THE CIMBASSO AND TUBA IN THE OPERATIC WORKS OF GIUSEPPE VERDI: A PEDAGOGICAL AND AESTHETIC COMPARISON Alexander Costantino Dissertation Prepared for the Degree of DOCTOR…

Galpin Society is collaborating with JSTOR to digitize, preserve and extend access to The Galpin Society Journal. http://www.jstor.org The Tone of the Baroque Oboe: An Interpretation…

Oboe Fingering Charts, 1695-1816 Author(s): Bruce Haynes Source: The Galpin Society Journal, Vol. 31 (May, 1978), pp. 68-93 Published by: Galpin Society Stable URL: http://www.jstor.org/stable/841191…

Instruments in Robert Fludd's Utriusque Cosmi... Historia Author(s): Joscelyn Godwin Source: The Galpin Society Journal, Vol. 26 (May, 1973), pp. 2-14 Published by:…

Augustus Stroh's Phonographic Violin. A Journey: Victorian London, Australia, Transylvania Author(s): Alison Rabinovici Source: The Galpin Society Journal, Vol. 58 (May,…

Galpin Society is collaborating with JSTOR to digitize, preserve and extend access to The Galpin Society Journal. http://www.jstor.org Historical and Practical Considerations…

Galpin Society is collaborating with JSTOR to digitize, preserve and extend access to The Galpin Society Journal. http://www.jstor.org Galpin Society Mozart without the Pedal?…

"Musical Instruments in a 1592 Inventory of the Marquis Ferdinando d'Alarçon" by Alberto Mammarella and Lisa Navach in The Galpin Society Journal, Vol. 59 (May,…