Top Banner
Acoustics
100

Acoustics. Fundamentals of Architectural Acoustics.

Mar 30, 2015

Download

Documents

Aleah Hakey
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Acoustics. Fundamentals of Architectural Acoustics.

Acoustics

Page 2: Acoustics. Fundamentals of Architectural Acoustics.

Fundamentals of Architectural Acoustics

Page 3: Acoustics. Fundamentals of Architectural Acoustics.

Sound is a longitudinal wave. Remember that longitudinal waves are

made up of areas where the wave is compressed together, and other areas where it is expanded.

Sound can be vibration which is pressure – felt but not heard.

We will look in detail at three fundamental characteristics of sound: Speed, Frequency, and Loudness. *

Page 4: Acoustics. Fundamentals of Architectural Acoustics.

Speed The speed of sound in air actually

depends on the temperature of the air. The sound travels faster through media

with higher elasticity and/or lower density. Speed of sound is 1130 feet per second or

344 m/s Light is 186,000 miles per second

Page 5: Acoustics. Fundamentals of Architectural Acoustics.
Page 6: Acoustics. Fundamentals of Architectural Acoustics.

Frequency Most often we will be looking at sound

waves that humans can actually hear, which are frequencies from 20 – 20,000 Hz.

Infrasonics -20 Hz - Ultrasound 20,000Hz Frequency is sometimes referred to as

pitch.

Page 7: Acoustics. Fundamentals of Architectural Acoustics.

Loudness The loudness of a sound depends on the

wave’s amplitude. This is why a stereo system has an

“amplifier”, a device that increases the amplitude of sound waves.

The louder a sound, the bigger the amplitude.

This is also a way of measuring the amount of energy the wave has.

Page 8: Acoustics. Fundamentals of Architectural Acoustics.

Loudness The system used to measure the loudness

of sounds is the decibel system, given the unit dB.

The decibel system is based on logarithms, which means for every step up by one, the sound is actually ten times louder. For example, a 15dB sound is ten times louder than a 14dB sound.

* Lesson 49: Properties of Sound by Mr. Clintberg’s Study Physics

Page 9: Acoustics. Fundamentals of Architectural Acoustics.

One of the loudest man-made sounds 215 dB

That much sound energy creates heat.

Water is used to absorb the energy

That’s steam you see. It’s not all smoke.

If they did not use water to absorb the sound, the shuttle and tower would fail due to the energy generated from 215 dB.

Page 10: Acoustics. Fundamentals of Architectural Acoustics.

Noise pollution is huge especially in our cities

Page 11: Acoustics. Fundamentals of Architectural Acoustics.
Page 12: Acoustics. Fundamentals of Architectural Acoustics.

Inverse Square Law Not in textbook

Page 13: Acoustics. Fundamentals of Architectural Acoustics.

Chapter 18

Sound in Enclosed Spaces

Page 14: Acoustics. Fundamentals of Architectural Acoustics.

Sound Absorption Noise Reduction Coefficient (NRC)

Verses Sound Transmission Coefficient (STC) (textbook class it Sound Transmission

Class)

Page 15: Acoustics. Fundamentals of Architectural Acoustics.
Page 16: Acoustics. Fundamentals of Architectural Acoustics.

STC

Page 17: Acoustics. Fundamentals of Architectural Acoustics.

NRC

Page 18: Acoustics. Fundamentals of Architectural Acoustics.
Page 19: Acoustics. Fundamentals of Architectural Acoustics.
Page 20: Acoustics. Fundamentals of Architectural Acoustics.
Page 21: Acoustics. Fundamentals of Architectural Acoustics.

Review Specification CSI Division 09511 – Acoustical Panel

Ceilings See Handout in class

Also available on line at Arch 433 - Web Site

Page 22: Acoustics. Fundamentals of Architectural Acoustics.

Review Specification CSI Division 09511 – Acoustical Panel

Ceilings Submittals

Ceiling Samples – tile and grid Tile 6 inch square samples Grid boxes – 3 samples each Follow directions in section 01330 – Submittal

Procedures Ceiling layout – drawings – 3 sets Attachment methods

Page 23: Acoustics. Fundamentals of Architectural Acoustics.

Review Specification CSI Division 09511 – Acoustical Panel

Ceilings Quality Assurance

Class “A” Coordination – Anything above the ceiling Extra Material

Page 24: Acoustics. Fundamentals of Architectural Acoustics.

Review Specification CSI Division 09511 – Acoustical Panel Ceilings Manufactures - Panels

Mineral Base Type III (see slide 24) Pattern EI (see your handout for “E”+ “I” STC -35 Tegular Edge Size 24”x 24” Manufacture – Armstrong – Cirrus 584 (or equal)

“by” Celotex or USG

Page 25: Acoustics. Fundamentals of Architectural Acoustics.
Page 26: Acoustics. Fundamentals of Architectural Acoustics.

Review Specification CSI Division 09511 – Acoustical Panel Ceilings Manufactures – Grid

Direct Hung Powdered-Actuated Fasteners in Concrete - OK

Wire – 12 gauge Hold Down Clips – Yes Grid – 15/16” Manufactures – Armstrong, Chicago, Interiors Inc.

Page 27: Acoustics. Fundamentals of Architectural Acoustics.

Review Specification CSI Division 09511 – Acoustical Panel Ceilings Acoustical Sealant

At perimeter joints and openings Flame spread & smoke development < 25 per ASTM E84

Exposed At perimeter joints and openings Flame spread & smoke development < 25 per ASTM E84

Concealed BA-98 Pecora or Tremco Act. Sealant AC-20 FTR or Sheetrock Act. Sealant, USG

Page 28: Acoustics. Fundamentals of Architectural Acoustics.

Review Specification CSI Division 09511 – Acoustical Panel

Ceilings Execution

Balance boarders Splay hangers Sealant @ wall angle Screw attach wall angle Cleaning

Page 29: Acoustics. Fundamentals of Architectural Acoustics.

Let’s do a sound absorption problem!!!!

Page 30: Acoustics. Fundamentals of Architectural Acoustics.

Carpenter Hall Room 102 Foot print of Carpenter Room 102

32’ x 98’ Ceiling Ht.

14’ to 10’ average 12’ Sound Absorption @ 500Hz

Page 31: Acoustics. Fundamentals of Architectural Acoustics.

The Formula T = .05 V/a 

and

NR = 10log (a2/a1)

We’ll get to the formulas later

Page 32: Acoustics. Fundamentals of Architectural Acoustics.

I can explain everything

Page 33: Acoustics. Fundamentals of Architectural Acoustics.

Walls Plaster, gypsum or lime on brick = ά

.02Floor

Wood = ά .10Ceiling

Plaster, gypsum or lime = ά .06(See handout) ά = Noise Reduction Coefficient (NRC) or

Sound Absorption Coefficient This is similar to the example on page 791

Page 34: Acoustics. Fundamentals of Architectural Acoustics.

What is the reverberation time with no finishes? Walls

ά SabinsBack 10’x 32’= 320 sf

Front 14’x 32’= 448 sf

Sides (12’ave. x 98’) x 2 = 2,352 sf

3,120 sf x ά .02 = 62.4

Floor31 x 98 3,038 sf x ά .10 =

303.8Ceiling

31 x 98 3,038 sf x ά .06 = 182.3

Total 548.5

Page 35: Acoustics. Fundamentals of Architectural Acoustics.

Wallace Clement Sabine

Father of Architectural

Acoustics

T = .05 V/a

Page 36: Acoustics. Fundamentals of Architectural Acoustics.

The Formula T = .05 V/a

 T = Time of ReverberationV = Volumea = Sabins 

Page 37: Acoustics. Fundamentals of Architectural Acoustics.

The Formula T = .05 V/a

V = Volume of room 31’x 98’x 12a = sabins of = 548.5T= .05(31’x 98’x 12’)/ 548.5T= .05(36,456)/548.5

T= 3.32 seconds

Page 38: Acoustics. Fundamentals of Architectural Acoustics.

With acoustical tile & carpet,what would be

the reverberation time?

Page 39: Acoustics. Fundamentals of Architectural Acoustics.

Walls ά SabinsBack 10’x 32’= 320Front 14’x 32’= 448Sides (12’ave. x 98’) x 2 = 2,352

3,120 sf x ά .02 = 62.4Floor with Carpet

31 x 98 3,038 sf x ά .14 = 425.32Ceiling - Acoustical tile

(5x7) 8 each 280 sf x ά .85 = 238 3,038 sf – 280 sf 2,758 sf x ά .06 = 165.5

w/o carpet (769.7) Total 891.22

Page 40: Acoustics. Fundamentals of Architectural Acoustics.

The Formula T = .05 V/a

V = Volume of room 31’x 98’x 12a = sabins of 891.22

T= .05(31’x 98’x 12’)/ 891.225

T= .05(36,456)/ 891.22

T= 2.04 seconds

Page 41: Acoustics. Fundamentals of Architectural Acoustics.

3.32 seconds vs. 2.04 seconds

Page 42: Acoustics. Fundamentals of Architectural Acoustics.

What! 2.04 vs. 3.32 seconds

Page 43: Acoustics. Fundamentals of Architectural Acoustics.

Is this a big enough difference?

Page 44: Acoustics. Fundamentals of Architectural Acoustics.

NR = 10log (a2/a1)

NR = Noise reduction a2 = 2.04 seconds

a1 = 3.32 seconds

Page 45: Acoustics. Fundamentals of Architectural Acoustics.

NR = 10log (a2/a1)

NR = 10 log (2.04 / 3.32)

NR = 10 log (.614) NR = 2.11

Noise Reduction of = 2.11 db Acoustical tile alone = 1.48 db

Page 46: Acoustics. Fundamentals of Architectural Acoustics.

WHAT!

Sound Absorption

Is this enough?

Page 47: Acoustics. Fundamentals of Architectural Acoustics.

Let’s look at a rule of thumb.

Page 48: Acoustics. Fundamentals of Architectural Acoustics.

Change in Intensity Level, db

1351018

Change in Apparent Loudness

Almost imperceptibleJust perceptibleClearly noticeableTwice as loudVery much louder

Page 49: Acoustics. Fundamentals of Architectural Acoustics.

For a noise reduction of 2.11! Carpet

3,136 sf of carpet or 348 sy at $22.00 sy = $7,666.00

Acoustical Ceiling Tile280 sf x $2.25 = $630.00

Total cost furnished and installed $8,296.00$8,296.00 for an imperceptible noise

reduction!

(For 1.48 db reduction just for the acoustical tile)

Page 50: Acoustics. Fundamentals of Architectural Acoustics.

Doesn’t make a lot of sense

Page 51: Acoustics. Fundamentals of Architectural Acoustics.
Page 52: Acoustics. Fundamentals of Architectural Acoustics.
Page 53: Acoustics. Fundamentals of Architectural Acoustics.

Seating 110 seats Fabric Seats = ά .56

Audience = ά .80

Page 54: Acoustics. Fundamentals of Architectural Acoustics.

Floor 3,038 sf x ά .10 =

303.8Floor area (5 x 98)x 2 = 980 sf(32 -10) x 8 = 176 sf(32–10) x 5 = 11o sf 1, 266 sf3,038 sf – 1,266 sf = 1,776 sf seating area

Page 55: Acoustics. Fundamentals of Architectural Acoustics.

Walls

3,120 sf x ά .02 = 47.04Floor with Carpet

1,266 sf x ά .14 = 177.24With students

1,776 sf x ά .80 =1,402.8

Ceiling - Acoustical tile

(5x7) 8 each 280 sf x ά .85 = 238 3,038 sf – 280 sf 2 758 sf x ά .06 = 165.5

Total 2,030.58

Page 56: Acoustics. Fundamentals of Architectural Acoustics.

T= .05(36,456)/ 2,030.58

T= .90 seconds

The seating alone with or without students has much more value than either the ACT or the Carpet.

Page 57: Acoustics. Fundamentals of Architectural Acoustics.

YEAH!

Page 58: Acoustics. Fundamentals of Architectural Acoustics.
Page 59: Acoustics. Fundamentals of Architectural Acoustics.
Page 60: Acoustics. Fundamentals of Architectural Acoustics.
Page 61: Acoustics. Fundamentals of Architectural Acoustics.
Page 62: Acoustics. Fundamentals of Architectural Acoustics.

How to reduce the noise sooooo….. Let’s cut to the chase. We’ll use a bathroom wall to begin with.

Page 63: Acoustics. Fundamentals of Architectural Acoustics.

The goal is to design and construct walls, ceilings and floors that reduce or eliminate unwanted noise or sound.

Sound that we find in ……..

Page 64: Acoustics. Fundamentals of Architectural Acoustics.

Bathrooms!

Page 65: Acoustics. Fundamentals of Architectural Acoustics.

Lets start with the floor.

Page 66: Acoustics. Fundamentals of Architectural Acoustics.
Page 67: Acoustics. Fundamentals of Architectural Acoustics.
Page 68: Acoustics. Fundamentals of Architectural Acoustics.
Page 69: Acoustics. Fundamentals of Architectural Acoustics.

Now the walls

Page 70: Acoustics. Fundamentals of Architectural Acoustics.
Page 71: Acoustics. Fundamentals of Architectural Acoustics.
Page 72: Acoustics. Fundamentals of Architectural Acoustics.
Page 73: Acoustics. Fundamentals of Architectural Acoustics.
Page 74: Acoustics. Fundamentals of Architectural Acoustics.
Page 75: Acoustics. Fundamentals of Architectural Acoustics.
Page 76: Acoustics. Fundamentals of Architectural Acoustics.

A standard wall 2x4 studs and plates with ½” gypsum board on both sides has a STC of 32 to 36.

Add insulation STC 35 to 39.

Page 77: Acoustics. Fundamentals of Architectural Acoustics.

STC 37 to 41w/ insulationSTC 44 to 48

Metal Studs

Page 78: Acoustics. Fundamentals of Architectural Acoustics.

STC 46 to 48

Without insulationSTC 38 to 42

Wood Stager StudsCommon plate

Page 79: Acoustics. Fundamentals of Architectural Acoustics.

Wood Stager StudsCommon platew/ insulation STC 46 to 50

Without sound bd. and insulationSTC 38 to 42

Page 80: Acoustics. Fundamentals of Architectural Acoustics.

Dual plates and studsSTC 42 to 44

W/ insulationSTC 50 to 53

Make sure the joist areparallel to wall and all flooring and ceilingmaterial divided.

Page 81: Acoustics. Fundamentals of Architectural Acoustics.

Stud wall 2 x 4 with resilientchannel and insulation

STC 40 to 42w/ insulation STC 47 to 51

Page 82: Acoustics. Fundamentals of Architectural Acoustics.

Metal studs w/sound deadening boardone side STC 52

Sound deadening boardboth sides STC 54

w/ insulation and sounddeadening board both sidesSTC 57

Page 83: Acoustics. Fundamentals of Architectural Acoustics.
Page 84: Acoustics. Fundamentals of Architectural Acoustics.

Mid Term Exam March 6th

What does it cover ?

Page 85: Acoustics. Fundamentals of Architectural Acoustics.

Other Stuff

Page 86: Acoustics. Fundamentals of Architectural Acoustics.

Other than walls, ceilings and floors , how can we design and build spaces to reduce unwanted sound.

Page 87: Acoustics. Fundamentals of Architectural Acoustics.

Because Mom and Dad do not want to wake-up baby……when …well .. you…..know!

Page 88: Acoustics. Fundamentals of Architectural Acoustics.

In rooms where you do not want sound to travel through HVAC ductwork, install separate supply and return systems.

Air ducts are great for carrying sound.

Page 89: Acoustics. Fundamentals of Architectural Acoustics.

Always have gypsum bd.cut tight and sealed aroundReceptacle boxes. Use sounddeadening products behind the boxes.

Never place boxes back to back or in the same stud cavity.

Page 90: Acoustics. Fundamentals of Architectural Acoustics.

Always run gypsum bd. behind soffits.

Page 91: Acoustics. Fundamentals of Architectural Acoustics.

If you are creeping home late, never nail the stairstringers to wall studs.

Page 92: Acoustics. Fundamentals of Architectural Acoustics.

Cast Iron Verses

Plastic Pipe

Nothing worst than hearing someone flush the toilet or wash their hands.

Page 93: Acoustics. Fundamentals of Architectural Acoustics.

Cast IronThe use of neoprene gaskets and hubless coupling with cast iron pipe and fittings significantly reduces noise and vibration..

Page 94: Acoustics. Fundamentals of Architectural Acoustics.

What about fine tuning for Commercial Buildings

Page 95: Acoustics. Fundamentals of Architectural Acoustics.

"Come out to the coast, we'll get together, have a few laughs... Hold it… Hold it…. Max said this ductwork wouldn’t hold me up!!!! "

Page 96: Acoustics. Fundamentals of Architectural Acoustics.

Let me show you a much better system- See lecture i.e. white board

I call this the Die Hard Ceiling System Lecture

Page 97: Acoustics. Fundamentals of Architectural Acoustics.

Let me show you a much better system- See lecture i.e. white board

Page 98: Acoustics. Fundamentals of Architectural Acoustics.
Page 99: Acoustics. Fundamentals of Architectural Acoustics.
Page 100: Acoustics. Fundamentals of Architectural Acoustics.

Thank you for

being a

great class