Pragmatic Unity and Visual Synecdoche in Tennessee Flag Culture
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Steven A. Knowlton, M.L.I .S.
University of Memphis Libraries
Pragmatic Unity and
Visual Synecdoche
in Tennessee Flag Culture
North American Vexi l lological A s s oc iat ion
46 th Annual Meeting
Columbus, Ohio
October 5, 2012
TENNESSEE FLAG IN CONTEXT
Tennessee a diverse state
TENNESSEE FLAG IN CONTEXT
EAST TENNESSEE
Source: TN History for Kids, http://www.tnhistoryforkids.org/geography/e_4
TENNESSEE FLAG IN CONTEXT
MIDDLE TENNESSEE
Source: TN History for Kids, http://www.tnhistoryforkids.org/geography/e_4
TENNESSEE FLAG IN CONTEXT
WEST TENNESSEE
Source: TN History for Kids, http://www.tnhistoryforkids.org/geography/e_4
TENNESSEE FLAG IN CONTEXT
West Tennessee
Middle Tennessee
East Tennessee
GRAND DIVISIONS = THREE STARS
TENNESSEE IN THE CIVIL WAR
Supplied troops
to both
armies
Secession vote
controversial
Source: Charles A. Reeves, “Tennessee Divided Loyalties,” http://www.mountainpress.com/maps/tn/images/mp-cr026.jpg
TENNESSEE FLAG’S ORIGIN
Le Roy Reeves
Designed Tennessee flag in 1905
TENNESSEE FLAG’S ORIGINS
Reeves’s stated meaning:
“The three stars are of pure white, representing the three grand divisions of the State. They are bound together by the endless circle of the blue field, the symbol being three bound together in one – an indissoluble trinity… [the blue bar] “relieves the sameness of the crimson field and prevent the flag from showing too much crimson when hanging limp.”
ELEMENTS OF TENNESSEE FLAG’S APPEAL
its primary symbolism is relatively obvious and therefore memorable
the elements within their setting have a second layer of symbolism that is also deeply resonant
figurative thought allows for the presentation of a small part of the flag to evoke the entire flag and the associated meanings
SEMIOTICS
Study of communication through signs
Source: David Zemmels, “Visual Communication Theories,” http://www.loyno.edu/~zemmels/A201/lecture/visual_theory/comm_theory.html
SEMIOTICS: Subdisciplines
Adapted from Peter Carini, “Symbols and Dynamics in the Brain,” Biosystems 60, nos. 1-3 (2001): 59-83.
SIGN
SEM
AN
TIC
S
OBJECT (what the sign represents)
OTHER SIGNSOBSERVER (person seeing the sign)
PRAGMATICS
Study of relationships between signs and observers
Common ground: shared understanding of cultural backgrounds
COMMON GROUND
Source: Aaron Fein, “White Flags,” http://www.aaronfein.com/photos/nggallery/photos/white-flags/
Even in the absence of other knowledge, most people recognize:
Rectangular cloth on a pole = symbol of something
SEMIOSIS (process of understanding signs)
Start with common ground
Interpret new signs in light of what we already know
GOLDSMITH’S EXPERIMENTS
Source: Evelyn Goldsmith, Research Into Illustration: An Approach and a Review (New York: Cambridge University Press, 1984), 129.
elements with context are more easily identified
PRAGMATIC UNITY
SIGN
OBSERVER (person seeing the sign)
PRAGMATIC UNITY (Tennessee in 1905)
Common ground: flag in context of Confederate imagery
PRAGMATIC UNITY (Tennessee in 1905)
“Myth of the Lost Cause” Post-war change in perception of the
war
“Unified and committed Southern
people”
Confederate Battle Flag an aspiration
symbol
African-Americans excluded from
political discourse“The Lost Cause” in full effect, 1935
PRAGMATIC UNITY (Tennessee in 1905)
Pragmatic unity – meanings assigned to symbols when elements are recognizable
PRAGMATIC UNITY (Tennessee in 1905)
A less obvious resemblance
PRAGMATIC UNITY (post-1905)
Chattanooga
Davidson County
Elizabethton
Hawkins County
Jackson
Knox County
Warren County
Rutherford County
Manchester
“CANADIAN PALE”
TOO STRONG A RESEMBLANCE FOR 21st CENTURY
THE CHARGE WITHOUT ITS FIELD
VISUALLY DISTINCTIVE
FIGURATIVE THOUGHT
Not literal
Pervasive in our expressions
Happens unconsciously
TROPES
Metonymy: calling something by the name of a related entityWhite House stands for The staff of the executive
branch who work in the White House
Synecdoche: calling a whole by the name of one of its partsHands stands for worker
Stars and Stripes stands for American flag
FIGURATIVE THOUGHT
Most familiar through language
But present in all forms of communication
VISUAL SYNECDOCHE
In synecdoche, a part stands for the whole
Visual synecdoche: a single design element represents the entire symbol
Synecdoche works Outside of the Context (unlike pragmatic unity, which depends on context to supply meaning)
Common Ground still a necessity for understanding the meaning implied
VISUAL SYNECDOCHE
Synecdoche requires a “conceptual domain”: a framework of understanding in which an image means something
Example: conceptual domain of “travel to Italy”
VISUAL SYNECDOCHE
Salience: part of an image that is most outstanding in the conceptual domain
Leaning Tower of Pisa: unique & commonly encountered
train stations & wine: not unique
village of Nole: not commonly encountered
VISUAL SYNECDOCHE OF TENNESSEE’S FLAG
Salience of three-stars-in-a-circle
Unique element, unlike other parts of Tennessee’s flag
Its distinctiveness allows for synecdochic function
STARS WITHOUT A CIRCLE
OTHER FLAGS WITH THREE STARS
Egypt (1922-1952) Vojvodina (Serbia)
Anti-Assad forces (Syria)
Washington, D.C.
Philippines
Guayas (Ecuador)
Iraq (1963-1991)
STARS WITHOUT A CIRCLE
Tennesee Lottery
Tennessee National Guard
278th Armored Cavalry Regiment (headquartered in Knoxville)
SALIENCE RELIES UPON THE VIEWER
It depends on what the viewer knows about the image
Tennesseans recognize three stars as a Tennessee symbol because
1. They know it from seeing so many three-star symbols in their state
2. They don’t expect to see other entities represented within their state
“Common ground” remains the vital element to understanding a symbol, either through pragmatic unity or visual synecdoche
CONCLUSION
Tennessee’s flag has unusually wide appeal due to Pragmatic unity: the elements of the flag (white stars in
a blue figure on a red field) hearken back to powerfully evocative Confederate symbols
Visual synecdoche: the three-stars-in-a-circle element carries a high level of salience because of its uniqueness and frequent use
THANKS!
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