JOHANNASINISALO
A Thrilling Adventure for Children!
Rights enquiries:Elina Ahlbäck, Literary Agent, CEO
Telephone: +358 400 548 402 • E-mail:
[email protected]: Korkeavuorenkatu 37 • FI-00130
Helsinki, Finland
Website: ahlbackagency.com
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Winner of the James Tiptree Jr Award
Rights sold to 14 countries:UK, USA, GERMANY, SPAIN, FRANCE,
SWEDEN, POLAND, RUSSIA, JAPAN...
The Land of MobiusPi is eight years old, and she’s had a rotten
sum-mer vacation so far. Her best friend Sanna is mov-ing away, and
her special hideout in the woods has been smashed. Even her big
sisters, who are verging on adolescence, have changed so much she
hardly recognizes them anymore. But then Pi finds a strange object
that looks like a brace-let among the trash cans, and an even
stranger creature: Schrödinger’s Cat, who according to its own
words both exists and does not exist at the same time...
Schrödinger’s Cat leads Pi into a thrilling par-allel world, the
existence of which is threatened by a mystical danger. As it turns
out, Pi is the one who can save this world! But how can Pi, a
little girl, meet such a challenge? Especially as it be-comes
evident that she might be just a figment of someone else’s
imagination too? For a guide, Pi has Topo, a creature that was born
wise and is getting dumber by the moment as it grows older. Pi
encounters Hills That Walk and the noinutes, greedy little
creatures that hold the will of the pack above all else.
The Land of Mobius is a wild, exciting, com-plex tale that will
whisk children away on an ad-venture that will test their
intelligence and imagi-nation – and at the same time explore
concepts like friendship, aging, tolerance, and how in all worlds
everything affects everything else. Greed, laziness, and
selfishness may not triumph after all, when confronted by Pi, a
clever child who strug-gles to overcome her own limitations and has
read her best loved books closely.
Johanna Sinisalo has done it again: surprised everyone. Who knew
a trip to another reality could be quite this charming or fun?
An Interview with Johanna Sinisalo
Q: And who do you think you are? A: I’m a Finnish writer.
Q: Oh, another hack from an obscure country with a
tongue-twisting lan-guage that about a dozen people speak. Ever
been translated into any civilized languages?
A: Actually, yes. There are even some titles available in
English – my first novel, Not Before Sundown, which in the USA was
published as Troll – A Love Story, and my latest novel, Birdbrain.
There are some translat-ed short stories published here and there
in English, too, mostly in an-thologies. So far, Not Before
Sun-down has been translated into 12 languages and at least two
more translations are under way. And a novelette of mine, Baby
Doll, attract-ed some nice attention in France and the USA.
Q: Hey, I happen to know that the liter-ary language barrier is
almost impos-sible to cross when you come from some small, exotic
country like Fin-land. In the Anglo book market, fic-tion and
non-fiction translations rep-resent only about 3 % of all titles
published. And that 3 % includes ALL other languages but English, –
biggies like French, Spanish, Chi-nese, you name it. A Finnish
writer shouldn’t have a snowball’s chance in hell.
A: I agree. I was just lucky enough to win the Finlandia Prize,
our nation-al award for novels that is some-thing like the Finnish
Booker, and so some foreign publishing houses got interested in my
work. And the language barrier seems to be a bit less sturdy
nowadays – some Finn-ish writers, like Elina Hirvonen and Sofi
Oksanen, have been introduced to the English language market with a
very good reception.
Q: Why should I read anything written by you?
A: Because I’m so darn good. The Bos-ton Globe called my novel
“brilliant”. Who am I to question their taste?
Q: Future plans? A: Yes, I'm currently writing a new nov-
el. Its working title could be translat-ed roughly as Of Blood
of Angels, coming out in Autumn 2011. Read more about Johanna
Sinisalo at:
www.teos.fiwww.peterowen.com
A Unique Perspectiveto Contemporary Fiction
“I wanted to turn a new page on Finnish crime fiction by
creating the first professional female protagonist, and it’s work
out marvelously.”
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Johanna Sinisalo is without doubt one of Finland’s most
internationally successful authors. Her first novel, Ennen
päivän-laskua ei voi (Not Before Sundown, Tammi 2000), was awarded
the Finlandia Prize for literature and the James Tiptree Jr Award
in 2004. The rights have been sold to 14 countries thus far.
Sinisalo’s novel Lasisilmä (The Glass Eye, Teos 2006) has been
published in German by Tropen. Her latest novel, Linnun aivot
(Birdbrain, Teos 2008), was a great success. It has been published
in French by Actes Sud and in English by Peter Owen Pub-lishers to
brilliant reviews. The Guardi-an newspaper and Publisher’s Weekly
both lifted it to their recommendations lists.
In 2005 Sinisalo edited an anthology,
The Dedalus Book of Finnish Fantasy, for the English publisher
Dedalus. In addition to numerous other awards, her short sto-ry
Baby Doll was shortlisted for the pres-tigious Nebula Award in
2009.
Translation rights to Sinisalo’s books have been sold to the
following languages: English, French, Spanish, German, Swed-ish,
Japanese, Russian, Latvian, Lithua-nian, Slovenian, Albanian,
Czech, Polish and Bulgarian.
(Ennen päivänlaskua ei voi, Tammi 2000)
The international fantasy best-seller (published in America as
Troll) and winner of the Finlandia Prize. Mikael, a young gay
photographer, finds in the courtyard of his apartment block a
small, man-like creature. It is a young troll, familiar from
Scan-dinavian mythology: a demonic, wild beast, a hybrid like the
werewolf. Supposedly extinct, today it is regarded as a hairy,
cuddly toy by Nordic children. Mikael gives the troll a name,
Pessi, and takes him home and hides him. The first thing Mikael
does is research everything he can about trolls on the internet and
from folklore, na-ture journals and newspaper cuttings. What Mikael
does not discover is that trolls exude pheromones that smell like a
Calvin Klein aftershave and that this has a pro-found aphrodisiac
effect on all those around him. Shooting an assignment for an
ul-tra-hip brand of jeans, Mikael finds himself fast-tracked into a
dangerous liaison with Martes, the sexually ambivalent art director
of the advertising agency concerned, while a cou-ple of his friends
in turn fall in love with him because he carries the troll’s scent.
What Mi-kael fails above all to learn, with tragic conse-quences,
is that Pessi the troll is the interpret-er of man’s darkest, most
forbidden impulses.
(Kädettömät kuninkaat ja muita häirit seviä tarinoita, Teos
2005)
Johanna Sinisalo’s retrospective collection of short stories,
The Handless Kings and Other Disturbing Tales, consists of both
sto-ries published earlier and completely new ones. The prize
stories have been extolled by Finnish science fiction fans: three
of the stories published in the collection have been awarded the
Atorox prize. The nov-elette Baby Doll was shortlisted for the
Nebula Award in 2009. The stories in the collection are set in
places familiar to us and yet somehow amazingly different.
(Lasisilmä, Teos 2006)
The Glass Eye is a ruthless psychologi-cal thriller which
de-scribes the dynamics of a close, creative work team. Taru finds
herself in a world where the boundaries between fiction and facts
blur and prophecies be-
gin to come true. In the world of The Glass Eye Taru learns that
all relationships have hidden meanings and that nothing is
nec-essarily what it seems. When Taru’s little sister Aija appears
on the scene, events take another turn and there is no turning
back.
Johanna Sinisalo’s works hook the read-er straight away. Her
stories open doors to new worlds: they look at life from strange
angles, they create suspense and some-times even make the reader
laugh. Sinis-alo’s books always offer sharp, open-mind-ed analysis
and criticism of contemporary society. The Glass Eye is no
exception. Is the television screen a window into anoth-er world or
it is a mirror? Does the glass-eye observe us from the corner of
our liv-ing room instead of us observing it, just as George Orwell
predicted?
PRAISE FOR THE GLASS EYE:
“How can a book be so complex and multi- levelled? Johanna
Sinisalo’s The Glass Eye changes its structure and colours like a
chameleon.”
– Kati Hyttinen, MTV3/Helmi
Birdbrain
Not Before Sundown
“A sense of lurking horror that will leave you troubled for
weeks.”
– Sam Jordison, A Guardian Book of the Year, 2010
“A punk version of ‘The Hobbit’. ”– USA Today
The Glass Eye
The Handless Kings and Other Disturbing Tales
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“The queen is dead. The bees are gone. Thus, the world is about
to end.
But if you follow the bees, there are doors in the air. And a
desperate man is ready to go through one.”from Johanna Sinisalo’s
new novel,
‘Of Blood of Angels’, coming out in Autumn 2011
“A sharp, resonant, prickly book that exists on the slipstream
of SF, fantasy, horror and gay fiction.”– Neil Gaiman
(Linnunaivot, Teos 2008)Sinisalo’s latest novel, Birdbrain, is a
skilful portrait of the unquenchable desire of Westerners for the
pure and the primitive. A young Finnish couple, Jyrki and Heidi, go
on the hiking trip of a lifetime in Australasia with Heart of
Darkness as reading material. To Jyrki’s great surprise, his
girlfriend Heidi demands to come with him, frightened by the idea
of several months of solitude. The trip gradually turns into a
tortuous thriller with belongings disappearing and, even more
mys-teriously, reappearing. The travellers come to be at the mercy
of untamed nature. Birdbrain describes the desperate Western
longing for somewhere unspoilt and primitive with biting irony. At
the same time, it reveals the dark side of this longing, showing it
to be an insatiable desire to control, invade and leave one’s mark
on the landscape. But what happens when na-ture starts to fight
back?
RIGHTS S
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RIGHTS SOLD: UK, USA, FRANCE, SpAIN, GERmANy, SwEDEN, JApAN,
RUSSIA, LATvIA, LITHUANIA, SLOvENIA, ALbANIA, CzECH REpUbLIC,
pOLAND AND bULGARIA