarnabta Rao
5. Studies -rn Music Aesthetic by Sitansu Rry
6- Historbl Studyof lndian [lrxt b,y Strrat Chander far$pe7 - Tradttbnal Music of Xatrnir by Sunita Dhar
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COURSE NO.551
CREDITS :4DURATION OF EXAMS: 2%hrs.
FOURTH SEIIIESTER
DETAII-ID SYLLABUS
TITLE: Music from Vedic Period to Present & Regional Folk Music
MAX. MARKS: 100
a) Semester Exam : 80 Marks
b) SessionalAssessment : 20 Marks
SYLLABUS
UNIT_ I
1.1: Study of Musical forms frorn Vedic period to Present Period, Samgaan, Dhruva gaan,
Mahagitika
l-2: Concept of Geet , Anibadh Ragaalap, Rupakalap, Prabandh, Alapti
rttm-l[
It.t Ashat O$ap Panampara Mein Saryeet
ll-2: lmpact of gayan on lnstrumental Music
ll.3: lmportance of Music in lndian Society.
It.4:Role of computers and internet in promotion of lndian Music.
uNlT- lll DOGRIFOLK
lll.1: Ceremonial Songs of Duggar
lll.2: Folk lnstruments of Duggar
lll.3: Folk Dances of Duggar
lll.4: Contribution of Dr. Karan Singh in Dogri Folk.
OR
SUFIANA
lll.1: Sufi & Sangeet
lll.2: Sufi Sangeet Parampara of Kashmir
Itl.3: Detailed Study of Gharanas of Sufiana Music
lll.4: Contribution of following Musicians in Sufiana:-
a) Ustad Tibet Saqual
bi Ustad Qallen BaaP
L3 Y
ii,ip l
ii,nin'i"fl
t!
ii \
c) Vadali Bandhus.
NOTE FOR PAPER SETTING
The question paper will contain 2 Questions from Unit - I and 3 Questions each from Unit -ll& Unit -lll. Total number of questions to be set in the question paper will be Eight. The
candidates will be required to attempt four questions selecting afleast one question'from
each unit. All questions shall carry equal marks.
800(5 RE€OilIIIETIED:
L- The Music of lrdian b)'Atya Be$rn Fyzee Retrarnan
Z- Kashmir ftosqui by lfoor nbM. Bhatt
3. Study of Sufiana Music h the badgrotrtd of lndian Music by t}r- Raj Kumari-
4- llarnara Salt'tya- 1!187, 1!XX}91.2{II!
5. tXrgar Ka Lol SahitF By ShiY t{tumdf
6. A$rat Orhap &Vallab*r Sam Pradaya ry tX. t)in hfal Gupta
7- Krishan Bhakti Kavya Me Sakha Bhav By Sharan Bihni Gosrami
8. lndian Culture in Medieval Hindi Poetry by Dr- Nadai Gopal Gupta
9. Madhya Yougeen Pillars of Classical Music By Sh. Sakha & Dr. Surekha Sinaha
10. Bhartiya Sangeet Aur Sangeetagya By Ramlai Mathur
1L. Adhunik Kaal Me Shastriya Sangeet by Dr.Hukam Chand
L1
25
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couRSr No.s52
CREDITS:4DURATION OF EXAMS:
FOURTH SEMESTER
DETAILED SYLLABI'S
TITLE: STAGE PERFORMANCE-Ill
MAX. MARKS: 100
30ral15MIN.FoREACHCANDIATEa}semesterExam:5oMarksb) Sessional Assessment : 5O Marks
SYLLABUS
L. Detail Raga of your choice with alaap, Jor, Jorjhala, Maseet Khani Razakhani with todas'
Jhala for lnstrumentalists'
One Bara Khaya[, One Chotta Khayal with full gayakai for Vocalist