17th Century Vocal Solo Music

7/29/2019 17th Century Vocal Solo Music

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MUZIEKHANDEL SAUL B. GROEN

8 FERD. BOLSTRAAT 1072 LJ AMSTERDAMTEL +31 (0)20-6762240 FAX +31(0)20-6762240

E-MAIL: [email protected] INTERNET: WWW.SAULBGROEN.NL____________________

SEVENTEENTH CENTURY

SACRED MUSIC

I. One voice with(out) BC

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All r ights reserved.


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VOCAL MUSIC TO c. 1825

first version, 2006

This catalogue follows the same principles as the one of instrumental music which was issued in 2002 and of which acompletely revised and updated version is in preparation: it tries to link information on the sources (manuscripts andearly printed editions) to all currently available modern editions, not only of the calibre of the Opera Omnia, but also

all those practical ones of more modest scope. However, in the vocal section manuscripts hold much more thespotlight, as all music up to about 1500 has come down to us in hand-written form; only since the 1530s-1540s theprinting presses flooded the market with editions for a much larger public than before.

Manuscriptsin alphabetical order of the RISM-library siglawhich are listed here under the tab "Sources"; they have been selected fromthe complete RISM-list, readily available in "RISM-Bibliotekssigel. Gesamtverzeichnis" (1999). To make things easieryou will find a complete list (again under: "Sources") of all manuscripts described here, specifying call names andsections where to find them. After the description and inventory of each manuscript are to be found the editions (infacsimile or in transcription) of the complete or partial contents of this ms., editions of anonymous works, andconcordances with other mss. Other editions of works ascribed to a composer (or several composers) can be tracedin the section "Composers A-Z" where the lists of sources refer back to the manuscripts and early prints.

Early Printsin chronological order of publicationAfter the description and inventory of each early print are to be found the editions (in facsimile or in transcription)of the complete or partial contents of this print, editions of anonymous works, and concordances with manuscriptsand other early prints.Other editions of works ascribed to a composer (or several composers) can be traced in the section "ComposersA-Z" where the lists of sources refer back to the manuscripts and early prints.

Modern Collectionsin alphabetical order of titlesAll compositions ascribed to a composer are also included in the section "Composers A - Z".

Composers

Organization differs as per composer:a) Complete list of works; all editions refer to the numbers in that list.b) Opera Omniaavailable; all other editions refer to the description of it.c) No complete work list and no Opera Omnia:

1. editions in chronological order of early prints2. each publication with a description of its sources

Endless BeginningsThis is a first tentative version of the vocal catalogue. As a sort of "completion" will be a matter of a longer time, Idecided to issue this intermediate state of affairs. It is a house still in the scaffoldings, one room nicely decorated,some staircases missing, the doorstep scrubbed but the hall still half bare; and the attic.....

Noli me tangere?I will be grateful for every sensible correction and for information concerning publications I might not have noticed;this last remark is also meant for all those small scale music publishers who do not normally advertise their issues inthe music magazines.

ThanksI am very grateful to Saul B. Groen who gave me the opportunity to start this crazy work and who sustains throughall these years.

OrdersOrders to sponsor all this work will be very welcome. Please see: "Order Information".

Help!The lists of vocal music in this catalogue form by far the most extensive and complicated section of the wholeproject. Particular care has been taken to be as clear and explicit as possible. In case you cannot find the right path or

are doubtful about something, please let us know!Last but not least: we hope that this catalogue will be of help to you and that you will enjoy browsing through it.

Meindert de Heer


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M U Z I E K H A N D E L S A U L B . G R O E N

8 FERD BOLSTRAAT 1072 LJ AMSTERDAMTEL +31 (0)20-6762240 FAX +31 (0)20-6762240

E-MAIL: [email protected] INTERNET: WWW.SAULBGROEN.NL_______________

17TH-CENTURY SACRED MUSIC

ONE VOICE AND BC

A. ORIGINAL COLLECTIONS(chronological order)

100S1 1624 "Seconda Raccolta de Sacri Cantia una, due, tre, et quattro voci de diversi eccellentissimi autorifatta da Don Lorenzo Calvi musico nalla cathedrale di Pavia

con il basso continuo pe sonar nell' organo. Nuovamente composta& data in luce", Venice, A. Vincenti, 1624

51 motets for 1 to 4 voices and bc:for one voice:

1. C. Monteverdi: Salve Regina S or T, bc2. C. Monteverdi: Ego flos campi A or T, bc3. S. Bernardi: O dulcissima dilecta mea S or T, bc4. P.M. Marsolo: O quam dulce est nomen Iesu Bar, bc5. G. Ghizzolo: Paratum cor meum S, 2 violins (se piace), bc6. L. Bellanda: Egredemini & videte filiae Sion B, bc7. G. Santo Pietro de' Negri: Amore langueo dilecta mea S or T, bc8. F. Usper: Angelus ad pastores ait A, bc51. Z. Pozzo: Salve Regina S, bc (last compositions in this print)

for two voices:9. C. Monteverdi: Venite venite SS or TT, bc10. A. Grandi: Quae est ista quae progeditur SS or TT, bc11. A. Grandi: Ave Regina SS or TT, bc12. G. Ghizzolo: Benedicite Deum caeli SS or TT, bc13. G. Ghizzolo: Quem terra pontus aeterna SS or TT, 2 violins, chitarrone

or violone da brazzo, bc14. G. Ghizzolo: Iubilemus & laetemur omnes SS or TT, bc15. F. Usper: In Deo speravit cor meum AT, bc16. G.B. Grillo: Dic mihi bone Iesu SS or TT, bc17. B. R: O dulcissime Iesu SS, bc or: S, bc18. F. Turini: Congaudete mecum omnes SB, bc19. G.B. Crivelli: O Regina caeli SS or TT, bc20. A. Grani: O quam suavis est SS or TT, bc21. A. Grani: Venite ad me omnes SS or TT, bc22. F. Milleville: Ego flos campi SS or TT, bc23. G. San Pietro del Negro: Dulcis Amor Iesu dulce AT, bc24. L. Calvi: Domine in auxilium meum SB, bc or TB, bc25. L. Calvi: Iustus germinabit SS or TT, bc26. P. Bertolini: O intemerata & in eternum benedicta Maria ST, bc27. G.B. Triviso: Regna terrae cantate Deo SS or TT, bc28. G. Ferrari: Veni sponsa Christi SB, bc29. anonymous: Dialogo: Vias tuas proba me Deus SB, bc or: TB, bc30. anonymous: Benedicite Deum caeli SB, bc31. G.B. Crivelli: Sicut cervus desiderat ad fontes aquarum SB, bc

2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved Page 1 of 106


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32. G. Rovetta: In caelis hodie exultant angeli TT or SS, bc33. F. Turini: Ad te piissima Virgo Maria ST or SS, bc

34. B. Pesarino: In convertendo faciem tuam SS or TT, bcfor 3 voices:

35. G. Ghizzolo: Adolescentulae dilexerunt SSB, bc36. P.M. Marsolo: Pacem relinquo vobis STB, bc37. A. Banchieri: Veni desideratus cunctis gentibus SSB, bc or: TTB, bc38. F. Milleville: O quam pulchra es STT, bc39. G.B. Crivelli: O dulcissime Domine TTB, bc40. G. Chiapani: Bone Iesum verbum Patris SAT, bc41. G. Chiapani: O admirabile commercium SAT, bc

for 4 voices:42. S. Bernardi: Intonuit de caelo Diminus SATB, bc43. G.B. Grillo: Anima mea, o meliflue SSSS, bc or: TTTT, bc

44. B. R: Sic mihi dulcissime Iesu SATB, bc45. T. Merula: Iesu dulcissime SATB, bc46. G. Santo Pietro de' Negri: Adoret sacramentum SATB, bc47. G. Chiapani: In te Domine speravi SATB, bc48. G. Rovetta: Quam dilecta tabernacula tua SATB, bc49. L. Bellanda: Dialogo: Surge propera amica mea SATB, bc50. G. della Torre: O bone Iesu SATB, bcEdition:

Facsimile of the 5 partbooks of the 1624 edition 79,50

101S1 1625 "Ghirlanda Sacra scielta da diversi eccellentissimi compositoride varii motetti voce sola. Libro primo. Opera seconda per

Leonardo Simonetti, musico nella Capella del ser.mo Prencipe di Venetiain S. Marco", Venice, stampa del Gardano, 1625

45 motets for 1 voice and bc:1-4. C. Monteverdi:1. Ecce sacrum paratum convivium T2. Currite populi, psallite timpanis T3. O quam pulchra es amica mea T4. Salve regina T

5. G. Priuli: Inter natos mulierum S6. G. Rovetta: O Maria quam pulchra es T7. A. Grandi: O quam tu pulcrha es

8. G.P. Berti: Hodie apparuerunt delitie paradisi S9. G. Priuli: Ave dulcissima Maria S10. G.P. Caprioli: In lectulo per noctes S11. G.P. Caprioli: Congratulamini mihi omnes A12-14. A. Grandi:12. Quam pulchra es T13. Cantabo Domino in vita mea S14. Exaudi me Domine S

15. G. Finetti: Domine quis habitabit in tabernaculo tuo S16. D. Castello: Exultate Deo S17. F. Usper: Vulnerasti cor meum S18. F. Usper: Nativitas tua Dei genitrix virgo T

19. V. Rovetto: Gaudete omnes & exultate S20. G. Picchi: Salve Christe fili summi patris S21. A. Freddi: Cognoscam te Domine T



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22. A. Freddi: Salve regina S23. G. Pozzo: Veni Sancte Spiritus S

24. B. Barbarino: Venite ad me omnes qui laboratis S25. D. Obizzi: Jubilate Deo omnis terra S26. B. Barbarino: Audi dulcis amica mea S27. G. Finetti: Beata es virgo Maria S28. G. Massiccio: Accipe dilecte mi S29. G. Locatello: Felix namque S or T30-32. G.G. Arrigoni:30. Tota pulchra es amica mea S31. Bone Jesu verbum patris splendor S32. Domine Jesu Christe S

33. C. Milanuzzi: Anima miseranda anima S or T34-37. G.M. Sabino:

34. O sacrum convivium S35. Crux fidelis inter omnes S36. Ecce panis angelorum S37. Repleatur os meum S

38. G.C. Martinengo: Regnum mundi39. F. Cavalli (P.F. Caletto Bruni): Cantate Domino S40. G.M. Scorzuto: Domine Deus salutis S or T41. G.M. Scorzuto: O bone Jesu o piissime Jesi S or T42. L. Gallerano: Gaudeamus omnes S or T43. G. Bondioli: Ave verum corpus S or T44. A. Stella: Bonum est confiteri Domino S45. A. Stella: Confitebor tibi Domine Deus S

Edition: Facsimile of the score and Cantus part of the 1625 edition (2 hb. in box) 103,--

102S1 1645 Cantiones Natalitiae12 Christmas Carols with basso continuo, ed. R. Rasch

a) from Cantiones Natalitiae", Antwerp, c.1645:1-3. anonymous:

1. Hoort mensen2. Aansiet hoe Jesus schreyt3. Herders hy is gheboren

4-6. H. Liberti:

4. O Coridon siet hier den stal5. Canite psallite currite ludite6. Venite simil pastores

b) from: "Cantiones Natalitiae", Antwerp, 1654/1667:7-8. anonymous:

7. Naer dertien droeve nachten8. Haest uw' herderkens comt uyt den stal

9. Godefridus Carmelitus: Comt verwondert u hier menschen10-12. anonymous:

10. Maeckt plaets herderkens comt uyt den stal11. Kind'tjen soet uytvercoren12. Coridon ey let uw' schaepkens staen 30,--

103S1 1651 Ph.F. Boeddecker: "Sacra Partitura", Strasbourg, 1651



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"Sacra partitura. Voce sola cum 2. sonat: violin: et fagott: solis", Strasbourg,J.H. Mittel, 1651 (unique copy in D-Sl)

8 sacred concertos for soprano and bc.; sonata for violin and bc; sonata forbassoon and bc; 2 solo motets by G. Casati; 2 solo motets by Monteverdi andCasali adapted by Boeddecker,1-8 Ph.F. Boeddecker:

1. O Vatter aller frommen2. Haec est dies3. Veni salvator4. Natus est Jesus5. Deus, Deus meus6. Christ lag in Todtesbanden7. Laudate Dominum8. Magnificat

9.G. Casati: O mira, o magna S and bc10.G. Casati: Congratulamini S and bc11.G. Casati: Pater noster S and bc; with supplement (Quia tuum est

regnum) by Boeddecker12.C. Monteverdi: Ecce sacrum paratum S and bc; with diminutions by Boed-

decker (+ original version from "Ghirlanda sacra", Venice, Gardano, 1625)13-14. Boeddecker:

13. Sonata for violin and bc14. Sonata La Monica for bassoon and bc

Editions:

Facsimile of the 1651 edition 49,-- Complete edition in 14 volumes by H.-E. Ekert from the unique copy at D-Sl:

104S1 Set of 14 volumes 70,--Each volume separately: 7,50

1653 Filip Zesens Gekreutzigter Liebsflammen, 1653 "Filip Zesens Gekreutzigter Liebsflammen oder Geistlicher Gedichte Vor-

schmack", Hamburg, G. Papen, 1653This print contains 15 sacred songs for SB or for S with bc:G.W. Druckenmller:

Ach! wie so lang mein Trost verweilest du?Der heilgem Pfinsten froher TagErhbe dich o mein Gemhte

M. Frentzdorf:

Erhbet euch ir meine SinnenP. Meier:Ach wie eitel seind die SachenDie gldene Sonne bringt Leben und WonneDie Nacht ist hin das schrecken ferneDir leb' ich ganz dir wil ich sterbenEr ksse mich undd lasse sprenPoche nicht o Mensch so gernWarum ist der Himmel offen?

T. Michael:Jesu schnster Morgensterren

J. Schop:

Steh mir bei und geh nicht rernWelt tobe wie du wilst und whteJ. Weichman:



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Wann der Tag das Kind der SonnenEdition:

106S1 Facsimile editions of "Salomons...Hohes Lied...durch Filip von Zesen" (Am-sterdam, 1657) and "Filip Zesens gekreutzigter Liebsflammen" (Hamburg,1653) in one hardback volume 36,--

1714 Harmonia Sacra, book I

"Harmonia Sacra: or Divine Hymns and Dialogues: with a through-bass for thetheorbo-lute, bass-viol, harpsichord or organ. Composed by the Best Mas-ters of the last and Present Age...The First Book. The 3rd. edition verymuch enlarg'd and corrected; also Four Excellent Anthems of the late Mr.H. Purcell's, never before printed.", London, W. Pearson for S.H. and soldby J. Young, 1714

for one voice and bc, unless otherwise indicatedJ. Blow:

A Dialogue between 2 Penitents: Hark! how the wakeful cheerful cock TTA Dialogue betwixt Dives and Abraham SBAnd art thou griev'd, seet and sacred DoveEnough, my Muse, of earthly things SBLucifer's fall: How art thou fall'n from Heav'n, o Lucifer! SBOh! that mine eyes would melt into a floodPeaceful is he, and most secure

J. Church:O God for ever blest in boundless peace and rest

P. Humfrey:

Lord! I have sinn'dOh the sad day! when friends shall shake their headsWilt thou forgive that sin where I began

M. Locke:I know that my Redeemer lives SSThe Passing-Bell: Come, honest sexton, take thy spade, + chorus SB

H. Purcell:Blessed is he that considereth the poor ATBB (full anthem) Z 7I was glad when they said unto me ATBB (full anthem) Z 19My song shall be alway SATB, 2 vlns, vla, bc (verse anthem) Z 31O give thanks unto the Lord SATB (verse anthem) Z 33Awake! and with attention hear Z 181

Upon a quiet conscience: Close thine eyes and sleep ZB Z 184A Penitential hymn: Great God, and just with chorus SSB Z 186How have I stray'd! my God with chorus SB Z 188The Aspiration: How long, great God Z 189In the black dismal dungeion of Despair Z 190Job's Curse: Let the night perish with chorus SB Z 191An Evening hymn: Now that the sun hath veil'd his light Z 193On our Saviour's Passion: The earth trembled, and heav'ns clos'd eye Z 197A Morning hymn: Thou wakefull shepherd that does Israel keep Z 198We sing to him whose wisdom form'd the ear Z 199With sick and famish'd eyes Z 200

W. Turner:

Thus mortals must submit to FateJ. Weldon:The Dissolution: Happy the man to whom the Sacred Muse her nightly



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visits pays with chorus SATBEdition:

107S1 Facsimile of the third enlarged edition (1714) 48,--

1714 Harmonia Sacra, book II

"Harmonia Sacra: or Divine Hymns and Dialogues with a thorough-bass forthe theorbo-lute, bass-viol, harpsichord, or organ. Composed by the bestmasters of the last and present age. Book II. The 2nd. edition very muchenlarg'd and corrected; also 3 excellent anthems, never before printed, byMr. Croft, the late Dr. Blow, and Mr. J. Clark", London, W. Pearson,for S.H. and sold by J. Young, 1714

for one voice and bc, unless otherwise indicated

J. Blow:

A Penitential Hymn: O, mighty God, who sit'st on highI beheld, and lo! a great multitude SAATTBB (verse anthem)

G. Carissimi:Lucifer, caelestis olim hierarchiae princeps praeclarissimus

J. Clarke:A Divine Hymn: Blest be those sweet regionsAn Evening Hymn: All praise to thee my God this night with chorus SSBI will love thee, o Lord SATB (verse anthem)

W. Cross:A hymn of divine musick: What art thou? from what causes dost thou spring?Blessed is the people, o Lord SATB (verse anthem)

B. Graziani:

Velut palma, velut rosaR. King:Divine hymn for 2 voices: Awake, my drowsie soul, arise SB

D. Purcell:O miserable Man! how wretched is thy state with chorus SSB

H. Purcell:In guilty night (Saul & the witch of Endor) SAB Z 134An Hymn upon the Last Day: Awake, ye Dead, the trumpet calls BB Z 182The Resurrection: Begin the song and strike the living lyre Z 183A divine hymn: Lord, what is Man Z 192The Blessed Virgin's Expostulation: Tell me, some pitying Angel Z 196

anonymous:

An Evening hymn: The night is come with chorus SBOn the Passion of our Saviour: My op'ning eiyes are purg'dEdition:

108S1 Facsimile of the 2nd enlarged edition of 1714 39,--



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B. MODERN COLLECTIONS(alphabetical list of titles)

109S1 Canoner Catal dels segles XVI-XVIII

Catalan songs of the 16th to 18th century. Transcription, commentary and realization of the accompaniment by M.

Querol i Gavald; Monumentos de la Msica Espaola, XXXVIIa) 16th century:

1. B. Cceres: Soleta y verge estich SAT; refrain SATTB by Cepa2. B. Crceres: Tau gar la durundena SATB3. B. Crceres: Lleva't en l'albeta SATB4. G. Surita lo Vell: Peccavimus ST5. G. Surita lo Vell: Domine Deus noster ST6. G. Surita lo Vell: Angel beneit SA7. G. Surita lo Vell: O juge just ST8. anonymous: Ab veu clara i molt plena SATB

b) 17th century:

9. anonymous: Si una volta jo m'escapo SSAT10. G. Botart: Ms les ombres ST / ST / SATB and bass11. G. Botart: Seraf que los ayres illustras SSAT and bass

12. J. Verdalet: Quid vidistis (A tan bella flor de lis) SAB / SATB and bass13. J. Verdelet: Dulce collo pendens SAT / SATB and bass14. F. Soler: Villancico de nacions SSSAT / SATB and bass15. anonymous: Bitayna dirdanya high voice and bc16. P. Ross: Anit s nat un Infant high voice and bc

c) 18th century:

17. anonymous: Lo desembre corgelat high voice and bc18. anonymous: Un mosso apotecari high voice and bc19. F. Salvat: Esta nit gloriosa SSAB and bass20. (J. Lamarca): Una festa com aquesta SSAT and bc21. (J. Lamarca): Canyable y Bullera 2 high voices and bc22. (J. Lamarca): Esta nit del naxament SA and bc

23. (J. Lamarca): Al nixer de l'alba 2 high voices and bc24. (J. Lamarca): Ay de mi, senyores 2 high voices and bc25. anonymous: A Belem devem anar 2 high voices, violin and bc26. anonymous: Bon any y mercat SST and bc27. anonymous: Tingam, pues, tots bona nit SATB and bcSources:E-Bbc M: 588 (2-3), 738/48 (16), 744/26 (12-13), 747/I (8),748/9 (10),

774/16 (14), 774/25 (15), 775/48 (11), 776/1 (26-27), 1166 (1),1637 (19)

E-B Sta Maria dels Arcs: I-1r (17), V (22), VII (21), VIII (23), XIV (24),XIV-1 (25), XV (20)

E-Mn 3881/8 (18)

E-OL I-VIII (9)E-VAa s.s.: 16th century (4-7) 48,--



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Das Musikwerk

Eine Beispielsammlung zur Musikgeschichte; ed. K.G. Fellerer

only works listed here which fall within the limits of this catalogue

110S1 Volume VI: Die Kantate; ed. R. Jakoby

H. Albert: Auf mein Geist voice, violin, bc (from: "Arien, I", 1638)anonymous: Tra pellegrine piante (aria)D. Buxtehude: Wie soll ich dich empfangen SSB, 2 violins, bassoon, bc

BuxWV 109G. Caccini: Arde il mio petto voice, bc (from: "Le nuove musiche", 1601)G. Caccini: Amarilli mia bella voice, bc (from: "Le nuove musiche", 1601)A. Caldara: Titano all' inferno: Cessate inique 1 voice, bcN. Clrambault: L'Isle de Dlos (Cruelle et rigoureuse) S, 2 flutes/violins, bc

A. Hammerschmidt: Wende dich Herr AB, bc (from: "Dialoghi", 1645)F.H. Himmel: Ich war dem Tropfen Gegenwart entronnen (cantata)A. Krieger: Adonis Tod bringt mich in Not S, 2 violins, 2 violas, bc (from:

"Neue Arien", 1667)G.B. Pergolesi: Orfeo (Nel chiuso centro) soprano, strings, bcL. Rossi: Io lo vedo S, bc (from manuscript in B-Br)A. Scarlatti: Lascia deh lascia al fine S, bcA. Steffani: Occhi, perch piangete SA, bc (mss. in GB-Lbl and D-Mbs)L. Viadana: Exaudi me Domine S, bc (from: "Concerti ecclesiastici", 1602)M. Weckmann: Dialogus: Gegrsset seist du Holdselige ST, 2 violins, 2 re-

corders, bc (1669; from S-Uu viok.mus. i hdskr. 79) 39,--

111S1 Volume XII: Das Deutsche Sololied und die Ballade; ed. H.J. Moser:

H. Albert: Der Mensch hat nichts so eigen (from "Arien, II", 1640)C.Ph.E. Bach: Bitten: Gott deine Gte reicht so weitJ.E. Bach: Der Canarievogel: Philinden ward von ferner Kste

(from: "Sammlung auserlesener Fabeln", Nrnberg, 1749)C.Chr. Dedekind: O Eitelkeit (from "Aelbianische Musenlust, II", 1657)Ph.H. Erlebach: Wem geliebet Wein und Bier: Freut ihr Brder freut euch jetzt

B, 2 vln, bc (from: "Harmonische Freude musikalischerFreunde, I", 1690)

J.W. Franck: Der Tod ist mir ein Weg im Leben: Jesus neigt sein Haupt a2(from "Geistliche Lieder", Hamburg, 1681)

Chr.W. Gluck: Die frhen Grber: Willkommen o silberner Mond(from "Klopstocks Oden und Lieder beym Clavier zu singen", 1790)J.V. Grner: Die Alster: Befrderer vieler Lustbarkeiten (with 2 horns) (from:

"Sammlung neuer Oden und Lieder, I", Hamburg, 1742)C.H. Graun: Das Tchterchen - Das Shnchen: Als mich heut Mama

(form: "Lieder der Deutschen mit Melodien, I", Berlin, 1767)A. Hammerschmidt: Schlesischer Bauer Grte: Gorga, mustu denn och klinsaln

high voice, violin, bc (form: "Erster Teil welt. Oden", 1642)K.F. Hurlebusch: Lob der Unempfindlichkeit: Bemht euch immer wie ihr wollt

(from: "Grfes Oden", 1737/40)C. Kittel: Ein jeglich Ding hat seine Zeit TT, bc (from: "Arien und Cantaten

mit 1, 2, 3 und 4 Stimmen samt bc. Op.1", Dresden, 1638)

A. Krieger: Er ist verwundt durch ihren Mund: Ich bin verwundt in meinemjungen Herzen (from: "Der Arien viertes Zehn", 1667) SAB, 4 instr., bc)J.J. Lwe: Das ewig grne Laub die Pracht der Dichterei: Sollt ich die edle



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Kunst nicht lieben (with violins and bass viol) (from: "SalanischeMusenlust", Jena, 1665

H. Nauwach: Ach Liebste lass uns eilen (from: "Teutsche Villanellen a1-a3, I")Chr.G. Neefe: Hermann und Thusnelda: Ha! dort kommt er mit Schweiss

(from: "Oden von Klopstock mit Melodien", Flensburg, 1779)J. Prinner: Der Cortesan: Die Lieb will ein Comedi spillen (D-Mbs ms.)V. Rathgeber: Von Ehr-abschneidischen Zungen: So lassen mir die falschen

Zungen SS, bc (from: "Augsburgisches Tafelkonfekt, I", 1733)J.F. Reichardt: Johanna Sebus: Der Damm zerreisst

(from: "Lieder, Oden und Balladen von Goethe", 1809)Chr.F.D. Schubart: Die Henne: Es war einmal ne Henne fein

(from "Musicalische Rhapsodien, I", Stuttgart, 1786)J.P.A. Schulz: Ein Lied in die Haushaltung zu singen: Wir ziehn nun unsern Zahn

(from: "Lieder im Volkston..., III", 1790)

H. Schtz: Danklied an Herzog Wilhelm von Weimar: Frstliche Gnade zuWasser und Lande (with 2 violins)

Th. Selle: Ade du edles Mndlein rot (from "Deliciarum juvenilium decas har-monica bivocalis", 1634) with violin

F. von Spee: Im grnen Wald ich neulich sassSperontes: Das bse Mannsvolk: Das Mannsvolk wird doch tglich schlimmer

(from: "Singende Muse an der Pleisse, II", 1742)G. Voigtlnder: Weibernehmen ist kein Pferdekauf: Junggesel will tu freien

(form: "Allerhand Oden und Lieder", Shrau, 1642)C.M. von Weber: Unbefangenheit: Frage mich immer op. 30, no. 3K.F. Zelter: Berglied: Am Abgrund leitet der schwindliche Steg (after 1810 ed.);

Der Knig von Thule: Es war ein Knig in Thule (both: B, pf)

J.R. Zumsteeg: Ritter Toggenburg: Ritter treue Schwesterliebe 34,--

146R3 Volume XXX: Die Improvisation; ed. E.T. Ferrand:

anonymous: Domine refugium (plainchant); Ad annuntiandum (plainchant)anonymous: Ubi caritas et amor (a2; 15th c.; from US-Wc ML 171.J.6)anonymous: Virgene benedecta (song of praise; 15th c.)anonymous: Domine miserere (16th c.; ambrosian)anonymous: Lasciar il velo (madrigal)anonymous: Arietta (c.1700)G. Binchois: Veni creator a2 + fauxbourdonA. de Boesset: N'esperez plus (air de cour for voice and lute; diminutions in

Mersenne's "Harmonie Universelle", 1636: p.411-413)G.B. Bononcini: Sempre piango (chamber duet; with ornamention by C.A.Benati from manuscript in I-Bc)

Th. Brewer: O that mine eyes could melt into a flood (declamatory style; orna-mentation from GB-Lbl Add. 11608)

S. Calvisius: canons on a chorale melody (from his treatise "Melopoeia", 1592)I. Chamater: Introit: Puer natus (from his: "Li introiti fondati sopra il canto

fermo del basso...a4-a6...commodi a cantari a misura breve edanco alla ordinaria", Venice, 1574)

I. Donati: O admirabile commercium (solo motet from his "Il secondo librode motetti a una voce e bc, op. 14", Veniec, 1636)

F. Durante: Son io (chamber duet for SA, bc; from "XII Duetti da camera":

GB-Lbl Add. 31552; as arranged for SS, bc and withornamentation by G. Masi in 1776: "Duetti per studio dimaniera di cantare e per essercizio di accompagnare al



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cemabalo", in I-Rc and GB-Lcm)H. Finck: Te maneat semper

J.A. Hiller: Vom Dienst der Creatur (aria)P. Hofhaimer: Nach willen dein SATBT. Michael: Psalm 18 (from "Musicalischer Seelen-Lust ander Theil", 1637)C. de Rore: Signor mio caro a4 (with ornamentation from G. Bassano's:

"Ricercate passaggi et cadentie, per potersi essercitar ne diminuir",Venice, 1585) 39,--

Fourteen Motets from the court of Ferdinand II of Hapsburg

ed. by S. Saunders

1-10. Giovanni Valentini:1. O Maria, quid ploras SB, bc

2. Vulnerasti cor meum TTB, bc3. Confitebor tibi, Domine T, bc4. Domine, deduc me SB, bc5. Anima Christi TTB, bc6. Salve Regina sopra Queste selve vicine SST, bc7. Regina caeli SS, bc8. Salve tremendum SST, bc9. Deus, qui pro redemptione mundi SS (or TT), bc10. O vos omnes SSATT, bc

11-13. G. Priuli:11. Inter natos mulierum S, bc12. Salve Regina SSB, bc

13. Peccavi super numerum SS (or TT), bc14. G.G. Arrigoni: Benedicta sit S or T; 2 violins, bcSources:

1615: "Parnassus musicus Ferdinandeus in quo musici nobilissimi, qua suavitate,qua arte prorsus admirabili, & divina ludunt 1.2.3.4.5. vocum a JoanneBaptista Bonometti bergomate serenissimi Ferdinandi archiducis Aus-triae &c. musico congestus...", Venice, G. Vincenti (1, 2)

1618: G. Valentini: "Salmi, hinni, magnificat, antifone, falsibordoni, et motetticoncertati", Venice, 1618 (3-5)

1625: G. Valentini: "Sacri concerti", Venice, 1625 (6-10)1625: "Ghirlanda sacra scielta da diversi eccellentissimi compositori de varii

motetti voce sola. Libro primo...", Venice, B. Magni (11)

1629: "Coronis Parthenia, reginae coelitum coronatae...Parsque prima. Sexsupra quadraginta Salve Regina 2 ad 12 voces ex industria pluriumauthorum...", Innsbruck, J. Gch (12)

1641: "Ander Theil geistlicher Concerten und Harmonien, 1.2.3.4.5.6.7. &c.vocibus, cum & sine violinis & basso ad organoa; ausz den berhmb-sten italianischen und andern Autoribus...", Leipzig, H. Kler (13, 14)

112S1 score 61,50113S1 parts (2 violins, bc) 19,--

114S1 Laudate Dominum

5 Motets on Ps. 150 for high voice and bced. J. Jacobi

1. F. Caccini: Laudate Dominum in sanctis eius2. G.B. Riccio: Laudate Dominum in sanctis eius



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3. J.H. Kapsberger: Laudate Dominum in sanctis eius4. C. Monteverdi: Laudate Dominum in sanctis eius

5. G. Rigatti: Laudate Dominum in sanctis eius Sources:1618: F. Caccini: "Il primo libro delle musiche", Florence (1)1620: Riccio: "Il terzo libro delle divine lodi musicali", Venice (2)1630: Kapsberger: "Modulatus sacri diminutis vocalis concinnati", Rome (3)1641: Monteverdi: "Selva morale e spirituale", Venice (4)1643: Rigatti: "Motetti a voce sola", Venice (5) 23,--

115S1 Music bridging divided religions

17th century music in the Netherlandsvol. II: Music; ed. in score by F. Noske

H. Hollanders:

1. Ave praeclara virgo Maria T, bcsource: no. 6 from: "Jubilus filiorum Dei", 1634

C. Padbru:2. Da pacem Domine SATB / TTTT, bc

source: no. 3 from "Vondels Kruisbergh en Klaght...", 1640J. Haffner:3. Hei mihi! Domine A, bc

source: no. 2 from "Alauda spiritualis, op. 1", 1647J. van Geertsom:4. Ave regina caelorum SS, bc

source: no. 4 from: "XIV. Motetta duarum vocum...Liber secundus", 16615. Jesu dulcissimus SA, bc

source: no. 6 from: "XIV. Motetta duarum vocum...Liber secundus", 1661B. Buns:6. Sonent cytharae soli: SSATTB, choir: SATB, 2 violins, bassoon, bc

source: no. 4 from: "Missae, litaniae et motetta...op. 1", Antwerpen, 16667. Posita in medio. Dialogus inter animam, daemonem, carnem & mundum

SATB; 2 violins, 2 violas, bcsource: no. 5 from: "Completoriale melos musicum...op. 5", Antw., 1678

8. Obstupescite SB, 2 violins, bassoon, bcsource: no. 12 from: "Encomia sacra musice...op. 6", Utrecht, 1683

9. Ave Maria SS, 2 violins, viola da gamba, bcsource: no. 9 from: "Missa sacris ornata canticis...op. 9", Amsterdam, 1699

C. Hacquart:

10. Miseres ST, bcsource: no. 1 from: "Cantiones sacrae...op. 1", Antwerpen, 167411. Nunc loquar SS, 2 violins, viola da gamba, bc

source: no. 7 from: "Cantiones sacrae...op. 1", Antwerpen, 167412. Deus miseratur nostri STB, 2 violins, viola da gamba, bc

source: no. 9 from: "Cantiones sacrae...op. 1", Antwerpen, 1674S. de Koninck:13. Audite fidelis A, 2 violins, bc

source: no. 3 from: "Sacarum armoniarfum flores...op. 7", 169914. Quid siletis? SATB, 2 violins, bc

source: no. 8 from: "Sacarum armoniarum flores...op. 7", 1699 47,--

116S1

Petits Motets from the Royal Convent School at Saint-Cyrcritical ed. in score by D. Kauffanall works: soli & tutti



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1-12. G.G. Nivers:

1. Ave verum corpus a1 without bc2. Ave verum curpus SA, bc3. O sacramentum pietatis a1 without bc4. O sacramentum pietatis S, bc5. O sacramentum sacramentorum S, bc6. O sacramentum sacramentorum SA, bc7. Habemus pontificem S, bc8. Descendite, accurite SA, bc9. Laetare mater amabilis SA, bc10. Exsulta et lauda SA, bc11. Domine, ante te omne SA, bc12. Quam pulchra es SA, bc

13-21. L.-N. Clrambault:13. Hodie Christus natus est SS, bc C.5814. Ante thronum trinitatis SS, bc C.6215. O Rex gloriae SA, bc C.7416. Panis candidissime SA, bc C.8317. O salutaris hostia SA, bc C.66b18. Omnis gloria SS, bc C.8919. Nimis honorati sunt SA, bc C.78a20. Nimis honorati sunt SSA, bc C.78b21. Respexit Elias S, bc C.86

22-24. C.-F.-N. Clrambault (jr.):22. Cognosce panem anima mea SA, bc Cc.6

23. O salutaris hostia SA, bc Cc.824. Domine, salvum fac regem SAB, bc Cc.725-27. G. DuGu:25. Exaudiat te Domine I SS, bc26. Exuadiat te Dominus II SS, bc27. Domine, salvum face regem SS, bc

28. J.-B.-L. Thomelin: Domine, salvum fac regem SSA, bcSources:

F-V mus. 28 (17, 22, 25-28)F-V mus. 43 (9, 10, 12, 14-16, 18-24)F-V mus. 49: "Chants d'eglise de la maison de St. Lous", 1709 (1, 3, 5, 7, 8,

11, 12).

1686: "Offices divins a l'usage des dames et demoiselles tablies par sa majest Saint Cyr", Paris (1, 3)1689: G.G. Nivers: "Motets voix seule, accompagne de la basse continue",

Paris1733: "Chants et motets l'usage de l'glise et comunaut des dames de la

royale maison de St. Lous St. Cyr", Paris (2, 4, 6-19, 21)c.1733: L.-N. Clrambault: "Motets une et deux voix pour tout le choeur

avec la basse continue pour l'orgue", Paris, the author / Boivin / LeClerc (13) 79,--

113S11 Sacred works of the chapel masters of the collegiate church of Daroca

(17th and 18th cent.)

ed. and introduction (in Spanish) by P. Calahorra; Polifna Aragonsa, vol. II

1. anonymous: Domine, quando veneris (17th c.) SATB, bc



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2. P. Bruna: Benedictus Dominus SATB3. P. Bruna: Ah de la casa! ST, bc

4. P. Bruna: Venid, almas, venid SSAT, bc5. P. Bruna: Suban las voces al cielo SSAT, bc6. M. Ambiela: Suban las voces al cielo (1689) SST / SAT, bc7. D. Xaraba y Bruna: Lamed, matribus suis dixerunt (end 17th century)

voice, bajn and harp or harpsichord8. J. Ximeno: Recitado y Aria a duo para el Nacimiento (1768)

SS, 2 violins and bc9. anonymous: Laudate Dominum omnes gentes (18th cent.)

A / SAT, 2 violins, bass and bc10. anonymous: Beata Dei genitrix (18th cent.) SAT, 2 violins and bc11. J. Laseca: Magnificat SSAT, 2 violins and bc

Sources:

E-BAR s.s. (3)E-Bbc M. 733/1 (6) and 737 (4)E-D mss. s.s. (1, 9-11)E-G s.s. (5)E-J mss. s.s. (7-8) 18,--

117S1 Spanish Art Song in the 17th Century

music ed. J.H. Barontext ed. and transl. by D.L. Heiple

lute and guitar tablatures transcr. into staff notation

for high voice and bc, unless otherwise indicated

1. anon.: Air (Dezid cmo puede ser, ojos que estando mirando)2. (G. Bataille): Air (Si sufro por ti, morena, mucho plaze mi pena)3. (H. Le Bailly): Passacalle, La Folie (Yo soy la locura la que sola infundo)4. (J. Aranies): (Tono humano) (Digame un requiebro, galn amador)5. (L. de Briceo): Folas (Volaba la palomita por encima del verde limn)6. (M. Veana): Solo al Santsimo (Ay, amor, qu dulce tirano)7. (J. Asturiano): Solo al Sacramento (Cfiros blandos, lquidas fuentes)8. (D. de Csseda): Solo al Santsimo (A las cortes de amor, corazones)9. anon.: Tono humano (Es el amor, ay, ay, dulce prisin, ce, ce)10. anon.: Solo a la vida humana (Esta es la justicia que manda hacer)11. (J. Marn): Tonada sola (Aguas de Manzanares que alegres corris)12. (J. Marn): Pasacalle del 5 tono de 3 para el tono (Diz que era como

una nieve, Marica)13. (J. Marn): Pasacalle del 3 tono de 3 para este tono (No s yo cmo es)14. (J. Hidalgo): Solo a nuestra Seora (Luceros y flores, arded y lucid)15. (J. Hidalgo): Al Santsimo Sacramento (Aves que al sol despertis)16. (J. Hidalgo): Tono humano (Viva mi esperanza pues que llego a ver)17. (J. del Vado): Tonada a San Francisco (La ms pura azucena)18. anon.: Solo y acompaamiento (Con amantes inquietudes, Teresa)19. (J. de Paredes): Solo al Santsimo (Si entre flores hermosas spides andan)20. (J. de Navas): Solo al Santsimo Sacramento (Ay, divino amor)21. (J. de Navas): Tono humano (Puesto que baja el amor a la tierra)22. anon.: Solo humano (Nia, si encontrares durmiendeo a Cupido)23. (S. Durn): Tonada sola con flautas para contralto (Corazn, causa tenis)

alto, flute, bc24. (S. Durn): Tonada humana (Pues me pierdo en lo que callo el desdn)25. (S. Durn): Cantada a voz sola al Santsimo y de Pasin (Ay de m, que el



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llanto y la tristeza26. (S. Durn): Cantada al Santsimo con violines (Ay, que me abroso)

high voice, 2 violins, bc27. (J. de Lima Serqueira): Solo humano (Quera Cupido, traidor y halageo)28. (J. de Lima Serqueira): Solo humano (Ay, Leonida, si mis quejas)29. (J. de Lima Serqueira): Tono humano solo (Todo es amor)30. (J. de Lima Serqueira): Cantada humana (O corazn amante) high voice,

oboe, violin, bc (instr. parts reconstructed by ed.)31. (J. de Lima Serqueira): Cantada humana (En la ribera verde) high voice,

oboe, violin, bc (instr. parts reconstructed by ed.)Sources:

1609: "Airs de diffrents auteurs, mis en tablature de luth par Gabriel Bataille.Second livre", Paris, P. Ballard (1)

1614: "Airs de diffrents auteurs, mis en tablature de luth par Gabriel Bataille.

Cinquime livre", Paris, P. Ballard (2)1624: J. Aranies: "Libro segundo de tonos y villancicos", Rome (4)1626: L. de Briceo: "Metodo mui facilissimo para apprender a taer la

guitarra", Paris (5)E-Bbc mus. 775/79 (29)E-CU (7)E-Mn mus. 2618 (30, 31)E-PAL ms. 50/1 (26)E-SE (9-11, 14, 19, 21, 24, 27, 28)E-V (6, 8, 15, 17, 18, 20)E-VAc (16)GB-Cfm mus. 4-1958: the Trend manuscript (12)

GCA-Gc ms. 259 (25)I-Vnm mus. H.IV,470 = 9994 (22) 69,--

118S1 Three Motets for high voice on texts from the Song of Songs

ed. R. Ewerhart

1. S. Bernardi:O dulcissima dilecta mea(from "Seconda raccolta de sacri canti...", Venice, Vincenti, 1624)

2. A. Grandi:O quam tu pulchra es (from "Ghirlanda Sacra, Libro Primo...per(from "Ghirlanda Sacra, Libro Primo...", Venice, Gardano, 1625)

3. C. Monteverdi:O quam pulchra es(from same source as no. 2) 10,--

119S1 Vesper and Compline Music for One Principal Voice

Volume II

ed. in score by J. Kurtzman; hardback

1. O. Tarditi:Domine ad adiuvandum high voice, 2 violins, theorbo, organ(from his "Concerto musiche varie da chiesa: motteti, salmi, hinni 1 vocesola, 2 3, concertati parte con violini tiorba e parte senza istrumento,

Opera XXX...", Venice, Gardano, 1650)2. M. Cazzati:Domine ad adiuvandum bass, 2 violins, bc



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(from his "Messa e salmi a 4 voci con istromenti, & ripieni beneplacito etaltri salmi a 1.2.3., con gli istromenti obligati...Opera XIV...", Venice, 1653)

3. L. Viadani:Falsibordoni passeggiati 1 voice and bc(from his "Cento Concerti Ecclesiastici, a 1, a2, a3, & a 4 voci con il bc....Opera duodecima", Venice, Vincenti, 1605/2)

4. O. Durante:Magnificat octavi toni 1 voice (C or T or B) and bc(from his "Arie Devote le quali contengono in se la maniera di cantar congratia, l'imitation delle parole, et il modo di scriver passaggi, et altri affetti...",Roma, Verovio, 1608)

5. S. Bonini:Cum invocarem: Salmo della Compieta Sbordonato high voice and bc(from his "Il secondo libro de madrigali, e mottetti a 1 voce sola per cantare

sopra gravicemboli, chitarroni, et organi, Con passaggi, e senza...", FlorenceMarescotti,1609)

6. A. Banchieri:Dixit Dominus: Versi in risposta al Dixit del primo tuono high voice and bc(from his "Terzo libro di Nuovi Pensieri Ecclesiastici...Opera trentesimaquinta...", Bologna, heirs of G. Rossi, 1613)

7. S. Bernardi:Laudate pueri alto solo, choir SATB, bc(from his "Salmi Concertati a 5 voci...", Venice, Vincenti, 1637)

8. G. Rovetta:Laudate Dominum alto, 2 violins, bc(from his "Salmi a 3 et 4 voci aggiontovi un Laudate pueri a 2 & Laudate

Dominum omnes gentes a voce sola & nel fine un Kyrie, Gloria & Credopur 3 voci; Tutto concertato con 2 violini altri istromenti alti...Operasettima...", Venice, Vincenti, 1642)

9. G.A. Rigatti:Cum invocarem alto, 2 violins, viola, bc(from his "Salmi diversi di Compieta in diversi generi di canto a 1, 2, 3 & 8voci, parte con instromenti & parte senza...", Venice, Vincenti, 1646)

10. F. Lucio (da Conegliano):Ecce nunc for high voice, 2 violins, bc(from Rigatti's "Salmi diversi...", 1646: see no. 9)

11. G.A. Rigatti:In manus tuas, for high voice and bc (source: see no. 9)

12. G.A. Rigatti:Nunc dimittis, for high voice, 2 violins, bc(source: see no. 9)

13. T. Merula:Laudate pueri, concertato senza intonatione, a3 high voice, 2 violins, bc(from his "Il terzo libro delli salmi et messa concertati a 3 et a 4 con istro-menti & senza...Opera XVIII...", Venice, Vincenti, 1652)

14. T. Merula:Credidi, concertato senza intonatione bass, 2 violins, bc(from same source as no. 13)

15. S. Reina:De profundis bass, 2 cornetts, bc

(from his "Fiorita Corona di melodia celeste a 1, 2, 3 4 voci con instro-menti. Opera settima", Milano, Camagni, 1660)16. F. Petrobelli:



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Laetatus sum high voice, 2 violins, viola, bassoon, bc(from his "Musiche Sacre concertate con istromenti...Opera ottava",

Bologna, Monti, 1670)17. G.B. Bassani:

Confiteor high voice, 2 violins, bc(from his "Salmi di Compieta a 3 4 voci, con violini, e ripieni...Operadecima", Venice, Sala, 1691)

18. Isabella Leonarda:Laetatus sum high voice, 2 violins, bc(from her "Salmi Concertati a 4 voci con strumenti...Opera decimanona",

Bologna, 1698)19. M. Cazzati:

Oculis ac manibus high voice and bc(from his "L'Aronia Sacra dell'antifone voce sola per cantarsi Vespri....

Libro terzo. Opera 59", Mantova, the author, 1672)20. M. Cazzati:

Ipse praeibit high voice and bc(from same source as no. 19)

21. O. Tarditi:Pange lingua gloriosi high voice, 2 violins, trombone, theorbo, bc(from same source as no. 1)

22. G.B. Vitali:Exultet orbis gaudiis bass, 3 violins, viola, bc(from his "Hinni Sacri per tutto l'anno voce sola con 5 stromenti...Operadecima", Modena, G.G. Ferri, 1684 245,--



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C. COMPOSERS A - Z

120S1 Ahle, J.R. Johann Rudolf Ahle

Ausgewhlte Gesangswerke. ed. J. Wolf

ed. in original clefs; 1901; revised by H.J. Moser (1957)Denkmler Deutscher Tonkunst, volume I/5

1. Exaudi Domine, clamantem (Geistliches Concertlein) S, bc2. Sie haben meinen Herren weggenommen (Dialog) SB, bc

3. Es sei denn, dass ich in seinen Hnden sehe die Ngelmal (Dialog) TB, bc4. Ich danke dir, Gott (Dialog) TTB, bc5. Herr Gott, mein Heiland B, bc6. Das Jahr ist fortgelaufen (Neujahrslied) SATB; 2 violins, viola, bc7. Der Tag ist hin (Abendlied) SATB; 2 violins, viola, bc8. Geduld und Demut bringt Ehr' und Gut SATB; 2 violins, viola, bc9. Oster- oder Auffahrtsfreude SATB; 2 violins, viola, bc10. Alles vergehet, Musik bestehet SATB; 2 violins, viola, bc11. Der Tag ist nun vergangen (Abendlied) SATB; 2 violns, viola, bc12. Demut ist allen Menschen gut SATB; 2 violins, viola, bc13. Lerne dich selbst kennen SATB; 2 violins, viola, bc14. Menschliche Nichtigkeit SATB; 2 violins,viola, bc

15. Was sumest du dich doch SATB, bc16. Teufe, dass du dich erkhnest SATB, bc17. Splitter-Richter-Bsewichter SATB, bc18. Mein bester Freund, mein Jesus weint SATB, bc19. Jairus begehrt, Jesus gewhrt SATB, bc20. Misericordias Domini ST; 2 violins, bc21. Gehe aus auf die Landstrassen A; 2 violas (AT), violone, bc22. Jesu dulcis memoria (Jubilus S. Benardi) A; 3 violas (ATB), violone, bc23. Est ist genug, so nimm, Herr, meine Seele (ber die Sehnworte des Elias)

SSATTB24. Ach Herr, mich armen Snder (Aria) SSATTB, bc25. Missa SSATTB, bc

26. Bleib' bei uns Herr AT; 2 violins, 2 violas (AT), violone, bc27. Unser keiner lebet ihm selber (Motette) SSAATTB, bc28. Wer is der, so von Edom kommet (Dialog) SSST / ATTB, bc29. Ich hab's gewagt SATB; 2 violins, viola, violone, bc; 4 recorders ad lib.30. Frchtet euch nicht SSSATTB; 4 bassoons (or 2 tromb. and 2 bsn.), bc31. Triumph, ihr Himmel (Auf das Fest der Himmelfahrt) SATB; 2 violins,

viola, bc32. Der grosse Drache zrnt (Auf das Fest des Erzengels Michael) SATB;

2 violins, viola, bc33. Nun ist es billig Jesu Crhist (Communion-Andacht) SATB; 2 violins,

2 violas (AT), bc34. Von Gnad' und Recht (ps. 101) SSATB; 3 violins, bc

35. Cum Maria diluculo A; 3 violins, 3 violas (ATT), violone, bc36. Wir glauben all' an einen Gott SATB / SATB, bc37. Magnificat SATB; cornett or violin, 2 trombones or violas (AT),



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trombone or violone, bc38. Merk auf mein Herz SATB / SATB; 2 violins, bc

39. Zwingt die Saiten in Cithara ATB; 2 violins, 4 trombones (ATTB), bcSources:

1648: "Erster Theil geistlicher Dialogen deren etliche aus denen durchs Jahrber gewhnlichen Sonn- und Fest Tags Evangelien theils aber ausanderen Orthen heiliger Schrifft zusammen getragen und mit 2, 3, 4 odermehr Stimmen in die Music bersetzet", Erfurt, F.M. Dedekind (3, 4)

1657: "Neu-gepflantzter Thringischer Lust-Garten, in welchem XXVI neuegeistliche musicalische Gewchse mit 3, 4, 5, 6, 7, 8, 10 und mehrStimmen auf unterschiedliche Arten mit und ohne Instrument, mit undKapellen auch theils mit und ohne General Bass zu brauchen versetzet",Mhlhausen, J. Hter (21-22, 26, 36-38)

1658: "Neu-gepflantzten Thringischen Lust-Gartens ander Theil, in welchen

XXX neue geistliche musicalische Gewchse mit 1, 2, 3, 4, 5, 6, 7, 8,9, 10 und mehr Stimmen auff unterschiedliche Arten mit und ohne Instru-menten, mit und ohne Kapellen auch theils mit und ohne General Basszu brauchen versetzet", Mhlausen, J. Hter (5, 28-30)

1660: "Erstes Zehn neuer geistlicher Arien, so mit 1, 3, 3 oder 4 Stimmen mitoder ohne Fundament sampt beygefgten Ritornellen auff 4 Violennach belieben zu brauchen", Mhlhausen, J. Hter (6, 7)

1660: "Anderes Zehn neuer geistlicher Arien....", Mhlhausen, J. Hter (8-11)1662: "Drittes Zehn neuer geistlicher Arien...", Mhlhausen, J. Hter (23)1662: "Viertes Zehn neuer geistlicher Arien...", Mhlausen, J. Hter (12-14)1662: "Neue geistliche auf die hohen Festage durchs gantze Jahr gerichtete

Andachten. Mit 1, 2, 3, 4 und 5 Stimmen mit oder ohne Fundament

sampt beygefgten Ritornellen auff 4 Violen nach belieben zu brauchen"Mhlhausen, J. Hter (31, 32)1663: "Neu-gepflantzten Thringischen Lust-Gartens Nebengang, in welchen X

neue geistliche musikalische Concertgewchse mit 3, 4, 5, 6, 7, 8, 10und mehr Stimmen zu dem Basso Continuo auf jetzt-bruchliche Artversetzet", Mhlhausen, J. Hter (35)

1663/64: "Neue geistliche Chorstcke mit 5, 6, 7 und 8 Stimmen (wobey auchder General-Bass nicht aus Nothwendigkeit sondern Gewohnheit zufinden) in einen leichten stylo abgefasset", Mhlhausen, J. Hter (24)

1664: "Neue geistliche auf die Sontage durchs gantze Jahr gerichtete Andach-ten mit 1, 2, 3, 4 und mehr Stimmen mit oder ohne Fundament samptbeygefgten Ritornellen auf 3 Violen nach belieben zu brauchen",

Mhlhausen; D-B mus.ms. 101 (15-19)1665: "Neu-gepflantzten Thringischen Lust-Gartens dritter und letzter Theil,in welchen zehen neue geistliche musikalische Concert-Gewchse mit3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 15, 20 und mehr Stimmen auf itztbruchliche Art zum Basso Continuo gesetzet", Mhlhausen (20, 34,39)

1666: "Musikalische Frhlings-Lust, in welcher 12 neue geistliche Concertlein,mit 1, 2, 3 und mehr Stimmen zu dem Basso Continuo gesetzet",Mhlhausen, J. Hter (1, 2)

1668: "Neuverfassete Chor-Music, in welcher XIV geistliche Moteten enthal-so mit 5, 6, 7, 8 und 10 Stimmen benebenst dem Basso Continuo ineinem leichten und anmuhtigen stylo gesetzet. Opus decimum tertium",Mhlhausen, J. Hter (25, 27)

1668: "Neue geistliche Communion und Haupt Fest-Andachten mit 1, 2, 3, 4oder mehr Vocal- und 2, 3, 4 und 5 Instrumental-Stimmen zugerichtet.Opus decimum quartum", Mhlhausen, J. Hter (33) 92,50



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Albert, H. HEINRICH ALBERT

Arien, Theil I - VIII

most poems by S. Dach; others by A. Adersbach, J.P. Titz,R. Roberthin, Chr. Kaldenbach, M. Opitz and by Albert himself.

for one voice and bc, unless otherwise indicated

* = also published in "Lust Wldlein", 1648)

NB: the composer indicated that his polyphonic arias may be performedeither by 1 voice, instruments, bc or by voices only and bc

Theil I, 1638

"Erster Theil der Arien oder Melodeyen etlicher theils geistlicher theils welt-licher, zu gutten Sitten und Lust dienender Lieder. In ein Positiv, Clavicimbel,

Theorbe oder anders vollstimmiges Instrument zu singen", Knigsberg,Autor (Segebads Erben), 16382/1646 ("...zur Andacht, guten Sitten, keuscher Liebe und Ehren-Lust...zum

Singen und Spielen gesetztet...", Knigsberg, Paschen Mense)3/1652 (Knigsberg. Autor / J. Reussner)

1a. Ach lasst uns Gott doch einig leben1b. *idem SATB (only in the 1652 ed.)2a. Ihr, die ihr euch Christen nennet2b. *idem SATTB (only in the 1652 ed.)3a. Einen guten Kampf hab ich auf der Welt gekmpt3b. *idem SATTB (only in the 1652 ed.)4. *Auf mein Geist! with violin

5. *Mein Dankopfer, Herr ich bringe with violin6. *Du vormals grner Stock7. *Hie habt ihr, ihr Jungfrauen with 3 instruments8. *Mein Kind, dich mssen Leute lieben with 2 instruments9.* Was von mir dein leichter Sinn10. *Liebste Seele meiner Seelen11. *Keine Nacht, kein Tag vergehet SA12. *O Ihr Auszug meiner Freuden13. *Mein Liebster Seelchen lasst uns leben14. *Nymphe gieb mir selbst den Mund15. *Soll denn mein junges Leben with violin16. *Soll ich der Mensch, die kleine Welt with 2 instruments

17a. Die Sonne rennt mit Prangen SSA17b. *idem SSA18. *Die Sonn' ist abgegangen SSA19. *Och empfinde fast ein Grauen dass ich Plato fr und fr20. *Och empfinde fast ein Grawen, Bachus, dass ich fr und fr (parody)21. *Edler Pregel dessen Fluss with 2 violins22. *Glck zu, ihr grnen Bume with 3 instruments (SSA)23. *Gute Nacht du falsches Leben SS24a. Mein lasst mir doch den Willen!24b. *idem SSATB25. *Wer fragt darnach aus dem Gelach

Ander Theil, 1640

"Ander Theill der Arien oder Melodeyen etlicher theils geistlicher theils welt-licher, zu gutten Sitten und Lust dienender Lieder. In ein Positiv, Clavicimbel,Theorbe oder anders vollstimmiges Instrument zu singen", Knigsberg,



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Autor (Segebads Erben), 16402/1643 (Knigsberg, Paschen Mense)

3/1651 (Knigsberg, Autor / Johannes Reussner)1a. Kein Christ soll ihm die Rechnung machen1b. *idem SATTB (in 1651 ed. only)2a. Wie selig ist dem Gott verliehen2b. *idem SAATB (in 1651 ed. only)3a. Dass alle Menschen sterben mssen3b. *idem SSATB (in 1651 ed. only)4a. Raffet auch der Tod4b.* idem SATTB (in 1651 ed. only)5a. Wie ist der Mensch doch so betrt5b. *idem SATTB (in 1651 ed. only)6a. Weinen in den ersten Stunden

6b. *idem SSATB (in 1651 ed. only)7. *Rede einer verstorbenen Jungfrau aus dem Grabe: Wie lieg ich hie!8. *Meine Frsten und Frstinnen fahren ins Galinderland with 2 violins9. *Wohl dem, der sich nur lsst negngen SS10a. Der Mensch hat nichts so10b. *idem AT11. *Euer Pracht und stolzes Prangen SS12. *Galathe, wo bist du doch gewesen ST13. *Soll denn, schnste Doris + "Proportio nach Art der Pohlen"14. *Bist du von der Erden Rosa15. *Als Damon lang geplaget16a. *Mein Urteil wiederrt es

16b. idem a217. *Lesbia mein Leben hat sich mirergeben18. *O der rauhen Grausamkeit!19. *Was lachst du Pfel der Gemther20. *Ist es unsrer Saitenwerk je einmal so wohl gelungen SSA, 2 vln, 2 vla, bsn

(on the occasion of the vist of Martin Opitz to Kningsberg in 1638)Dritter Theil, 1640

"Dritter Theil der Arien oder Melodeyen etlicher theils geistlicher theils welt-licher, zu gutten Sitten und Lust dienender Lieder. In ein Positiv, Clavicimbel,Theorbe oder anders vollstimmiges Instrument zu singen", Knigsberg,Autor (Segebads Erben), 16402/1643 (Knigsberg, C. Mohrmann / Paschen Mense)

3/1651 (Knigsberg, Autor / J. Reussner)1a. Der Mai es Jahres Herz1b. *idem SA with 2 violins (in ed. 1651 only)2a. Vor-Jahrs Liechen: Es ist ja wahr wir haben nun2b. *idem SS3. *Vater, des die Langmut ist SSAABar4. *Was wilst du armes Leben SSATB5a. Alles luft mit mir zum Ende5b. *idem SSATB6. *O wie mgen wir doch unser Leben with violin7. *Was suchst du schndliche Begier? with violin8. *Was hat ein frommer Christ doch Not SSATB

9a. Es vergeht mir alle Lust9b. *idem SATTB10. *Soll mein Geist gebcket gehen SS



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11.*Wer die Weisheit ihm erkoren SS, 2 violins12. *Ihr Vater aller Lieblichkeit SAT

13. *Phbus jagt met seinen Pferden SSA14. *Auf! Ihr meine gldnen Saiten15.* So ist es denn des Himmels Will (Air de mr. Moulini)16.* Was zwingt mich auf der Welt17. *Mein Herz enthlt sich kaum18. *O du Gttin dieser Erden with violin19. *Will sich das Glck denn stets nur weiden20. *Die Liebe lsst den harten Zaum21. *In Lieb halt ich das grsste Glck22. *Junges Volk! man rufet euch SATTB23. *Was ist zu erreichen hie in dieser Zeit SSATB24. *An diesem Ort allhie

25. *Weil doch im Reden als im Schweigen26. *Soll dann liebste Phyllis enden sich SS27. *Phyllis die mich vormals liebet28. *Man sagt mir zwar ich soll dich hassen29. *Ich kann hinfort die harten Plagen30. *Liebe, die du mich besessen with violin

Vierter Theil, 1641

"Vierter Theil der Arien oder Melodeyen etlicher theils geistlicher theisl welt-licher Lieder nach unterschiedlichen Arthen zu singen und spielen gesetzet...",Knigsberg, Autor (Segebads Erben), 16412/1645 (Knigsberg, Paschen Mense)3/1651 (Knigsberg, Autor / J. Reussner)

1. *Klaglied an sein Vaterland: Was fr Unmut, Pein und Sorg' SMsAT2. *Du siehest, Mensch, wie fort und fort SATTB3. *Wer wegen seiner Snden zum Herren Christo with 3 stringed instr. (AAT)4. *Letzte Rede einer sterbenden Jungfrauen: Ich armer Madensack! (with vln)5a. Ich steh in Angst und Pein5b. *idem SATTB (in 1651 ed. only)6. *Eh als wir aus der Hhlen des finstern Krpers ziehn SATTB7. *Von der Gnadenreichen Menschwerdung unsers Herren Christi: Unser Heil

ist kommen (on A. Boesset's melody: Du plus doux) SMsATB8. *Das Leid ist hier, da sehen wir SST9. *Lobet Gott in seinen Heiligtum SSATB, 2 violins, 2 violas, bc10. *Es bild ein Mensch ihm niemals ein SSATB, 2 violins, 2 violas, bc

11. *Der Himmel Bau und Zier (nach Anleitung der Fr. Weise Goudimels berden 19. Psalm) with 2 trombones12. *Der Meister ist ja lobenswert SS13. *Jetzund heben Wald und Feld SS14. *Wir sehn jetzt sich erfreuen SS15. *O du vormals grnes Feld SS16. *Komm, Dorinde, lass uns SAT17. *Mein schnes Lieb verliess mit mir18. *Ach Phyllis, willtu mich denn nun verlassen19. *Gedchtnus: Damon war mit Brunst beeilet20. *Damon, wo hinfort21. *Glck zu dem Knige! Glck zu! SS

22. *Es stnde mit der Erden23. *Zweene schlafen sicher ein SSATB, 2 violins, 2 violas, bc24. *Flora meine Freude



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Fnffter Theil, 1642

"Fnffter Theil der Arien oder Medlodeyen, etlicher theils geistlicher theils

weltlicher zur Andacht guten sittenkeuscher Liebe und Ehren-Lust dienenderLieder. Auff unterschiedliche Arthen zum Singen und Spielen gesetzet vonHeinrich Alberten...", Knigsberg, bey Patschen Mense, 1642

1. *Indem jetzt meine Seele schaut2. *Klage Sions ueber den Verzug ihres Brutigams Jesu Christi: Der Tag

beginnet zu vergehen SATTB3. *O wie gross ist doch der Mann4. *Morgen-Lied: Gott des Himmels und der Eerden SSATB5. *Abend-Lied: O Christe, Schutzherr deiner Glieder6. *Dass alle Menschen sterblich sein SATTB7. *Zum Sterben ich bereitet bin SATTB8. *Bekehrung zum Herren Christe: Jesu, Quell gewnschter Freuden 2 violins

9. *O Du aller Wohlfahrt Quell SATTB, 2 violins, 2 violas10. *Lob der Knige: O Ihr Gtter dieser Erden SS11. *Mensch, wie kmmt es dass dein Sinn12. *Der Streit zwischen der grnen und blauwen Farbe: Grn ist doch lieblich

anzuschauen SS13. *Lob-Gesang der Liebe: O Amor Herzenbinder SSATB14. *Jung gefreyht hat nie gerewt: Wiltu nichts von Brutgam hren15.*Wohl dem, der sich beizeiten auf ssse Heirat lenkt SSATB16. *Klugheit kmpt vor Jahren nicht: Mein Lieb will nichts17. *Klage eines verliebten Schfers: Es fing ein Schfer an zu klagen18. *Vorjahrs-Liedchen: Die Lust hat mich gezwungen19.* Tanz nach Art der Polen: Die ihr jetzt seid erschieden SATTB

20. *Auf und springet, tanzt und singtet SSATB21.* Trewe Lieb' ist jederzeit zu gehorsamen bereit: Anke von TharauSechster Theil, 1645

"Sechster Theil der Arien etlicher teils geistlicher theils weltlicher zur Andachtguten sitten-keuscher Liebe und Ehren-Lust dienender Reyme. Zum Singenund Spielen gesetzet...", Knigsberg, bey Paschen Mense, 1645

1. *Christliche stille Music: Willst du in der Stille singen SATTB2. *Erffnet euch, ihr trbe Brunnen SATTB3. *Du, o getreue Mutter, Erde SATTB4. *Sei, meine Seel', in dich gestellt SATTB5. *Herr, es mangelt nicht an dir SATTB6. *Was oft die Menschen denken SATTB

7. *So gnzlich ist auf nichts8. *O der trben Trauertage!9. *Und du auch musst hieneben dein arges Meisterstck10. *Alle Gter, die wir haben SS11.* Also wird, du werter Held SSATB, 2 violins, 2 violas (AT)12. *Greif dich nun, o Karschau an13. *Seelchen, habt ihr nicht gesehen14. *Jetzund liebet, was nur lebet SATTB15. *In seiner Liebsten Armen entschlafen SATBarB16. *Nichts nach Heirat fragen, ist der Ruh' entsagen SATTB17. *Kunst in der Welt fortzukommen:Wer hie zu etwas kommen will SSATB18. *Wohldem, der ihm vor allen Dingen der Musen Gunst hat auserkiest SS

19. *Academisches Jubel-Lied: O das hocherwnschte Jahr! SA20.* Wald-Gesang: Hier, wo die dicken Bume stehn21. *Der habe Lust zu Wrfeln und zu Karten



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15. Wer der Heirat Sssigkeit einmal recht empfunden SSATB16. Dieser Tag soll unser sein SSATB

17. Lasst uns meiden, was nur Leiden einem schaffen kann SATTB18. Wer erst den Tanz hat aufgebracht SSATB, bc19. Thyrsis hatte manche Nacht schon mit Seufzen zugebracht SATTB20. Was der und jener sagt, es ist auf Gott gewagt SSATB21. Rosette pour un peu d'absence: Wir waren etwas nur vonsammen Rosett'

Editions:

Theil I-VIII:121S1 Facsimile of eds. 1652 / 1651 / 1651 / 1651 / 1651 / 1652 / 1648 / 1650 95,--

Theil I-VI:122S1 Facsimile after the 1657 edition:

a) "Arien erster Theil, darinnen die jenige geistliche Lieder, so in seinen 6. un-terschiedenen Theieln vorhin in Folio gedruckt: jetzo aber zu besserem

Nutz und Brauch sampt dem Basso Continuo in solche kleinere Form alsein Vade Mecum zum Druck befredert nd verleget von Ambrosio Profe"Leipzig, chr. Cellarius (F. Lanckisch), 1657

b) "Arien ander Theil...(idem)...", Brieg, Chr. Tschorn, 1657 79,-- Theil I-IV:

123S1 ed. E. Bernoulli / H.J. Moser according to all editions; DDI I/12 74,-- Theil V-VIII;

124S1 ed. E. Bernoulli / H.J. Moser according to all editions; DDI I/13 74,-- I/4: see: Collections: "Das Musikwerk", volume VI

I/17-18, V/2, VI/17 and VII/24: see: Collections: "Antiqua Chorbuch", part II, volume 5: nos. 188-192

II/10: see: Collections: "Das Musikwerk", volume XII IV/9:

125S1 *ed. Carus 1,25 VII/24: see: Collections: "Der Schulchor": vol. I, no. 37 (Du mein einzigs Licht)

Lust Wldlein, 1648

"Poetisch-Musicalisches Lust Wldlein, das ist Arien oder Melodeyen etlichertheils geistlicher, theils weltlicher, zur Andacht, guten Sitten, keuscher Liebeund Ehren-Lust dienender Lieder. In ein Positiv, Clavicimbel, Theorbe oderanders vollstimmiges Instrument zu singen gesetzt von Heinrich Alberten",

Knigsberg, 1648This print contains the Arias from Books I-VI (18 of them in their polyphonicversion only; see asterisks in list above).Edition:

126S1 Facsimile of the 1648 edition; hardback 69,--

Arrigoni, G.G. 3 Solo motets for soprano and bc:1. Tota pulchra es amica mea2. Bone Jesu verbum patris splendor3. Domine Jesu Christe see: Prints 1625: "Ghirlanda Sacra": nos. 30-32

Asturiano, J. Cfiros blandos, lquidas fuentes (Solo al Sacramento): see: Collections: "Spanish art song in the 17th century"



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43. Quand je pense Seigneur44. Que j'estois malheureux

45. Prlude: Plaisirs mondains (without bc)46. C'est un effet, Seigneur, de ta justice47. Quand je consoltois la Nature48. Ds le moment de mon reveil49. *Ouy j'espere en vtre clemence50. Je cognois mon neant51. *J'ay mpris ta saincte loyEdition:

127S1 Facsimile of the 1688 edition 29,--

Banchieri, A, Adriano Banchieri

3 Libro di novi pensieri "Terzo libro di novi pensieri ecclesiastici, da cantarsi con una, & due voci in

variati modi nel clavacembalo, tiorba, arpichitarrone & organo; Opera trente-sima quinta...Nuovamente composta, data in luce...", Bologna, per gli heredidi G. Rossi, 1613

a) 14 Concerti in diverse stylistical idioms (nos. 1-2 "passaggiati", nos. 3-4 "ac-centuati", nos. 5-6 "affettati", nos. 7-8 "in ecco", and nos. 9-11 "in sinfonia");all for a high voice and bc (organ); no. 12 by B. Monteceneri:

1. Audi Domine himnum & orationem2. Misericordias Domini in aeternum cantabo3. In lectulo meo4. Vidi spetiosan sicut columbam

5. Duo ubera sicut duo himnuli capreae6. Adversum me alieni insurrexerunt7. Ardens est cor meum8. Anima mea liquefacta est9. In voluntate tua Domine (in sinfonia all' Aria del Gran Duca musicale)10. Ego dormio & cor meum vigilat11. Gloria tua manet in aeternum12. B. Monteceneri: O amantissimae & dulcissimae Iesu Christe13. Tube domue benedicere (concerto alla liettione di Compieta, per cantarsi

nell'organo; ma molto meglio nell'arpicordo, arpichitarone)14. Ego dormivi & soporatus sum (concerto di voce Barittona - alla buona

gratia - donata dall'autore al sig. Simone Capello...)

b) "Risposte al Vespro della Madonna, e altre occasioni" for a high voice, bc:15. Versi in rispote al Dixit del primo tuono: Donec ponam inimicos tuos16. Versi in risposte al Laudate peuri del 4. tuono: Sit nomen Domini benecitum17. Versi in risposte al Sal. Laetatus 6. toni 1. voce alto: Stantes erant pedes18. Versi in risposte al Sal. Nisi Dom. 5. toni: Nisi Dominus19. Versi in risposte al Lauda Ierusalme 2. toni: Quoniam confortavitc) 4 Concerti for 2 voices and organ "in dialogo" (nos. 21-22) and "in ricercata"

(nos. 23-24):20. O dulcis Amor, o suavis Amor SA21. Gustate & videte SS or TT (also printed in "2. Libro di nuovi pensieri")22. Beati immaculati in via SS or TT23. Concerto di dui angioletti in dialogo nella solemnit del santissimo natale:

Intonuit de caelo SSd) "Consonante bordone" & Magnificat for 2 voices and organ:24. Consonante bordone del secondo tuono una, & due voci SB



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25. Consonante bordone del primo tuono una, & due voci SB26. Consonante bordone dell'ottavo tono tre voci SSB

27. Versi in risp. al Magnificat 1. tono con 1. & 2. voci SS28. Magnificat ottavi toni con una, & due voci, un tono basso del chorista SSe) "Ghirlandetta donata da cinque organisti, amici, & amorevoli dell' autore

alla presente opera":29. O. Vernizzi: Quaesivi quem diligit anima mea S30. C.R. Poggiolini: Ioannes est nomen eius SS or TT31. E. Porta: O virgo pulcherrima SS or TT32. G. Guami: O Maria mater gratiae SS or TT33. L. Barbieri: Veni dilecta mea SS or TTEditions:

nos. 1-33:128S1 Facsimile of the 1613 edition; introduction (in Italian) by G. Vecchi (hardb. 40,--

no. 15: see: Collections: "Vesper and Compline music for one principal voice, II"

Barbarino, B. 2 Solo motets for soprano and bc:1. Audi ad me omnes qui laboratis2. Veniete dulcis amica mea see: Prints 1625: "Ghirlanda Sacra": nos. 24 and 26

Bassani, G.B. Giovanni Battista Bassani

2 Motets from his "Motetti di voce sola...opera duodecima", Venezia, 1692for high voice and bc:

1. Audite fidelis2. Regina coeli129S1 ed. R. Luckhardt 15,--

Motets from his "Armonie festive...op.13", Bologna, 1693: Nascere, nascere, dive puellule; Per li santissimo Natale; ed. R. Ewerhart:

130S1 printed version for S and bc 10,--131S1 ms. version for A and bc (from D-TRb; early 19th century) 10,--132S1 Mortales, sperate; for B and bc; ed. R. Ewerhart 10,--

Bellanda, L. Egredemini & videte filiae Sionmotet for bass and bc

see: Prints 1624: "Seconda Raccolta de Sacri Canti"

Benevoli, O. Ego autem pro te, Domine high voice, bc133S1 ed. R. Ewerhart from "R. Floridus canonicus de Silvestris a Barbarano has

alteras sacras cantiones ab excell. musices...unica voce contextas...Parssecunda", Rome, I. de Lazari, 1663 9,--

Bernabei, E. 2 Motets from GB-Lbl. Add. 29292:134S1 In hymnis et canticis; high voice and bc; ed. R. Ewerhart 8,50135S1 Heu me, miseram et infelicem; high voice and bc; ed. R. Ewerhart 8,--

Bernardi, S. Stefano Bernardi

Magnificathigh voice and bc



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136S1 ed. W. Frlinger from A-KR Kodex L 13 8,50

O dulcissima dilecta meamotet for high voice and bc see: Prints 1624: "Seconda Raccolta de Sacri Canti" see: Collections: "3 Motets for high voice on texts from the Song of Songs"

Bernhard, Ch. Christoph Bernhard

Sacred Concertos and other works

137S1 ed. in score by O. Drechsler; realization of the bc-parts by L. RovatkayDas Erbe Deutscher Musik, vol.90; 1980; cloth

Nos. according to catalogue by Fiebig: see bibliography1. Surrexit Christus spes mea. Dialogus Fiebig 23

solo: S; choir: SSATTB; 2 violins, 2 violas (AT), bassoon or cello, bc2. Reminiscere miserationum tuarum Domine Fiebig 20

Concerto for ATB, bc3. Da pacem Domine. Concerto Fiebig 10

choir: SSATB; 2 violins, 3 violas (TrAT) and bc4. Benedic anima mea. Concerto Fiebig 8

choir: SSATB / SATB; 2 violins, 2 violas (AT), bassoon, 2 cornetts,3 trombones (ttb) and bc

5. Surgit Christus cum trophaeo. Concerto Fiebig 22soli: STB; choir: SATB; 2 violins, 3 violas (TrAT), bassoon, bc

6. Currite pastores. ConcertoS; 2 violins, bc Fiebig 9

7. Haec dies quam fecit Dominus (in feriis paschatos). Concerto Fiebig 13SSB, bc (1665)8. Jubilate Deo omnis terra. Fiebig 15

STB, bc9. Anima sterilis. Concerto Fiebig 7

SB; 2 violins, bc10. O anima mea accipe pennas aurorae. Concerto Fiebig 19

choir: SSATTB; 4 viole da braccio (2 Tr, 2 A), viola V in ripieno (A), 3trombones in ripieno (ATT) and bc

11. Salve mi Jesu. Concerto Fiebig 21S, bc

12. Das alte Jahr vergangen ist. Concerto Fiebig 11

STB, bc (1665)13. Missa 5 Fiebig 16choir: SATTB; 2 oboes, 2 violins, 2 violas (TT), bc

14. Prudentia Prudentiana (tribus contrapunctis convertibilibus et auctarioelaborata. Solatio tribus contrapunctis convertibilibus auctario), 1665:a) Jam mesta quiesce querela & revolutiob) Quidnam sibi saxa cavata & revolutioc) Nam quod requiescere corpusd) Venient cito seculaSATB Fiebig 4

Sources:

nos.1-12 from the Gustav Dben collection at Uppsala:

S-Uu vok.mus. i hs.: 3: 10 (9), 4: 1 (12), 4: 5 (10), 4: 6 (2), 4: 7 (5), 4: 8 (1),41: 17 (7), 42: 19 (8) and 46: 5 (5); S-Uu scores in organ tablature: 36: 14 (12)79: 127 (3), 80: 64 (5), 80: 68 (3), 80: 93 (6), 80: 106 97), 60: 109 (8), 81: 62



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(9), 82: 6a (3) and 86: 59 (11).no.13: from D-B mus.mss. 1610 (parts) and 30167 (score)

no. 14: from D-Ha A 710/802 ( = print: Hamburg, 1669) 215,--

Blow, J. 4 Sacred solo songs:1. And art thou griev'd, sweet and sacred Dove2. Peaceful is he, and most secure3. Oh! that mine eyes would melt into a flood4. A Penitential Hymn (O, mighty God, who sit'st oh high) see: Prints 1714: "Harmonia Sacra, book I-II"

Boeddecker, Ph. Philipp Friedrich Boeddecker

138S1 a) "Die erhaltenen Werke"; ed. A. Traub

critical edition in scoreDenkmler der Musik in Baden-Wrttemberg, vol. XI

A. "Melos Irenicum: 2 Cant. Alt 2 Ten. Bass. 2 Violen et Fagott cum 3 Tromb.Capella a 6 concinnatum ...", Strasbourg, J.H. Mittelius, 1650Te Deum laudamus4 choirs: I: 2 violins and bassoon; II: 3 trombones; III: SSATTB;

IV: capella a6: 2 cornettini and SATB (vocal or instrumental), bcB. "Sacra Partitura, voce sola. Canz. Sonat: Violin: et Fagott: solis....", Stras-

bourg, J.H. Mittelius, 1651:8 sacred concertos for soprano and bc.; sonata for violin and bc; sonata forbassoon and bc; 2 solo motets by G. Casati; 2 solo motets by Monteverdi and

Casali adapted by Boeddecker1-8 by Boeddecker for S and bc:1. O Vatter aller frommen2. Haec est dies3. Veni salvator4. Natus est Jesus5. Deus, Deus meus6. Christ lag in Todtesbanden7. Laudate Dominum8. Magnificat

9-11 by G. Casati for S and bc:9. O mira, o magna

10. Congratulamini11. Pater noster (supplement by Boeddecker: Quia tuum est regnum)12. C. Monteverdi: Ecce sacrum paratum S, bc (with diminutions by Boed.)13-14. Boeddecker:

13. Sonata for violin and bc14. Sonata sopra La Monica for bassoon and bc

C. "Trauer-Klang und Trost-Gesang. Das ist: zwey Sterb-Lieder deren daserste vor- das ander nach gehaltener Leich-Predigt gesungen worden.Bey trauriger Be-Erdigung der wohl-edlen Ehren und Viel-Tugend-reichenJungfer Maria Agnes des wohl-edlen gestrengen und hoch-gelehrten HerrnNicolai Myllers...mit 3. und 2. Stimmen componiret...", Stuttgart, 1661

1. Klag der betrbten Eltern ber ihrer einig und innig geliebten Tochter td-

lichen Abschied: Oeffnet euch ihr Hertzens Kwellen SSB, bc2. Die selig-sterbende Jungfrau nimmet trstlichen Abschied von ihren liebenEltern: Liebster Vatter! trauret nich! ob wir uns schon scheiden mssen!



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SS, bcAppendix:

a) no. B.9 from Casati's : "Sacri concenti a voce sola...Opera seconda",Venice, B. Magni, 1631

b) no. B.12 from: "Ghirlanda sacra scielta da diverse excellentissimi composi-tori de varii motetti voce sola...", Venice, B. Magni, 1625

c) nos. B.10-11 from Casati's; "Il primo libro de motetti concertati au 1, 2, 3,e 4 voci...Opera prima", Venice, A. Vincenti, 1643 86,--

b) Other Editions

"Sacra Partitura, voce sola. Canz. Sonat: Violin: et Fagott: solis....", Stras-bourg, J.H. Mittelius, 1651:

8 sacred concertos for soprano and bc.; sonata for violin and bc; sonata for

bassoon and bc; 2 solo motets by G. Casati; 2 solo motets by Monteverdi andCasali adapted by Boeddecker (see above: list of contents)

Editions:103S1 nos. 1-14; Facsimile of the 1651 edition 49,--104S1 nos. 1-14; ed. in 14 volumes by H.-E. Ekert from the unique copy at D-Sl 70,--105S1 nos. 3, 4 and 8; ed. J. Jacobi 23,--139S1 no. 1; ed. H.-E. Ekert 7,50140S1 no. 2; ed. H.-E. Ekert 7,50141S1 no. 3; ed. H.-E. Ekert 7,50142S1 no. 4; ed. H.-E. Ekert 7,50143S1 no. 4; ed. Mseler 9,--144S1 no. 5; ed. H.-E. Ekert 7,50

145S1 no. 6; ed. H.-E. Ekert 7,50146S1 no. 7; ed. H.-E. Ekert 7,50147S1 no. 8; ed. H.-E. Ekert 7,50148S1 no. 9; ed. H.-E. Ekert 7,50149S1 no. 10; ed. H.-E. Ekert 7,50150S1 no. 11; ed. H.-E. Ekert 7,50151S1 no. 12; ed. H.-E. Ekert 7,50152S1 no. 13; ed. H.-E. Ekert 7,50153S1 no. 14; ed. H.-E. Ekert 7,50

Bondioli, G. Ave verum corpussolo motet for high voice and bc

see: "Prints 1625: "Ghirlanda Sacra": no. 43

Bonini, S. Cum invocarem: salmo della Compieta Sbordonatohigh voice and bc

source: "Il secondo libro de madrigali e mottetti a 1 voce sola per cantaresopra gravicembali, chitarroni, et organi, con passaggi e senza...",Firenze, Marescotti, 1609

see: Collections: "Vesper and Compline music for one principal voice, II"

Brailsford, H. Full of wrath, his treat'ning breath: On the conversion of St. Paulhigh voice and bc

see: H. Purcell: Devotional Songs no. 3 (Z 185); now shown to be byBrailsford



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Brevi, G.B. Giovanni Battista Brevi

3 Motets from "Metri sacri, motetti a voce sola. Libro primo", Venice, 1692:154S1 Catenae terrenae; B and bc; ed. R. Ewerhart 10,--155S1 Deliciae terrenae; S and bc; ed. R. Ewerhart 10,--156S1 O Spiritus Angelici; A and bc; ed. R. Ewerhart 10,--

Brossard, S. de Sbastien de Brossard

Petits Motets

a. from prints:1. Ave vivens hostia (1695) SdB.23

Bd; bc (or: T; bc)

2. O Jesu quam dulce (1695) SdB.24Bd; bc (or: T; bc)

3. Congratulamini filiae Syon (1695) SdB.25Bd; bc (or: T; bc)

4. O vos aetherei plaudite (1695) SdB.26Bd; bc

5. Festivi martyres (1695) SdB.27Bd; bc (or: T; bc)

6. Angele sancte, regni summe minister (1695) SdB.28Bd; bc (or: T; bc)

7. Sonitus armorum (1695) SdB.29Hc; bc

8. Quemadmodum desiderat (1695) SdB.30T; bc (or Bt; bc)9. Extremi judicii descriptio: O plenus iratum dies! (1696) SdB.31

Bt; bc (or B; bc)10. Salve Regina / Salve Rex Christe (1698) SdB.32

DD; bc (or TT; bc)11. O Domine quia refugium (1698) SdB.33

HtTB; bc12. Qui non diligit te (1698) SdB.34

D; 2 violins (flutes); bc13. Festis laeta sonent (1698) SdB.35

Ht; 2 violins (flutes); bc

14. Psallite superi (1698) SdB.36T (or Bd); 2 violins (flutes); bc15. Templa nunc fument (1698) SdB.37

B (or Bt); 2 violins (flutes); bc16. Sicut cervus ad fontes (1712) SdB.38

b. from manuscripts:17. O mysterium ineffabile (incomplete) (1696) SdB.39

Bd (or T); 2 violins; bc18. Pange lingua (incomplete) (1696) SdB.40

Bd; 2 violins; bc19. Lauda anima mea (incomplete) (1696) SdB.41

Bt; 2 violins; bc

20. Fuge cara anima (incomplete) (1696) SdB.42Hc; 2 violins; bc21-24. Quatre Leons des Morts:



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21. Parce mihi Domine (1696) SdB.43BdHc; 2 violins (flutes); bc

22. Taedet animam meam (1697) SdB.44BdBd; 2 violins (flutes); bc

23. Manus tuae fecerunt (1697) SdB.45BdHc; 2 violins (flutes); bc

24. Responde mihi (1697) SdB.4625. Nisi Dominus (1698-1705) SdB.47

HcTB; 2 violins (flutes); bc26. Stupete gentes (Elevatio pro Die Purificationis B.Mar.) (1700) SdB.48

HcTB; bc27. Beati immaculati (1704) SdB.49

BdB; bc28. In cymbalis et organo (canticum in hohorem S. Caeciliae) SdB.50

Hc; bc29. Felix Dominici plaude familia (1713) SdB.51

Bc (or T); bc30. Silentium Domini (before 1710) SdB.52

T; bc31. Miserere mie Deus (ps. 50) (incomplete) SdB.53

solo: Bc; chorus: DDHc; bc32. Magnificat SdB.54

HcTB; 2 violins; bc33-41: Leons de Tnbres:33. Premire leon du Mercredi (1721) SdB.57

Bd; bc

34. Seconde leon du Mercredi (1721) SdB.58D; bc35. Troisi1eme leon du Mercredi (1721) SdB.59

Bd; bc36. Premire leon du Jeudi (1721) SdB.60

Bd; bc37. Seconde leon du Jeudi (1721) SdB. 61

Bd; bc38. Troisime leon du Jeudi (1721) SdB.62

Bd; bc39. Premire leon du Vendredi (1721) SdB. 63

bd; bc

40. Seconde leon du Vendredi (1721) SdB.64T; bc41. Troisime leon du Vendredi (1721) SdB.65

Bd; bc

Sources:

1695: "Prodromus musicalis, seu cantica sacra...voce sola, cum basso-continuoad organum...opus primum", Paris, Chr. Ballard; the same year printedwith the title:"lvations et motets a voix seule, avec la basse-continue",Paris, Chr. Ballard (1-8); revised ed.: 1696 (9)

1698: "lvations et Motets a II. et III. voix et voix seule ,deux dessus deviolon, ou deux fltes, avec la basse-continu...", Paris, Chr. Ballard

(10-16)1712: "Recueil de motets choisis de differents auteurs italiens et franois...Livresecond", Paris, Chr. Ballard (16)



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1721: "Les Lamentations du prophte Jrmie, qui se chantent selon l'usageromain aux matines du jeudy, du vendredy et du samedy de la semaine-

sainte, mises en musique pour une voix en une basse-continue", Paris,J.B.-Chr. Ballard (33-42)

C-Qhd mus. T 11 C 950 (12: without title)F-B Rs mus 279.146: collection of motets from Besanon (2, 4, 6, 12-15)F-LYm FM 133.745 (11: incomplete)F-Pc Rs 1474 (30)F-Pn Vm1: 1083 & 1083bis (25), 1258 (28), 1260 (29), 1261 & 1261bis

(26), 1262 (26), 1264 (21-24), 1266 (incplt.: 12-15, 17-20),1272 incplt.: 11, 25), 1302/11 (6), 1631 (32), 1689 (27),1690 (31).

F-V mus. 43 (12: incplt. and as by Bernier)I-AOasa mus. cartella 7 (11, 15)

S-Uu vok.mus. i hs. 69:4 (12)US-BE 773: collection of motets copied by the organist de la Barre (1-5, 7)

Editions:

nos. 1-9:157S1 Facsimile edition of the 2nd edition (1702) of "Prodromus musicalis, ou

Elevations et motets a voix seule, avec une basse-continue. SecondeEdition...Livre premier", Paris, Chr. Ballard 45,--

no. 5:158S1 ed. R. Ewerhart 11,--

no. 7159S1 ed. R. Ewerhart 10,--



nos. 21-32: ed. in score by J. Duron ("Petits motets manuscrits") 108,--

These motets in this edition have also been issued separately, in a set ofscores and parts as required for performance:

162S1 nos. 21-24 74,--163S1 no. 25 74,--164S1 nos. 26 and 31 38,--165S1 nos. 27-30 17,50


Caccini, F. Laudate Dominum in sanctis eiushigh voice and bcfrom: "Il primo libro delle musiche", Florence, 1618 see: Collections: "Laudate Dominum", ed. Jacobi

Campra, A. Andr Campra

Motets, I (1699)

"Motets I, II, et III. voix, avec la basse-continue", Paris, Chr. Ballard, 1695

(repr.: 2/1699 & 1700, 3/1703, 4/1710)for 1 voice1. Paratum core meum Deus D, bc



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"Motets I. et II. voix, au nombre de neuf, avec la basse-continue: le pseaumeIn convertendo, grand choeur & symphonie, et un autre motet, la manire

italienne, voix seule, avec deux dessus de violons...Livre troisime:, Paris,Chr. Ballard, 1703; new ed.: 1717

from book III: O dulcis amor

D and bc173S1 ed. R. Ewerhart 10,--

Motets, IV (1706)

"Motets I. II. et III. voix sans symphonie, et avec symphonie, Livre quatri-me", Paris, P. Ribou / l'auteur, 1706

from book IV: Quam dulce est, inhaerere tibi

A, bc174S1 ed. R. Ewerhart 9,--

Exaltabo te, Deus meus, reB, bc

175S1 ed. R. Ewerhart 10,--

Caprioli, G.P. Giovanni Paolo Caprioli

3 Sacred concertos for high voice and bc from his "Sacrae Cantiones unaduabusque vocibus concinendae", Modena, G. Cassiano, 1618:1. Transfige, dulcissime Jesu2. Quis dabit capiti meo aquam

3. Ave regina coelorum176S1 ed. R. Ewerhart 9,--

2 Solo motets:1. In lectulo per noctes S, bc2. Congratulamini mihi omnes A, bc see: Prints 1625: "Ghirlanda Sacra": nos. 10 and 11

Carissimi, G. Giacomo Carissimi

Domine, Deus meushigh voice, bc

177S1

ed. R. Ewerhart from: "R. Floridus canonicus de Silvestris a Barbarano hashas alteras sacra

17th Century Vocal Solo Music

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