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7/18/2019 Sanssouci Crister Persson http://slidepdf.com/reader/full/sanssouci-crister-persson 1/18 #Tbottpvdj# (guitar solo by Crister Persson) (At the Kings`s Comand, the Song and Remainder Resolved with Canonic Art) "RICERCAR" “The dedication above was engraved in Latin on the front page of "A Musical Offering" by Johan Sebastian Bach. In Latin caracters, the intials of this inscription will give "Ricercar", an Italian word, meaning "to seek". The work consist of, one three part fugue, one six-part fugue, ten canons, and a trio sonata built upon a "Royal Theme" presented to Bach by the dedicee himself, Fredrik the Great, during a visit to the Court of Potsdam 1747. In "Sanssouci" the "Royal Theme" is seeking through the History, as revealed by stylistic methods from varios epochs of the guitar. The musical artefacts eventually appears, simuntanensly in different forms to engulf the theme, and later on, to overpower it with brutal attacks from the garbage can of the guitar history. The Void remains as the only sanctuary. Christer Persson 1994. (*) ( * with exclusive legal rights of publishing by the Writer; Rolf Ranehov) “ (original text by the autor) Donated by Rolf Ranehov – 2002.  Tpmp Hvjubs Tpdjfuz [email protected] http://www.geocities.com/sgsociety
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Sanssouci Crister Persson

Mar 02, 2016

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Page 1: Sanssouci Crister Persson

7/18/2019 Sanssouci Crister Persson

http://slidepdf.com/reader/full/sanssouci-crister-persson 1/18

#Tbottpvdj#(guitar solo by Crister Persson)

(At the Kings`s Comand, the Song and Remainder Resolved with Canonic Art) "RICERCAR"

“The dedication above was engraved in Latin on the frontpage of "A Musical Offering" by Johan Sebastian Bach.

In Latin caracters, the intials of this inscription will give"Ricercar", an Italian word, meaning "to seek".

The work consist of, one three part fugue, one six-partfugue, ten canons, and a trio sonata built upon a "RoyalTheme" presented to Bach by the dedicee himself,Fredrik the Great, during a visit to the Court of Potsdam1747.

In "Sanssouci" the "Royal Theme" is seeking through theHistory, as revealed by stylistic methods from variosepochs of the guitar. The musical artefacts eventuallyappears, simuntanensly in different forms to engulf thetheme, and later on, to overpower it with brutal attacksfrom the garbage can of the guitar history.The Void remains as the only sanctuary.Christer Persson 1994. (*)

( * with exclusive legal rights of publishing by the Writer;Rolf Ranehov) “ (original text by the autor)

Donated by Rolf Ranehov – 2002.

 Tpmp Hvjubs [email protected]

http://www.geocities.com/sgsociety

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