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Video 1. Video Signal Representation Color Encoding Computer Video Format Video2.

Dec 30, 2015

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Mervyn Parsons
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Page 1: Video 1.  Video Signal Representation  Color Encoding  Computer Video Format Video2.

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Page 2: Video 1.  Video Signal Representation  Color Encoding  Computer Video Format Video2.

Video Signal Representation Color Encoding Computer Video Format

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Video is the technology of electronically capturing, recording, processing, storing, transmitting, and reconstructing a sequence of still images representing scenes in motion.

The term video (from Latin: "I see") commonly refers to several storage formats for moving eye pictures: digital video formats, including DVD, QuickTime, and MPEG-4; and analog videotapes, including VHS and Betamax. Video can be recorded and transmitted in various physical media: in magnetic tape when recorded as PAL or NTSC electric signals by video cameras, or in MPEG-4 or DV digital media when recorded by digital cameras.

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◦ Human eye views video immanent properties of the eye determine essential

conditions related to video systems.◦ Video signal representation consists of 3

aspects: Visual RepresentationVisual Representation

objective is to offer the viewer a sense of presence in the scene and of participation in the events portrayed.

TransmissionTransmission Video signals are transmitted to the receiver through a

single television channel DigitalizationDigitalization

analog to digital conversion, sampling of gray(color) level, quantization.

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Aspect ratio describes the dimensions of video screens and video picture elements.

All popular video formats are rectilinear, and so can be described by a ratio between width and height.

The screen aspect ratio of a traditional television screen is 4:3, or about 1.33:1. High definition televisions use an aspect ratio of 16:9, or about 1.78:1.

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◦ The televised image should convey the spatial and temporal content of the scene Vertical detail and viewing distance

Aspect ratio: ratio of picture width and height (4/3 = 1.33 is the conventional aspect ratio).

Viewing angle = viewing distance/picture height Horizontal detail and picture width

Picture width (conventional TV service ) - 4/3 * picture height

Total detail content of the image Number of pixels presented separately in the picture height

= vertical resolution Number of pixels in the picture width

= horizontal resolution*aspect ratio product equals total number of picture elements in the

image.

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Perception of Depth In natural vision, this is determined by angular

separation of images received by the two eyes of the viewer

In the flat image of TV, focal length of lenses and changes in depth of focus in a camera influence depth perception.

Luminance and Chrominance Color-vision - achieved through 3 signals, proportional to

the relative intensities of RED, GREEN and BLUE. Color encoding during transmission uses one

LUMINANCE and two CHROMINANCE signals Temporal Aspect of Resolution

Motion resolution is a rapid succession of slightly different frames. For visual reality, repetition rate must be high enough (a) to guarantee smooth motion and (b) persistence of vision extends over interval between flashes(light cutoff b/w frames).

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Chrominance (chroma for short), is the signal used in video systems to convey the color information of the picture, separately from the accompanying luma signal.

Chrominance is usually represented as two color-difference components: U = B'–Y' (blue – luma) and V = R'–Y' (red – luma). Each of these difference components may have scale factors and offsets applied to them, as specified by the applicable video standard.

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luma represents the brightness in an image (the "black and white" or achromatic portion of the image).

Luma is typically paired with chroma. Luma represents the achromatic image without any color, while the chroma components represent the color information.

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Continuity of motion Motion continuity is achieved at a minimal 15 frames per

second; is good at 30 frames/sec; some technologies allow 60 frames/sec.

NTSC standard provides 30 frames/sec - 29.97 Hz repetition rate.

PAL standard provides 25 frames/sec with 25Hz repetition rate.

Flicker effect Flicker effect is a periodic fluctuation of brightness

perception. To avoid this effect, we need 50 refresh cycles/sec. Display devices have a display refresh buffer for this.

Temporal aspect of video bandwidth depends on rate of the visual system to scan pixels and on

human eye scanning capabilities.

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◦ Video bandwidth is computed as follows 700/2 pixels per line X 525 lines per picture X 30

pictures per second Visible number of lines is 480.

◦ Intermediate delay between frames is 1000ms/30fps = 33.3ms

◦ Display time per line is 33.3ms/525 lines = 63.4 microseconds

◦ The transmitted signal is a composite signal consists of 4.2Mhz for the basic signal and 5Mhz for

the color, intensity and synchronization information.

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◦ A camera creates three signals RGB (red, green and blue)

◦ For transmission of the visual signal, we use three signals

1 luminance (brightness-basic signal) and 2 chrominance (color signals).

In NTSC, luminance and chrominance are interleaved Goal at receiver

separate luminance from chrominance components avoid interference between them prior to recovery of

primary color signals for display.

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◦ RGB signal - for separate signal coding consists of 3 separate signals for red, green and

blue colors. Other colors are coded as a combination of primary color. (R+G+B = 1) --> neutral white color.

◦ YUV signal separate brightness (luminance) component Y and color information (2 chrominance signals U and V)

Y = 0.3R + 0.59G + 0.11B U = (B-Y) * 0.493 V = (R-Y) * 0.877

Resolution of the luminance component is more important than U,V

Coding ratio of Y, U, V is 4:2:2

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◦ YIQ signal similar to YUV - used by NTSC format

Y = 0.3R + 0.59G + 0.11B U = 0.60R - 0.28G + 0.32 B V = 0.21R -0.52g + 0.31B

◦ Composite signal All information is composed into one signal To decode, need modulation methods for eliminating

interference b/w luminance and chrominance components.

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◦ Refers to sampling the gray/color level in the picture at MXN array of points.

◦ Once points are sampled, they are quantized into pixels

sampled value is mapped into an integer quantization level is dependent on number of bits used

to represent resulting integer, e.g. 8 bits per pixel or 24 bits per pixel.

◦ Need to create motion when digitizing video digitize pictures in time obtain sequence of digital images per second to

approximate analog motion video.

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◦ Video Digitizer A/D converter

◦ Important parameters resulting from a digitizer digital image resolution quantization frame rate

E.g. Parallax X Video - camera takes the NTSC signal and the video board digitizes it. Resulting video has 640X480 pixels spatial resolution 24 bits per pixel resolution 20fps (lower image resolution - more fps)

Output of digital video goes to raster displays with large video RAM memories. Color lookup table used for presentation of color

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◦ Bandwidth requirement for images raw image transmission b/w = size of image = spatial

resolution x pixel resolution compressed image - depends on compression scheme symbolic image transmission b/w = size of instructions

and primitives carrying graphics variables◦ Bandwidth requirement for video

uncompressed video = image size X frame rate compressed video - depends on compression scheme e.g HDTV quality video uncompressed - 345.6Mbps,

compressed using MPEG (34 Mbps with some loss of quality).

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