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A second chandelier falls through clouded sulfur skies Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Department of Music David Rakowski, Advisor In Partial Fulfillment of the Requirements for the Degree Masters of Fine Arts in Music Composition and Theory by Frank S. Li May 2014
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A second chandelier falls through clouded sulfur skies

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Page 1: A second chandelier falls through clouded sulfur skies

A second chandelier falls through clouded sulfur skies

Master’s Thesis

Presented to

The Faculty of the Graduate School of Arts and Sciences Brandeis University

Department of Music David Rakowski, Advisor

In Partial Fulfillment

of the Requirements for the Degree

Masters of Fine Arts in

Music Composition and Theory

by Frank S. Li

May 2014

Page 2: A second chandelier falls through clouded sulfur skies

Copyright by

Sinopia Music (ASCAP)

© 2013

Page 3: A second chandelier falls through clouded sulfur skies

ABSTRACT

A second chandelier falls through clouded sulfur skies

A thesis presented to the Department of Music

Graduate School of Arts and Sciences Brandeis University

Waltham, Massachusetts

By Frank S. Li

This is a musical composition for flute, clarinet doubling bass clarinet, violin, violoncello, piano, and

percussion (comprising one set of bongos, one set of temple blocks, one conga, one snare drum,

two tom-toms, and one concert bass drum). A performance lasts approximately twelve minutes.

iii

Page 4: A second chandelier falls through clouded sulfur skies

Table of Contents

Prefatory Materials

Movement I: die Wassermelone

Movement II: “This episode brought to you by pants!”

Movement III: “You put them on your bottom.”

Movement IV: argle-arglebargle

Movement V: …BETWEENELLIPSES!!!… … … .

1 5 12 20 26 39

iv

Page 5: A second chandelier falls through clouded sulfur skies

IRU�3LHUURW�HQVHPEOH

E\�)UDQN�6��/L�������6LQRSLD�0XVLF

$�VHFRQG�FKDQGHOLHU�IDOOV��WKURXJK�FORXGHG�VXOIXU�VNLHV

Other
1
Other
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2
Page 7: A second chandelier falls through clouded sulfur skies

"too"f

"f...oo"(pp) f

f p

&

Instruments: Standard flute with a low B foot is required.Blowing air: notated with a slashed normal notehead. As shown, blow through the instrument's blow hole forthe duration, on an "oo" vowel. Always notated on the middle line and is always unpitched. If there are no otherindications (first example), use only an "oo" sound with no distinct attack. A "too" has a sharp, accented attack.On "f...oo", hold the "!f" sound for the duration of the first note and let it transform naturally into an "oo".Tongue pizzicato: notated with an inverted triangle notehead. Distinct from tongue ram in that pitches areexactly as notated. The sound should resemble a pitched pop or click sound.Fluttertongue: indicated with three tremolo slashes across the stem, the flz. marking above the note, and thebracket for the duration of the fluttertongued notes.

Intended to be played with a conductor, though use of one is nonetheless optional.All movements are to be played attacca.Slur, breath, and phrase marks are generally given as suggestions and should not be regarded as absolute.When listing the piece in the program, list individual movement titles as is; movement subtitles are optional.If you have questions, please contact the composer: [email protected].

General notes

blow air throughinstrument, unpitched

Flute

A second chandelier falls through sulfur skies

I. die WassermeloneII. "This episode brought to you by pants!"

III. "You put them on your bottom."IV. argle-arglebargle

V. ...BETWEENELLIPSES!!!... ... ... .

by Frank S. Li (2013)

tonguepizz. flz.

Performance Notes

&Instruments: Bb Clarinet and Bass Clarinet are required.Multiphonics: notated with a diamond notehead. There is only one in the piece, at m120. Which multiphonic isused is up to the performer, so long as the notated pitch is the bass note or otherwise fairly present. Don't beafraid to get dirty and intense with it. Revel.Growl: singing and playing simultaneously, and often notated with gradual transitions between ord. playing andgrowling. As with the multiphonics, the point is usually to get noisy and edgy, so have some fun with your choiceof sung pitch.Relaxing embouchure: notated with a large diamond notehead. Relax the embouchure and let the pitch fadeinto unpitched air through the instrument.Alternate timbres: any alternate fingerings to produce the same pitch but with a di!erent color. Slight microtonalvariations are fine.

multiphonicClarinet

ord. growlrelax embouchure untilonly breath sound remains

alt fingeringfor timbre

2nd altfor timbre

G G ‰ g G Œ - ‰ ‰ - -# ‰ -b ‰ Œ æææ̇ ™

~ ˙ ˙ w + Ó œ ˙ œ

3

Page 8: A second chandelier falls through clouded sulfur skies

&Instruments: Players will need standard mutes in addition to their instruments.Brushed bowing: notated with a large diamond notehead. Lightly touch the indicated open string (like youwould for a harmonic) with several fingers at once and bow lightly for a generally unpitched, brushy sound.Sul ponticello and sul tasto: indicated simply with an s.p. or an s.t. abov the note. These remain until an ord.is given. May be notated with an arrow indicating gradual change as well.Harmonics: almost always notated simply with an o above the note. These can be either artificial or natural,and the specific fingering used is at the performer's discretion, so long as this pitch is produced.

Violin and Violoncello3 ?

ord. s.p. s.t. ord.

&o o

/

/

You may have received your part and this reference sheet electronically. All parts for this piece are designed to beprinted front-and-back in a manner that facilitates easy page turns. This is also why this document is provided ina separate digital file from your actual parts. To print correctly, please read the following.

Flute: print the first page of the document with nothing on its backside, then print the remainder front and back.You will see the first two pages of the document together, then turn the page and see the 3rd and 4th pages.Clarinet: print the first page of the document with nothing on its backside, then print the remainder front andback. You will see the first two pages of the document together, then turn the page and see the 3rd and 4th pages.Violin: print the first page of the document with nothing on its backside, then print the remainder front andback. You will see the first two pages of the document together, then turn the page and see the 3rd and 4th pages.Cello: print the first page of the document with nothing on its backside, then print the remainder front andback. You will see the first two pages of the document together, then turn the page and see the 3rd and 4th pages.Piano: print the entire document front and back. You will at first see only the first page of the document, thensee the 2nd and 3rd pages after that.Percussion: print the first page of the document with nothing on its backside, then print the remainder front andback. You will see the first two pages of the document together, then turn the page and see the 3rd and 4th pages.

Fingernail scrape: indicated with a diamond notehead and either a large circle or a jagged figure above or belowthe note. Curl your fingers and rub or scratch your fingernails on the drum head. For circle scrapes, use a largecircle shape and try to keep the sound constant with no distinct nodes or points of direction change. For jaggedscrapes, run your fingernails back and forth quickly - as many points of direction change as reasonably possible.Equipment list:(1) concert bass drum(2) tom-toms(1) snare drum(1) conga(2) bongos

Concertbass drum

PercussionTom-toms(2) lo, hi

Snaredrum

(1) temple blocks in a set of 5soft, medium, and hard yarn malletsdrumsticksa towel

rim shot

Conga (1)

Bongos (2)

Temple blocks(5) low to hi

-

(fingernailscrape)

˘

Note about printing

Œ Œ V + + ˙ ˙ ˙ ˙b ˙ ˙#

œ œ œ œ ¿ œ œ œ - - - - - O ‚ Œ

4

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