'Tain't the Meat… It's the Humanity! and Other Stories by Jack Davis & Al Feldstein - preview
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vii Jack Be NimbleIntroduction by William Stout
1 Seance!script: Al Feldstein | art: Jack Davis
7 BatS In My Belfry!script: Al Feldstein | art: Jack Davis
15 the trophy! script: Al Feldstein | art: Jack Davis
23 Drawn anD QuartereD!script: Al Feldstein | art: Jack Davis
31 well-cookeD haMS!script: Al Feldstein | art: Jack Davis
39 BargaIn In Death!script: Al Feldstein | art: Jack Davis
47 grounDS … for horror!script: Al Feldstein | art: Jack Davis
55 gaS-tly proSpectS!script: Al Feldstein | art: Jack Davis
63 SurvIval … or Death!script: Al Feldstein | art: Jack Davis
71 ’taIn’t the Meat … It’S the huManIty!script: Al Feldstein | art: Jack Davis
79 lower Berth!script: Al Feldstein | art: Jack Davis
87 MIrror, MIrror, on the wall!script: Al Feldstein | art: Jack Davis
95 By the frIght of the SIlvery Moon!script: Al Feldstein | art: Jack Davis
103 fare tonIght, followeD By IncreaSIng clottyneSS …
script: Al Feldstein | art: Jack Davis
111 DeaD rIght!script: Al Feldstein | art: Jack Davis
119 tIght grIp!script: Al Feldstein | art: Jack Davis
127 unDertakIng palorscript: Al Feldstein | art: Jack Davis
135 fooD for thoughtscript: Al Feldstein | art: Jack Davis
143 operatIon frIenDShIpscript: Otto Binder | art: Jack Davis
151 concerto for vIolIn anD werewolf
script: Carl Wessler | art: Jack Davis
159 four-way SplItscript: Otto Binder | art: Jack Davis
167 forever aMBergrISscript: Carl Wessler | art: Jack Davis
175 teleScopescript: Carl Wessler | art: Jack Davis
182 upon reflectIonscript: Carl Wessler | art: Jack Davis
191 the trophy!script: Al Feldstein | art: Jack Davis
203 Jack Davisby S.C. Ringgenberg
206 Behind the Panels Creator Biographies
209 The Ups and Downs of EC ComicsHistory by Ted White
Editor/writer Al Feldstein wrote more scripts for EC than anyone else, virtually all in collaboration with publisher William M. Gaines. Gaines’s creative involvement reflected the pride he took in his comics and was another way in which EC Comics distinguished itself. Almost daily, Gaines and Feldstein co-plotted a new story based on Gaines’s “springboards,” from which Feldstein produced a script. It was, by all accounts, a creatively symbiotic and satisfying partnership.
Feldstein did not write every script and EC did not publish writer credits. EC’s master records no longer exist. Based on the best information available, we believe the creative credits above to be accurate. We welcome any corrections.
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’ t A i n ’ t t h E m E A t . . . i t ’ s t h E h u m A n i t y !
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’ t A i n ’ t t h E m E A t . . . i t ’ s t h E h u m A n i t y !
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’ t A i n ’ t t h E m E A t . . . i t ’ s t h E h u m A n i t y !
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’ t A i n ’ t t h E m E A t . . . i t ’ s t h E h u m A n i t y !
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’ t A i n ’ t t h E m E A t . . . i t ’ s t h E h u m A n i t y !
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’ t A i n ’ t t h E m E A t . . . i t ’ s t h E h u m A n i t y !
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’ t A i n ’ t t h E m E A t . . . i t ’ s t h E h u m A n i t y !
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m i R R O R , m i R R O R , O n t h E wA l l !
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m i R R O R , m i R R O R , O n t h E wA l l !
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m i R R O R , m i R R O R , O n t h E wA l l !
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m i R R O R , m i R R O R , O n t h E wA l l !
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