604570 - Monoprice

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604570

1000-watt, 12-Channel Powered Mixer with DSP

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2

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Table of Contents

2.FEATURES

4.TECHNICAL SPECIFICATION

3.CONTROL ELEMENTS

3

1.INTRODUCTION 4

4

5

12

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1.8K10K or greater 1K120

Impedances Microphone inputsAll other inputsTape outAll other outputsDSP Section A/D and D/A converters

Types of effects

24-bitEcho, Echo+Verb, Tremolo, Plate, Chorus, Vocal,Rotary, Small Room, Flange + Verb, Large Hall

Max. MAIN MIX output +22dBu XLR balanced (+16dBu un-balanced)AUX range Fader range

OFF to +15dB OFF to +10dB

PHONES/CONTROL-ROOM range OFF to +15dB

<-75dB @ 20Hz~22KHz A-weighted

Crosstalkmono ch

stereo ch

<-85dB @0dB 20Hz~22KHz A-weighted

<-89dB @0dB 20Hz~22KHz A-weighted

Powersection

Power continuous 1KHz, THD 1%,A-WTD Power EIAJ 1KHz, THD 1% stereo

500W X 2 @ 4 both channel (at 1KHz RMS power,THD<1%)

300W X 2 @ 8 both channel (at 1KHz RMS power,THD<1%)

Power Amplifier Section

650W X 2 @ 4 (ref.)

mode Thermal protection

Short protection

350W X 2 @ 8 (ref.) Over-temperature power limiting Thermal shutdown Short-circuit protectionOverload output protectionClip limiter

Protection Limiter Permanent signal limiterHigh frequency protection

Temperature controlled 12V DC fan output Over voltage protection DC offset shutdown

Power supplyMain voltage Fuse

110-120V ~50/60Hz T12AL 250V

Introduction

Thank you for purchasing this 1000-watt 12-Channel Powered Mixer from Monoprice!

This professional mixer is ideal for live music and DJ performances, recording, and as part of a mobile or fixed PA system. The powerful, built-in amplifier means that you don't have to lug a separate power amplifier from gig to gig.

Although this device is extremely easy to operate, you should thoroughly read the manual to get a complete understanding of this unit's capabilities. Please keep this manual as a ready reference.

Ultra-low noise discrete MIC Preamps with +48V Phantom Power

4 MIC input channels with XLR and and balanced Line Inputs with Insert I/O

and dedicated compression control

Low Cut for each MIC Input

2 Stereo Input Channels with mono XLR Inputs and TRS Jacks, plus 2 Stereo

Input Channels with RCA Jacks and TRS Jacks

3-band EQ and Peak LEDs on each MIC channels, 2-band EQ and Peak LEDs on Stereo

channels

1 AUX Send POST/PRE per channel for monitoring or external effects, 1 DFX (AUX)

Send POST Fader for internal effects or monitoring

Mute and PFL function for each channel, 60mm Fader for level control.

GR1/2 and Main L/R bus assign for each channel

2-Track Input assignable to Main Mix or Control Room / Headphone Outputs

Balanced XLR & TRS outputs for Main Mix

Built in 24-bit DSP effect with 100 presets

Built in high-powered CLASS-D amplifier rated for:

2 x 500W@ 4 or 2 x 300W@ 8 (at 1KHz RMS peak power,THD<1%)

2 x 650W@ 4 or 2 x 350W@ 8 (ref. EIAJ)

Features

4 13

Hum & Noise

Controls

FOOT-SW2-track, Phones Output, and Aux Sends

100 position preset selector (10 presets with 10 variations each)Mute switch & Foot-switching with LED indicator

TIP:FX SLEEV:GND

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PAN PAN PAN PAN BAL BAL BAL BAL

MUTE

PFL

PEAK

MUTE

PFL

MUTE

PFL

MUTE

PFL

MUTE

PFL

MUTE

PFL

MUTE

PFL

MUTE

PFL

MUTE

PFL

PEAK PEAK PEAK PEAK PEAK PEAK PEAK

PEAK

1 2 3 4 5/6 7/8 9/10 11/12 GR 1-2MAIN

MIXDFX

DFXPOST

DFXPOST

DFXPOST

DFXPOST

DFXPOST

DFXPOST

DFXPOST

DFXPOST

POST

PRE

AUX AUX AUX AUX AUX AUX AUX AUX

EQHI

EQHI

EQHI

EQHI

EQHI

EQHI

EQHI

EQHI

LOW LOW LOW LOW LOW LOW LOW LOW

MID MID MID MID MID MID

1 2 3 4 5/6 7/8 9/10 11/12

LOW CUT LOW CUT LOW CUT LOW CUT LOW CUT LOW CUT

TO MAIN

TO AUX

AUXSENDS

DFX

MAING 1-2R

OUTPUT LEVEL

10

4

0

7

10

20

30

L R

CLIP

7

2

4

2

48V PWR

DIGITALEFFECTS

PROGRAM (PUSH)

FX TOAUX

00 09 Echo

10 19 Echo Verb

20 29 Tremolo

30 39 Plate

40 49 Chorus

50 59 Vocal

60 69 Rotary

70 79 Small Room

80 89 Flange Verb

90 99 Large Hall

MIC

4

LINE

INSERT

MIC MIC

5/6 7/8

L(MONO) L(MONO)

R R

9/10MIC

1

LINE

INSERT

MIC

2MIC

3

LINE

INSERT

LINE

INSERT

R R

LL

LINE 11/12LINE 9/10

MAIN MIX OUTPUT11/12 2TK IN 2TK OUT

L

R

L

R

R R

L(MONO) L GR2 OUT L DFX SENDS PHONES

AUX SENDSMAIN MIXGR1 OUTCTRL.ST RETURNS

R

FOOT SW

GR1 2

L R L R

GR1 2 GR1 2

L R L R

GR1 2 GR1 2 GR1 2 GR1 2 GR1 2

L R L R L R L R L R

R/2L/1

15

10

dB

5

0

5

10

20

30

40

60

COMP

0 10

COMP

0 10

COMP

0 10

COMP

0 10

1515

0

1515

0

1515

0

1515

0

1515

0

1515

0

1515

0

1515

0

1515

0

1515

01515

01515

0

1515

0

1515

0

1515

01515

01515

0

1515

0

1515

0

1515

0

1515

0

1515

0

15 15 15

15 15 15 15

15 15

15 15 15

15 15 15

15

015

0

15

0

15

0

15

0

15

10

dB

5

0

5

10

20

30

40

60

15

10

dB

5

0

5

10

20

30

40

60

15

10

dB

5

0

5

10

20

30

40

60

15

10

dB

5

0

5

10

20

30

40

60

15

10

dB

5

0

5

10

20

30

40

60

15

10

dB

5

0

5

10

20

30

40

60

15

10

dB

5

0

5

10

20

30

40

60

15

10

dB

5

0

5

10

20

30

40

60

L R

15

10

dB

5

0

5

10

20

30

40

60

15

10

dB

5

0

5

10

20

30

40

60

15

0

15

0

015

50dB35dB

MICLINE

015

50dB35dB

MICLINE

015

50dB35dB

MICLINE

015

50dB35dB

MICLINE

020

40dB20dB

MICLINE

020

40dB20dB

MICLINE

R/2L/1 R/2L/1 R/2L/1 R/2L/1 R/2L/1 R/2L/1 R/2L/1

POST

PRE

POST

PRE

POST

PRE

POST

PRE

POST

PRE

POST

PRE

POST

PRE

12KHz

2.5KHz

80Hz

12KHz

2.5KHz

80Hz

12KHz

2.5KHz

80Hz

12KHz

2.5KHz

80Hz

12KHz

2.5KHz

80Hz

12KHz

2.5KHz

80Hz

12KHz

80Hz

12KHz

80Hz

CTRL./PHONES 2TK IN/MP3

ST RETURNS

15

TO MAINTO CTRL.

AMP

P m g 1 0 0 0

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1000-WATT, 12-CHANNEL POWERED AUDIO MIXER

604570

Control ElementsTechnical Specifications

mono channels+/-15dB @12KHz +/-15dB @2.5KHz +/-15dB @80Hz

stereo channels+/-15dB @12KHz +/-15dB @2.5KHz +/-15dB @80Hz

RCA jacks120Hz to 22KHz,+/-1dB<0.03% at +0dB ,22Hz~22KHz A-weighted OFF to 15dB

Stereo Input Channels Mic inputsLow cutLine inputFrequency response Distortion(THD+N) Sensitivity rangeSignal-to-noise ratioChannel EQs

XLR (balanced)75Hz1/4" TRS or TRS/RCA (unbalanced) 20Hz to 22KHz,+/-1dB<0.03% at +0dB ,22Hz~22KHz A-weighted -20dBu~ +20dBu<-105dBr A-weighted

Compressor

XLR (balanced)20Hz to 22KHz,+/-1dB<0.03% at +0dB ,22Hz~22KHz A-weighted 0dB to 50dB+20 dB (balanced)<-105dBr A-weighted+48V with switch1/4" TRS (balanced)20Hz to 22KHz,+/-1dB<0.03% at +0dB ,22Hz~22KHz A-weighted +15dB~ -35dBGAIN:0---->9dB THRESHOLD:20dB---> 5dB

MODEL :Mono Channels Microphone input Frequency response Distortion (THD+N) Gain rangeMax. inputSNRPhantom power Line input Frequency responseDistortion (THD+N)Sensitivity range

PID 604570 1000-watt, 12-Channel Powered Mixer with DSP

1/4" TRS (unbalanced)20Hz to22KHz,+/-1dB<0.03% at +0dB ,22Hz~22KHz A-weighted OFF TO +15dB<-100dBr A-weighted

HighMidLow2-TRACK INTape inFrequency response Distortion (THD+N) Gain rangeAUX RETURNS InputsFrequency response Distortion (THD+N) GAIN rangeSNR

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1) MONO MIC/LINEYou can connect balanced, low impedance microphones or a low level signal to the XLRsocket. On the 1/4" LINE jack you can connect either a microphone or a l ine level instrument, such as synthesizers, drum machines, effect processors, or any other line level. WARNING: Do not connect an unbalanced microphone to the XLR socket! Doing so could damage both the mic and the mixer. Also, it is not possible to simultaneously use both the MIC & LINE inputs on the same channel, use only one of them for the appropriate source.

2) STEREO INPUTSThese inputs are configured as stereo pairs using 1/4" balanced TRS jacks. Use the left channel if connecting a mono signal.

3) INSERT JACKSEach of these jacks provides an insert point between the equalizer and level control of the corresponding input channel. The INSERT jacks can be used to independently connect devices, such as graphic equalizers, compressors, or noise filters, into the corresponding channels. These are unbalanced 1/4" TRS jacks that carry both the send and return signals.

5) LOW CUTBy pressing this button you will activate a 75Hz low frequency filter with a slope of 18dB per octave. You can use this feature to reduce AC line induced hum/noise or stage rumble when using a microphone.

6) COMP CONTROLAdjusts the amount of compression applied to the channel. Turn the knob to the right to increase the compression. The output gain will automatically adjusted. The result is smoother, more even dynamics because the louder signals are attenuated, while the overall level is boosted.

4) GAIN CONTROLAdjusts the input signal level. Turn the knob clockwise to increase the gain; counter-clockwise to decrease gain.To achieve the best balance between S/N and dynamic range, adjust the level so that the peak LED indicator lights occasionally only on the highest input transients. For mono channels, the MIC input adjustment range of the Gain is 0 to 50dB and the sensitivity of the line input is -35dB to +15 dB; For stereo channels, the MIC adjustment range of the Gain is 0 to 40dB and the sensitivity of the line input is -20dB to +20dB.

LOW CUT LOW CUT

COMP

0 10

015

50dB35dB

MICLINE

020

40dB20dB

MICLINE

4)

5)

6)

MIC

4

LINE

INSERT

MIC

5/6

L(MONO)

R

1)

2)3)

40) AUX SENDSThis 1/4" TS jack is used to send the signal out from the AUX bus to external devices, such as effects.

41) GR1/2 OUTThese 1/4" TRS jacks are used to send out the signal from the GR 1 / 2 mix bus to external devices.

42) PHONESThis socket is used to send the mix signal out to a pair of headphones..

43) DFX SENDSThis 1/4" TS jack is used to send the signal out from the DFX mix buses to external devices.

45) POWER ON / OFFUse this switch to power the mixer on/off.

44) AC INLET WITH FUSE HOLDERPlug the supplied AC power cord into this C14 panel connector. The fuse is the T12AL/AC250V type.

47) AMP OUTPUTConnect 4 or 8-ohm speakers to these powered outputs. You can connect using 2-conductor NL4 speaker twist or 1/4" TS cables. Both NL4 and 1/4" TS cables are available from Monoprice. Note that Class 2 wiring may be used.

46) PHANTOM ON / OFFUse this switch to turn Phantom Power on/off. When Phantom Power is on the console provides +48V to all six XLR sockets to power condenser microphones. Do not use Phantom Power with any device that does not require it. Doing so could cause damage to the device and/or mixer.

MAIN MIX OUTPUT2TK IN 2TK OUT

L

R

R R

L(MONO) L GR2 OUT L DFX SENDS PHONES

AUX SENDSMAIN MIXGR1 OUTCTRL.ST RETURNS

R

FOOT SW

L R

35) 36)

37) 38)

39)

40)41) 42)43)

44)

ON

OFF

+48V

Use only with a 250V fuse

45) 46)

RL

MAX. OUTPUT:2X 500W@ 4Ohms 2X 300W@ 8Ohms MIN.LOAD:4 Ohms CLASS 2 WIRING MAY BE USED

47)

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This is the treble control. You can use it to get rid of high frequency noises or to boost the sound of cymbals or the high harmonics of the human voice. The gain range goes from -15dB to +15dB, with a center frequency of 12kHz.

This is the mid range control. It can affect most fundamental frequencies of all musical instruments and human voice. An attentive use of this control will give you a very wide panorama of sound effects. The range goes from -15dB to +15 dB, with a center frequency of 2.5kHz.

LOW

This is the bass control. It can affect low frequency sounds,

such as male voice, kick drum, or bass guitar. The range

goes from -15dB to +15dB, with a center frequency of

80Hz.

9) PRE/POST

Each channel is equipped with a PRE/POST button. When in the PRE position, the AUX signal is sent directly to the output, bypassing the fader. When in the POST position, the fader controls the AUX signal level.

11) PAN / BAL CONTROL

For mono inputs, the PAN control determines the position of the signal in the stereo soundstage. For stereo inputs, it controls the balance between the left and right channel signals.

12) MUTE

Each channel is equipped with a MUTE button. Pressing this button is equivalent to turning the fader all the way down, which mutes the corresponding channel output, except for the PRE AUX sends, channel INSERT send, and SOLO (in PFL mode). When MUTE is activate, the MUTE LED will illuminate.

7) EQUALIZERHI

MID

8) AUX

These controls are used to adjust the level of the signal sent to the AUX buses. Their adjustable range is from - to +15dB.

10) DFX / POST

These controls are used to adjust the level of the POST FADER signal sent to the DFX (AUX) SENDS output, which can be used for monitor applications, as well as effects & sound processor inputs.

PAN

MUTE

PFL

PEAK

1

DFXPOST

POST

PRE

AUX

EQHI

LOW

MID

1

GR1 2

L R

15

R/2L/1

15

10

dB

5

0

5

10

20

30

40

60

1515

0

1515

0

1515

0

15

12KHz

2.5KHz

80Hz

7)

8)

9)

10)

11)

12)

13)

15)

14)

16)

17)

This control is used to assign the signal from FX to the AUX SEND output.

31) PROGRAM (PUSH)

Use this knob to select the desired effect for the mix. There are a total of 100 effects, with 10 variations for each of the 10 basic effects. Basic effects include Echo, Echo+Verb, Tremolo, Plate, Chorus, Vocal, Rotary, Small Room, Flange+Verb, and Large Hall. When you have selected the desired effect, push the knob to store the selection.

32) DIGITAL EFFECTS DISPLAY

Displays the number of the selected effect preset.

33) PHANTOM LED

This LED indicates when phantom power is switched on.

34 PWR LEDThis LED indicates when the mixer is powered on.

35) 2TK IN / 2TK OUT2TK INUse the 2TK IN input to connect a tape deck, CD player, or other similar audio source device. This input can be assigned to either the Control Room output or the Main Mix. You can assign the signal coming from the Tape Recorder either to a pair of studio monitor using the control room assignment on the front panel or you can also send the signal directly to the Main Mix.

2TK OUTThe 2TK OUT output sends the Main Mix to an external device, such as a tape or digital recorder.

36) MAIN MIX OUTPUT

This stereo output features balanced XLR and 1/4" TRS connectors. The Main Mix output is typically routed to an amplifier.

37) ST RETURNS

These 1/4" TS jacks are typically used to return the stereo signal from an effects device back into the Main Mix. They can also be used as additional auxiliary inputs.

38) CTRL-ROOM

These 1/4" TS jacks are used to send the signal out to studio monitor speakers or to a second amplifier.

30) FX TO AUX

39) FOOT SWITCH

Use this 1/4" TS jack to connect an external foot pedal for an alternate method of toggling DFX MUTE on/off.

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This button determines whether the GR1-2 or MAIN MIX signal is sent to the CTRL ROOM output. Note that if PFL is active, the signal sent to CTRL ROOM is unaffected by the MAIN/GR1-2 button.

24) CTRL/PHONESThis knob is used to adjust the signal level of the CTRL ROOM and PHONES outputs. The range of the knob is - to +15dB.

This stereo, 12-segment LED display indicates the overall level of the output signal. Note that the amplifier's output is at maximum when the +10dB LED is illuminated.

26) DFX (AUX2)This knob determines the internal DSP module levels and the level of the DFX output. The range of the knob is - to +15dB.

27) AUX SENDS (AUX1 SENDS)This knob determines the level of the master AUX SEND signal. The range of the knob is - to +15dB.

28) ST RETURNS TO AUXThis knob determines the level of the ST RETURN signals to their respective AUX SEND outputs. The range of the knob is - to +15dB.

29) ST RETURNS TO MAINThis control assign the ST RETURN signals to their respective MAIN MIX outputs. Which can be varied from - to +15 dB.

23) MAIN/GR1-2

25) OUTPUT LEVEL

CLIP

AMP

18)19)20)

26)

25)28)

31)

32

29) 34)

MUTE

PFL

PEAK

GR 1-2MAIN

MIXDFX

TO MAIN

TO AUX

AUXSENDS

DFX

MAING 1-2R

OUTPUT LEVEL

10

4

0

7

10

20

30

L R

7

2

4

2

48V PWR

DIGITALEFFECTS

PROGRAM (PUSH)

FX TOAUX

00 09 Echo

10 19 Echo Verb

20 29 Tremolo

30 39 Plate

40 49 Chorus

50 59 Vocal

60 69 Rotary

70 79 Small Room

80 89 Flange Verb

90 99 Large Hall

L R

15

0

15

0

15

0

15

0

15

0

15

10

dB

5

0

5

10

20

30

40

60

15

10

dB

5

0

5

10

20

30

40

60

15

10

dB

5

0

5

10

20

30

40

60

15

0

15

0

CTRL./PHONES 2TK IN/MP3

TO MAINTO CTRL.

ST RETURNS

88

21)

23)

22)

24)

27)

30)

33)

13) PFL

Each channel is equipped with a PFL button. When PFL is active, the audio signal

on the channel is sent directly to the CTRL and Headphones outputs and to the

output level meter, bypassing the fader. When PFL is off, the channel's output

level is affected by the fader.

This LED illuminates when the peak level of the post-EQ signal reaches 3dB below

clipping. For the XLR-equipped stereo input channels, both the post-EQ and post-

mic-amp signals are monitored and the LED illuminates if either of these signals

reaches 3dB below clipping.

15) GR1-2

Each channel is equipped with a GR1-2 button. Pressing this, pressing this button

sends the signal to the GR1-2 mix bus.

16) L-R

Each channel is equipped with an L-R button. Pressing this button sends the signal

to the MAIN MIX bus.

17) LEVEL

This fader adjusts the overall level of this channel and sets the amount of signal

sent to the main output.

18) MAIN MIX LEVEL

This fader is used to set the amount of signal sent to the Main Mix output and

2TK OUT. The range of the fader is - to +10dB.

19) GR1-2 LEVEL

This fader is used to set the amount of signal sent to the GR1-2 bus. The range of

the fader is - to +10dB.

20) DFX LEVEL

This fader is used to set the level of the signal sent from the internal Digital Effects

to the Main Mix. The range of the fader is - to +10dB.

21) 2-TRACK SIGNAL PATH

This button determines whether the signal from the 2TK IN input is sent to the

CTRL ROOM or MAIN MIX output.

22) 2-TK IN/MP3

This knob is used to set the output level of the signal sent from the 2TK IN input to

the CTRL ROOM or MAIN MIX output. The range of the knob is - to +15dB.

14) PEAK LED

8 9