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7/29/2019 4181867
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Soul as Harmonia
Author(s): H. B. GottschalkSource: Phronesis, Vol. 16, No. 2 (1971), pp. 179-198Published by: BRILL
Stable URL: http://www.jstor.org/stable/4181867 .
Accessed: 25/03/2013 08:52
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp
.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of
content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].
.
BRILL is collaborating with JSTOR to digitize, preserve and extend access to Phronesis.
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There aretwogroupsof early Greek hinkersof whom we are toldthat they regarded the soul as a harmonia of the body or itsparts. The first is represented for us by Simmias and Echecrates
in Plato's Phaedo (85 e ff, 88 d) and is also mentioned by Aristotle.'The second consists of two followers of Aristotle, Dicaearchus and
Aristoxenos.2 Their doctrine attracted a good deal of attention inantiquity and some more recent historians have seen in it an anticipa-tion of modern epiphenomenalistideas;3 but to my knowledge therehas been no comprehensivemodern discussion of it since della Valle'sarticle published in 1905. In the first part of this paper I shall try todetermine the exact meaning of this theory and what differences,if any, are to be found between its adherents. In the second I shallattempt to traceits origins.
Our earliest account of this theory is put into the mouth of Simmiasby Plato at Phaedo 85 e ff. After expressing his dissatisfaction withthe proofs of immortality given so far and being asked by Socratesin what respects he is dissatisfied, Simmias proceeds:
This is what I find difficult, that the same argument could beapplied to harmoniai and lyres and strings; one might say thatthe harmonia in a properly tuned (ptioaLwn) lyre is invisible
I Eudemus fr. 45 Roses, 7 Walzer-Ross; De an. 407 b 30 ff, Pol. 1340 b 19.2 Dicaearchus fr. 5-12 in F. Wehrli, Die Schule des Aristotles I (Basel 1944, ed.2 1967; Aristoxenos fr. 118-21 ibid. II (Basel 1945, ed. 2 1967). The same viewis attributed to another member of Aristotle's school, Clearchus (ibid. III,fr. 9), by Theodoretus, but this is certainly mistaken; see below, pp. 186 f.3 A. E. Taylor. Plato, the Man and his Work, p. 194; G. della Valle, La teoriadell'anima-armonia di Aristosseno e l'epifenomenismo contemporaneo,Riv. Filosof.8.1905.210-31 has an interesting discussion and critique of this theory, but hisdistinction (p. 224) between a "materialist" and an "epiphenomenalist"
conception of the soul is too subtle to apply to the ancient thinkers with whomwe are concerned.
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Simmias equates harmonia with "blending" (xp-aLq), and for the
passages where Socrates refers to Simmias' theory in the course ofhis refutation.5 But what about Simmias' opening sentence? When
he calls harmonia something incorporeal, supremely valuable and
divine, using some of the epithets which had previously (80bff)been shown to belong to the order of being of which the soul is a part,he is surelynot referring o the state of tune of a lyre but to the musical
sounds it produces, of whose effect on men's minds the Greeks, and
Plato in particular,were so acutely conscious.6These are by no meansthe same thing. The sounds are produced by the attunement anddependent on it, without themselves affecting it in any way.7 Thus
the word harmonia changes its meaning between the simile withwhich Simmias begins and the theory he develops from it, and thisshift of meaning corresponds to an underlying ambiguity in his ac-count as a whole: on the one hand there is the positivism of makingthesoul completely dependent on the body, on the other the suppositionthat it is divine and supremely beautiful, with its mystical overtone.The significance of this is something I shall come back to in thesecondpart of my paper.
As for the theory, it is easy to summarise its main outlines. The
soul is a harmonia in the sense of a blending of the physical con-stituents of the body. The constituents in question are describedas "hot and cold and dry and wet and other things of the same kind",8
that is to say, the most elementary entities of which the organism iscomposed. A point not stated by Simmias which is brought out laterin the course of Socrates'refutation (92 e ff) is that the soul exercisesno control over the body; on the contrary, its states follow and are
5 92 a 8, b 7, c 2, 93 a 6, 11, c 5, etc.; 94 c 3, etc. xp&aLvail &p,iovtav ccurs at
86 b 9, xp&acLnd its cognates alone at 86 c 2, d 2.6 Cf. Phaedo 92 b 9 7rp6tcpov al X6px lod ol xop xac l L 9P6YYOL TL&vpLOO'rOL
7 Cf. W. James, Princ. of Psych. I 133 (in a discussion of the "epiphenomenalist"theory), "So the melody floats from the harp-string, but neither checks norquickens its vibrations; so the shadow runs alongside the pedestrian, but in noway influences his steps." Cf. della Valle 217, 225 n. 1, who quotes this and otherillustrations. Taylor (Plato p. 194) finds an exact analogy between Simmias'doctrine and that of T. H. Huxley, who regarded consciousness as a by-productof bodily activity comparable to the whistle given off by steam leaving anengine. In spite of this he uses "melody" and "attunement" indifferently to
conditioned by those of the body. The soul is not a pnrncipleof anykind, not even in the sense in which the tension of a string, regarded
as a physical state, may be said to be a principle governing the pitchof the note which the string will give out when plucked. Lastly allthe participants in the dialogue (and all later writers who hold ordescribe the same theory) are agreed that it entails the mortality ofthe soul; the soul can neither have existed before the body (92a)not can it continue to exist after the body's dissolution.
Aristotle knew the same theory chiefly, if not exclusively from the
Phaedo. In the Eudemus (fr. 45 R3, 7 W-R) he recast come of Plato's
objections, but we learn nothing new about the theory itself from thesurviving fragments. A fuller discussion is preservedin
the de Anima(1.4.407b 27 - 408 a 28). But althoughhe devotes a good deal of spaceto its refutation, all he tells us about the theory is that the soul is aharmonia, that harmonia means a "blending and combination"of opposites,9and that the body consists of opposites. All this, togetherwith several of his objections, could have been taken straight from
the Phaedo or the Eudemus,10 nd adds nothing to our knowledge of
the doctrine he is trying to refute. But Aristotle omits Simmias'musical analogy, avoiding the ambiguity which the word harmoniahas in the Phaedo, and nowhere suggests that the holders of this
theory regard the soul as divine or superior to the body. A bnrefreference to the same doctrine in the Politics (1340b 19) adds nothingto what we know already.
In spite of Aristotle's objections the same theory or somethingvery like it is ascribed to two of his pupils."1n the case of Aristoxenos
the picture is fairly clear. Cicero, our chief authority, tells us that
"Aristoxenos, the musician and philosopher, said that the soul is
a sort of tensioning of the body itself, like what we call "harmonia"
in singing and lyre-playing; in the same way various forms of activityarise from the whole nature and physical arrangementof the body,
9 XPaCFLV al cuvOcatv vazv'dv, 407 b 31. In the following sentence he himself
defines &'p,uovto s X6yog Ttq 'rv LXWv'rcv%M~v&CU (a 32).
10An. 407 b 30 - 32 , Phaedo 86 b 7 ff; b 32 - 4 Phaedo 92 e ff; 408 a 1 - 3=
Eudemus fr. 7 ad fin. 408 a 3 - 5 Phaedo 94 b 7 ff.11The fullest discussion, with a useful summary of earlier literature, is that of
G. Movia, Anima e Intelletto: Ricerchesulla Psicologia Peripatetica da Teofrasto a
Cratippo (Padua, 1968), pp. 71-93.
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comparable to the sounds in music."'2 Elsewhere in the same book
he says that Aristoxenos "was so fond of his music that he even tried
to transfer its notions to this field",13 that his view entails the mor-
tality of the soul'4 and that both Aristoxenos and Dicaearchus
denied the substantial existence of the mind.'5 Cicero's account isfurther embroidered by Lactantius who, however, adds nothing of
substance.16
All this does not amount to a complete theory and it is not at all
certain that Aristoxenos had worked one out. Nevertheless someinteresting points emerge. Aristoxenos seems to have recognised
that the term harmonia is used metaphorically when applied to thesoul.'7 The propermeaningof harmonia, s he used it, was "musicalsound" rather than "attunement". The physical factors giving riseto the harmoniawere not the elementary opposities - they are nevermentioned in connection with Aristoxenos' theory - but the arrange-ment and nature of the organs of the entire body. If we follow thisevidence, weak as it is, we are forced to conclude that Aristoxenos'idea was rather different from the one developed by Simmias. Insteadof an immanentrelationshipbetween the elementarybodilyconstituentsthe soul was, for Aristoxenos, the end-product - epiphenomenon if
you like - of the activity of the living organismas a whole.'8
" Tusc. 1.19 Aristoxenos fr. 120 a: Aristoxenus musicus idemque philosophusipsius corporis intentionem quandam (animam esse vult), velut in cantu etfidibus quae &ptLov(aicitur: sic ex corporis totius natura et figura varios motuscieri tamquam in cantu sonos."'3 Ibid. 41 = A. fr. 120 b (printed in Wehrli's second edition only): "A. itadelectatur suis cantibus ut eos etiam ad haec transferre conetur. &p,wovtxvautem ex intervallis sonorum nosse possumus, quorum varia compositio etiamharmonias efficit pluris, membrorum vero situs et figura corporis vacans animoquam possit harmoniam efficere non video."4 Ibid. 24 = A.fr. 119.
1' Ibid. 51 = Dicaearchus fr. 8 e.16 Inst. 7.13, Opif. 16 = A. fr. 120 c - d. S. Brandt, Lactantius' editor in theCSEL, thinks that he may have used other authorities besides Cicero, but isunable to suggest who they could have been (Wiener St. 13.1891.281 ff).17 Cf. Wehrli SA II p. 84.18 Cf. della Valle 217, Movia 91. My interpretation gains some support from oneof the objections of Lucretius (3.119 ff): many large parts of the body may becut away without its life being lost, i.e. without destroying its harmonia. Thisargument would be pointless if Lucretius did not think that it was the limbs qualimbs whose mutual adjustment constitutes the harmonia. Lucretius does notname the author of the harmonia-doctrine, but he knew it in its Hellenistic form.
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With regard to Dicaearchus the situation is more complicated.Two doxographers, Ps-Plutarch (4.2.5 = Dic.fr. 12a) and Stobaeus
(1.49.1 = Dic. fr. 12 b) credit him with the view that the soul isa harmoniaof the four elements - the old doctrine we know from
the Phaedoand Aristotle. Cicerohowever,who certainlyknew Dicaear-
chus' psychological writings at first hand,"'gives a different accountof his teaching. On the negative side, he tells us, Dicaearchusagreedwith Aristoxenos in denying the immortality and sustantiality of
the soul,20but his description of his positive views is rather different."Dicaearchus brought on a certain Pherecrates, an old man ofPhthia, said to be a descendant of Deucalion, who explained that
the soul is nothing at all; it is a completely empty name, and tospeak of animate or "be-souled"beings is meaningless: there isneither rational nor irrational soul in man or beast and all thatpower by which we act or apprehend is spread evenly throughall living bodies and inseparablefrom the body; for it is nothingin itself and there is nothing except one simple body, so fashioned
that is lives and apprehendsowing to its naturalcomposition."1
19 He refers to his Corinthian and Lesbian Dialogues (Tusc. 1.21, 77, = Dic.
frr. 7 and 9) and in a letter to Atticus (13.32.2 = Dic.fr. 70) written on 29 May,45 BC asks for "Dicaearchi nepl sOxn utrosque". The same title is found in
Plut. adv. Col. 1115 a = Dic. fr. 5 and is presumably a collective title for the
two dialogues, each of which consisted of three books. Wehrli (SA I p. 45)
regards it as a deliberate allusion to the title of the Phaedo, but this is certainly
wrong; it is unlikely that Dicaearchus was himself responsible for the collective
name of his dialogues or that the sub-title 7tpl 4 uX7i of the Phaedo was in
regular use before the Hellenistic age, cf. E. Nachmannson, Der gr. Buchtitel
(Gbteborg Arsskr. 1941) 11 (but in (Plato) Ep. 13.363 a &v i repl IuXi4 6yyis a description, not a title). If Dicaearchus knew any treatise as -r& pl 4iuXi;it must have been Aristotle's, cf. Ind. A rist. 102 b 60 ff.
?0Tusc. 1.24, 41, 51, 77, Acad. Pr. 2.124 = Dic. fr. 8 c - f, 9; since he wrote theAcad. Pr. before receiving Dicaearchus' books "On the Soul" (see Ep. ad. Att.
13.32.3 and Philippson RE 7 A 1128) the report in this work (= fr. 8 f) must
be derived from a doxographical source.
21 "D... Pherecraten quendam Phthiotam senem, quem ait a Deucalione ortum,
disserrentem inducit, nihil esse ominino animum et hoc esse nomen totum
inane frustraque animalia et animantes appellari, neque in homine inesse animum
vel animam nec in bestia, vimque omnem eam qua vel agamus quid vel sentiamus
in omnibus corporibus vivis aequabiliter esse fusam nec separabilem a corpore
esse, quippe quae nulla sit, nec sit quicquam nisi corpus unum et simplex, ita
figuratum ut temperatione naturae vigeat et sentiat," Tusc. 1.21 = fr. 7.
The word-play in animalia. .. animantes ... animum vel animam is untranslatable;Dicaearchus will have used JuXind +uXor.
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We cannot be sure how faitfully Cicero has reproduced his source;
Wehrli finds a Stoicising tendency in the words "vim... fusam esse".
But the main lines of Dicaearchus' ideas emerge clearly enough.
There is no such thing as "soul" (or "mind" or "spirit") distinct
from the body; the "life" and consciousnesswhich some bodies have
are a function of those bodies arising from their structure and theinterrelation of their parts. This theory is quite different from those
of the Stoics or any other major Hellenistic school,22butas we shall
see, its appearancein the work of a follower of Aristotle can be ex-plained historically. Cicero's account is confirmed by a considerable
number of parallels, of which I shall quote the most important.According to Sextus Empiricus, Dicaearchus held that "the soulis nothing else than the body in a certain state". Simplicius tells usthat "Dicaearchus allowed that living creatures exist but denied theexistence of their cause, the soul", and compared his denial with theEretrians' denial of the reality of qualities.23Finally Atticus (the
Platonist) makes the point, to which I shaU return,that in denyingthe substantiality of the soul, Dicaearchus was drawing the logicalconclusion from Aristotle's insistence that psychic activity belongsto the whole man and not to a distinct part.'4
In all this the word harmoniadoes not occur. Indeed, Cicerotwice,and following him Lactantius, expressly distinguish Dicaearchus'teaching from that of Aristoxenos; while asserting that both denythe reality and immortality of the soul, they ascribe the view that
22It bears a slight resemblance to one attributed to Xenocrates by Lactantius(Opif. Dei 16.12 = Xenocr. fr. 71 Heinze).
23 Sext. Adv. Log. 1.349 = Dic. fr. 8 a ... ot IxuvIq&kv qctv evixL aiu'rv (sc.
sr?tv Livotav) 7rmp& 6 7Wx gXov asx, xot6inp 6 A. Simpl. in Cat. 216.12 =
Dic. fr. 8 g ot &.=6 i 'Ep&'rp(mswnpouv &i. oroL6T?rcx oa'S.&iaq&Xo'as -rt
120 b - c. The difference has been noticed by C. Bailey on Lucr. 3.94 ff, p. 1005.2 The tradition derived from Aetius is as follows (see Diels Doxogr. p. 387 and
cf. pp. 49 f, 262 f, 651):
Ps.-Plut. Plac. 4.2.7 and Stob. 1.49.1 (= Dic. fr. 12 a - b) AtxalapXoq&ptov(av'riv ?CT'r&PCOV t7?otXzicov (SC. r?v 4Uxjv tVMXL).
Theodoretus Gr. Atf. Cur. 5.18 = Dic. fr. 12. c, Clearchus fr. 9 SA III K)impXo;8tiQ T&V
is the result of confusion of some kind. Whatever the reason, we
have a direct conffict of evidence between an isolated and uncertain
doxographical text and a report based on first-hand knowledge of
Dichaearchus' own writings. There can be no doubt which we ought
to follow.
What I have just said applies to the "four elements" no less than
to "harmonia".Not that there is any essential connection between
them; there is no intrinsic reason why Dicaearchus should not have
thought of psychic activity as the product of a proper balance of
the "elements"in the living body, without using the word harmonia
in this connection. But again Aetius is our only authority to mention
them, while Ciceroand the rest suggest that the substance of Dicaear-chus' teaching scarcely differed from that of Aristoxenos and the
essential cause of consciousness was the structure and activity of
the body as a whole. Of course this entails a correct balance of the
elements within the organism, but it entails a good deal more than
that. Since Aetius is in any case a tainted source, it is best to discardhis evidence entirely.
To sum up, the main features of the psychology of both Dicaearchus
and Aristoxenos are the following: the soul is not a distinct entity
having any claim to exist in its own right, but psychic activity or
a remark of Atticus (see above, p. 185 n. 24), because he alone has the name
Deinarchus. It is particularly instructive to see how Meletius has condensed
his account in such a way as to attribute to "Deinarchus" the comparison of
the body to a lyre which Nemesios had given, quite correctly, to Simmias. I
suspect that a similar process lies behind Aetius' attribution oi the harmonia-doc-
trine to Dicaearchus.
Most modem editors have "restored" Dicaearchus' name in the texts of
Theodoretus and of Nemesios and his followers. Certainly the alternatives are
implausible. No philosopher named Deinarchus is known, Clearchus, a contem-porary of Dicaearchus in the Lyceum, wrote a dialogue to prove that the soul
can exist independently of the body (fr. 6-8 in SA III) and it is not easy to
think of another name which could have dropped out. But the corruption must
go deeper, unless we are to suppose that Aetius simply blundered. I offer the
suggestion which follows for what it is worth. In the earlier stages of the tra-
dition, Aristoxenos and Dicaearchus were treated in separate sentences, one
after the other, as in Cicero, Tusc. 1.24. At some stage the four elements were
imported from Plato or Aristotle into the report of Aristotoxenos' teaching;
Aetius conflated the reports on both into a single sentence, writing 'ApLar60voqxactALx&kapXoqp[?ov(vetc; later some of the text before -apXoqwas lost (by
mechanical damage?) in the manuscripts used by Theodoretus and Nemesiosor their archetype.
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consciousnessis a secondary manifestation of the correct functioningand interaction of the bodily parts of organisms. By "bodily parts"
are meant not so much the elementary constituents of all bodiesas the limbs and organs which are specific to organisms - whatAristotle would have called the anhomoiomerous parts. All these
organs contribute to the maintenance of "soul" and all share in it;it is not associated with any particular area or constituent of the
organism. Aristoxenos chose to compare the soul, as defined, to a
harmonia,but this is not essential to the theory.27There has been considerable uncertainty in the past whether
this theory should be interpreted as a reversion to the doctrine
expounded by Simmias or as a development of Aristotle's teaching.2MNow that the link with Simmias has been shown to be so very tenuous,there can be no doubt of the answer. We have seen already thatAtticus and Nemesios regarded Dicaearchus' psychology as closelyakin to Aristotle's,29 nd moderncommentatorson theDe Anima havepointed out that, of all the older speculations, the harmonia-doctrine
approaches most closely to his belief that the soul is the form of anorganic body.30Aristotle himself seems to have been aware of this.
At the end of his critique of that doctrine he points out that this
is the only earlier theory to explain the union of soul and body, invirtue of which the body as a whole and all its parts perish when
the soul departs (408a 24 - 8). Like Dicaearchus, he believed that
psychic activity involves the whole organism,not merely the soul,31
27 Dicaearchus may not have been entirely consistent. In a discussion of proph-
ecy (fr. 13-16) he seems to have admitted that the soul has some divine
quality and the power of prophecy in dreams or when divinely inspired; ac-
cording to Cicero, this happened when the soul "ita solutus est et vacuus ut ei
plane nihil sit cum corpore". See now D. Del Corno, Graec. de re Onirocritica
Script. Reliquiae (Milan 1969), pp. 78 ff and 161 ff, who suggests that this
explanation belongs to Cratippus, a Peripatetic of the first century BC whom
Cicero quotes with Dicaearchus in this context.
28 See Movia p. 77 ff, with a ful discussion of earlier views; cf. Zeller Ph. d. Gr.
2.23 888 ff, Wehrli SA I p. 45, II p. 84, and RE Suppl. 11 (1968) 342.29 Above, p. 185 f.30 Hicks on De An. 1.4 init. (p. 263), quoted with approval by Ross and Siwek
ad loc. H. Cherniss, Ar's Crit. of presocr. Phil. 325 f. It goes without saying that
the voiU7roLrnrx6qas to be left out of account in all this.31 De An. 408 b 5 - 15, cf. p. 185 n. 24 above. The relationship between the xpacOu
of the physical constituents of the body and its soul or MtAoqs discussed by
Alexander Aphr. De An. pp. 24 - 6 Bruns, but Alexander here speaks as if it were
the product of the xp5mq, e.g. 24.23, 25.2, 26.3.
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and it it was this unity that his definition of the soul as the form ofthe body was meant to
safeguard.Where he differed from Dicaearchuswas in making the soul the active principleof the organism,its formal,final and efficient cause. For Aristotle, the organismexisted becauseit was informed by soul; for Dicaearchus, the soul only existed, inthe attenuated sense in which it can be said to exist at all, becauseof the activity of the bodily organs.
Of course this point is absolutely fundamental, but the changemade by Dicaearchusand Aristoxenos can be understood as part of adevelopment affecting every aspect of Peripatetic thinking in thefifty years after Aristotle's death, a tendency to obliterate the dis-tinction between form and the things in which it inheres. An obviousexample is the way in which heat and light are treated as materialthings in the writings of Theophrastus and Strato.32 n psychology,this led Aristotle's successors to give up the "Active Reason" andto identify the soul with its material substrate. Theophrastus nevertook the decisive step, but Strato (fr. 108-111) held that the soulwas identical with the "vital spirit" (nv4,ua) which had alreadyplayed a large part in the psychology and physiology of Aristotleand Theophrastusand occupied a central place in the most advancedmedical thinking of the period. Dicaearchus and Aristoxenos, lessinfluencedby medical theories, less interested in the details of psycho-physical processes, approached the problem in a more radical way.In defining the soul as the "form of a body potentially endowedwith life" Aristotle had added that such a body must be endowedwith organs (De An. 412 a 27); one of his objections to the olderharmonia-doctrinewas that, if the soul were a harmonia and thismeant the "blending" n due proportion of the opposites in the body,each living thing would have many souls, because the opposites are
combined differently in each organ (De An. 408 a 13 ff). By making"soul" a function of the whole organism they avoided this difficultyand succeeded in retaining as much of Aristotle's teaching as waspossible on their assumptions, getting rid of the last traces of Plato'sspiritualisttwo-substancetheorywithout replacing t by a materialistictwo-substance theory of the type we find in Strato and the majorHellenisticsystems.
One question remains before we leave these thinkers. Did theyarrive at this conclusion independently, or did one borrow from
32Thphr. Ign., (Ar.) Meteor. IV, De Coloribus, passim. Stato fr. 65-6, etc.
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the other? While no certain answer is possible, there is enough evi-dence to make a reasonable guess. We do not hear of the existence
of any work by Aristoxenos wholly or chiefly devoted to psychology,and we have seen that his surviving remarks about the soul do not
amount to a fully worked-out theory. On the other hand Dicaearchuswrote at least two dialogues, amounting to six books in all, on these
questions, and seems to have devoted at least two books to the
exposition of his own views (fr. 7 init, 9). Probablythereforethe theory
is his and was borrowedby Aristoxenos, whose only innovation wasto call the soul a harmonia. His reasons are unknown - Cicero's
explanation that he was so fond of music that he wanted to transfer
its concepts to other fields (fr. 120 b), is not meant to be taken serious-ly, and the commonest modernview, that Aristoxenoswas influenced
by Pythagorean beliefs, can be discounted - but again we can make areasoned guess. As a musician and writer on musical theory Aristo-xenos was very interested in the psychological effect of music;33
in this connection he may have remarked that the soul is affected
by harmony because it is itself a kind of harmonia.A similar train of
thought led Aristotle to refer to this doctrine at the end of his chapteron the use of music in education.34Such a remark would have been
eagerly seized upon and presented as a fully-fledged theory by latercompilerswho knew the Phaedoand were on the lookout for a strikingphrase.
II
The harmonia-doctrinein its various forms is presented by our
authorities as one which was widely held. In the Phaedoboth Simmias
(86 b) and Echecrates (88 d) speak of it in a way which seems to
imply that it was familiar to their contemporaries, including So-
crates; Aristotle says that many found it convincing, in spite ofthe criticism it had received.36 n the first century BC both Cicero
(11. cc.) and Lucretius (3.98 - 135) thought it worthy of refutation,a fact which led at least one scholar to supposethat it was still popularat that period.36Yet Cicerocan name no thinkerlater than Aristoxenos
33Fr. 6, 121-4.
34 Pol. 8.5.1340 b 17 xoml n I0LXC 7Uyy&vCLOCTa'K &pjLOVEMLCXLad 0LC ?VU8&[LOC ?tIVCL.
&6 7r0)X0( qCXCaL,Ci)Vaoqcv Ot [LiV &pVOIM.0V etlvot r?V 4UXtv, ol 8 IXt &apIov(XV.
35De An. 407 b 28 7rDxvi ,udv7roXXotCi8c&.ucac Bmov Niv Xtyo[dvov X6yov 8'
667rEp cCiU'voLC8cwxuxuL x&VTOt; Iv xovcjVpCYCV'n*VoL.X6yOtq.(text after Ross).For the meaning of the last phrase, see p. 195 below.36 Della Valle 211 ff.
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who held this doctrine and Lucretius is vague enough about its
meaning to speak of the soul as if it were something which makes
men live and have consciousness, a principle of life rather than a
product of the living body.37However, even if this theorywas reduced
to a ghostly existence in collections of obsolete beliefs during the
Helenistic era, its prominencein our sources and its intrinsic interest
are enough to justify a search for its origins. But at this point we
come up against a difficulty. None of our earlierauthorities attribute
it to any individual or school by name; it is only among the Neo-
platonists that we find a tradition connectingit with the Pythagoreans.
What it more, none of the doctrines which philosophersbefore Plato
are known to have held, resembles it at all closely. This has led one
group of historiansto assumethat Simmias and Aristotlewerereferring
to a populartraditionrather than the teachingof any specificthinker.38
The weaknessof this solution is that to describe the soul as a harmonia
is rather a sophisticated idea and quite unlike the popular beliefs
known from early poetry and other non-philosophical sources."3
We could perhaps get closer to the truth by supposing that it was a
notion current n medical circles or amongsimilargroups of sophisticat-
ed non-philosophers, but again there is no real evidence and the
strange combination of mysticism and positivism in Plato's accountof the theory will not square easily with the outlook of those medical
writerswhose works have survived. Altogether this approach amounts
to little more than a confession of ignorance.
37 Sensum animi certa non esse in parte locatum,
verum habitum quendam vitalem corporis esse
harmoniam Grai quam dicunt, quae faciat nos
vivere cum sensu, nulla cum in parte seit mens.
(3.98-101; there is a lacuna before line 98). Cf. 3.118 neque harmonia corpus
sentire solere.38 This group includes most editors of the Phaedo from Heindorf to Archer-
Hind; della Valle 211 ff; G. C. Field, Plato and his Contemporaries, 179 f; J. Tate,
CR 53.1939. 2 f connects our doctrine with the popular materialism of P1. Laws
889, which in CQ 30.1936.53 f he described as a degenerate Anaxagoreanism.39 Cf. E. Rohde, Psyche, passim; R. B. Onians, Origins of European Thought,
passim; J. Burnet, Essays and Addresses, 141 ff; E. L. Harrison, Phoenix 14.
1960. 63 ff; etc.40 Zeller Ph.d.Gr. 16 (1892) 445, with reservations, 2.2w (1879) 888 ff, without
reservations; Pohlenz on Cic. Tusc. 1.19; R. Mondolfo, II Pensiero Anticos
(Florence, 1950), 66 ff; G. S. Kirk and J. E. Raven, The Presocr. Phil. 261 f;
W. K. C. Guthrie, Hist. Gk. Phil. 1.307-19. Contra R. Hackforth, PI's Phaedop. 102 f; J. A. Philips, Pyth. and Early Pythagoreanism (Toronto 1966) 163 ff.
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The alternative is to look for the author of our doctrine amongthe olderphilosophers.The most popular view is that it is Pythagorean;
its advocates include Zeller, Pohlenz, Mondolfo,Kirk and Raven andGuthrie,40 nd it is the only one to have any support from ancientwriters. The most definite of these is Macrobius,who says that Py-thagoras and Philolaos regarded the soul as a harmonia; Plotinos,Olympiodoros and Philoponos ascribe Simmias' theory to "thePythagoreans" or "some Pythagoreans!'.4L rguments for acceptingthis attribution are that Simmias and Echecrates were Pythagoreans,Simmiasbeing a pupil of Philolaos (Phaedo61 d), and the importancewhich the Pythagoreans attached to the idea of harmonia n general.
But the objections are overwhelming. The tradition represented byMacrobiusis a late one; Aristotle did not ascribe this belief to thePythagoreans or anyone else. Arguments from silence are dangerous,but since Aristotle had already referred to Pythagoreans notions ofthe soul twice in the De Anima,42his silence on this occasion looksdeliberate and pointed. The doctrine conflicts with the belief in im-mortality and transmigrationto which all important known Pytha-goreans, including Philolaos himself, adhered.43 t has been claimedthat Pythagoras or his followere could have held a different form of
the theory which was compatible with their religious doctrines."Now the idea that the soul is a "mathematicalharmonia" nd a sub-stance was current in Neo-Pythagorean and Neoplatonist circles,but the writers who mention it are most careful to distinguish it
from the belief that the soul is a harmoniaof material substances and
Simplicius says quite plainly that it is irrelevant to the harmonia-doctrine described by Aristotle.45Philoponos is equally definite on
41 Macrobius in Somn. Scip. 1.14.19 = FV 44 A 23; Plot. Enn. 4.7.8.4 (=
"Theologia Aristotelis" 3.55), II 206 f H-S; "Olympiod." in Phaed. p. 57.17
Norvin; Philop. in De An. 70.5 ff (on Arist. 404 a 16).42404 a 16, 407 b 22; cf. H. Cherniss, Ar's Crit. of Presocr. Phil. p. 323 n. 124.43 Clem. Strom. 3.17 FV 44 b 14 - at any rate a better authority than Macro-
bius, although it is impossible to feel quite certain of anything connected with
Philolaos. A further reason why he is unlikely to have been the author of
Simmias' theory is that he apparently denied that cold plays any part in the
constitution of human beings (Anon. Lond. 18.8 ff = FV 44 b 27)." Zeller 1.1w445, Guthrie 1.315 ff.45 lambl. DeAnima ap. Stob. 1.49.32 p. 364.19W 'E'rLToEvuv'V &PtLov(OV18otCv,06 'iv &vacr(..maXLvLv8pUtFAv', &)X f'T 'tdrl [m,nLjx. Simpl. in De An. 53.23
(on Arist. 407 b 32) oGt-e8i ovala o5W ITn j.FaX)ov&pxwi IaXC'Lxt
this score, although his account of the "mathematical" theory is
slightly different as well as more circumstantial: when the Pythago-reans call the soul a harmonia his must not, he asserts, be understood
literally; their meaning is that the soul, standing mid-way between
the sensible and intelligible worlds, binds them together in a singleharmonia."None of this will take us very far towards explaining the
origin of Simmias' theory. Indeed, since the Pythagoreans regardednumber as the principleof everything and were preparedto describe
the universeand all the things it contains as ?otov&'r-V&pw.tiv tckoq,'97the mere statement that the soul is a number or harmonia revealsnothing of its specific character and cannot claim to be regardedas a
psychological theory in any real sense. What is more to the pointis that Plato gives no hint that there may be a sense in which the soulcan be regardedas a harmoniawithout forfeiting its claim to immor-tality, although this would have strengthened his case; it is simplytaken for grantedthat if the soul is a harmonia, t cannot be immortal.
These difficultieshave led to various other suggestions being madeabout the authorship of our theory; the Eleatics, Empedocles, Alk-maion and the Sicilian medical school have all been proposed, andone writer has seen a connection with the cosmic harmonia of Hera-
kleitos."8 t is true that all these thinkers treated the balance of"opposites"in the body as the determining cause of physical andmental well-being, and Aristotle seems to envisage that Empedocles'doctrine of mixture might, if applied to psychology, give rise tosomething very like the harmonia-theory (de An. 408 a 18 - 23);
" Philop. inDe An. 70.5 (on Arist. 404 a 16) 6asrep o5v &pLovicv 4yover.c rhv4ux?V o05 ?MU arM6rV&psLovv r TvIV 't Xop&ts (yc0otoV yxp), &XX' 'rL &7a7ep
1 &ptLovEa, xxo s ccu ol t6p(tovra ot ILuO)r(6puoL, '7rOXUILLY&OVacd XOXaLXO qCpo-
but although he raises the point immediately after his critique of
Simmias,he does not suggest that Simmiasmay have been influenced
by Empedocles.And in fact neither Empedoclesnor any of the othersidentified this balance with the soul. For Alkmaion, a correctbalance
of the opposites was identical with good health - i.e. he said exactlywhat Aristotle claims that Simmias ought to have said.49Parmenides
and Empedocles connected sensation and thought with physical
organs - in the case of Empedocles, the blood - whose effectiveness
depended on the balance of their constituents;50but if anything
deserves the name of "soul" t is the seat of consciousness, a part of
the body, not the abstract "fact of its being a blend"of its elementary
constituents. Diogenes Laertius actually says that Zeno regardedthesoul as a mixture of the four elements;"'the word he uses is xp,which always denotes the concrete product of mixture and which
Aetius (4.3.11) used to describe the atom-soul of Epicurus. No
doubt these thinkers helped to create the intellectual climate in
which Simmias' theory became possible, but they did not anticipate
its most distinctive features.
Since none of the previous suggestions about its authorship have
been substantiated, and there is no room in the history of Greek
philosophyfor an unknown thinker who left no trace of his activity
except for one striking but anonymous theory, we are thrown back
upon the text of the Phaedo. We have seen already5' hat Simmias'
exposition falls into two parts, in the course of which the meaning
of the word harmoniaundergoes a subtle change. If we look at the
first section of Simmias' speech, down to 86 a 6 or even 86 b 5, by
itself, we can see that it is a purely dialectical argument against
Socrates' third proof of immortality, beginning at 78 b; the epithets
&6povroval &aiocrov xoclnrCyxOCX6vt xcxl &dov are meant to recall
the description of the soul given there.53Socrates had argued from
the deiformity, to use Taylor's word," of the soul, to its immortality;
49Arist. Eudemus fr. 45 R', 7 W-R, De An. 408 a 1. It is also worth noting that
the term he used to denote the balance was 10ovop12x,ot harmonia.
50 Parm. FV 28 A 46, B 16 (= Thphr. Sens. 3); Emped. FV 31 A 86 (= Thphr.
Sens. 7 ff), B 107-9.
51 Diog. L. 9.29 = FV 29 A 1. The word xp&x.tas a piece of doxographer's
jargon and was probably used not by Zeno himself.
52 Above, p. 181 ff.
S3 Phaedo 85 e; cf. 78 b - 83 e, especially such passages as 79 b 13 ff, 80 a 8.
54 Plato p. 189.
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Simmias replies that the harmoniatoo is deiform relative to the lyreproducing it, just as the soul is deiform compared with the body.His objection is a valid one. The only way to meet it was by showing
that the relationship of the soul to the body is not the same as the
relationship of the harmoniato the lyre, and this involved first of
all explaining what could be meant by calling the soul a harmoniaof
the body. The theory which Plato puts into Simmias' mouth in the
second part of his speech - there is no need to suppose that it was held
by the historicalSimmias, any more than we believe that the historical
Socrates taught the Theory of Forms - was designed to meet this
requirement. This suggests that Plato devised - one might almost
say, improvised - the theory himself as a model of what was entailedin real terms by the analogy with which Simmias had begun. In
constructing it Plato made as much use as possible of familiar ideas,
e.g. the notion that the vitality and consciousnessof living things aresomehow connected with their physical constitution; this would helpto make it both comprehensible and plausible. But in essentials it is
Plato's own. Its strangely composite character is the result of its
mixed origin: the assumption of the souls' deiformity was dictatedby Socrates' earlier argument, while the positivism in which it issues
is implicit in the very idea of making the soul depend on the body.It might be objected that, according to Aristotle, the harmonia-
doctrine appealed to "many wise men".15This is a serious difficulty,although it is not easy to accept Aristotle's statement at its facevalue in view of his inability to name a single adherent. Perhapshe was thinking of members of the Academy. This would explainhis failure to mention any names, and the phrase x&v oZ, &v XoQLV
yeyyv-,6voLq)6yot of 407 b 29 would be very appropriate if it refers
to Academic discussions of the Phaedo and the problems it raised.5
It is quite possible that some of the participants in such discussionsshould have found Simmias' doctrine more attractive than Platowould have liked. We have seen already that Xenocrates is credited
'l De An. 407 b 27 86E, mO&mv?u&vo?Jotc,Pol. 1340 b 18 -no)X)otmat &v a6(pcv.The characters in the Phaedo only speak for themselves.I6 On this phrase see J. Bernays, Die Dialoge d. Arist. 15 f, 28 f, 146 n. 16. TheGreek commentators take it, with some hesitation, as a reference to the Phaedo
and Eudemus, but the parallel of Metaph. 987 b 14 shows that it could refer atleast equally well to oral discussions.
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by one source with a doctrine similar to that of Dicaearchus,and thehedonism of Eudoxos would be an analogous case.67
The later history of this idea is a tribute to Plato's literaryinfluence.Epicurus took the trouble to controvert some of Plato's objections(one of his arguments has been preserved by Philoponos)58n spiteof the fact that his own psychological theory was quite different.Dicaearchus developed a theory which superficially resembled it,but whose real ancestor was Aristotle; this was taken up by Aristoxe-nos, who for some reason called the soul, as conceived by himself andDicaearchus, a harmonia. Their theory, together with Aristoxenos'catchword, passed into the doxographies,where it was contaminatedwith the doctrine
given to Simmias in the Phaedo and in this formcameto be attached to Dicaearchus alone. Once established in the hand-books, it became one of the topics which had to be included in everybook about the nature of the soul; so it was refuted by Lucretius andCicero from their different points of view, and later by the Neo-platonists from Plotinos to Olympiodoros. Other Neo-Pythagoreansand Neoplatonists tried to find a moreacceptableversion whichwouldallow them to call the soul a harmoniawithout entailingits dependenceon the body, using ideas ultimately derived from Plato's Timaeus(35 ff).59About 400 AD Nemesios went back to the Phaedo to pad outthe scanty information he found in Aetius, and his contaminatedreport was condensed by Meletios.After this Simmiasdoctrine wasalmost forgotten; St. Thomas does not seem to have known moreabout it than he could learn from Aristotle. In the nineteenth centurythe image was resuscitated and attached to the epiphenomenalisttheory.
Appendix: an uncollected ragmentof Epicurus.
The following passage is not included in the editions of Epicurus'fragments of Useneer, Bailey or Arrighetti and was overlooked by
5Xenocr. fr. 71 Heinze (= Lact. Opif. 16, 12, not a very good authority),
see above, p. 185. Eudoxos D 3-4 Lasserre = Arist. EN 1172 b 9, 1101 b 27.
58 In De An. 143.2 ff; see the appendix.
59 St. Thomas seems to have regarded this as a genuinely Platonic dogma;In Arist. libr. de An. I, L. 9 ?132 (on 407 b 30) "Isti concordaverunt cum
Platone in hoc, quod Plato dixit quod anima erat composita ex numeris har-
monicis, hi vero quod erat harmonia. Sed differebant in hoc, quod Plato dixit
quod anima erat harmonia numerorum, hi vero dixerunt, quod harmonia tam
compositorum quam mixtorum, vel contrariorum, erat anima."
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This is followed by more than a page of characteristic verbiagewhile Philoponus tries various shifts to prove Epicurus' syllogismformally invalid, without ever quite getting to the heart of the fallacy;-6
after this he summarises the objections brought against Simmias'thesis by Aristotle in the Eudemus (Philop. p. 144.22 - 145.9_Ar. fr. 45 Rose3 = Eudemus fr. 7 Walzer-Ross).
Epicurus' argument against Plato is purely dialectical; he hadno sympathy for the harmonia-doctrineas such and the objections
with which Lucretius refutes it (3.98 - 135) are probably derived
from one of his writings. Arguments of this type are rare in extantEpicurean texts, although it is a well-known fact that Epicurus
developed many of his doctrines in opposition to those of earlier
philosophers and controverted the views of many of them, includingPlato. Usually his critique is determined by the requirementsof his
positive argument and based on his own fundamental doctrines or on
observed facts. For example, there is no direct referenceto the Phaedoin the long series of proofs that the soul is mortal reproduced by
6O The anonymous writer of Cod. Vatic. 268 (Hayduck's A), an llth-century
manuscript containing excerpts from Philoponus' commentary, has done slightly
better; at the end of Philoloponus' discussion he has added the following note,printed at the foot of p. 144 in the Berlin edition: ov8 6 'ErnxoSpouX6yoq o
vc&Azkpm. his is the converse of Epicurus' reply, positive whereEpicurus' is negative. But it also is dialectical;Strato didnot believe,any more than Epicurus, that the soul can be describedas a harmonia.