39943579 VOL I the Practical Exemplar of Architecture 1907

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The Practical Exemplar of Architecture

From "THE ARCHITECTURAL REVIEW."

Being measured drawings and photographs of fine examples and details lor the use of those who desire

to study the work of the masters in .Architectural design and construction ; together with other

examjiles not previously published ; the whole selected and edited by

Mervyn E. Macartney, B.A., F.R.I.B.A.

II'" iiilcnliiiii (if the

PuAi I K \l r-lxiJ.Ml'I.Al^

(M- .\K( HITIXTLRE i.S bv

mean.s of phcitna^raphs

and measured drawings

to place before .\rcbitects an absolutely

reliable and correct reproduction of all that

pertains to the practice of Architecture, so

tliat an .Architect, or for that matter auN'one,

could reproduce a gi\-en sul\ject from a

chimnev-stack to a door-kimli. I( is iioi

intended that the host of adaptors should

iDe increased so much as to ensure that the

adaptations should be correct. The dull

idp\ist will exist under an\' circumstances;

he caniKjt lie eliminated, but he can be

proxided with " ])ot-hooks " that are worth

imitatinij. Though not the aim of the

Pra( TK \i. |-'xi-:jipi.ai^ it is still a conso-

lation to know that under the worst aspect

llie slantlard will not be hiwcrecl. It is

recoi;nisrd lli.il measured drawings are the

best lorm (il instruction; accompanied by

|ili(itoi^r;iphs their \alue ami hiciditv are

consitlerably increased. The ex|5erimeiu,

jud^jini; fruin the main- letters of en-

courai.;ement received, has ix-en widely

appreciated. ()riyinall\\ il was intended

to reprini uKJst of the illustralKJiis in bo(jk

toriu, but by priniinj; them as separate

plates it is thotii^ht that ihey will be in a

moi'e handy form for reference.

.\s tar as jiossible the constructioi^ of the

details is clearly indicated; btit it must be

borne in mind lli.ii the examples are maiidy

old, and thai paint cannot be remoxed from

Wdotlwork, or ])laster stri|)])ed from a

staircase sollil lu di.scUise the actual

construcliiiii.

'l"he I'lditor wiiuld be t:l;id to hear of

I'.xampk-s l(ir fmiiie issue; it is his desire

to publish standard exam]iles of- prin-

cipally— British Architecture, and t(j make

them as re]3re,sentati\e as possible.

The Practical Exemplar of Architecture.

Balustrading (Stone and Iron).

Gowane's llospital, or iIk; (iuilclliall at

Stirliiii;' (l)uilt in 1639), possesses a fine stone-

paved terrace (plates 1-2, ist reprint) raised

a few feet abov'c a bowling' urecn. In llic

centre a landing on the level of the tcriMrc

projects into the i;reen, allowing the lli^jlits

of steps to descend to the ri^lu and left.

At the near end another llii^ht of steps (not

shown in the photograph) goes down to the

road. This latter has a raking balustrading.

The curious detail of the newels should be

noted ; and it will be seen that purely

utilitarian considerations have imparteil a

character of tlirectness and siinplicily. I he

balusters are admiral)l\- adapted to their

purpose. Their massive j)ro|)ortions allow ol

the wide spacing so suitable in garden tlesign.

Comparison with the stone staircase Irom

Glasgow (see below), where balusters ol

almost uncouth robustness and somewhat

similar design are used is interesting.

Gla.sgow College was built in 1659;

antl the e.xterior stone staircase (plates 40-

44, 2nd series) was erected some time before

1690, for it is recorded that the balustrading

and heraklic animals were added in that

year.

" In 1690 a rail ol stone bakistrad-

" ing was put on the great stair leailing

"to the I'ôre Hall, with a lion anil a

"unicorn upon the first turn, at a cost

"of Twelve Pounds .Sterling."

The Annals uj Old Glasgow Cullcgc.

The Collecre and staircase were de-

molished towards the end of the last century.

Parts of the former were re-erected in the

shape of a Gate Lodge to the new LIni\ ersii\ ,

and the .staircase also was rebuilt. It is

worth noting that the door lintel is a nmnolith

extending from side to side, including the

upper parts of pilasters. Tlie original posi-

tion of the doorway was immediately facing

the head of the stairs.

I'he stone balustrade from Orta, Italy

(plates 48-50, 2nd series), is extremely in-

teresting. A curious feature of the balusters

is the raised diamond in the middle, and the

pedestal bearing a shield set in the midst

of the balustrade is unusual. More vigorous

it less pleasant in design is the balustrading

to the Rialto, X'cnice (i)lates 45-47, 2iul

.series). fhe string on which it stands is

strong, and, with the console blocks, ex-

tremely effective.

I'"nglish ironwork is much less fanciful

lliar '*.:;lian. Ilie wrought iron iialcony

fi'om ' *'ta is .dmost lidious in design, yet

withal exlrcmel)' |)Ieasing. It is curved on

])lan a happ\ ilexice, although it ailds to

the difficulty of workmanship. \\ here the

scrolls cross one another thev art; halved,

and lh(\ are bountl with metal straps where

ilie\ touch. Only the uprights are mortised

into the stone, the scroll-work being based

on a flat band of iron some inches above the

stone. .\ sim])le design of balu.strading is

used on the small britlge (plates <S 1 -82, 2nd

series) near San Lio, X'enice. Ihe scroll is

one piece of iron lient in the simplest

manni'r, and is finished with a Ijorder of

rings on the lop. Cast iron pedestals give

the necess.u'x stability to the tlesign.

Chimncy-pieccs.

riu- ci)ini)lele accomplishment of the

Renai.s.sance tradition is shown in the chim-

ney-piece from the Metropolitan Water

Hoard's Offices (plates 3-6, ist re])rint).

01 Wren's period, it has a great wealth of

car\ ing, probabl) In (irinling Gibbons,

for its ornament, bruit, flowers anil grapes

in festoons crown the centre panel ;birds

poise daintily on tendril and flower, or

hang limp in the pendants, which fall in

a fret of implements of fi.shing, fish, shells,

in a j)erfect marvel ot carving. Fhe coal

of arms is not the least of the ornaments;

its projection, tlesign, antl the vigour of the

carving of the mantling antl accessories,

make it a fine example of the work of this

period. All the details of the mouldings are

well designed. The Corinthian capitals are

beautifully carved. The plaster u[)per mem-

bers of the cornice are a curious leature. Aplea.sant effect is obtained by the inlay of oak

forming the frame to the marble jamb.s, which

are moulded to the l\ pical wave .section.

In quite a dilTerent manner is the chim-

niy-i>iece at the .St)ane Museum (plates 7-S,


Chimney-pieces (coutinued).

1st reprint). Of white marble, its ilelicate

flutinos and quiet desitrn oive it an cftect of

the utmost reticence, not without a severe

beautv. Sir John Soane, the architect

of the Ikuik of England, was the desiL;ner,

and it is a characteristic and fine example

of his manner for internal work.

The stone chimney-piece in the old

Dinino- room of Argyll's Lodging, StirliuL;,

built in 1632 (plates 9-1 i, ist reprint), is a

good example of the form the early Renais-

sance took in Scotland. Less refined than

contemporary work in the south of England,

it is still effective ; and if the profiles of the

mouldings are coarse, they are vigorous and

in scale with the whole. A Renaissance nioiit

has given the idea for the carving of the

frieze, which is beautifully executed and fills

the space in a satisfactory way. One feÛure

of the new movement, the terminal figure

(received through Dutch agency), was, per-

haps from its novelty, was much affected

by the designers and carvers of the time,

to their undoing. In the present instance

it cannot be said to have succeetled.

The Adam mantel (plate t,[, 2nd series)

is typical of that desit^ner. Curious pillars

form the jambs, and delicate enrichments

are used throughout.

Several elaborate chimney-pieces are

Included In the account of Hatton Garden

(under " Panelling "), and one of the early

Renaissance In the room attributed to

Inlgo Jones. A simple specimen in wood

is shown (plate 90, 2nd series) from the

workhouse, Meopham, Kent.

Chimney Stacks.

There Is, in our architecture, no feature

more English than the chimneys. A natural

growth of the re(|uirements of our climate,

they are extremely logical and straightfor-

ward, and always look what they are. Onehas but to recall Chambers's vases doing

duty as chimneys to realize the value of

traditional methods. The chimneys from

Eton College (plates 16-19, 1st reprint) are

typical of the end of the i6th century. This

shape is to be found in endless variety of

detail at Moyns Park, Blickling Hall, North

Mymms, and generally all over the country.

The skill of the bricklayer was never

greater than at this time. The example

from .Silchester (plates 11-12, ist reprint)

.\.i). 1634, belongs to the new type which

has lasted, with \ariations, to the present

day. rhe slight recesses, only ijin. deep,

the arched tops to the panels, the projecting

bricks make it a fine example. Goddard's

Green, near Cranbrook (plates 23-25,

1st reprint) shows an interesting stack.

Proljably a development of the Tudor

chimney, it leads the way to the ijuite

common type in Kent-chimneys set angle-

wise. Close at hand, Dog Kennel Cottage

gives a dift'erent but scarcely less interesting

type (plates 20-22, ist reprint). Very

imposing are the chimneys (plates 13-15,

1st reprint) for Royal College Hospital,

Chelsea, designee! by Wren between 1682-

1692. The stone cornice makes a good

finish. Marlborough College, Wilts, (plates

26-27, 1st reprint) has chimneys somewhat

similar in design.

A bold and well-designed stack belongs

to the Choir-house, .Salisbury (plates i and

4, 2ntl series). Another fine e.xample Is

taken from a small cottage near Westerham

(plates 105-106, 2nd series). The double

chimneys, set angle-wise, are extremely

simple, and make a good finish to the fine

base with its numerous oftsets and diverse

materials.

Colonnades.The stone screen to the Admiralty

Buildings (plates 98-104, ist reprint) Is one

of Robert Adam's earliest works. It Is

shown in his book on Architecture, but

without the square openings at each side.

Fhese openings were cut after Its erection,

and two pillars were taken out of the

colonnade to Its detriment.

Perhaps the finest stone screen In

P2ngland (plates 61-69, 2nd series) Is that

from Hampton Court Palace. Wren was

fond of coupleci pillars, and here, as in the

great porticoes to St. Paul's Cathedral and

The Practical Exemplar of Architecture,

Colonnades (continued).

the colonnade at (incnw ii li I lospilal, he

has employed thciii. A line halustradinLf

forms part of the desij^n. It is raised well

above the cornice, as it oiit^lu in 1><\ and

the centre is marked 1>\ hold rar\cd jxde-

stals carrying vases. 1 hr pedestals l>eai-

trophies of war which are linel\ car\cd.

The capitals and details are all extrenielv

beautiful.

Another screen, Queen ;\nne's Walk,

Barnstaple (plates 57-60, 2nd series) l)elonL;s

to a later period. It was huilt in 1713,

and is not a \'ery successful desiL;n. Fhe

pillars are much too short, and the whole

screen has the appearance of being sunk in

the ground. Fhis is further increa.sed by

the heavy balustrading. The details are

coarse and not very interesting, but the

desiofns for the cartouches and the carxinLi'

are fairly good.

Cornices.

A nice judgment is recjuired to pro-

portion a cornice to its position. It "reads"

quite tlifferently in actualitw when its full

girth is e.xposed, from what it does on ])aper,

and great care has to l)e exercised in its

desitrn. In the use of "the orders" a

definite proportion ol)tains and lessens the

chances of making mistakes. But there

are few rules to guide one to the size of

the ordinary crowning cornice to a building.

The wooden example fi'oni the .Sti'and

(plates 27-2S, 1st rejirint) is of an ordinar\

type, but is boldly designed and well fitted

to its height from the ground. riit- two

from Chelsea Hospital (Sir Christopher

Wren, architect) (plates 29-30, isl re])rlnt)

are less usual, Init ver\ interesting. llie

great projection ot the coronas is note-

worthy, as b)' this device added imjjortancc!

is given to the cornices.

A charming little stone (ornice is that

from the Choir-house, .Salislmrv (plate o,

2nd series), antl various wooil ami ])laster

cornices of yood design are shown aiiioii''

the drawinofs of Hatton (iarden and the

Cupolas.

room attributed to Inigo Jones

Being usually raise<l a considerable

height abov(; the eye, a cupola re(|uires

to be carefully designed. The contour of

the domeil part especially needs the most

carelul consideration, for perspective plays

strange Ireaks with sjiherical bodies. Thecupola, Clare College, Cambridge (plates

31-35, 1st re|)rint), is a charming exampleol a feature that can lend a great deal

of interest to a roof In this example,

th<! shape of the lead work is successful,

and the design of the pine-apple finial is

well pro|)orti<)ned, giving a good finish to

the dome. The wooden pilasters, the arch-

headed windows, the cornice with its

numerous breaks, are all pleasant features.

All Mallows' Church, London Wall,

was built by (ieorge Davis the yoiniger,

inunediately on his return from Italy in

1765. Its stone cupola (plates 36-39, isl

reprint) in this example takes the place of

a spire. It looks ver\- well, and, wîth the

aid of the \ases filling the angles, joins

on remarkal)ly well to the scjuare tower.

Again, the cornice is broken round the

attached pillars. The shape of its small

lead dome and cross is also oood.

Doors and Doorways.Monlen College, Blackheath (Doors

ant! Doorways) (plates 40-47, ist reprint),

was built by lulward Strong as master

mason in 1695. It is built round a (|uad-

rangle, and Wren is usually allowed to

be responsible; lor the general scheme.*

W'e always feel that in s])ite of the most

excellent workmanshi|) and exquisite car-

\ing, the main doorway fails as a piece of

proportion, that the arrangement of the two

figures in the pediment is rather unhappy,

and that the doorwa\' to the south wing

is too loft\ . .\ll the details are, however,

good, and show the force of the tradition

of the late ijtli tcnlur).

I he ])roportion of the doorway to the

Chapel is much more satisfactory. Again,

• See A. R. Vol. 22, p. 274^ vol. 23, pp. 49, 1 21, for full description and plans.

The Practical Rxcniplar of Architecture.

Doors and Doorways {tonunncd).

the carving is _t;ootl, and the fretted panels

of the doors are a charming arrangement.

A door somewhat similar in design to

the main door of Morden Coll(>ge is that

from Bromley College (plates S3-S5, 2nd

series). In l)oth cases an arched opening

is contained \^\ Doric pillars and a seg-

mental pediment, Init the latter is heauti-

fully proportioned, in every way superior

to the first. Of somewhat the same period

is the wooden doorway from Carey Street

(plates 4S-51, 1st reprint). Too much jiraise

cannot be given to this : its general pro-

portions are excellent, and all the details

are of extreme beauty, many of them being

enriched in \arious ways. The console

blocks, the capitals, and the carving of the

festoons, are in the finest style. The raising

of the architrave to make a base for the

vase is good. A comparison between the

doorways from a house in Botolph Lane

(plates 54-56, 1st reprint) and from Marl-

borough College (plates 52-53, ist reprint)

gives a good idea of the differences in design

between the 17th and iSth centuries. In

the first, \irility is the marked characteristic ;

the simple door panels, the strong break of

the architrave, the vigorous mouldings, all

mark it as belonging to the earlier period ;

while in the latter the character is less

robust.

The door from the Close, Canterbury

(plates 97, 99-100, 2nd scries), shows the

Renaissance influence strongly in the design

of its enrichments. If the carving is a trifle

crude it is effective, and the arrangement of

the panels, and the use of nail-heads as a

decoration, are very good. Fhe winged

cupids fill in the pointed top panels remark-

ably well, ami all the details are well antl

carefully executed. A very original piece

of work is the doorway from Clare College,

Cambridge (plates 95-96, 2nd series). Theworking out of the stone details is extremely

interesting. Another clever design is the

doorway from St. John's College, Cambridge

(plates 97-98, 2nd series). It is placed so

close to the corner that there is little room for

the jamb, bur it has been so arranged as to

look well without being in the least cramped.

The doorways illustrated from Salisbury

([)lates 2 and 5 and 86-93, -''"^^ series)

exemplify the variety to be found within a

small area. With the exception of the bold

example from the Choir House (late 17th

century), these doorways all belong to the

iSth century, and display much excellent

detail and carving. A pleasant example

(plate 63-64, 2nd series) from the Loggia at

Hampton Court is also shown. The door

from Stresa, Italy (plates 92 and 94, 2nd

series), shows a curious arrangement of

panels. Numerous examples of interior

doors will be found among the Hatton

Garden drawings.

Exteriors.

The Choir-house, Salisbury (plates 1-8,

jnd series) is situated to the north-west of

the cathedral, and was built at the end of the

17th century. Tradition ascribes it to Sir

Christopher Wren, who in 1668 was called in

to make a report on the condition of the

cathedral ; and he may have been invited

from this connection to make a draught for

the building. W^hoever the architect was, he

has displayed a playful fancy in the design,

and a fine feeling for detail. While the com-

position of the front is unusual, it is singu-

larly well proportioned. The elliptical headed

windows, with their delicate coigns and simple

architraves round the heads, are delightful.

The feature of the front is of course the

doorwa)', which is bold and masculine in

design ; the brackets and hood are good,

and the elliptical window over gives point to

it. Fhe iron railing to the steps is extremely

simple and effective, and the whole com-

position marks the entrance in a most

decisive way. The main cornice of stone

is designed with a small cove, a favourite

profile in Salisbury, and looks very well.

Although comparatively small, it is of a

piece with the rest of the front, and is an

adequate finish to the brick wall. Fhe tiled

roof is hipped, and ornamented with dormers

which have cornices similar in design to the

one at the eaves. It should be noticed that

the three sets of coigns, to the corners of the

The Practical Exemplar of Architecture,

Exteriors {continued')

building', to the windows, lo the door, arc all

of different sizes. The Imck clcxation has a

l)old and simple chlinncx in the middle, with

a window on each side similar to those ol

the front. If the outside with its fancy and

playfulness, is like Wren, the .same is no less

true of the interior. The moulded stone

jambs and lintel forming the lii-e-place, the

simple oak panellini.;, the raised desks at the

ends, are all reminiscent ot his work. The

curved ramjis to the panellinL; ha\-e a line

effect, and iîve imj)ortance to the daVsed

ends. .\ plaster cornice with a coved bed-

mouUlinu finishes the room ajâinst a ilat

ceiling ; and the space over, in the roof, is

utilized as a dormitorv.

Garden Gates.

The ironwork ot this S4ate (plates "j"]-

78, 2nd series) is extremely delicate in

design, and is a sufficient bar without

being so heavy as to interfere with the

view of the garden. On the other hand,

the details of the woodwork are not

particularly good ; the brackets are poor.

Probably it belongs to the 19th century,

and is interesting on that it on no other

account.

Gates and Gate-piers.

To Tijou we owe the impetus which

has given us most of the ironwork left to

us. A Frenchman, it is not known when

he came to this country. When Wren

commenced work at I iampton Court he

already found Tijou working there, and it

is to him we owe the magnificent series of

gates and grilles to be found there. After-

wards he worked at .St. Paul's, ilesigning

the splendid screens antl other ironwork

about the church, lie executed, besides,

several gates for the hou.ses of noblemen.

His book on designs for hammered iron-

work was published in 1693, when he had

finished his work at Ham])loii CoLirt.

The gate at Aldermaslon (plates 68-

73, 1st re])rint) is a Inie example of i8th

cenlur) ironwork, and doubtless inlluenced

by the brench smith. The gate it.self is com-

paratively simple, and is in strong contrast

to the elaborate overthrow ornamented witii

leaf and repousse work. A |ileasant feature

is the binl jierched on the top torming a

fmial. The construction of the side panels

tor strength is extremely good, and their

design is interesting. Prom the same

county (Berkshire) another tine exam|)le is

taken. A curious feature- ot the WoK'cilon

gate (plates 73-75, 1st re|)rint) is the curvetl

construction carrying the overthrow and

the fine scrolls joining it to the gate. I'here

are few points of similarity between these

pfates—the ironwork of the latter is con-

siderably stouter, and the details are (|uite

ditlerent.

.Salisbury is extremel) rich in Georgian

ironwork of a simple character. With their

piers these three gates from the Close (plates

70-76, 2nd series) form the most charming

examples, and show how it is possible to

gain a good effect from the- simjilest elements.

Those marked Nos. i and 2 are very

similar, although the latter is more simple

in design, and is without the lit>ht and

delicate lamp-carrier that is .so pleasant a

feature of the tormer. Scroll panels on

each side of the gate, a trilling ornamental

cresting, and, for the rest, straight bans,

make the design, and fine smithwork gives

an added charm. Somewhat similar, though

on a larger scale, is the gate No. 3. Afine rail extending for some distance on

each side, compo.scd of plain bars, with

scroll panels at intervals, gives the gate

im|)ortance. It is witler than the others,

and the tanciful cresting is not attached

to it. Phis ironwork is extremely simple.

There is no elaborate beaten leafwork, and

all the effect is got by nice distribution ot

straight bars and simple .scrollwork. In

their finish there is some; tliversity. .Some-

times the scrolls finish in a little ring,

sometimes in a solid round, which occa-

sionally is beaten llai like a coin, or, more

rarely, is worked out like a ram's horn.

Phe piers to these gates show some

variety of design and detail. In Salisbury,


Gates and Gatc-picrs {cotiUnned).

a common feature is the ornamentation of

their faces Ijy sunk panels, and, for a heel

mouKl to the cornice, a coved mouldino-.

Coigns in l)rick and stone are another form

of decoration, and the fniial may take the

shape of l>a]l or pineapple or lamp. These

various forms are all exemplified in the

gates here shown. The steps to the gate

with the long- wings are an extremely plea.sant

piece of design, as is also the fine walling of

brick and Hint with stone copings.

Gate-piers.

The gate-piers from Hampstead Mar-

shall (plates 57-65, ist reprint) were built

between 1662-1665 (see note below plate 62,

1st reprint). They are in brick and stone,

and ornamented with a profusion of carving

and capped with such varied forms of vases,

balls, etc., as to make them extremely

interesting. None of them pos.sess the

quiet dignity, however, of the piers in

Lincoln's Inn Fields (plates 66-67, ist re-

print), which were ciesigned by Inigo Jones.

These are noble in scale, and are the most

beautiful in England. The vase and cor-

nice is well proportioned, and is extremely

interesting in design.

Gateways.The garden gateway from Woolhamp-

ton House (plates 77-7<S, ist reprint) shows

a type in general use in the i8th century

for external doors. The order and the

pediment are varied in a great many ways,

but the chief variation is in the proportion,

which is altered to suit its varying posi-

tions. These doorways are found in all

parts of the country.

Argyll's Lodging was built in 1632, and

the gateway (plates 76-77, ist reprint) is

a most unusual one, and might almost have

been inspired by Sanmichele's Palazzo dei

Diamante. It is vigorous in its conception,

and suo-o-ests unsettled times and the stress

of war.

The Roper gateway, Canterbury (plates

101-102, 2nd series), is an extremely in-

teresting bit of brickwork. The various

{larts are carefully adjusted, the wide door-

way for base, then a three-light window,

then the circle under the apex, all help to

make a good composition. Crow-steps are

not as a rule easy to manage, but these

are successfully designed. The original door

has perished, but probably one similar to

that from .Staple Inn (plates 103-104, 2nd

reprint) was used. It should be noticed

that the lower part of the brick jambs

has been worn away.

Market Crosses.

The Town Council of Aberdeen entered

into a contract with John Montgomery,

mason, in 16S6 to l)uild a new cross, as

near as possible to the site of the old one.

The market cross (plates 51-56, 2nd series)

differs somewhat from its original plan. In

1 83 1 the cross was taken down and altered

so as to convert the interior into a shop.

Again in 1842 it was removed and rebuilt,

and the arches which had been closed were

opened up, and the Royal and the City

arms were placed in compartments side by

side, and the portraits of the Scottish Kings

were arranged consecuti\'ely.

As it stands, it is unique among market

crosses. The carving of the effigies, the

coats of arms, and the ornaments are

treated broadly and simply, and are very

effective, and the details of the mouldings

are extremely vigorous. In the lower part,

hexagonal on [)lan, it becomes a figure

with twelve sides at the entablature level,

with the angles jutting out over the key

blocks of the arches. In effect this is

most charming.

Panelling.

The general disposition of the rooms

from No. 26, Ilatton Garden, may be seen

from the plans of the staircase and hall

(plate no, 1st reprint). On the ground

floor are the Dining and Breakfast rooms

The Practical Exemplar of Architecttdre.

Panelling (continued)

(marked Conunittee and Museum) and on

the first are two Drawing' rooms (marked

Cambridge antl Skimicrs' Wards).

The panellinj^', in deal, was ot ihe

ordinary type; a plain ovolo moulding with

raised panel, with a chain rail dividinj^ it.

In the lower Hoors an architrave, frieze, antl

cornice were desis^jned to finish the panelling,

but on the second tloor a bold plaster cornice

only was used.

Ihe mantel-pieces were extremely varied

and interesting;, but in spite ot a s^reat deal

of first-rate carving' were not particularly

well designed. The proportions of the

upper parts were often clumsy, especiall)

those in the Dining (plate 22, 2nd series)

and Breakfast rooms (plate 17, 2ntl series).

The one in the Drawing room (plate 1^,

2nd series) contained a picture, and was a

much, better piece of design. In the .Skinners'

ward, 1st floor (plate Si, isl rei)rint), the

fine marble jambs are surrounded with a

vigorously carved architrave, to which an

architra\'e shelf in the Atlam st)"le had

been added. In two adjacent rooms on the

second floors marble jambs of similar section

(plates 84, 1st reprint) contained the fire-

places. Several of these mantels still

preserved the fine stoves of the period.

The doorways are \ery good. I he

fanciful cartouche over the Dining room

doors (plate 24,- 2nd series) reminded one

of those shown in dibbs's book, which was

published in 1731. In this room a very

suggestive piece of design was the arrange-

ment of the fire-place and cupboards (plate

23, 2nd series) on either side. The fronts

of the cupboards were made of mahoganyto a fine iletail. Nearly every moulding

in the Dining room, door architraves,

skirting, dado, anil the architraves under

the main cornice, was most vigorously carved.

On the second floor landing was an archway

cleverly designed (plate 8^, ist reprint).

In one of Hatty l.angley's books, "TheCity and County Muiltler's and Workman'sTreasury of Design," is given a drawing of

the pattern of the marble floor used in

the staircase hall (plates 109- 1 10, ist reprint).

The most charming piece of work in the

house is the oak staircase (plates 109- 113,

I St reprint). It is quite different from the

usual stair of this period, with the exception

of the carved spandrils of tlie ste])s, and the

effect is one of extreme grace and delicacy.

With its low handrail and long curved ramps

joining it to the newels, and ihe playful

design of the balusters and newels, it is an

excellent specimen of 1 Sth century work.

The design ol this room (plates 32-39,

2nd series) is attributetl to Inigo Jones,

anil it obviously belongs to the early 17th

century. Ihe ])anelling was found in a

farmhouse in Hedtordshire, so built in that

it was with great difficulty removed ; all the

l)lnning was ilone from the back, and suggests

that the casing which containetl it was built

round it. The extraortlinary length of the

|)ilasters (thirteen diameters) should be noted,

and the great projeition of all the cornices in

proportion to their depth. With the excep-

tion of the dentil blocks, which are rudely cut

out of the solid, there are no enrichments on

the mouldings. At the end of the century

and throughoLit the iSth, the members of

cornices were invariably carved with egg-

and-tongue antl other enrichments, but

here, instead of these, incised arabesijues

of \aried design are carved on the trie/es

and soffits. The carving of the capitals

is, in spite of crudeness, \'ery vigorous

and effective, while the ct)nstruction of pilas-

ters, columns, entablatures, etc., is excellent,

and the joinings are as close as the da\ they

were put together. hir is the chief wood

used in the construction, anil although never

painted it is in excellent preservation. Ihe

stone fire-place with its tlat car\ eil frieze is

also interesting.

Aw unusual feature was the ])ainting of

the ceiling black, whereon the l)irds were

picked out in light blue with red i)ills and

feet. 1 he original position of the entrance

door was to the right of the tue- place, and

was secret on the room side ; on the outside

it was framed by the Doric door-piece. In

iIk; view at the eiul of llu- room a iloor is

shown; this is a recent alteration. Originally

the pillars, cornices, and |)ediment formeil a

kind of niche, and were raised up from the

floor. This is reconstructed in the drawintr.


Pine End (Gabic).

The oablc from Pine End (plates 87-

88, 1st reprint) is an interesting- example

of brick and flint work. Its oeneral design

is not particularly successful, the curves at

the sides beino- too Hat, but the arrange-

ment of the Hat brick pilasters and the

pediment under the chimney is very good.

Screens (Wood).

A fine late Gothic screen is the one

from .Silchester Church (plates S9-92, ist

reprint). Great fancy is shown in the

elaborate design of the fretted cornice and

the frieze with its curious winged figures.

The cusped -leaded jxmels are also very

interesting.

Lincoln College, Oxford (plates 93-97,

1st reprint), has a fine early renascence

screen made in 1631.

Staircases..Seventeenth century staircases were,

as a rule, built of heavier scantlings than

tho.se in the succeeding century. Theearlier, too, preferred a solid to a cut string.

The example from Clare College, Cambridge(plates 105- loS, 1st reprint) was constructed

in 1 688, and while the balusters are of a

type of common application at a later date,

the heavy strings and newels are typical

of the earlier century. Very clever and

beautiful is the way the newels are designed

to take the raking handrails at different

levels and interesting is the formation of

the string with a deeply recessed panel.

The panel on the soffit is a good methodof joining on to the plaster soffit.

The staircase from Hatton Garden(plates 1 09- 1 13, 1st reprint) is briefly

considered in the note on Hatton Garden.

An external stone stair from GlasgowUniversity is noticed under " Balustrading."

Stalls.

A spirit of delight seems to have

worked the canopies over the stalls in the

Chapel of King's College (plates 11 4- 115,

i.st reprint). They are wonderful examplesof the medieval workman's unrestrained

fancy.

Tombstones.These tombstones (plates i 10- 1 13, 2nd

series) both date from the i8th century. Thefirst example is a type in common use in

that century for -Sarcophagus tombs. Its

details are vigorous, the profile of the

corners is wonderfully clear, while the

carving of the egg and dart is .sharp and

good. The tomb from Tisl)ur\ Churchyard

is of a much less common kind. An excellent

design, the daintily panelled pilasters give

it at once a character of lightness and

grace. An architrave is returned round

the pilasters, capped by a cornice whose

lower members are also returned. These

mouldings have all very fine profiles. It

dates from 1740, while the first belongs to

the latter half of the centur)'.

Reading Desks.Michael Angelo was the architect of

the Laurention Library and he- may have

made a sketch for the Reading Desks

(plates 116-117, 1st reprint). They are

well designetl and the mouldings are very

good. An interesting detail is the moulded

base. Fanciful carving ornaments the

panels.

Windows (Stone).

The window from Ainesbury (plates

i 18-120, 1st reprint) is slightly flamboyant

in character. It is an effective and at the

same time a simple design.

Well-houses.This type of buikling, Well-house,

Orta, Italy (plates 107-109, 2nd series) is

a common one in gardens and is adapt-

able to many kinds of uses. As a summer-

house it is most common. This example

differs from the generality by the depth of

its frieze and the shortness oi the pillars,

further abridged by the addition of pedestals.

The high frieze admits of a domed ceiling

of considerable rise. .Stone is used for the

pillars, etc., architrave and cornice, and stone

slates on the roof The introduction of

white plaster for the frieze and between the

brackets of the cornice has a pleasant effect.

Flints are u.sed for the floor, laid in a simple

and effective pattern.

Plate 1. Balustrading (stone).The Practical Exemplarof Architecture.

Stone Balustrading, the Guildhall, Stirling, Scotland.

Plate 2. Balustrading (stone).The Practical Exemplar

of Architecture.

"f

^1I \

fFNXRE OF jaRL.U-SJTE'.K.

? i t t t f f I t ?

10 II INCHES

SEieriONOF COPINC.

1- 2'8y:i'

-BRUlSTtRS

SQUftRt THROOOUT-

mt-

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enA i=:

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—

circr

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llllllllllll f f t f t

FEET.

Stone Balustrading, the Guildhall, Stirling, Scotland.

Mciisitrcil If III/ Dnmii hv Frmicis liiicoii

Plate 3. Chimney-pieces (wood).The Practical Exemplarof Architecture.

Plate 4. Chimney-pieces (wood).The Practical Exemplarof Architecture.

A««HX.HMCm

h H H H H H I—

I :

SOliXyrEET

hH iI I I I t I

Ir

I aThe Metropolitan Water Board's " New River" Offices, Rosebery Avenue, Clerkenwell,

London, England. Chimney-piece in the Withdrawing Room.Mcasun-il ttiul Draun bv T. Fi;inl; Gr

Plate 5. Chimney-pieces (wood

!

1 he Practical Exemplarof ArcKitecture.

^^^

Plate 6. Chimney-pieces (wood).The Practical Exemplar

of Architecture.

c

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co

co-1

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Plate 7. Chimney-pieces (marble).The Practical Exemplar

of Architecture.

Chimney-piece at the Soane Museum, 13, Lmcoln's Inn Fields,

London, England.

Plate 8. Chimney-pieces (marble).The Practical Exemplar

of Architecture.

^ J-

! mf SHUFISSULID AND IN

...DEPTH tOUALTO TH[ WIDTHOF THt PIlAi-TCR.IHE TRCATMCNTATTHC5IDC BEmC IX-ACFLY SIMILAHTO THE FRONTTHE PILAS-

TER 15 BUILTUP. SEE DE-TAIL

I I I M I M I MSFFET

DETAIL AT A.A.

I I1-1 T I I I I

'/ IliCHES

DETAIL

AT B

Chimney-piece at the Soane Museum, 13, Lincoln's Inn Fields, London, England.

Mciisurci/ inul /)/•<(;(•» 'i.v f"cinR;,s- lUicoii.

Plate 9. Chimney-pieces (stonej.The Practical Exemplarof Architecture.

Enlarged detail of carving on Lintel.

General View of Clumney-piece.

Stone Chimney-piece in Old Dining-room, Argyle's Lodging, Stirling, Scotland. 1632.

Plate 10. Chimney-pieces (stone).The Practical Exemplarof Architecture.

(5^ -^

Plate 11.r^\_- • / , \ r^\ • c ^

The Practical ExemplarL.nimney-pieces (stone)—Chimney otacks. of Architecture.

Chimney Stacks.

Chimney at Manor Farm, Silchester, Berkshire, England.

Plate 12. Chimney Stacks.The Practical Exemplar

of Architecture.

yy ^-'r'^ > * i ;

Plate 13. Chimney Stacks.The Practical Exemplarof Architecture.

Chimney, Royal Hospital, Chelsea, County of London, England.


of Architecture.

Chimneys, Royal Hospital, Chelsea, County of London, England.


Chimney, Royal Hospital, Chelsea, County of London, England.Mctisiircil unci Didztii hv Fnnici'i liiicaii.


of Architecture.

Chimney, Eton College, Berkshire, England.

(


Roll r/4WIDE

Flaunched

UP V/ITH ^

CementatTXE Angles

-2 7-

LeadlÛTTER

Q <

O uj

Note. For joinhng of

Brickwork see

Photograph

Plan of Cap

Joint

(LOOKING down)

This Course dies out herebut has ^4-' projection at angle .

I

Detai l

OFCap

(looking UP)

This Course is coved outTo 'i MORE PROJECTION ATTHE Angle than here

Plan of Base


Measured ciiul Drawn by Francis Bacon.


of Architecture.



of Architecture.

o

FlashikIg-,

Gutte r-,^

(looking upj

Note. For jointing of

Brickwork see

Photograph

IZ 12 24 36I .iihiml I . I I

JOINT

Plan of Cap

Plan of Base

Detai L

OFBase

Detai l

OF CapAT A

1

Plate 20. Chimney StacksThe Practical Exemplar

of Architecture.

General View, Dog Kennel Cottage, Cranbrook, Kent, England,

showing Chimney-stack.


of Architecture.

Detail View, Chimney Stack, Dog Kennel Cottage,

Cranbrook, Kent, England.


of Architecture.

HALrPLANL90KING IIP note:

FOK JOINTINGor BRICKWORKj-EE PHOTO

Chimney Stack, Dog Kennel Cottage, Cranbrook, Kent, England.

Mcasurcil and Drau-ii by HA McOiiecii.


of Architecture.

cJO00cUJ

oo_QC(0

u

Vc

cV

o

(0

Ooo

cEIEU


of Architecture.

Detail View, Chimney Stack, Goddard's Green, near Cranbrook, Kent, England.


of Architecture.

J'CALr FOR CAN AND CLCYATlONr

l""T"" l r-^ r 1 M , 1 , 1

•4 r 4 2 £_

./CALC n=R DHTAIuy

rrrr

rcHT

RAir FLAN AA WMT TLAN D-t)

Chimney Stack, Goddard's Green, near Cranbrook, Kent, England.

Mciisuix-il and Drawn by H. A. McQueen.


Chimney at Marlborough College, Wiltshire, England.

Mcasiircil and Drawn by Francis Bacon.

Plate 27. Chimney Stacks—Cornices.The Practical Exemplar

of Architecture.

Chimney Stacks, Marlborough College, Wiltshire, England.

iÔW GKOtfMD 35'o*

Wooden Cornice, No. 164a, Strand, City of Westminster, England.

McasKrcJ ami driiwii bv H . A . Ml On fen.

Plate 28. Cornices (wood).The Practical Exemplarof Architecture.

-ac

C

c

o

-oc

03

oZ

oUcV

oO

Plate 29. Cornices (wood).The Practical Exemplar

of Architecture.

Two Wooden Cornices, Royal Hospital, Chelsea, London, England.

Plate 30. Cornices (wood).The Practical Exemplar

of Architecture.

lO rvftUNCKiMC TQ UTTtK

Two Wooden Cornices, Royal Hospital, Chelsea, London, England.

Measured mul Drau-ii by Francis liiicon.

Plate 31, Cupolas (wood).The Practical Exemplar

of Architecture.

Cupola, Clare College, Cambridge, England.

Plate 32. Cupolas (wood).The Practical Exemplar

of Architecture.

Joile ^^ ^' i-^ '^-^ -^-h' ^' f^^ f ^^/

Cupola, Clare College, Cambridge, England. Elevation and Plan.

Measured iiiui Dniicii by G. Herbert Parry.

Plate 33. Cupolas (wood).The Practical Exemplarof Architecture.

BA5ETDPIIASTIKS

SCALE H-LH rl .1 .1 î -jT- 7 I '«' I Z^WCHU

Cupola, Clare College, Cambridge, England. Details-Uc.rwnv,/ ,,,„/ Dn,ic„ by Herbert Perry.

Plate 34. Cupolas (wood).The Practical Exemplarof Architecture.

LEADM^RKATBA5EOFDOME

LEADDRESSED a/£l^

ciLL :/\:

INCHES

ODRNICE " H

Cupola, Clare College, Cambridge, England. Details.

Mccisnrcil und Druu-n by U Herbert Parry.

Plate 35. Cupolas (wood).The Practical Exemplar

of Aicliitecture.

XAi-E- H !HI

l\ «| j| 4\ ,tl 1^1 /I f' )\/.VCHES

Cupola, Clare College, Cambridge, England.

Pilaster Capital. . View and Detail.

Measured and Drawn by O. Herbert Parry.

Plate 36. Cupolas (stone).1 he Practical Exemplar

of Architecture.

Cupola, All Hallows Church, London Wall, City of London, England.

Plate 37. Cupolas (stone).The Practical Exemplarof Architecture.

Plate 38. Cupolas (stone).The Practical Exemplarof Architecture.


Detail View of Upper and Lower Part.

Plate 39. Cupolas ( stone \The Practical Exemplar

of Architecture.


Plate 40. Doors and Doorways (wood).The Practical Exemplar

of Architecture.

Morden College, Blackheath, Kent, England. Doorway to South Wing.

Plate 41 Doors and Doorways (wood).The Practical Exemplar

of Architecture.

SCALE OF FEET FOR GENERAL DRAWINGS.

WS. TTTTl X X JI

FEET.

DOOR TOWING

^t113 DOOE BVILT VP-IMD'BJinT PREVEMTSjOinT5 BEIMG SHEWM.

jTHI5 RETVCMS VMDEB' TR>lM50Mt: TOP or TR/lhSOME

13 5QB«3t

OfMODinc/lTION" rc/iMc roc

MLICriT

DEPTH5T0NAT FIRSTLEVEL,

or-E STCiNG

rL0C2

I Ui u-i U u-i U u-i ^ I u-i U t-j U u-i L-i -t=t-\ a fNCflCS

SKETCH or BRACKETOF HOOD OVERWING DOORS.

THISRilRTCVRVEDBETWEEMBMCKrfS

SECTIONOVERBR/ICKETS

SECTIONOVEIEKEYSTONE

.

MOVLDSOFMOOD.

I I I I I I I I I I I I

5 6 7I I ' I I

' 'i I |~r- zflNCr;:3

KT/STONESC4LE FOR DET/1IL5 tfôRlZONTAL LINE

Morden College, Blackheath, Kent, England. Details of Doorway to South Wing.

Measured and Drann hy T. Frank Green. Details of Door Measured by A.J. Ilcaley. and Drawn by A.

Bough.

Plate 42. Doors and Doorways (stone).The Practical Exemplar

of Architecture.

Morden College, Blackheath, Kent, England. Main Doorway.

Plate 43. Doors and Doorways (stone).The Practical Exemplarof Architecture.

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Plate 44. Doors and Doorways (stone).The Practical Exemplar

of Architecture.

Morden College, Blackheath, Kent, England. Details of Main Doorway.

McLisitrccl Hint circiifii by T. Frank Green.


of Architecture.

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Plate 46. Doors and Doorways (wood).The Practical Exemplarof Architecture.

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I I i H I

5c>^LC or rzzTDetails of Doorway to Chapel.

Measured and drawn hv T. Frank Green.

Detail \'ie\v of Panels to Cliapel Dorir-

Morden College, Blackheath, Kent, England.


of Architecture.

J PERSPECTIVEOKETCHCS orFLOWERS 43 AT OTME 4 V4PIETin:5 -

MERE SMEWN BEINC.'./V5ED INDISCEIMIMTEUy.

&1BVEDPIECCED,R4NEL

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LEFT HANDSPANDREL

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Morden

TO /"" ••'''

College, Blackheath. Details of Doorway to Chapel.

Measured itinl ili\iî-ii hy T Frank Orceii


of Architecture.

Doorway removed from a House in Carey Street, City of Westminster, England.

A'ou' til the \'ictoriii ami Albert Mtisctiin, South Kcitsiiigtuii .Loiiilnn.


of Architecture.

i PL/IN .^T BI

2 PLAH Ai CPLAINS LOOKING VP.

ELEVATION .

DOORW4YFROM A H0V5EN C>^REY STwc.

TOPCOVteiNG PBOBABUEFACE orWALl.

wrTH HOOD

(Tizcv/Nn

SECTION OM

CENTRE LINE

Plate 50. Doors and Doorways.The Practical Exemplar

of Architecture.

uo

3 4 5 6 7 8 9 10 II 12 13 14 ,15

Doorway in the Victoria and Albert Museum, removed from a House m

Carey Street, City of Westminster, England. Details.

Maistin-il mill ilnm'ii by T. Frank (hccii.

Plate 51. Doors and Doorways.The Practical Exemplar

of Architecture.

PROBABLE FACt OF BRICKWORK

EFINISH /IT D SEt ELEVATION .

SIDE OF ~\ '

PIL/ISTEfJ

Hi

%r-\r^PIL/3STER

B>^SE orPIL>:1STEP.

STEP.

10 ,11 12 ,13 ,14 ,15 16 17 15 ItiCflES

Doorway in the Victoria and Albert Museum, removed from a House in Carey Street,

City of Westminster, England. Details.

Mciisiircil and ilyauii h\ T. Finiik Green.


of Architecture.

-———

=

Plate 53. Doors and Doorways (wood).The Practical Exemplarof Architecture.

miiiiiiiiiiiiin 1 L t t fa

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Door to Common Room, Marlborough College, Wiltshire, England.

Mc(isiii\-il and ilnrxtii bv Fnnicis liacun.


of Architecture.


of Architecture.

PLflSrCRPflNEL

iiNciER-LflNbrNGwirn

UflTE OFCOMPLETION

I I

Door, 1st floor landing, of House (now demolished) Botolph Lane, City of London, England.

Measured niul drawn by Norman Jexcson

.


of Architecture.

Plate 57. Gate and Wall Piers.The Practical Exemplarof Architecture.

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Gate Piers, No. 1 , Hampstead Marshal

Berkshire, England.

For general view, see plate 57.

Measuini uiiJ drawn hx Fnnicis Bacon.


7 6 9 10 II 12

I I I I I r

Details of Wall Pier, No. 3, and tinial on Gate Pier, No. 2, Hampstead Marshall, Berkshire, England.

Fur general \ iew. see plate 57. Mcitsurctl tiiiii (Irti-ii'ii hy I'l-tiitcis liitcuii.

Plate 60. Gate and Wall Piers.The Practical Exemplar

of Architecture.

Gate Pier No. 4, Hampstead Marshall,

Berkshire, England.


of Architecture.

Gate Pier No. 4, Hampstead Marshall, Berkshire, England.

Mci'siiikI mid draxcii h\ Frtiiicis Hiicoii.


V"

Gate Pier No. 5, Hampstead Marshall,

Berkshire, England.

Gate Piers, Hampstead Marshall.—Hampstead

Marshall was a mansion built between the years 1662 and

1665 for the then Earl of Craven. The house was destroyed

by fire in 1718, and never afterwards rebuilt. The gate and

wall piers shown on these pages are all that remain of what

must have been originally one of the most magnificent

palaces in England. Sir Balthazar Gerbier, a contemporary

and rival of Inigo Jones, is said to have been the architect, and

this building his last work. He is reported to have stayed at

the house after it was built and to have died there. In the

church close by is his tomb on w hich is inscribed " Here lyeth

the body of Sir Balthazar Gerbier, Kt., Arch., who built a

stately pile of buildings in the year 1602—1665 for the

Kt. Hon. William, Earl of Craven, the greater part of which

was destroyed by fire in the year 1718, and never afterwards

re-built." The attribution of these gate piers to Gerbier is

disputed by Mr. Reginald Blomfield, who assigns them to

Captain Wynne, Gerbiers pupil, as more in consonance

with Wynnes than CSerbier's other work.

Besides inferences based on the quality of the work,

Mr. Hlomfield supports his conclusion on certain statements

in Walpiile's ,\necdotes, and by animadverting on Gerbier's

admittedly wild roving disposition, and his frequent straits

for money. He further contends that Gerbier was disgraced

and di.scredited at the time of the Restoration and that he

died in 1662, before the work in question was commenced.

Mr. Blomfield puts forward the view that there was a prior

house at Hampstead Marshall built in 1620, of which Clerbier

may have been architect. Upon the site of this the more

famous house was built.


of Architecture.


Mciisiirccl inul ilraziii by I'nnicis Hucuii.

Plate 64. Gate and Wall Piers.

The Practical Exemplar

of Architecture.

Wall Pier No. 6, Hampstead Marshall.

Berkshire, England.



Mcirsin-L-ti tuul draw): by Frtiiuis lui,


of Architecture.

At No. 60, Lincoln's Inn Fields, City of Westminster, England.


of Architecture.

DETAIL

AT D

At No. 60, Lincoln's Inn Fields, City of Westminster, England.

MciisniiJ •iii.i Jr.ian by I-niiicis Hacoii

.

Plate 68. Gates, Lodges, &c.The Practical Exemplar

of Architecture.

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Plate 69. Gates, Lodges, &c.The Practical Exemplar

of Architecture.

D^TAIL5 E^- GATE nCRf INCHCJ"

Gate and Lodges at Aldermaston, Berkshire, England. Details.

McLt.'itiifil am! iliuixc-ii by Hugh A. McOkccii.

Plate 70. Gates, Lodges, &c.The Practical Elxemplar

of Architecture.

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Plate 75. Gates (iron).


o( Architecture.

Plate 76. Gateways (stone).The Practical Exemplar

of Architecture.

a u a li i* |£ I* IT IB [9 Ll£_"^CME^ ^D^ Dt^fl'L^

Gateway to Argyle House, Stirling, Scotland.

Measured ami druwn bx Francis Bacon.

Plate 77. Gateways (stone).The Practical Exemplar

of Architecture.

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Plate 78. Gateways (stone).


of Architecture.

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Plate 79. Panelling, Woodwork, etc.The Practical Exemplar

of Architecture.

Woodwork formerly at No. 26, Hatton Garden. City of London, England.

Doorway m " Skmner s Ward.

Plate 80. Panelling, Woodwork, etc.


of Architecture.

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Plate 81 Panelling, Woodwork, etc.The Practical Exemplarof Architecture.

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of Architecture.

."t-i\77ji '»«:/J--

DETW. o/--) Y Y Y Y

3CAfJS.

Panelling, Woodwork, etc.. formerly at No. 26, Hatton Garden,

City of London, England. Details of "Skinner's Ward."

Measured and dniii'u by J M. U'. Ihillcy.


of Architecture.

Panelling, Woodwork, etc., formerly at No. 26, Hatton Garden,

City of London, England. Archway on Second-floor Landing.


of Architecture.

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1 he Practical Exemplar

of Architecture.

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Panelling, Woodwork, etc., formerly at No, 26, Hatton Garden, City of London, England.

Details of Archway and Room on Second Floor.

},\casurcil and tlrtru-u hy J. M \V IhilUy



of Architecture.

^rj-yrj\i; /./n/-.

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Panelling. Woodwork, etc., formerly at No. 26, Hatton Garden, City of London, England.

Details of Archway on Second Floor.

Mcasurcil <!iul ihirvii hy J M. W'.Hcillcy.

Plate 87. Pine Ends (gables).The Practical Exemplar

of Architecture.

Pine End, near Kingsgate Castle, North Foreland, Kent, England.

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Plate 89. Screens (wood).The Practical Exemplarof Architecture.

*v *% . . -]

(jeneral \'iew Irom the Nave.

Detail of Front of Screen.

View of Hack from tile Choir.

Screen, Silchester Church, Berkshire, England.

Plate 90. Screens (wood).The Practical Exemplar

of Architecture.

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of Architecture.

' inovepfrce

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Screen, Silchester Church, Berkshire, England.

Measured aiul dnmii by C Ihihcrt Puny.


of Architecture.

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as-SS CORNICE /fxf^'

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Screen, Silchester Church, Berkshire, England. Details.

A/i'<J.vi(m/ and Jniii-i: hy (} .Herbert Parry


of Architecture.

Screen, Lincoln College Chapel, Oxford, England.


of Architecture.

Plate 95. Screens (wood).The Practical Exemplarof Architecture.

Mcasurcil and ilrnnii by L. K . Atlcinis.


of Architecture.

iMDiN^roLLiy.i: oxnmn- ni.\iT.i.-.^(ni;i;N~

Mciisiireil mid dniu-ii by L. K. Ailmiis.


of Architecture.

Detail of Screen in Lincoln College Chapel, Oxford, England.

Plate 98. Screens (stone).1 he Practical Exemplarol Architecture.

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Plate 99. Screens (stone).The Practical Exemplar

of Architecture.

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of Architecture

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Plate 101 Screens (stone).The Practical Exemplar

of Architecture.

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Plate 102 Screens (stone).


of Architecture.

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Plate 103. Screens (stone).The Practical Exemplarof Architecture.

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of Architecture.

The Admiralty Screen, Whitehall, City of Westminster, England. Details.

Mc(i>îin;l iuul .Inixcii hy Alhcrt I'. Bullock.

Plate 105. Staircases (wood).The Practical Exemplar

of Architecture.


of Architecture.

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of Architecture.

CLARE COLLEGE

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SiaônJfni J'h&b

Measured ami ilniiiii hy C. Herheif Parry.

The staircase at Clare College was probably designed as the staircase to the library. It now leads to the combination

room, which opens into the library. It has similar details to the screen in the dining-hall. from the gallery of which it

is cut oft by a modern panelled screen. The newel between the first and second floors is the finest example, but, unlike

the one illustrated, is built up of two pieces : it was, however, impossible to obtain a good photograph of it.


of Architecture.

^mDET?JL5 0F51A]RCA5E at ClARE COLLEGE

''

f //va/£s

Ahtisiircil tiiul di-iiMH by C. lUrlicrt l\irry.


of Architecture.

Staircase formerly at No. 26, Hatton Garden, City of London, England.


of Architecture.

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of Architecture.

Staircase formerly at No. 26, Hatton Garden, City of London, England.

Detail of Bracket, Ground Floor.

Plate 112. Staircases (wood).The Practical Exemplarof Architecture.

Staircase formerly at No. 26, Hatton Garden, City of London, England. Details

Measured and draicii hy J. M. W llalU-\

:f,.


of Architecture.

Staircase formerly at No. 26, Hatton Garden, City of London, England. Details.

.l/.-,r.v;oV(/ and dran-n by J . .17. \V ll,illc_\\

Plate 114. Stalls, Choir (Canopy).The Practical Exemplar

of Architecture.

Plate 115. Stalls, Choir (Canopy).The Practical Exemplarof Architecture

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Plate 116. Reading Desks.The Practical Exemplar

of Architecture.

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Plate 117. Reading Desks.The Practical Exemplar

of Architecture.

Measured itiul ilmu'ii hv Sviliwv Senile

Plate 118. Windows (stone).The Practical Exemplar

of Architecture.

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of Architecture.

Window on North side of Chancel, Amesbury Church, Wiltshire, England.

MLdsiiiLil iiiui tlniifii hy Frmuis Biicoii.


of Architecture.

DETRIL OF CORBEL TORRCH OF INTERIOR HOOI

I I I I I M I f—

Window on North side of Chancel, Amesbury Church, Wiltshire, England. Details.

MciisitiyJ iUul ilrtinn hv I^nnicis Jiucon

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