11 RLS and Jekyll and Hyde (4)

7/25/2019 11 RLS and Jekyll and Hyde (4)

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RLS: quick biography

RLS (1850-94)

Born into mi!"-c!a## $ami!y (!ighthou#""ngin""r#)

Sick!y chi! % r"b"!!iou#

young man

18&1: gi'"# up "ngin""ring #tui"# to pur#u" a !i$" o$

!it"ratur"


2/24

ar!y !it"rary car""r

18&*: +i#it# Lonon, #trik"# up a $ri"n#hip ith Sin"y.o!'in, ho b"com"# hi# !it"rary a'i#"r/ B"gin# to pub!i#h in !it"rary ourna!#: "##ay# tra'"! riting/

Lat" 18&*: 2a!!# i!! an tra'"!# to 2ranc" to r"cup"rat"/ 3##ociat"# ith arti#t# co!oni"#/ B"gin# a #"ri"# o$ tra'"!#in urop"/

18&: 6n 2ranc", m""t# 2anny 7#born", a marri" (but #"parat") 3m"rican ith * chi!r"n in 18&9 again#t hi#

par"nt# i#h"#, RLS $o!!o# h"r to .a!i$ornia an th"ymarry in 1880/ h"y continu" tra'"!!ing: ;, S3 $ina!!y Samoa/


3/24

Lit"rary c"!"brity

188*: 9r"a#ur" 6#!an i# RLS# $ir#t #ucc"##$u! no'"!

188: ;inapp" < a hi#torica! no'"! thatcan b" #""n in th" traition o$ =a!t"r Scott

188: Strang" .a#" o$ >r ?"ky!! an @r Ay" - th" no'"!!a that "#tab!i#h" him a# ab"#t-#"!!"r/


4/24

6n$!u"nc"#: th" th"m" o$ ua!ity

?am"# Aogg: Bri'at" @"moir# an .on$"##ion# o$ a ?u#ti$i" Sinn"r (18C4)

h" oub!" !i$" o$ >"acon =i!!iam Broi" (1&41-

88), a r"#p"ctab!" cabin"t-mak"r an inburghton counci!!or by ay #"cr"t gamb!"r an burg!ar by night/ opu!ar!y b"!i"'" to ha'" b""n hang" on a ga!!o# o$ hi# on makingprobab!

y a myth/ 2r"nch p#ycho!ogy an "ar!y account# o$ mu!tip!

" p"r#ona!iti"# (2r"nch account# o$ th" Doub!"

brain, tran#!at" into ng!i#h an pub!i#h" in th" .ornhi!! @a aEin"


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Synth"#i# ran#$ormation#

6n Strang" .a#" o$ >r ?"ky!! an @r Ay" "can #"" th" in$!u"nc" o$

Scotti#h !it"rary an popu!ar traition# (Aogg, Broi" th" ba!!a#)

=i"r !it"rary an m"ica! cu!tur"# (Fothic no'"!# m"ica! narrati'"#)

Scotti#h, ng!i#h ancontin"nta! urop"an in$!u"nc"#


6/24

=hat o you kno o$ th" #toryG


7/24

La#ting impact on popu!ar cu!tur"


8/24

Shi$ting narrati'"#

6n .hapt"r 1, a$t"r a $raming *rp"r#on narrati'", " r"a th" $ir#t o$ many 1#tp"r#on narrati'"# in th" book:n$i"!# account o$ #""ing Ay" a

ttack a chi!/ 6n .hapt"r C, " r"turn to an omni#ci"nt *rp"r

#on narration, an $o!!o tt"r#on a# h" #"arch"# $or @r Ay" to i#co'"r th" r"!ation#hip b"t

""n him an hi# $ri"n, >r ?"ky!!/ 6n .hapt"r *, th" omni#ci"nt *rp"r#on narrator

"#crib"# an "ncount"r b"t""n tt"r#on an ?

"ky!!/


9/24

Shi$ting narrati'"#

6n .hapt"r 4, a mai narrat"# th" appar"nt!y in"Hp!icab!" mur"r by Ay" o$ >an'"r# .ar" (but i# it r"a!!y #o i$$icu!t to un"r#tan)G

6n .hapt"r 5, ?"ky!! prouc"# a !"tt"r appar"nt!y by Ay", "Hp!aining that Ay" ha# i#app"ar"/ But tt"r#on notic"# that Ay"# hanriting i# in many r"#p"ct# #imi!ar to ?"ky!!#/

6n .hapt"r , th" *r

p"r#on narrator t"!!# u# that tt"r#on in"# ith >r Lanyon, ho app"ar# to ha'" #u$$"r" a #hock #o 'io!"nt that it i!! !"a to hi# "ath


10/24

.hapt"r &: 6nci"nt at th" =ino

Ih" court a# coo! an a

!itt!" amp, an $u!! o$

pr"matur" ti!ight, a!though

th" #ky, high up o'"rh"a, a##ti!! bright ith #un#"t/ h" mi!"

on" o$ th" thr"" ino# a# ha!$

ay op"n an #itting c!o#" b"#i"it, taking th" air ith an in$init"

#an"## o$ mi"n,!ik" #om"

i#con#o!at" pri#on"r, tt"r#on #a ?"ky!!/J


11/24

.hapt"r 8: h" La#t Kight

I@y "ar tt"r#on, -- =h"n thi# #ha!! $a!! into your han#, 6#ha!! ha'" i#app"ar", un"r hat circum#tanc"# 6 ha'" not ha th" p"n"tration to $or"#"", but my in#tinct an a!! th" circum#tanc"# o$ my nam"!"## #ituation t"!! m" that th" "

n i# #ur" an mu#t b" "ar!y/ Fo th"n, an $ir#t r"a th" narrati'" hich Lanyon arn" m" h" a# to p!ac" in your han# an i$ you car" to h"ar mor", turn to th" con$"##ion o$

-- our unorthy an unhappy $ri"n

AKR ?;LL/JIh"r" a# a thir "nc!o#ur"GJ a#k" tt"r#on/

IA"r", #ir,J #ai oo!", an ga'" into hi# han# a con#i"rab!" pack"t #"a!" in #"'"ra! p!ac"#/


12/24

.hapt"r 9: >r Lanyon# Karrati'"

A" put th" g!a## to hi# !ip# an rank at on" gu!p/ 3 cry $o!!o" h" r""!", #tagg"r", c!utch" at th" tab!" an h"! on #taring ith in"ct" "y"#, ga#ping ith op"n mouth an a# 6 !ook" th"r" cam", 6 thought, a chang" < h" #""m" to #"!! < hi# $ac

" b"cam" #u"n!y b!ack an th" $"atur"# #""m" to m"!t ana!t"r < an th" n"Ht mom"nt, 6 ha #prung to my $""t an !"ap" back again#t th" a!!, my arm rai#" to #hi"! m" $rom that proigy, my min #ubm"rg" in t"rror/

I7h FoMJ 6 #cr"am", an I7 FoMJ again an again $or th"r

" b"$or" my "y"# < pa!" an #hak"n, an ha!$ $ainting, an groping b"$or" him ith hi# han#, !ik" a man r"#tor" $rom "ath i#cour#"NKarration i# th" ay in hich thi# mat"ria! i# to!/


15/24

Story '"r#u# narration

Story (#"!"ct" "'"nt#)

1. A? i# born

2. A? "Hp"rim"nt#

3. A? b"com"# A

4. A? mak"# hi# i!!

5. A attack# chi!6. tt"r#on m""t# A

7. A? r"a##ur"# tt"r#on

8. A ki!!# .ar"

9. A? b"com"# A mor" o$t"n

10.tt"r#on an n$i"! #"" A? at ino

11.A? a#k# Lanyon $or #p"cia! #a!t# tran#$orm# $rom A

12.A?NA i# !ock" in room

13.A?NA i"#/

Karration

.hapt"r 10

.hapt"r 10

.hapt"r 10

.hapt"r C

.hapt"r 1 .hapt"r C

.hapt"r *

.hapt"r 4

.hapt"r 10

.hapt"r &

.hapt"r 9

.hapt"r 8 (an 10)

.hapt"r 8 (an 10)


16/24

7'"ra!! i##u"#

Fothic romanc" m"ica! narrati'"

@u!tip!" narrati'"# (go##ip, !"tt"r#, "y"itn"## r"port#, ca#" not"#, con$"##ion)

@u!tip!" narrator# (omni#ci"nt *rp"r#onp!u# n$i"!, mai, Lanyon, ?"ky!!)

>"$"rr" p!"a#ur"# (tran#$ormation i# "!ay" D$u!! #tory i# po#tpon" to th" $ina! chapt"r)/

7p"n to p#ycho!ogica!, po#t-#tructura!i#t an u""r r"ain #/


17/24

R"thinking?"ky!! an Ay"


18/24

Sir >an'"r# .ar"@ai# 7+/

3!though a $ogro!!" o'"r th" city in th" #ma!! hour#, th" "ar!y part o$th" night a# c!ou!"##, an th" !an", hich th" maiQ# ino o'"r!ook", a# bri!!iant!y !it by th" $u!! moon/ 6t #""m# #h" a# romantica!!y gi'"n, $or #h" #at on upon h"r boH, hich #too imm"iat"!y un"r th" ino, an $"!! into a r"am o$ mu#ing/ K"'"r (#h" u#" to #ay, ith #tr"aming t"ar#, h"n #h" narrat" that "Hp"ri"nc"), n"'"r ha #h" $"!t mor" at p"ac" ith a!! m"n or thought mor" kin!y o$ th"or!/ 3n a# #h" #o #at #h" b"cam" aar" o$ an ag" an b"auti$u! g"nt!"man ith hit" hair, raing n"ar a!ong th" !an" an a'ancingto m""t him, anoth"r an '"ry #ma!! g"nt!"man, to hom at $ir#t #h"

pai !"## att"ntion/ =h"n th"y ha com" ithin #p""ch (hich a# u#t un"r th" maiQ# "y"#) th" o!"r man bo" an acco#t" th" oth"r ith a '"ry pr"tty mann"r o$ po!it"n"##/ 6t i not#""m a# i$ th" #ub

"ct o$ hi# ar"## "r" o$ gr"at importanc" in"", $rom hi# pointing, it #om"tim"# app"ar" a# i$ h" "r" on!y inquiring hi# ay


19/24

.hapt"r# 1 4

o inci"nt# o$ 'io!"nc"

Both to! a# narrati'"#-ithin-th"-narrati'" by unr"!iab!" narrator#

Both #ugg"#t a# much a# th"y r"'"a!

o##ib!" r"!ation#hip to cont"mporary anHi"ti"#: .hi! pro#titution

Aomo#"Hua! b!ackmai! ring#


20/24

7th"r ay# o$ r"aing?"ky!! 1 Ay"

"Htua! qu"#tion#

.ont"Htua! qu"#tion#

u"#tion# o$ 'oic" u"#tion# o$ r"$"r"nc"

Languag" qu"#tion#

Symbo!ic qu"#tion# u"#tion# o$ con'"ntion

u"#tion# o$ r"pr"#"ntation


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2ining i##u"# to ar"##

"Htua! qu"#tion# ("ition# o$ th" no'"!, th"atr", t"!"'i#ion an $i!m '"r#ion#G)

.ont"Htua! qu"#tion# (?A an +ictorian th"ori"# o$ th" brain p#ycho!ogy popu!ar an Dhigh !it"rary g"nr"#G)

u"#tion# o$ 'oic" (Karrati'" p"r#p"cti'"#, #p""ch an thought)

u"#tion# o$ r"$"r"nc" (R"$"r"nc"# to oth"r t"Ht#, "g 2r"nch ca#" #tui"#, #hi!!ing #hock"r#, Aogg# $iction)

Languag" qu"#tion# (Ao D!it"rary i# th" !anguag" o$ ?AG)

Symbo!ic qu"#tion# (Fothic romanc" an th" night)

u"#tion# o$ con'"ntion (Fothic romanc" '/ m"ica! narrati'"#)

u"#tion# o$ r"pr"#"ntation (Ao o"# ?A "a! ith i##u"# o$ g"n"r, pro$"##ion, c!a##, "$ormity, rac"G)


22/24

6# thi# a Scotti#h no'"!G

"# an no

6n$!u"nc" by Scotti#h #up"rnatura! ta!"#,Scotti#h !"g"n, Scotti#h !it"ratur", St"'"n#on# .a!'ini#t upbringing, th" ua! natur"o$ r"#byt"rian inburgh

S"t in Lonon (nomina!!y), in$!u"nc" by

urop"an Dbrain #ci"nc", m"ica! ca#" #tui"#, Fothic $iction, popu!ar D#hi!!ing #hock"r#


23/24

hank youMM


24/24

2urth"r r"aing

But!"r, L/ (C00)/ Ithat amn" o! bu#in"## o$ th" ar in th" m"mb"r#J: h" >i#cour#" o$ (6n) "mp"ranc" in Rob"rt Loui# St

"'"n#on# 9h" Strang" .a#" o$ >r ?"ky!! an @r Ay"/ Romantici#m on th" K"t:, (44)/

http:NN

/"ruit/orgNr"'u"NR7KNC00N'Nn44N014000ar/htm!G'u"Oint"gra!

11 RLS and Jekyll and Hyde (4)

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