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PHOTO 1 MIDTERM REVIEW!
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Page 1: Photo 1 Midterm Review 2012 Web

PHOTO 1MIDTERM REVIEW!

Page 2: Photo 1 Midterm Review 2012 Web

THESE TOPICS WILL BE ON THE EXAM & ARE

COVERED IN THIS REVIEW

1. Parts of the Camera2. Shutter speed3. Aperture4. Depth of field5. Point of departure6. Light metering7. Bracketing8. Equivalent exposures

9. Film speed10. Parts of the enlarger11. Easels12. Processing film13. Darkroom chemistry14. Principles of Composition

Page 3: Photo 1 Midterm Review 2012 Web

parts of the camera

Page 4: Photo 1 Midterm Review 2012 Web
Page 5: Photo 1 Midterm Review 2012 Web
Page 6: Photo 1 Midterm Review 2012 Web

take-up spool

Page 7: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

Page 8: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

Page 9: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

Page 10: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

Page 11: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

pressure plate

Page 12: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

pressure plate

rewind releasebutton

Page 13: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

tripod mount

pressure plate

rewind releasebutton

Page 14: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

rewind releasebutton

Page 15: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

film advance lever

rewind releasebutton

Page 16: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

film advance lever

shutter button

rewind releasebutton

Page 17: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

film advance lever

shutter button

shutterspeed dial

rewind releasebutton

Page 18: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

film advance lever

shutter button

shutterspeed dial

hot shoe

rewind releasebutton

Page 19: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

film advance lever

shutter button

shutterspeed dial

hot shoe

film rewind

rewind releasebutton

Page 20: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

film advance lever

shutter button

lens

shutterspeed dial

hot shoe

film rewind

rewind releasebutton

Page 21: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

rewind releasebutton

Page 22: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

rewind releasebutton

Page 23: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

rewind releasebutton

Page 24: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

rewind releasebutton

Page 25: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

rewind releasebutton

Page 26: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

rewind releasebutton

Page 27: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

Page 28: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

2

Page 29: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

2.82

Page 30: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

42.82

Page 31: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

5.642.82

Page 32: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

85.642.82

Page 33: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

1185.642.82

Page 34: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

161185.642.82

Page 35: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

22161185.642.82

Page 36: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

BULB

22161185.642.82

Page 37: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

BULB

1

22161185.642.82

Page 38: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

BULB

1 2

22161185.642.82

Page 39: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

BULB

1 2 4

22161185.642.82

Page 40: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

BULB

1 2 4 8

22161185.642.82

Page 41: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

BULB

1 2 4 8 15

22161185.642.82

Page 42: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

BULB

1 2 4 8 15 30

22161185.642.82

Page 43: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

BULB

1 2 4 8 15 30 60

22161185.642.82

Page 44: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

BULB

1 2 4 8 15 30 60 125

22161185.642.82

Page 45: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

BULB

1 2 4 8 15 30 60 125 250

22161185.642.82

Page 46: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

BULB

1 2 4 8 15 30 60 125 250 500

22161185.642.82

Page 47: Photo 1 Midterm Review 2012 Web

take-up spoolcamera back

sprockets

viewfinder

filmcompartment

shutter

tripod mount

pressure plate

aperture

prism

viewfinder

film advance lever

shutter button

aperture ring

lens

shutterspeed dial

hot shoe

film rewind

reflex mirror

shutter

film

rewind releasebutton

BULB

1 2 4 8 15 30 60 125 250 500 1000

22161185.642.82

Page 48: Photo 1 Midterm Review 2012 Web

shutter speed

Page 49: Photo 1 Midterm Review 2012 Web
Page 50: Photo 1 Midterm Review 2012 Web

What is this?

Page 51: Photo 1 Midterm Review 2012 Web

What is this?shutter speed dial

Page 52: Photo 1 Midterm Review 2012 Web

What is this?

What does it do?

shutter speed dial

Page 53: Photo 1 Midterm Review 2012 Web

What is this?

What does it do?

shutter speed dial

controls how long the shutter is open - in fractions of a second

Page 54: Photo 1 Midterm Review 2012 Web

What is this?

What does it do?

What does shutter speed TECHNICALLY control in your photograph?

shutter speed dial

controls how long the shutter is open - in fractions of a second

Page 55: Photo 1 Midterm Review 2012 Web

What is this?

What does it do?

What does shutter speed TECHNICALLY control in your photograph?

shutter speed dial

controls how long the shutter is open - in fractions of a second

how long the shutter is open - how much LIGHT gets in

Page 56: Photo 1 Midterm Review 2012 Web

What is this?

What does it do?

What does shutter speed TECHNICALLY control in your photograph?

What does shutter speed CREATIVELY control in your photograph?

shutter speed dial

controls how long the shutter is open - in fractions of a second

how long the shutter is open - how much LIGHT gets in

Page 57: Photo 1 Midterm Review 2012 Web

What is this?

What does it do?

What does shutter speed TECHNICALLY control in your photograph?

What does shutter speed CREATIVELY control in your photograph?

shutter speed dial

controls how long the shutter is open - in fractions of a second

how long the shutter is open - how much LIGHT gets in

a sense of MOVEMENT or MOTION

Page 58: Photo 1 Midterm Review 2012 Web
Page 59: Photo 1 Midterm Review 2012 Web
Page 60: Photo 1 Midterm Review 2012 Web

What does the “B” stand for?

Page 61: Photo 1 Midterm Review 2012 Web

What does the “B” stand for?“bulb”

Page 62: Photo 1 Midterm Review 2012 Web

What does the “B” stand for?

What does it do?

“bulb”

Page 63: Photo 1 Midterm Review 2012 Web

What does the “B” stand for?

What does it do?

“bulb”

lets you have complete control over shutter speed

Page 64: Photo 1 Midterm Review 2012 Web

What does the “B” stand for?

What does it do?

“bulb”

lets you have complete control over shutter speed

How?

Page 65: Photo 1 Midterm Review 2012 Web

What does the “B” stand for?

What does it do?

“bulb”

lets you have complete control over shutter speed

press the shutter release once to open the shutter, then a second time to close it

How?

Page 66: Photo 1 Midterm Review 2012 Web

What does the “B” stand for?

What does it do?

When would you use this?

“bulb”

lets you have complete control over shutter speed

press the shutter release once to open the shutter, then a second time to close it

How?

Page 67: Photo 1 Midterm Review 2012 Web

What does the “B” stand for?

What does it do?

When would you use this?

“bulb”

lets you have complete control over shutter speed

if you want a REALLY long exposure time - maybe to show city lights at night, or the movement of water over a long period of time, etc.

press the shutter release once to open the shutter, then a second time to close it

How?

Page 68: Photo 1 Midterm Review 2012 Web

What is this?

Page 69: Photo 1 Midterm Review 2012 Web

What is this?a tripod

Page 70: Photo 1 Midterm Review 2012 Web

What is this?a tripod

When do you use this?

Page 71: Photo 1 Midterm Review 2012 Web

What is this?a tripod

When do you use this?

at shutter speeds of 1/60 or below

Page 72: Photo 1 Midterm Review 2012 Web

What is this?a tripod

When do you use this?

at shutter speeds of 1/60 or below

What happens if you don’t?

Page 73: Photo 1 Midterm Review 2012 Web

What is this?a tripod

When do you use this?

at shutter speeds of 1/60 or below

What happens if you don’t?it will be blurry and you will be disappointed. I promise.

Page 74: Photo 1 Midterm Review 2012 Web
Page 75: Photo 1 Midterm Review 2012 Web

If you wanted to take a picture of a running man so that the action would be “frozen” - what shutter speed might you try?

Page 76: Photo 1 Midterm Review 2012 Web

If you wanted to take a picture of a running man so that the action would be “frozen” - what shutter speed might you try? 1/1000

Page 77: Photo 1 Midterm Review 2012 Web

If you wanted to take a picture of a running man so that the action would be “frozen” - what shutter speed might you try?

What if you wanted to “show movement” - how would you do that?

1/1000

Page 78: Photo 1 Midterm Review 2012 Web

If you wanted to take a picture of a running man so that the action would be “frozen” - what shutter speed might you try?

What if you wanted to “show movement” - how would you do that?

1/1000

1/30 (blur)

Page 79: Photo 1 Midterm Review 2012 Web

If you wanted to take a picture of a running man so that the action would be “frozen” - what shutter speed might you try?

What if you wanted to “show movement” - how would you do that?

1/1000

1/30 (blur)1/30 & panning (sharper subject, blurred background)

Page 80: Photo 1 Midterm Review 2012 Web

aperture

Page 81: Photo 1 Midterm Review 2012 Web
Page 82: Photo 1 Midterm Review 2012 Web

What is this?

Page 83: Photo 1 Midterm Review 2012 Web

aperture ringWhat is this?

Page 84: Photo 1 Midterm Review 2012 Web

What does it do?aperture ring

What is this?

Page 85: Photo 1 Midterm Review 2012 Web

What does it do?aperture ring

controls the size of the aperture, measured in ƒ-stops

What is this?

Page 86: Photo 1 Midterm Review 2012 Web

What does it do?aperture ring

controls the size of the aperture, measured in ƒ-stops

What is this?

A low ƒ-stop number = a __________ aperture.

Page 87: Photo 1 Midterm Review 2012 Web

What does it do?aperture ring

controls the size of the aperture, measured in ƒ-stops

What is this?

A low ƒ-stop number = a __________ aperture. LARGE

Page 88: Photo 1 Midterm Review 2012 Web

What does it do?

What does aperture size TECHNICALLY control in your photograph?

aperture ring

controls the size of the aperture, measured in ƒ-stops

What is this?

A low ƒ-stop number = a __________ aperture. LARGE

Page 89: Photo 1 Midterm Review 2012 Web

What does it do?

What does aperture size TECHNICALLY control in your photograph?

aperture ring

controls the size of the aperture, measured in ƒ-stops

how large an aperture - how much LIGHT gets in

What is this?

A low ƒ-stop number = a __________ aperture. LARGE

Page 90: Photo 1 Midterm Review 2012 Web

What does it do?

What does aperture size TECHNICALLY control in your photograph?

What does aperture size CREATIVELY control in your photograph?

aperture ring

controls the size of the aperture, measured in ƒ-stops

how large an aperture - how much LIGHT gets in

What is this?

A low ƒ-stop number = a __________ aperture. LARGE

Page 91: Photo 1 Midterm Review 2012 Web

What does it do?

What does aperture size TECHNICALLY control in your photograph?

What does aperture size CREATIVELY control in your photograph?

aperture ring

controls the size of the aperture, measured in ƒ-stops

how large an aperture - how much LIGHT gets in

DEPTH OF FIELD

What is this?

A low ƒ-stop number = a __________ aperture. LARGE

Page 92: Photo 1 Midterm Review 2012 Web

depth of field

Page 93: Photo 1 Midterm Review 2012 Web

Depth of Field

ƒ/16

ƒ/2

ƒ/8

Page 94: Photo 1 Midterm Review 2012 Web

Depth of Field

ƒ/16

ƒ/2

ƒ/8

• the “wall of focus”

Page 95: Photo 1 Midterm Review 2012 Web

Depth of Field

ƒ/16

ƒ/2

ƒ/8

• the “wall of focus”• how much (forwards and backwards) of your image

will be in focus

Page 96: Photo 1 Midterm Review 2012 Web

Depth of Field

Page 97: Photo 1 Midterm Review 2012 Web

Depth of Field

Page 98: Photo 1 Midterm Review 2012 Web

Depth of Field

If you want a great depth of field, what size aperture should you use?

Page 99: Photo 1 Midterm Review 2012 Web

Depth of Field

If you want a great depth of field, what size aperture should you use? SMALL

Page 100: Photo 1 Midterm Review 2012 Web

Depth of Field

If you want a great depth of field, what size aperture should you use?

Such as?

SMALL

Page 101: Photo 1 Midterm Review 2012 Web

Depth of Field

ƒ/16

If you want a great depth of field, what size aperture should you use?

Such as?

SMALL

Page 102: Photo 1 Midterm Review 2012 Web

Depth of Field

ƒ/16

If you want a great depth of field, what size aperture should you use?

Such as?

SMALL

Page 103: Photo 1 Midterm Review 2012 Web

Depth of Field

ƒ/16

If you want a great depth of field, what size aperture should you use?

If you want a shallow depth of field, what size aperture should you use?

Such as?

SMALL

Page 104: Photo 1 Midterm Review 2012 Web

Depth of Field

ƒ/16

If you want a great depth of field, what size aperture should you use?

If you want a shallow depth of field, what size aperture should you use?

Such as?

SMALL

LARGE

Page 105: Photo 1 Midterm Review 2012 Web

Depth of Field

ƒ/16

If you want a great depth of field, what size aperture should you use?

If you want a shallow depth of field, what size aperture should you use?

Such as?

Such as?

SMALL

LARGE

Page 106: Photo 1 Midterm Review 2012 Web

Depth of Field

ƒ/16

ƒ/2

If you want a great depth of field, what size aperture should you use?

If you want a shallow depth of field, what size aperture should you use?

Such as?

Such as?

SMALL

LARGE

Page 107: Photo 1 Midterm Review 2012 Web

point of departure

Page 108: Photo 1 Midterm Review 2012 Web

What are the settings for our “point of departure”?

Page 109: Photo 1 Midterm Review 2012 Web

What are the settings for our “point of departure”?

ƒ/8

Page 110: Photo 1 Midterm Review 2012 Web

What are the settings for our “point of departure”?

ƒ/8 125

Page 111: Photo 1 Midterm Review 2012 Web

What are the settings for our “point of departure”?

How do we use point of departure?

ƒ/8 125

Page 112: Photo 1 Midterm Review 2012 Web

What are the settings for our “point of departure”?

How do we use point of departure?as a STARTING POINT for light metering

ƒ/8 125

Page 113: Photo 1 Midterm Review 2012 Web

What are the settings for our “point of departure”?

How do we use point of departure?as a STARTING POINT for light metering

ƒ/8 125

Why are those settings our point of departure?

Page 114: Photo 1 Midterm Review 2012 Web

What are the settings for our “point of departure”?

How do we use point of departure?as a STARTING POINT for light metering

ƒ/8 125

they give you a lot of room to make changes in your aperture and/or shutter speed, in either direction

Why are those settings our point of departure?

Page 115: Photo 1 Midterm Review 2012 Web

light metering

Page 116: Photo 1 Midterm Review 2012 Web
Page 117: Photo 1 Midterm Review 2012 Web

Remember that your camera’s ROBOT EYE (a.k.a. the light meter/sensor) is not smart enough to guess how you want the picture to come out.

Page 118: Photo 1 Midterm Review 2012 Web

Remember that your camera’s ROBOT EYE (a.k.a. the light meter/sensor) is not smart enough to guess how you want the picture to come out.

HEY! I’m standing right

here!

Page 119: Photo 1 Midterm Review 2012 Web

Remember that your camera’s ROBOT EYE (a.k.a. the light meter/sensor) is not smart enough to guess how you want the picture to come out.

HEY! I’m standing right

here!

Meter directly from your subject. It’s a good idea to get REALLY CLOSE to your subject, meter, then back up and re-compose the frame. This is always important - but especially if your subject is backlit (has a strong source of light coming from behind it.)

Page 120: Photo 1 Midterm Review 2012 Web

bracketing

Page 121: Photo 1 Midterm Review 2012 Web

What is bracketing?

Page 122: Photo 1 Midterm Review 2012 Web

What is bracketing?taking the same photograph at different exposures

Page 123: Photo 1 Midterm Review 2012 Web

Why would you do this?

What is bracketing?taking the same photograph at different exposures

Page 124: Photo 1 Midterm Review 2012 Web

Why would you do this?

What is bracketing?taking the same photograph at different exposures

to make sure you get a good exposure - especially in situations that are challenging to meter, or for photographs that are really important to you

Page 125: Photo 1 Midterm Review 2012 Web

Why would you do this?

What is bracketing?taking the same photograph at different exposures

to make sure you get a good exposure - especially in situations that are challenging to meter, or for photographs that are really important to you

How do you bracket?

Page 126: Photo 1 Midterm Review 2012 Web

Why would you do this?

What is bracketing?taking the same photograph at different exposures

to make sure you get a good exposure - especially in situations that are challenging to meter, or for photographs that are really important to you

How do you bracket?1. light meter

Page 127: Photo 1 Midterm Review 2012 Web

Why would you do this?

What is bracketing?taking the same photograph at different exposures

to make sure you get a good exposure - especially in situations that are challenging to meter, or for photographs that are really important to you

How do you bracket?1. light meter

2. choose which setting you want to “keep” (aperture or shutter speed)

Page 128: Photo 1 Midterm Review 2012 Web

Why would you do this?

What is bracketing?taking the same photograph at different exposures

to make sure you get a good exposure - especially in situations that are challenging to meter, or for photographs that are really important to you

How do you bracket?1. light meter

2. choose which setting you want to “keep” (aperture or shutter speed)

3. identify the 3 settings you will use when bracketing (the one directly across from the “keep,” and also “one up” and “one down”.)

Page 129: Photo 1 Midterm Review 2012 Web

Why would you do this?

What is bracketing?taking the same photograph at different exposures

to make sure you get a good exposure - especially in situations that are challenging to meter, or for photographs that are really important to you

How do you bracket?1. light meter

2. choose which setting you want to “keep” (aperture or shutter speed)

3. identify the 3 settings you will use when bracketing (the one directly across from the “keep,” and also “one up” and “one down”.)

4. take the three photographs

Page 130: Photo 1 Midterm Review 2012 Web

How do you bracket?

Page 131: Photo 1 Midterm Review 2012 Web

How do you bracket?

Page 132: Photo 1 Midterm Review 2012 Web

How do you bracket?1. light meter

Page 133: Photo 1 Midterm Review 2012 Web

How do you bracket?1. light meter

250

ƒ/8

Page 134: Photo 1 Midterm Review 2012 Web

How do you bracket?1. light meter

250

ƒ/8

2. choose which setting you want to “keep” (aperture or shutter speed)

Page 135: Photo 1 Midterm Review 2012 Web

How do you bracket?1. light meter

250

ƒ/8

2. choose which setting you want to “keep” (aperture or shutter speed)

Page 136: Photo 1 Midterm Review 2012 Web

How do you bracket?1. light meter

250

ƒ/8

2. choose which setting you want to “keep” (aperture or shutter speed)

3. identify the 3 settings you will use when bracketing (the one directly across from the “keep,” and also “one up” and “one down”.)

Page 137: Photo 1 Midterm Review 2012 Web

How do you bracket?1. light meter

250

ƒ/8

2. choose which setting you want to “keep” (aperture or shutter speed)

3. identify the 3 settings you will use when bracketing (the one directly across from the “keep,” and also “one up” and “one down”.)

500

Page 138: Photo 1 Midterm Review 2012 Web

How do you bracket?1. light meter

250

ƒ/8

2. choose which setting you want to “keep” (aperture or shutter speed)

3. identify the 3 settings you will use when bracketing (the one directly across from the “keep,” and also “one up” and “one down”.)

500 125

Page 139: Photo 1 Midterm Review 2012 Web

How do you bracket?1. light meter

250

ƒ/8

2. choose which setting you want to “keep” (aperture or shutter speed)

3. identify the 3 settings you will use when bracketing (the one directly across from the “keep,” and also “one up” and “one down”.)

4. take the three photographs

500 125

Page 140: Photo 1 Midterm Review 2012 Web

How do you bracket?1. light meter

250

ƒ/8

2. choose which setting you want to “keep” (aperture or shutter speed)

3. identify the 3 settings you will use when bracketing (the one directly across from the “keep,” and also “one up” and “one down”.)

4. take the three photographs

500 125

ƒ/8 at 1/500 ƒ/8 at 250 ƒ/8 at 125

Page 141: Photo 1 Midterm Review 2012 Web

equivalent exposures

Page 142: Photo 1 Midterm Review 2012 Web

Equivalent Exposures

Page 143: Photo 1 Midterm Review 2012 Web

What are “equivalent exposures”?

Equivalent Exposures

Page 144: Photo 1 Midterm Review 2012 Web

What are “equivalent exposures”?different combinations of aperture/shutter speed settings that give you the same exposure (range of light/dark values)

Equivalent Exposures

Page 145: Photo 1 Midterm Review 2012 Web

What are “equivalent exposures”?different combinations of aperture/shutter speed settings that give you the same exposure (range of light/dark values)

Why do they matter?

Equivalent Exposures

Page 146: Photo 1 Midterm Review 2012 Web

What are “equivalent exposures”?different combinations of aperture/shutter speed settings that give you the same exposure (range of light/dark values)

Why do they matter?• to help you make use of your CREATIVE controls

(depth of field and the sense of movement) while still getting a properly exposed image

Equivalent Exposures

Page 147: Photo 1 Midterm Review 2012 Web

What are “equivalent exposures”?different combinations of aperture/shutter speed settings that give you the same exposure (range of light/dark values)

Why do they matter?• to help you make use of your CREATIVE controls

(depth of field and the sense of movement) while still getting a properly exposed image

• to help you NOT use a tripod but still get a clear and properly exposed image

Equivalent Exposures

Page 148: Photo 1 Midterm Review 2012 Web

USING Equivalent Exposures

Page 149: Photo 1 Midterm Review 2012 Web

Let’s say you are asked to shoot a photograph of a pinwheel in motion, for the “OMG it’s SPRING!!!” issue of a local magazine.

USING Equivalent Exposures

Page 150: Photo 1 Midterm Review 2012 Web

Let’s say you are asked to shoot a photograph of a pinwheel in motion, for the “OMG it’s SPRING!!!” issue of a local magazine.

You find a pinwheel that is moving, and your camera’s light meter tells you that you should use 1/500 and ƒ/2. This is the picture you get:

USING Equivalent Exposures

Page 151: Photo 1 Midterm Review 2012 Web

Let’s say you are asked to shoot a photograph of a pinwheel in motion, for the “OMG it’s SPRING!!!” issue of a local magazine.

You find a pinwheel that is moving, and your camera’s light meter tells you that you should use 1/500 and ƒ/2. This is the picture you get:

USING Equivalent Exposures

Page 152: Photo 1 Midterm Review 2012 Web

Let’s say you are asked to shoot a photograph of a pinwheel in motion, for the “OMG it’s SPRING!!!” issue of a local magazine.

You find a pinwheel that is moving, and your camera’s light meter tells you that you should use 1/500 and ƒ/2. This is the picture you get:

USING Equivalent Exposures

ƒ/2 and 1/500 sec

Page 153: Photo 1 Midterm Review 2012 Web

Let’s say you are asked to shoot a photograph of a pinwheel in motion, for the “OMG it’s SPRING!!!” issue of a local magazine.

You find a pinwheel that is moving, and your camera’s light meter tells you that you should use 1/500 and ƒ/2. This is the picture you get:

USING Equivalent Exposures

ƒ/2 and 1/500 secYou’re really happy with the exposure (the range of light and dark values) but it totally doesn’t show motion. Like at all.

Page 154: Photo 1 Midterm Review 2012 Web

Let’s say you are asked to shoot a photograph of a pinwheel in motion, for the “OMG it’s SPRING!!!” issue of a local magazine.

You find a pinwheel that is moving, and your camera’s light meter tells you that you should use 1/500 and ƒ/2. This is the picture you get:

USING Equivalent Exposures

ƒ/2 and 1/500 secYou’re really happy with the exposure (the range of light and dark values) but it totally doesn’t show motion. Like at all.

What should you do?

Page 155: Photo 1 Midterm Review 2012 Web

USING Equivalent Exposures

Page 156: Photo 1 Midterm Review 2012 Web

USING Equivalent Exposures

ƒ/2 and 1/500 sec

Page 157: Photo 1 Midterm Review 2012 Web

USING Equivalent Exposures

ƒ/2 and 1/500 sec

What setting was responsible for “freezing” the motion of the moving pinwheel?

Page 158: Photo 1 Midterm Review 2012 Web

USING Equivalent Exposures

ƒ/2 and 1/500 sec

What setting was responsible for “freezing” the motion of the moving pinwheel? shutter speed

Page 159: Photo 1 Midterm Review 2012 Web

USING Equivalent Exposures

ƒ/2 and 1/500 sec

What setting was responsible for “freezing” the motion of the moving pinwheel? shutter speed

What could you do to create the sense of motion in your photograph?

Page 160: Photo 1 Midterm Review 2012 Web

USING Equivalent Exposures

ƒ/2 and 1/500 sec

What setting was responsible for “freezing” the motion of the moving pinwheel? shutter speed

What could you do to create the sense of motion in your photograph? lower the shutter speed

Page 161: Photo 1 Midterm Review 2012 Web

Since you got the EXPOSURE right, that means you’re happy with the relationship between your settings, you just need to use a lower shutter speed such as perhaps 1/30 sec.

USING Equivalent Exposures

ƒ/2 and 1/500 sec

What setting was responsible for “freezing” the motion of the moving pinwheel? shutter speed

What could you do to create the sense of motion in your photograph? lower the shutter speed

Page 162: Photo 1 Midterm Review 2012 Web

Since you got the EXPOSURE right, that means you’re happy with the relationship between your settings, you just need to use a lower shutter speed such as perhaps 1/30 sec.

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same EXPOSURE that you had with 1/500 sec.

USING Equivalent Exposures

ƒ/2 and 1/500 sec

What setting was responsible for “freezing” the motion of the moving pinwheel? shutter speed

What could you do to create the sense of motion in your photograph? lower the shutter speed

Page 163: Photo 1 Midterm Review 2012 Web

USING Equivalent Exposures

Page 164: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

Page 165: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

Page 166: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

Page 167: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

Page 168: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

Page 169: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

500

ƒ/2

Page 170: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

250500

ƒ/2

Page 171: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

250 125500

ƒ/2

Page 172: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

250 125 60500

ƒ/2

Page 173: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

250 125 60 30500

ƒ/2

Page 174: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

1000 250 125 60 30500

ƒ/2

Page 175: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

1000 250 125 60 30 15500

ƒ/2

Page 176: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

1000 250 125 60 30 15 8500

ƒ/2

Page 177: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

1000 250 125 60 30 15 8

ƒ/1.4

500

ƒ/2

Page 178: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

1000 250 125 60 30 15 8

ƒ/1.4

500

ƒ/2 ƒ/4

Page 179: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

1000 250 125 60 30 15 8

ƒ/1.4

500

ƒ/2 ƒ/4 ƒ/5.6

Page 180: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

1000 250 125 60 30 15 8

ƒ/1.4

500

ƒ/2 ƒ/4 ƒ/5.6 ƒ/8

Page 181: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

1000 250 125 60 30 15 8

ƒ/1.4

500

ƒ/2 ƒ/4 ƒ/5.6 ƒ/8 ƒ/11

Page 182: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

1000 250 125 60 30 15 8

ƒ/1.4

500

ƒ/2 ƒ/4 ƒ/5.6 ƒ/8 ƒ/11 ƒ/16

Page 183: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

1000 250 125 60 30 15 8

ƒ/1.4

500

ƒ/2 ƒ/4 ƒ/5.6 ƒ/8 ƒ/11 ƒ/16 ƒ/22

Page 184: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

1000 250 125 60 30 15 8

ƒ/1.4

500

ƒ/2 ƒ/4 ƒ/5.6 ƒ/8 ƒ/11 ƒ/16 ƒ/22

Page 185: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

1000 250 125 60 30 15 8

ƒ/1.4

500

ƒ/2 ƒ/4 ƒ/5.6 ƒ/8 ƒ/11 ƒ/16 ƒ/22

Page 186: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

1000 250 125 60 30 15 8

ƒ/1.4

500

ƒ/2 ƒ/4 ƒ/5.6 ƒ/8 ƒ/11 ƒ/16 ƒ/22

ƒ/1130

Page 187: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

1000 250 125 60 30 15 8

ƒ/1.4

500

ƒ/2 ƒ/4 ƒ/5.6 ƒ/8 ƒ/11 ƒ/16 ƒ/22

ƒ/1130

Page 188: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

1000 250 125 60 30 15 8

ƒ/1.4

500

ƒ/2 ƒ/4 ƒ/5.6 ƒ/8 ƒ/11 ƒ/16 ƒ/22

ƒ/1130

Page 189: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

1000 250 125 60 30 15 8

ƒ/1.4

500

ƒ/2 ƒ/4 ƒ/5.6 ƒ/8 ƒ/11 ƒ/16 ƒ/22

ƒ/1130

Page 190: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

1000 250 125 60 30 15 8

ƒ/1.4

500

ƒ/2 ƒ/4 ƒ/5.6 ƒ/8 ƒ/11 ƒ/16 ƒ/22

ƒ/1130

these images areequivalent exposures

Page 191: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

1000 250 125 60 30 15 8

ƒ/1.4

500

ƒ/2 ƒ/4 ƒ/5.6 ƒ/8 ƒ/11 ƒ/16 ƒ/22

ƒ/1130

these images areequivalent exposures

Page 192: Photo 1 Midterm Review 2012 Web

Use an Equivalent Exposure chart to figure out what aperture to use with 1/30 sec so that you have the same exposure as with 1/500 sec.

USING Equivalent Exposures

ƒ/2500

1000 250 125 60 30 15 8

ƒ/1.4

500

ƒ/2 ƒ/4 ƒ/5.6 ƒ/8 ƒ/11 ƒ/16 ƒ/22

ƒ/1130

these images areequivalent exposures

USE ATRIPOD

Page 193: Photo 1 Midterm Review 2012 Web

film speed

Page 194: Photo 1 Midterm Review 2012 Web

Film Speed

Page 195: Photo 1 Midterm Review 2012 Web

Film Speedrefers to the level of light in which you can photograph

Page 196: Photo 1 Midterm Review 2012 Web

Film Speedrefers to the level of light in which you can photograph

What changes?

Page 197: Photo 1 Midterm Review 2012 Web

Film Speedrefers to the level of light in which you can photograph

What changes?the size of the silver particles

Page 198: Photo 1 Midterm Review 2012 Web

Film Speedrefers to the level of light in which you can photograph

What changes?the size of the silver particles

What is ASA/ISO?

Page 199: Photo 1 Midterm Review 2012 Web

Film Speedrefers to the level of light in which you can photograph

What changes?the size of the silver particles

What is ASA/ISO?scales we use to measure film speed

Page 200: Photo 1 Midterm Review 2012 Web

Film Speedrefers to the level of light in which you can photograph

What changes?the size of the silver particles

LOW speed film has _______ silver particles.

What is ASA/ISO?scales we use to measure film speed

Page 201: Photo 1 Midterm Review 2012 Web

Film Speedrefers to the level of light in which you can photograph

What changes?the size of the silver particles

LOW speed film has _______ silver particles.SMALL

What is ASA/ISO?scales we use to measure film speed

Page 202: Photo 1 Midterm Review 2012 Web

Film Speedrefers to the level of light in which you can photograph

What changes?the size of the silver particles

LOW speed film has _______ silver particles.SMALL

it can be only used in situations thathave HIGH levels of light

What is ASA/ISO?scales we use to measure film speed

Page 203: Photo 1 Midterm Review 2012 Web

Film Speedrefers to the level of light in which you can photograph

What changes?the size of the silver particles

LOW speed film has _______ silver particles.

HIGH speed film has _______ silver particles.

SMALL

it can be only used in situations thathave HIGH levels of light

What is ASA/ISO?scales we use to measure film speed

Page 204: Photo 1 Midterm Review 2012 Web

Film Speedrefers to the level of light in which you can photograph

What changes?the size of the silver particles

LOW speed film has _______ silver particles.

HIGH speed film has _______ silver particles.BIG

SMALL

it can be only used in situations thathave HIGH levels of light

What is ASA/ISO?scales we use to measure film speed

Page 205: Photo 1 Midterm Review 2012 Web

Film Speedrefers to the level of light in which you can photograph

What changes?the size of the silver particles

LOW speed film has _______ silver particles.

HIGH speed film has _______ silver particles.BIG

SMALL

it can be only used in situations thathave HIGH levels of light

it can be used in situations thathave LOWER levels of light

What is ASA/ISO?scales we use to measure film speed

Page 206: Photo 1 Midterm Review 2012 Web

You can think about film speed like little light sponges. Or like pixels.

Page 207: Photo 1 Midterm Review 2012 Web

You can think about film speed like little light sponges. Or like pixels.

LOW speed film has _______ “pixels.”

Page 208: Photo 1 Midterm Review 2012 Web

You can think about film speed like little light sponges. Or like pixels.

LOW speed film has _______ “pixels.”SMALL

Page 209: Photo 1 Midterm Review 2012 Web

You can think about film speed like little light sponges. Or like pixels.

LOW speed film has _______ “pixels.”SMALL

Page 210: Photo 1 Midterm Review 2012 Web

You can think about film speed like little light sponges. Or like pixels.

LOW speed film has _______ “pixels.”SMALL• low light-sensitivity

Page 211: Photo 1 Midterm Review 2012 Web

You can think about film speed like little light sponges. Or like pixels.

LOW speed film has _______ “pixels.”SMALL• low light-sensitivity• low contrast

Page 212: Photo 1 Midterm Review 2012 Web

You can think about film speed like little light sponges. Or like pixels.

LOW speed film has _______ “pixels.”SMALL• low light-sensitivity• low contrast• low visibility of grain (“pixels”)

Page 213: Photo 1 Midterm Review 2012 Web

You can think about film speed like little light sponges. Or like pixels.

LOW speed film has _______ “pixels.”SMALL• low light-sensitivity• low contrast• low visibility of grain (“pixels”)• needs a lot of light or time

Page 214: Photo 1 Midterm Review 2012 Web

You can think about film speed like little light sponges. Or like pixels.

LOW speed film has _______ “pixels.”

HIGH speed film has _______ “pixels.”

SMALL• low light-sensitivity• low contrast• low visibility of grain (“pixels”)• needs a lot of light or time

Page 215: Photo 1 Midterm Review 2012 Web

You can think about film speed like little light sponges. Or like pixels.

LOW speed film has _______ “pixels.”

HIGH speed film has _______ “pixels.”BIG

SMALL• low light-sensitivity• low contrast• low visibility of grain (“pixels”)• needs a lot of light or time

Page 216: Photo 1 Midterm Review 2012 Web

You can think about film speed like little light sponges. Or like pixels.

LOW speed film has _______ “pixels.”

HIGH speed film has _______ “pixels.”BIG

SMALL• low light-sensitivity• low contrast• low visibility of grain (“pixels”)• needs a lot of light or time

Page 217: Photo 1 Midterm Review 2012 Web

You can think about film speed like little light sponges. Or like pixels.

LOW speed film has _______ “pixels.”

HIGH speed film has _______ “pixels.”BIG

SMALL• low light-sensitivity• low contrast• low visibility of grain (“pixels”)• needs a lot of light or time

• high light-sensitivity

Page 218: Photo 1 Midterm Review 2012 Web

You can think about film speed like little light sponges. Or like pixels.

LOW speed film has _______ “pixels.”

HIGH speed film has _______ “pixels.”BIG

SMALL• low light-sensitivity• low contrast• low visibility of grain (“pixels”)• needs a lot of light or time

• high light-sensitivity• high contrast

Page 219: Photo 1 Midterm Review 2012 Web

You can think about film speed like little light sponges. Or like pixels.

LOW speed film has _______ “pixels.”

HIGH speed film has _______ “pixels.”BIG

SMALL• low light-sensitivity• low contrast• low visibility of grain (“pixels”)• needs a lot of light or time

• high light-sensitivity• high contrast• high visibility of grain (“pixels”)

Page 220: Photo 1 Midterm Review 2012 Web

You can think about film speed like little light sponges. Or like pixels.

LOW speed film has _______ “pixels.”

HIGH speed film has _______ “pixels.”BIG

SMALL• low light-sensitivity• low contrast• low visibility of grain (“pixels”)• needs a lot of light or time

• high light-sensitivity• high contrast• high visibility of grain (“pixels”)• needs less light or time

Page 221: Photo 1 Midterm Review 2012 Web

parts of the enlarger

Page 222: Photo 1 Midterm Review 2012 Web

Parts of the Enlarger

Page 223: Photo 1 Midterm Review 2012 Web

Parts of the Enlarger

{

Page 224: Photo 1 Midterm Review 2012 Web

Parts of the Enlarger

lamphouse {

Page 225: Photo 1 Midterm Review 2012 Web

Parts of the Enlarger

lamphouse {

{

Page 226: Photo 1 Midterm Review 2012 Web

Parts of the Enlarger

lamphouse

bellows

{

{

Page 227: Photo 1 Midterm Review 2012 Web

Parts of the Enlarger

lamphouse

bellows

{

{

Page 228: Photo 1 Midterm Review 2012 Web

Parts of the Enlarger

lamphouse

negative carrier goes here

bellows

{

{

Page 229: Photo 1 Midterm Review 2012 Web

Parts of the Enlarger

lamphouse

negative carrier goes here

bellows

{

{

Page 230: Photo 1 Midterm Review 2012 Web

Parts of the Enlarger

lamphouse

negative carrier goes here

bellows

height adjustmentknob

{

{

Page 231: Photo 1 Midterm Review 2012 Web

Parts of the Enlarger

lamphouse

negative carrier goes here

bellows

height adjustmentknob

{

{

moves EVERYTHINGup and down

Page 232: Photo 1 Midterm Review 2012 Web

Parts of the Enlarger

lamphouse

negative carrier goes here

bellows

height adjustmentknob

{

{

moves EVERYTHINGup and down

Page 233: Photo 1 Midterm Review 2012 Web

Parts of the Enlarger

lamphouse

negative carrier goes here

bellows

fine focus

height adjustmentknob

{

{

moves EVERYTHINGup and down

Page 234: Photo 1 Midterm Review 2012 Web

Parts of the Enlarger

lamphouse

negative carrier goes here

bellows

fine focus

height adjustmentknob

{

{moves the bellows

up and down

moves EVERYTHINGup and down

Page 235: Photo 1 Midterm Review 2012 Web

Parts of the Enlarger

lamphouse

negative carrier goes here

bellows

fine focus

height adjustmentknob

{

{moves the bellows

up and down

moves EVERYTHINGup and down

easel goes here

Page 236: Photo 1 Midterm Review 2012 Web

Parts of the Enlarger

lamphouse

negative carrier goes here

bellows

fine focus

height adjustmentknob

{

{moves the bellows

up and down

moves EVERYTHINGup and down

easel goes here

Page 237: Photo 1 Midterm Review 2012 Web

the easels

Page 238: Photo 1 Midterm Review 2012 Web

Easels

Page 239: Photo 1 Midterm Review 2012 Web

Easels

This is a ________ easel.

Page 240: Photo 1 Midterm Review 2012 Web

Easels

This is a ________ easel.CONTACT

Page 241: Photo 1 Midterm Review 2012 Web

Easels

This is a ________ easel.

It is used when making:

CONTACT

Page 242: Photo 1 Midterm Review 2012 Web

Easels

This is a ________ easel.

It is used when making:• contact sheets

CONTACT

Page 243: Photo 1 Midterm Review 2012 Web

Easels

This is a ________ easel.

It is used when making:• contact sheets• pinhole positives

CONTACT

Page 244: Photo 1 Midterm Review 2012 Web

Easels

This is a ________ easel.

It is used when making:• contact sheets• pinhole positives• collage negatives

CONTACT

Page 245: Photo 1 Midterm Review 2012 Web

Easels

This is a ________ easel.

It is used when making:• contact sheets• pinhole positives• collage negatives• photograms

CONTACT

Page 246: Photo 1 Midterm Review 2012 Web

Easels

This is a ________ easel.

It is used when making:• contact sheets• pinhole positives• collage negatives• photograms

CONTACT

Page 247: Photo 1 Midterm Review 2012 Web

Easels

This is a ________ easel.

It is used when making:• contact sheets• pinhole positives• collage negatives• photograms

CONTACT

This is a __________________ easel.

Page 248: Photo 1 Midterm Review 2012 Web

Easels

This is a ________ easel.

It is used when making:• contact sheets• pinhole positives• collage negatives• photograms

CONTACT

This is a __________________ easel.PRINTING / MASKING

Page 249: Photo 1 Midterm Review 2012 Web

Easels

This is a ________ easel.

It is used when making:• contact sheets• pinhole positives• collage negatives• photograms

CONTACT

This is a __________________ easel.PRINTING / MASKING

It is used when making:

Page 250: Photo 1 Midterm Review 2012 Web

Easels

This is a ________ easel.

It is used when making:• contact sheets• pinhole positives• collage negatives• photograms

CONTACT

This is a __________________ easel.PRINTING / MASKING

It is used when making:• enlargements from negatives

Page 251: Photo 1 Midterm Review 2012 Web

Easels

This is a ________ easel.

It is used when making:• contact sheets• pinhole positives• collage negatives• photograms

CONTACT

This is a __________________ easel.PRINTING / MASKING

It is used when making:• enlargements from negatives

It helps your prints have:

Page 252: Photo 1 Midterm Review 2012 Web

Easels

This is a ________ easel.

It is used when making:• contact sheets• pinhole positives• collage negatives• photograms

CONTACT

This is a __________________ easel.PRINTING / MASKING

It is used when making:• enlargements from negatives

It helps your prints have:• neat, white borders

Page 253: Photo 1 Midterm Review 2012 Web

Easels

This is a ________ easel.

It is used when making:• contact sheets• pinhole positives• collage negatives• photograms

CONTACT

This is a __________________ easel.PRINTING / MASKING

It is used when making:• enlargements from negatives

It helps your prints have:• neat, white borders• regular sizes

Page 254: Photo 1 Midterm Review 2012 Web

processing film

Page 255: Photo 1 Midterm Review 2012 Web

Loading Your Film:What goes into the changing bag?

Page 256: Photo 1 Midterm Review 2012 Web

Loading Your Film:What goes into the changing bag?

• tank (including lid & post)

Page 257: Photo 1 Midterm Review 2012 Web

Loading Your Film:What goes into the changing bag?

• tank (including lid & post)

Page 258: Photo 1 Midterm Review 2012 Web

Loading Your Film:What goes into the changing bag?

• tank (including lid & post)• 2 reels

Page 259: Photo 1 Midterm Review 2012 Web

Loading Your Film:What goes into the changing bag?

• tank (including lid & post)• 2 reels

Page 260: Photo 1 Midterm Review 2012 Web

Loading Your Film:What goes into the changing bag?

• tank (including lid & post)• 2 reels• can opener

Page 261: Photo 1 Midterm Review 2012 Web

Loading Your Film:What goes into the changing bag?

• tank (including lid & post)• 2 reels• can opener

Page 262: Photo 1 Midterm Review 2012 Web

Loading Your Film:What goes into the changing bag?

• tank (including lid & post)• 2 reels• can opener

• your film

Page 263: Photo 1 Midterm Review 2012 Web

Loading Your Film:What goes into the changing bag?

• tank (including lid & post)• 2 reels• can opener

• your film

Page 264: Photo 1 Midterm Review 2012 Web

Loading Your Film:What goes into the changing bag?

• tank (including lid & post)• 2 reels• can opener

• your film

you don’t need scissors!

Page 265: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

Page 266: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

1. The 1st chemical to go into your tank is ____________.

Page 267: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

1. The 1st chemical to go into your tank is ____________.DEVELOPER

Page 268: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

1. The 1st chemical to go into your tank is ____________.DEVELOPER

You mix developer using a 1:1 ratio (one equal part of each)

of _______ and __________.

Page 269: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

1. The 1st chemical to go into your tank is ____________.DEVELOPER

You mix developer using a 1:1 ratio (one equal part of each)

of _______ and __________.WATER

Page 270: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

1. The 1st chemical to go into your tank is ____________.DEVELOPER

You mix developer using a 1:1 ratio (one equal part of each)

of _______ and __________.WATERconcentratedDEVELOPER

Page 271: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

1. The 1st chemical to go into your tank is ____________.DEVELOPER

You mix developer using a 1:1 ratio (one equal part of each)

of _______ and __________.WATERconcentratedDEVELOPER

Developer is dependent on

______ and _____________.

Page 272: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

1. The 1st chemical to go into your tank is ____________.DEVELOPER

You mix developer using a 1:1 ratio (one equal part of each)

of _______ and __________.WATERconcentratedDEVELOPER

Developer is dependent on

______ and _____________.TIME

Page 273: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

1. The 1st chemical to go into your tank is ____________.DEVELOPER

You mix developer using a 1:1 ratio (one equal part of each)

of _______ and __________.WATERconcentratedDEVELOPER

Developer is dependent on

______ and _____________.TIME TEMPERATURE

Page 274: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

Page 275: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

2. The 2nd chemical to go into your tank is ____________.

Page 276: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

2. The 2nd chemical to go into your tank is ____________.STOP BATH

Page 277: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

2. The 2nd chemical to go into your tank is ____________.STOP BATH

What does stop bath do?

Page 278: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

2. The 2nd chemical to go into your tank is ____________.STOP BATH

What does stop bath do?arrests the developing process

Page 279: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

2. The 2nd chemical to go into your tank is ____________.STOP BATH

What does stop bath do?arrests the developing process

What can you substitute for stop bath?

Page 280: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

2. The 2nd chemical to go into your tank is ____________.STOP BATH

What does stop bath do?arrests the developing process

What can you substitute for stop bath?

water

Page 281: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

Page 282: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

3. The 3rd chemical to go into your tank is ____________.

Page 283: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

3. The 3rd chemical to go into your tank is ____________.FIXER

Page 284: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

3. The 3rd chemical to go into your tank is ____________.FIXER

What does fixer do?

Page 285: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

3. The 3rd chemical to go into your tank is ____________.FIXER

What does fixer do?removes unexposed silver from the film

Page 286: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

3. The 3rd chemical to go into your tank is ____________.FIXER

What does fixer do?removes unexposed silver from the film

Fixer is the only chemical that cannot EVER be...

Page 287: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

3. The 3rd chemical to go into your tank is ____________.FIXER

What does fixer do?removes unexposed silver from the film

Fixer is the only chemical that cannot EVER be...

poured down the drain

Page 288: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

Page 289: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

4. Water wash!

Page 290: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

4. Water wash!

Page 291: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

4. Water wash!

+

Page 292: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

4. Water wash!

+

Page 293: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

Page 294: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

5. The 4th chemical to go into your tank is ____________.

Page 295: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

5. The 4th chemical to go into your tank is ____________.PERMA WASH

Page 296: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

5. The 4th chemical to go into your tank is ____________.PERMA WASH

What does Perma Wash do?

Page 297: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

5. The 4th chemical to go into your tank is ____________.PERMA WASH

What does Perma Wash do?Perma Wash is like soap for your film - it removes the fixer and other gross things

Page 298: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

5. The 4th chemical to go into your tank is ____________.PERMA WASH

What does Perma Wash do?Perma Wash is like soap for your film - it removes the fixer and other gross things

Page 299: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

Page 300: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

6. Water wash!

Page 301: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

6. Water wash!

Page 302: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

6. Water wash!

+

Page 303: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

6. Water wash!

+

Page 304: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

Page 305: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

7. The 5th chemical to go into your tank is ____________.

Page 306: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

7. The 5th chemical to go into your tank is ____________.PHOTO FLO

Page 307: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

7. The 5th chemical to go into your tank is ____________.PHOTO FLO

What does photo flo do?

Page 308: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

7. The 5th chemical to go into your tank is ____________.PHOTO FLO

What does photo flo do?photo flo prevents water spots from forming on your negatives, similar to that stuff at the end of a car wash or in your dishwasher

Page 309: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

Page 310: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

Woooo look at your film!

Page 311: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

Woooo look at your film!

Page 312: Photo 1 Midterm Review 2012 Web

Processing Your Film (the condensed version)

Woooo look at your film!Maybe I need to

fix these longer...

Page 313: Photo 1 Midterm Review 2012 Web

darkroom chemistry

Page 314: Photo 1 Midterm Review 2012 Web
Page 315: Photo 1 Midterm Review 2012 Web
Page 316: Photo 1 Midterm Review 2012 Web

sink

Page 317: Photo 1 Midterm Review 2012 Web

sink

Page 318: Photo 1 Midterm Review 2012 Web

sink

developer

Page 319: Photo 1 Midterm Review 2012 Web

sink

developer

Page 320: Photo 1 Midterm Review 2012 Web

sink

stop bath developer

Page 321: Photo 1 Midterm Review 2012 Web

sink

stop bath developer

Page 322: Photo 1 Midterm Review 2012 Web

sink

fixer stop bath developer

Page 323: Photo 1 Midterm Review 2012 Web

sink

fixer stop bath developer

Page 324: Photo 1 Midterm Review 2012 Web

sink

water fixer stop bath developer

Page 325: Photo 1 Midterm Review 2012 Web

sink

water fixer stop bath developer

Page 326: Photo 1 Midterm Review 2012 Web

sink

water fixer stop bath developerwhat do I do?

Page 327: Photo 1 Midterm Review 2012 Web

sink

water fixer stop bath developerwhat do I do? develops the paper

(oxidizes silver)(pH 11 or 12 = base)

Page 328: Photo 1 Midterm Review 2012 Web

sink

water fixer stop bath developerwhat do I do? develops the paper

(oxidizes silver)(pH 11 or 12 = base)

stops thedeveloping(low pH = acid, neutralizes the

developer)

Page 329: Photo 1 Midterm Review 2012 Web

sink

water fixer stop bath developerwhat do I do? develops the paper

(oxidizes silver)(pH 11 or 12 = base)

stops thedeveloping(low pH = acid, neutralizes the

developer)

stabilizesthe image

(removes unexposed silver from the paper)

Page 330: Photo 1 Midterm Review 2012 Web

sink

water fixer stop bath developerwhat do I do? develops the paper

(oxidizes silver)(pH 11 or 12 = base)

stops thedeveloping(low pH = acid, neutralizes the

developer)

stabilizesthe image

(removes unexposed silver from the paper)

cleans the print(washes off all the chemicals)

Page 331: Photo 1 Midterm Review 2012 Web

sink

water fixer stop bath developerwhat do I do? develops the paper

(oxidizes silver)(pH 11 or 12 = base)

stops thedeveloping(low pH = acid, neutralizes the

developer)

stabilizesthe image

(removes unexposed silver from the paper)

cleans the print(washes off all the chemicals)

how long?

Page 332: Photo 1 Midterm Review 2012 Web

sink

water fixer stop bath developerwhat do I do? develops the paper

(oxidizes silver)(pH 11 or 12 = base)

stops thedeveloping(low pH = acid, neutralizes the

developer)

stabilizesthe image

(removes unexposed silver from the paper)

cleans the print(washes off all the chemicals)

how long? 1 1/2 minutes(90 sec)

Page 333: Photo 1 Midterm Review 2012 Web

sink

water fixer stop bath developerwhat do I do? develops the paper

(oxidizes silver)(pH 11 or 12 = base)

stops thedeveloping(low pH = acid, neutralizes the

developer)

stabilizesthe image

(removes unexposed silver from the paper)

cleans the print(washes off all the chemicals)

how long? 1 1/2 minutes(90 sec)30 sec

Page 334: Photo 1 Midterm Review 2012 Web

sink

water fixer stop bath developerwhat do I do? develops the paper

(oxidizes silver)(pH 11 or 12 = base)

stops thedeveloping(low pH = acid, neutralizes the

developer)

stabilizesthe image

(removes unexposed silver from the paper)

cleans the print(washes off all the chemicals)

how long? 1 1/2 minutes(90 sec)30 sec5 minutes

Page 335: Photo 1 Midterm Review 2012 Web

sink

water fixer stop bath developerwhat do I do? develops the paper

(oxidizes silver)(pH 11 or 12 = base)

stops thedeveloping(low pH = acid, neutralizes the

developer)

stabilizesthe image

(removes unexposed silver from the paper)

cleans the print(washes off all the chemicals)

how long? 1 1/2 minutes(90 sec)30 sec5 minutes5 minutes

Page 336: Photo 1 Midterm Review 2012 Web

sink

water fixer stop bath developerwhat do I do? develops the paper

(oxidizes silver)(pH 11 or 12 = base)

stops thedeveloping(low pH = acid, neutralizes the

developer)

stabilizesthe image

(removes unexposed silver from the paper)

cleans the print(washes off all the chemicals)

how long?

I should be replaced when...

1 1/2 minutes(90 sec)30 sec5 minutes5 minutes

Page 337: Photo 1 Midterm Review 2012 Web

sink

water fixer stop bath developerwhat do I do? develops the paper

(oxidizes silver)(pH 11 or 12 = base)

stops thedeveloping(low pH = acid, neutralizes the

developer)

stabilizesthe image

(removes unexposed silver from the paper)

cleans the print(washes off all the chemicals)

how long?

I should be replaced when...

1 1/2 minutes(90 sec)30 sec5 minutes5 minutes

if I am a brown color

Page 338: Photo 1 Midterm Review 2012 Web

sink

water fixer stop bath developerwhat do I do? develops the paper

(oxidizes silver)(pH 11 or 12 = base)

stops thedeveloping(low pH = acid, neutralizes the

developer)

stabilizesthe image

(removes unexposed silver from the paper)

cleans the print(washes off all the chemicals)

how long?

I should be replaced when...

1 1/2 minutes(90 sec)30 sec5 minutes5 minutes

if I am a darkpurple color if I am a brown color

Page 339: Photo 1 Midterm Review 2012 Web

sink

water fixer stop bath developerwhat do I do? develops the paper

(oxidizes silver)(pH 11 or 12 = base)

stops thedeveloping(low pH = acid, neutralizes the

developer)

stabilizesthe image

(removes unexposed silver from the paper)

cleans the print(washes off all the chemicals)

how long?

I should be replaced when...

1 1/2 minutes(90 sec)30 sec5 minutes5 minutes

if I get cloudy whenyou drip hypo check in

if I am a darkpurple color if I am a brown color

Page 340: Photo 1 Midterm Review 2012 Web

sink

water fixer stop bath developerwhat do I do? develops the paper

(oxidizes silver)(pH 11 or 12 = base)

stops thedeveloping(low pH = acid, neutralizes the

developer)

stabilizesthe image

(removes unexposed silver from the paper)

cleans the print(washes off all the chemicals)

how long?

I should be replaced when...

1 1/2 minutes(90 sec)30 sec5 minutes5 minutes

N/A if I get cloudy whenyou drip hypo check in

if I am a darkpurple color if I am a brown color

Page 341: Photo 1 Midterm Review 2012 Web

principles of composition

Page 342: Photo 1 Midterm Review 2012 Web

Principles of Photographic Composition

1. Light2. Rule of Thirds3. Using the Edges of the Frame4. Frame Within a Frame5. Line6. Point of View7. Fill the Frame / Cropping8. Pattern / Texture

Page 343: Photo 1 Midterm Review 2012 Web

Principles of Photographic Composition:

LIGHT

Page 344: Photo 1 Midterm Review 2012 Web

Principles of Photographic Composition:

RULE OF THIRDS

Page 345: Photo 1 Midterm Review 2012 Web

Principles of Photographic Composition:

RULE OF THIRDS

Page 346: Photo 1 Midterm Review 2012 Web

Principles of Photographic Composition:

USING THE EDGES OF THE FRAME

Page 347: Photo 1 Midterm Review 2012 Web

Principles of Photographic Composition:

FRAME WITHIN A FRAME

Page 348: Photo 1 Midterm Review 2012 Web

Principles of Photographic Composition:

LINE

Page 349: Photo 1 Midterm Review 2012 Web

Principles of Photographic Composition:

POINT OF VIEW

Page 350: Photo 1 Midterm Review 2012 Web

Principles of Photographic Composition:

FILL THE FRAME / CROPPING

Page 351: Photo 1 Midterm Review 2012 Web

Principles of Photographic Composition:

PATTERN / TEXTURE

Page 352: Photo 1 Midterm Review 2012 Web

YAY! YOU DID IT!

email me with any questions you might [email protected]