Integrating Agriculture, Landscape, Arts and Culture · Matthew Groshek, Sedge Meadow Cultural Residency Program, Rudoplp, WI · Donna Nuewirth, Executive Director, Wormfarm Institute, Reedsburg, WI · Jay Salinas, Co-founder and Farmer, Wormfarm Institute, Reedsburg, WI Moderated by Matthew Glassman, Co-Artistic Director, Double Edge Theatre, Ashfield, MA
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10/13/16 - Breakout Session II: Integrating Agriculture, Landscape, Arts and Culture
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Integrating Agriculture,
Landscape, Arts and Culture
· Matthew Groshek, Sedge Meadow Cultural Residency Program, Rudoplp, WI
· Donna Nuewirth, Executive Director, Wormfarm Institute, Reedsburg, WI
· Jay Salinas, Co-founder and Farmer, Wormfarm Institute, Reedsburg, WI
Moderated by
Matthew Glassman, Co-Artistic Director, Double Edge Theatre, Ashfield, MA
Matthew Groshek
facilitator | curator | steward
sedge meadow cultural residency program
assistant professor | graphic design
Department of Art and Design UWSP
all over the place | all in one
place : design, art, agriculture
cultural practice as a way of
knowing
ORIGINS
382 county road PPRudolph, WI 54475
ORIGINS : history, space, territory, people, other
EXPERIENTIAL VALUE : unexpected, unique, rich, fecund
CAROL EMMONS KOSMOS : artist’s installation at sedgemeadow site photograph 2012
CAROL EMMONS KOSMOS : artist’s installation at sedgemeadow site photograph 2012
MARIAN FARRIOR Deepening a relationship to nature through phenomenology and meditative practice: research images from sedgemeadow { soil samples + photograph } 2015
MICHALENE BOOTON FIFTY2FLAGS 2015
STEVEN DRISCOLL-HIXON FIFTY2FLAGS 2014
SHANNON LECHTER | ALEX GILLIS Hey! : 4 (or 5) Letters in a Field, installation 2015
RACHEL MONTOYA | DERECK STEGER SOUL : 4 (or 5) Letters in a Field, installation 2015 (night)
PRELUDE + PROGRESSION AS ARTIST + DESIGNER + CURATOR + STEWARD
de | construct { observe, attend and imagine. make devices to investigate and keep a watchful eye. make images with devices.explore. represent the world through pictures and objects. }>construct { translate the world from internal perspective, select, edit and curate, re-imagine the world by constructing experientialenvironments. activate devices to project self, tinker. }>co-create { construct with others, make and inhabit places, acknowledge a location within place. activate devices to projectothers / all / us / we / all-together-now. }
CURATORIAL + FACILITATE
co-create { construct with others, make and inhabit places, acknowledge a location within place. activate devices to projectothers / all / us / we. take care and attend to others. celebrate making and doing. }
identifying, selecting, and constructing a narrative ofmeaning by creating a collection of artifacts in a specificcontext. ( combination of objects, images, text, space, light, story, narrative, the body. )
FOOD IN PLACE : restoration, planting, foraging, stewarding
FOOD IN PLACE : harvesting, making, preserving
ORIGINS
MATTHEW GROSHEK | People of Rural Wisconsin print documents 2014
FROM ONE PLACE TO ANOTHERby observing we attend. >by attending we translate. >by translating we understand. >
By understanding we empathize. >
by empathizing we enter into an intimate relationship with the “other” and become the subject. >
by becoming the subject we becomeembedded in place. >
by becoming embedded in placewe become community. >
when we become communitywe find ourselves at home.
“What we attempt to create in our theatre is a living culture, a rebuilding of the fragments into an admittedly utopian integrity of human existence. We do this for ourselves, but also with the belief that we can share and transmit this experience to the people we meet. We must be committed to transforming our dangerous flirtation with extinction to the reality of a living and sustainable culture". Stacy Klein
“I call localization the economics of happiness, because in rebuilding the community fabric we’re helping
ourselves and our children to reestablish identities that we actually all of us deep down inside long for. We all want to be seen, recognized, heard, connected to one another.”
Helena Norberg-Hodge
1985 the Church of St Lukes and Margaret
a former dairy farm in
Ashfield, western Massachusetts - 1994
1996
2007
Student housing 2007
To create a living culture by developing the highest quality of original theatre performance, based on the long-term imaginative work of the ensemble and other artists and the rich interaction with the communities in which the work takes place.
Our Mission
1994cow stalls
Converted to housing in 1998 and dressing rooms in 2013
The UnPOSSESSEDbased on Don Quixote
The Garden Cycle:
The Grand Parade
Our Ensemble
Our Training
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Indoor/Outdoor Traveling Spectacles
The Odyssey Shahrazad, A Tale of Love and Magic
Community & ProgramsTraining, Gatherings, Exhibitions, Symposia, Concerts
Rural Initiative, Business Partnerships, Volunteerism, Farming
Volunteerism
Rural Arts and Culture ConveningAugust 2012
The Farm
More images…..
More stories……
Integrating Agriculture, Landscape,
Arts and Culture
ORIGINS
JUSTIN BEHM process : a body emerging and appearing | the spectral others, 2016
ERIC NOLAN FIFTY2FLAGS 2016
MATTHEW GROSHEK | People of Rural Wisconsin print documents 2014
FOOD FOR OTHERS : making added value
ALLISON WITTE | AMY GREENWOOD Hush: 4 (or 5) Letters in a Field, installation 2015