1 Psychophysics and Psychoacoustics
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Psychophysics and Psychoacoustics
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Yes, there is a difference
• Psychophysics: The scientific study of the relation between physical events and the sensations they give rise to.
• Psychoacoustics: The area of psychophysics that focus on the perception of sound.
• Psychophysics: The scientific study of the relation between physical events and the sensations they give rise to.
• Psychoacoustics: The area of psychophysics that focus on the perception of sound.
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Psychophysical Laws
Physical quantity PerceptionIntensity Loudness
Frequency Pitch
Sensitivity (or detectability) vs. Response Proclivity
The difference between what you hear and what you say you hear.
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Background
• Background– Absolute threshold or absolute limen
• Smallest stimulus that a person can detect.
– Difference threshold or difference limen• Smallest difference that a person can detect
between two stimuli
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Classic Measurement Methods
• Method of Limits
• Method of Adjustment
• Method of Constant Stimuli
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Method of Limits
• The experimenter has control of the stimulus and the subject responds after each trial.
• The point between the yes-no responses is known as the transition. You need to average the transitions to determine threshold.
• Example on next slide is for absolute limen (threshold).
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Method of Limits
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Method of Limits
• Method of Limits for Difference Limen.
• Goal of this method is to …– match a probe or test stimulus with a
reference stimulus.– Determine the least noticeable difference
between a probe and a reference.
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Method of Limits
• Need to determine…– High transition point– Low transition point– Point of subjective equality
• See next slide for example
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Method of Limits
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Modified Method of Limits
• Uses bracketing (stairstep) to determine threshold.
• Can be more efficient.
• Numerous applications. – e.g., audiometric threshold.
• See next slide for example.
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Modified Method of Limits
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Method of Adjustment
• Similar to method of limits except that the the stimulus is constantly varied and the subject controls the stimulus.
• E.g., Bekesy Audiometry
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Method of Constant Stimuli
• Stimulus level is randomized.• Psychometric function (PF) is generated
based on percent of time the stimulus is correctly identified.
• Threshold is A predetermined point in PF. – usually 50% or 75%.
• Common Application is PI-PB function.
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Method of Constant Stimuli
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A Few Practice Problems
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Problems with classical methods
• Method of limits and adjustment are susceptible to yes (aggressive) or no (passive) bias.
• Method of constant stimuli can identify yes bias by using catch trials, but is still susceptible to no bias.
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Theory of Signal Detection (TSD)
• Three things can affect our ability to detect a signal.– External noise– Internal noise– Internal response
• Using TSD we can control for internal response (bias).
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Theory of Signal Detection (TSD)
• TSD provides a measure of detectability (d’) that is free from response bias.
• d’ is the measure of strength of signal relative to noise.
• Response bias (β): individual influence on response.
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Theory of Signal Detection (TSD)
QuickTime™ and aTIFF (LZW) decompressor
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Theory of Signal Detection (TSD)
• Examples on next slide…– High intensity yes bias– High intensity no bias– Low intensity yes bias– Low intensity no bias
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Theory of Signal Detection (TSD)
• Whenever the hits exceed the number of false alarms (FAs), the listener can theoretically detect the signal.
• Threshold is the lowest intensity or level where the hits exceed the FAs.
• When hits are about the same as the FAs, the person is guessing and can not detect the signal.
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Theory of Signal Detection (TSD)
QuickTime™ and aTIFF (LZW) decompressor
are needed to see this picture.
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Theory of Signal Detection (TSD)
QuickTime™ and aTIFF (LZW) decompressor
are needed to see this picture.
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Theory of Signal Detection (TSD)
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Theory of Signal Detection (TSD)
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Other Measurement Methods
• Magnitude Estimation– Subject estimates magnitude of the stimulus
• Ratio Comparison– Subject perceives a ratio between two stimuli
• Cross-modality matching– Matches magnitude between two stimuli. e.g.,
visual, auditory, somatosensory, olfactory, or shock.
• Both magnitude estimation and ratio comparison have been used to measure the growth of loudness and pitch.
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Summary