1495

American Art &Pennsylvania Impressionists06/08/14

American Art & Pennsylvania Impressionists

Sale 1495Sunday June 8, 2014 at 2pm1808 Chestnut Street, Philadelphia PA 19103

Wednesday June 4 through Friday June 610am-5pm

Saturday June 712pm-5pm

Limited viewing on morning of saleby appointment only

$37 in the gallery$42 domestic mail$47 international mail

Inside Front Cover: Lot 138 (detail)Inside Back Cover: Lot 153 (detail)

Visit www.freemansauction.com/catalogues or call267.414.1256 to purchase a catalogue. Complimentary digital catalogues may be viewed online along with colorimages of every lot in the auction.

Auction

Exhibitions

Catalogue

G14-17478_AmArtTXT1-32_Layout 1 4/30/14 7:04 PM Page 1

Important Informationfor Buyers

Registration

Buyer’s Premium

Sales Tax

Catalogue Descriptions

Bidding

Payment

Removal of Purchases

Shipping and Packing

All potential buyers must register for the sale prior to placing a bid.Registration information may be submitted in person at our reception desk,by fax or through our website at www.freemansauction.com. We will requireproof of identification and residence and may require a credit card and/or abank reference. By registering for the sale, the buyer acknowledges that heor she has read, understood and accepted Freeman’s Terms and Conditionsof Sale.

A Buyer’s Premium will be added to the successful bid price and is payableby the buyer as part of the total purchase price. The Buyer’s Premium shallbe: 25% on the first $50,000 of the hammer price of each lot, 20% on theportion from $50,001 through $1,000,000, and 12% thereafter.

All items in the catalogue are subject to the 8% Pennsylvania andPhiladelphia sales tax. Dealers purchasing for resale must register their taxnumbers on current PA forms. Forms should be submitted to our ClientServices office on the second floor.

All item descriptions, dimensions and estimates are provided for guidanceonly. It is the buyer’s responsibility to inspect all lots prior to bidding toensure that the condition is to their satisfaction. If potential buyers areunable to inspect lots in person, our specialists will be happy to preparedetailed Condition Reports on individual lots as quickly as possible. Theseare for guidance only, and all lots will be sold “as is” as per our Terms andConditions of Sale.

At the sale Registered bidders will be assigned a bidder number and given apaddle for use at the sale. Once the first bid has been placed, theauctioneer asks for higher bids in increments determined by the auctioneer.To place your bid, simply raise your paddle until the auctioneeracknowledges you. The auctioneer will not mistake a random gesture for abid.

By phone A limited number of telephone lines are available for bidding byphone through a Freeman’s representative. Phone lines must be reserved inadvance. Requests must be submitted no later than 24 hours prior to thescheduled start of the sale.

In writing Bid forms are available in the sale room and at the back of thecatalogue. These should be submitted in person, by mail or by fax no laterthan one hour prior to the scheduled start of the sale. The auctioneer willbid on your behalf up to the limit.

On the internet A fully-illustrated catalogue is available on-line atwww.freemansauction.com. Registered bidders may leave absentee bidsthrough the web site and will receive email confirmation of their bid.Freeman’s is not responsible for errors or failure to execute bids.

Payment is due within ten (10) working days of the sale. Lots purchased willnot be released until we have received full payment. Payment may be madein cash, by check, money order, or debit card. Payments by check must clearthe bank before goods will be released.

Deliveries will not be made during the time of the sale unless otherwiseindicated by the auctioneer. All items must be paid for and removed withinten (10) working days of the sale. Purchases not so removed may be turnedover to a licensed warehouse at the expense and risk of the purchaser.

Responsibility for packing, shipping and insurance shall be exclusively thatof the purchaser. Upon request, Freeman’s will provide the purchaser withnames of professional packers and shippers known to us.


Cara BishoffBids [email protected]

Bethany MobbsShipping & [email protected]

Mary Maguire CarrollDirector, Client [email protected]

David WeissVice Pesident, [email protected]

Andrew HuberAssociate [email protected]

Alasdair NicholVice Chairman, Head of [email protected]

American Art & Pennsylvania Impressionists Department

Client Services



American Art lots 1-118

Lot 116



1 132487/1FRANK WESTON BENSON(american 1862-1951)“MARSHGUNNER”1918. Edition of 150. Pencil signedand inscribed ‘75’ in the margin,etching10 7/8 x 8 15/16 in. (27.6 x 22.7cm)[Paff 149]provenance:W.B. Simpson, Glasgow, Scotland.Private Collection, United Kingdom.$3,000-5,000

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2 136010/131THOMAS HART BENTON(american 1889-1975)“ISLAND HAY”1945. Edition of 250. Pencil signedin the margin, lithograph9 7/8 x 12 9/16 in. (25.1 x 31.9cm)Associated American Artists,publisher.[Fath 68]provenance:Private Collection, New Jersey.$1,000-1,500

3 136010/133THOMAS HART BENTON(american 1889-1975)“PLOWING IT UNDER”1934. Edition of 250. Pencil signedin the margin, lithograph8 x 13 3/8 in. (20.3 x 34cm)Associated American Artists,publisher.[Fath 8]provenance:Private Collection, New Jersey.$1,000-1,500

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4 136010/130THOMAS HART BENTON(american 1889-1975)“INVESTIGATION”1937. Edition of 193. Pencil signed inthe margin, lithograph9 1/4 x 12 5/8 in. (23.5 x 32.1cm)Associated American Artists,publisher.[Fath 17]provenance:Private Collection, New Jersey.$1,000-1,500


5 136010/128THOMAS HART BENTON(american 1889-1975)“LONESOME ROAD”1938. Edition of 250. Pencil signedin the margin, lithograph9 5/8 x 12 1/2 in. (24.4 x 31.8cm)Associated American Artists,publisher.[Fath 18]provenance:Private Collection, New Jersey.$1,500-2,500

6 136010/129THOMAS HART BENTON(american 1889-1975)“NEBRASKA EVENING”1941. Edition of 250. Pencil signed inthe margin, lithograph10 x 13 in. (25.4 x 33cm)Associated American Artists,publisher.[Fath 45]provenance:Private Collection, New Jersey.$1,000-1,500


7 132619/3REGINALD MARSH(american 1898-1954)“MERRY-GO-ROUND”1930. Edition of about 50-60. Pencilsigned and inscribed ‘#19’ in themargin, etching6 15/16 x 9 7/8 in. (17.6 x 25.1cm)[Sasowsky 99]provenance:Private Collection, Philadelphia,Pennsylvania.$2,000-3,000


8 132519/1EDWARD HOPPER(american 1882-1967)“NIGHT SHADOWS” from“CORNER SALOON’1921. Edition of approximately 500.Etching. Published by The NewRepublic, New York, unframed.6 15/16 x 8 1/4 in. (17.6 x 21cm)[Levin 82]provenance:Private Collection, Philadelphia,Pennsylvania.$15,000-25,000



9 141194/1PIERCE FRANCIS CONNELLY(american c. 1840 - 1902)PORTRAIT BUST OF A YOUNGMANSigned ‘P.F. Connelly Fecit Flor’marbleHeight with socle: 26 in. (66cm)provenance:Private Collection, New Jersey.$4,000-6,000

10 141194/2WILLIAM COUPER(american 1853-1942)BUST OF MAIDEN WITHNECKLACESigned & located ‘WM CouperFlorence I’ on base, marbleHeight with socle: 20 1/2 in.(52.1cm)provenance:Private Collection, New Jersey.$2,000-3,000



11 141415/2FREDERICK ARTHUR BRIDGMAN(american 1847-1928)YOUNG GIRLSigned, located and dated ‘F.A.Bridgman Finistere 1871’ bottomright, oil on canvas35 1/4 x 26 in. (89.5 x 66cm)provenance:Private Collection, New Jersey.$6,000-10,000

12 141165/20MOSES WIGHT(american 1827-1895)“BOUDOIR OF MARIEANTOINETTE”Signed, located and indistinctlydated ‘M. Wight Fontainebleau 1***’bottom left; titled verso, oil oncanvas22 x 18 1/4 in. (55.9 x 46.4cm)provenance:Private Collection, Philadelphia,Pennsylvania.$5,000-8,000



13 148019/1AMERICAN SCHOOL(19th century)LANDSCAPEIndistinctly signed bottom right(scratched out), oil on canvas30 x 40 in. (76.2 x 101.6cm)provenance:Private Collection, Virginia.$2,000-3,000

14 OWNED/703GRANVILLE PERKINS(american 1830-1895)“ISAAC EDGE’S WINDMILL,JERSEY CITY, 1815”Signed and dated ‘Granville Perkins,1881’ lower left, oil on canvas30 1/4 x 48 in. (76.8 x 121.9cm)provenance:Christie’s New York, sale of July 29,2003, lot 159.Private Collection, Pennsylvania.$2,000-3,000


15 141388/3ALEXANDER HELWIG WYANT(american 1836-1892)BUCOLIC VALLEYSigned in ligature and dated‘AWyant 186*’ lower right, oil oncanvas laid to board28 x 45 in. (71.1 x 114.3cm)provenance:Private Collection, Pennsylvania.$5,000-8,000


16 141418/1THOMAS DOUGHTY(american 1793-1856)LANDSCAPE WITH CASTLEIndistinctly signed ‘Doughty’ bottomright, oil on canvas16 1/2 x 23 5/8 in. (41.9 x 60cm)provenance:The Estate of Blankenship, Boston,Massachusetts.Vose Galleries, Boston,Massachusetts, 1976.Private Collection, Boston,Massachusetts.Private Collection, Massachusetts.$8,000-12,000

17 141287/16HERMANN HERZOG(american/german 1831-1932)WHEAT HARVESTSigned ‘H. Herzog’ bottom right, oilon canvas15 1/8 x 21 in. (38.4 x 53.3cm)provenance:Private Collection, Pennsylvania.$1,000-1,500



18 141276/1JERVIS MCENTEE(american 1828-1891)THE FARMYARD, UPSTATE NEWYORKSigned with conjoined initialsbottom right, oil on canvas11 1/2 x 15 7/8 in. (29.2 x 40.3cm)provenance:Private Collection, Germany.$8,000-12,000

19 132580/6GEORGE INNESS(american 1825-1894)“TWILIGHT LANDSCAPE”Signed ‘G. Inness’ bottom right, oilon board laid to canvas9 1/2 x 14 3/8 in. (24.1 x 36.5cm)[Quick 590]c. 1877-1878.provenance:Ben Wolf, Philadelphia,Pennsylvania.By descent in the family.University of Michigan, WilliamClements Library, Ann Arbor,Michigan.$5,000-8,000



20 141107/4JAMES PEALE SR.(american 1749-1831)“PEACHES AND GRAPES”Inscribed ‘Painted by James Peale 1824’ in pencil verso; also with ‘KennedyGalleries, NY, NY’ label verso, oil on panel14 1/2 x 18 3/8 in. (36.8 x 46.7cm)provenance:Kennedy Galleries, New York, New York.Acquired from the above, August 22, 1972.Private Collection, Philadelphia, Pennsylvania.By descent in the family.Private Collection, Pennsylvania.note:James Peale Sr. is considered the founder of the Philadelphia still lifetradition. The younger brother of Charles Willson Peale, he gave up paintingminiatures in 1810 due to failing eyesight. The date marked his turn to still-lifes and portraits that were widely exhibited at the Pennsylvania Academyof the Fine Arts and elsewhere on the East Coast.$30,000-50,000



21 141394/1JOHN FREDERICK PETO(american 1854-1907)“A GOOD BOOK, A GOOD SMOKEAND A GOOD BEER”Oil on panel3 3/4 x 6 in. (9.5 x 15.2cm)provenance:‘American Paintings and Sculpture.’Christie’s East, October 7, 1997, lot72.Private Collection, Philadelphia,Pennsylvania.$8,000-12,000

22 141394/2JOHN FREDERICK PETO(american 1854-1907)“STUDY FOR HARPER’S FERRYWEST VIRGINIA”Oil on canvas6 1/4 x 8 7/8 in. (15.9 x 22.5cm)provenance:Private Collection, Philadelphia,Pennsylvania.$3,000-5,000



23 141439/3CARDUCIUS PLANTAGENETREAM(american 1837-1917)“STILL LIFE WITH BUCKET OFAPPLES”Signed ‘C.P. Ream’ bottom right, oilon canvas22 1/2 x 27 in. (57.2 x 68.6cm)provenance:Walter P. Chrysler Jr.The Chrysler Museum of Art,Norfolk, Virginia.‘American Paintings, Drawings &Sculpture.’ Christie’s, New York.September 22, 1993, lot 26.Private Collection, Pennsylvania.exhibited:“The Apple of America: The Appleof 19th Century American Art.”Berry Hill Galleries, New York, NewYork. May 6 - June 26, 1993.$4,000-6,000

24 132580/3THOMAS EAKINS(american 1844-1916)“SKETCH FOR RUSH CARVING”With Eakins Estate and PhiladelphiaMuseum of Art labels verso, oil onpanel6 1/4 x 7 1/2 in. (15.9 x 19.1cm)[Goodrich 446]provenance:The Estate of Thomas Eakins.Babcock Galleries, New York, New York.Acquired from the above, 1944.Ben Wolf, Philadelphia, Pennsylvania.University of Michigan, WilliamClements Library, Ann Arbor, Michigan.exhibited:Babcock Galleries, New York, New York,1939, #26.“Eakins in Perspective.” PhiladelphiaMuseum of Art, Philadelphia,Pennsylvania, 1962, #19.note:Lloyd Goodrich notes in his catalogueworksheet for #446 that the work wascut down from the original 8 3/4 x 10inches to its present size of 6 1/4 x 71/2 inches.$5,000-8,000



25 132619/12MARY CASSATT(american 1844-1926)SKETCH ON CHAIRWith ‘Mathilde X Collection’ stamplower rightWith:FRIEZE STUDYverso, stamped ‘Mathilde XCollection’ upper right, pencil onpaper7 1/2 x 4 1/2 in. (19.1 x 11.4cm)provenance:Mathilde Valet, the artist’s maid.Private Collection, Philadelphia,Pennsylvania.note:The ‘Collection of Mathilde X’ stamprefers to works left by Mary Cassattto her housekeeper, Mathilde Valet,upon her death. The works from thecollection were sold through GalerieA.M. Reitlinger, Paris in twoauctions, in 1927 & 1931.$2,000-3,000


26 132619/13MARY CASSATT(american 1844-1926)SKETCH OF A HEADWith ‘Mathilde X Collection’ stamp lower rightWith:HEAD STUDIESverso, stamped ‘Mathilde X Collection’ upperright, pencil on paper7 x 9 1/2 in. (17.8 x 24.1cm)provenance:Mathilde Valet, the artist’s maid.Private Collection, Philadelphia, Pennsylvania.$2,000-3,000

27 132619/15MARY CASSATT(american 1844-1926)FIGURE WITH BIRDWith ‘Mathilde X Collection’ stamp lower left,pencil on paper5 3/4 x 9 3/8 in. (14.6 x 23.8cm)provenance:Mathilde Valet, the artist’s maid.Private Collection, Philadelphia, Pennsylvania.$2,000-3,000

28 132619/14MARY CASSATT(american 1844-1926)FIGURAL OUTLINEWith ‘Mathilde X Collection’ stamp lower rightWith:MOTHER & CHILD STUDYverso, stamped ‘Mathilde X Collection’ upperright, pencil on paper10 5/16 x 7 1/8 in. (26.2.1 x 18.1cm)provenance:Mathilde Valet, the artist’s maid.Private Collection, Philadelphia, Pennsylvania.$1,000-1,500

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29 132418/1JAMES EDWARDBUTTERSWORTH(american/british 1817-1894)“CUTTERS LEADING THE FLEETTHROUGH THE SOUND, NY”Signed ‘J.E. Buttersworth’ bottomright, oil on canvasboard8 x 12 in. (20.3 x 30.5cm)provenance:Private Collection, New Jersey.$10,000-15,000



30 132487/4WILLIAM TROST RICHARDS(american 1833-1905)CALM SHORELINESigned and dated WM. T. Richards 1875’ bottomright, watercolor on paper laid to card12 x 20 1/2 in. (30.5 x 52.1cm)provenance:Private Collection, United Kingdom.$3,000-5,000

31 141443/1WILLIAM TROST RICHARDS(american 1833-1905)DRIFTWOOD ON THE SHORE (POSSIBLY NEWJERSEY)Signed and dated ‘WM. T. Richards 69’ bottom left,watercolor on paper laid to card7 x 13 1/4 in. (17.8 x 33.7cm)provenance:Private Collection, Philadelphia, Pennsylvania.$2,500-4,000



32 141165/21ALBERT BIERSTADT(american 1830-1902)DEER IN SNOWSigned and dated ‘Bierstadt 67’bottom right, oil on board7 7/8 x 5 7/8 in. (20 x 14.9cm)provenance:Private Collection, Philadelphia,Pennsylvania.$6,000-10,000

33 132594/4BURR H. NICHOLS(american 1848-1915)“THE FLOWER SELLER VENICE”Signed, located and dated ‘Burr H.Nichols Venice 1883’ bottom right;with artist’s label verso, oil oncanvas31 x 19 1/2 in. (78.7 x 49.5cm)provenance:Private Collection, New York, NewYork.$1,000-1,500



34 141136/1JEFFERSON DAVID CHALFANT(american 1856-1931)TRAVELER IN A WOODSigned ‘J.D. Chalfant’ bottom left, oilon canvas14 3/4 x 23 1/2 in. (37.5 x 59.7cm)provenance:The Artist.By descent in the family.Private Collection, Florida.$3,000-5,000

35 141434/1JEFFERSON DAVID CHALFANT(american 1856-1931)“VIEW ALONG THEBRANDYWINE: WOMANCARRYING WOOD”Signed and dated ‘J.D. Chalfant 86’bottom right, oil on canvas24 x 14 7/8 in. (61 x 37.7cm)provenance:Pook & Pook, Downingtown,Pennsylvania, sale of October 9,2004, lot 851.Private Collection, Pennsylvania.$3,000-5,000



36 141224/7JUAN GIL GARCIA(cuban 1879-1932)THE TROPICSSigned ‘J. Gil Garcia’ bottom right,oil on canvas19 1/2 x 28 in. (49.5 x 71.1cm)provenance:Private Collection, Philadelphia,Pennsylvania.$2,000-3,000


37 141023/1ANTON OTTO FISCHER(american/german 1882-1962)A RESCUE AT SEASigned and dated ‘Anton OttoFischer 1949’ bottom right, oil oncanvas22 x 40 in. (55.9 x 101.6cm)provenance:Private Collection, New Jersey.$2,000-3,000


38 132487/11JOSEPH HENRY SHARP(american 1859-1953)YOUNG GIRLS WITH DOGS; APAIREach signed and dated ‘J.H. Sharp82’ lower center left, oil on boardEach 8 3/4 x 6 7/8 in. (22.2 x17.5cm)(2)provenance:Private Collection, United Kingdom.$3,000-5,000

39 132487/10JOSEPH HENRY SHARP(american 1859-1953)GIRL AND DOG IN DOG HOUSESigned ‘J.H. Sharp’ lower center, oilon canvas12 x 10 in. (30.5 x 25.4cm)provenance:Private Collection, United Kingdom.$1,500-2,500



40 132538/3DAVID JOHNSON(american 1827-1908)LANCASTER NEW HAMPSHIREFARMLANDSigned with monogram and dated‘1867’ bottom right, oil on canvas15 1/8 x 25 in. (38.4 x 63.5cm)provenance:An Estate, Rittenhouse Square,Philadelphia, Pennsylvania.$15,000-25,000



41 141409/2JOSEPH RUSLING MEEKER(american 1827-1889)HERON ON THE BAYOUSigned and dated ‘JR Meeker 77’bottom left, oil on canvas laid topanel20 x 36 in. (50.8 x 91.4cm)provenance:Selkirk’s. St. Louis, Missouri.Acquired from the above, May 17,1986.Private Collection, The Main Line,Pennsylvania.$25,000-40,000



42 141123/3AMERICAN SCHOOL(late 19th century)YOUNG GIRL WITH HER DOGSigned with monogram and dated18*9 bottom right, oil on canvas52 1/2 x 37 3/8 in. (133.3 x94.9cm)provenance:Private Collection, New York, NewYork.$5,000-8,000

43 148045/1JOSEPH W. JOHNS(american C.1833-1877)JESUS AND MARY MAGDALENESigned, located and dated ‘J. JohnsPhila 1868’ bottom right, oil oncanvas41 3/4 x 30 1/4 in. (106 x 76.8cm)provenance:Private Collection, Virginia.$2,000-3,000



44 141364/1JAMES CARROLL BECKWITH(american 1852-1917)STAGECOACH RIDE IN THEPARKSigned ‘Carroll Beckwith’ bottomleft, oil on canvas, unframed26 x 18 5/8 in. (66 x 47cm)provenance:Private Collection, Suffolk, UnitedKingdom.$5,000-8,000

45 132232/10IGNAZ MARCEL GAUGENGIGL(american 1855-1932)BUGGY DRIVINGSigned ‘I.M. Gaugengigl : Bellissima’bottom left, oil on board9 1/2 x 7 1/2 in. (24.1 x 19.1cm)provenance:The author Frances Parkinson Keyes.By descent in the family.Private Collection, Pennsylvania.exhibited:Newton Club, Newton,Massachusetts (n.d.).$2,500-4,000


46 132487/6JULIUS LEBLANC STEWART(american 1855-1919)YOUNG WOMAN IN A GARDENSigned and indistinctly inscribed and dated 'Amon amie/(?) Berthe Sykrede (?) J.L. Stewart.Boissettes *3' center left, oil on canvas17 3/4 x 15 in. (45.1 x 38.1cm)provenance:Private Collection, United Kingdom.$3,000-5,000


47 141412/4WARREN B. DAVIS(american 1865-1928)AT THE SOURCESigned ‘Warren Davis’ bottom right,oil on canvas28 x 21 3/4 in. (71.1 x 55.2cm)provenance:Private Collection, New Jersey.$3,000-5,000

48 141165/10AMERICAN SCHOOL(early 20th century)STILL LIFE WITH PICTURES ANDPEACOCK FEATHERSOil on canvas50 1/2 x 36 1/2 in. (128.3 x 92.7cm)provenance:Private Collection, Philadelphia,Pennsylvania.$1,500-2,500


49 138128/4AUGUST FRANZEN(american 1863-1938)THE RENDEZ-VOUSSigned ‘Franzen’ bottom right, oil onpanel12 1/2 x 8 3/4 in. (31.8 x 22.2cm)provenance:‘American Paintings, Drawings &Sculpture.’ Sotheby’s, New York.March 13, 2002, lot 20.Private Collection, Florida.$2,000-3,000


50 132240/1WILLIAM MERRITT CHASE(american 1849-1916)COLBERT HUNTINGTON GREEROil on canvas laid to board74 x 39 in. (188 x 91cm)c. 1886[Pisano OP. 145]provenance:The Sitter.By descent in the family.Private Collection, Ohio.note:This lot will be accompanied byephemera relating to the sitter.$20,000-30,000



51 132487/9LOUIS ASTON KNIGHT(american 1873-1948)ON THE RIVERSigned and located ‘L. Aston KnightParis’ bottom right, oil on canvas18 1/4 x 21 3/4 in. (46.4 x 55.2cm)provenance:Private Collection, United Kingdom.$5,000-8,000

52 148037/2CHARLES P. APPEL(american 1857-1928)LANDSCAPE AT DUSKSigned ‘C.P. Appel’ bottom left, oilon canvas16 1/4 x 24 in. (41.2 x 61cm)provenance:Private Collection, Virginia.$1,000-1,500


53 132541/2JOHN FRANCIS MURPHY(american 1853-1921)WOODED SUNSETSigned ‘J. Francis Murphy’ bottomright; with ‘Doll & Richards, Boston’label verso, oil on board12 x 18 in. (30.5 x 45.7cm)provenance:Doll & Richards, Boston,Massachusetts.Private Collection, Pennsylvania.$2,000-3,000


54 141367/1CHARLES MORRIS YOUNG(american 1869-1964)“MOONLIT EVENING”Inscribed ‘Chas Morris Young N.A.‘Moonlit Evening’ Radnor, PennU.S.A. 1955’ verso, oil on board9 1/4 x 13 in. (23.5 x 33cm)provenance:Private Collection, Denmark.$1,000-1,500

55 141305/41ELLIOTT DAINGERFIELD(american 1859-1932)LONG DAYIndistinctly signed and dated ‘ElliotDaingerfield **’ bottom left, oil oncanvas36 x 28 in. (91.4 x 71.1cm)provenance:Private Collection, Pennsylvania.$3,000-5,000


56 132120/37ELLIOTT DAINGERFIELD(american 1859-1932)FLOWERSSigned and dated ‘E. Daingerfield /88 (?)’ bottom left, oil on canvas24 x 16 in. (61 x 40.6cm)provenance:Private Collection, Florida.$1,000-1,500


57 141439/6CHARLES HAROLD DAVIS(american 1856-1933)SPRING LANDSCAPESigned ‘Charles H. Davis’ bottomleft, oil on canvas24 x 30 in. (61 x 76.2cm)provenance:Private Collection, Pennsylvania.$3,000-5,000

58 141373/7AMERICAN SCHOOL(20th century)COTTAGEIndistinctly signed bottom left, oil oncanvas20 x 24 in. (50.8 x 61cm)provenance:Private Collection, Washington DC.$1,000-1,500


59 141412/3WALTER LAUNT PALMER(american 1854-1932)CANADIAN ROCKIESInscribed with artist’s monogramand ‘30 97’ (scratched out) bottomleft, oil on canvas10 1/4 x 15 in. (26 x 38.1cm)provenance:Private Collection, New Jersey.$2,000-3,000


60 141409/1THEODORE CLEMENT STEELE(american 1847-1926)LANDSCAPE WITH HOUSESigned and dated ‘T.C. Steele 1892’ bottom left, oil on canvas22 x 27 in. (55.9 x 68.6cm)provenance:Mrs. Stempfel, Chicago, Illinois.Mr. Shoulter, Saint Louis, Missouri.By descent in the family.Carolyn Shoulter O’Hara, Saint Louis, Missouri.Cindy Neal, Saint Louis, Missouri.McCaughen & Burr, Saint Louis, Missouri.Acquired from the above, October 28, 1982.Private Collection, The Main Line, Pennsylvania.$30,000-50,000



61 141409/4C. CURRY BOHM(american 1894-1971)BROWN COUNTY INDIANALANDSCAPE, WITH FIGURESSigned ‘C. Curry Bohm’ bottom left,oil on canvas25 x 28 in. (63.5 x 71.1cm)provenance:McCaughen & Burr, St. Louis,Missouri.Acquired from the above, 1984.Private Collection, The Main Line,Pennsylvania.$5,000-8,000




62 141417/1JULIAN ONDERDONK(american 1882-1922)A PAIR OF TREESSigned ‘Julian Onderdonk’ bottomright, also with partial gallery labelverso, oil on board11 3/4 x 15 3/4 in. (29.8 x 40cm)provenance:Private Collection, Texas.$8,000-12,000


63 141468/1EDGAR ALWIN PAYNE(american 1882-1947)“SEA AND ROCKS NO. 20LAGUNA”Signed ‘Edgar Payne’ lower left;titled verso, oil on board12 x 16 in. (30.5 x 40.6cm)provenance:Private Collection, Pennsylvania.$12,000-18,000




64 132487/2ELMER WACHTEL(american 1864-1929)WESTERN LANDSCAPESigned ‘E. Wachtel’ bottom left, oilon canvas14 x 22 in. (35.6 x 55.9cm)provenance:Private Collection, United Kingdom.$4,000-6,000

65 141288/2ELLEN FRANCIS BURPEE FARR(american 1840-1907)CALIFORNIA WILDFLOWERSSigned ‘Ellen B. Farr’ bottom right, oilon canvas14 x 20 in. (35.6 x 50.8cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

66 132487/3FRANK ALFRED BICKNELL(american 1866-1943)HILLSIDE TREESSigned ‘Frank A. Bicknell’ bottomright, oil on canvas23 3/4 x 29 1/2 in. (60.3 x 74.9cm)provenance:Private Collection, United Kingdom.$2,000-3,000


67 132487/8EDWARD BOREIN(american 1872-1945)COWBOY ON HORSEBACK WITHLASSO; COWBOY ON HORSEBACKFIRING GUN & BUCKING BRONCOTwo signed, located & dated'Borein/Wyoming/13' bottom right,ink on paperVarious sizes, largest19 1/4 x 11 7/16 in. (48.9 x 29.1cm)(3)provenance:Private Collection, United Kingdom.$4,000-6,000

68 141224/4FREDERIC REMINGTON(american 1861-1909)“SQUAW”Inscribed ‘234’ along top edge; also pencilinscribed ‘XX 201” verso, ink on cardImage: 5 1/2 x 4 1/8 in. (14 x 10.5cm)Sheet: 12 1/2 x 7 7/8 in. (31.8 x 20cm)[Hassrick 864]provenance:Kennedy Galleries, New York, New York.Acquired from the above.Private Collection, Philadelphia,Pennsylvania.literature:Henry Wadsworth Longfellow, The Song of Hiawatha 1891, p. 201, lineengraving.$4,000-6,000


69 141224/6ARTHUR BURDETT FROST(american 1851-1928)“WE FLEW FOR HOME”Signed ‘A.B. Frost’ bottom left; also inscribed in pencil ‘Page 5, #11/ ‘weflew for home’ bottom left, ink on cardWith:FIGURE IN INTERIORpencil sketch versoImage: 3 1/4 x 15 1/2 in. (8.3 x 39.4cm)Sheet: 13 9/16 x 18 5/8 in. (34.4 x 47.3cm)provenance:Midwestern Galleries, Cincinnati, Ohio.J.N. Bartfield Galleries, New York, New York.Private Collection, Philadelphia, Pennsylvania.exhibited:“The Pulp and the Slicks: The Golden Age of Western Illustration.” NationalCowboy Hall of Fame and Western Heritage Center, Oklahoma City,Oklahoma. November 22, 1991 - March 15, 1992.$2,500-4,000


70 141409/3ALFRED GWYNNE MORANG(american 1901-1958)“LIFE AND DEATH”Signed and dated ‘Alfred Morang 1946’ bottom right, oil on board22 x 32 1/4 in. (55.9 x 81.9cm)provenance:Private Collection, The Main Line, Pennsylvania.exhibited:“Works by Alfred Morang.” The Jamison Gallery, Santa Fe, New Mexico. July22 - August 4, 1979.The Roswell Museum & Art Center, Roswell, New Mexico. October 28 -December 2, 1979.“Alfred Morang: A Retrospective Exhibition.” Museum of the Southwest,Midland, Texas. February 19 - April 8, 1984.literature:Walter Wiggins. Alfred Morang: A Neglected Master. Pintores Press, Roswell,New Mexico. 1979.$7,000-10,000



71 141168/1JOHN WILLARD RAUGHT(american 1857-1931)RIVER THROUGH THE GLENSigned and dated ‘John WillardRaught 1921’ bottom left, oil oncanvas20 x 30 in. (50.8 x 76.2cm)provenance:Private Collection, Pennsylvania.By descent in the family.Private Collection, Vermont.$2,500-4,000

72 141139/1LOUIS OSCAR GRIFFITH(american 1875-1956)“WILD PLUM IN MAY”Signed ‘L.O. Griffith’ bottom left, oilon canvas laid to board14 3/4 x 17 3/4 in. (37.5 x 45.1cm)provenance:Private Collection, New Jersey.$3,000-5,000


73 141439/2JOHN JOSEPH ENNEKING(american 1841-1916)“HILL TOP POND AT DUSK”Signed and indistinctly dated‘Enneking 190*’ bottom right, oil oncanvas22 x 30 in. (55.9 x 76.2cm)provenance:Vose Galleries, Boston,Massachusetts.Private Collection, Pennsylvania.$5,000-8,000


74 141409/5ANTHONY THIEME(american 1888-1954)A BUSY HARBORSigned ‘A Thieme’ bottom right, oilon canvas32 1/4 x 40 1/4 in. (81.9 x 102.2cm)provenance:Alderfer Auction, Hatfield,Pennsylvania. Sale of September 13& 14, 2000, lot 693.Private Collection, The Main Line,Pennsylvania.$15,000-25,000



75 141281/1HAYLEY LEVER(american 1876-1958)DOCKING IN THE HARBORSigned ‘Hayley Lever’ bottom right,oil on canvas20 x 24 in. (50.8 x 61cm)provenance:Private Collection, Philadelphia,Pennsylvania.$4,000-6,000

76 141439/9CARL WILLIAM PETERS(american 1897-1980)“GLOUCESTER WHARF”Oil on canvas20 x 24 in. (50.8 x 61cm)provenance:R.E. Love Galleries, Chicago, Illinois.The Edgartown Art Gallery, Edgartown,Massachusetts.Private Collection, New Jersey.‘Fine American & European Paintings &Sculpture, Freeman’s, Philadelphia, June 24,2007, lot 73.Private Collection, Pennsylvania.exhibited:Huntsville Museum of Art, Huntsville,Alabama. September 24 - November 26,1995.“The Art of Carl W. Peters.’ WashingtonCounty Museum of Fine Arts, Hagerstown,Maryland. March 1 - May 26, 1996.note:This lot is accompanied by a certificate ofauthenticity from the wife of the artist,Blanch W. Peters, dated ‘July 15 1993’ andallocating it the number ‘47’.$7,000-10,000



77 141440/1HOWARD RUSSELL BUTLER(american 1856-1934)“THE YELLOW SWEATER”Signed ‘H.R. Butler’ bottom left; withartist’s label and inscription ‘MaineCoast. Figures bathing at foot ofBald Head Cliff Ogunquit 1917’verso, oil on board16 1/4 x 21 in. (41.3 x 53.3cm)provenance:The Artist.By descent in the family.The artist's son.Acquired from the above.Private Collection, Ohio.$6,000-10,000

78 141345/1EMILE ALBERT GRUPPE(american 1896-1978)“SUGAR HOUSE - VERMONT”Signed ‘Emile A. Gruppe’ bottomright, inscribed ‘Sugar HouseVermont by Emile A Gruppe’ verso,oil on canvas20 x 24 in. (50.8 x 61cm)provenance:Private Collection, Pennsylvania.$6,000-10,000



79 141224/2FRANK EARLE SCHOONOVER(american 1877-1972)“THE WISE ELDER”Monogrammed and dated 'S* 26' bottom right,oil on canvas20 x 31 3/4 in. (50.8 x 80.6cm)provenance:J.N. Bartfield Galleries, New York, New York.Acquired from the above.Private Collection, Philadelphia, Pennsylvania.$4,000-6,000

80 141277/8HOWARD PYLE(american 1853-1911)“THE WEREWOLF”Signed ‘H. Pyle’ bottom right; also inscribed verso, oil on canvas18 x 24 in. (43.2 x 61cm)provenance:Mr. Gyle.Private Collection.Marjorie Hargens.By descent in the family.The Estate of Charles William Hargens III.note:The painting is the original artwork for the story “The Werewolf” byEugene Field published in The Ladies Home Journal, March 1896.$8,000-12,000



81 141224/1WILLIAM GLACKENS(american 1870-1938)FLOWERS ON A TABLESigned ‘W. Glackens’ bottom left, oil on canvas18 x 24 in. (45.7 x 61cm)provenance:Kraushaar Gallery, New York, NewYork.Private Collection, Philadelphia,Pennsylvania.$25,000-40,000



82 141224/3EVERETT SHINN(american 1876-1953)“WOMAN IN COSTUME”Signed and dated ‘E. Shinn 1907’bottom left, watercolor on paper15 3/4 x 20 3/8 in. (40 x 51.8cm)provenance:Kraushaar Gallery, New York, NewYork.Acquired from the above.Private Collection, Philadelphia,Pennsylvania.$6,000-10,000

83 141293/2JESSIE WILLCOX SMITH(american 1863-1935)PORTRAIT OF WILLIAM LMCLEAN IIISigned ‘Jessie Willcox Smith’ bottomleft, oil on canvas26 x 20 in. (66 x 50.8cm)provenance:Private Collection, Pennsylvania.$3,000-5,000


84 132549/9VIOLET OAKLEY(american 1874-1960)CELLISTSigned and dated ‘Violet Oakley192*’ bottom right, conte crayon onpaperImage size: 14 1/2 x 10 in. (36.8 x25.4cm)Sheet Size: 19 1/8 x 13 1/4 in. (48.6x 33.7cm)provenance:Private Collection, Pennsylvania.$1,000-1,500


85 141120/3JANE PETERSON(american 1876-1965)FLOWERS IN A POTSigned ‘Jane Peterson’ bottom right,oil on canvas19 1/4 x 16 1/4 in. (48.9 x 41.3cm)provenance:Private Collection, Philadelphia,Pennsylvania.$2,000-3,000

86 148002/1ISABEL BISHOP(american 1902-1988)“SELF PORTRAIT WITH CHIFFONSCARF”With Midtown Galleries label verso,oil on canvas9 1/4 x 7 in. (23.5 x 17.8cm)provenance:Private Collection, Virginia.$2,000-3,000


87 141348/1JOHANN BERTHELSEN(american 1883-1972TIMES SQUARE IN THE SNOWSigned ‘Johann Bethelsen’ bottomright, oil on canvasboard11 3/4 x 9 7/8 in. (29.8 x 25.1cm)provenance:Private Collection, New York.By descent in the family.Private Collection, New York.$4,000-6,000


88 141336/2BROR JULIUS OLSSONNORDFELDT(american 1878-1955)“PARADE IN THE RAIN”Signed ‘Nordfeldt’ bottom right, withartist’s name, title, date ‘1936’ andmeasurements verso, oil on canvaslaid to board22 x 32 in. (55.9 x 81.3cm)provenance:Private Collection, California.exhibited:University Galleries, University ofSouthern California, Los Angeles,California. (n.d.)$15,000-25,000



89 141439/4REGINALD MARSH(american 1898-1954)“GIRL WALKING ON A NEW YORK STREET”Signed and dated ‘Marsh 53’ bottom rightWith:PAIR OF LADIESsigned and dated ‘Reginald Marsh 53’ verso, oil on board10 1/2 x 8 1/2 in. (26.7 x 21.6cm)provenance:John E. Parkerson & Co. Houston, Texas.DC Moore Gallery, New York, New York.Private Collection, Pennsylvania.$6,000-10,000

90 132619/2JACK LEVINE(american 1915-2010)THE COCKTAIL PARTYSigned ‘J. Levine’ bottom right,watercolor over traces of charcoalon paper12 1/4 x 15 1/2 in. (31.1 x 39.4cm)provenance:Private Collection, Philadelphia,Pennsylvania.$1,500-2,500



91 132619/1MAX WEBER(american 1881-1961)“DRAPED FIGURE”Signed and dated ‘MAX WEBER1910’ in pencil bottom right; alsosigned and dated ‘Max Weber 1911’bottom center, watercolor andgouache on paperboard25 5/8 x 18 7/8 in. (65.1 x 45.6cm)provenance:Paul Rosenberg & Co., New York,New York.Private Collection, Minneapolis,Minnesota.‘American Paintings, Drawings &Sculpture,’ Sotheby’s, New York.March 13, 2002, lot 66.Private Collection, Philadelphia,Pennsylvania.exhibited:“Paintings from Minneapolis PrivateCollections.” Minneapolis Instituteof Arts, Minneapolis, Minnesota,July - August, 1960, no. 120.note:Max Weber was an early exponentof American Cubism in the first halfof the twentieth century. During hisartistically formative years between1905 and 1909, Weber becameinfluenced by modernists includingPicasso, Matisse and HenriRousseau. He would have paintedDraped Figure shortly after his returnto New York from Paris. Thewatercolor and gouache shows amixture of modern styles: thegeometric forms encircling thefigure and flattening of the pictureplane denote a cubist influence,while frenetic strokes and distinctlinearity reference GermanExpressionism. Transcending anysingle stylistic category, Weber’swork has also been described ascontaining elements of futurism,fauvism and dynamism.$20,000-30,000



92 132594/1JOHN MARIN(american 1870-1953)NEW YORK CITY SKYLINESigned and dated ‘Marin 11’ bottomright, watercolor on paper12 x 13 3/4 in. (30.5 x 34.9cm)provenance:Private Collection, New York, NewYork.$5,000-8,000

93 141192/56FRANCIS CRISS(american 1901-1973)MODERNIST CITYSCAPESigned ‘Criss’ bottom right, oil oncanvas25 x 30 in. (63.5 x 76.2cm)provenance:Property of a Delancey Place,Philadelphia, Pennsylvania Estate.$4,000-6,000



94 132594/5GUY PÈNE DU BOIS(american 1884-1958)DANCER PRACTICINGSigned ‘Guy Pene Du Bois’ top right,oil on canvas14 x 11 1/8 in. (35.6 x 28.3cm)provenance:Private Collection, New York, NewYork.$5,000-8,000

95 132580/8ALFRED HENRY MAURER(american 1868-1932)HEAD STUDY OF A WOMANSigned ‘A.H. M’ top right, oil onboard6 x 3 in. (15.2 x 7.6cm)provenance:Ben Wolf, Philadelphia,Pennsylvania.By descent in the family.University of Michigan, WilliamClements Library, Ann Arbor,Michigan.$2,000-3,000



96 132619/4WILLIAM ZORACH(american 1887-1966)STANDING NUDESigned ‘Zorach’ and stamped ‘2/6’bronze, medium brown patinaHeight: 16 in. (40.6cm)provenance:Private Collection, Philadelphia,Pennsylvania.$2,000-3,000

97 141412/5ANNA HYATT HUNTINGTON(american 1876-1973)“YAWNING TIGER”Signed ‘Anna Hyatt’ and stamped‘Gorham Co. Founders RS0492/10’bronze, brown patinaLength: 13 1/16 in. (33.2cm)On marble baseprovenance:Private Collection, New Jersey.$4,000-6,000




98 141422/1RICHMOND BARTHE(american 1901-1989)“INNER MUSIC”Signed ‘Barthe’ and stamped‘Modern Art Fdry,’ bronze, brownpatinaHeight: 23 1/2 in. (59.7cm)provenance:Received as a gift to the presentowner.Private Collection, Pennsylvania.literature:Margaret Rose Vendryes, Barthe: ALife In Sculpture, Jackson, Mississippi,2008.$8,000-12,000


99 132466/2BEATRICE FENTON(american 1887-1983)BOY AND STARFISH FOUNTAINSigned and dated ‘Beatrice Fenton1928,’ bronze, verdigris patinaHeight: 65 1/4 in. (165.7cm)provenance:A prominent Philadelphia family.Acquired from the above by thepresent owner, late 1960s.Private Collection, Pennsylvania.$12,000-18,000






100 141436/1ANDREW WYETH(american 1917-2009)“GRIST MILL”Signed ‘Andrew Wyeth’ lower left, watercolor on paper20 x 28 1/8 in. (50.8 x 71.4cm)provenance:M. Knoedler & Co., New York, New York.Hal B. Wallis, Hollywood, California.‘Important American Paintings, Drawings andSculpture of the 18th, 19th and 20th Centuries,’Christie’s, New York, May 25, 1989, lot 406.Private Collection.‘Important American Paintings, Drawings andSculpture’ Christie’s, New York. November 29, 2000,lot 120.Private Collection, Princeton, New Jersey.note:The present work, painted in 1968, depicts Brinton’sMill on the artist’s property in Chadds Ford,Pennsylvania.This watercolor will be included in Betsy JamesWyeth’s forthcoming catalogue raisonné of the artist’swork.$150,000-250,000


101 141297/2ANDREW WYETH(american 1917-2009)“ROBIN MCCOY NEILDS”Signed ‘A. Wyeth’ bottom right, pencil on paperImage: 8 1/2 x 8 7/8 in. (21.6 x 22.5cm)Sheet: 14 x 17 1/4 in. (35.6 x 43.8cm)provenance:A gift from the artist to Robert Neilds, then fiancé of Robin McCoy.By descent in the family.Acquired from Kenneth Lindsay, 1988.Private Collection, Oregon.exhibited:“A Family Paints Itself.” Brandywine River Museum, Chadds Ford,Pennsylvania. February 10 - May 13,1973.note:The sitter is a niece of Andrew Wyeth.This drawing will be included in Betsy James Wyeth’s forthcomingcatalogue raisonné of the artist’s work.$12,000-18,000



102 141418/2ANDREW WYETH(american 1917-2009)‘KUERNER’S HOUSE’Signed and dedicated ‘Painted for Mrs. JohnMilton by Andrew Wyeth’ center right,watercolor executed on the frontispiece of thebook ‘Andrew Wyeth’ published by HoughtonMifflin, Boston, 1968Image: 7 x 10 1/4 in. (17.8 x 26cm)Sheet: 12 3/4 x 16 1/2 in. (32.4 x 41.9cm)provenance:Painted as a gift to Mrs. John Milton.By descent in the family.“Fine American & European Paintings &Sculpture.” Freeman’s, Philadelphia, December10, 2000, lot 104.Private Collection, Massachusetts.note:This watercolor will be included in Betsy JamesWyeth’s forthcoming catalogue raisonné of theartist’s work.$8,000-12,000

103 141297/1ANDREW WYETH(american 1917-2009)ROBIN MCCOY ON A BLANKETWith:FIGURES AND DOGverso, a double sided drawing with hand-written letter from Wyeth to Robert Neilds,dated April 15, 1969 recto & verso, red inkand pencil on paper17 x 14 in. (43.2 x 35.6cm)provenance:A gift from the artist to Robert Neilds.By descent in the family.Acquired from Kenneth Lindsay, 1988.Private Collection, Oregon.exhibited:“A Family Paints Itself.” Brandywine RiverMuseum, Chadds Ford, Pennsylvania.February 10 - May 13,1973.note:The dog is the artist’s dog, Nell Gwyn, andbelow the artist has depicted himself withdrawing pad surrounded by Jimmy Lynch,Carolyn Wyeth, Robin McCoy and NellGwyn.This letter will be included in Betsy JamesWyeth’s forthcoming catalogue raisonné ofthe artist’s work.$5,000-8,000



104 132120/34JOHN EDWARD COSTIGAN(american 1888-1972)BATHINGSigned ‘J.E. Costigan’ bottom left,watercolor and gouache on cardImage: 17 1/2 x 23 7/8 in. (44.5 x60.6cm)Sheet: 20 1/2 x 26 1/2 in. (52.1 x67.3cm)provenance:Private Collection, Florida.$1,500-2,500

105 132120/43JOHN EDWARD COSTIGAN(american 1888-1972)CHILDREN PLAYINGSigned ‘J.E. Costigan’ bottom right,watercolor and gouache on cardImage: 17 5/8 x 26 1/2 in. (44.8 x67.3cm)Sheet: 22 x 30 in. (55.9 x 76.2cm)provenance:Private Collection, Florida.$1,500-2,500


106 148003/27JOHN WHORF(american 1903-1959)“LULLABY”Signed ‘John Whorf’ bottom right;titled verso, watercolor on paper15 1/8 x 21 3/4 in. (38.4 x 55.2cm)provenance:Private Collection, Asheville, NorthCarolina.$1,000-1,500


107 131227/17PETER SCULTHORPE(american b. 1948)SUNRISE OVER THE FIELDSigned ‘P. Sculthorpe’ bottom leftoil on canvas12 x 16 in. (30.5 x 40.6cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

108 141345/2THOMAS MICHAEL NICHOLAS(american b. 1963)THE YELLOW HOUSESigned ‘T.M. Nicholas’ bottom right,oil on board12 x 24 in. (30.5 x 61cm)provenance:Private Collection, Pennsylvania.$3,000-5,000


109 148003/25JOHN WHORF(american 1903-1959)“APRIL”Signed ‘John Whorf’ bottom right,watercolor on paper15 1/4 x 21 3/4 in. (38.7 x 55.2cm)provenance:The Milch Galleries, New York, NewYork.Private Collection, Asheville, NorthCarolina.$1,000-1,500


110 141439/10FRANKLIN CHENAULT WATKINS(american 1894-1972)“COMPOTES WITH LIMES”Signed ‘Watkins’ top right, oil on canvas23 x 28 in. (58.4 x 71.1cm)provenance:Frank S. Schwarz & Son, Philadelphia, Pennsylvania.Private Collection, Pennsylvania.literature:‘Philadelphia Collection XXIV,’ Frank S. Schwarz &Son, Philadelphia, Pennsylvania, June 1984, plate43.‘Philadelphia Collection XLIX.’ Frank S. Schwarz &Son, Philadelphia, Pennsylvania, plate 28.$2,000-3,000

111 141438/1JAMES ORMSBEE CHAPIN(american 1887-1975)MOTHER AND CHILDSigned & dated ‘James Chapin 24’bottom right; also signed and titledverso, oil on canvas12 x 12 in. (30.5 x 30.5cm)provenance:Private Collection, New York, NewYork.$2,000-3,000


112 131227/18PETER SCULTHORPE(american b. 1948)“VIEW FROM THE STUDIO -AUTUMN”Signed ‘P. Sculthorpe’ bottom left,oil on board8 x 13 1/2 in. (20.3 x 34.3cm)provenance:Private Collection, Pennsylvania.$1,000-1,500


113 148003/22MARTHA WALTER(american 1875-1976)“HOUSES BY THE STREAM, BETHAYRES”Signed ‘Martha Walter’ bottom left; titled verso, oil onboard16 x 20 in. (40.6 x 50.8cm)provenance:Private Collection, Asheville, North Carolina.exhibited:“Impressionist Jewels: The Paintings of Martha Walter, ARetrospective.” Woodmere Art Museum, Philadelphia,Pennsylvania. September 22 - November 17, 2002.literature:William H. Gerdts, Impressionist Jewels: The Paintings ofMartha Walter, A Retrospective. Woodmere Art Museum.Philadelphia. 2002.$1,000-1,500


114 141393/1MARTHA WALTER(american 1875-1976)“LUXEMBOURG GARDENS”Signed ‘Martha Walter’ bottomright; titled verso, watercolor onpaper9 7/8 x 11 3/4 in. (25.1 x 29.8cm)provenance:Private Collection, Ohio.$2,000-3,000

115 141141/1SUSAN GERTRUDE SCHELL(american 1891-1970)“BLUE SEA”Signed ‘S. Gertrude Schell’ bottomright; titled verso, oil on canvasboard14 x 15 3/4 in. (35.6 x 40cm)provenance:Private Collection, Tennessee.$2,000-3,000


116 141455/1MARTHA WALTER(american 1875-1976)BEACH SCENESigned ‘Martha Walter’ bottomright, oil on canvasboard13 5/8 x 18 in. (34.6 x 45.7cm)provenance:The Artist.Acquired from the above.Private Collection, Philadelphia,Pennsylvania.$50,000-80,000



117 141455/3MARTHA WALTER(american 1875-1976)PARK IN PARISOil on panel3 3/4 x 6 in. (9.5 x 15.2cm)provenance:The Artist.Acquired from the above.Private Collection, Philadelphia,Pennsylvania.$3,000-5,000


118 141455/4MARTHA WALTER(american 1875-1976)THE PALISADESOil on card4 x 5 7/8 in. (10.2 x 14.9cm)provenance:The Artist.Acquired from the above.Private Collection, Philadelphia,Pennsylvania.$5,000-8,000



Pennsylvania Impressionistslots 119-159

Lot 124



119 141236/1ROY CLEVELAND NUSE(american 1888-1975)“RUSHLAND QUARRY - THE SHED”Signed with artist’s monogram and dated ‘39’bottom left; also inscribed on stretcher with titleand date verso, oil on canvas25 x 30 in. (63.5 x 70.2cm)provenance:The Artist.By descent in the family.Private Collection, Missouri.exhibited:“Roy C. Nuse - Figures and Landscapes.” TheJames A. Michener Art Museum, Doylestown,Pennsylvania. February 9 - May 12, 2002.$20,000-30,000



120 141437/1WALTER EMERSON BAUM(american 1884-1953)PATH THROUGH AUTUMNALLANDSCAPESigned ‘Baum’ lower right, oil oncanvas22 1/8 x 30 1/8 in. (56.2 x 76.5cm)provenance:Private Collection, Pennsylvania.$4,000-6,000

121 141433/2WALTER EMERSON BAUM(american 1884-1956)WINTER SCENESigned ‘WE Baum’ bottom left, oilon board8 x 9 7/8 in. (20.3 x 25.1cm)provenance:‘American Watercolors, Drawings,Paintings & Sculpture of the 18th,19th and 20th Centuries.’ Christie’s,New York. March 14, 1991, lot 102.Private Collection, Pennsylvania.$3,000-5,000


122 141354/1WALTER EMERSON BAUM(american 1884-1956)CREEK IN SNOWSigned ‘Baum’ bottom right,inscribed ‘Chapfel (?)’ verso, oil oncanvasboard16 x 20 in. (40.6 x 50.8cm)provenance:The Artist.A gift to the present owner’sgrandparents.Private Collection, Pennsylvania.$5,000-8,000


123 141277/4GEORGE WILLIAM SOTTER(american 1879-1953)“WINTER MOONLIGHT”Signed ‘G.W. Sotter’ bottom left, titled & dated ‘1919’ on label verso, oil onboard8 x 9 3/4 in. (20.3 x 24.8cm)provenance:Charles William Hargens Jr.By descent in the family.The Estate of Charles William Hargens III.note:Freeman's is pleased to offer an fine group of George Sotter paintings fromthe estate of Charles William Hargens III. Hargen's father was CharlesWilliam Hargens Jr., a Philadelphia illustrator whose work graced the coversof The Saturday Evening Post and Collier's. A friend of the PennsylvaniaImpressionists, Hargens moved to Bucks County to be near Sotter andDaniel Garber, Hargens’ first instructor at the Pennsylvania Academy of theFine Arts. Charles Jr. was particularly close with George Sotter, with whomhe regularly exchanged sketches as well as finished works.$12,000-18,000



124 141322/2DANIEL GARBER(american 1880-1958)“PONT ALEXANDRE III ET LES INVALIDES”Signed and dated ‘Daniel Garber 1906’bottom center; with artist and title on labelverso, oil on canvasboard9 3/4 x 13 in. (24.8 x 33cm)[Humphries P236]provenance:The Artist.Acquired from the above via trade.Mr. Davison, Philadelphia, Pennsylvania.Private Collection, Philadelphia, Pennsylvanialiterature:Lance Humphries. Daniel Garber. CatalogueRaisonné. Hollis Taggart Galleries, New York,2006. vol II. pg. 75, no. 236.$15,000-25,000



125 141322/3DANIEL GARBER(american 1880-1958)“AVENUE DE L’OBSERVATOIRE”Signed ‘Daniel Garber’ bottom right; with artist andtitle on label verso, oil on canvasboard9 3/4 x 13 in. (24.8 x 33cm)[Humphries P228]provenance:The Artist.Acquired from the above via trade.Mr. Davison, Philadelphia, Pennsylvania.Private Collection, Philadelphia, Pennsylvania.exhibited:“Nineteenth Annual Exhibition of Oil Paintings andSculpture.” Art Club of Philadelphia, November 16 -December 20, 1908.literature:Lance Humphries. Daniel Garber. CatalogueRaisonné. Hollis Taggart Galleries, New York, 2006.vol II. pp. 73-74, no. 228.$15,000-25,000



126 141175/1RICHARD GIBSONWEDDERSPOON(american 1889-1976)BUCKS COUNTY SCENEOil on canvas25 x 30 in. (63.5 x 76.2cm)provenance:The Artist.Given as a gift to the currentowner’s grandmother.By descent in the family.Private Collection, New York.$4,000-6,000

127 141237/1ARTHUR MELTZER(american 1893-1989)“SUMMER CLOUDS”Signed ‘Arthur Meltzer’ bottom left,titled verso, oil on canvas16 x 20 in. (40.6 x 50.8cm)In a Harer frame.provenance:The Artist.Given as a gift to a student of theartist.By descent in the family.Private Collection, Florida.$6,000-10,000



128 141439/7WALTER ELMER SCHOFIELD(american 1867-1944)AMSTERDAM HARBORSigned ‘Schofield’ bottom right; alsoinscribed ‘WE Schofieldauthenticated by Mary SchofieldAmsterdam’ in pencil verso, oil oncanvas24 x 30 in. (61 x 76.2cm)provenance:Private Collection, Pennsylvania.$12,000-18,000

129 141439/8WALTER ELMER SCHOFIELD(american 1867-1944)“LEWANNICK MORNING”Signed ‘Schofield’ bottom right;titled verso, oil on board11 3/4 x 14 in. (29.8 x 35.6cm)provenance:Private Collection, Pennsylvania.$2,000-3,000



130 141224/5HARRY LEITH-ROSS(american 1886-1973)“LONELY MOORLAND”With artist’s label and RichardStuart Gallery label verso, oil oncanvasboard8 x 10 in. (20.3 x 25.4cm)provenance:Private Collection, Philadelphia,Pennsylvania.$2,000-3,000

131 141439/5WILLIAM LANGSON LATHROP(american 1859-1938)“LLOYD HARBOR BEACH, LONGISLAND”Signed ‘Lathrop’ bottom right, oil onboard16 x 20 in. (40.6 x 50.8cm)provenance:Private Collection, Pennsylvania.$3,000-5,000


132 141419/1WALTER EMERSON BAUM(american 1884-1956)SNOWY ROAD ABOVESELLERSVILLESigned ‘W.E. Baum’ bottom right;also indistinctly inscribed in pencilverso, oil on canvasboard15 3/4 x 19 7/8 in. (40 x 50.5cm)provenance:Private Collection, Maryland.$2,500-4,000


133 141433/3GEORGE WILLIAM SOTTER(american 1879-1953)“CLOUD FORMATIONS”Signed ‘G.W. Sotter’ bottom right, oilon board9 7/8 x 11 7/8 in. (25.1 x 30.2cm)provenance:‘American Watercolors, Drawings,Paintings & Sculpture of the 18th,19th and 20th Centuries.’ Christie’s,New York. March 14, 1991, lot 100.Private Collection, Pennsylvania.$15,000-25,000



134 132557/1ROY CLEVELAND NUSE(american 1885-1975)RUSHLAND QUARRYSigned with monogram and dated‘55’ bottom left; also withmonogram and date verso, oil onboard9 x 11 1/2 in. (22.9 x 29.2cm)provenance:Private Collection, Pennsylvania.note:We would like to thank the artist’sgranddaughter Robin Nuse for herassistance in cataloguing thispainting.$4,000-6,000

135 141415/1HAROLD A. RONEY(american 1899-1986)BOTTOM OF GREENHILL,LUMBERVILLESigned ‘Harold A. Roney’ bottomright, oil on canvas25 x 30 in. (63.5 x 76.2cm)provenance:The Artist.Acquired from the above.Private Collection, Pennsylvania.Private Collection, New Jersey.$4,000-6,000



136 132557/2ROY CLEVELAND NUSE(american 1885-1975)BRIDGE OVER THE NESHAMINYRIVERSigned with monogram and dated‘55’ bottom left, oil on board9 x 12 in. (22.9 x 30.5cm)provenance:Private Collection, Pennsylvania.note:We would like to thank the artist’sgranddaughter Robin Nuse for herassistance in cataloguing thispainting.$4,000-6,000

137 141041/1GEORGE WILLIAM SOTTER(american 1879-1953)MASSACHUSETTS COASTSigned ‘G.W. Sotter’ bottom right, oilon board10 x 12 in. (25.4 x 30.5cm)provenance:Private Collection, Vermont.Given as a gift to the currentowners.Private Collection, Vermont.$5,000-8,000






138 141406/1DANIEL GARBER(american 1880-1958)“WILD CHERRY”Signed 'Daniel Garber' lower right, oil oncanvas28 x 30 in. (71.1 x 76.2cm)April 1928.[Humphries P541]In a Newcomb-Macklin frame.provenance:The Artist.J.J. Gillespie Company, Pittsburgh,Pennsylvania.Acquired from the above.Mr. & Mrs. James F. Hillman, Pittsburgh,Pennsylvania, 1931.By descent in the family.Private Collection, Pittsburgh,Pennsylvania.exhibited:"Daniel Garber: Oil Paintings andEtchings." Rockford Art Association,Rockford, Illinois, January 2 - 24, 1929, #6.literature:Lance Humphries. Daniel Garber. CatalogueRaisonné. Hollis Taggart Galleries, NewYork, 2006. vol II. pg. 199, no. 541.(illustrated).

note:The first owners of Wild Cherry wereJames F. Hillman and Marguerite W.Hillman. Hillman was a notedbusinessman, conservationist andcivic leader in Pittsburgh. A pioneerin reclamation and remediation ofland, Hillman donated more than3,000 acres for a state park, which,in the 1970's, was the largest of itskind in the country. In 1931, DanielGarber wrote a letter to Hillman'swife, describing Wild Cherry to itsnew owner:

"I certainly never got quite so muchthe feel and atmosphere of a day inMay as I did in 'Wild Cherry.' Thegreens in the foreground meadowand in those young willows havealways delighted me.

I mean they could not be mistakenfor any other week in a year. I amsure as you live with it you will feelas I do about them.

The distant valley, with woodedHills in mid morning. The sunpenetrating and suffusing there, Iwas also pleased with. It is a verydelicate job that of trying to paintthose violet hazes over hills in May.

The scene is in Solebury Valley -Two miles from my home. The fardistance would be New Hope, Pa.and Lambertville, N.J. but of course,at that distance in that morningeverything thing was dissolved inmist and light. You have one of myhappier works and I hope you aregoing to enjoy it.

Sincerely yours,Daniel Garber."

A photocopy of the letter quotedabove dated February 3, 1931, willaccompany this lot.$200,000-300,000


139 141192/72WALTER ELMER SCHOFIELD(american 1867-1944)STEAMERS IN A HARBORSigned and dated ‘W.E. Schofield1909’ bottom right, oil on canvas42 3/8 x 54 1/2 in. (107.6 x138.4cm)provenance:Property of a Delancey Place,Philadelphia, Pennsylvania Estate.$10,000-15,000



140 141433/1FERN ISABEL COPPEDGE(american 1888-1951)GLOUCESTER HARBORSigned ‘Fern I Coppedge’ bottomleft, oil on canvas14 x 16 in. (35.6 x 40.6cm)provenance:Jim’s of Lambertville, Lambertville,New Jersey.Acquired from the above.Private Collection, Pennsylvania.$15,000-25,000



141 141277/7ARTHUR MELTZER(american 1893-1989)HUNTINGDON VALLEY WINTERSigned ‘Arthur Meltzer’ bottomright; also inscribed ‘Arthur Meltzer’verso, oil on board8 x 10 in. (20.3 x 25.4cm)provenance:The Artist.Acquired directly from the above.Charles William Hargens Jr.By descent in the family.The Estate of Charles WilliamHargens III.$3,000-5,000

142 141288/1WALTER EMERSON BAUM(american 1884-1956)“MORAVIAN CHURCH INEMMAUS, LEHIGH COUNTY”Signed ‘WE Baum’ bottom right;with ‘McClees Galleries’ label andtitle verso, oil on board7 7/8 x 10 in. (20 x 25.4cm)provenance:Private Collection, Pennsylvania.$1,000-1,500


143 136010/63WALTER EMERSON BAUM(american 1884-1956)PENNSYLVANIA INDUSTRYSigned ‘WE Baum’ bottom right, oilon board20 x 24 in. (50.8 x 61cm)provenance:James D. Julia, Fairfield, Maine. Saleof February 2, 2007, lot 139.Private Collection, New Jersey.$1,000-1,500


144 141038/1WALTER ELMER SCHOFIELD(american 1867-1944)“MONTREUIL-SUR-MER, THE MARKET”Inscribed ‘Montreuil-sur-Mer / The Market / W ESchofield’ in pencil verso by the artist’s son, oil on board7 3/8 x 9 3/8 in. (18.7 x 23.8cm)provenance:The Artist.By descent in the family.Private Collection, United Kingdom.‘Fine American & European Paintings and Sculpture.’Freeman’s, Philadelphia. December 3, 2006, lot 114E.Private Collection, Pennsylvania.$6,000-10,000

145 141107/3PAULETTE VICTORINE J. VANROEKENS(american 1896-1988)BOUDOIR SCENESigned ‘P. Van Roekens’ bottom left,oil on canvas12 x 14 in. (30.5 x 35.6cm)provenance:Private Collection, Pennsylvania.$3,000-5,000


146 132606/1DANIEL GARBER(american 1880-1958)“PORTRAIT OF MR. & MRS. HENRY R.HALLOWELL”Signed and dated ‘Daniel Garber 1955’ top right,oil on canvas39 1/2 x 35 1/4 in. (100.33 x 89.5cm)[Humphries P860]In a Newcomb-Macklin frame.provenance:Mr. & Mrs. Henry R. Hallowell.By descent in the family.Private Collection, California.literature:Lance Humphries. Daniel Garber. CatalogueRaisonné. Hollis Taggart Galleries, New York,2006. vol II. pg. 292, no. 860. (illustrated).note:This painting is currently the last known work inoil by Daniel Garber.3,000-5,000


147 141038/3GEORGE J. STENGEL(american 1872-1937)“SNOWY ROAD”Signed ‘G. J. Stengel’ bottom right, oil on canvas20 x 24 in. (50.8 x 61cm)provenance:The Artist’s wife.The Hudson River Museum, Yonkers, New York.Private Collection, New Jersey.Questroyal Fine Art, New York, New York.Acquired from the above.Private Collection, Pennsylvania.literature:Thomas Folk, New Hope Impressions: George J. Stengel 1866-1937. Hard Press Editions, Lenox, MA. 2008, pp. 40-41(illustrated).$15,000-25,000




148 141416/1FERN ISABEL COPPEDGE(american 1888-1951)YELLOW HOUSE ON THEDELAWARESigned ‘Fern I Coppedge’ bottomright, oil on canvas18 x 20 in. (45.7 x 50.8cm)provenance:The Artist.Acquired directly from the above.Fay Lyne, Topeka, Kansas.By descent in the family to thepresent owner.$30,000-50,000


149 141388/2ANTONIO PIETRO MARTINO(american 1902-1989)“THE BOUQUET”Signed ‘A.P. Martino’ bottom right;with artist’s label verso, oil oncanvas24 x 16 in. (61 x 40.6cm)provenance:Private Collection, Pennsylvania.$1,500-2,500

150 141388/4GIOVANNI MARTINO(american 1908-1997)“AUTUMN”Signed ‘Giovanni Martino’ bottomright, oil on board13 x 19 in. (33 x 48.3cm)provenance:Private Collection, Pennsylvania.$1,500-2,500


151 141277/5GEORGE WILLIAM SOTTER(american 1879-1953)RICE’S MILL, WINTERWith:WINTER LANDSCAPEverso, oil on board6 x 7 3/4 in. (15.2 x 19.7cm)provenance:Charles William Hargens Jr.By descent in the family.The Estate of Charles WilliamHargens III.$4,000-6,000


152 141322/1DANIEL GARBER(american 1880-1958)“CLOUD SHADOWS”Signed ‘Daniel Garber’ lower right; also signedand titled verso, oil on board9 3/4 x 12 7/8 in. (24.8 x 32.7cm)July 1925[Humphries P516]provenance:The Artist.Acquired from the above.Joseph Davison, Philadelphia, Pennsylvania.Private Collection, Philadelphia, Pennsylvania.literature:Lance Humphries. Daniel Garber. CatalogueRaisonné. Hollis Taggart Galleries, New York,2006. vol II. pg. 190, no. 516.$20,000-30,000






153 141277/6GEORGE WILLIAM SOTTER(american 1879-1953)“SPRING VALLEY - WINTER NIGHT”Signed and dated ‘G.W. Sotter 52’ bottom right, oil on board22 x 26 in. (55.8 x 66cm)provenance:Charles William Hargens Jr.By descent in the family.The Estate of Charles William Hargens III.note:Sotter was highly celebrated for his winter scenes lit by the moon, stars, andperhaps a candle in the window. This oil on board painting titled SpringValley - Winter Night, features most of the Sotter hallmarks, with numerouswindows lit. A historic district of Buckingham Township in Bucks County,Spring Valley was notable for its mills. The creek is likely Watson Creek thatruns north-south and provided the necessary water power for the mills.$70,000-100,000


154 141038/2GEORGE J. STENGEL(american 1872-1937)“EVENING ON THE CANAL”Signed ‘G. Stengel’ bottom right, oilon board6 3/4 x 9 in. (17.1 x 22.9cm)provenance:Private Collection, Pennsylvania.$3,000-5,000

155 141277/2GEORGE WILLIAM SOTTER(american 1879-1953)HOUSES IN WINTERInscribed ‘Sotter original CH’ bottomright, oil and mixed media on board10 x 12 in. (25.4 x 30.5cm)provenance:Charles William Hargens Jr.By descent in the family.The Estate of Charles WilliamHargens III.$2,000-3,000


156 141277/1GEORGE WILLIAM SOTTER(american 1879-1953)BUCKS COUNTY HOUSE INWINTERInscribed ‘original Geo Sotter’ verso,oil and mixed media on board10 x 12 in. (25.4 x 30.5cm)provenance:Charles William Hargens Jr.By descent in the family.The Estate of Charles WilliamHargens III.$3,000-5,000


157 141345/3JOHN F. ENSER(american 1898-1968)“APPROACH OF WINTER”Signed ‘John F. Enser’ bottom right;signed and titled verso, oil on canvas24 x 30 in. (61 x 76.2cm)provenance:Private Collection, Pennsylvania.$2,000-3,000

158 141449/1WALTER EMERSON BAUM(american 1884-1956)“THE HILL COUNTRY”Signed ‘WE Baum’ lower right; titled& dated ‘1935’ verso oil on board,unframed14 1/2 x 20 in. (35.6 x 50.8cm)provenance:Private Collection, New Jersey.exhibited:The Woodmere Art Gallery,Philadelphia, Pennsylvania. (n.d.)$1,500-2,500


159 141277/3GEORGE WILLIAM SOTTER(american 1879-1953)STONE HOUSE IN WINTERSigned ‘Sotter’ bottom right, oil oncanvasboard6 x 8 in. (15.2 x 20.3cm)provenance:Charles William Hargens Jr.By descent in the family.The Estate of Charles WilliamHargens III.$2,000-3,000



names

attributed to

studio of

circle of

follower of

manner of

school of

after an artist

signatures & dates

measurements

any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to betaken as a statement or representation of fact. freeman’s reserves theright, in forming their opinion, to consult and rely upon any expert orauthority considered by them to be reliable.

Forename(s) and surname of painter is in our opinion a work by that artist;e.g. Charles Willson Peale. When an artist’s forename(s) is not known, aseries of asterisks followed by the surname of the artist, wether preceded byan initial or not, indicates that in our opinion the work is by the artistnamed.

Refers to probably a work by the artist; e.g. Attributed to Charles WillsonPeale.

Refers to a work from the studio of the artist which may or may not havebeen executed under his direction; e.g. Studio of Charles Willson Peale.

Circle of..... refers to a work of the period of the artist executed under hisimmediate influence; e.g. Circle of Charles Willson Peale.

Follower of..... refers to a work by a painter working in the artist’s style,contemporary or nearly contemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.

Manner of..... refers to a work in a style related to that of the artist, but of alater date; e.g. Manner of Charles Willson Peale.

School accompanied by the name of a place or country and a date meansthat we believe the picture was executed at that time and in that location;e.g. Italian School, 18th Century.

After an artist is in our opinion a copy of any date after a work by that artist;e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signatureand/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believethe artist’s name and/or date and/or inscription have been added byanother hand.

All references to signature, inscriptions and dates refer to the present stateof the work.

Dimensions are given height before width.

Glossary


American School, 13 42, 48, 58Appel, C.P., 52

Barthe, R., 98Baum, W.E., 120, 121, 122, 132, 142,143, 158

Beckwith, J.C., 44Benson, F.W., 1Benton, T.H., 2, 3, 4, 5, 6Berthelsen, J., 87Bicknell, F.A., 66Bierstadt, A., 31Bishop, I., 86Bohm, C.C., 61Borein, E., 67Bridgman, F.A., 11Butler, H.R., 77Buttersworth, J.E., 29

Cassatt, M., 25, 26, 27, 28Chalfant, J.D., 34, 35Chapin, J.O., 111Chase, W.M., 50Connelly, P.F., 9Coppedge, F.I., 140, 148Costigan, J.E., 104, 105Couper, W., 10Criss, F., 93

Daingerfield, E., 55, 56Davis, C.H., 57Davis, W.B., 47Doughty, T., 16Du Bois, G.P., 94

Eakins, T., 24Enser, J.F., 157

Farr, E.F.B., 65Fenton, B., 99Fischer, A.O., 37Franzen, A., 49Frost, A.B., 69

Garber, D., 124, 125, 138, 146, 152Garcia, J.G., 36Gaugengigl, I.M., 45Glackens, W., 81

Griffith, L.O., 72Gruppe, E.A., 78

Herzog, H., 17Hopper, E., 8Huntington, A.H., 97

Inness, G., 19

Johns, J.W., 43Johnson, D., 40

Knight, L.A., 51

Lathrop, W.L., 131Lever, H., 75Levine, J., 90Leith-Ross, H., 130

Marin, J., 92Marsh, R., 7, 89Martino, A.P., 149Martino, G., 150Maurer, A.H., 95Mcentee, J., 18Meeker, J.R., 41Meltzer, A., 127, 141Morang, A.G., 70Murphy, J.F., 53Nicholas, T.M., 108Nichols, B.H., 33Nordfeldt, B.J.O., 88

Nuse, R.C., 119, 134, 136

Oakley, V., 84Onderdonk, J., 62

Palmer, W.L., 59Payne, E.A., 63Peale Sr. J., 20Perkins, G., 14Peters, C.W., 76Peterson, J., 85Peto, J.F., 21, 22Pyle, H., 80

Raught, J.W., 71

Ream, C.P., 23Remington, F., 68Richards, W.T., 30, 31Roney, H.A., 135

Schell, S.G., 115Schofield, W.E., 128, 129, 139, 144Schoonover, F.E., 79Sculthorpe, P., 107, 112Sharp, J.H., 39, 40Shinn, E., 82Smith, J.W., 83Sotter, G.W., 123, 133, 137, 151, 153,155, 156, 159

Steele, T.C., 60Stengel, G.J., 147, 155Stewart, J.L., 46

Thieme, A., 74

van Roekens, P.V.J., 145

Wachtel, E., 64Walter, M., 113, 114, 116, 117, 118Watkins, F.C., 110Weber, M., 91Wedderspoon, R.G., 126Whorf, J., 106, 109Wight, M., 12Wyant, A.H., 15Wyeth, A., 100, 101, 102, 103

Young, C.M., 54

Zorach, W., 96

Index



Thursday, 22nd May, 201433 Broughton Place, Edinburgh EH1 3RR

www.lyonandturnbull .com

EnquiriesNick CurnowTel: +44 (0)131 557 8844 [email protected]

Charlotte RiordanTel: +44 (0)131 557 8844 [email protected]

SAMUEL JOHN PEPLOER.S.A. (SCOTTISH 1871-1935)STILL LIFE WITH ROSES AND ORANGESSigned, oil on canvas

51cm x 41cm (20in x 16in)

£200,000-300,000($330,000-500,000)


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Alasdair Nichol [email protected]

This rare collection of world famous American andEuropean painters from Corot and Boudin to Benson andHassam has been in private hands and unseen for nearly100 years.

JEAN BAPTISTE CAMILLE COROT(french 1796-1875)"GARDEN GATE"Signed 'Corot' bottom left, with par-tial label verso oil on canvas13 x 18 1/4 in. (33 x 46.4cm)$60,000-80,000(detail)


European Art & Old MastersAuction 06/17/14 EDOUARD LÉON CORTÈS

(french 1882-1969)'PLACE ST. MICHEL'Signed 'Edouard Cortes' bottom right; titledverso, oil on canvas18 x 21 1/2 in. (45.7 x 54.6cm)provenance:Private Collection, Vermont.$20,000-30,000

Visit our website or call 267.414.1256 topurchase a catalogue.

Exhibition opens Friday, June 13 at 10am

David Weiss [email protected]

Alasdair Nichol [email protected]

Andrew Huber [email protected]



Photographs & PhotobooksAuction September 16th, 2014

Detail:SALLY MANN(american, b. 1951)UNTITLED2001. Gelatin silver enlargement print.48 x 38 in. (121.9 x 96.5cm)$15,000-25,000

CURRENTLY SEEKING CONSIGNMENTS

Aimee Pflieger [email protected]



To ensure the safety of your property Freeman’s requestsremoval within 10 business days of the sale date.Collection hours are Monday–Friday, 9:30am–4:30pm. Forlarger items, please email [email protected] schedule a loading dock appointment. For purchaserelease to persons not listed on your contract or invoice,3rd party authorization is required. Please mail or fax,215.599.2240, a signed letter stating receipt/item(s) orsale/lot(s) and name of third party collecting property.

Freeman’s does not handle packing or shipping. Theshippers listed have worked with Freeman’s clients in thepast and will be happy to provide you with quotes for thepacking and shipping of your property.

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Furniture & Larger ItemsFor larger pieces where deliverytime is not the primary concern, wesuggest getting your items freighted.

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Purchase removal, shipping and offsite storage information

v1.2014


All property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on theterms and conditions set forth below which constitutes the complete statement of the terms and conditions on which allproperty is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone,internet or other means, the buyer agrees to be bound by these terms and conditions.

total purchase price. The Buyer’sPremium shall be: 25% on the first$50,000 of the hammer price ofeach lot, 20% on the portion from$50,001 through $1,000,000, and12% thereafter.

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will also be responsible for all costs,including warehousing, the expenseof the ultimate sale, and Freeman’scommission at its regular ratestogether with all related andincidental charges, including legalfees. Payment is a precondition toremoval. Payment shall be by cash,certified check or similar bank draft,or any other method approved byFreeman’s. Checks will not bedeemed to constitute payment untilcleared. Any exceptions must bemade upon Freeman’s writtenapproval of credit prior to sale. Inaddition, a defaulting buyer will bedeemed to have granted andassigned to Freeman’s, a continuingsecurity interest of first priority inany property or money of, or owingto such buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to due to Freeman’s.Freeman’s shall have all of the rightsaccorded a secured party under thePennsylvania Uniform CommercialCode.

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1Unless otherwise indicated, allProperty will be offered by Freeman’sas agent for the Consignor.

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FAX

RESALE / TAX IDENTIFICATION STATE

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of eachlot, 20% on the portion from $50,001 through $1,000,000, and 12% on that portion of the hammer price exceeding $1,000,000. All lots must be paid for and removed within 10 days.

LOT NO DESCRIPTION MAXIMUM BID

bank reference

BANK NAME ACCOUNT NO

CONTACT NAME TELEPHONE

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute yourbid(s), the auctioneer is not responsible for errors and omissions.

SIGNED

(signature required to execute your bids)

q PLEASE SEND ME INFORMATION TO SUBSCRIBE TO FREEMAN’S CATALOGS

bidding & registration form

Freeman’s 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: [email protected] www.freemansauction.com

please adhereto the bidding increments

$10UNTIL $200 IS REACHED

$25UNTIL $500 IS REACHED

$50UNTIL $1,000 IS REACHED




$1,000UNTIL $30,000 IS REACHED



OVER $100,000AUCTIONEER’S DISCRETION

(Primary) (Secondary)PHONE PHONE

q ID CONFIRMED


Directory

v3.2014

Officers

Departments

Representatives

Samuel M. Freeman IIChairman

Alasdair NicholVice Chairman

Margaret D. FreemanVice Chairman

Paul S. RobertsPresident

Hanna DougherChief Operating Officer

AppraisalsAmy [email protected]

Business DevelopmentThomas B McCabe [email protected]

Client ServicesMary Maguire [email protected]

FinanceMark [email protected]

Marketing & CommunicationTara Theune [email protected]

Museum ServicesThomas B McCabe [email protected]

PhotographyElizabeth [email protected]

Press & MediaMelissa [email protected]

Shipping & ReceivingBethany [email protected]

Trust & EstatesSamuel T. Freeman [email protected]

Southeastern Colin [email protected]

New EnglandKelly [email protected]

Mid-WestWilliam [email protected]

Mid-AtlanticMatthew [email protected]

West CoastMichael [email protected]

Main LineMaya O’[email protected]

Specialist Departments American Art & PennsylvaniaImpressionistsAlasdair [email protected]

American Furniture, Folk & Decorative ArtsLynda [email protected]

American SilverSamuel M. Freeman [email protected]

Asian ArtsRichard A [email protected]

Books, Manuscripts, Maps & EphemeraDavid [email protected]

English & Continental Furniture & Decorative ArtsDavid [email protected]

European Art & Old MastersDavid M [email protected]

Jewelry & WatchesMichael [email protected]

Modern & Contemporary ArtAnne [email protected]

Oriental Rugs & TapestriesRichard [email protected]

Photographs & PhotobooksAimee [email protected]

PrintsAnne [email protected]

Silver & Objets de VertuDavid [email protected]


www.freemansauction.com Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103Tel-215.563.9275 Fax-215.563.8236

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Documents

conditionsof sale

sale room

terms andconditions

sale registered bidders

writing bid forms

buyers responsibility

successful bid price

packingall potential