Complesso monumentale di s. lorenzo maggiore zona museale

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Parte Museale. Seconda ma non ultima Antonio

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Slide and elaborations original Slide and elaborations original by by Antonio Florino Antonio Florino

English informations English informations automatic advancement from the third imageautomatic advancement from the third image

MUSEUM MUSEUM The Museum of San Lorenzo Maggiore set in sixteenth-century rooms, spread The Museum of San Lorenzo Maggiore set in sixteenth-century rooms, spread around the tower. It offers an extraordinary glimpse into the history of Naples that around the tower. It offers an extraordinary glimpse into the history of Naples that embraces a wide span 25 centuries, from the Roman period to the greek '700 / '800. embraces a wide span 25 centuries, from the Roman period to the greek '700 / '800. Into its scientific and location of the visit reflected the historical layers are present Into its scientific and location of the visit reflected the historical layers are present within the complex. The visitor passes from the testimonies of the Greek era to within the complex. The visitor passes from the testimonies of the Greek era to those of the Roman era, the republican and imperial-era to the late ancient and those of the Roman era, the republican and imperial-era to the late ancient and early Christian and Byzantine civilization from the Middle Ages and the Norman and early Christian and Byzantine civilization from the Middle Ages and the Norman and Swabian, Angevin and Aragonese with that. Moving from one level to another of the Swabian, Angevin and Aragonese with that. Moving from one level to another of the museum, ideally back in time until the last rooms that house the pastors of the museum, ideally back in time until the last rooms that house the pastors of the seven-impressive collection of nineteenth-century convent. A distinctive feature is seven-impressive collection of nineteenth-century convent. A distinctive feature is the fact that the works are presented in the context of the same origin, in order to the fact that the works are presented in the context of the same origin, in order to promote the correct and complete understanding of the above, physically promote the correct and complete understanding of the above, physically rearranging the spaces in which they were located and looking for the same rearranging the spaces in which they were located and looking for the same condition of light, views issues and objectives for which they were produced. This condition of light, views issues and objectives for which they were produced. This need is especially important as the container museum is itself a space steeped in need is especially important as the container museum is itself a space steeped in history. history.

Our friend Hector is always loocking for a "home" to fit him for eternityOur friend Hector is always loocking for a "home" to fit him for eternity

Hector would be fine for this: two bedrooms with two bathroomsHector would be fine for this: two bedrooms with two bathrooms

The evidence of Hector continue in vintage frames ... to the Mona LisaThe evidence of Hector continue in vintage frames ... to the Mona Lisa

But this is really paranoiaBut this is really paranoia

We walk to the exitWe walk to the exit

We go as often happens in the Naples of the most ancient Decumani We go as often happens in the Naples of the most ancient Decumani between the top and bottom, and I think we'll be back in these area soonbetween the top and bottom, and I think we'll be back in these area soon

Hugs from Hugs from Antonio Antonio FlorinoFlorino

antonio.florino@gmail.comantonio.florino@gmail.com

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