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Sanjay Goel, ITM Department, School of Business, SUNY, Albany Watermarking & Steganography ITM 604 Communications, Networking and Security Sanjay Goel
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Watermarking & Steganography - University at Albany, SUNY

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Page 1: Watermarking & Steganography - University at Albany, SUNY

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Watermarking & Steganography

ITM 604

Communications, Networking and Security

Sanjay Goel

Page 2: Watermarking & Steganography - University at Albany, SUNY

• Cryptography is about protecting the content of messages (their meaning).

• Steganography is about concealing the existence of messages

• Watermarking is about establishing identity of information to prevent unauthorized use– They are imperceptible– They are inseparable from the works they are embedded in– They remain embedded in the work even during

transformation

Cryptograpy & Steganography vs. WatermarkingComparison

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Page 3: Watermarking & Steganography - University at Albany, SUNY

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

• The word steganography comes from the Greek steganos , meaning covered or secret, and graphy , meaning writing or drawing. Therefore, steganography literally means covered writing.

• Steganography simply takes one piece of information and hides it within another– Computer files (images, sounds recordings, even disks) contain

unused or insignificant areas of data– Steganography takes advantage of these areas, replacing them with

information (encrypted mail, for instance).– The files can then be exchanged without anyone knowing what really

lies inside of them– An image of the space shuttle landing might contain a private letter to

a friend.– Rumor has it that terrorists used steganography to transmit messages

to one another. (http://www.wired.com/news/politics/0,1283,41658,00.html)

SteganographyBasics

Reference: http://members.tripod.com/steganography/stego.html

Page 4: Watermarking & Steganography - University at Albany, SUNY

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

In his history of the Persian Wars, Herodotus tells of a messenger who shaved his head and allowed a secret message to be tattooed on his scalp. He waited until his hair grew back. Then he journeyed to where the recipient awaited him and shaved his head again. The message was revealed. It was history’s first use of steganography.

SteganographyEarly Examples

Page 5: Watermarking & Steganography - University at Albany, SUNY

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Ancient Romans used to write between lines using invisible ink based on various natural substances such as fruit juices, urine, and milk. Their experience was not forgotten: even nowadays children play spies and write secret messages that appear only when heated.

SteganographyInvisible Ink

Page 6: Watermarking & Steganography - University at Albany, SUNY

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

During the World War II the Germans developed the microdot. A secret message was photographically reduced to the size of a period, and affixed as the dot for the letter 'i' or other punctuation on a paper containing a written message. Microdots permitted the transmission of large amounts of printed data, including technical drawings, and the fact of the transmission was effectively hidden.

SteganographyInvisible Ink

Page 7: Watermarking & Steganography - University at Albany, SUNY

• Computer Steganography is based on two principles. – The first one is that the files containing digitized images or

sound can be altered to a certain extend without loosing their functionality.

– The other principle deals with the human inability to distinguish minor changes in image color or sound quality, which is especially easy to make use of in objects that contain redundant information, be it 16-bit sound, 8-bit or even better 24-bit image. The value of the least significant bit of the pixel color won’t result in any perceivable change of that color.

SteganographyPrinciples

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Page 8: Watermarking & Steganography - University at Albany, SUNY

• The data to be concealed is compressed and hidden within another file.

• The first step is to find a file which will be used to hide the message (also called a carrier or a container.)

• The next step is to embed the message one wants to hide within the carrier using a steganographic technique.

• Two different techniques commonly used for embedding are: – Replace the least significant bit of each byte in the [carrier] with a

single bit for the hidden message.– Select certain bytes in which to embed the message using a random

number generator; resampling the bytes to pixel mapping to preserve color scheme, in the case of an image...; hiding information in the coefficients of the discrete cosine, fractal or wavelet transform of an image; and applying mimic functions that adapt bit pattern to a given statistical distribution."

SteganographyProcess

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Page 9: Watermarking & Steganography - University at Albany, SUNY

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

• EZStego (Stego Online, Stego Shareware, Romana Machado)– Java based software program which supports only GIF and PICT

formats; • Gif-It-Up v1.0 (Lee Nelson)

– A stego program for Windows 95 that hides data in GIF files• Hide and Seek (Colin Maroney)

– can hide any data into GIF images; • JPEG-JSTEG (Derek Upham)

– can hide data inside a JPEG file• MP3Stego (Fabien A.P. Petitcolas, Computer Laboratory, University

of Cambridge)– can hide data inside MP3 sound files;

• Steganos (Demcom, Frankfurt, Germany)– encrypts files and then hides them within BMP, DIB, VOC, WAV,

ASCII and HTML files. Reference:http://www.antichildporn.org/steganog.html

SteganographySoftware

Page 10: Watermarking & Steganography - University at Albany, SUNY

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

• S-Tools is one of the most popular steganography tools. – This program is Windows 95/98 compatible– It has the ability to conceal files within BMP, GIF and WAV files. – Allows you to simply point and click your way to hiding files. – It also has the ability to hide multiple files in one container.– It has been updated each year and can be easily downloaded by

anyone. (http://members.tripod.com/steganography/stego/software.html)

Steganography SoftwareS-Tools

Dear Susan:

I can wait no longer I want to see you now please say that you will come.

San...

Page 11: Watermarking & Steganography - University at Albany, SUNY

• Steganalysis is the art of discovering and rendering useless such covert messages.

• Steganalysis involves analysis of the carrier file– Simpler steganographic techniques produce some

discernible change in the file size, statistics or both. – These changes can manifest themselves in color variations,

loss of resolution and other distortions that are visible to the human eye.

– This form of detection requires that you know what the original carrier image or file should look like.

SteganalysisBasics

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Page 12: Watermarking & Steganography - University at Albany, SUNY

• Watermarking is the practice of hiding a message about an image, audio clip, or other work of media within the work itself.– Watermark is hidden from the user in normal use– Watermark becomes visible as a result of a special

viewing process

Watermarking Basics

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Page 13: Watermarking & Steganography - University at Albany, SUNY

• Sending a message to a spy by marking certain letters in a newspaper using invisible ink

• Adding sub-perceptible echo at certain places in an audio recording.

• Embedding a picture of President Andrew Jackson into the paper during paper making process.

Watermarking Examples

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Page 14: Watermarking & Steganography - University at Albany, SUNY

“In 1981, photographic reprints of confidential BritishCabinet Documents were being printed in newspapers.Rumor has it that to determine the source of the leak, Margaret Thatcher arranged to distribute uniquely identifiable copies of the documents to each of the ministers. Each copy had a different word spacing that was used to encode the identity ofthe recipient.”

- Digital Watermarking, Cox

Watermarking Examples

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Page 15: Watermarking & Steganography - University at Albany, SUNY

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

• A digital watermark is a digital signal or pattern inserted into a digital image.

Digital Watermarking Basics

Page 16: Watermarking & Steganography - University at Albany, SUNY

• In a broadcast monitoring system identifying data is added to the video/audio signal prior to transmission

• Two kinds of monitoring systems exist – Passive Monitoring:

• Recognize the content being broadcast• Compares received signals against a database of known content• Very expensive as large frames need to be compared• Useful for monitoring of competition

– Active Monitoring: • Rely on information that is broadcast along with the content• Relatively easier to implement• Identification information is easily to interpret• Requires cooperation of broadcasting mechanism

Watermarking Applications

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Page 17: Watermarking & Steganography - University at Albany, SUNY

• Under US law the creator of a story, painting, song, or any other original work holds copyright the instant it is recorded in some physical form– Up to 1998 a copyright notice was required to be attached to each

distributed copy if the owner wanted to protect his/her rights– Even after the change in 1998 when this is no longer required the

awards are reduced significantly if the copyright information is not present with the work

• Textual Copyright notices have several limitations– They are easy to remove deliberately or inadvertently– They can be aesthetically ugly if they cover a part of the image– For music the copyright is only on the media not on the work

• Electronic watermarks are imperceptible and inseparable from the work they are contained and are hence superior

Watermarking Owner Identification

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Page 18: Watermarking & Steganography - University at Albany, SUNY

• Textual notices can be erased and replaced by a forger– Image editors can be used to edit copyright notices– One solution is to register the image with copyright

depository (expensive)

• Watermarking can prove image identity– Watermarks may also be altered– It is possible to prove that one image is derived from

another indirectly proving the ownership

Watermarking Proof of Ownership

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Page 19: Watermarking & Steganography - University at Albany, SUNY

• Transaction Tracking• Content Authentication• Copy Control • Device Control

Watermarking Other Applications

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Page 20: Watermarking & Steganography - University at Albany, SUNY

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

• Should be perceptually invisible to prevent obstruction of the original image.

• Statistically invisible so it cannot be detected or erased.• Simple to extract watermark from image

– Otherwise, the detection process requires too much computation time.

• Detection should be accurate. – Few false positives & false negatives

• Should be able to produce numerous watermarks.– Otherwise, only a limited number of images may be marked.

• Should be robust to filtering, additive noise, compression, and other forms of image manipulation.

• Should be able to determine the true owner of the image.

Image Watermarking Properties

Page 21: Watermarking & Steganography - University at Albany, SUNY

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Watermarking Process

Reference: http://www.ece.utexas.edu/~bevans/courses/ee381k/projects/fall98/fu/literatureSurvey.pdf

Page 22: Watermarking & Steganography - University at Albany, SUNY

• M-Sequence Generator– Embedded or added to the last significant digit of the original image – Watermark was extracted by taking the least significant bits at specific

locations– Detection was done by cross correlation of the original and extracted

watermarks

• Discrete Cosine Transform (DCT)– Watermark was placed in perpetually significant areas of the image– Watermark based on 1000 random samples of a N(0,1) distribution– Sample was added to the 1000 largest DCT coefficients of the image– Inverse DCT was taken to retrieve the watermarked image– For detection watermark was extracted from the DCT of suspected

image

Image Watermarking Techniques

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Page 23: Watermarking & Steganography - University at Albany, SUNY

• Discrete Wavelet Transform(DWT)– Watermark modeled as Gaussian noise was added to

middle and high frequency bands of the image– Decoding process involved taking DWT of potentially

marked image

• Fractal Codes– A collage map was composed from 8x8 blocks of original

image and from image’s DCT

Image Watermarking Techniques

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Page 24: Watermarking & Steganography - University at Albany, SUNY

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Watermarking Image

Page 25: Watermarking & Steganography - University at Albany, SUNY

Watermarking Image

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Page 26: Watermarking & Steganography - University at Albany, SUNY

• Perceptually inaudible, – such that no perceptual quality degradation occurs

• Statistically undetectable – To ensure security

• Cannot be removed or modified by any signal processing operation (e.g. filtering, compression, MP3-encoding,...) without degrading perceptual quality

• Readily extractable to detect copyright information

Watermarking Audio Properties

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Page 27: Watermarking & Steganography - University at Albany, SUNY

• Echo Coding• Phase Coding• Direct-Sequence Spread Spectrum• Frequency-Hopped Spread Spectrum• Frequency Masking

Watermarking Audio Techniques

Sanjay Goel, ITM Department, School of Business, SUNY, Albany

Page 28: Watermarking & Steganography - University at Albany, SUNY

Watermarking AudioOriginal Sound Original Sound

Watermarked Sound Watermarked Sound

Frequency Hopped Spread SpectrumEcho Coding

• Wideband Audio Signal is a raw WAV file - Ten seconds in length- Sampled at 44.1 kHz - Quantized to 16 bits per sample

Sanjay Goel, ITM Department, School of Business, SUNY, Albany