Transcript
Plenary: Changing Nature of CollectionsHall A, MECCChair: Lisa Jones
Richard GagnierHead of Conservation, Montreal Museum of Fine Arts, Canada
The concept of integrity as the guiding framework to the preservation of time-based media art and installation
Sponsored by:
DOCAM GUIDE FOR PRESERVATIONDOCAM GUIDE FOR PRESERVATION
Richard Gagnier Head of conservation Montreal Museum of Fine Arts
The concept of integrity as guiding framework to the preservation of time-based media art
The concept of integrity as guiding framework to the preservation of time-based media art
The main goal of the Research Alliance DOCAM is to implement new tools and methodologies adapted to the Conservation and Documentation of artistic practises involving media technologies. During the five years tenure of this project, many case studies will address preservation issues of Time-based media art work as well as peculiarities of archival collection composed of technologically based information carrier materials.
Obsolescence : How to counteractvia the migration or the emulation process
• Assure best support quality for the work’s content (imply stability + information stockpilling capacity)
• Assure that related equipment has a possible sustained lifespan
Migration To migrate an artwork involves upgrading equipment and
source material.
Emulation To emulate a work is to devise a way of imitating the
original look of the piece by completely different means.
* Defenitions from the glossary of The Variable Media Approach
The integrity of an artwork in relation to the display equipment Based on the evaluation and relative importance of three values in relation to
the significance of the artwork (Laurenson, 2004)
•Conceptual•Historical•Aesthetic
Dion_reperes_KX.jpg
Dion_reperes_KX.jpg
Installation schematic drawing, acquisition presentation, 1997
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