Sahil shah portfolio

CONTENTS

TABOO OR DIRT SPACES INSIDE THE CITY LIMIT

Space in architectural term means to lsaquodetermine boundariesrsaquo Societies have imagined specific boundaries and margins for making the city more systematic and rigid Spaces outside these margins or boundaries are seen as taboo or dark spaces Society does not exist in a neutral or an uncharged vaccum there are apparently both light(positive) and dark(negative) spaces Society tries to employ architecture as a means to stabilize and to institutionalize usually through rigid city planning It is evident that the planning of the city of Bombay by the colonials is also rigid city planning with the dark(taboo) spaces planned away from the city centre towards the outskirts of the city In modernist planning the whole idea of hygiene keeps the spaces like cremetorium Slaughter house Brothels STP Dumping ground etc away from the city centre and cities habitual spaces since such spaces are seen as dirt in the whole hygienic society But with the growth of the city limit these dark spaces are now engulfed into the city limits But the perception of the society havent changed over time for such spaces even though these spaces are now a part of the society

THESIS- Fifth Year GUIDE- Rupali Gupte

P-3

ANGULAR WALL

PLAN SHOWING BUILDINGSBACK FACADE FACING CREMATORIUM

CREMATORIUM- Usually are away from the residential area But due to thegrowing city limit its becoming a part of the habitable spaceBut still ignored by huge wallsand trees surrounding and and trees surrounding and angular walls obstructing theview

Tress and huge walls

Patra overwalls toobstruct view

SLAUGHTER HOUSE (DEONAR)-The salughter house at Deonar is one of the asias largest slaughter house and was placed well away from the resedential area but with the growing city its now a part of the city and also have become the connection to vashi(via road)The precinct is surrounded by the slums and there is huge open space acting as buffer zoneAnd the common approach of huge walls and open space acting as buffer zoneAnd the common approach of huge walls and trees are seen here again

OPEN SPACES ACTING ASBUFFER ZONE

SLAUGHTER HOUSE

SLUMS BUILT AROUND THE SLAUGHTER HOUSE AND RAILWAY STATION

LOCATION OF DUMPING GROUNDS IN MUMBAI

DUMPING GROUNDS-

Four Main dumping grounds in mumbai are located at the edges of city Of Four Main dumping grounds in mumbai are located at the edges of city Of these four Deonar dumping ground is one of the largest The deonar dumping ground is now over the period of time engulfed into the city limits(connec-tion between mumbai and navi mumbai via road) The precint around the dump-ing ground is mainly the illegal slums which forms the threshold between the main city highway and dumping ground The Gorai dumping ground is now closed with the growing residential buildings in that area

SLUMS DUMPING GROUND

HIGHWAY

DEONAR DUMPING GROUND

SLUMS-

Mumbai has asias biggest slum Dharavi Mumbai has asias biggest slum Dharavi well inside the city and slums are in-cresing due to lack of low income hous-ingThe habitable conditions are very bad with narrow lanes practically no drain-age no proper light and ventilation etc

CHANGING HEIGHTS OF HOUSES IN SLUMS

NARROW LANES WITH NOLIGHT AND VENTILA-TIONS

STUDY OF FEW DARK SPACES INSIDE THE CITY SCAPE

NARROW LANES

BROTHELS BY THE ROAD

KAMATIPURA( RED LIGHT AREA)- Situated in the main city town The area was planned for the british colonial soldiers thus located near the base campsThe precinct has narrow lanesbad hy-giene old dilapidated structures and C grade film theatres which acted as a threshold to the main society and the red light area But with the current growth of the cit the red ligh area has reduced from 10 lanes to maximum of 3 lanesAnd the builders are trying to buy the property for more residential building thus completely trying to remove the brothelsFew brothels which were removed was shifted to navi mumbai but in parts and at different locations shifted to navi mumbai but in parts and at different locations

MAP OF KAMATIPURA AND ITS PRECINCT

KAMATIPURA RED LIGHT AREA

P-4

Modernist Language of Reformation

Functions carried out by specific spaces which are seen as lsaquoDirtrsaquo in a hygienic society are called as lsaquoDark Spacesrsaquo The modernist ideology imagines all the dark spaces to be taboo and locates it away from the habitable spaces Such dark spaces are also the image for fear or unknown functions it carries The modernist planning ignored these dark spaces and pushed it away from the city limits or try to eradicate it by demolishing such spaces Few examples of such modernist architects are le corbusier haussman etc

In modernist thinking as perceivers we select the stimulus from a context governed by a pattern making tendency Our tendency is to try and fix every event in models and patterns that we have been thought or experienced What happens when we face experiences that do not fit in any pattern Is it possible that instead of conserving society acting on city the city planning help to shape the society

The site consists of four dark spaces adjoin-ing each other in the centre of the cityThe four dark spaces are crematori-um STP Slums Garbage disposal officeThe master planning idea is to make an ur-ban park but not in a modernist way of a clean slate but with small surgical interventions on the sites which starts changing the perception of these dark spaces The interventions change the current way of using these dark spac-es and giving these spaces a new definition

Few programs are-MemorialPathway through the city of deadRe-hab and health care centreSchoolMarketetc

LEVELS OF POROSITY ON THE SITE

MASTER PLAN SHOWING INTERVENTIONS ON SITE

PLAN OF THE URBAN PARK SHOWING ALL THE LAYERS OF INTERVENTIONS AND EXISTING TEXTURE AND ROADS

P-5

EXISTING TEXTURE

MAIN INTERVENTIONS ON SITE

SMALL SURGICAL INTERVENTIONS ON SITE

JUGAAD HOUSING -The project is a low cost housing scheme for a 45000 sqmts plot at the outskirts of Mumbai The site has no context and the proj-ect deals with the idea that the architects usually feel most powerless when the plot given has no context The housing worked with the idea of building for the community by understanding the user group and also understanding what is Affordable housing The idea of making do with what one have in hand is seen in such houses (commonly known as -JUGAAD) S o i started using the idea of ju-gaad by the users to design the master plan and the individual level cluster plan Common Spill out spaces are designed in the mas-ter plan with different functions around it so different types of jugaad can happen all over the master plan and also on the cluster level plan

Fourth Year Second SemesterGUIDE- Shantanu Pordie And Manisha Agharwal

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P-7

Different functions like marketschoolcommunity hall are placed in the master plan so that activi-ty related to these functions starts happening all over the site For eg the paved path next to the market starts be- coming the open bazzars and the housing units next to the school and hall starts usings the space differently

Development of a typical housing cluster The plinth line is staggered to accomodate various activites like street vendor parking etc Shops are placed at the end of the clusters and the staircases are placed on three edges and on thefourth edge duplexes are placedopen to sky spaces are designed at different level for multi utility by the community

H O U S I N GT Y P O L O G I E S

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G R O U N D F L O O R P L A N F I R S T F L O O R P L A N

+ 3 4 5 M

+ 6 4 5 M

+ 9 4 5 M

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G R O U N D F L O O R J U G A A D P L A N

+ 3 4 5 M

+ 6 4 5 M

+ 9 4 5 M

JUGAAD HOUSING - Different level plans showing the possible extenstions(yel- low hatch in both the plans) Different materials could be used for the future extentions Plansshow some of the permenant type jugaad happening over the cluster temporary type ju-

gaad (mandap for festivalsshamiyana etc) can also happen over the community spill out spaces

Sections showing jugaad at different possible levels

Fourth Year First SemesterGUIDE- Aniruddha Paul

REACTIVATING TEMPLE TOWN PRECINCTThe Urban precinct of old kalyan town is made of multiple fragments of old heritage wadas Pokharan talav and its network with the wells Due to the sudden development the water connections between the kala talav and pokharan talav is cut thus making the pokharan talav an inactive space and currently acting like a huge garbage pitThe study of the precinct led to the proposal of an ur-ban water renewal project and the upliftment of the pokharan talav precinct At the master plan level the idea is to open up the rela-tion of the talav with respect to the temples and the community around The project deals with re-activating the pokhran talav precinct

P-10

The main purpose of the manifesto is to create awarness and make new bye-laws with help of government which helps in the up-liftment of the temple precinct and old kalyan town Thus the method of a comic from a view of a protagonist is opted which helps in an easy awarness to the locals and the govenment officalsFor a long time now architecture has been one of the most defining factors of the existence of civilizationArchitecture is the key to the prosperity of civilizations and in case of Kalyan architecture needs to be manifested to do the following1 Recharge the important network of wells and help the Wadas to be thus self-sufficient leading to eventual development in its state and thus becoming sites of heritage significance2 Develop the Pokhran Talao Precinct Pokhran Talao(now dried) being in the middle of 4 temples its development shall activate the otherwise nearly defunct temples and also bring about harmony amongst the various different communities staying there3 Create awareness and increase the popularity of the old town Kalyan and its heritageThis would in turn benefit the people staying in this area through other means such as trade and commerce and hence provide for the sameIn order to bring about these changes the following steps need to be taken with immediate effect1 Rain Water Harvesting using conventional methods can ensure a steady improvement in the groundwater table Hence employing methods of Rainwater Harvesting and Rain water collection at small scales2 Pushing water into the Pokhran Talao from the Ulhas river using methods of Capillary action and groundwater restore to bring back water in this catchment 3 Reduction in the number of Borewells puncturing the Ground Water system4 Installation of Purification systems at regular intervals to provide for the cleansing and filtration of water Since there is availability of sand in the area sand beds can be a good and economic way to filter water collected

O L D K A L Y A N T O W N M A N I F E S T O

kaaheka ache hua jab se kaala talao bana pokhran talao ka panni sookh gaya kitni bimaariya fael rahi hai illake mein kooda kacha-ra chee chal ab bhaaji de

bhaaji le lo taazi taazi bhaajibhindi

60 rskilo aur lauki 50 rskilo

kya bai abhi sab mehenga ho gaya

hai aur abhi yeh kala talao bana

toh app sab logon ka bhi toh achcha

hi hua na

agga bai itna me-hanga bhaajijab se yeh kaala talao ka udhaar hua haitum sab logo ne apna

bhaav bhi chada diya hai

kaala talao ke udhaar ke vajah se mahengai kuch thik nahe lag raha hai chalo old

kalyan ki taraf chala jaaye

architect sanjay udamale enters the kaala talao project area

RAMU KAKAEK CUTTING CHAI MALAI MAARKEhAAN BETA BAITHO

ABHI BANAYE DETAHOON

THIS KID LOOKS LIKE A RESIDENT OF OLD KALYAN TOWN HE MIGHT BE ABLE TO HELP ME INFORMATION

ABoUT WADAS

EK CHAI DENA BHAIYA

YES SIRI LIVE IN ONE OF THE WADAS IN OLD TOWN

KALYAN

DEFINITELY CHALIYE

HI KIDMEIN SANJAY UDAMALE

HOON IrsquoM AN ARCHI TECT KYA TUM ISSI

ILAKE KE REHNE WAALE HO

MAYBE THEN YOU COULD TAKE ME ON A WALK AROUND THE

TOWN AND TELL ME A FEW THINGS

SO SIRTHE PAST WAS BEAUTIFUL MUJHE ABHI BHI BADE YAAD AATE HAI

WOH DIN I HAVE A CLASS NOW SO IrsquoLL HAVE TO LEAVE

IF YOU WANT ANY MORE DETAILS YOU CAN GO TO THE

RAM MANDIR HERE

AFTER ROAMING AROUND IN THE WADAS AND THE OLD TOWN FOR SOME TIME

THE WADAS WERE BUILT BY THE PESHWAS IN THE 19TH CENTURY MY GREAT GRANDFA-THER WAS ONE OF THE

NOBLEMEN IN THE PESHWA COURTA FEW WADAS STILL EXIST IN THIS AREA MINE IS ONE OF THE BIGGEST

ONES

RAMESH TELL ME HOW DID THE WADAS

COME UP IN THIS AREA AND ARE THEY STILL

EXISTENT

THE WADAS ARE BUILT AROUND WELLS AND MY GRANDPARENTS SAY THAT THESE WADAS FLOURISHED AND WERE SELF SUSTAINABLE DUE TO THESE WELLS BUT NOWNOW THE WELLS HAVE DRIED UP AND THEY HAVE BECOME GARBAGE DUMPING HUBS BECAUSE OF WHICH A LOT OF DISEAS-ES HAVE BEEN SPREADING HERE

AND SOON THE DAY CAME WHEN BOTH UDAMALE AND PATEL PUT UP A PRESENTATION IN FRONT THE ENTIRE OLD TOWN OF KALYAN

THE PLAN OF OLD TOWN WITH THE POKHRAN TALAO AT THE CENTRE

ESTABLISHING NEIGHBOURING RAIN-WATER HARVESTING ZONES

CREATING AN OPEN WATER CISTERN GRID AROUN POKHRAN TALAO

P-11

Part of the comic book which shows how a protago-nist tries to bring change to the temple percinct with help of the lo-cals and also the govenment offi-cials

WATER WORKS

HISTORICAL REPRESENTAION OF THE OLD KALYAN TOWN

R I V E R

P O R T E S T A B L I S H M E N T

T R A D E R O U T E S

MUSLIM S E T T L E M E NT

PORTUGUESE INVASION

M U G H A L C O N T R O L

P E S H W A C O N T R O L

Under the Peshwa an underground water network was built The wa-ter is sourced from kala talav to pokharan talav which acts like a reser- viour From the pokharan talav a connection was built with the wells

Wadas were built during the peshwas and each wada had a com-mon well which drew water from the reserviour which was used for dai- ly life With the development the connection between the kala talav andpokharan talav is broken thus ending the sustanable water connection

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H E R I T A G E T E M P L E S

OLD KALYAN TOWN

HERITAGE TEMPLES

POTENTIAL SITES

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MARRIAGE HALL AND MARKET(RENTED AND BAZZAR)

COMMERCIAL OFFICES(RENTED)

BAZZAR CONNECTING

CONNECTING

CONNECTING

GHATS

PEDISTRIANROAD

PEDISTRIANROAD

DHARAMSHALAMULTIPURPOSE HALL

KALE WADAOPEN WORKSHOP OPEN

WORKSHOP

MASTER PLAN

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P O T E N T I A L S I T E S

M A S T E R P L A N D E S I G N S T R T E R G I E S O V E R T H E M A S T E R P L A NP-12

The old kalyan is the town with Heritage templesWada and Pokharan talav Due to sud-den increase in population and random development in the temple precinct made pokharan talav inactive and also the talav has become the backyard of the buildings sur-rounding it So to re activate the talav view points are created from the road towards the talav by opening the area around the talav Thus changing the talavs view as the the backyard to the buildings to the frontyard and also re activating it as a community space

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MARKET

MARKET

WORKSHOP

EXHIBITION

PUJARI HOUSE

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KHAUN GALLI(FOOD COURT) BAZZAR

ADMIN

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G R O U N D F L O O R P L A N

S E C T I O N A - A

K A L E W A D A S E C T I O N

S E C T I O N B - B

S E C T I O N C - C D H A R A M S H A L A S E C T I O N

POKHARAN TALAV PRECINCT

KALE WADA OPEN SPACE

RESTORED KALE WADA

DHARAMSHALA VIEWPOINT

DHARAMSHALA SIDE VIEW

PARNAKA VIEWPOINT MARKET AND MARRAIGE HALL

OPENING OF THE TALAV FROM ROAD AND PARNAKA

VIEW OF DHARAMSHALAFROM THE GHATS

P-13

SOUTH GHATS OF WAIThe project is placed in a temple town of Wai The project questions the relation of the old temple town architecture with the continous urban de-velopment The town consists of ghats ajoining the river krishna and the old heritage temples filled with continous flow of devotees and tourists The site is the south ghat of wai adjoining the river and is the result of the continous development The site faces one of the major and old ghat called ghanpatiphule ghat The design proposal is to connect the south side ghat with the old heritage ghat and temple The site is connected with a pedestrian bridge on one side and a vehicular bridge on other side thus usually acting as a path of journey of a person from point A to point B The proposal consists of the dharamshala and community hall as main functions with exhibition space and library The design is to en-hance the journey of people from different points connecting the site keeping in mind the height and making use of locally available materials

Third Year First SemesterGUIDE- Pinkish Shah

P-14

VIEW OF THE TOWN FROM THE SITE SHOWING ACTIVITIES CONNECTING THE SITE AND THE GANPATIPHULE GHAT AND ALSO THE PEDISTRAIN AND THE VEHICULAR BRIDGE

SITE PLAN

HERITAGE TEMPLES AND GHATS

DIFFERENT PEDISTRIAN ROUTES USED BY THE LOCALS ON THE SITE TO REACH FROM POINT A TO B

AXONOMETRIC DRAWING SHOWING THEPROPOSED DESIGN AND THE LANSCAPE

PUBLIC AND PRIVATE FUNCTIONS IMAGINED IN THE PLAN

P-15

The space planning is according to the journey of public from the pedistrian bridge to the roads on both level The public functions and semi-public functions are placed at the lower level which is are connected by the vehicular and the pedistrian bridge on both side and the priave functions(dharamshala and admin block) are placed on the higher level which is connected by the upper ve-hicular road and through a staircase from the lower part The open terrace next to the private functions has direct access from the main vehicular road and is designed in a way where is becomes a viewing deck during the functions at the ganpatiphule ghat The amphiteatre is placed in a place where it faces the river and is also visible from the ghats opposite the site

SITE SHOWING DIFFERENT FUNCTIONS AND ROUTES

AXONOMETRIC UNDERSTANDING HERITAGE GHATS

G R O U N D F L O O R P L A N

F I R S T F L O O R P L A N

SECTION C-C

LONGITUDINAL SECTION

ELEVATION FROM THE GANPATIPHULE GHATS

CB A

CB A

P-16

The building is designed in a way that it does not overem-power the temple site and blends with landscape around

HOUSE OF SATRA ADHIKARIThe act of drawing is also an act of recording something that might disapperMajuli is an island in the middle of river brahmaputra the landscape there is a perepetually transient one The communities that live on the island include the tribal villages and vaishnavite monasteries called SATRAThe architecture of homes show essential relationship between the land and the settlement ritual and light sacred and profane The design of the satra adhikaris house(head monk of Satra) represents these relationships and also shows the Hierarchy in the Satra The Hierarchy is seen with the height of the house in the Satra where the Namghar(house of god) is the tallest and then satra adhikaris house and so on There is a continous flow of public and the house needs to show the sense of authority at the same time keeping in mind the culture and relationship of house with Sa-tra The house has no exterior walls thus opening the whole Ground for preaching and visitors to meet satra adhikari with courtyard at the centre

Second Year Second SemesterGUIDE- Shirish joshi

P-17

G R O U N D F L O O R P L A N F I R S T F L O O R P L A N

S E C T I O N A - A S E C T I O N B - BE L E V A T I O N

R O O F P L A N AXONOMETRIC OF EXISTING HOUSE

S I T E P L A N

ROAD VIEW SHOWING THE VISION THROUGH THEHOUSE

P-18

Indian High commission in Sri-lanka The wd drawings show the circulation in the embassy and the house of high commission and the details of the Flower Bed Glass can-opy etc The high commission comprises of visa section high commission office and office departments The circulation keeps in mind the security aspect of the embassy with bolards and security check posts at the entry and the lay-by for pick up and drop

Fifth YearGUIDE- Sharan lund

P-19

G R O U N D L E V E L P L A N S E C T I O N SP-20

D E T A I L S

S I T E P L A N

P-21

INTERIOR DESIGNING Designing the interiors keeping in mind to have maximum free space and also maximum light and cross-ventilation Also trying cost effective and sustainable materials for the interiors

This 2400 sqft flat is a combination of two flats thus the idea was that the kitchen should look a part of it thus making it a big rectangle rath-er than having a straight linear living roomThe windows are designed in a way such that it goes into the wall and gives a clear openingOne bedroom has a bed with hydrolics which can be pushed up so the bedroom has good enough space for workingDifferent ma-terials are used like jaisalmer stone for jarokha mud painting etc

Area - 2400 sq ft Year - 2012 Status - Complete Role - Designing ExecutionMaterial selection

P-22

S H A H H O U S E

J U I C E S A N D C H I L L S (JNC)The space planning idea for this juice Kiosk(JNC) was to have a Display area for fruits but at the same time not allowing the buyer to have a look at the preparation area and also not over imposing on the surrounding The cash Count-er is designed keeping in mind the ergonom-ics The kiosk needed to be self standing with-out any support from any of the walls or floorSince the kiosk was Designed and construct-ed in 4 days the drawing technique used was of 3d Sketch-up which helped in explan-ing the client the final views of the design Area - 50 sq ft (8 feet lenght x 6-3rdquo feet breath) Year - 2013 Status - Complete Role - Designing Execution Type - Commercial

V A P I H O U S E

The Design process of the kiosk The lo-cation of the kiosk changed after this initial design thus eventually chang-ing the design

The main planning idea for this house is to have maxi-mum light and cross venti-lation The planning of the living roomkitchen and din-ning is done in a way that it looks like a one big space rather than three spaces with different function The idea of opening the window in the living room to the max-imum so enough light enters the room and also plant-ing plants in the balcony so it acts as a barrier to the dusty winds And using ma-terials in such a way which makes it cost effective Area - 2450 sq ft Year - 2014 Status - Designing Stage Role - Designing

T H E H O U S E E N T R Y W A L LF A C -

ING THEL O B B Y

DESIGN OPTIONS FOR CLIENT

1 2

P-23

P-24

MISCELLANEOUS WORKSWorks other than curriculum projects and interior projects such as origami Product Designing works of different workshops etc

MEASURE DRAWINGS FOR MAJULI

W O R K S H O P S

PRODUCT DESIGN

UNDERSTANDING NALASOPARA ORGANISED BYDUTUCH ARCHITECTS

P-25

C U R R I C U L U M V I T A E SAHIL A SHAH Male - 22

Address- 805 Prathmesh Pooja TPS road Borivali (west) Mumbai-400092email- shahs1291hotmailcom mobile no- +919819577722

EDUCATION-

School- Our lady of remedy high school passed with 82 state board in April 2007

Jrcollege- KES science college passed with 79 state board in April 2009

Degree college- Undergradute course at kamla raheja vidhyanidhi institiue of architecture(krvia) Mumbai university FYBarch- Passed First class April - 2009-10 SYBarch- Passed First class April - 2010-11 TYBarch- Passed First class April - 2011-12 FoYBarch- Passed First class April - 2012-13

WORKSHOPS-

Relooking Nala Sopara - by Dutuch ArchitectsA 7 day workshop in collaboration with architects from NIA which looked at the urban revitalisation of Nala Sopara a suburb located in the northern Mumbai The workshop displayed very innovative and critical interventions for the revitalisation of the suburb through models and sketches

Undestanding Slums- by Iype chacko(founder of flying elephants)A 6 day workshop conducted by iype chacko which looked at the slums in Bandra and understanding how the slums grew and originated The workshop displayed sketches and a final intervention drawing for slums

Tensile Structures- by Ferrari IndiaA workshop conducted by the company Ferrari india the workshop dealt with under-standing tensile strucrures and making small scale bubble and elastic material model The final porduct was a live size structure acting as shade at a cafetaria

Origami - A workshop to understand space crafting by folds This looked at 3 dimensional forms and spaces trough folds of paper

EXTRA CURRICULAR ACTIVITES-

Organized the Majuli Timber workshop at KRVIA - (2010-11)

Part of Majuli Study trip organizing committee -(2010-11)

Part of Sri- lanka and wai Study trip organizing committee - (2011-12)

Training Assistant at KRVIA for the 1st year intorductory workshop -(2013-14)My responsibilty was assisting a group of 8 First year students for 10 days

DOCUMENTATION-

Measure Drawing of Sawantwadi -2009-10

Measure Drawing of Nutan Kamlabari Satra -2010-11Majuli Assam

Documenting Geofrey Bawarsquos Works in SriLanka -2011-12

Documenting Contemporary Architectural -2012-13Practices in New Delhi

Designer-

Interior Designing - A 2400 sqft residential flat for a builder in mumbai

Interior Designing - Two flats of size 620 sqft and 580 sqft as a sample flat in nalasopara (outskirts of mumbai)

Interior Designing - A 2500 sqft residential flat for a buissness man in vapi (Still at the designing stage)

Commercial Designing- A kiosk of 50 sqft for a juice bar in Mumbai

Language Skill-

English Hindi Marathi Gujarati

SKILLSET-

Hand drawing AutocadIndesignPhotshopLight-roomIllustrator SketchUpLumion Rhinoceros v-ray

Quantum GIS

P-26