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Frida’s 28 corsets 1 of Steel, 3 of Leather, and 24 of Plaster
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Page 1: 1 of Steel, 3 of Leather, and 24 of Plaster.

Frida’s 28 corsets1 of Steel, 3 of Leather, and 24 of

Plaster

Page 2: 1 of Steel, 3 of Leather, and 24 of Plaster.

At age 18, Frida was seriously injured in a collision between a trolley car and a bus on which she was a

passenger.

Frida’s retablo relates the story of her accident.

Page 3: 1 of Steel, 3 of Leather, and 24 of Plaster.

Frida touched up another artist’s retablo of her accident to make the injured girl look more like herself.

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The ACCIDENT left her with multiple fractures of her vertebrae, pelvis, right leg, right foot. In

addition, she was impaled by a steel handrail that entered her abdominal cavity.

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28 CORSETS

AS A RESULT OF THE ACCIDENT,

Frida wore CORSETS for most of her life because her spine was too weak to

support itself.

Page 6: 1 of Steel, 3 of Leather, and 24 of Plaster.
Page 7: 1 of Steel, 3 of Leather, and 24 of Plaster.

Some corsets were made from leather.

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One made of steel was covered in

leather.

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The Broken Column, 1944Frida painted a self-portrait wearing the steel

corset. The broken Ionic column, nails, and tears show her pain.

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The painting also carried a message of humor: “Look very closely at my eyes…the pupils are little doves of peace. That is my little joke on pain and suffering…”

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Frida Kahlo wore plaster corsets for most of her life . She painted them with meaningful symbols like a blood-red hammer and sickle representing the Communist Party that she

respected and adored.

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An unborn baby is also painted on this corset representing the child

she was never able to have.

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She painted plants, animals and other images on her plaster corsets that were meaningful to her.

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Down and Crazy!Sometimes Frida covered her corsets with pasted scraps of fabric and feathers, embedded them with mirrors and carved

an open circle in the plaster like a skylight near the heart.

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Tree of Hope-- Stand Strong, 1946

Figure on left: Kahlo lies on a gurney after

her operation

Figure on the right: Frida sits strongly and

wears festive clothing appearing to be positive about her healing. However, the figure is shedding a tear and holding a large back brace, both reminders of her true condition.

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Marxism Will Give Health to the Sick, 1954Painted just before she died, this artwork shows Frida wearing a brace

but casting away her crutches with help from the healing hands of Marxism that she believed in as a source of guidance.

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La Casa Azul in Coyoacán, Mexico

The corsets remain to this day in her famous blue house—

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Examples of hand-painted corsets by Atlanta area art teachers

Birds of Paradise and Dove

Angel Wings

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