OT Articulation Guide - · PDF fileintegration in your Orchestral Tools template. Newly Recorded instruments, including a new Alto Flute
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Articulation Guide
Berlin Woodwinds Revive
www.orchestraltools.com
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© 2017 Orchestral Tools | Schwarzer & Mantik GmbHRev. 2 017-10-2 5
OT Articulation Guide
CONTENT
I About this Articulation Guide 2
II Introduction 3
III Recording and Concept 4
IV Berlin Series 5
1 Berlin Woodwinds ......................................................................................................... 6
Berlin Woodwinds Revive ........................................................................................ 7
Instruments ................................................................................................................................................. 9
Articulations ............................................................................................................................................. 11
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| About this Art iculat ion Guide |
OT Articulation Guide
I About this Articulation Guide
The number of Orchestral Tools is constantly growing and covers all instrumental families of the orchestra,
with some collections even branching out into non-orchestral instruments. This Articulation Guide describes
all contained articulations as well as their technical properties (velocity layers, Round Robins, and many
more).
This document is a special version of the Articulation Guide that only contains features applicable to thecollections listed below.You can download the full Articulation Guide that applies to all Orchestral Tools collections in our Helpdesk.
The following table lists all collections covered by this Articulation Guide with their current Capsule version
as well as the minimum Kontakt version.
Collection Name Collection Capsule KontaktBWW | Berlin Woodwinds - - -
- BWWR | Berlin Woodwinds Revive 3.0 2.5.4 Player 5.5.1+
ImportantThis Articulation Guide does not cover the general installation, usage and features of Orchestral Tools
collections. These topics are explained step by step in the respective User Guides and Installation Guides,
which you can find in your collection's Documentation folder. You can also find them in our Helpdesk.
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| Introduct ion |
OT Articulation Guide
© 2017 Orchestral Tools | Schwarzer & Mantik GmbH
II Introduction
Welcome to the Orchestral Tools Articulation Guide!
Orchestral Tools provides high-quality sampled instruments for composers. Thanks to our Capsule Scripting
Framework developed in-house, all Orchestral Tools collections look and work in a very similar way.
Articulation names, labeling and all technical terms are identical in every collections, so you will find it easy
to find your way around.
This Articulation Guide describes all articulations as well as their technical features and is organized as
follows:
- The general Ser ies Overv iew shows you all available Orchestral Tools Series', which group our
collections into broader categories.
- Following this is the respective Ser ies Overv iew Page of one particular Series, which lists all available
collections by name and gives suggestions for expansions options.
- Each individual collection then has its own Col lect ion Overv iew page, which describes the general
content of the collection as well as its most important features at a glance.
- This is followed by the Inst ruments Section, which lists all instruments (or sections) contained in the
collection with a short description of tone, scope or other pertinent information.
- The Ar t iculat ions Section finally lists all articulations in detail along with all their properties.
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| Recording and Concept |
OT Articulation Guide
III Recording and Concept
We are happy to have found a sonic home for our collections at the Teldex Scoring Stage in Berlin.
The large recording stage at Teldex looks back on a long tradition of many well known and Grammy®
award winning recordings. Famous orchestras, like the Berlin Philharmonics and great film composers from
the USA and Europe trust and love the wide and clear acoustics of this room. One of the best sounding
scoring stages in Europe, this room together with a fantastic complement of legendary microphones catapults
our work to a new level of orchestral sampling.
The quality of a sampled collection begins with the recording. Every Orchestral Tools collection is recorded
at 96khz with state of the art equipment. The full editing and post-production process uses these 96khz
recordings without downsampling. We very rarely denoise our recordings and never treat them in any other
automated way. If tuning is needed, it is done by ear without resorting to tuning algorithms. Only at the very
end, right before the samples are mapped into their instruments, the content is converted to 48khz for best
use of resources.
Our goal is to provide a set of tools that easily adapts to any workflow and creates a coherent sonic
representation of the orchestra. The main way we achieved this is by recording every instrument in its
orchestral position. All collections come pre-panned and pre-mixed with their respective volumes
balanced. If there are multiple types of the same instrument, they are recorded in slightly different positions,
yet still in their general section area. The different snare drums in Berlin Percussion, for example, have been
recorded slightly spread over the general "snare drum area" within the percussion section. This allows you to
have a very wide and full sound when combining multiple instruments.
We deliberately choose to also record non-traditional instruments as belonging to a symphonic setup, like
electric guitars and a drumset in our Metropolis Ark Series. Modern media scoring introduces a host of new
instruments into the established orchestral lineup and we feel these instruments deserve the same care and
precision in fitting them into the symphonic sound as their traditional counterparts.
All collections feature a number of microphone positions commonly used in orchestral recording. The
position of these microphones is identical in every collection, which means that for example the Tree is much
nearer to the string section that it is to the percussion section (because the percussion section is situated at
the back of the orchestra). This enabled lively acoustics that come pre-mixed for the respective stage
position. The choice of mic positions also depends greatly on the instrument. Some instruments, especially in
the percussion section, benefit greatly from a M/S position to enable accurately positioning the sound
source.
Wherever possible, similar instruments use the same mapping scheme so it is usually possible to transfer
MIDI data from one instrument to another easily. This is especially important and useful for percussion.
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© 2017 Orchestral Tools | Schwarzer & Mantik GmbH
IV Berlin Series
The Berlin Series is Orchestral Tools' ongoing journey to harnessing the sound of the Teldex Scoring stage
in an all-purpose orchestral sample collection.
Every major section of the orchestra is represented by one Main Collection, which contains all essentials
instruments and articulations and forms the backbone of any symphonic piece. These collections are
expanded and continued by special expansion collections, which add additional instruments or playing
techniques.
The following table lists all Berlin Series Collections currently released - underlined names jump to a
description of its content and unique features. You can download a version of this Articulation Guide that
applies to all released Collections on our Helpdesk.
When you load any Berlin Series patch inside Kontakt, the instrument slot will show an icon representing the
orchestral section as shown below.
Berlin Orchestra Inspire Berlin Orchestra Inspire
Berlin Woodwinds Berlin Brass Berlin Percussion Berlin Strings
Main Collection Main Collection Main Collection Main Collection
Additional Instruments Additional Instruments The Timpani Special Bows I
Soloists I Muted Brass Special Bows II
Soloists II Horn SFX First Chairs
SFX SFX
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4.1 Berlin Woodwinds
Berlin Woodwinds unites a host of Germany's leading woodwind players providing Orchestral Tools'
critically-acclaimed vision of the orchestral woodwind section including extensive solo performances.
Berlin Woodwinds holds a special place in the Berlin Series. The collection that started our journey at the
Teldex Stage, BWW now comes with the full mic line-up known from the Berlin Series. Most instruments
have been newly recorded and, best of all, the whole original BWW with additional tweaks is included!
This gives you as a composer double the number of instruments for ultimate flexibility and possibilities for
doubling.
Berlin Woodwinds consists of two separate collections that are available together as one big collection:
Berlin Woodwinds Revive, containing all-new instruments, as well as Berlin Woodwinds Revive, featuring
the classic BWW.
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© 2017 Orchestral Tools | Schwarzer & Mantik GmbH
4.1.1 Berlin Woodwinds Revive
Berlin Woodwinds Revive is our vastly revamped and expanded take on orchestral woodwinds. Featuring
proven classic players as well as newly recorded musicians, the new face of BWW will be sure to
provide for all your woodwinds parts.
Some time has passed since we released our well-known Berlin Woodwinds in 2012.
At this time we didn't imagine it would become the nucleus of one of the biggest orchestral sampling
collections of all times - The Berlin Series. The idea of the Berlin Series came with the development of Berlin
Strings in 2013.
Now, 5 years after the release, Berlin Woodwinds has become an industry standard when it comes to
sampled woodwinds collections. To offer our customers the Berlin Series standard inside all the Berlin Series
Main Collections, we decided to give our most successful one, the Berlin Woodwinds, a huge upgrade.
With the Berlin Strings in 2013, we recorded and defined the microphone perspectives that are now
standard in our Berlin Series Collections: Close, AB, Tree, Surround (+ additional instrument-specific
perspectives). Our new Berlin Woodwinds Revive now includes the same mic positions. As a result, all our
Berlin Series Main Collections now consist of the same mic setup.
Adaptive LegatoLike in Berlin Strings and Berlin Brass, we implemented our fluid playable Adaptive Legato System in Berlin
Woodwinds Revive. To realize this concerted legato playing, we recorded different types of legato intervals
at different tempi. Depending on your playing speed, CAPSULE chooses the right legato transition
automatically.
Attack ControlWith the development of Berlin Strings in 2013, we learned how powerful and beneficial it can be to have
different styles of note attacks for sustain samples. With Berlin Woodwinds Revive we deliver, as in Berlin
Strings and in Berlin Brass, Soft, Immediate and Accented Attacks for almost all our newly recorded
woodwinds sustain articulations.
Accurate adjustment of dynamic and volumeIn Berlin Woodwinds Revive we did a detailed dynamic and volume fine adjustment to guarantee a perfect
merge with all our Berlin Series Collections. You now have a seamless and perfectly balanced woodwind
integration in your Orchestral Tools template.
Newly Recorded instruments, including a new Alto FluteLooking back on our first Main Collection recorded in the Telex Scoring Stage, we felt that some of our
original Berlin Woodwinds recordings were just beautiful sounding, while others could use a little update.
So we decided to do completely new recordings for seven instruments. In the process, we decided to go for
a round number by also recording an Alto Flute.
Because of their unrivaled beautiful tone, there were four instruments in the original Berlin Woodwinds that
we did not want to replace. We didn't believe that we can improve their sound, they are just perfect the
way they are. Of course we added our new set of mic positions to these 4 instruments from the original
Berlin Woodwinds as well, so the CAPSULE mic standard is also provided for the 4 original instruments from
2012.
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So, bottom line ...… Berlin Woodwinds Revive is the new Berlin Woodwinds - it is better sounding, offers more articulations,
more flexibility, contains a new Alto Flute and enhances the potential for blending because of new mic
perspectives.
Instrumentation and Recording
Berlin Woodwinds Revive contains eleven instruments, which are divided into
patches containing a single articulation as well as multi articulation patches.
You will find all of these patches inside the Instruments folder. The collection
contains the following instruments or sections, as they appear in your
instruments folder:
00. Piccolo Flute
01. Flute 1
02. Flute 2
03. Flute 3
04. Alto Flute
05. Oboe 1
06. Oboe 2
07. English Horn
08. Clarinet 1
09. Clarinet 2
10. Bassoon 1
11. Bassoon 2
This structure is identical for Single Articulation, Multi Articulation and Time Machine-enabled patches.
All instruments within a section are different instruments played by different musicians, not just additional
recording passes.
You have free choice between six microphone positions, Close I and II, ORTF, AB, Tree and Surround.
These microphone positions are switchable in the GUI and can be controlled via MIDI CC. Additionally, all
core articulations have been recorded with multiple velocity layers for realistic dynamics.
All samples have their natural panning.
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© 2017 Orchestral Tools | Schwarzer & Mantik GmbH
4.1.1.1 Instruments
The Woodwind instruments in Berlin Woodwinds Revive provide you with a broad set of essential
orchestral woodwind instruments.
This section briefly explains the individual instruments and points out usage scenarios and expansion
options.
Piccolo, Flutes and Alto Flute
Berlin Woodwinds Revive contains a Piccolo Flute as well as three individually sampled Concert Flutes
played by different musicians with a notably different tone.
The Piccolo Flute as well as Flutes 2 and 3 have full-range tempo-synced repetitions; Piccolo and Flutes 1
and 3 have Playable Runs.
The Alto Flute expands the orchestral woodwinds with new essential articulations including Playable Runs.
Oboes and English Horn
Two individual Oboes and an English Horn represent the high double reeds.
Oboe 1 and English Horn have Measured Trills recorded up to a fifth that adapt to your host tempo. All
have Playable Runs.
Clarinets
Two Clarinets with markedly different tone with Measured Trills up to a fifth for the Clarinet 1 and full
repetitions for Clarinet 2 comprise the Clarinets in BWWR.
Bassoons
Two Bassoons, sampled individually, form the low end.
Like most BWW instruments, the Bassoons also include Double and Triple Tongue patches.
N o t a b l e A r t i c u l a t i o n s :
Berlin Woodwinds features a number of unique articulations in addition to the regular staples. These
include:
- Staccato and Staccato Short - short notes with different length
- Portato in two lenghts
- Double and Triple-tonged patches, which use clever scripting to enable realistic multi-tongueing
- Regular Trills, tempo-synced Measured Trills, Sfz Trills and even single Trills
- Runs Transitions for realistic fast runs
- and tempo-synced 16th and triplet repetitions
Most articulations are also available as Time Machine patches, which allow you to adjust the sample
length dynamically.
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E x p a n s i o n O p t i o n s :
Berlin Woodwinds is expanded by Berlin Woodwinds - Additional Instruments, which adds Eb Clarinet,
Bass Clarinet and Contrabassoon recorded in situ at the Teldex Stage, fitting perfectly with BWW Main
Collection.
For exposed solo passages, Woodwind Soloists I and II feature special solo-style instruments played at the
Teldex Solo Booth. These two collections are recorded dry and come with a special Teldex IR for easy
placement and reverberation.
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© 2017 Orchestral Tools | Schwarzer & Mantik GmbH
4.1.1.2 Articulations
All Orchestral Tools collections focus on providing a versatile pallet of articulations to help you shape your
sound.
This section lists all articulations contained in Berlin Woodwinds Revive.
All Berlin Woodwinds Revive Patches have Close I and II, ORTF, AB, Tree and Surround. As such these
positions are not listed in the tables below.
Articulations Legend
Symbol Name Description
R Range The playable range of the instrument.
L Layers Lists the number and musical dynamics of velocity layers the
instrument uses.
T Transition Range The interval range of recorded legato transitions.
S Transition Styles If multiple legato styles are present, these are listed here by
name
V Vibrato Layers The number and type of vibrato layers
M Microphone Positions Any special mic positions that deviate from the collection
standard.
TM Time Machine Denotes a patch that uses TimeMachine for tempo-sync.
+ TimeMachine Patches
All patches marked with a "+" (plus sign) also exist as a TimeMachine patch. These patches allow you to
adjust the length of the sample to your liking. For more Information refer to the User Guide.
Piccolo Flute
Articulation Properties
01. Piccolo LegatoR: D4-C7 | L: 2 (p, ff) | 1st-8th | V: Without,
Romantic
02. Piccolo Sus Imm R: D4-C7 | L: 2 (p, ff) | V: Without, Romantic
03. Piccolo Sus Acc R: D4-C7 | L: 2 (p, ff) | V: Without, Romantic
04. Piccolo Staccatissimo R: D4-C7 | L: 2 (p, ff) | RR: 7
05. Piccolo Staccato R: D4-C7 | L: 2 (p, ff) | RR: 5
06. Piccolo Marcato Long R: D4-C7 | L: 2 (p, ff) | RR: 3
07. Piccolo Marcato Short R: D4-C7 | L: 2 (p, ff) | RR: 3
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08. Piccolo Repetitions 16th R: D4-C7 | L: 2 (p, ff) | TM
09. Piccolo Repetitions Triplets R: D4-C7 | L: 2 (p, ff) | TM
10. Piccolo TO Trills HT-WT R: D4-C7 | L: 2 (p, ff) | TM
11. Piccolo TO Trills Single R: D4-C7 | L: 2 (p, ff)
12. Piccolo TO Trills Sfz R: D4-C7 | L: 1 (ff)
13. Piccolo Playable Runs R: D4-C7 | L: 2 (p, ff) | RR: 5
Flute 1
Articulation Properties
01. Flute 1 LegatoR: C3-C6 | L: 3 (p, mf, ff) | 1st-8th | V: Without,
Romantic, Expressive
02. Flute 1 SustainsR: C3-C6 | L: 3 (p, mf, ff) | V: Without, Romantic,
Expressive
03. Flute 1 Staccatissimo R: C3-C6 | L: 3 (p, mf, f) | RR: 7
04. Flute 1 Staccato R: C3-C6 | L: 3 (p, mf, f) | RR: 7
05. Flute 1 Portato Long R: C3-C6 | L: 2 (mf, ff) | RR: 3
06. Flute 1 Portato Short R: C3-C6 | L: 2 (mf, ff) | RR: 3
07. Flute 1 Sforzando R: C3-C6 | L: 2 (f, ff) | RR: 2
08. Flute 1 Double Tongue R: C3-C6 | L: 2 (mp, f) | RR: 2
09. Flute 1 Double Tongue Measured R: C3-C6 | L: 2 (mp, f) | RR: 2 | TM
10. Flute 1 Triple Tongue R: C3-C6 | L: 2 (mp, f) | RR: 2
11. Flute 1 Triple Tongue Measured R: C3-C6 | L: 2 (mp, f) | RR: 2 | TM
12. Flute 1 TO Trills HT-4th R: C3-F5 | L: 2 (mp, ff)
13. Flute 1 TO Trills Measured HT-5th R: C3-F5 | L: 2 (mp, ff) | TM Up
14. Flute 1 TO Trills Single R: C3-C6 | L: 1 (f) | RR: 2
15. Flute 1 TO Trills Sfz R: C3-C6 | L: 1 (ff) | RR: 2
16. Flute 1 Playable Runs R: C3-C6 | L: 2 (mp, ff) | RR: 2
Flute 2
Articulation Properties
01. Flute 2 LegatoR: C3-C6 | L: 2 (p, ff) | 1st-8th | V: Without,
Romantic
02. Flute 2 Sus Imm R: C3-C6 | L: 2 (p, ff) | V: Without, Romantic
03. Flute 2 Sus Soft R: C3-C6 | L: 2 (p, ff) | V: Without, Romantic
04. Flute 2 Sus Acc R: C3-C6 | L: 2 (p, ff) | V: Without, Romantic
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05. Flute 2 Staccatissimo R: C3-C6 | L: 2 (p, ff) | RR: 7
06. Flute 2 Staccato R: C3-C6 | L: 2 (p, ff) | RR: 6
07. Flute 2 Marcato Long R: C3-C6 | L: 2 (p, ff) | RR: 3
08. Flute 2 Marcato Short R: C3-C6 | L: 2 (p, ff) | RR: 3
09. Flute 2 Portato Long R: C3-C6 | L: 2 (p, ff) | RR: 3
10. Flute 2 Portato Short R: C3-C6 | L: 2 (p, ff) | RR: 3
11. Flute 2 Repetitions 16th R: C3-C6 | L: 2 (p, ff) | TM
12. Flute 2 Repetitions Triplet R: C3-C6 | L: 2 (p, ff) | TM
13. Flute 2 TO Trills HT-4th R: C3-C6 | L: 2 (p, ff)
14. Flute 2 TO Trills Measured HT-5th R: C3-C6 | L: 1 (mf) | TM Up and Down
15. Flute 2 TO Trills Single R: C3-C6 | L: 2 (p, ff)
16. Flute 2 TO Trills Sfz R: C3-C6 | L: 1 (ff)
Flute 3
Articulation Properties
01. Flute 3 LegatoR: C3-C6 | L: 2 (p, ff) | 1st-8th | V: Without,
Romantic
02. Flute 3 Sus Imm R: C3-C6 | L: 2 (p, ff) | V: Without, Romantic
03. Flute 3 Sus Soft R: C3-C6 | L: 2 (p, ff) | V: Without, Romantic
04. Flute 3 Sus Acc R: C3-C6 | L: 2 (p, ff) | V: Without, Romantic
05. Flute 3 Staccatissimo R: C3-C6 | L: 2 (p, ff) | RR: 7
06. Flute 3 Staccato R: C3-C6 | L: 2 (p, ff) | RR: 6
07. Flute 3 Marcato Long R: C3-C6 | L: 2 (p, ff) | RR: 2
08. Flute 3 Marcato Short R: C3-C6 | L: 2 (p, ff) | RR: 3
09. Flute 3 Portato Long R: C3-C6 | L: 2 (p, ff) | RR: 3
10. Flute 3 Portato Short R: C3-C6 | L: 2 (p, ff) | RR: 3
11. Flute 3 Repetitions 16th R: C3-C6 | L: 2 (p, ff) | TM
12. Flute 3 Repetitions Triplets R: C3-C6 | L: 2 (p, ff) | TM
13. Flute 3 TO Trills HT-4th R: C3-C6 | L: 2 (p, ff)
14. Flute 3 TO Trills Single R: C3-C6 | L: 2 (p, ff)
15. Flute 3 TO Trills Sfz R: C3-C6 | L: 1 (ff)
16. Flute 3 Playable Runs R: C3-C6 | L: 2 (p, ff) | RR: 2
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Alto Flute
Articulation Properties
01. Alto Flute LegatoR: G2-D5 | L: 2 (p, ff) | 1st-8th | V: Without,
Romantic
02. Alto Flute Sus Imm R: G2-D5 | L: 2 (p, ff) | V: Without, Romantic
03. Alto Flute Sus Soft R: G2-D5 | L: 2 (p, ff) | V: Without, Romantic
04. Alto Flute Staccatissimo R: G2-D5 | L: 2 (p, ff) | RR: 7
05. Alto Flute Portato Long R: G2-D5 | L: 2 (p, ff) | RR: 3
06. Alto Flute Portato Short R: G2-D5 | L: 2 (p, ff) | RR: 3
07. Alto Flute Playable Runs R: G2-D5 | L: 2 (p, ff) | RR: 3
Oboe 1
Articulation Properties
01. Oboe 1 LegatoR: A#2-F5 | L: 2 (p, ff) | 1st-8th | V: Without,
Romantic
02. Oboe 1 Sus Imm R: A#2-F5 | L: 2 (p, ff) | V: Without, Romantic
03. Oboe 1 Sus Soft R: A#2-F5 | L: 2 (p, ff) | V: Without, Romantic
04. Oboe 1 Sus Acc R: A#2-F5 | L: 2 (p, ff) | V: Without, Romantic
05. Oboe 1 Staccatissimo R: A#2-F5 | L: 2 (p, ff) | RR: 7
06. Oboe 1 Staccato R: A#2-F5 | L: 2 (p, ff) | RR: 5
07. Oboe 1 Marcato Long R: A#2-F5 | L: 2 (p, ff) | RR: 2
08. Oboe 1 Marcato Short R: A#2-F5 | L: 2 (p, ff) | RR: 3
09. Oboe 1 Portato Long R: A#2-F5 | L: 2 (p, ff) | RR: 2
10. Oboe 1 Portato Short R: A#2-F5 | L: 2 (p, ff) | RR: 3
11. Oboe 1 Repetitions 16th R: A#2-F5 | L: 2 (mf, ff) | TM
12. Oboe 1 Repetitions Triplets R: A#2-F5 | L: 2 (mf, ff) | TM
13. Oboe 1 TO Trills HT-4th R: A#2-F5 | L: 2 (mf, ff)
14. Oboe 1 TO Trills Measured HT-5th R: A#2-F5 | L: 1 (mf) | TM Up and Down
15. Oboe 1 TO Trills Single R: A#2-F5 | L: 2 (p, ff)
16. Oboe 1 TO Trills Sfz R: A#2-F5 | L: 1 (ff)
17. Oboe 1 Playable Runs R: A#2-F5 | L: 2 (p, ff) | RR: 5
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Oboe 2
Articulation Properties
01. Oboe 2 LegatoR: A#2-F5 | L: 2 (p, ff) | 1st-8th | V: Without,
Romantic
02. Oboe 2 Sus Imm R: A#2-F5 | L: 2 (p, ff) | V: Without, Romantic
03. Oboe 2 Sus Soft R: A#2-F5 | L: 2 (p, ff) | V: Without, Romantic
04. Oboe 2 Sus Acc R: A#2-F5 | L: 2 (p, ff) | V: Without, Romantic
05. Oboe 2 Staccatissimo R: A#2-F5 | L: 2 (p, ff) | RR: 7
06. Oboe 2 Staccato R: A#2-F5 | L: 2 (p, ff) | RR: 5
07. Oboe 2 Marcato Long R: A#2-F5 | L: 2 (p, ff) | RR: 2
08. Oboe 2 Marcato Short R: A#2-F5 | L: 2 (p, ff) | RR: 3
09. Oboe 2 Portato Long R: A#2-F5 | L: 2 (p, ff) | RR: 2
10. Oboe 2 Portato Short R: A#2-F5 | L: 2 (p, ff) | RR: 3
11. Oboe 2 Repetitions 16th R: A#2-F5 | L: 2 (p, ff) | TM
12. Oboe 2 Repetitions Triplets R: A#2-F5 | L: 2 (p, ff) | TM
13. Oboe 2 TO Trills HT-WT R: A#2-D#5 | L: 2 (p, ff)
14. Oboe 2 TO Trills Single R: A#2-E5 | L: 2 (p, ff)
15. Oboe 2 TO Trills Sfz R: A#2-E5 | L: 2 (p, ff)
16. Oboe 2 Playable Runs R: A#2-F5 | L: 2 (p, ff) | RR: 5
English Horn
Articulation Properties
01. English Horn LegatoR: F2-A#4 | L: 2 (p, ff) | 1st-8th | V: Without,
Romantic
02. English Horn Sus Imm R: F2-A#4 | L: 2 (p, ff) | V: Without, Romantic
03. English Horn Sus Soft R: F2-A#4 | L: 2 (p, ff) | V: Without, Romantic
04. English Horn Sus Acc R: F2-A#4 | L: 2 (p, ff) | V: Without, Romantic
05. English Horn Staccatissimo R: F2-A#4 | L: 2 (p, ff) | RR: 5
06. English Horn Staccato R: F2-A#4 | L: 2 (p, ff) | RR: 5
07. English Horn Marcato Long R: F2-A#4 | L: 2 (p, ff) | RR: 3
08. English Horn Marcato Short R: F2-A#4 | L: 2 (p, ff) | RR: 3
09. English Horn Portato Long R: F2-A#4 | L: 2 (p, ff) | RR: 3
10. English Horn Portato Short R: F2-A#4 | L: 2 (p, ff) | RR: 3
11. English Horn TO Trills HT-WT R: F2-A#4 | L: 2 (p, ff)
12. English Horn TO Trills Measured HT-5th R: F2-A#4 | L: 1 (mf) | TM Down
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13. English Horn TO Trills Single R: F2-A#4 | L: 2 (p, ff)
14. English Horn TO Trills Sfz R: F2-A4 | L: 1 (ff)
15. English Horn Playable Runs R: F2-A#4 | L: 2 (p, ff) | RR: 2
Clarinet 1
Articulation Properties
01. Clarinet 1 Legato R: D2-D5 | L: 3 (p, mf, ff) | 1st-8th
02. Clarinet 1 Sustains R: D2-D5 | L: 4 (p, mf, f, ff)
03. Clarinet 1 Staccatissimo R: D2-D5 | L: 2 (p, f) | RR: 4
04. Clarinet 1 Staccato R: D2-E5 | L: 3 (p, mf, ff) | RR: 7
05. Clarinet 1 Marcato Long R: D2-D5 | L: 2 (mp, ff) | RR: 4
06. Clarinet 1 Marcato Short R: D2-D5 | L: 3 (p, mf, ff) | RR: 4
07. Clarinet 1 Double Tongue R: D2-D5 | L: 2 (mp, f) | RR: 2
08. Clarinet 1 Double Tongue Measured R: D2-D5 | L: 2 (mp, f) | RR: 2 | TM
09. Clarinet 1 Triple Tongue R: D2-D5 | L: 2 (mp, f) | RR: 2
10. Clarinet 1 Triple Tongue Measured R: D2-D5 | L: 2 (p, f) | RR: 2 | TM
11. Clarinet 1 TO Trills HT-5th R: D2-A#4 | L: 2 (mp, ff)
12. Clarinet 1 TO Trills Measured HT-5th R: D2-A#4 | L: 2 (mp, ff) | TM Up
13. Clarinet 1 TO Trills Sfz R: D2-C5 | L: 2 (mp, ff) | RR: 2
14. Clarinet 1 TO Trills Single R: D2-C5 | L: 1 (ff) | RR: 2
15. Clarinet 1 Playable Runs R: D2-D5 | L: 2 (mp, ff) | RR: 2
Clarinet 2
Articulation Properties
01. Clarinet 2 Legato R: D2-F5 | L: 3 (p, mf, ff) | 1st-8th
02. Clarinet 2 Sus Imm R: D2-F5 | L: 3 (p, mf, ff)
03. Clarinet 2 Sus Soft R: D2-F5 | L: 3 (p, mf, ff)
04. Clarinet 2 Sus Acc R: D2-F5 | L: 2 (mf, ff)
05. Clarinet 2 Staccatissimo R: D2-F5 | L: 3 (p, mf, ff) | RR: 7
06. Clarinet 2 Staccato R: D2-F5 | L: 3 (p, mf, ff) | RR: 5
07. Clarinet 2 Marcato Long R: D2-F5 | L: 2 (mf, ff) | RR: 2
08. Clarinet 2 Marcato Short R: D2-F5 | L: 2 (mf, ff) | RR: 3
09. Clarinet 2 Portato Long R: D2-F5 | L: 3 (p, mf, ff) | RR: 2
10. Clarinet 2 Portato Short R: D2-F5 | L: 3 (p, mf, ff) | RR: 3
17
| Berlin Series | Berlin Woodwinds
OT Articulation Guide
© 2017 Orchestral Tools | Schwarzer & Mantik GmbH
11. Clarinet 2 Repetitions 16th R: D2-F5 | L: 2 (p, ff) | TM
12. Clarinet 2 Repetitions Triplets R: D2-F5 | L: 2 (p, ff) | TM
13. Clarinet 2 TO Trills HT-4th R: D2-F5 | L: 2 (mf, ff)
14. Clarinet 2 TO Trills Single R: D2-F5 | L: 2 (p, ff)
15. Clarinet 2 TO Trills Sfz R: D2-F5 | L: 1 (ff)
16. Clarinet 2 Playable Runs R: D2-F5 | L: 3 (p, mf, ff) | RR: 5
Bassoon 1
Articulation Properties
01. Bassoon 1 LegatoR: A#0-A3 | L: 3 (p, mf, ff) | 1st-8th | V: Without,
Romantic
02. Bassoon 1 Sustains R: A#0-A3 | L: 3 (p, mf, ff) | V: Without, Romantic
03. Bassoon 1 Staccatissimo R: A#0-A3 | L: 3 (p, mf, ff) | RR: 9
04. Bassoon 1 Staccato R: A#0-A3 | L: 3 (p, mf, ff) | RR: 8
05. Bassoon 1 Portato Long R: A#0-A3 | L: 2 (mf, ff) | RR: 3
06. Bassoon 1 Portato Short R: A#0-A3 | L: 2 (mf, ff) | RR: 3
07. Bassoon 1 Sforzando R: A#0-A3 | L: 1 (fff) | RR: 2
08. Bassoon 1 Fortepiano R: A#0-A3 | L: 1 (ff)
09. Bassoon 1 Double Tongue R: A#0-A3 | L: 2 (mf, ff) | RR: 2
10. Bassoon 1 Double Tongue Measured R: A#0-A3 | L: 2 (mf, ff) | RR: 2 | TM
11. Bassoon 1 Triple Tongue R: A#0-A3 | L: 2 (mf, ff) | RR: 2
12. Bassoon 1 Triple Tongue Measured R: A#0-A3 | L: 2 (mf, ff) | RR: 2 | TM
13. Bassoon 1 TO Trills HT-WT R: A#0-A3 | L: 2 (mp, ff)
Bassoon 2
Articulation Properties
01. Bassoon 2 LegatoR: A#0-A3 | L: 3 (p, mf, ff) | 1st-8th | V: Without,
Romantic
02. Bassoon 2 Sustains R: A#0-A3 | L: 3 (p, mf, ff) | V: Without, Romantic
03. Bassoon 2 Staccatissimo R: A#0-A3 | L: 3 (p, mf, ff) | RR: 9
04. Bassoon 2 Staccato R: A#0-A3 | L: 3 (p, mf, ff) | RR: 8
05. Bassoon 2 Portato Long R: A#0-A3 | L: 2 (mf, ff) | RR: 3
06. Bassoon 2 Portato Short R: A#0-A3 | L: 2 (mf, ff) | RR: 3
07. Bassoon 2 Sforzando R: A#0-A3 | L: 1 (fff) | RR: 2
08. Bassoon 2 Double Tongue R: A#0-A3 | L: 2 (mp, ff) | RR: 2
18
| Berlin Series | Berlin Woodwinds
OT Articulation Guide
09. Bassoon 2 Double Tongue Measured R: A#0-A3 | L: 2 (mp, ff) | RR: 2 | TM
10. Bassoon 2 Triple Tongue R: A#0-A3 | L: 2 (mp, ff) | RR: 2
11. Bassoon 2 Triple Tongue Measured R: A#0-A3 | L: 2 (mp, ff) | RR: 2 | TM
12. Bassoon 2 TO Trills HT-WT R: A#0-A3 | L: 2 (mp, ff)
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