The Art of Color-Music l. The Moral Power of the Arts The experiences of color and music have always been closely intertwined. color and music: possess.

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The Art of Color-Music

l

The Moral Power of the Arts

• The experiences of color and music have always been closely intertwined.

• color and music: possess inherent moral powers to influence their viewers and listeners for better or for worse. (Greeks through the Middle Ages and into the Renaissance)

Multimedia and Health

• Recent studies of epilepsy concur that some types of seizures can be triggered by the color-music patterns of video games and animated cartoons

The Link Between Colors and Sound: Artists

• Piet Mondrianthe city grid of Manhattan, and the boogie woogie music to which Mondrian loved to dance.

“Bands of stuttering chromatic pulses, paths of red, yellow, and blue interrupted by light gray suggest the city's grid and the movement of traffic, while the disconnected vibration of colors evokes the syncopation of jazz and the blinking electric lights of Broadway.”

Syncopation: Music. A shift of accent in a passage or composition that occurs when a normally weak beat is stressed.

Broadway Boogie Woogie

Kenneth Noland

• Color field painter• color placement is clearly akin to

musical composition• each color possesses a pitch

• Colors can be placed at higher and lower pitches and "can be composed like chords across the spectrum."

• Colors can also be used in conjunction with each other like major and minor chords, and repeated in varying ways to create visual counterpoint.

Counterpoint: in a piece of music, a melodic line or part that is sung or played at the same time as another

Heat

Color-Music in Psychology

• Color-music has been used by psychologists as a type of moving Rorschach test.

• used with post-WWII veterans suffering from depression and post-traumatic shock

• Aurotone films: abstract forms in pastel colors set to organ music and the singing of Bing Crosby

• The ancient Greeks were the first to construct a scale of colours divided into seven parts, on the analogy of the seven musical notes and the seven known planets.

• Aristotle's theory of color: different colors were associated with various tonal intervals in the 16th and 17th centuries.

• André Félibien, in 1666, was the first to establish yellow, red and blue as the basis of a new color system.

Newton 1672 associated tonal intervals with the color bands of the spectrum,

Isaac Newton

• relationship between color and musical intervals

• People created devices that looked very similar to organs and as they played their keyboards beautiful combinations and harmonies of color were projected through the audience. 

RIMINGTONS COLOR ORGANRimington (born 1850s)

circle of fifths: it was a thought-out system based on Sir Isaac Newton's Opticks.

Art and Music

Anonymous

Unknown

Fausto Zonaro (1854-1929): Greek girl with bagpipe (year unknown)

Pablo Picasso: The Old Guitarist (1903)

Miami Children's Museum, 2007 

Unknown

Unknown

Song Inspired by Visual Arts

My Chemical Romance inspired by painting

Saturday, February 17 2007, 12:00pm EST

By Daniel Kilkelly, Entertainment Reporter

My Chemical Romance frontman Gerard Way has revealed that many of the songs on the group's latest album were inspired by a spooky painting.

The band moved into Paramour Mansion - which is believed to be haunted - while recording The Black Parade. Way stumbled across a piece of artwork during his stay which gave him the idea for a number of new tracks.

"I had found this painting called March Of The Saints in this dungeon bathroom in the house and [I] thought about processions, Joan Of Arc, stuff from childhood, all this Catholic guilt and doubt," Gerard told WENN. "I started investigating that and soon saw patterns in the songs."

Arnold Bocklin: Isle of the Dead

LISTEN TO ISLE OF THE DEAD : http://www.youtube.com/watch?v=VdXPiqeyFtQ

Art by Musicians

"Drummers"

(Jerry Garcia)

"Exchange of Rings"

(John Lennon)

"Hat Man"

(Ringo Starr)

"Luck Be A Lady Tonight"

(Frank Sinatra)

Color

Chapter 2

Color - Produced by light of various wavelengths, and when light strikes an object and reflects back to the eyes.

3 Properties of Color: (1) hue or tint, the color name, e.g., red, yellow, blue, etc.: (2) intensity, the brightness or dullness of a color, e.g., bright red or dull red; and (3) value, the lightness or darkness of a color.

Color schemes

• A set of colors that are used in an artwork, and the way they are combined in an artwork; sometimes called a palette

Monochromatic Colors

• Consisting of only a single color or hue; may include its tints and shades.

Picasso, The Tragedy 1903

Analogous (ə-năl'ə-gəs) • Any two or more colors that are next to each other on the color wheel and are closely

related.• Warm Colors: red, orange and yellow • Cool Colors: green, blue and violet

Lönngatan - Malmö, Sweden. Picasso, Self Portrait

Complementary colors

• Colors that are directly opposite each other on the color wheel.

Split complements

• One color plus the two colors that are on either side of its complement on the color wheel

Van Gogh, Night Cafe 1888 Sept

Color Triads

• Three colors equally spaced on the color wheel.

Red, Yellow, Blue

Orange, Green, Violet

Nature and Use of Color

• Pigment: Finely ground, colored powders that form paint when mixed with a binder.

• Binder- a material that holds together the grains of pigment

Examples:

linseed oil- oil

gum arabic- watercolor

acrylic polymer- acrylic

Solvent- controls the thickness or thinness of paint

Common solvents include water water color) turpentine and paint thinner (oil) (denatured) alcohol, acetone, lacquer thinner

Dyes

• Pigments that dissolve in liquid.. Dyes stain• Textile fibers and fabrics are typically dyed in vats

Magen Martin, Crystal

Magen Martin, Monk, batik on muslin Magen Martin, Nahil, batik on muslin

Primary colors red, yellow, and blue

Secondary colors orange, green, and violet

(two primary colors)

Tertiary colors red-orange, red-violet, yellow-green, yellow-orange, blue-green and blue-violet

(a primary color with an adjacent secondary color)

RECAP

                                        Red- emotional and active, danger, love, warmth, life

                                        Blue- passive, soft, cool, watery

                                        Yellow- warm, vibrant, the closest to light and warmth

Complementary colors are opposite on the color wheel. Red and green, yellow and violet, blue and orange,  are

the three simple pairs of complementary colors.

These colors always go well with each other, hence the

term complimentary.

The tertiary colors are, yellow-orange, red-orange, red-violet, blue violet, blue-green, and yellow-green.

A monochromatic color scheme is

based on a single color on the color

wheel. All colors can be chosen except yellow. Yellow can

be tinted but when it is shaded it turns

green.

                                                                                      

A triadic color scheme is based on three colors

located equidistant from each other on the color wheel. There are two

colors between each color in this scheme. A color

tetrad is also a complementary color

scheme.

An analogous color scheme is based on three to five colors that are adjacent

(next to each other) on the color wheel.

SPLIT-COMPLEMENTARY: A split-complementary color scheme is based on three colors - a key color and its two near

opposites.

TINT HUE SHADE

HUE: Hue is the name given to a color….red, blue, yellow ….

INTENSITY: Intensity is the relative brightness/dullness of a hue.

VALUE: Value is the relative lightness/darkness of a hue. A tint is a color that has been lightened by adding white to it. A shade

is a color that has been darkened by adding black to it.

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