3 THE MA IN CRITICAL THEORY AND CREATIVE RESEARCH Geoffrey Mann Dogfight, Long Exposure Series (solid trace echo of moths in flight, materialized) Photograph © Sylvain Deleu
Aug 19, 2015
3THE MA IN CRITICAL THEORY AND CREATIVE RESEARCH
Geoffrey Mann Dogfight, Long Exposure Series (solid trace echo of moths in flight, materialized)Photograph © Sylvain Deleu
Geoffrey Mann, Flight Take-off, Long Exposure Series (solid trace echo of a bird taking flight, materialized)http://www.mrmann.co.uk
Geoffrey Mann, Flight Landing, Long Exposure Series (solid trace echo of a bird landing, materialized)http://www.mrmann.co.uk
Theo Jansenhttp://www.strandbeest.com/
Theo Jansen, Strandbeest http://youtu.be/SxLWEzMGjHc
Atta-Kim, ON-AIR Project, 110-2, The New York Series, Times Squarewww.attakim.com
Atta-Kim, ON-AIR Projectwww.attakim.com
Atta Kim, The Monologue of Ice-Four Days, Spring Picnichttp://vimeo.com/22625599
Giuliano Mauri, Tessitura del Bosco (Weaving of the Woods)< Nichola Hodges, ed., Art and the Natural Environment (London: Academy Editions), 1994
Giuliano Mauri, Cattedrale Vegetale (Tree Cathedral)http://www.touringclub.com/gallery/l-incanto-di-arte-sella.aspx
Olafur Eliasson, The Weather Project< Susan May, ed., Olafur Eliasson: The Weather Project (London: Tate Publishing), 2004
Olafur Eliasson, The Weather Project< Susan May, ed., Olafur Eliasson: The Weather Project (London: Tate Publishing), 2004
Olafur Eliasson, The Weather Project< Susan May, ed., Olafur Eliasson: The Weather Project (London: Tate Publishing), 2004
Olafur Eliasson, The Weather Project< Susan May, ed., Olafur Eliasson: The Weather Project (London: Tate Publishing), 2004
Olafur Eliasson, Double Sunsethttp://www.olafureliasson.net/works.html
Olafur Eliasson, The Mediated Motion 1Madeleine Grynsztejn, ed., Take Your Time: Olafur Eliasson (London: Thames & Hudson), 2007
Olafur Eliasson, The Island Series< Diana Murphy, ed., Olafur Eliasson: Photographs (Houston: Menil Foundation, Inc.), 2004
Olafur Eliasson, The Ice Series< Diana Murphy, ed., Olafur Eliasson: Photographs (Houston: Menil Foundation, Inc.), 2004
Olafur Eliasson, The Cave Series, Looking In< Diana Murphy, ed., Olafur Eliasson: Photographs (Houston: Menil Foundation, Inc.), 2004
Olafur Eliasson, The Cave Series, Looking Out< Diana Murphy, ed., Olafur Eliasson: Photographs (Houston: Menil Foundation, Inc.), 2004
Olafur Eliasson, The Inner Cave Series< Diana Murphy, ed., Olafur Eliasson: Photographs (Houston: Menil Foundation, Inc.), 2004
Olafur Eliasson, The Earthquake Series< Diana Murphy, ed., Olafur Eliasson: Photographs (Houston: Menil Foundation, Inc.), 2004
Wolfgang Laib, Hazelnut Pollenhttp://places.designobserver.com/feature/nature-ization-takes-command/21149/
Wolfgang Laib, Without Place, without Time, without Bodyhttp://www.artnet.com/artists/wolfgang-laib/
Mel Chin, Revival Fieldhttp://firstpulseprojects.net/Strange-Weather-mt/2006/01/invisible_aesthetic_mel_chins_1.html
Hans Haacke, Germaniahttp://paulacoopergallery.com/artists/HH
Chris Marker, Still from Sans Soleilhttp://www.chrismarker.org/
Shirin Neshat, Still from Women Without Menhttp://www.creativecultural.com/2010/10/28/screening-of-women-without-men-by-shirin-neshat/
Harun Farocki on MATERIALITY – www.cinefils.comhttp://youtu.be/YuVLOzW3J-k
The year 1960 in Algeria: women are photographed for the first timeThey are to be issued with identity cards
Faces, which up to then had worn the veil
Harun Farocki, Bilder der Welt und Inschrift des Kriegeshttp://www.farocki-film.de/
How to face a camera?
Harun Farocki, Bilder der Welt und Inschrift des Kriegeshttp://www.farocki-film.de/
The horror of being photographed for the first time?
Harun Farocki, Bilder der Welt und Inschrift des Kriegeshttp://www.farocki-film.de/
The veil covers mouth, nose and cheeks, and leaves the eyes freeThe eyes must be accustomed to meet a strange gaze
The mouth cannot be accustomed to being looked at A mouth, to be able to taste something, must come close to its object
Péter Forgács, Col Tempohttp://www.forgacspeter.hu/english
Péter Forgács, Col Tempohttp://www.forgacspeter.hu/english
Péter Forgács, Col Tempohttp://www.forgacspeter.hu/english
Gary Hill, Suspension of Disbelief (for Marine)http://blog.sfmoma.org/2010/10/collection-rotation23/
Jorge Otero-Pailos, Scrape: The Ethics of Dusthttp://www.oteropailos.com/
Mark Lombardi, Bill Clinton, the Lippo Group, and Jackson Stephens of Little Rock, Arkansas (5th Version)http://www.drawingcenter.org/exh_past.cfm?exh=121&do=vexh&t=I
Mark Lombardi, Gerry Bull, Space Research Corporation, and Armscor of Pretoria, South Africa, ca. 1972–80 http://www.drawingcenter.org/exh_past.cfm?exh=121&do=vexh&t=I
Tomas Saraceno, Galaxies Forming along Filaments, like Droplets along the Strands of a Spider’s Web http://www.textezurkunst.de/daily/2009/jun/25/lost-translation-venice-biennale-2009/
Chiharu Shiota, Breath of the Spirithttp://www.designboom.com/weblog/cat/10/view/8162/chiharu-shiota.html
Walid Ra’ad, Let’s Be Honest, the Weather Helpedwww.atlasgroup.org
Mary Kelly, From Post-Partum Documenthttp://www.marykellyartist.com/
Mike Kelley, Kandors, Full Set< Daniel Birnbaum, ed., Making Worlds: 53rd International Art Exhibition: La Biennale di Venezia (New York: Marsilio), 2009
Yang Mao-lin, Bodhisattvas< Daniel Birnbaum, ed., Making Worlds: 53rd International Art Exhibition: La Biennale di Venezia (New York: Marsilio), 2009
Yang Mao-lin, The True Story of Kong the Buddha of Doomed Passion; The True Story of Mazinger the Buddha of Technological Passion < Daniel Birnbaum, ed., Making Worlds: 53rd International Art Exhibition: La Biennale di Venezia (New York: Marsilio), 2009
Gonkar Gyatso, The Shambala of the Modern Times< Daniel Birnbaum, ed., Making Worlds: 53rd International Art Exhibition: La Biennale di Venezia (New York: Marsilio), 2009
Sedaghat Jabbari, Melody of Rain< Daniel Birnbaum, ed., Making Worlds: 53rd International Art Exhibition: La Biennale di Venezia (New York: Marsilio), 2009
Zilvinas Kempinas, Tube< Daniel Birnbaum, ed., Making Worlds: 53rd International Art Exhibition: La Biennale di Venezia (New York: Marsilio), 2009
Goce Nanevski, Fifty or Fifty Segment 2< Daniel Birnbaum, ed., Making Worlds: 53rd International Art Exhibition: La Biennale di Venezia (New York: Marsilio), 2009
Richard Nonas, Ingestible Cities< Daniel Birnbaum, ed., Making Worlds: 53rd International Art Exhibition: La Biennale di Venezia (New York: Marsilio), 2009
Mark Tansey’s Color Wheelhttp://www.gagosian.com/artists/mark-tansey/
Michael Rakowitz, paraSITEhttp://michaelrakowitz.com/projects/
Metropol Parasol, Spain, by architect Jürgen Mayer H.http://lebbeuswoods.wordpress.com/2012/01/27/a-tree-is-a-tree-is-a-building/
Kanagawa Institute of Technology, Japan, by Junya Ishigami and Associateshttp://lebbeuswoods.wordpress.com/2012/01/27/a-tree-is-a-tree-is-a-building/
School in Guadalajara, Mexico made with shipping containershttp://www.greenhomebuilding.com/articles/containers.htm
Freitag Shop in Zurichhttp://www.greendiary.com/entry/20-amazing-homes-made-from-shipping-containers/
Simon Starling, 24 hr. Tangenzialehttp://www.tate.org.uk/britain/turnerprize/2005/simonstarling.htm
Simon Starling, Red Rivers (In Search of the Elusive Okapi)http://www.artinamericamagazine.com/features/simon-starling/
Att Poomington, Force< Daniel Birnbaum, ed., Making Worlds: 53rd International Art Exhibition: La Biennale di Venezia (New York: Marsilio), 2009
Jonathan Callan, For Stuart Callanhttp://www.designboom.com/weblog/cat/10/view/11128/jonathan-callan.html
Georgia Russell, Evolution and Natural Selectionhttp://counsellangley.wordpress.com/category/teaching/