2015_AndreiaMarques_Portfolio

In the last 3 years I worked as a graphic designer for a creative studio in Lisbon. Working in projects involving branding and visual identities, editorial and web design. I’m always eager to learn and explore when embracing new projects. Developing concepts and ideas it’s what I really love to do. Turning ideas into messages, sometimes hidden, subtle, other times screaming and showing themselves in a very obvious way. At the studio I also got experience in wire-framing websites, newsletters and also html code while working in partnership with a colleague developer. In the meanwhile I have also been working as a freelancer for small companies and collaborating in some pro bono projects.I see myself as a highly motivated and enthusiastic person. I am curious and like to take risks. I believe communication is the key for good relations, so I always try to make sure I understand others and others understand me. I am very practical and organized because time is precious, and I am used to work under stressful situations. I like team work, I believe in sharing ideas and know-how to make things happen faster while getting the opportunity to learn other expertise, or just to see things from different points of view. Willing to relocate and start working right away.

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www.cultivamoscultura.org/what-we-do/exhibitions/

CULTIVAMOS CULTURA . ClientMOSHI MOSHI BRAND CREATORS . StudioJOÃO CASTRO . Creative DirectorANDREIA MARQUES . Design

CULTIVAMOS CULTURA is a cultural association located in the municipality of Beja and presents itself as a platform for experimentation and development of theoretical and practical knowledge in the areas of science, technology and contemporary art. Cultivar (cultivate) involves preparation and dedication to the development of a culture and in this association, Culture arises in many different ways. Therefore, we have decided to use some punctuation characters in order to take advantage of their rule in the grammar and their graphic aesthetic to develop a visual identity that grows Culture / Arts / Science / Education / Technology / Innovation, among other crops.The use of the bar also relates to the important world of web, where a “/” indicates a path to a new end.

CULTIVAMOS CULTURA /

HARKO’S . ClientMOSHI MOSHI BRAND CREATORS . StudioJOÃO CASTRO . Creative DirectorANDREIA MARQUES . Design

HARKO’S is a fusion restaurant, located just outside the historic and romantic village of Sintra, Portugal. In Harko’s (Arches) house we find the best of Japanese and Italian cuisine in completely harmony with the architecture of the space. With that in mind, this idendity puts up togheter the arches of the place and the visual elements that bring our mind to the moment of eating Japanese and Italian food.

HARKO’S

Matilha

RICARDO ROMERO . ClientANDREIA MARQUES . Design

They can be abandoned and mistreated, can be loved and well maintained, can be known or strangers and their image is retained in a click at the very right moment. The image is deconstructed in lines and curves and more lines and more curves to be rebuilt again, under a new vision, and immortalized in the streets, alone or with some (un)known landscapes for background. They are witnesses of a past that we want (or not) to be revisited and messengers of a future that we want to be right now. Matilha [pack] is a project that intends to provoke an awareness and changing attitudes about how “man’s best friends” are treated.

MATILHA

2015

The idea behind the GRAAL2015’s symbol, from it’s shape to it’s color, was based on different influences and versions of the Graal. Celtic nuts and their symbolism, the chalices and books... The Grail’s importance is the message it tries to transmit. Thus, through these influences, this symbol can be applied in any direction and allows the creation of patterns.The symbol is intended to simple and clear, as the messages the Graal is supposed to deliver.

BIIES . ClientANDREIA MARQUES . Design

Pitch for conference event.The idea behind this identity was to bring together the various forms of Graal, according to all the myths and legends of the graal. The use of the main logo is complemented with the symbol that allow us to create multiple patterns and shapes in order to design all the promotion materials.

GRAAL 2015

http://cenor.pt

CENOR . ClientMOSHI MOSHI BRAND CREATORS . StudioJOÃO CASTRO . Creative DirectorANDREIA MARQUES . Design

CENOR Consultores was founded in 1980 and over more than 30 years of its activity formed a group of companies specialized in the fields of Engineering Studies and Project Design, and Construction Supervision.In order to reinforce its statement on the international level, all the corporate materials were redesigned in order to give the company a more actual appearance.Brochures, stationary, website, presentation video, online and print spots were thought and made with the goal of showing to new and to the regular clients a more consolidate company.

CENOR

http://vimeo.com/56662127

NATURARTE . ClientMOSHI MOSHI BRAND CREATORS . StudioJOÃO CASTRO . Creative DirectorANDREIA MARQUES . Design

Naturarte is a rural tourism where a major goal is the integration of Art in Nature. It consists of two sites 6 km apart: naturarte-campo and naturarte-rio. The sites are quite different not only in composition but in the surrounding geography. It is intended that guests feel at home, relax and adhere to a series of events and activities that this tourism has to offer every week. In addition to using the website, in Naturarte it’s possible to find a number of leaflets that let the guest know not only the estate but also what they can do in the Natural Park of Southwest Alentejo and Costa Vincentina.

NATURARTE

https://naturarte.pt/

CULTIVAMOS CULTURA . ClientMOSHI MOSHI BRAND CREATORS . StudioJOÃO CASTRO . Creative DirectorANDREIA MARQUES . Design

SUL SOL was the culmination of one year of activities at Cultivamos Cultura. This exhibition displays to the public the output of artistic residencies developed in the previous months, together with a group of artworks selected from two of the most significant international collections of experimental art. The aim was the creation of a program targeting new new media in visual arts, challenging the selected artists to develop a residency where they explored the interaction with the local community and the natural environment.

The identity brings the colors of the South and the Sun, while the use of diferent tipografies make us travel between what is more artistic or scientific. The truth is that, in this exhibition art and science live together.

SUL SOL

EMERGÊNCIA . By definitionA serious, unexpected, and often dangerous situation requiring immediate action;Arising from or used in an emergency; A person with a medical condition requiring immediate treatment; The department in a hospital which provides immediate treatment.

EMERGÊNCIA . By originMid 17th century: from medieval Latin emergentia, from Latin emergere ‘arise, bring to light’.

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PLANTMAN PT Uma Exposição de Arte Contemporânea

Experimental comissariada por Marta de Menezes para o Programa de Arte e Arquitetura de Guimarães 2012 Capital Europeia da Cultura.

EN An Experimental Art Exhibition curated by Marta de Menezes for the Art & Arquitecture Programme of Guimarães 2012 European Capital of Culture.

BIENNALE.PYEva e Franco Mates

PT Concebido e compilado por ocasião do convite para a 49ª Bienal de Veneza, Biennale.py é tanto um vírus informático como uma obra de arte. O vírus é apresentado ao público e difundido a partir do Pavilhão Esloveno a 6 de junho de 2001, o dia de abertura da exposição. Biennale.py faz manchete, transformando-se rapidamente numa performance sem precedentes, uma obra de arte controversa que revela como a histeria dos média pode ser teoricamente provocada e inflamada. Coleção MEIAC

EN Conceived and compiled for the invitation to the 49th Venice Biennale, Biennale.py is both a computer virus and a work of art. The virus is made public and spread from the Slovenian Pavilion on the opening day of the exhibition, June the 6th 2001. Biennale.py becomes headline-hitting news, suddenly turning into an unprecedented performance, a controversial work of art revealing how media hysteria can be theoretically provoked and raised. Collection MEIAC

COMMUNITYTerike Haapoja

PT Quando morremos, desaparece a diferença que existe entre nós e o ambiente que nos rodeia. Nós libertamos a energia necessária para manter a vida, perdemos a forma coerente do nosso corpo e, por último, tornamo-nos pó. Vemos isto acontecer aos outros, mas nunca a nós próprios: a morte acontece sempre aos outros. Cada vídeo mostra o arrefecimento do corpo de um animal após a sua morte, gravado com uma câmara de infravermelhos termossensível.

EN As we die, the difference between us and our surroundings vanish. We give away the energy needed for sustaining life, we lose the coherent form of our body, and finally, we become dust. We see this happening to others, but never to ourselves: death is always for someone else. In each video is shown the cooling down of an animal’s body after its death, recorded by a heat-sensitive infrared camera.

BLEU REMIX Yann Marussich

PT No seu espetáculo-instalação Bleu Remix, Yann Marussich regressa ao tema já explorado em 2001 no espetáculo Bleu Provisoire, no qual um misterioso líquido azul exsudava como sangue através das camadas da sua própria pele, tal como se se tratasse do efeito final ou de um subproduto dos processos internos do seu corpo. O artista abria, desta forma, os caminhos entre o mundo interior e o mundo exterior – passagens secretas que ligam o inconsciente diretamente ao consciente.

EN In his spectacle-instalation Bleu remix,Yann Marussich returns to the theme already explored in 2001, in the Bleu Provisoire spectacle when he let a mysterious blue liquid ooze as blood would, through the layers of his skin, as though it was a final effect or a by-product of his body’s inner processes. This way, Marussich opened the paths between the inside and the outside world – secret passages from the unconscious, straight to the conscious.

WAVESDaniel Palacios

PT Uma corda comprida representa, em três dimensões, uma série de ondas que pairam no ar e produzem sons devido à ação física do seu movimento: a corda que cria o volume também cria simultaneamente o som ao cortar o ar, transformando-se num único elemento. Torna-se, assim, um elemento único, que se altera consoante a forma como nos comportamos quando confrontados com ele, os nossos movimentos e a nossa interferência no espaço em causa.

EN A long piece of rope represents three dimensionally a series of waves floating in space, as well as producing sounds from the physical action of their movement: the rope which creates the volume also simultaneously creates the sound by cutting through the air, making up a single element. It therefore becomes a single element, which alters depending on how we behave when confronted by it, on our movements, in question: a steady, soundless line evolves into chaotic forms of irregular sounds.

WETNET Tagny Duff

PT WetNet explora a relação entre a contaminação, a biorremediação e sistemas sustentáveis. Esta obra em curso inclui a criação de esculturas molhadas “contaminadas” sob a forma de equipamento científico descartável. A interação entre o micélio e as células virais gera uma rede transespecífica que se expande, tanto no interior como para o exterior dos frascos. A interação entre os fungos e as células virais humanas desafia a lógica da técnica assética e da contenção estéril.

EN WetNet explores the relationship between contamination, bioremediation and sustainable systems. This work in progress features the creation of “contaminated” wet sculptures in the form of disposable science equipment. Here the sculptures are modelled after the sterilized plastic flasks commonly found in the laboratory and used to conduct experiments.The interaction between the mycelium and viral cells generate a transpecies network extending both inside and out of the flasks.

ETHOLOGY I Maria Manuela Lopes

PT O projeto Ethology transporta na sua essência uma colaboração em desenvolvimento entre uma artista, uma comunidade de investigadores das ciências biológicas entre outros (BioEngenharia, Inteligência Artificial e Antropologia), e o público. O corpo (material/físico) assim como o espaço (envolvente/etéreo), pertencendo a uma mesma ordem, vivem numa simbiose desconcertante. A nossa presença (enquanto corpo) num espaço (enquanto sitio) provoca uma alteração bidirecional.

EN The Ethology project has as its essence a developing collaboration between an artist, a community of researchers in the biological sciences among others (Bio-Engineering, Artificial Intelligence and Anthropology), and the public. The (material/physical) body and the (surrounding/ethereal) space, as part of the same order, live in a perplexing symbiosis. Not only do we (our body) cause it to change, but it (space) also causes a change in us as well.

EVERY ICON John F. Simon

PT Pode uma máquina produzir todas as imagens possíveis? Quais são os limites deste tipo de automatização? Será possível praticar a produção de imagens mediante a exploração de todo o espaço de imagem usando um computador em vez de se registar o que se passa à nossa volta? Qual a importância de podermos descobrir imagens visuais tão afastadas da “natureza”? Every Icon é uma obra de arte conceptual baseada em computador que ao longo do tempo, vai encher-se e formas reconhecíveis. Coleção MEIAC

EN Can a machine produce every possible image? What are the limits of this kind of automation? Is it possible to practice image making by exploring all of image-space using a computer rather than by recording from the world around us? What does it mean that one may discover visual imagery so detached from “nature”? Every Icon is a provoking work of computer-based conceptual art that over time will fill up and recognizable shapes. Collection MEIAC

IP POETRY Gustavo Romano

PT Em IP Poetry, vários autómatos ligados à Internet — em diferentes módulos onde se instalaram um computador, um ecrã e um altifalante — realizam pesquisas em tempo real em determinados websites e, partindo de algumas expressões e palavras-chave, começam a recitar poemas configurados na sua programação. Uma vez que todos os dias aparecem textos novo na rede, os poemas recitados mantêm a sua estruturas. Coleção MEIAC

EN In IP Poetry several automats connected to the Internet do real-time searches in certain websites, and, departing from a few phrases or keywords, start reciting the poems configured in their syntactic programming. As new text appears on a daily basis on the web, the poems recited maintain their structure, but the varying search results ensure a poem is never recited in the same way twice. Collection MEIAC

INSTRUMENTATION Peter Flemming

PT Instrumentation evoluiu a partir de uma série de experiências de estúdio inspiradas pela “magia” física básica da ressonância tal como esta se revela nas nossas estruturas, sistemas e máquinas. Nesta instalação, a superfície de uma grande mesa de trabalho serve de transdutor acústico para várias cordas de piano ativadas eletromagneticamente, bem como de principal área de encenação para um conjunto de atores-máquina.

EN Instrumentation evolved from a series of studio experiments inspired by the basic physical ‘magic’ of resonance as it reveals itself in our structures, systems and machines. In this installation, the surface of a large work-table serves as an acoustic transducer for several electromagnetically activated piano wires, and as the main staging area for an ensemble of machine performers.

JUST NOTICEABLE DIFFERENCE Chris Salter

PT Just Noticeable Difference (JND) é um ambiente sensorial para uma pessoa que, nesse momento, se encontra na total escuridão. Durante um determinado período de tempo, os visitantes vivem uma experiência de extraordinária variedade de sensações táteis, auditivas e visuais que desafiam a forma como apreendemos os mais ínfimos graus de mudança nos estímulos sensoriais em diferentes níveis de intensidades. Uma instalação da autoria de Chris Salter, em colaboração com Marije Baalman e Harry Smoak.

EN Just Noticeable Difference (JND) is a sensory environment for one person at a time lying in total darkness. During a set time period, visitors experience an extraordinarily wide range of visual, auditory and tactile sensations that challenge how we perceive the smallest degrees of change in sensory stimuli over different levels of intensities. An installation by Chris Salter, in collaboration with Marije Baalman and Harry Smoak.

lampsacusAndré Sier

PT lampsacus é uma cidade jogável. Um ambiente visual interativo onde se recria uma cidade virtual, modificável, habitada pelos seus visitantes humanos, no espaço da instalação, bem como por agentes computacionais residentes no espaço tridimensional. Este ambiente distribui-se em diferentes pontos de vista jogáveis sobre o espaço da cidade virtual, os quais as pessoas podem ativar e navegar executando movimentos em frente da projeção.

EN lampsacus is a playable city. An interactive visual environment where a virtual city is recreated, modifiable, inhabited by its human visitors, at the installation space, as well as computational resident agents in the three dimensional space. This environment is distributed in several playable points of view over the space of the virtual city which people can activate and navigate executing movements in front of the projection.

LATROMike Thompson

PT À medida que a nanotecnologia permite criar produtos cada vez mais eficientes do ponto de vista energético, plantas como as algas vão-se tornando fontes atrativas de obtenção de energia. Latro é um conceito de design especulativo que responde a este potencial mercado futuro. Latro (“ladrão”, em latim) incorpora no seu design o potencial energético natural das algas e a funcionalidade de um candeeiro suspenso. Sintetizando natureza e tecnologia numa só forma, Latro é um produto vivo que respira.

EN As advances in nanotechnology lead to increasingly energy efficient products, plant life such as algae will become attractive sources for tapping energy. Latro is a speculative design concept responding to this potential future market. Latro (latin for thief) incorporates the natural energy potential of algae and the functionality of a hanging lamp into its design. Synthesising both nature and technology in one form, Latro is a living, breathing product.

LA MÁQUINA PODRIDA AKA LA DESDENTADABrian Mackern

PT Toda a net-arte no computador pessoal de Brian Mackern La máquina podrida é uma exposição surpreendente que tem origem num velho computador pessoal de 1999, propriedade do artista de net-arte uruguaio Brian Mackern, e vem recrear a altura em que a net-arte teve o seu ponto mais alto e, talvez, por isso, deu tanto que falar antes da emergência da Web 2.0 (conhecida como Rede Social). Em resumo, era a sua ferramenta. Coleção MEIAC

EN The rotten machine is a surprising exhibition that emanates from an old laptop from 1999, owned by the uruguayan netartist Brian Mackern, to recreate the time when net.art had its peak brightness, and perhaps therefore, the rattle before the emergence of Web 2.0 (known as Social Network). A computer full of information and history, acquired by the MEIAC, that accompanied Brian Mackern between 1999 and 2004, apart from his work as a VJ, conferences and workshops. In short, his tool. Collection MEIAC

NETESCOPIOGustavo Romano

PT NETescopio é um arquivo on-line criado para o desenvolvimento contínuo e preservação de obras de arte geradas para a rede. Este projeto promovido pelo MEIAC – Museu Extremenho Iberoamericano de Arte Contemporânea enquadra-se dentro do conceito de Museu Imaterial que tem como objetivo a salvaguarda, catalogação e divulgação das obras utilizando o mesmo meio para o qual foram criadas, a Internet, permitindo assim o seu crescimento e atualização constantes. Coleção MEIAC

EN NETescopio is an on-line archive created for the continuous development and preservation of art works generated for the web. This project, promoted by MEIAC – Museu Extremeño Iberoamericano de Arte Contemporáneo – fits in the concept of the Virtual Museum, which aims to safeguard, catalogue, and promote art works using the same medium for which they were created – the Internet – thus allowing its constant growth and updating. Collection MEIAC

MAGNETOPLANKTONArcangel Constantini

PT O plâncton artificial chamado “magnetoplankton” – um termo derivado de “magnes” (latim) e “πλαγκτός – Planktos” (grego) – é um espécimen laboratorial que habita em tanques de cristais com amostras de água e plâncton vivo. A hipótese desta experiência artística joga com a ideia de que a vida, estruturada no meio-ambiente da molécula de água, apreende oscilações das energias subtis: o diamagnetismo da água que afeta a sua tensão superficial e causa oscilações que produzem ligações com os spins dos sistemas energéticos.

EN The artificial plankton called magnetoplankton, a term derived from the (Latin magnes,-ETIS, magnet) and plankton (Greek πλαγκτός, Planktos, “wandering”), a Lab specimen that inhabits crystal tanks, with water samples and live plankton. The hypothesis of this artistic experiment, raises the idea that life, structured in the environment of the water molecule, perceive oscillations of the subtle energies that affects its surface tension, causes oscillations generating links with other elements spins.

TRAINJohn Klima

PT Train é uma hipernarrativa que tem lugar no cenário físico do caminho de ferro de um modelo de escala HO. Os visitantes guiam os comboios, controlados por meio de telemóveis, pela pista, apanhando passageiros ao longo do caminho. Os passageiros são personagens familiares de filmes bem conhecidos. Quando duas ou mais personagens estão a bordo, inicia-se uma conversa gerada dinamicamente que pode ser escutada no telemóvel. Uma narrativa cinematográfica em miniatura. Coleção MEIAC

EN Train is a hyper-narrative that takes place on the physical layout of an HO scale model railroad. Controlled via cell phones, viewers guide the trains around the track, picking up passengers along the way. The passengers are familiar characters from well known films. When two or more characters are on board, they begin to have a dynamically generated conversation, overheard on the cell phone. A cinematic narrative in miniature. Collection MEIAC

SOCIAL AIRBAGS Roman Kirschner

PT “Social airbags” são uma série de esculturas insufláveis com características narrativas. Estão embrulhadas em pequenos sacos quando vestidas sobre o corpo e podem ser usadas em diversas situações sociais. Ao contrário dos airbags dos carros, não são ativadas automaticamente, mas podem ser ativadas a qualquer momento – seja por necessidade ou por impulso. Consoante a situação, servem como extensões para conversas específicas, como sinais de interesses e capacidades, etc.

EN “Social airbags” are a series of blow-up sculptures with a narrative character. They are wrapped up in small bags when worn on the body and can be used in diverse social situations. Unlike airbags in cars they are not triggered automatically, but can be activated as the need arises. Depending on the situation, they serve as instantaneous body transformations, as extensions to specific conversations, as signals for interests and abilities, etc.

VOLTARShawn Brixey

PT Voltar pretende clonar fragmentos de antigos glaciares do hemisfério norte que cobriram a Europa há 20 000 anos durante o auge da era glacial. Tal como imagens congeladas de um antigo filme em “time-lapse”, os cristais de gelo de cores brilhantes de Voltar tecem considerações acerca do impacto do aquecimento global, criando uma espécie de máquina do tempo poética inteiramente construída de momentos frágeis do passado pré-histórico da Terra.

EN Voltar is designed to clone fragments of ancient Northern Hemisphere glaciers that covered Europe 20,000 years ago during the last glacial maximum. Like freeze frames captured from an ancient time- lapse movie, Voltar’s, brilliantly colored ice crystals comment on the impact on the issue of global climate change by creating a kind of poetic time machine constructed entirely of fragile moments from Earth’s prehistoric past.

PARCEIROS E APOIOS À EXPOSIÇÃO/EXHIBITION PARTNERS AND FUNDING

EQUIPA/TEAM

Organização

Acolhimento de ResidênciasCom Peças da Coleção

Produção Parceiros da Exposição Apoios a Projeto Expositivo

Apoio a Peças e Artistas

Apoio e Financiamento

Parceiro Estratégico Parceiro Mecenas Associados Patrocinador

| Comissariado/Curator Marta de Menezes | Projeto Cultivamos Cultura | Produção Executiva Catarina Cerdeira | Consultor Científico Luis Graça | Projeto Expositivo José Pedro Sousa | Identidade Moshi Moshi Brand Creators | Luminotecnia e Audiovisual Manuel Alão | Eletricista José Maria Oliveira | Montagem Artur Fontinha, Helénio Lopes, Pedro Gomes, Lorenzo Martinelli, Túlio Brandão | Tradução Kennis Translations | Fotografia André Cepeda | Carpintaria Salfer, Lda. e Domingos Ribeiro Alves & Filhos, Lda.

Uma Exposição integrada no Programa de Arte e Arquitetura - Ciclo Modos de Produção, Coordenada por Gabriela Vaz Pinheiro

Emergências/2012Exposição de Arte

ContemporâneaExperimental

Emergências/2012

de 16.06/2012

GUIMARÃES 2012Capital Europeia da Cultura

a 02.09/2012Fábrica ASA

Exposição de Arte Contemporânea Experimental

Um projeto comissariado por Marta de Menezes

www.emergencias2012.net

EN To understand and enjoy the artistic scene of today and also the technical conditions and technologies that favour or condition the experimentation of certain aesthetic materialization solutions for nowadays contemporary artworks, it is necessary to experience the new research being made in the area of New Media.

To achieve this, the exhibition “Emergências2012” is based on a choice of artists and works centered in a dichotomy of media: real and virtual. Within the real media we find the Biological (live), the Physical (phenomena and material) and the Chemical (substances and transformations). In the virtual media we find the social networks and all within the digital world.

It was therefore sought to find a series of exemplary projects to demonstrate the use of the referred New Media in a way to show the viewers and public an extremely interesting sample and contact with a more experimental character of artistic creation today.

PT Compreender e usufruir do panorama artístico atual e nomeadamente, as condições técnicas e tecnológicas que favoreceram ou condicionaram a experimentação de determinadas soluções de materialização estética das obras de arte contemporânea implica experienciar o uso e investigação que é feita na área dos novos media.

Para tal, a escolha de peças e artistas para a exposição Emergências2012 centrou-se numa dicotomia de meios: reais e virtuais. Dentro dos reais encontramos os meios

biológicos (vivos), os físicos (fenómenos e materiais) e os químicos (substâncias e transformações). Nos virtuais encontramos as redes sociais e todo o mundo digital.

Interessa também destacar as dicotomias e contrastes subjacentes às propostas artísticas apresentadas onde os conceitos de luz/trevas; movimento/inação; som/silêncio convidam o público a uma profunda descoberta sensorial.

Procurou-se portanto encontrar uma série de exemplos que demonstrem a utilização desses mesmos novos media de forma a dar ao público uma amostra extremamente interessante para contactar com o caráter mais explorativo da criação artística de hoje.

http://vimeo.com/44077201www.emergencias2012.net

MARTA DE MENEZES . ClientMOSHI MOSHI BRAND CREATORS . StudioJOÃO CASTRO . Creative DirectorANDREIA MARQUES . DesignJOÃO SEIXAS . Developer

EMERGÊNCIAS 2012 was an experimental art exhibition that used science and technology to develop new media for artistic expression. The visual identity created for this exhibition aims to simulate in a symbolic way the repositioning of the viewer towards the artistic object.The Brand consists in a sequence of layers in order to arouse the curiosity and interest of the viewer in its reading and interpretation. The graphics emerge and require an adjustment of vision to decipher the message. In an ‘invisible’ layer (emerging in the darkness) lurk the 9 elements that unify the exposition and it’s artistic works.

EMERGÊNCIAS2012

This Interactive platform creates a different Icon every minute according to some variables, like the amount of people and their position.All the generated icons got stored into a data base and for each one of them, a code was released, enabling the public to download their personal Icon and print it as a small souvenir.