Juxtaposition

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Compare the ways in which (at least) three writers use juxtaposition to convey their intended message.By Dense Law, Hou Hiu Wan, Jane Wong, Natalie Pang

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O JUXTAPOSITION

JUXTAP OSITION? what is O

Juxtaposition is a placement of two words / descriptions / concepts literally or figuratively next to each other to present a comparison or contrast

Juxtaposition causes readers to stop and reconsider the meaning of the text through contrasting images / ideas / motifs

JUXTAP OSITION? what is O

Modernist poetry played extensively with juxtaposing images, inserting unrelated fragments together to create wonder and interest in readers

JUXTAP OSITION? what is O

BISHOP, PLATH, FROST, STEINBECK’S selected works

juxtaposition in

JUXTAPOSITION in BISHOP’S work

SANDPIPER

SANDPIPER juxtaposition in

The vast and large: “roaring alongside” “bound to shake” “Atlantic drains” “Sea  of  Atlas”,  the  2nd  

largest  of  world’s  oceanic  divisions

The  power  &  immensity  of  the  surrounding

The vast and large: “a sheet/of interrupting water comes and goes/and glazes over his dark and brittle feet”

Ability  to  encompass;  the  vastness  meets  the  sandpiper

SANDPIPER juxtaposition in

The minute: “watching his toes” “His beak is focused” “spaces of sand between them” “grains” The  smallest  parAcle  

for  one  to  discern

Small  parts  of  the  body

A  minute  focus

SANDPIPER juxtaposition in

SANDPIPER juxtaposition in

Purpose and message:

To mark and address the coexistence of the vast and the minute

SANDPIPER juxtaposition in

Purpose and message:

Though the world is large and encompassing, one can still observe minute details, and find deeper meaning in the minute

THE FISH

THE FISH juxtaposition in

Beauty: “full-blown roses” “fine rosettes of lime” “like a big peony”

A  romanAc  reading;  see  parts  of  the  fish  as  beauAful  elements  rather  than  ugly  fixtures  

Ugliness: “speckled with barnacles” “frightening gills,/fresh and crisp with blood”

A  grotesque  image;  an  existence  of  the  undesirable  

THE FISH juxtaposition in

Purpose and message:

The recognition of ironic beauty – finding beauty in the ugly

THE FISH juxtaposition in

Purpose and message:

Finding beauty in the ugly becomes Bishop’s revelation and victory – “rainbow, rainbow, rainbow!”

THE FISH juxtaposition in

JUXTAPOSITION in PLATH’S work

YOU’RE

YOU’RE juxtaposition in

The pleasant: “clownlike, happiest on your hands” “my little loaf”

A  suggesAon    of  clumsiness;  affecAonate  and  upliFing  descripAon  

A  warm  image;  tone  of  affecAon  and  tenderness  

The pleasant: “snug as a bud and at home”

SuggesAon    of  a  potenAal  to    bloom  in  beauty  

SuggesAon  of  comfort  and  security  

YOU’RE juxtaposition in

The less appealing: “moon-skulled” “gilled like fish”

A  grotesque  image  

A  darker  and  unseHling  image  

YOU’RE juxtaposition in

The less appealing: “trawling your dark as owls do”

Heaviness  in  image,  suggesAon  of  something  sinister  

YOU’RE juxtaposition in

Purpose and message:

The juxtaposition reflects Plath’s ambivalent attitude towards pregnancy and motherhood

YOU’RE juxtaposition in

JUXTAPOSITION in FROST’S work

BIRCHES

BIRCHES juxtaposition in

Truth versus imagination: “I like to think some boy’s been swinging them./But swinging doesn’t bend them down to stay/As ice storms do”

The  persona  fantasizes  about  a  boy  bending  the  branches.    

The  truth  behind  the  bending  is  the  ice-­‐storm

Earth versus Heaven: world of the treetops and above

earth below

BIRCHES juxtaposition in

Burdens;  difficulAes  and  drudgery  of  the  everyday

EARTH ”It’s when I’m weary of considerations,/And life is too much like a pathless wood”

BIRCHES juxtaposition in

Earth versus Heaven:

”It’s when I’m weary of considerations,/And life is too much like a pathless wood

Dante’s  Inferno:  “I  found  myself  obscured  in  a  great  forest,/  Bewildered,  and  I  knew  I  had  lost  the  way.”

Earth versus Heaven: EARTH

Dante  firstly  reaches  upon  a  great  forest  in  his  journey  to  heaven.    Frost  describes  life  as  a  pathless  wood

BIRCHES juxtaposition in

Swinging  and  climbing  away  from  earth,  toward  the  ethereal,  transcendence

Earth versus Heaven: HEAVEN

”Toward heaven” “I’d like to get away from earth

awhile”

BIRCHES juxtaposition in

BIRCHES juxtaposition in

Permanence versus impermanence:

Heaven  as  a  permanent  escape;  transcendence  as  a  final  desAnaAon

“not to return” “swinger of birches” Swinging  to  experience  a  temporary  escape;    A  two  way  journey:  “good  both  going  and  coming  back”

Purpose and message:

After presenting the two ends of the spectrum, Frost chooses one end over the other

BIRCHES juxtaposition in

Purpose and message:

He rejects the true reason behind the bending of the birches, favoring imagination and escape, but…

BIRCHES juxtaposition in

Purpose and message:

… on the other hand makes it clear that a complete escape into heaven is not desirable (favoring reality, earth)

BIRCHES juxtaposition in

Purpose and message:

Resolution: Earth as “the right place for love” Life, an embodiment of imagination holds a potential for liberation

BIRCHES juxtaposition in

JUXTAPOSITION in STEINBECK’S work

The Chrysanthemums

The juxtaposition in

Entrapment/suffocation: “on every side it sat like a lid on the mountains and made of the great valley a closed pot”

The  landscape  harbors  a  macro  sense  of  suppression  

Chrysanthemums

Hope: “positive yellow flowers” “there’s a glowing there”

SuggesAon  of  glimmer  of  hope  

The juxtaposition in Chrysanthemums

Strength :

Strength  and  power  in  exhibited  in  Elisa’s  hands  and  movements  

“terrier fingers” “over-eager, over powerful”

The juxtaposition in Chrysanthemums

Vulnerability:

Tears  as  sign  of  weakness;  vulnerability  is  demonstrated  in  Elisa’s  behavior  

“she was crying weakly-like an old woman”

The juxtaposition in Chrysanthemums

Purpose and message:

Steinbeck presents Elisa as a complex character who possesses both strength and vulnerability

The juxtaposition in Chrysanthemums

Purpose and message:

While her vulnerability may mark her predetermined or self-imposed role as a housewife, her strength marks her potential to be a liberated woman

The juxtaposition in Chrysanthemums

Purpose and message:

The juxtaposition of natural elements in the setting helps to establish a macro sense of suppression with the presence of a possibility, or a spark of hope for Elisa

The juxtaposition in Chrysanthemums

writers’ usage of juxtaposition in selected works

comparison of

Use of juxtaposition to EMPHASIZE on the subject of greater s i g n i f i c a n c e

Use of juxtaposition t o m a r k t h e CONTRADICTION and ENIGMATIC nature of the subject o f d i s c u s s i o n

Use of juxtaposition to EMPHASIZE on the subject of greater significance

Sandpiper

BISHOP

The  minute,  and  the  treasures  found  

The  vastness  

× let life be frittered away by greatness and complexity ★ find treasures in particularities

★ The ability to see beauty in ugliness is one thing worthy of celebration

Use of juxtaposition to EMPHASIZE on the subject of greater significance

The Fish

BISHOP

Beauty  –  part  of  her  revelaAon  and  victory  

Ugliness  

★ Earth is the better place for love ★ Being a swinger of birches is the best place one could be in

Use of juxtaposition to EMPHASIZE on the subject of greater significance

Birches

FROST

ImaginaAon  Earth  Temporary  escape  

Truth  Heaven  

Permanent  escape  

★ Ambivalence towards pregnancy and motherhood

You’re

PLATH Use of juxtaposition to mark the CONTRADICTION and ENIGMATIC nature of the subject of discussion

Pleasant   Less  appealing  

Use of juxtaposition to mark the CONTRADICTION and ENIGMATIC nature of the subject of discussion

Entrapment  Strength  

Hope  Vulnerability  

STEINBECK

The Chrysanthemums

O THANK YOU

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