ABPL 90085 CULTURE OF BUILDING - Miles Lewis Vecchia, or Old Sacristy of San Lorenzo, Florence, by Filippo Brunelleschi, 1421-8 Eugenio Battisti Brunelleschi (London 1981), p 94
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San Antonio, Padua, 1232-1307Heinrich Klotz, Filippo Brunelleschi: the Early Works and the
M di l T diti (L d 1990) 138
Sagrestia Vecchia, or Old Sacristy of San
Lorenzo, Florence, by
Filippo Brunelleschi,
1421-8
Eugenio Battisti Brunelleschi (London
1981), p 94
Pazzi Chapel, Santa Croce, Florence, by Filippo Brunelleschi & Guiliano da Maiano, c 1443-9 & -1461: dome view & diagram
Battisti, Brunelleschi, p 94.view ; Fine Arts, 172/F632/2CR/PAZINT/14; RE20.33.64
Duomo Santa Maria del Fiore, Florence, stages of constructionMiles Lewis, based on a drawing by G Rich, 1969, in F D Prager & Gustina Scaglia,
Brunelleschi: Studies of His Technology and Inventions, Cambridge [Massachusetts 1970), p 3
Duomo, Florence, model
of the dome built by F
Gizdulich, 1995, Istituto e Museo di Storia della
Scienza, Florence
Paolo Galluzzi,Renaissance Engineers
from Brunelleschi to Leonardo da Vinci
(Giunti, Florence 2001), p 95
Duomo, Florence, section of the dome
Piero Sanpaolesi, ‘La cupola di Santa Maria del Fiore ed il
mausoleo di Soltanieh’ Mitteilungen des
Kunsthistorischen Institutes in Florenz, XVI, 3 (1972), p 227
Duomo, Florence, cutaway isometric
of dome
Rowland Mainstone, ‘Brunelleschi’s Dome
Revisited’, Construction History, 24 (2009), p 19
the structure of the cupola, based on georadar investigationL Giorgi & P Matracchi, ‘New Studies on Brunelleschi’s Dome in Florence’, in Dina D’Ayala & Enrico
Fodde [eds], Structural Analysis of Historic Construction: Preserving Safety and Significance[proceedings of the Sixth International Conference on Structural Analysis of Historic Construction, 2-4
July, Bath, United Kingdom] (2 vols, CRC Press, London 2008), I, p 194
the herringbone brickwork between the north and north-east segmentsGiovanni Fanelli & Michele Fanelli, Brunelleschi’s Cupola: Past and present of an Architectural Masterpiece
(Mandragora, Florence 2004), p 190
Duomo, Florence, detail of the circle within the two shells & diagram of the circle within the outer shell
King, Brunelleschi's Dome, p 108
Duomo, Florence, brick rib construction
Piero Sanpaolesi, ‘La cupola di Santa Maria del Fiore ed il mausoleo di Soltanieh’ Mitteilungen des Kunsthistorischen
Institutes in Florenz, XVI, 3 (1972), pp 257, 258
section of the dome above the second internal
ambulatory, showing the
mattoni d’archoand the
spinapesce bond
Rowland Mainstone, ‘Brunelleschi’s Dome
Revisited’, Construction History, 24 (2009), p 34
Duomo, Florence: the sandstone chain; the stone armature of the domeKing, Brunelleschi's Dome, p 73; Battisti, Brunelleschi, p 141
Duomo, Florence,
diagram of the dome with the location of the
chains
Giovanni Fanelli & Michele Fanelli,
Brunelleschi’s Cupola: Past and present of an
Architectural Masterpiece
(Mandragora, Florence 2004), p 17
detail of the first macigno [stone]
chain
L Ippolito & C Peroni, La Cupola di Santa Maria del’ Fiore (NIS, Rome 1997), reproduced in
Fanelli, Brunelleschi’s Cupola, p 182
Duomo, Florence, timber
base chain
Piero Sanpaolesi, ‘La cupola di Santa Maria
del Fiore ed il mausoleo di Soltanieh’
Mitteilungen des Kunsthistorischen
Institutes in Florenz,XVI, 3 (1972), p 251
the space between the
inner and outer shell with one
of the passages through a spur
Giovanni Fanelli & Michele Fanelli,
Brunelleschi’s Cupola: Past and present of an
Architectural Masterpiece
(Mandragora, Florence 2004), p 168
stairway across the
upper part of the dome, connecting
the third and fourth
walkways
Giovanni Fanelli & Michele Fanelli,
Brunelleschi’s Cupola: Past and present of an
Architectural Masterpiece
(Mandragora, Florence 2004), p 169
Duomo, Florence, schematic cross section of the dome indicating, from archival
records the levels achieved in the different building
campaigns
L Giorgi & P Matracchi, ‘New Studies on Brunelleschi’s Dome in Florence’, in
Dina D’Ayala & Enrico Fodde [eds], Structural Analysis of Historic
Construction: Preserving Safety and Significance [proceedings of the Sixth International Conference on Structural Analysis of Historic Construction, 2-4 July, Bath, United Kingdom] (2 vols, CRC Press, London 2008), I, p 191
Duomo, Florence,reconstruction of
the loading platform in place
and the ‘great hoist’ and ‘great
crane’ in operation at the level of the
the second walkway
H Saalman, Filippo Brunelleschi: the
Cupola of Santa Maria del Fiore (Zwemmer,
London 1980)
Duomo, Florence, dome of 1420-36: Brunelleschi's scaffolding as reported by Nelli, 1755Prager & Scaglia, Brunelleschi: Studies, p 28
Duomo, Florence, plan of scaffolding holesand reconstruction of working platform
Battisti, Brunelleschi, p 123
Duomo, Florence: conjectural reconstruction of the first stage of construction, with scaffolding attached to the interior
Battisti, Brunelleschi, p 139
Duomo, Florence, sections withconjectural reconstruction of scaffolding
Battisti, Brunelleschi, p 166
Duomo, Florence, plan and section of
scaffolding and centring at the top, as
conjectured by F Gattari & A Vartolo
Battisti, Brunelleschi, p 167
later domes & vaults
St Peter’s, Romeold St Paul’s, London
present St Paul’s, LondonResidenz, Wurzburg
Neresheim & Die Vies
St Peter's, Rome, dome by Michelangelo, modified by Giacomo della Porta, 1546-64
Fine Arts 172 / V345 / 11PE / RE 99.091.09
Old St Paul's Cathedral, London: dome proposed by Christopher Wren, 1666elevation & section
Kerry Downes, The Architecture of Wren (2nd ed, Reading [Berkshire] pls 20, 21
St Paul's Cathedral, London, by Sir Christopher Wren,as designed, 1675: south elevation
Downes, Architecture of Wren, pl 58.
Dome des Invalides, drawing of the timber dome framing, and model at the
Musée des Arts et Métiers, Paris
E L Tarbuck [ed], Encyclopædia of Practical Carpentry and Joinery (2 vols, A H Payne, Leipzig, no date), II, pl 43. Connaissance des Arts (Musée
des Arts et Métiers, Paris 2000), p 24
dome of St Paul's, as built by Wren, 1675-1710section & plan of carpentry, axonometric section
Francis Price, The British Carpenter (London 1753), facing p 30Margaret Whinney, Wren (London 1971), p 121
Baptistery, Pisa: original and present elevations & sectionsE H Swift, Roman Sources of Christian Art (New York 1951), after Rouhault de Fleury, Les
Monuments du Pise
St Maria Birnbaum, near Augsburg, Germany,by Konstantin Pader, 1661-8
R Barthel, H Maus & C Kayser, 'Maria Birnbaum - Construction History, Conservation History', in Dina D’Ayala & Enrico Fodde [eds], Structural Analysis of Historic Construction (CRC Press, London 2008) II, p 1424.
St Maria Birnbaum,
longitudinal section through the roof
structure and tower; bottom,
isometric view of the main roof
Barthel, Maus & Kayser, 'Maria
Birnbaum', p 1425
the Residenz, Wurzburg, Germany, by Balthasar Neumann, 1732: sectionLangschnïtt, 1732, Kunstbibliotek, Berlin
Convent Church at Neresheim, Swabia, by BalthasarNeumann, c 1750: plan and section
Pierre Charpentrat, Living Architecture: Baroque, Italy and Central Europe (London 1967 [1964]), p 106
Pilgrimage Church, Die Wies, Germany, by
Dominikus & Johann Baptist Zimmerman,
1745-54: structural detail of the main vault
Hans-Joachim Sachse, Die barocken Dachwerks- und
Gewölbekonstruktionen der Abteikirche zu Neresheim (1975)
Baroque basilica at Ottobeuren, Germany, 1737-66: roof planDavid Yeomans,’A Visit to Bavarian Roofs’, CHS Magazine, no 90, December 2011, pp 18-19
basilica at Ottobeuren, 1737-66: roof space over the main domeDavid Yeomans,’A Visit to Bavarian Roofs’, CHS Magazine, no 90, December 2011, p 21
scaffolding for the nave of St Peter's Church, Rome, c 1550E L Tarbuck [ed], Encyclopædia of Practical Carpentry and Joinery (2 vols, A H Payne, Leipzig, no date),II. p 49
Tower of Babel, detailsthe construction of two arches;
drum-like lifting device based on a treadmill and a block and tackleScientific American (March 1978), p 135
treadmill cranesdetails from the Tower of Babel, and from a portrait of Jan
Fernaguut of Bruges, by Pieter Pourbus the ElderScientific American (March 1978), cover & p 137
crane and capstan, illustrated by Alberti,
1452
[L B Alberti ,Ten Books on Architecture (London 1755
[1452]), pl XV
crane and capstan, devised by John Webb to lift heavy stones at St Paul's Cathedral, London, 1637 (compared with Alberti’s)
Malcolm Airs, The Tudor & Jacobean Country House: a Building History (Godalming [Surrey] 1998), p 143
'stella' or star of pulleys, in use at the Malatestiano, Rimini: miniature by Giovanni di Fano, in the Hesperis of Bassinio
Battisti, Brunelleschi, p 130
Brunelleschi's 'castello‘ craneas drawn by Leonardo da Vinci, and in a model
King, Brunelleschi's Dome, p 70; by by SARI & Mariani, Istituto e Museo di Storia della Scienza, Florence
Brunelleschi’s revolving crane with hoist: model, University of Florence; illustration by Bonaccorso Ghiberti, BR 228 (BNCF) fol 107v
Paolo Galluzzi, Renaissance Engineers from Brunelleschi to Leonardo da Vinci (Giunti, Florence 2001), pp 115, 114
medium duty hoist for use on the ground or on scaffoldingBuonaccorso Ghiberti, Zibaldone (Florence,Biblioteca Nazionale Centrale, MS BR 228
animal-powered hoistsBrunelleschi's ox-hoist (here driven by a horse), as
illustrated by Marco Taccola; model of a similar machineMS Palatino 766 (BNCF), fol 10r.; Battisti, Brunelleschi, p 132
Duomo, Florence, dome of 1420-36,
Brunelleschi's hoisting system
drawing by G Rich, 1969, in Prager & Scaglia, Brunelleschi:
Studies, p 90
model of Brunelleschi’s three speed hoistPaolo Galluzzi, Renaissance Engineers from Brunelleschi to Leonardo
da Vinci (Giunti, Florence 2001), p 101
tongs, keys & pulleys from the Duomo, Florence, C15th and laterGiovanni Fanelli, Brunelleschi (Florence 1980), p 39
wooden model of the Duomo
lantern, Opera di Santa Maria del Fiore Museum,
Florence
Giovanni Fanelli & Michele Fanelli,
Brunelleschi’s Cupola: Past and present of an
Architectural Masterpiece
(Mandragora, Florence 2004), p 16
Duomo, Florence: medium duty hoist, scaffolding and cranes used in the construction of the lantern, & crane on rollers, used to build the cone, from B Ghiberti, Zibaldone
Battisti, Brunelleschi, p 262-3
lifting machine, by Jaques
Besson, 1578:windlass &
double hoist
Jaques Besson, Theatrum
Instrumentorum(late C16th)
anotherlifting machine,
by Jaques Besson, 1578:
Continuous bucket machine
Jaques Besson, Theatrum
Instrumentorum
lifting device with a screw and weight
(for shipbuilding), by Jaques Besson
Jaques Besson, Theatrum Instrumentorum
rotating cranes, from Diderot’s Encyclopédie
Denis Diderot et al, Encyclopédie: ou,
Dictionnaire Raisonné des Sciences, des Arts et des Métiers par une société de
gens de lettres (35 vols, Paris 1751-1780), sv 'Charpente', pl xlvii
eighteenth century
French crane: Musée des
Arts et Metiers, Paris,
inv 1118
Francis Mer et al, Musée des Arts et Metiers: l'Album
(Musée National des Techniques, Paris
1990), p 20
moving the obelisk from the Circus Maximus to the Piazza of St Peter, Rome, by Domenico Fontana, 1586
Sandström, Man the Builder, p 190; M W Jones, Principles of Roman Architecture(New Haven [Connecticut] 2000), p 158
transportation of a granite block of 1500 tonnes for the base of a statue of Peter the Great, St Petersburg, 1768
G E Sandström, Man the Builder (New York 1975 [1970]), p 38
travelling craneE H Knight, The Practical Dictionary of Mechanics (3 vols,
Cassell, Petter, Galpin, London 1877-84), II, p 1585
travelling crane used in the construction of the Lands Department, Sydney, 1876
(a) for hoisting stones in the stonemason's shop during (b) for
building the walls
Emery Balint, Trevor Howells & Victoria Smyth, Warehouses and Woolstores of Victorian Sydney
(Melbourne 1982), p 120, 121
Treasury Building, Melbourne, by J J Clark of the PWD 1858-62: view during construction, 1858Barnett Johnstone photo, State Library of Victoria
patent steam travelling crane by McNicol & Vernon, Liverpool, 1850sImperial Journal, I, facing p 188
steam travelling craneE H Knight, The Practical Dictionary of Mechanics (3 vols,
Cassell, Petter, Galpin, London 1877-84), III, p 2618
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