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3-Point lighting
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3pointlighting1

Sep 08, 2014

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Brandon Green

 
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Page 1: 3pointlighting1

3-Point lighting

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ALL LIGHTS ON

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ONLY THE KEY LIGHT ON

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ONLY THE FILL LIGHT ON

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ONLY THE HAIR LIGHT ON

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ONLY THE EDGE LIGHT ON

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FULL LIGHT SET UP

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• The original concepts of contrast and light angles were often influenced by the light coming in from a window

HISTORY

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KEY LIGHT

• Primary or dominant source of light in a shot• Often suggests an out of frame source • The choice of fixture (hard or soft) and its

position will help set the mood of the shot

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Soft Key Light

• Creates the shadow line running down the cheek

Full lighting with Soft KeyRifa 88, 1000W

Soft light Rifa with fabric egg crate

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Hard Key Light• Dramatic transition between light and dark areas

• Rembrandt Lighting- when key light is positioned so there is a light triangular patch under the near eye• Has a slimming effect on the subject

Rembrandt van Rijn, Portrait of a Lady with an Ostrich-Feather Fan, c. 1658/1660

Full lighting with hard key

Pro-light, 250W Focusing Hard light

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Simple Light Setups• One light will do the work of both Key and Fill • A second small light from behind adds a little shine to hair and adds a finishing

touch • A small hard source can be used to see where the shadows are• By adding an umbrella increases the relative size of the light source so softness

increases

Single light (Omni-light 500 W) with umbrella, positioned to function as Key light, with enough softness to also act as Fill light. Result of One light Source

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Fill Light• Lightens shadows• Combined with the Key light, Fill light

defines the mood by lighting the shaded areas in a range of intensities

• Can vary from none, to a level equaling the Key light

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Fill Light

You can most easily alter the mood of a shot by raising and lowering the intensity of the Fill

Rifa 44, 250W Soft lightFill light alone

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Hair Light• A light from behind the subject, often weaker

than the Key or Fill, aimed at the head & shoulders

• May also be called a backlight

• Separates subject and background

• Adds highlights & shine to hair

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Background Light• Used for lighting background of set as a whole or

specific areas

• Lights objects in background of set significant to image

• Separates subject and background

• Possible to use multiple background lights

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Color background

• In this shot, we added red gel to an Omni-light, focused wide enough to cover the background area of the shot

Omni-light 500W focusable

A popular technique used in media to give the background a more theatrical effect. It provides a contrast of color and feel between the environment and the subject.

barn doors were used on the fixture to trim any spill that may fall on the subject