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fall’sglam slam
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fall 2010 $5.95
fall’sglam slamChiCago’s most fab Pads
house Rehab foR style addiCts
meet the City’s all-staR
design duos!
+PLUSfuRnituRe that RoCks!
double-duty dÉCoR
gilt tRiPPin’ ChiC
Who’s designing What WheRe
m o d e r n l u x u r y. c o m
kitchen
closet
wall system
upholstery
accent
dining room
office
300 West Ontario Chicago IL 60610 T 312 640 0066 70 stores world wide
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UNI EN ISO 9001 System of Quality ManagementUNI EN ISO 14001 System of Environmental ManagementOHSAS 18001
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Publisher’s NoteFall
JENNIFER
POLACHEK
PublisherHappy birthday to us! With this fabulous fall issue, CS Interiors celebrates our third anniversary. � ere’s so much to cheers to, but most importantly, we want to give thanks to our readers and advertisers. It’s because of you that CS Interiors has continued to grow into the largest design magazine in the city! Glamour is the name of the game here at Modern Luxury, and what better way to celebrate our anniversary issue than with the most glamorous homes in the city? My favorite? Jerry Kleiner’s 8,000-square-foot warehouse turned living space. It’s every bit of what you would expect from Jerry—over-the-top colors and furnishings that make you feel like you’re in another world. As always, I have a constant desire to reinvent my own home. Luckily, this issue is packed with furniture and accessories to do the job. Check out the gorgeous, brand-new pieces at Haute Living. And that new kitchen installation at Ernestomeda? I want it in my house now. When it comes to lighting, I’m gaga over Karen Lang’s fi xtures at Hinsdale Lighting. Her vision can help transform anyone’s home. Who knew a lamp had so much power?
Speaking of high-power wattage: Don’t miss our spread on the hottest design couples in town. Although they may not be found in the pages of US Weekly, these power couples are truly something to talk about. Proving that two heads are better than one, the design duos show that working with your signifi cant other can be good for the relationship! Not to mention the collective talent that goes into collaborative projects like cool, cutting-edge metal furniture from metal + works or world-changing architecture from UrbanLab. And speaking of amazing partnerships, DIFFA is right around the corner, and as the media sponsor for the third year running, I cannot wait. Cocktails by Design is my favorite event of the weekend. Lauren Schreyer’s Design for a Cure event at EnV in September was another amazing night out. � anks to the generosity of so many donors like AK Lifestyle, BoConcept, JBStyles and Organic Looms, guests were able to experience the luxury rentals at EnV in a unique way. For a recap of all the most talked-about events, check out House Party. Enjoy the issue! jpolachek@ modernluxury. com
10 | | Fall 2010
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MAXALTO IS A B&B ITALIA BRAND. COLLECTION COORDINATED BY ANTONIO CITTERIO.
MAXALTO STORE 309 WEST SUPERIOR CHICAGO, IL 60654 T. 312.664.6190 [email protected] | WWW.MAXALTO.IT
OTHER MAXALTO STORES: NEW YORK | MIAMI | WASHINGTON DC | LOS ANGELES | SAO PAULO
12 | | Fall 2010
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Meghan Mcewen
Editor-in-ChiefIn today’s age of hi-def reality TV and show-and-tell-all media, we’re getting regular glimpses behind the façade and into the high-style home that exists somewhere south of perfection. It seems that suddenly we’re seeing a crack in the mirror, a tube of lipstick on the white Carrera marble countertop, a few rogue cords from actual, working electronics, an inspiration board tacked up in the kitchen. TMI house tours? Just the opposite. Tese telling imperfections make life way more interesting and maybe even more glamorous, in a grainy, realistic kind of way. Lisa Cregan’s article on “the new clutter” is the perfect antidote to stylized perfection. Designers, visual merchandisers and style-makers across the city are taking heed, layering high-design with personal artifacts and introducing creative personality to home décor. Te homes we feature in this issue up the glamour ante without being servants to the handbook of old-guard glam—gilded, Versaille-style mirrors, tufted velvet headboards and gold-flecked wallpaper (but don’t be disappointed; there’s some of that in this issue as well).
A Wicker Park mansion just might be the most glamorous rehab story in the city, including tales of interior designer Julia Edelman, who wore high heels to the construction site. Meet an industry couple—one half from Pagoda Red, the other from Marshall Morgan Erb Design—who prove the mixed-and-matched gilded life can still have a sense of humor. A North Shore spread gets the high-art treatment while managing to satisfy family living to the fullest. And then we open the oversized doors to Jerry Kleiner’s 8,000-square-foot West Town warehouse turned wonderland. Tere’s a mad-hatter vibe to the entire project’s slightly unhinged take on big-statement design. Perfect? Not exactly (check out the throw pillows tossed in every direction). Fabulous? Absolutely. Tey’re glamorous in such different ways, yet they each share a common approach: Te homeowners write their own rules. And they put personality before perfection. Maybe we can all rip a page from the new rulebook, and learn to feel just a little bit more glamorous in our own real-life homes. [email protected]
For a list of upcoming events that you don’t want to miss, please visit: modernluxury. com
william f. cobertChief Executive Officer
stePhen w. kongVice Chairman
& Group Publisher
john carrollPresident, Eastern Division
& Group Publisher
michael r. liPsonChief Operating Officer
ann y. song Vice President Creative
& Fashion Director
sPencer beckEditorial Director
sPencer beckEditorial Director
louis f. delonePresident, Southern Division
& Group Publisher
john PietrolungoSenior Vice President, Finance
20 | | Fall 2010
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Number of places in the country you can see famous French designerMarc Sadler’s beautiful
Carré kitchen for Ernestomeda.
Number of high-gloss lacquer and matte colors the kitchen comes in.
Possible color, material andshape confi gurations.
Years Sadler spent collaborating with Ernestomeda to perfect the design On view and available exclusively at Ernestomeda, 222
Merchandise Mart, 312.329.0229.
Secret Source
Photo PopCreated as a fun design gimmick for the “� e Promise of � is Moment” design show last year, Steven Haulenbeek’s cheeky, clear photopaddles have exploded into a full-blown must-have frenzy. After Core77 handed out 250 custom paddles at their ICFF party, they became instant blog darlings, and Haulenbeek was bombarded with
orders from all over the world. “Now I’m shipping them on a weekly basis to every country with Internet access. I'm getting requests for thousands at a time for large company promotions.” Luckily, Kikkerland picked them up and will start producing in the fall, resulting in Haulenbeek’s fi rst product licensed to a company. Say cheese! photopaddles.com.
Nate Berkus
at home.
STAR POWER
One of our favorite regular features of The Nate Berkus
Show is Curbside Pickup. Berkus proves that one-of-a-kind furnishings and beautiful objects can be found in the unlikeliest of places—like, you guessed it, the side of the curb. When he and his team aren’t scouring the streets for worthy castoff s, his favorite Chicago spots for unconventional cool are the Lincoln
Antique Mall and Broadway Antiques Market. “I’m a real hunter-gather,” says Berkus. “And when I want something that no one else has, this is where I go for real treasures.”
RED HOT The Carré kitchen for
Ernestomeda.
Snaidero USA off ers eco-friendly products that qualify towards LEED certifi cation.
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KITCHENS + DESIGN. Made in Italy. 1.877.762.4337 | www.snaidero-usa.comStudio Snaidero Chicago 222 Merchandise Mart #140 Chicago, IL 60654 312.644.6662 www.snaiderochicago.comDandamudi’s Custom Cabinetry 2121 N. Clybourn Avenue Chicago, IL 60614 773.525.8200 www.dandamudis.com
ORANGE | Advanced modularity by Snaidero Design
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28 | | Fall 2010
Seed Money!
Guerrilla gardening from a gumball machine? L.A.-based Daniel Phillips and Kim Karlsrud came up with the idea back in March when they inherited a handful of the machines from a family member. “� ey languished in our backyard for a few months. It didn’t feel right to fi ll them with candy,” says Phillips. Fifty cents gets you a seedbomb fi xed with a regional mix of wildfl ower seeds best suited to your city’s microclimate. � eir very fi rst U.S. order? Chicago’s 360See Gallery (1924 N. Damen Ave.). � e seeds are native to Great Lakes: Wild White Indigo and Upland Hog Peanut. Bombs away! –Artemis Moshtaghian
RUG SHOT From top:
Overleaf by Marni;
and Ponti Silk by
Suzanne Sharp.
GREEN MACHINE Greenaid’s
seedbomb vending machine.
Strut a RugPunk diva Vivienne Westwood and West Coast glamour girl Kelly Wearstler may be polar opposites, but they have one thing in common: a home at � e Rug Company, the innovative textile stylemaker whose designer-studded inventory of handmade fl oor coverings, cushions and wall hangings drums up a covet-craze around the world. And now the British outfi t—the brainchild of Suzanne and Christopher Sharp—has set up shop in Chicago, in a big, bright box of a showroom in River North. Crafted to traditional standards by Nepalese weavers, the company’s off erings range from Aubussons in classic patterns to a head-spinning array of contemporary designs: Westwood’s daringly trampled Union Jack, Wearstler’s Tracery (a cross between a fl agstone terrace and an ice fl oe), Paul Smith’s slick-like swirls, and a retina-jarring composition of overlapping circles by Tom Dixon. Or take advantage of the company’s bespoke service and have something whipped up to your specifi cations. 320 N. Clark St., 312.279.1700. –� omas Connors
HOME FRONT
NOW!
BURNING QUESTION Designers, what is your biggest splurge and steal?
SPLURGE: “� e antique carved
dragon chair that I found in a little
store in � e Heights quarter in
Houston recently. It was made
for a Mardi Gras celebration in the 1960s so you
can see the wear and tear. I didn’t fi nd it—it found
me.” PRICE: $500
SAVE: “Kuba cloths that I bought from a woman at a
street market during my visit to Africa. I do volunteer
work over there and wanted to bring that memory
back with me and transform it into throw pillows for
my home.” PRICE: LESS THAN $10
SPLURGE: “My biggest splurge this
year wasn’t so big in terms of price.
But as a one-of-a-kind Richard
Gleeson wall sculpture composed
of painted wood squares and rectangles from Room
Service in Andersonville, it was a defi nite ‘have-to-
have.’” PRICE: $695
SAVE: “Some of the least expensive items I own
of the best quality are from Red Wing Pottery—specifi cally a vase from the 1960s I found recently
at Broadway Antiques Market in Edgewater. I fell in
love with it immediately.” PRICE: $165
SPLURGE: “I purchased Felicity
Aylieff ’s monumental vessel of thrown
porcelain at SOFA New York this year.
It is a fabulous addition to my ceramics
collection, and certainly the size is impactful—it’s
over seven feet tall!” PRICE: FROM $25,000
SAVE: “I collect pieces from Ani Kasten, a ceramic
artist. � is year, I’ve started purchasing her thimiware
in black satin, which is inspired by the Ceramics
Promotion Project of Nepal—it is inexpensive and
perfect for everyday use.” PRICE: $110
Aimee Wertepny,
Project Interiors
Jan Jander,
Jan Jander Architecture + Design
Suzanne Lovell,
Suzanne Lovell Inc
Space Saving with Style
745 N. Wells St., Chicago, 312.787.3358 w w w . h o m e e l e m e n t f u r n i t u r e . c o m
30 | | Fall 2010
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When she was just 10 years old Angela Stone spent hours scrubbing the dirt and grime off of a set of antique green glass bottles she found in the woods behind her house in coastal Maine. “Not much has changed since then,” says Stone, who recently launched Hinge Design Studio (hingedesignstudio.com). An online shop representing local artists and furniture designers like Bladon Conner and Green Sawn founder Aaron Pahmier, Hinge happily corrals those who value sustainability and look to the past for inspiration and raw material. “Whether it’s a bench made of reclaimed wood fl oorboards or a vintage welding table, we like our furniture with a little soul,” says Stone, who has stocked the virtual shelves with screen-printed pillow designs by textile artist Elizabeth Siegan, graphite portraits drawn by Jill Stalowicz and framed black and white photography by Jeremy Edwards and Emily Johnston Anderson. For now, Hinge merch is available online or by appointment, but ultimately, Stone hopes to launch retail outlets across the country. In the meantime, she’s on the lookout for interesting Midwest lighting designers and abstract artists to round out the inventory. “I love the treasure hunt,” says Stone. –Tate Gunnerson
Treasure Hunter
HOME FRONT
NOW!
THE HUNTRESS Angela Stone founded Hinge Design Studio.
RockPaperRobot’s Gleam chandelier.
Lights in Shining Armor
Bespoke lighting has gone to the next level. Take Gleam, a highly customizable chandelier that allows for ambient variance and functional latitude. In layman’s terms? With a click of a remote, the chandelier’s six arms can widen or bend, cluster or radiate, depending on the mood. Brooklyn-based design duo Jessica Banks and Andrew Laska of fresh-on-the-scene RockPaperRobot are creating “kinetic furniture” that can be manipulated to your liking. In its chrome form, Gleam resembles something out of Terminator. Built to your specs, it can accommodate any aesthetic. Want rustic chic? � e mechanical chrome legs can be embedded into wood. Starts at $9,000. At rockpaperrobot.com. –Alexandria Abramian-Mott
Feet First
An upward trend in the accessories market? � e latest must-have home fi nds get a leg-up on the competition.
1. Stephen Johnson’s Wonderland candle holders, $89, artecnicainc.com.
2. Blu Dot’s Rook lamp, $215, at I.D., 3337 N. Halsted St., 773.755.4343.
3. Kelly Wearstler’s Brass Legs, $1,495 for the pair,at Bergdorf Goodman, 800.558.1855.
Ali—the husband-and-wife team of Ali Sandifer Studio—have a diff erent take on designing furniture with the environment in mind: “� e longevity of our
work is the most sustainable aspect in our eyes,” states Ali simply. “We design and craft with the intention that each
piece will last.” � at’s not to say the studio doesn’t act responsibly when considering the materiality and assembly of
their designs. Working primarily with sustainably harvested hardwoods—walnut, ash and rift white oak—fi nished with natural oils and wax, Sandifer and Ali have produced all of their pieces in a warehouse on the southwest side of Chicago since they migrated from Ann Arbor in 2006. And typical of well-educated designers (Sandifer’s masters in architecture comes from the University of Michigan, Ali’s from the University of Toronto), it is all about the process. Atypical is the couple’s thoughtful consideration of function within the form: Each creation in the collection is meant to be put to work solving the storage dilemma. And work it does: � ese meticulously crafted, refi ned compositions provide intelligent solutions while looking good, too. –Diana Tychsen
GOOD WOOD Storage-
packing designs
from Ali Sandifer.
Black Ice Ballot Box coffee table by Phase Design, $1,310
“It invokes the spirit of minimalist artist
Donald Judd with its crisp lines and
sleek sunken spandrel glass top,”
says Smith. “It makes a very stunning
statement in its simplicity and glamour.”
Wired Side Table by Phase Design, $890
Canfi no by Jaime Hayon for Bosa, $180
Forma ItaliaDesigns for Pets
“What’s interesting about Jaime
Hayon is that he knew how to
exploit the technical ‘know-how’
of Bosa to create unique, one-
of-a-kind pieces, which probably
could not have been possible
with other manufacturers.”
Haute Living collaborated
with Forma Italia to design
dog beds, cat beds and
doghouses that are all
handmade in Italy by a
manufacturer in Umbria who
produces bespoke luxury
furniture and interiors.
“L.A. designer Reza
Feiz’s work strives to
capture the modernist
tenets of proportion and
clarity, and he draws
much of his inspiration
from California and
modernist architects
like Pierre Koenig,
Richard Neutra and
John Lautner.”
Constantly pushing its sleek River North showroom forward, Haute Living is a formidable advocate of innovative and high-quality design. Owners Jeff Smith and Tatjana Ozegovic have recently brought in an impressive range of new collections—from a clutch of beautiful pieces designed and manufactured in the U.S. to universally cool accessories currently making sparks on the international scene. Here, a few favorites.
Palms II Chair by Vioski, $3,470
“This happens to be L.A.-
based designer Jeff Vioski’s
best-selling item,” says
Smith. “With its low, sleek
profi le and timeless appeal,
It already looks like a design
classic in the making—unique
and profound.”
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HOME FRONT
TRENDS!
Looking to strike the perfect match? It’s time to retire those old rules about combining colors, and make your own out-of-the-box pairings. Pink with red? Purple with green? It’s buyer’s choice this season with the latest in brightly hued everything, from bigger-piece statements like Lapel’s multi-toned credenza, to tinier palette players like a set of rainbow-channeling chopsticks by Takashi Kamijo. So whether you lean towards pastel, primary or jewel tones, it’s time to assemble a home Crayola box of your own.
Mix ‘n’ Maxed!By Alexandria Abramian-Mott
Alexandra Von Furstenberg’s Charm candy bowl, $975 for a set of three, at alexandravonfurstenberg.com.
Jug table lamp, $1,125, at C.A.I. Designers, Merchandise Mart.
Color swatch knob, $12 each, at Anthropologie.
Takashi Kamijo’s Rainbow Chopsticks, $30 for a set of 12 reuseable wooden chopsticks, at momastore.org.
Lapel’s Color Story credenza, $2,400, at Post 27, post27store.com.
34 | | Fall 2010
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HOME FRONT
SHOPS
36 | | Fall 2010
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Plaid Fad Local designer Bladen Conner stripped and polished this vintage aluminum Emeco chair before upholstering it with a vintage Scotland wool blanket ($300, available at bladonconner.com).
Kylie Egge, 27-year-old interior designer and Orange Skin employee, has struck out on her own with a new studio and storefront, Recovered Interior (3065 N. Rockwell Ave., 773.656.3206), where she tackles the art of reupholstery with an eye for pattern-popping style. The selection ranges from dainty armchairs in large-
scale fl orals to classic pieces that are all about texture. “Each piece is like a mini interior design project,” says Egge. “It’s all about how it’s going to look in the space.” By Meghan McEwen
How did you get into reupholstering?
Not all clients have a huge budget. And they don’t want to have to depend on Room & Board and Crate and Barrel. I want every client to have a custom experience... I like working with my hands, so I took an upholstery class.
What made you hang
your own shingle?
Initially, I was fi xing up furniture I came across at estate and garage sales in my house and selling it on my Etsy shop. We started taking on custom and commission projects by word of mouth. We were written about in Daily Candy and it exploded. To do upholstery, it takes so much space. � e tools
alone–they’re big and loud. It became a necessity.
What should people know about
reupholstered furniture?
Even if it doesn’t have sentimental value, it’s going to be a unique piece that you’re not going to see in someone else’s house. It’s saving a piece of history from a landfi ll. I’ve also been working on repurposing other materials—like feed sacks for seat cushions, and vintage drapes and bedspreads as upholstery textiles.
Rules for picking fabric:
I always go to a client’s house to see the space, and I always try to get people to step outside their comfort zone. I’m a perfectionist.
Twice
It’s all about
reinventing old
furniture at interior
designer Kelly
Rauch’s workroom
and shop, Twice,
which showcases
her one-of-a-kind
pieces updated
with a fresh coat of
paint, an unlimited
selection of fabric or
dainty hand-painted
patterns, which she
does herself. � ink
1960s Danish
modern butterfl y
chair with black
raised velvet fl ower
fabric from France.
5450 W. Belmont
Ave., 773.297.6396,
kellyrauch.com.
Trilogy
Antiques
From the owner of
beloved Ipso Facto
in � ree Oaks,
Michigan, this
new group shop
features a curated
selection of antique
dealers, artists
and designers.
Find industrial
tables, vernacular
farm objects and
miscellany used as
decorative objects or
even art. 19 W. Elm
St., � ree Oaks, MI.
Chic Antique
Interior designer
and artist Crystal
Blackshaw
transforms old,
worn bureaus,
credenzas, side
tables and chairs
into colorful,
modern, statement-
making pieces.
3435 N. Broadway,
773.857.2695,
chicantiquechicago.com.
Refab!
Three brand-new shops showcase the reupholstered, refurbished and repurposed.Interior designer
Kylie Egge in her new
reupholstery shop.
SECOND ACT
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Find the inspiration to create
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FLOR’s innovative system of
carpet squares, featuring a
vast array of colors, textures
and styles, can be configured
in any shape or size. FLOR is
the most creative and inspiring
way for you to design a
floorcovering that is a true
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HOME FRONT
TRENDS!
Bring on the sparkle, shine and decadence. Up your style quotient with an edgy new spin on glamour, from Johannesburg-based Willowlamp’s gorgeous chandelier to Philippe Starck’s Masters Chair. And for the ultimate shimmering Swarovski statement: a big chunk of crystal for your favorite table from the ultra-hip Brooklyn design trifecta, Rich Brilliant Willing.
Glam SlamBy Meghan McEwen
Table chandelier, $4,500, at Rich Brilliant Willing, New York, 212.388.1621.
Brokat Platinum Plate, $2,219, by Nymphenburg at Kneen & Co., 312.787.7003.
Lladro Mirror, $2,250, at Macy’s, 111 N. State St., 312.781.4218.
Protea chandelier, price upon request, by Willowlamp by special order at Amaridian, New York, 917.463.3719.
Masters Chair, price upon request, by Philippe Starck for Kartell at Orange Skin, 312.335.1033.
38 | | Fall 2010
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Gold Standard In their shared offi ce, Marina Birch and Jessica Murnane tap their inner glamour girls By Lisa Cregan | Photography by Maia Harms
ROOM TO GLOW
From left: The gilded
chandelier glows
against a dark wall;
Jessica Murnane and
Marina Birch’s offi ce
gets the chic treatment
with Louis Ghost Chairs
and a zebra rug; a peek
through the archways.
Marina Birch and Jessica Murnane are good friends who also share an offi ce. Murnane claims to be the “low-key” one even though she’s wearing a sequined turban. In the offi ce. In the middle of the afternoon. Meanwhile, her pal Birch is explaining how she fused seven faux-coral chandeliers together and spray-painted them gold to provide conference table lighting. Any surprise these two found each other? From this fabulously over-the-top space in the former Dearborn Social Club, Birch runs her busy seven-year-old events planning business, Birch Design Studio. Across the room, behind a pair of French doors, Murnane designs cool, contemporary stationary under the moniker Suiter. Four years ago the pair met while working on the same wedding. And here’s a shocker: � ey clicked. When Birch saw this place pop up on Craigslist she immediately called Murnane. “I gasped when I walked in,” recalls Murnane about her fi rst view of double-height ceilings, swirling moldings, intricate ironwork and sparkling mosaic tile. “� e details of the architecture are amazing,” agrees Birch. “We just couldn’t believe it.” So what do two extroverts do with a space that’s elaborate even when it’s undressed? Dial up the glitz, of course. � e hydra-headed chandelier is far from the only thing slathered in gold—gold sconces, gold faux-bamboo chairs, gold tassels at the window, gold starburst mirror. It’s Midas run amok. And when Birch’s gold spray can fi nally ran dry, she mixed in some Philippe Starck Louis Ghost Chairs and her idea of a calming neutral—a zebra rug for the fl oor. “I do love a good zebra print,” Birch laughs. Birch says she often looks to the late costume and set designer, Tony Duquette (who famously embellished the ceiling of his L.A. studio with gold plastic serving trays) for inspiration. As for the “low-key” Murnane, her style icon is the très chic Jacqueline de Ribes, who once attended a party dressed as the Madwoman of Chaillot. � e two are adamant that the gilded gussiness stays at the offi ce though. “� e way our offi ce looks doesn’t translate or get
applied to what we do,” Birch insists. “Many of our jobs are actually minimal. � is is just about creating an inspiring environment that’s fun to visit and work in.” And working together has only further cemented their friendship. Says Birch: “I love that Jessica always looks half ‘60s mod, half Brigitte Bardot, in an ‘I-just-rolled-out-of-bed-and-I-look-this-fabulous’ kind of way.” Murnane says she’s just trying to keep up. “Marina is always so pulled together— it can be intimidating. But she’s the nicest person I know.”
Jessica Murnane (left) t
and Marina Birch.
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Back in the mid-1980s, a young real estate executive found he fell for the same type every time: a pretty face, a regal build, an expansive nature and a storied past. And the more fl amboyant and revealing the tales, the better, since we’re talking about historic houses rather than human beings. Right from the start, all those qualities were obvious to the current homeowner of the enchanting 1879 Wicker Park grande dame with Italianate styling. He fi rst noticed the house while he was doing volunteer work on low-income housing issues in the then dodgy neighborhood. Besides boasting majestic proportions, an exquisitely detailed façade, an impressive six-parcel lot and an enviable two-story coach house, it oozed personality and charisma. “T ere was something so gracious yet powerful about the way the house sat on the lot and presided over the block,” says the homeowner. Yet the home, like most of its neighbors, was in no shape to hold court. Nor was it for sale. But the homeowner was so smitten that he kept watch and snapped it up when it came on the market in 1994. At the time, this object of aff ection was home to a host of colorful artsy types who shared kitchen and bathroom privileges. T e lineup included a costume designer, a fl orist, a female impersonator, a rock-and-roll roadie and a chef. He was so tickled with the setting and situation that he moved in two days after closing on the property, which happened to be Halloween. T e only empty room was the master bedroom thanks to a big hole in the ceiling, smack in the center of the room. T e medallion trim that should have framed a chandelier in that spot was hanging by a lone nail. He bravely set up his bed underneath it, but when it rained a few days later and he got drenched,
Droog’s 85 Lamps chandelier
hangs at the bottom of this
gorgeous grand staircase.
uP tHe DoWn StAIRcASe
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42 | | Fall 2010
Manse Appeal
Armed with Christian Liaigre and high heels, interior designer Julia Edelman brings a Wicker Park manse from boarding house drab to post-rehab chic By Lisa Skolnik | Photography by Anthony Tahlier
he retreated to a far corner of the room in a nook that had once been a closet. Yet that little glitch, and the house’s many other issues, didn’t temper his commitment. “I always knew I was going to get married, have kids and raise them here,” he says. Te only problem was finding the right mate. “I teased my friends that I would marry the first woman who would live in Wicker Park because the area was so rough back then,” he laughingly recalls. A mere two months later, he met his soul mate on a blind date. “She loved the place,” he says. When they married in 1997, they wanted to renovate right way and consulted Vinci Hamp Architects, a firm respected for its historic preservation work. But “I quickly found I couldn’t afford them or the work, because no bank was willing to lend us the amount of money we needed to put into the place. Tey all felt the area was too risky,” he laments. Tat changed four years later. “We just had to wait for the neighborhood to catch up,” explains his wife. By then, they were sure of one thing: “We were determined to do everything right,” he notes. Teir primary priority was to respect the home’s historic fabric. It had landmark status, so they were required to exactingly restore every architectural element that was visible from the street. Outside, a side porch was restored from pictures the previous owner gave the couple, and crumbling limestone steps were replaced with new ones from the same source. “We were actually able to track down the original quarry they used in the 19th century,” marvels the husband. Inside, trusses and joists were rebuilt, floors were replaced and all of the original architectural elements—from trims to window shutters—were removed and scrupulously restored or remade from scratch. Even a fireplace mantel was recreated from Carrera marble to match the original. “We took our cues from the mantel in the master bedroom, which was still intact,” explains the wife. Other modifications the couple wanted to make to update the interior were trickier, such as a state-of-the-art kitchen, new bathrooms and a family room lined with built-ins for storage and audiovisual equipment. So
Vinci Hamp “tailored these changes to be sensitive to the architecture and low-key so they don’t jump out at you,” says the firm’s principal, Phil Hamp. But a few bold updates rocketed the house into the new millennium. One was invisible: a geo-thermal heating and cooling system that required them to drill out eight 300-foot-deep wells and set the timetable back almost an entire year. While they were greening, they also got the roof ready for flat solar panels, which they plan to install sometime in the future. But the other was spectacularly and suitably obvious, since it only shows from the second floor. Tere, the home’s grand staircase came to a halting stop, so the attic could only be accessed from a rickety flight of stairs at the back of the house. A sleek, artfully wrought steel-framed staircase the architects dreamed up
now continues where the original one stops, giving the house a dazzling and transformative 21st century core. When the staircase went in, the wife figured it was time to hire an interior designer. “I like elegant, clean-lined things, but I wanted to find pieces that would really shake things up and that’s not my forte,” she says. Te first one came easily when she asked two different friends who had homes she admired for their designer’s name. Tey had the same answer: Julia Edelman. “It was perfect. My decision was made,” she recalls. Tey bonded at their first meeting. “I told her to wear sensible shoes because we were in construction, and she showed up in super-high heels and a wildly patterned dress. I thought, ‘Uh-huh. We are going to get some really interesting pieces,’” laughs the wife.
Lounge Act From top: Interior designer Julia edelman gets cozy in Ligne Roset’s Pop chair, chosen for the hit of color it brings to the
neutral hues of the airy master bedroom; the freestanding soaking tub in the master bathroom overlooks the home’s newly restored yard;
a side view of the home’s exterior reveals its flawlessly restored porch and the yard, sunken to play to the home’s Italianate roots.
...continued
continued...
44 | | Fall 2010
“I told her to wear sensible shoes because we were in construction, and she showed up in super-high heels and a wildly patterned dress. I thought, ‘Uh-huh. We are going to get some really interesting pieces.’”
From the get-go, she didn’t disappoint. Edelman used Droog’s famous 85 Lamps chandelier at the base of the grand staircase, making it the first thing you see when you enter the home. Ironically, it echoes the lines of the frothy Victorian newel post, making it simpatico and boundary-breaking at the same time. But it proved way too edgy for the fussy floral Lincrusta that lined the foyer and staircase wall, so Edelman changed it out for the line’s more contemporary Elizabeth pattern. “We had to stick to a Lincrusta wallcovering because it’s historic and the foyer shows from the street,” Edelman explains. Other choices the designer made were equally adventurous: muscular yet minimal Christian Liaigre basics and Asian-inspired cabinets in the living and dining rooms and master suite to counter the Victorian froth; pops of color
WHIte out Accessories that shimmer and shine up the glam factor on the first floor, including a giant decorative pendant mirror edelman designed and had
fabricated for the living room. Below: A vivid panoramic shot of Miami foliage by chicago photographer Doug Fogelson reminds the wife, who hails from there, of
home and adds color to the minimal dining room.
...continued
46 | | Fall 201046 | | Fall 2010
on a few upholstered pieces; and vividly hued casual furniture in the third-floor attic, now a playroom and dance studio for the couple’s three children. Finally, the couple hired Douglas Hoerr of Hoerr Schaudt to revamp the grounds after buying a consultation with him at a charity auction. Tey fell for him hard after their initial meeting. “He’s the Maserati of landscape designers,” teases the husband. He lived up to his reputation with a dazzling sunken garden that played to the home’s Italianate roots and the fact that it was cited on a groundswell. “Tey were clearly paying homage to the idea of a Tuscan villa on a rolling hill when they built it, so Doug emphasized that,” notes the husband. Today, the place is exactly what the couple wanted: a historically preserved family home for him, and a place with intriguing quirks for her. And it’s in the middle of a thriving neighborhood with plenty of other gracious homes getting the same loving treatment from their smitten owners.
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HOME FRONT
TRENDS!
Looking to go hardcore? � e latest in rock and stone décor carves a new kind of home cool, where subterranean shapes and patterns emerge to the surface for a fresh take on modern organic. Lori Weitzner’s new Quarry wall covering is made from a super-thin, paper-backed stone with mineral traces that create one-of-a-kind patterning. Brenda Houston gives sparkle to hard-rock style with her black quartz Angelina lamps. And if you want color-splashed stone, Philip Nimmo’s Pietra Santa sconces suspend shimmering prisms of blue agate in hand-forged iron.
Rock Stars!By Alexandria Abramian-Mott
Lori Weitzner’s Quarry rock wall covering, price upon request, at Donghia at The Mart, 312.822.0766.
Successful Living from Diesel with Foscarini’s Rock fl oor lamp, $1,134, at diesel.com.
Philip Nimmo Ironworks’ Pietra Santa sconce, $3,700, to the trade at thomaslavin.com.
Peter Dunham’s fi berglass Emilio console, $2,250, at hollywoodathome.com.
Brenda Houston’s Angelina lamp, $3,395, at Interior Crafts, The Mart, 773.376.8160.
48 | | Fall 2010
HOME FRONT
design
continued...
50 | | Fall 2010
Erik Retzer was less than thrilled when his partner Jim Josephson, an interior designer with Marshall Morgan Erb Design, returned home several years ago with a ’50s-era, cut crystal and brass-mounted French decanter, part of an entire set he would ultimately assemble. “I hated those at first,” says Retzer, whose five-year tenure at Pagoda Red has nurtured an appreciation for tribal art, Eastern artifacts and Asian furniture that started when he was a child paging through his father’s National Geographic collection. But it’s the friction generated by the couple’s aesthetic that gives their 1,100-square-foot loft much of its character—a shared style they compare to an eclectic English manor. “Every generation adds its own touch [to an English manor], so they’re modern, but they also have a history to them,” explains Retzer. And if there’s one thing their one-bedroom loft has in spades, it’s history. Te exposed brick walls and wood ceiling rafters are reminders of the building’s past as the Ludwig Drum factory and an ideal backdrop for the couple’s eclectic collection. Near the
entrance, twin school clocks—synchronized to the second—hang next to each other. “Side by side, doing the same thing at the same time,” explains Retzer, a graduate of the School of the Art Institute of Chicago, who created the piece in homage to Feliz Gonzales -Torres’ installation Two Lovers. On one wall alone, Audubon prints share space with antique bronze and crystal wall sconces, contemporary ceramic sculptures and a life-size painting of Lenin—one of the many pieces of communist propaganda that can be found throughout the space. A white feather Cameroon headdress hangs prominently above the fireplace, which the couple had Venetian plastered to distinguish it from the surrounding neutral walls. “I don’t think you need to lock yourself in,” says Josephson, who favors the gilding and polished brass of European antiques. “Te apartment is a kind of a living laboratory.” Te couple’s experiments include pairing an Italian mid-century Gaetano Scolari chandelier with an oval 19th-century Cuban mahogany dining table and an
melding pot Clockwise from top
left: in the living area, a collection
of ceramic mao figurines mostly
from eBay; the lenin poster
via eBay from somebody in the
Ukraine; one of the first projects
was to paint the dingy white,
windowless hallway a gunmetal
gray; the pavel Amromin
sculpture, which represents
young soldiers going off to war,
from the Ann nathan gallery.
SplitScene
Two design industry players from opposing ends of the style spectrum find neutral ground between Pagoda Red cool and gilded European antiquesBy Tate Gunnerson | Photography by Anthony Tahlier
312-733-9520
www.hickmaninteriors.com
Hickman Design Associates
...continued
52 | | Fall 2010
18th-century Chinese cabinet, one of three large wood cabinets in the main living area used to store items no longer on display. (“We have a buying problem,” explains Josephson.) A large framed black and white image by contemporary artist Michal Macku hangs in front of a makeshift wall of floor-to-ceiling chocolate wool fabric, which Josephson hung to separate the kitchen from the large living and dining area.
“One thing I learned is that I hate lofts,” says Retzer. “I need walls.” An antique rug defines the main seating area where a modern brown leather sofa piled with Turkish Kilim pillows and a white leather Barcelona chair co-exist with an antique Chinese scholar’s stool made from a gnarled tree root and a wooden statue carved by the Baule tribe in West Africa. According to Retzer, the figure is a sort of tribal marital aid, a carved representation of a person’s opposite gender spiritual avatar who can be called upon to intervene on their behalf during marital strife. Retzer named it Timmy, and it sits in front of another one of his creations: a graphic black and white piece of art, which Retzer was inspired to make after seeing a similar piece by artist Richard Prince in a European design magazine. Te capitalized san serif type lines up shoulder-to-shoulder with no spaces or punctuation to fill the small square canvas, reading something like “If you don’t like it, you can get out of my house,” but with an expletive. “Some of my aesthetic tends toward the aggressive—but subtle aggressive,” says Retzer. But the message is more ironic than hostile when it comes to Retzer and Josephson, who nearly always wind up on the same page despite their differences. “We met in college, so this has grown from the ground up,” says Josephson. “I like seeing how people respond to it.” And on the rare occasions when the ordinarily well-matched couple does fall out of sync, they can always call on Timmy.
then And wow
From top: erik Retzer and
Jim Josephson bought the big
pot on the table from michael
del piero, who let them put it
on hold for a year; the tapa
cloth above the bed is from
new Caledonia. Retzer likes it
because it reminds him of a
Keith haring painting.
“Some of my aesthetic tends toward the
aggressive—but subtle aggressive,” says Retzer.
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design
If you’re mad for Betty Draper, stop reading right now. Te latest trend in interior design is going to break your heart. Icy Perfection? Out. Riotous Clutter? In. Suddenly the most buzzed-about interiors mags, books and blogs are documenting rooms that seem to be inhabited by actual homeowners—living, breathing people with the temerity to eat, drink, spill… even sleep in their homes. Beds go unmade, collections crowd tabletops and the detritus of child-rearing litters the floors. Unexpectedly, the design world’s pretty little head now gets turned by the type of people who accumulate glass eyes and stuffed peacocks. It’s decorating for the rest of us—personal, authentic, often odd, occasionally tacky, but filled with that most glorious of stylistic morsels—surprise. Heiji Choy Black, co-owner of Chicago fashion and design consulting firm black-francis, thinks it was inevitable we’d come to this. “Today everything is attainable. Tere are so many cheap knockoffs of high design; I think people are turning away from it. Tey want to see and be inspired by people whose style is so personal it can’t be copied.” Black is putting her theory into practice. She and business partner April Francis have launched a blog (black-francis.com/blog) chronicling the
real-life homes of the coolest creative types in town. You can now browse residences like that of artist and U of C Art Department co-chair Laura Letinsky, where spent candles, crumpled magazines and plastic toys lie unmolested by persnickety stylists. And an almost sculptural basket of laundry sits atop its sinkside pediment, every bit as beautiful as the art on the wall behind it. “In every vignette, every frame, there’s a sense of Laura,” says Black. “I think it’s refreshing to look at photos of a home that tell you something about the person who lives there. It doesn’t have to look perfect to be beautiful.” Jeff Smith, co-owner of always-ahead-of-the-curve Chicago furniture showroom Haute Living, points to the two-year-old magazine Apartamento as further affirmation. Te self-described “everyday life interiors magazine” could be the official handbook of the clutter crowd. “It goes against the notion of standardized hipness,” says Smith. “It shows interiors that are aligned to individual personalities instead of some collective norm. Tey may even show a kitchen with dirty dishes. Refreshing!” “I think it’s better to call this style you’re talking about ‘the new evidence,’” says Jeffrey Moss, a filmmaker and stylist
Jeffrey Moss,
filmmaker and
stylist for brands
like Pottery Barn,
in his Pilsen loft,
decorated in what
he calls “evidence”
of his interests and
personality.
The New ClutterAn anti-perfection movement brings personal clutter out of the closet and puts it where it belongs: on display
for lifestyle brands like Pottery Barn. Moss has ushered a parade of shelter photographers through his Pilsen loft recently (his place will turn up in the November issue of British Elle Décor). Editors are endlessly fascinated by the stunning avalanche of vintage photos push-pinned to his walls. “It’s not clutter,” he insists. “It’s evidence of personality, evidence of life.” So about now you’re thinking: “Tis is a design trend right in my wheelhouse. I can leave my stuff all over the place and be done!” Right? Well, actually, no. It’s like the guy looking at the Jackson Pollack who says, “My kid could do that.” Tere’s a little more going on.“When it comes to clutter, it either has to be in one’s blood or it’s best to avoid it,” Smith warns, a sentiment reinforced by Moss. “It would be misleading to say my things are arranged randomly,” he says. “Tere’s a naïve sense of placement, but there’s always a narrative.” Another local professional who’s gotten attention for an unconventional aesthetic is 30-year-old designer David Hopkins. His much-photographed place (see Apartment Terapy’s Big Book of Small, Cool Spaces and back issues of this very magazine) might be this city’s loveliest Edwardian curio cabinet. “I like rooms that are full of junk but I don’t let them become a clutter-fest,” says Hopkins, who’s currently re-upholstering his sofa in old Soviet parade flags. “For example, I have 40 little pots, similar in tone, shape, and origin, on my mantel.
Grouped together they read as one object; if I’d put them all around the room they’d just read as a mess.” And 26-year-old visual merchandiser Martha Mulholland thinks of her flamboyant accessories as art installations. “It’s not chaos, ” says Mulholland. “I’m very anal. Te pillow has to be a certain way, but it’s not perfection either! I like special antiques but I want them next to something trashy. My biggest compliment came from a photographer who thought Todd Selby should photograph my apartment.” Ah yes, Todd Selby. If not the father of the clutter look, he’s certainly its prime enabler. “Todd Selby started documenting it, but the style’s been around,” Moss demurs. “We’ve all known people who fill their houses with crazy wonderful stuff, but they used to be underground—the ultra, ultra-hip. Now because of Te Selby, we’re experiencing a moment where it’s cool for everyone to put their life on display.” Hopkins says the Randolph Street flea market is his barometer of how much clutter has taken off: “You’ve got these hipster shoppers right alongside the Lincoln Park housewives, and they’re fighting over some old baker’s hook. It’s hilarious” “It’s a fresh, jolly, permissive, inclusive approach to design,” explains Moss. “Now when you find yourself asking ‘I like this but does it work with that?’... you can say ‘yes, yes, yes.’” Yes!
“We’ve all known people who fill their houses with crazy wonderful stuff, but they used to be underground—the ultra, ultra-hip,” says Jeffrey Moss. “now because of the selby, we’re experiencing a moment where it’s cool for everyone to put their life on display.”
Heiji Choy Black in her home
office, where cool design mixes
with cords, stacks of books and
the chaos of real-life.
Dave Hopkins fills up the
nooks and crannies of his
apartment with collections of
unconventional oddities.
Some people call it clutter.
Vintage merchandiser Martha
Mulholland calls it an in-
home art installation.
The interior of Jeffrey
Moss’ loft is cluttered
with personal artifacts
that reflect his life.
An up-close look
at one of Martha
Mulholland’s
collections on display.
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56 | | Fall 2010
Custom furniture, lighting and accessories
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Why settle for one function when you can get two? Designers are doubling down when it comes to creating switch-hitting, moonlighting furniture and accessories. From an ottoman that springs into action to become a twin bed to a sofa whose armrests lower to create a chaise lounge, to a tiny wooden box that unfolds into a four-foot-long dining table and chairs, this is a two-sided trend that’s all about maximizing your investment.
Double DutyBy Alexandria Abramian-Mott
Ottoman/twin bed, starts at $449, at Bo Concept, 1901 N. Clybourn Ave., 773.388.2900, boconcept.us.
Peter Maly’s Ted sofa/chaise, $3,845, at Ligne Roset, 440 N. Wells St., 312.222.9300, ligne-roset-usa.com.
58 | | Fall 2010
Cate & Nelson’s chair with fl ip-able ultrasuede swatches, price upon request, at [email protected].
Srdjan Simic’s Paket table and chairs set, $748, at studiosimic.com.
www.randyhellerdesign.com | 847.207.7789
Pure & Simple Interior Design
60 | | Fall 2010
continued...
He’s GotFrame
Curator Mark Rowland puts together an all-star art lineup that turns the base of the skyscraping Aqua into a cutting-edge gallery By Jessica Cochran | Photography by Maia Harms
galleristo
Curator Mark rowland
underneath a rodney
Carswell installation
at Jeanne gang’s new
model interior at the
aqua Parkhomes.
Last spring, when Jeanne Gang was designing the model interior of the Aqua Parkhomes—a set of nine three-level townhouses nestled at Aqua’s base—she recognized an opportunity to create a powerhouse showcase for local contemporary art. In typical Gang fashion, she wanted the best possible person to lead the lofty charge: Enter all-around art guru Mark Rowland, referred by one of Gang’s architects. Known in the art community as something of a jack of all trades, 42-year-old Rowland is a curator, art advisor, designer and instructor. A prescient
art dealer, Rowland was one of the first gallerists to set up shop in the Fulton Market district, an area now bustling with galleries, restaurants and design studios. And unlike many advisors, Rowland is an artist himself, gaining serious art-world cred with degrees from the School of the Art Institute and Michigan’s Cranbrook Academy, as well as time with the über-prestigious Skowhegan residency program. As Rowland puts it, all this, combined with his professional web design and development background, has given him an “eye for things.”
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62 | | Fall 2010
sPare additions
From top: a triptych of black
and white photos by Jin lee
hangs above the bed in the
master suite; the front entrance
of the unit offers a peek inside
the art-filled space.
Tis eye has helped further elevate Studio Gang’s model, tricked out with custom Florense furniture and kitchen cabinetry–not an easy task for 82 stories of provocative undulating curves that twist into a skyscraping sculpture in their own right. According to Gang, “Instead of just helter-skelter picking pieces, we wanted to have a strong theme to connect the work, focusing on the talent we have here in Chicago.” So armed with a great Rolodex and an even better eye for talent, Rowland channeled his inner art impresario and worked directly with Gang on a truly visionary collection that puts this for-show space on par with some of the most cutting-edge galleries in town. Rowland and Gang visited off-the-beaten-path studios like that of Garfield Park-based painter Dan Devening to view and select works that, according to Rowland, fit Gang’s “edgy” tastes while relating to their Chicago themes of water, innovation and architecture. Te pair also pointed their efforts toward art that related to the interior itself, focusing on works that could serve as distinct transitional pieces and, according
to Rowland, “as counterpoints to the really refined finishes.” Rodney Carswell’s clean yet gritty prints hang in a gridded salon style in a pass-through from the open, airy kitchen to the stairs leading up to the second floor. “Te prints’ rough edges and subtle plays with color work well against the surfaces,” says Rowland, who, along with Gang, fell in love with the artist’s minimal, geometric work. At the home’s entrance, a small helix-shaped metal sculpture by Christine Tarkowski, a local standout known for her recent (and monumental) solo show of gigantic sculptures at the Chicago Cultural Center, sits dutifully near the door. In the dining room, which blends a certain formality with Midwestern ease, Chicago-based artist Jeffery Cote de Luna’s pixelated painting of an abstracted chandelier hangs opposite a sleek glass Florense table, paired with earthy wooden chairs. Gang loves the way the patchy monochromatic painting “centers the whole living space,” acting as a counterpoint to the room’s central light fixture—a gracefully contoured and sculptural Tropico Ellipse by Giulio Iacchetti for Foscarini. She’s also attracted to the way it doesn’t reveal itself at first glance; sometimes it takes a closer look to make out a chandelier from the abstract shape. In the master bedroom with floor-to-ceiling windows, a triptych of photographs by Jin Lee depicting bare trees hangs over the bed. Tey amplify the deep maroon and orange colors, creating a dialog with the room’s leafy park view. “Tey act as characters,” says Rowland. What could be a better complement?
...continued
“The triptych of photographs by Jin Lee act as characters in the master suite,” says Mark Rowland. “An intimate visual for an intimate setting.”
Now’s the time to make a clean break from design on the straight edge: � e shape-shifting movement is gaining serious traction in the world of interiors. From curvy, voluptuous seating to abstract, ethereal lighting, amorphous shapes are leading the boundary-breaking charge. Fernando and Humberto Campana’s Miraggio Mirror for Edra looks like a refl ective puzzle of blob-like forms. And Jaime Hayon, who designed the Elements pouf for Moooi, might just be the forefather of bulbous-chic. Rebelling against the straight and narrow has never looked so good.
Shape-ShiftersBy Meghan McEwen
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TRENDS!
64 | | Fall 2010
Fernando and Humberto Campana’s Miraggio Mirror for Edra, $2,555, at Luminaire, 301 W. Superior St., 312.664.9582.Soft Vase by Raptuslab, $108,
at Luminaire, 301 W. Superior St., 312.664.9582.
Elements pouf by Jaime Hayon for Moooi, $1,536, at Haute Living, 222 W. Kinzie St., 312.329.9000.
Bdlove collection 2.0 by Ross Lovegrove for BD Barcelona Design, price upon request, at Luminaire, 301 W. Superior St., 312.664.9582.
Cocoon plan by Rock Wang and Kao-ming Chen for Yii, price upon request, at yiidesign.com.
7 7 7 N O R T H Y O R K R O A D S U I T E 9
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6 3 0 - 7 3 4 - 0 6 6 2
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HOME FRONT
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San Francisco’s frenzy of new hotel openings has definitely fizzled post-recession. But three of the most stylish survivors are a testament to the notion that small (with tons of character) is better than big (with none). All centrally located in the Union Square shopping and cultural district, the newest of the bunch is the Crescent Hotel (417 Stockton St., 415.400.0500). It’s the chic sister to the Beverly Hills Crescent, a collection of small, urban hotels with their own distinct style created in-house. Te look here is classical-meets-urban-contemporary with a dramatic red,
black and white color scheme. Tat aesthetic reaches its pinnacle in the dramatic lobby, where multiple layers of original crown molding and Corinthian columns contrast with built-in seating and chairs in velvet and black lacquer. As hip as the design is, it’s the hotel’s Burritt Room bar that has created the most buzz in this taste bud-oriented town. Renowned mixmaster Kevin Diedrich has lured the cocktail crowd with ironically named concoctions with a local connection. Te rye- and aperol-based Critical Mass, for example, refers to bikers that routinely swarm the streets to advocate carbon-free transportation. (You may need a cocktail if you encounter them.)
pin code At the
Barbro osher
Sculpture Garden
at the de Young
Museum, a 21-foot-
tall sculpture,
claes oldenburg
and coosje van
Bruggen’s corridor pin, Blue (1999),
makes for one of the
city’s most peaceful
plays on scale.
Flowering PowerThe leftist leanings of San Francisco have made it a go-to global incubator for cutting-edge design By Joanne Furio
The hippies may be gone, but the slackers, hackers and early
adaptors who have taken their place are just as revolutionary.
San Francisco’s progressive legacy of ’60s counterculture has
given rise to a design climate that’s embraced sustainability,
innovation and collaboration. Check out the latest in one of
Te year’s big design news was that Gap founders Dan and Doris Fisher had chosen the San Francisco
Museum of Modern Art (151 3rd St., 415.357.4000) to house and display their seminal collection of contemporary works that some say has put the SF MOMA on par with the NY MoMA. An exhibition introducing the Fishers’ Warhols, Twomblys, Serras and Lichtensteins to the public just closed, but you can check out 14 of the larger pieces—and the museum’s new $18 million rooftop sculpture garden where they are displayed—through June 2011. Te indoor/outdoor space, designed by local architect Mark Jensen, added some 14,400 square feet of exhibition space to the fast-growing institution, which will soon encompass a new building with a Fisher wing. Te Walt Disney Family Museum (104 Montgomery St., 415.345.6800) is the latest project of the New York-based Rockwell Group, the folks behind New York’s W Hotels and Michael Mina’s Clock Bar in SF’s Westin St. Francis hotel. After SF architects Page & Turnbull converted some 70,000 square feet in two separate buildings in this historic former army base into one cohesive space, Rockwell took a few pages from the Disneyland playbook for the interiors. A velvet-draped elevator, for example, recalls the bedecked elevator at the Haunted Mansion. Mirroring Disney’s life, the museum-going experience reaches a crescendo in Gallery 9, an enormous space devoted to the era when the California and Florida theme parks were created. A spiral ramp guides visitors through multimedia displays and memorabilia that include Disney’s beloved miniature trains, while a giant globe projects video clips from those heady years. Like the end of a ride that has engaged all your senses, you soon find yourself magically returning to the first floor, not far from where you began.
A few blocks away (by bike or foot) is the Hotel
Frank (386 Geary St., 415.986.2000), where L.A. designer Tomas Schoos (Huntley Hotel, Koi and O-Bar restaurants) ups the ante with a black-and-white, ’70s-inspired fantasy look that includes vinyl sofas, smoked glass tables, faux ostrich-covered mini-fridges, plenty of chrome and emerald accents. Hotel Diva (440 Geary St., 800.553.1900) founder/owner Yvonne Lembi-Detert has made the inn a showcase for local talent by having designers trick out its four Internet lounges. Lighting guru Pablo Pardo outfitted his with a range of wall, table and hanging lights—from his best seller, the Sophie teardrop, to esoteric models like an illuminated bench. Te husband-and-wife team of industrial designer Rick Lee and couturiere Colleen Quen combined their efforts in a room featuring his circular seating and her Madame Butterfly gown, which hangs from the ceiling as a light-fixture shade. In the DLX lounge, named after the SF-based skateboard maker, designer Lisa Compagno and her husband, skateboarder Pete Colpitts, translate the sport’s fun and irreverent attitude into décor: Skateboards hang as art and furniture—like a Philippe Starck clear resin stool—that continues the Pop Art vibe.
inn StYle From
top: inside one
of Hotel diva’s
internet lounges.
At the recently
reno’d Hotel Frank,
designer thomas
Schoos plays it
cool in the lobby
with overscaled
houndstooth
carpeting and a
mix of new and
vintage finds.
GreAt leGS! louise Bourgeois’ the nest (1994) steel sculpture at SF MoMA.
In the hip neighborhood of Hayes Valley, owner Lorn Dittfeld is a modern-day Medici, using his store, Propeller (555 Hayes St., 415.701.7767) as an incubator of “small, independent artists, not always local,” he says. So while he does carry local work like Derek Chen’s bentwood trays and vases, Tomas Wold’s modernist furniture made from often reclaimed materials and Charles Bengs’ handcrafted mixed-wood stools with exaggerated legs, Dittfeld’s scope is farther-reaching. Te shop carries furnishings by Moooi and Marcel Wanders and was one of the first to carry the hot Excel Floor Lamp by Brooklyn’s Rich, Brilliant, Willing. In its attempt to shorten the gap between user and creator, the store often hosts talks by furniture makers or company brass, like June’s visit from a Moooi exec from Holland. If you’re looking for all things new Japanese, head over to the year-old New People complex (1746 Post St.), a shopping destination devoted to clothing, housewares and electronics that are near-impossible to find outside Japan. Tis is one-of-a-kind shopping at its best with finds like Vinyl Killer, a portable record player in the shape of a Mini Cooper that plays by “driving” around the disc. Carrots (843 Montgomery St., 415.834.9040) is one of SF’s best luxury boutiques. With a mix of clothing and housewares, it has a Tribeca vibe, with its quiet, old industrial location. Look for Caleb Siemon lighting, Provençal ceramics, Cire Trudon candles and Santa Maria Novella soaps and lotions.
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tHe treAtMentS international orange spa carries locally
sourced, hard-to-find skincare products.
Free Parking!
Te new city-sponsored Pavement to Parks project is creating plazas and parklets in dense urban ’hoods where open space is lacking, with pro-bono help from local designers, landscapers, fabricators, businesses and community organizations. “Te idea is not to replace the need for a park,” says Andres Power, the program’s director. “It’s a different type of open space, a place to sit and gather in the middle of the city, where you’re interacting with the urban fabric.” For visitors, the ingenious design and use and reuse of materials at the following finished projects makes for great plein-air rest spots.
cAStro coMMonS plAzA
17th Street, between Castro and Market streets
SHowplAce triAnGle
Intersection of 8th and 16th streets
Guerrero pArk
Intersection of San Jose Avenue and Guerrero Street
diviSAdero Street pArklet
Divisadero Street, between Hayes and Grove streets
22nd Street pArklet
Intersection of 22nd Street and Bartlett
loG GlAM reclaimed Golden
Gate park logs were used
at the recently completed
Guerrero park.
Eat
Tanks to the great quake of 1906, 19th-century buildings are rare, so architect Malcolm Davis’ rehab of an 1870s structure that had been the mayor’s carriage house is truly special. With exposed wooden framing, floors salvaged from a Petaluma barn and countertops made from fallen cypress, the Stable Café (2128 Folsom St., 415.552.1199) has a quasi-industrial feel, though the raved-about artisanal food is anything but. Tere’s more sustainability-meets-industrial-chic at the Plant Café Organic (Pier 3, Te Embarcadero, 415.984.1973), with some of the best waterfront views in town. NY- and SF-based architect Cass Calder Smith wanted to reuse as much of the early 20th-century warehouse as possible, so the original wood timbers with a century of patina remain. Te Plant’s among a handful of restaurants in the country whose kitchen is partially powered by the sun, thanks to the photovoltaics on the roof, and probably the only one with an electrolyzed water system that eliminates the need for most harsh detergents. Michael Mina’s latest venture, RN74 (301 Mission St., 415.543.7474) was a nominee for this year’s James Beard Award. Tough RN lost to another SF eatery, Flour and Water, it’s a winner when it comes to design. Inspired by the food and wine of Burgundy and named after the thoroughfare that passes through it, the restaurant’s sleek décor, created by the New York design firm AvroKO, combines industrial elements of European train stations. A departure/arrival train board flips whenever a guest orders a bottle of wine, and chef Jason Berthold (formerly Tomas Keller’s sous chef) continues the regional French connection with updated versions of Old World favorites, like the grilled cobia with Provençal roots.
smart furniture mystery wanDerlust clean classic space
jet set temptations Divine refined vintage contemporary chic
rooftop texture smart wallpaper travel
mouth-watering classic landscape cool
classic Decor chic gorgeous design exclusive
Decor couture Divine hot bling-bling chic eco elegance
Features
Fall 2010
home / design
As the contorted Tim Burton-esque copper gate opens to reveal the West Town home that restaurant and nightclub impresario Jerry Kleiner shares with his partner in life and in business, Marisa Molinaro, visitors half expect the White Rabbit to scamper across their path, checking his pocket watch. After all, there is a super-sized potted plant sculpture opposite the entrance that casts an ephemeral, Wonderland-like spell on passersby. And yet once the contents of the front courtyard are exposed—including a meticulously manicured landscape with a putting green on the south end and a rustic limestone hot tub waterfall on the north—one realizes this is a home, and an enchanting one. And the spell does not end on the sidewalk. For the couple, one thing is certain: Te plan for this wonderland was all their own. Kleiner, always on the lookout for his next design adventure, saw unlimited potential in the sprawling space—a former industrial garage spanning more than 8,000 square feet—and was lured by its “blank canvas” appeal. “I am drawn to open, industrial spaces that I can fill with my ideas,” explains Kleiner. And fill he did, honing his vision over the last 12 years. When Molinaro came into the picture a decade ago, she instantly became equal parts muse and mastermind. Together, the glamorous couple created an urban escape that merges their individual aesthetics and dangles playfully between reality and fantasy. Te end result might be the most impressive project yet. And from the visionary behind famously dramatic spots like 33 Club, Carnivale, Gioco, Red Light and Opera, that’s no small thing. Te interior is one themed attraction after the next. Te kitchen, a retro homage to the 1950s, comes with a checkered black and white floor scheme in Italian marble, diner stools upholstered in cherry-red patent leather and a vintage Coke vending machine. Double-
Living LargeTwo big thinkers—restaurant and nightlife impresario Jerry Kleiner and Marisa Molinaro—work their sprawling warehouse into a home for color-popping, mind-bending design
By Diana Tychsen | Photography by Tony Soluri
ROOM WITH A VIEW
The front foyer frames
views of the living room
and library, flanked by
a reimagined vintage
gymnastic beam and a
three-foot photograph
of a Vienna concert hall,
where Molinaro played
the violin as a teenager.
Fall 2010 | | 79
crown pantry doors (like all doors throughout the home) are a soaring nine feet tall with jumbo knobs that play on scale. In the prettified living room, walls are adorned in a silver and lavender Moroccan-patterned paint scheme, which gives a warm, almost feminine vibe—quite fitting at the moment, as there are dozens of cocktail dresses strewn over the C&C Milano celadon-green upholstered settee, antique gold-leaf and glass nesting tables and rose-colored tweed side chairs. Turns out Marisa is helping a group of Chicago Public high school girls she mentors pick out prom dresses for the impending weekend’s event. Te library has a richer, cigar-lounge feel reminiscent of a Parisian cafe. Te east wall is a floor-to-ceiling built-in bookcase, showcasing a variety of baubles and books
on architecture, fashion and fine art. Facing the display is a custom brown alligator-embossed sofa, juxtaposed by red Ralph Lauren patent leather chairs with bronze nailhead detail and a life-size teddy bear. Oversized tasseled throw pillows in exotic prints from Clarence House and Etro rest against the double doorway, reappearing throughout the home to satiate the couple’s worship of whimsy and Kleiner’s adoration of luxurious textiles (he is the son of a Polish tailor). Te over-the-top theme continues in the dining room, which is, appropriately (given the occupation of the owner), the home’s main attraction. If the Mad Hatter were planning to host a tea party in the city, it’s easy to picture him heading the massive 16-foot hand-scraped mahogany veneer table, surrounded by a dozen dramatic wingback chairs in an amalgamation
Oversized tasseled throw pillows in exotic prints reappear throughout the home
to satiate the couple’s worship of whimsy and Kleiner’s adoration of textiles.
Above: Citron velour
low chairs and large
emerald-colored urns
frame a view of the
lush courtyard, where
Kleiner practices his
short game on his
personal putting green.
Opposite page: An
assortment of framed
sketches, postcards,
clippings and art
covers the library wall,
a vertical memory
box of the two’s
transatlantic travels.
“It’s kind of a journal
of our adventures,”
says Kleiner.
Fall 2010 | | 81
82 | | Fall 2010
of animated colors, patterns and textures. Te space is illuminated by a vaulted glass atrium ceiling with whitewashed wood lattice-embellished beams suspended overhead—a feature that was reconceptualized by Kleiner, who preserved the existing mechanism but added double panes for insulation. Other spectacles vying for attention: a collection of Kleiner’s “conversation pieces,” including a Louis Vuitton soccer ball, various animal-skin instrument cases, and an aluminum tricycle. Oftentimes, these objects de vertu are things he and Molinaro have stumbled upon while décor-hunting for their restaurants. Te backdrop for all the action is a bronze and steel Tai Buddha statue and an ebony Steinway concert piano, which highlight the grand staircase. Tis is the inspiring set that serves as the “think tank” for the couple’s brainstorming sessions—whether they’re discussing their next restaurant venture or forthcoming furniture line. For Molinaro, it even impels impromptu musical performances: “I had a handful of my musician friends over the other night,” says Molinaro, who is a classically trained violinist. “And we sat around the table drinking wine, then got up and had a jam session around the piano.” Aside from a few Knoll and Tonet pieces, most furnishings are made from scratch (manufactured in Kleiner’s West Town facility) based on the couple’s own
designs. Explains Kleiner matter-of-factly: “If you are capable, you can rely on your instincts to design what makes you feel comfortable.” Tis includes the king-sized canopy bed in the master bedroom, finished with a teal and brown tufted fabric headboard. Te couple can often be found critiquing the new furniture prototypes at the spacious dining room table—sometimes in the wee hours of the morning. Like any creative partnership, there’s always a little head-butting. “He’ll show something to me, and he’ll be stumped as to why it’s just not right. I’ll take a look and say, ‘Lengthen the arms and put a bar between the front legs.’ He doesn’t always agree at first, but he usually comes around.” Kleiner agrees: “Marisa informs absolutely everything I do.” Te twosome’s style fascinations are always evolving, and the recent economic uncertainty seems to have Kleiner reconsidering his ostentatious inclinations for something slightly more understated: “Now, people want things more simple… they are brought back home and aren’t going out as much, flaunting their lifestyle.” Molinaro, who brags that their L.A. escape was “designed on a dime,” agrees: “If we had started designing this space a few years ago as opposed to a decade ago, it would look so much different.” Regardless, one thing is certain: Tis glamorous duo didn’t succeed by falling down a rabbit hole—they dug the hole to wonder themselves.
From top: In the dining
room, spectacle-worthy
chairs in Kleiner’s original
design envelop the 16-foot
dining room table; Molinaro
promenades down the
master staircase, flanked by
an oversized Thai Buddha
head and Arabian-themed
throw pillows. Opposite page: Elaborate crown
molding, a soaring custom
bed frame and headboard,
and vintage Persian rugs
set the mood in the couple’s
master bedroom.
Gu
tt
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Fall 2010 | | 85
Gu
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We all know what a serious modern art collector’s home looks like, right? Echoing galleries, sterile white walls and long vistas that are all about the art. But what happens when the home gets built before the art bug bites? Serendipity. Tat’s what happens. At least that’s what happened here in this North Shore home, a Shingle-style beauty designed three years ago by architect Jim Fraerman of Fraerman Associates Architecture with interiors by Bruce Goers and Anne Kaplan of Insight Environmental Design. Te homeowners, parents of three young children, had spent years planning to knock down their architecturally undistinguished ‘80s-era residence and replace it with the house of their dreams. Te wife says she and her husband hoped to build a place reminiscent of the rambling beauties architects McKim, Meade, and White designed in New York’s Hamptons at the turn of the last century. For herself she envisioned a dressing room worthy of a Gibson Girl and a sunlit kitchen big enough to entertain in. On her husband’s wish list: a double-height library and maybe, just maybe, an indoor Jacuzzi. But not once did the couple drop a hint to architect or designers that they were about to accumulate a museum-worthy collection of modern art. “We never talked about walls for hanging art,” admits the wife. “We had no idea it would become such a passion.” Passion might be an understatement. Teir art is breathtaking. Daring oversized canvases; spectacular photo collages;
Swank CanvasA North Shore couple puts their Picassos on par with family-friendly living. The result? A place where MOMA-worthy art stars fit right in
By Lisa Cregan | Photography by Tony Soluri
DINING BOOM
The dining room panels
hide storage behind
touch-latch doors so
furniture is kept to a
minimum. Chairs are
vintage Milo Baughman.
In the alcove, cut-steel
silhouettes by Kara
Walker portray a
burning village beneath
Leon Golub’s Burnt Man
IV. “Our art is often
about dark struggles,”
the wife explains.
The ottoman in the
stair hall is covered in
kid-friendly vinyl; it sits
opposite a painting by
Kerry James Marshall.
brooding, inscrutable oils. Te collection is so extensive and so thoughtfully selected that major museums have come calling with loan requests. Here at home though, the pieces are just part of the family. “It’s refreshing, really, the way it evolved so naturally,” says Fraerman. “Tis way there’s an element of discovery, rather than having a gallery with the art all lined up.” It makes for a startling experience. Turning any corner, a visitor might come face to face, literally, with an astonishing painting by Neo Rauch—a painter more typically encountered at the Met. Tere’s a Picasso hanging in the 11-year-old’s bedroom. Sixty etchings by Ellen Gallagher line the double-height entry and high above them a striking Lisa Yuskavage painting offers a portal to another oddly beautiful world. Kara Walker, Luc Tuymans, Carroll Dunham, George Condo...it’s the best and the brightest of postwar art. Getting a tour is like going on a scavenger hunt at MOMA. “Te overriding thing about all of our art is that it’s easy to look at on first glance,” the wife remarks. “But
often the idea behind the art is quite different. You have to look closer.” Fraerman’s architecture begs its own closer look. Although he studied at Yale where Vincent Scully, the architect who literally wrote the book on Shingle style, teaches, it’s clear Fraerman is no slave to Gilded Age dogma. “Any house today has to be built for a modern life. We don’t live in the 1890s,” he says. “Everyone wants more openness. Tese are traditional spaces, but blown apart. Tere are so many openings that rooms become more modern. For instance, you can see from the living room all the way through the dining room and kitchen, and into the family room.” Te first floor is indeed a flowing succession of large spaces, an enfilade enhanced by pared-down moldings, intriguing art and truly surprising color. “When I was designing I assumed the house would be mostly white,” says Fraerman. “Ten all this color showed up.” “Anne walked in with her Farrow & Ball flipbook and said, ‘I see color,’” laughs the homeowner. Apparently Kaplan simply arrived one day with a purse full of paint
Above: A spacious screen
porch off the family
room has a view of the
pool and poolhouse. The
homeowners found many
of the vintage furniture
pieces at the Chicago
Botanic Garden’s Antiques &
Garden Fair. Opposite page:
A small sampling of the 60
astonishing etchings by Ellen
Gallagher that line the soaring
double-height entry.
It’s the best and the brightest of postwar art. Getting a tour is like going on a
scavenger hunt at MOMA.
86 | | Fall 2010
88 | | Fall 2010
chips. “Tat’s Anne,” her partner Goers says affectionately. “She’ll just say, ‘I had an epiphany.’” What ensued is a confident lineup: an olive gray kitchen, pale blue master bedroom, chocolate brown dining room. Tey’re hues no art gallery would ever choose to contend with, but it definitely works. “Te color actually helps the house hang together because it separates out the trim and accentuates the vistas,” Fraerman says. Perhaps the most surprising hue happens in the double-height library, a room rimmed by a catwalk accessible from the master bedroom and centered on a library table that’s a repurposed fragment of an old French bridge. Its walls are painted a glorious shade of plum. “We didn’t do a contrasting color on the shelves because we didn’t want to ‘wow’ you with purple. It
doesn’t shout. It’s about making it easy on the eye,” says Goers. Goers also chose furniture that he terms “easy to live with” while still being “unique and incredible.” Te living room’s exotic Moroccan rug is topped with a perfectly choreographed interplay: French Deco chairs, an industrial game table, a Chinese sofa table and two midcentury European lamps with lampshades so enormous they look like supersized chef ’s toques. “Tose lamps were a little scary,” says Goers. “Who has a lampshade that large? Ten we started building, working on making them less of a focal point, more just strong accents. None of our design jumps out; that’s the way we like to do things. And thank God it’s all so subtle. I mean, who knew they’d have all this amazing art?”
Left: The library
doubles as a home
office. A Casamidy
chair pulls up to a
reclaimed wood table
topped with lamps
from Hammacher
Schlemmer that are
copies of the lighting
designed for the Rose
Reading Room of
the New York Public
Library. Right: The
living room’s elegant,
understated palette is
the perfect foil for a
striking photo collage
by Barbara Kruger
and a vibrant Carroll
Dunham painting titled
Fly-Agaric Men.
Summer 2010 | | 89
Meet six of the city’s hottest designing duos. Whether they’re creating drop-dead interiors, making cutting-edge furniture or building sustainable structures, Chicago’s top power couples are true forces of collaboration
By Lisa Skolnik | Photography by Bob Coscarelli
MMee ee tt ss ii xx oo ff tt hh ee cc ii tt yy ’’ ss hh oo tt tt ee ss tt dd ee ss ii gg nn ii nn gg dd uu oo ss
A Teams!
Home | profi le
Fall 2010 | | 91
“When you work in design... you change your mind a lot,” notes Ryan Turf, who calls Jessica the “only constant” he never wavers on.
GRand entRance
“You need a good
opener in everything
you do,” says Jessica,
who uses basic black
and white in this
dramatic foyer.
poWeR plaYeR
among the new best
sellers brought to
market by the design
and production team
Ryan heads
at cb2 are the
parlour sofa and
the l_mp fl oor lamp,
an ironic play on the
game hangman.
oUteR limitS
Jessica warmed up
an ice-cold condo
with frosty limestone
fl oors and fl oor-to-
ceiling windows by
cladding a living
room wall in thin
yet sumptuous
walnut slats.
pennYWiSe
Ryan dreams up
simple, modern and
economical pieces
like cb2’s new Slab
dining table. Jessica
integrates them
seamlessly into
high-end projects
like this glamorous
condo, where white
cube tables from cb2
anchor the room.
Jessica Turf , 33
Ryan Turf, 34
Jessica: Interior designer,
Jessica Lagrange Interiors
jessicalagrange.com
Ryan: CB2 Product
manager, cb2.com
Jessica Turf outfi ts homes, and Ryan Turf develops furnishings to fi ll them. But given the star stature of their employers—the boutique design fi rm Jessica Lagrange Interiors and the mass market innovator CB2—they’re both leaders in their chosen areas of design. Both Turfs took circuitous and singular routes to their professions after matriculating in the same class at college, even though they became a couple shortly after graduation. She started out in advertising and went back to design school, while he tried out teaching and the restaurant world before working the sales fl oor at CB2 as hired holiday help. Today, they love to collaborate, even though they work for diff erent companies. “We bounce ideas off each other all the time, and we love to show each other new product. Especially since he
gets to go to the Milan Furniture Fair,” says Jessica, who’s a constant source of valuable feedback. “She might think the legs are off on something or the scale is awkward, but the reasoning behind her opinion always gives me something new to consider,” he explains. T e couple’s favorite collaboration to date is their new Lakeview townhouse, where they’re forging a high-low mix of CB2/Crate & Barrel and pieces from local antique stores. “I get tired of things more quickly than she does,” confesses Ryan. “When you develop new products, you can’t wait to try them out.” He’s currently lobbying to trade an antique farmhouse table for a modern CB2 one coming out in January. But the biggest home change will be the nursery, since they’re expecting their fi rst child in December.
cheZ tURf things
change routinely in
the turfs’ lakeview
townhouse, and
a vintage oak
farmhouse harvest
table is about to go.
Ryan admits, “i’m
over it, and want
to trade it out for
a new (cb2) table
that’s coming out
in January. it will
look great with the
bertoia dining chairs
Jessica topped
with herringbone
tweed pads.”
Home | profi le
92 | | September 201092 | | Fall 2010
Carly Cannell
Jorge
Orozco-Cordero
Weetu and Weetree
goweetu.com
“T ere is no ‘me’ in Weetu,” says Carly Cannell of the integrated design collaborative she founded in 2007. Dedicated to giving substance to a very wide range of design initiatives—from developing projects to producing and marketing them—weetu’s recent ventures include BoConcept and a few residential interiors; a web-based educational program for the National Council of La Raza on money management for lower-income communities; and a concept hotel calculated to revitalize dead shopping malls nationwide. T is group includes several interior designers, an architect, photographer, graphic artist, and the most recent addition: a fi lm editor and engineer turned marketing consultant and landscape innovator named Jorge Orozco-Cordero, who moved here from Washington,
D.C. for Cannell in 2005 after they met through a project. After joining weetu in 2007, he founded a new division called Weetree this year to focus on landscape design and develop green walls suited to Chicago’s challenging climate and housing stock—especially “ugly garages behind bungalows that ruin the aesthetics of backyards.” “We’re both very analytical, but I’m more visual and dimensional, and he’s more strategic and attuned to marketing,” explains Cannell. T eir living wall illustrates the point. “He thinks about how it needs to work, all the diff erent ways it can be used and what he can accomplish with it, and I think about how we can customize the components and make it so unique that it doesn’t look like anything else.”
one-of-a-Kind the
couple, photographed
in their work studio,
blends an intriguing
mix of skills. carly
cannell is trained as
an interior architect.
Jorge orozco-cordero,
a human factors
engineer, worked for
naSa and Ge before
earning a master
Gardening license.
“We’re not afraid to try new things and bring them to market.”
– Carly Cannell, about collabs like Product2Faced for Lees Carpet, which changes color and pattern depending on a viewer’s perspective (above).
climbinG Wall
Weetree is developing
a series of different
green walls, including
a residential version
that can be used to
grow herbs.
WoRld tURnS “our
world treks are more
about being inspired
than sightseeing. We
were moved by a quiet
observer at a Jain
temple in india,” says
orozco-cordero.
idea With leGS
Weetu’s branding
incorporates images
like this shot of the
couple’s favorite
luchador fi gurine,
which was featured
in taschen’s recently
released tome Brand
Identity Now! far left:
the graphic hospitality
area they designed
for boconcept’s
chicago fl agship.
bRandinG SaVVY
Weetu redesigned
the mohawk
Group’s chicago
showroom to
highlight the
company’s own
brand and other
prestigious lines.
Home | profile
September 2010 | | 95Fall 2010 | | 95
Kitchen
confidential
dolenc and Riker
are pros at opening
up small, enclosed
kitchens to create
modern spaces. a
foscarini’s caboche28
chandelier glimmers
in this white-on-white
dining area.
James Dolenc
Tom Riker
Interior Designers,
JT Living jtliving.com
More than a decade ago, singles James Dolenc and Tom Riker were at a mutual friend’s party when Dolenc overheard someone lamenting the hideously tacky faux-marble columns in the dining room. “I always told [the homeowner] I hated them,” laughs Dolenc. “I turned to see who said it and met Tom.” Fast-forward to 2003, and the two men, who had become a couple first and business partners later, were completing their first residential project together: a 1950s Lakeview townhouse for a young man who was about to become a single father of triplets. Asked to make it fun and glamorous, but also durable, baby-proof and cost-effective, the duo came up with inventive tactics, such as eliminating some walls and swathing others in iridescent tiles, mixing contract carpets
and textiles, and pairing streamlined furnishings with frothy crystal lighting. Te predilection to forge open, clean-lined spaces with calming palettes and pair them with shimmering accents, gleaming finishes and luminous, often jewelry-like lighting has characterized their work ever since. Yet the couple humbly insists they don’t have a signature aesthetic. “We don’t have a look or specialty,” says Dolenc, who worked for a commercial firm prior to heading out on his own. ‘“Our forte is listening to our clients, and our strength is the fact that we’re methodical and organized,” adds Riker, whose background in architecture lends thoroughness and an unerring sense of scale and proportion. Whatever it is, people like it. Maybe it’s the rare quality they share: humility.
Glam-a-Zone
“Given his
architectural
background, tom is
a rocket scientist at
the macro elements
of a project, such as
space planning and
color palettes. i excel
in lighting plans,
detailing architectural
drawings and project
management. together
we function as a
whole,” says dolenc.
liGht bRiGht this
organic-chic Sun
Valley foyer gets a
light-flooded feel
with ceiling panels
made from backlit
frosted glass.
Smooth opeRatoR
a muscular, multipurpose chaise
works the transition from single-
story to soaring heights in this
sky-scraping condo project.
pop StaRS a
stodgy apartment
in Water tower
place, complete with
traditional moldings
and heavy-handed
millwork, was gutted
and given a space-
defining makeover.
ligne Roset’s pop
swivel chairs in
tomato red give the
neutral palette a hit
of color.
“We don’t come in on the first day with furniture choices. We introduce our clients to new concepts, ideas and products, but we go from macro to micro.” –Tom Riker
Home | profi le
96 | | September 2010
Ross Fiersten
Elizabeth Hayes
Master metalsmiths,
metal + works
rfmetalworks.com
Welding is a seductive mistress. So seductive that Elizabeth Hayes was hooked when her boyfriend, Ross Fiersten, taught her how to do it 10 years ago. “It’s a blast,” she gushes. Today the couple is still welding, and more, they’re master metalsmiths who produce pieces for Holly Hunt and others, as well as their own studio furniture and limited-edition work. And they love what they do, though an age-old adage relates well to their craft: T e devil is in the details. “Making each piece is arduous. T ey require meticulous workmanship,” explains Fiersten, who opened metal + works when he moved to Chicago 10 years ago. “We think of it as jewelry-quality detailing and fi nishing,” says Hayes, who joined him three years later. By then, business was booming. “When I moved
here, I had a strong portfolio from my work with a high-end architectural metalwork studio in San Francisco, so I made cold calls and lined up work,” he explains. In fact, Fiersten snagged a client base of renowned architects and designers who can’t be named, but account for the inventive nature and complexity of the couple’s commissioned work, which ranges from technically demanding fi replace surrounds and accessories to sleek yet intricately detailed tables and benches. T eir own work is equally imaginative and challenging, and the result of shared yet singular aesthetics. “We both tend toward modern, clean lines,” says Fiersten, “and like to incorporate organic features like naturally oxidized patinas or unexpected edges and curves.”
“He’s more attentive to the structural facets of our work, and I usually ponder the symbolic aspects of our pieces.”
–Elizabeth Hayes
aRt compoUnd carried at a. Rudin in the merchandise
peRSonal Space a recent personal move from pilsen to edgewater is a source of inspiration to the couple. “We’ve redone every place we live with custom pieces,” says hayes. for their new home, a fi replace screen with doors is in the works.
peddlinG metal the terrace nesting tables, which sport staggered notched edges and powder coated fi nishes, are available in custom colors ($1,170 at post 27).
in YoUR VaSe metal + works designed their Slab table with multipurpose openings on the surface, perfect for displaying fl owers.
maRRied mateRialS Steel and ash are married with jigsaw-puzzle perfection in the couple’s Junctures tables, which are produced in a series of three but can stand together or alone.
loVe neSt on a recent camping trip, fiersten gave hayes a teeny stainless steel house he made alone. it opens to reveal a wedding band and was a marriage proposal after 10 years together. they were married in September.
96 | | Fall 2010
Home | profi le
September 2010 | | 99Fall 2010 | | 99
pRint me!
Wrapped in knotty
pine, the interior
of Urbanlab’s
hennepin house
feels like a rustic
cabin-in-a-box.
RaiSinG the Roof a
model of a house the
couple designed in
los angeles, currently
in the permit stage,
shows its cantilevered
second story and
metal screening.
Sarah Dunn
Martin Felsen
Principals of UrbanLab
urbanlab.com
From the rusted steel façade they choose to sheath their own live/work space, which they laughingly admit in unison “our Bridgeport neighbors just don’t get,” to the newly developed Mobil Food Collective they spearheaded at Archeworks, Sarah Dunn and Martin Felsen are always tinkering with boundary-pushing, problem-solving experiments. Projects like the Hennepin House, a prairie home with a corrugated aluminum exterior, and the Hannah’s Bretzel shops, which pay homage to the food with wheat-board walls, have received national attention. And the Mobil Collective is a small-scale intervention that “travels to diff erent communities and teaches residents about urban agriculture to help them attain healthier lifestyles,” explains Felsen from Venice, where
the project was one of seven chosen to represent the U.S. in this year’s Biennale. T e couple also tackles big, planet-changing issues. T eir most passionate concern is water, which inspired them to make Chicago home. “We think it’s the next big crisis. As it becomes more of an issue, cities near the Great Lakes will become more important. And that will be within our lifetimes,” explains Felsen. T ey are currently working with the City on the Asian carp issue and the possibility of reversing the Chicago River. “We work in every scale,” says Felsen, who says they have diff erent strengths. “Sara is interested in understanding how to turn an idea into a built form, and I’m a little more technical. I always want to know how natural or artifi cial technologies can be applied to design problems.”
lab WoRK Sarah
dunn and martin
felsen in their work/
live space. the pair,
who met at columbia
University’s Graduate
School of architecture
and worked for
various starchitects
(peter eisenman for
him; Rem Koolhaas
for her), are thought-
provoking educators
and mad scientists
at heart.
on the RiSe to
animate the courtyard
of the Smart museum
of art (in collab with
landscape architect
chandra Goldsmith)
the couple varied
surface patches to
attract and support
different activities.
X maRKS the Spot
built-in bookshelves
in the pilsen live/work
space they designed.
“We both love teaching. It forces you to keep up with seminal developments, and lets you shape original thinkers.”
–Martin Felsen
HE
NN
EP
IN H
OU
SE
PH
OT
O B
Y M
ICH
EL
LE
LIT
VIN
fRom the moUnd
Up Urban lab
designed their living
quarters to cantilever
over their workspace
and sit on a mound
created from the
recycled materials
(from a building that
they demo’d in order
to build).
Home | profi le
100 | | September 2010
Bruce Tharp
Stephanie Tharp
Industrial designers,
Materious
materious.com
Product design is both a passion and profession for the T arps, who each have undergraduate degrees in mechanical engineering and master’s degrees in industrial design. Bruce also holds an M.A. and a Ph.D. in sociocultural anthropology, a path he pursued to better his design skills. All those years of schooling paid off for the T arps, who are now both associate professors of industrial design at the University of Illinois at Chicago and love the fact that “teaching gives us the (fi scal) freedom to design what we want rather than do things to please corporate clients,” says Bruce. T eir shrewdly designed home furnishings and accessories blend purpose with a point of view. T e Samurai Umbrella sports an easy-grab and reassuring sword-hilt for a handle; a
two-piece piggy bank set includes a large one for savings and a small one for donations; the Nutri-Plate is designed to teach good eating habits and portion control; Stack vases for Ligne Roset can be confi gured to support a range of stem lengths. T at they profi t from higher sales doesn’t preclude the T arp’s tendency toward minimalism. “We should spend more and buy less, and the things we own should be thoughtful, multipurpose and less disposable,” points out Bruce. T ey practice what they preach in their own home, an astonishingly spare one-bedroom apartment they share with their two-year-old daughter, Isla. “I recently read a story about a couple who only own 100 objects each,” says Stephanie. “We found them inspiring.”
the pRodUceRS bruce and Stephanie tharp (in their pilsen apartment), who work together 90 percent of the time, lead the city’s charge on innovative product design.
fRee fallmetaphorical design includes fallen, a gigantic white tufted leather log that riffs on the simplicity of man’s original bench, a fallen tree; and the marxist fruit bowl, which forces users to climb a ladder and acknowledge the efforts of the migrant fi eldworkers.
Wanted: manUfactUReR the couple’s award-winning cubby hook can hold many things, and sports a hollow heart to keep keys and change at hand and in check. “people tell us all the time that they want to buy it, but we can’t fi nd anyone to make it,” says bruce. they’re currently trying to produce it themselves.
afteR hoURS lights out, an experimental piece, gives the off-duty seat new purpose by making it into a functional piece of furniture that can illuminate a room and store objects in its seat base.
aGGReSSion SUppReSSion the gentleman’s umbrella meets the warrior’s sword in the couple’s Samurai Umbrella (full size for $36 and compact for $25 atkikkerlandshop.com). “it addresses the tension between aggressive instincts and social harmony.“
“The things we use should be less disposable, but the system hasn’t caught up. Aesthetically satisfying products are often hard to get produced.” –Bruce Tharp
100 | | Fall 2010
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Design afi cionados are addicted to Jared Peterson’s Facebook updates. The fi x? One-of-a-kind midcentury fi ndsBy Erin Ensign | Photography by Maia Harms
Inside Jared Peterson’s Ukrainian Village garage/workshop, stacks of midcentury fi nds—like a sleek ’60s hi-fi credenza, a walnut Hans Wegner side chair, and a Danish modern sofa in cream-colored velour—sit waiting for their moment in the spotlight: a photo on Facebook and top slot on his new, in-the-know website for discerning furniture scouts, Circa Midcentury (circamidcentury.blogspot.com). � e 34-year-old former architect, who lost his job at a boutique fi rm when the economy tanked, is aptly reinventing his dream gig with a do-it-yourself, social media-driven furniture resale business. � e ultimate picker’s picker with a refi ned eye from years of practice, Peterson makes interstate thrifting expeditions, scouring estate sales, rummage sales and thrift stores for coveted, deal-of-a-lifetime pieces. “I’ve always been a collector,” Peterson says, chalking his “mini obsession” up to genetics (his parents are avid antique hounds) and the thrill of the hunt. Peterson began fl ipping pieces on Craigslist and Apartment � erapy, soon building a cult following among design aficionados. In May, he officially
launched his website, promoting it via Facebook with droll updates to announce new listings and gaining fans with sporadic furniture giveaways. � e most coveted pieces get snagged the very day they’re posted. “Everything I sell, I’d live with in my own home,” he attests. And for a while he does. His two-bedroom apartment serves as a well-stocked staging area for clients. A Finn Juhl coff ee table mingles with a Florence Knoll credenza and a Jens Risom buff et. A previous stint in carpentry gives Peterson the know-how to restore less-than-perfect items for resale, while carefully preserving the integrity and character of each piece. And it helps that Peterson, who fi lls his ‘93 Volkswagen bus with fi nds at least once a week, is focused on the everyman, not the elite (a recent Drexel Parallel series walnut dining room suite went for $1,095). “My goal is not to make a million dollars off of this,” says Peterson, who has aced the art of attracting clients who appreciate the lineage of the items as much as he does. “Sometimes I’ll fi nd a piece at a really great price. If the wrong person buys it, it’s going to get destroyed. I think I’m like the modern-day furniture rescuer.”
PETERSON’S HOTS
Originality; estate sales; clean, simple lines; coff ee shops; working for yourself; history
PETERSON’S NOTS
Knockoff s; rummage sales of baby stuff ; overworked design; truck stops; working for “the man”; assembly required; fads; sleeping