Flöte Oboe Klarinette in B Fagott Horn in B [tief] Trompete in C Posaune Pauke Violine 1 Violine 2 Viola Cello/Bass [à 2] Exposition, erstes Auftreten, enthält die alten Takte 5-10 und die ersten Versionen der anderen Takte. Grave Partitur herausgegeben von Franz Scheder Beethoven: Pathetique, 1. Satz, Exposition instrumentiert von Anton Bruckner 1 [à 2] 1. [à 2] Fl. Ob. Klar. in B Fag. Horn in B [tief] Trp. in C Pos. Pk. 1. V. 2. V. Va. Vc./Kb. 4 cresc. [à 2] cresc. cresc. , cresc. 1. 2. 1. cresc. cresc. cresc. cresc. cresc. cresc.
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Flöte
Oboe
Klarinette in B
Fagott
Horn in B [tief]
Trompete in C
Posaune
Pauke
Violine 1
Violine 2
Viola
Cello/Bass
[à 2]
Exposition, erstes Auftreten, enthält die alten Takte 5-10 und die ersten Versionen der anderen Takte.
GravePartitur herausgegeben von Franz Scheder
Beethoven: Pathetique, 1. Satz, Expositioninstrumentiert von Anton Bruckner
1
[à 2]
1.
[à 2]
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va.
Vc./Kb.
4
cresc.
[à 2]
cresc.
cresc.
,
cresc.
1.
2.
1.
cresc.
cresc.
cresc.
cresc.
cresc. cresc.
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va.
Vc./Kb.
7 [à 2]
cresc.
2
cresc. 2.
1.
cresc. [à 2?]
cresc. cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va.
Vc./Kb.
10
[à 2]
[1.]
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va.
Vc./Kb.
11 A cresc.
Allegro di molto e con brio
cresc.
3
cresc. cresc.
cresc.
cresc. cresc.
cresc.cresc.
cresc. cresc.
cresc. cresc. cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va.
Vc./Kb.
18
cresc. cresc.
cresc. cresc.
cresc. cresc.
cresc. cresc.
cresc. cresc.
cresc.cresc.
cresc. cresc. cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va.
Vc./Kb.
244
B
[à 2]
[à 2]
[à 2]
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va.
Vc./Kb.
31
cresc.
[à 2]cresc.
cresc.
[à 2] cresc.
[à 2]
cresc.
cresc.
cresc.cresc.
cresc.
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va.
Vc./Kb.
375
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va.
Vc./Kb.
43
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va.
Vc./Kb.
496
C
[1.]
[2.]
1.
[Vc.]
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va.
Vc./Kb.
55
[1.]
[1.]
[Vc.]
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V. Va.
Vc./Kb.
637
[1.]
[1.]
[Vc.]
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va.
Vc./Kb.
72
[à 2]
D
[à 2]
[1.]
[Vc.]
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va.
Vc./Kb.
79
decresc.
[à 2]
8
decresc.
[à 2]
decresc.
decresc.
[1.]
decresc.decresc.
decresc.
decresc.
decresc.[Vc.]
decresc.
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va.
Vc./Kb.
86
[à 2]
E
[à 2]
[Vc.]
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va.
Vc./Kb.
92
cresc.cresc.
9
cresc.cresc.
cresc.cresc.
cresc.cresc.
cresc.cresc.
cresc. cresc. cresc.
cresc.
cresc.
cresc.
cresc.cresc.
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va.
Vc./Kb.
97
tr.
cresc.
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va.
Vc./Kb.
10310
cresc.cresc.
cresc.cresc.
cresc.cresc.
cresc.cresc.
cresc.cresc.
cresc.cresc.cresc.
cresc.
cresc.
cresc.
cresc.cresc.
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va.
Vc./Kb.
109
F[1.]
Solo
cresc.
[Vc.]
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V. Va.
Vc./Kb.
11511
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va. Vc./Kb.
121 duo
[à 2]
Fl.
Ob.
Klar. in B
Fag.
Horn in B [tief]
Trp. in C
Pos.
Pk.
1. V.
2. V.
Va.
Vc./Kb.
126
12
Flöte
Oboe
Klarinette in B
Fagott
Horn in B [tief]
Trompete in C
Posaune
Pauke
Violine 1
Violine 2
Viola
Cello/Bass
133
Wiederholung der Exposition einschließlich Introduction, enthält die neuen Takte 5-10 und die späteren Versionen anderer Takte und eine angefügte Coda, die Bruckner nicht instrumentiert hat.