Top Banner

of 15

254-Week 8

Apr 08, 2018

Download

Documents

tlipfert
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
  • 8/6/2019 254-Week 8

    1/15

    MTA 254 SoundWeek 8

    Archival Projects Due in Lab Week of April 11

    (Screen in lab. Hand in PT session and post to Vimeo (post on your blog) by end

    of that week. )

    Get your groups together for ADR project. Rip DVD!

    Make sure you keep up with the reading! There may be

    up to two more surprise quizzes!

    Wednesday, May 4, 2011

  • 8/6/2019 254-Week 8

    2/15

    Mixing

    Definition: combining and recording distinct elementsof the sound track at appropriate and often variable

    volume levels.

    Mixing is where the relationships between all of theelements--effects, music, dialog--are established.

    Old days, several people, each controlling an element,as it was recorded to tape.

    Wednesday, May 4, 2011

  • 8/6/2019 254-Week 8

    3/15

    Sub-Mixes

    Also called creating stems.

    Sub-mixes are big pieces of the puzzle:

    Music--by instrument or section

    Effects--to combine hard effects and foley

    Dialog--to combine production and ADR.

    Wednesday, May 4, 2011

  • 8/6/2019 254-Week 8

    4/15

    Special Mixes

    M & E for some foreign distribution.

    5.1 Surround.

    Stems for outside audio studio.

    Wednesday, May 4, 2011

  • 8/6/2019 254-Week 8

    5/15

    There are no hard and fast rules!!

    Mixer can work section by section, or scene by scene.Title sequence, action sequence, etc.

    Mixer can work element by element.Dialog, then effects, then music, etc.

    How to Mix

    Wednesday, May 4, 2011

  • 8/6/2019 254-Week 8

    6/15

    Create sub-mixes (also called stems) for each group ofelements. Get the relative volumes correct for allambience, all musical instruments, all dialog, all effects.

    Use sends, or bounce to disk for bigger projects tocombine groups of elements into single tracks.

    End up with 3 to 5 tracks to mix.

    Draw volume automation (rubber bands) or record

    automation in real-time.

    Note: Almost anything (pans, or effect settings like EQ orreverb) can be automated.

    How to mix in ProTools:

    Wednesday, May 4, 2011

  • 8/6/2019 254-Week 8

    7/15

    Rock Star

    Why is setting the volume levels called

    Automation?

    Wednesday, May 4, 2011

  • 8/6/2019 254-Week 8

    8/15Wednesday, May 4, 2011

  • 8/6/2019 254-Week 8

    9/15

    Silence vs nothing.

    When sound was optical, there was a limited rangebetween soft and loud. Now, one can have more fun.

    Sound design is from Nick Cages aural POV (notice thefridge sound).

    Mike Figgis (some reading notes)

    Wednesday, May 4, 2011

  • 8/6/2019 254-Week 8

    10/15

    p7: Difference between Hollywood and London.

    p12: Stopping traffic. Recording traffic ambience tocover cuts.

    p13: Sound of loud magazine--scoring music in thatkey.

    Figgis continued...

    Leaving Las Vegas

    Wednesday, May 4, 2011

  • 8/6/2019 254-Week 8

    11/15Wednesday, May 4, 2011

  • 8/6/2019 254-Week 8

    12/15

    Happy Feet

    Other Foley Examples

    Wednesday, May 4, 2011

  • 8/6/2019 254-Week 8

    13/15Wednesday, May 4, 2011

  • 8/6/2019 254-Week 8

    14/15

    Blue Planet

    Wednesday, May 4, 2011

  • 8/6/2019 254-Week 8

    15/15W d d M 4 2011