PARA SA NAKARARAMING PILIPINO, inihuhudyat ng buwan ng Setyembre ang papalapit na panahon ng Kapaskuhan. Ngunit para sa mga nabuhay noong dekada ‘70, ipinaaalala ng Setyembre ang isa sa pinakamadilim na yugto sa kasaysayan ng lipunang Pilipino—ang pagpataw ng Batas Militar o Martial Law (ML). Laganap na kahirapan, kabi-kabilaang korupsyon, malawakang paglabag sa karapatang pantao at tahasang pagsikil sa demokratikong karapatan ng mamamayan ang iniwang bakas ng ML sa naratibo ng bansa. Gayunman, ang mismong lagim na inihasik ng ML ang lalong nagpasidhi at nagpaalab sa mga ningas ng pagbabago. Subalit apat na dekada matapos ang “kalayaan” at “pagbawi sa demokrasya,” ano na nga ba ang kalagayan ng nakararaming Pilipino? Sa kanayunan, nananatiling walang pagmamay-aring lupa ang mga magsasaka. Sa kalunsuran, hindi pa rin dinidinig ang matagal nang hinaing ng mga manggagawa para sa makatarungan at nakabubuhay na sahod. Sa mga pamantasan, nariyan pa rin ang mga panawagan para sa sapat na badyet sa edukasyon at mas maayos na serbisyong pangkalusugan. Sa mga lansangan, patuloy ang panawagan para sa makabuluhang panlipunang pagbabago. At sa pagdiriwang ng ika-40 taong anibersaryo ng ML, marapat lamang balikan ang mga aral na nabuo at iniluwal sa panahon ng ligalig —at gamitin ang mga ito bilang mabisang gabay at tanglaw upang tuluyang maiwaksi ang dilim at lagim. Opisyal na lingguhang pahayagan ng mga mag-aaral ng Unibersidad ng Pilipinas - Diliman Tomo 90, Blg. 14 Setyembre 19, 2012 Lathalain
News Manual processing results to 2-month delay in release of STFAP results Tuition (B)racket Groups slam military red-tagging in Cordillera schools Bulldogs doom Maroons to single win this season, 65-60 Pinal na bersyon ng Student Manual, nakatakdang matapos sa Oktubre UPD admin not keen on extending tenure of retiring profs
Features Batas ng pag-aklas
Kultura Re-imagining departures and arrivals Literary ironies
Opinion Lakas tama: When you see my face, hope it gives you hell* Online libel On documentaries and sweet misery Editor's Note Eksenang Peyups
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Transcript
PARA SA NAKARARAMING PILIPINO, inihuhudyat ng buwan ng Setyembre ang
papalapit na panahon ng Kapaskuhan. Ngunit para sa mga nabuhay noong
dekada ‘70, ipinaaalala ng Setyembre ang isa sa pinakamadilim na yugto sa kasaysayan
ng lipunang Pilipino—ang pagpataw ng Batas Militar o Martial Law (ML).
Laganap na kahirapan, kabi-kabilaang korupsyon, malawakang paglabag sa
karapatang pantao at tahasang pagsikil sa demokratikong karapatan ng mamamayan
ang iniwang bakas ng ML sa naratibo ng bansa.Gayunman, ang mismong lagim na inihasik ng ML ang lalong nagpasidhi at nagpaalab
sa mga ningas ng pagbabago. Subalit apat na dekada matapos ang “kalayaan” at “pagbawi
sa demokrasya,” ano na nga ba ang kalagayan ng nakararaming Pilipino?
Sa kanayunan, nananatiling walang pagmamay-aring lupa ang mga magsasaka.
Sa kalunsuran, hindi pa rin dinidinig ang matagal nang hinaing ng mga manggagawa
para sa makatarungan at nakabubuhay na sahod. Sa mga pamantasan, nariyan pa rin
ang mga panawagan para sa sapat na badyet sa edukasyon at mas maayos na
serbisyong pangkalusugan.Sa mga lansangan, patuloy ang panawagan para
sa makabuluhang panlipunang pagbabago. At sa pagdiriwang ng ika-40 taong anibersaryo ng
ML, marapat lamang balikan ang mga aral na nabuo at iniluwal sa panahon ng ligalig
—at gamitin ang mga ito bilang mabisang gabay at tanglaw upang tuluyang maiwaksi ang
dilim at lagim.
Opisyal na lingguhang pahayagan ng mga mag-aaral ng Unibersidad ng Pilipinas - Diliman
Tomo 90, Blg. 14Setyembre 19, 2012
Lathalain
pampublikong katangian, hindi kailangang magdalawang-isip ng administrasyon upang tanggapin ang hamon.
Marapat ding kilalanin ng administrasyon ng UP na ang pambansang unibersidad ang huwaran ng iba pang state universities and colleges sa Pilipinas, maging sa paglikha ng mga palisiya at paraan ng pamumuno. Kung patuloy na magiging konserbatibo ang UP, kung patuloy nitong tutu-gunan ang kakulangan ng badyet sa pamamagitan ng pagsingil ng hala-ga ng kakulangan sa mga mag-aaral, hindi malabong mangyaring su-sunod na rin ang iba pang paman-tasan sa landas na tinatahak ng UP.
Sa darating na pulong ng BOR, nakasalalay sa magiging desisyon ng lupon ang kapakanan hindi la-mang ng mga mag-aaral ng UP, kundi pati ng mahigit isang mi-lyong mag-aaral sa iba pang pam-publikong pamantasan. Sa araw na iyon, walang puwang upang maging kimi — sama-sama nating irehistro ang pinakamataas na panawagang tunay na magpapanatili sa pam-publikong katangian ng edukasyon sa bansa.
Punong Patnugot
Kapatnugot
Panauhing Patnugot
Patnugot sa Lathalain
Patnugot sa Grapix
Mga Kawani
Tagapamahala ng Sirkulasyon
Sirkulasyon
The battle for independence is far from over. As long as there reeks the stench of foreign influence, we would never be free. And as long as we are not truly free, we would never stop fighting for it.
LUPONG TAGAPAGPASYA
Mga Katuwang na Kawani
Pinansya
Editor’s Note
As the Philippine Collegian celebrates its 90th year, we revisit lines from prized editorials that defined the publication’s tradition of critical and fearless journalism.
Pamuhatan Silid 401 Bulwagang Vinzons, Unibersidad ng Pilipinas Diliman, Lungsod QuezonTelefax 981-8500 lokal 4522Email [email protected] philippinecollegian.orgKasapi Solidaridad: UP Systemwide Alliance of Student Publications and Writers’ Organizations, College Editors Guild of the Philippines
Ukol sa Pabalat Dibuho ni Marianne Rios
OPINYONMiyerkules27 Hunyo
2012
Patnugot sa Balita
CHANGING OF THE GUARDSOn the mere “changing of the guards” from Japanese conquer-ors to American colonizers
Mariano AmpilSeptember 4 1946
OPINYONMiyerkules
19 Setyembre 2012
MULING NAKABITIN SA KAMAY ng iisang lupon ang kinabukasan ng mga iskolar ng bayan.
Sa darating na pulong ng UP Board of Regents (BOR) sa Setyembre 20, muling igigiit ng mga mag-aaral ang pagbasura sa bagong panuntunan ng Socialized Tuition Fee Assistance Program (STFAP) — ang paghingi ng Bracket B certification sa mga bagong estudyante ng UP. Ang Bracket B ceritification ang nagsisilbing patunay na hindi kabilang ang mga estudyante sa Bracket A — ang klasipikasyon para sa mga pamilyang may taunang kita na higit sa P1 milyon.
Isang tuso’t mapanlinlang na pagtataas ng matrikula ang paghihigpit na ito sa pagpapatupad ng STFAP. Bunsod nito, mapapako sa P1,500 kada yunit ang baba-yaran ng mga estudyanteng hindi magpapasailalim sa STFAP, o hin-di makapagbibigay ng nasabing sertipikasyon.
Sa madaling sabi, P1,500 kada yunit na ang default bracket ng mga estudyante ng UP. Sa gani-tong lagay, lalong lumiliit ang siwang ng oportunidad upang makatuntong sa pamantasan. Hindi na lamang UP College Ad-mission Test ang kailangan lu-sutan ng mga nagnanais maging iskolar ng bayan – obligado na rin silang patunayang hindi sila “mayaman.”
Patuloy namang sinasalag at pinasisinungalingan ng adminis-trasyon ang nasabing paratang. Ang mas mahigpit na STFAP umano ang solusyon upang masukat ang katapatan ng mga mag-aaral. Pinuna rin ni Pascual ang mga estudyanteng nagpoprotesta laban sa bagong panuntunan ng STFAP, dahil karamihan sa kanila ay hindi naman umano apektado ng bagong palisiya.
Sinasalamin ng ganitong pananaw ang pailalim at tusong taktika ng administrasyon na kawangis nang naganap sa Tuition and other Fee Increases (TFI) noong 2006. Hindi pa man pumapasok sa UP, hinubaran na sila ng karapatang makonsulta at mag-salita para sa kanilang edukasyon.
Ngunit habang umiiral ang palitan ng mga argumento, mahalagang mapatampok at matukoy ang tunay na suliranin, at mula rito’y mahalaw ang mas pangmatagalang mga solusyon.
Taktikal at lehitimo ang panawa-gang pagbasura sa paghingi ng Bracket B certification. Kung maipatutupad ito, mababalik sa P1,000 kada yunit ang base tuition ng mga mag-aaral. Gayunman, marapat kilalanin ng mga mag-aaral na hindi nito mapupunan ang mga butas ng STFAP bilang palisiya. Isang aspekto lamang ng STFAP ang Bracket B certification, at hindi
limitado sa mapanlinlang na pagtaas ng matrikula ang usapin hinggil sa sistemang ito.
Sa simpleng pagtunton sa kasaysayan ng STFAP, mababatid na ang malalagim na implikasyon ng nasabing iskema. Isa na rito ang malaon nang pahayag na ang STFAP ay panakip-butas lamang para sa pagtaas ng matrikula sa unibersidad.
Patunay dito ang dumaraming bilang ng mga estudyante na nangangailang magtungo sa Student Loan Office (SLO) upang ipangutang ang kanilang matri-kula. Noong nakaraang semestre, dalawa sa bawat tatlong estudy-ante na nag-aplay sa STFAP ang nangutang din sa SLO.
Kung susuriin din ang mga tala ng STFAP at SLO matapos ang dalawang beses na pagtaas ng matrikula sa nakaraang dalawang dekada, mababatid ang mag-kahawig na takbo ng datos — sa una’y biglang darami ang mga nag-aaplay sa STFAP at student loan, ngunit bigla rin itong babagsak kalaunan. Ipinapakita ng ganitong datos na sa una’y nabibigyang pag-asa ng STFAP ang
mga estudyante upang makapasok sa UP, ngunit sa kalauna’y nagiging sagka at unti-unti nitong nililimi-tahan ang pagpasok sa UP ng mga posibleng iskolar ng bayan na salat sa pinansyal na kapasidad.
Sa kabila ng lahat, hindi umano magagawa ng administrasyong Pascual na ibasura hindi lamang ang Bracket B certification kundi maging ang buong iskema ng STFAP. “If we scrap the STFAP, students who presently enjoy free tuition will then have to pay. We don’t want to deny our students education,” aniya.
Marupok ang ganitong argumento, lalo pa kung manggagaling tayo sa lunsarang hindi hiwalay ang STFAP sa usapin ng pagtaas ng matrikula, at sa mas malaki pang isyu ng inilalaang badyet ng edukasyon sa pamantasan.
Ang paghimok sa administra-syon na ibasura ang STFAP ay kaakibat ng panawagang ibalik sa mas abot-kayang halaga ang matrikula ng UP. Malalaki’t mabibigat na panawagan ang mga ito, ngunit kung tunay na tatanganan ng UP ang kanyang
BALITA
Miyerkules 19 Setyembre 2012
COLLOQUY. Representatives of different student and political organizations hold a dialogue with UP President Pascual at Quezon Hall on September 18. The students raised various concerns to Pascual, such as the abrogation of STFAP Bracket B Certification, comprehensive review of the STFAP Bracketing system, and the deferment of the imposition of the PE Fees.
Sumatotal
cording to an STFAP policy re-view by the OSR in July: 1,627
Number of STFAP beneficiar-ies who appealed for lower brack-eting in 2011, according to the Office of Student Scholarships and Services (OSSS): 287, or 1 in every 10
Number of Bracket E1 and E2 students, according to OSSS data for the second semester of 2011: 390
Number of Bracket E1 and E2 students who did not enroll last semester, according to the Office of University Registrar (OUR): 52, or 13.3 percent
Average number of students who applied for tuition loans each semester, from 1991 to 2011, ac-cording to the OSSS: 1, 300 stu-dents per semester
Number of students who ap-plied for loans last semester: 2,300, or 1 in every 10
Number of students who ap-plied for loans in 2010, before the
Sundan sa pahina 4
ALREADY DELAYED BY ALMOST two months, the bracket assign-ments of 2,358 Socialized Tuition and Financial Assistance Pro-gram (STFAP) applicants in the UP system were finally released on September 15, barely a month left before the end of the first se-mester.
Though UP President Alfredo Pascual declined to divulge de-tails on the cause of the delay, he explained that the release of the STFAP results are usually de-layed due to lengthy procedures in data-processing.
The delay, however, resulted to a number of cases of students who were “purged” out of their classes or eventually took a leave-of-absence due to non-payment of matriculation fees this semester, according to reports received by the UP Dili-man (UPD) University Student Council (USC).
The STFAP is a bracketing sys-tem that categorizes students’ capacity to pay matriculation based on socio-economic indica-tors. Students’ STFAP brackets are renewable every year. Results are released in batches, usually a month after the deadline for sub-mitting requirements to the Of-fice of Scholarships and Student Services (OSSS).
The STFAP, however, only covers tuition of undergradu-ate, law, and medicine students. Graduate and doctoral enroll-ees have different matriculation fees per subject as determined by their colleges, while second degree enrollees are automati-cally placed in Bracket A, where
students pay P1,500 per unit, according to OSSS.
The current five alphabetic bracketing scheme was imple-mented in 2007, a year after base tuition increased by 300 percent, from P300 to P1,000. In 2010, the STFAP was again revised to separate the students who enjoy free matriculation into E1 and E2, where an additional semestral stipend of P12,000 is provided for the latter.
In UP Diliman (UPD), less than 20 percent, or an average of only 3,000 of the 17,000 undergradu-ate students apply for STFAP, based on data from the OSSS and the University Registrar. The rest are in bracket A or are under scholarships, said OSSS officer-in-charge Richard Gonzalo.
Following the June 5 memo-randum from the OSSS this year, students with student numbers 2011 and 2012 were initially placed in bracket A during en-rolment, unless documents for bracket B certification, the default bracket with P1,000 per unit, are submitted.
The current practice during enrolment is that students ap-ply for loans while they wait for their bracket assignments. The over-assessed tuition is then de-ducted from the loans, Gonzalo explained.
Meanwhile, the OSSS extended the deadline for the submission of appeals for re-bracketing until October. Around 170 appeals for re-bracketing are currently pend-ing deliberation since the initial deadline for submission of ap-peals on September 15, according
to OSSS data.Even with the delay in the re-
lease of results, Gonzalo assured that the final bracket assignments for all STFAP applicants will still apply for the first semester and UP will reimburse any over-as-sessed tuition payments until the second semester.
Procedural reformsThough the aim of STFAP is to
make UP education accessible, it does not accurately measure the actual financial capability of the student, because the imple-mentation is flawed and even the socio-economic indicators are questionable, said UPD USC Chair
Gabriel ‘Heart’ Diño.In the September 7 meeting, the
University Committee on Schol-arships and Financial Assistance (UCSFA), which is composed of university officials, administra-tive staff and student leaders, decided to “overhaul the current STFAP system”, said Gonzalo.
The committee is planning to hold a conference to review the reforms needed on the STFAP this October with past and pre-sent UP officials, administrators, and student leaders. One of the expected changes would be the use of the UP administration’s pet project “Electronic UP” o eUP,
Manual processing results to 2-month delay in release of STFAP results
LAST SEMESTER, THE UP administration implemented the new Bracket B certification pro-cess in the university’s Socialized Tuition and Financial Assistance Program (STFAP), a system which assigns tuition brackets to UP stu-dents based on family income and other socioeconomic indicators.
Under the new Bracket B certi-fication policy, students are auto-matically assigned to the STFAP’s Bracket A, which sets tuition at P1,500 per unit. To “certify” for Bracket B, STFAP applicants ad-mitted to UP starting in 2011 are required to submit family Income Tax Returns and a vicinity map of their residence, among others, to prove that their annual family in-
come does not exceed P1 million. Meanwhile, students admit-
ted from 2007 to 2010 are only required to submit a certifica-tion and a vicinity map of their family residence to confirm their Bracket B status.
Though touted as the admin-istration’s bid to “improve the implementation of the STFAP,” the Office of the Student Regent (OSR), the UP Diliman Univer-sity Student Council, and sev-eral student groups in UP, have condemned the new policy as merely a scheme to effectively hike tuition in UP. The figures be-low show how this might just be the case:
Tuition rate for students that have undergone the Bracket B cer-tification process: P1,000 per unit
Default tuition of UP Diliman (UPD) students who did not apply for STFAP after the implemen-tation of Bracket B certification process: P1,500 per unit
Estimated tuition per semester for a Bracket B student enrolled with 15 units, excluding other fees: P15,000
Estimated tuition per semester for a Bracket A student enrolled with 15 units, excluding other fees: P22,500
National average total tuition per semester in private univer-sities in 2012, according to the Commission on Higher Education (CHEd): P9, 112.95
Difference of estimated tuition per semester between Brackets A and B: P7,500
Number of months this amount can cover a freshman’s dormitory fees at Kalayaan Residence Hall: at least 3
Number of Bracket A students in 2010: 29
Average class size of Kasaysay-an 1 this semester: 25
Number of Bracket A students af-ter the Bracket B certification policy was implemented in 2011: 900
Total student population of the College of Arts and Letters in 2011: 915
Number of applicants assigned to brackets which were higher than what they applied for, ac-
which may reduce the require-ments for STFAP application and hasten the processing time, said Pascual.
Meanwhile, Student Regent Cleve Arguelles maintains that the STFAP must be scrapped as it is a “disguise for tuition hike” which “pushes students into the higher brackets.”
In the Board of Regents’ (BOR) meeting on September 20, Ar-guelles will propose the abolition of the Bracket B certification as it was “undemocratically imple-mented because of lack of student consultation.”
Following the government’s Roadmap for Public Higher Edu-cation Reform, a socialized tui-tion fee scheme is also set to be implemented in 10 state univer-sities and colleges (SUCs) by 2014.
“It would be an error to further institutionalize the STFAP with its present flaws in the policy and procedural levels and a dis-service to the Philippine Educa-tional System in general if the same flaws are replicated in other SUCs,” Arguelles said.
Other than the STFAP, Ar-guelles will also lobby to post-pone the implementation of PE laboratory fees in UPD next se-mester as “all fees must undergo a comprehensive and systematic student consultation”.
The BOR first approved “in principle” the charging of labo-ratory fees reaching P500 for selected PE courses in May 2010, separate from the current P200 athletics fee, but its imple-mentation was postponed for further study.
Being the highest policy-making body, the BOR should implement policies that will ensure the peo-ple’s right to accessible and quality education, said Arguelles.
Tuition (B)racket
Isabella Patricia Borlaza
Lavilyn Hysthea Malte
VARIOUS GROUPS CONDEMNED recent school campaigns by the Armed Forces of the Philippines’ (AFP), which reportedly tagged national progressive groups as “communist fronts.”
From July to August this year, members of the AFP held one-hour symposiums in 64 public schools in Baguio City, which sup-posedly sought to “enhance the student’s consciousness about the lies, deception, and clandes-tine operations of the Commu-
Groups slam military red-tagging in Cordillera schools
nist Terrorist Movement,” accord-ing to a memorandum issued by the Baguio City Schools Division Superintendent on June 26.
Reports and interviews with the grade six and high school stu-dents who participated in the said symposia reveal that the AFP said that progressive organizations are covert rebel organizations, according to Katribu Partylist President Beverly Longid.
Katribu also reported similar counterinsurgency campaigns in
schools in Mindanao and Cebu. According to Katribu, the said ac-tivities are part of Oplan Bayani-han, the Aquino administration’s counterinsurgency program, which is directed towards quell-ing the longstanding communist and Muslim separatist rebellions in the country.
“This is what the military does not understand – legal progres-sive organizations and rebel groups are very much different, both in leadership and style of
work. Organizations including progressive partylists are legal by all means and should not be por-trayed to students as communist fronts,” said Kabataan Partylist Representative Raymond Palatino.
‘Child abuse’Presenting legal progressive
groups as “enemies of the state” instigate fear among the children and qualify as a form of harass-ment, according to the Children’s Rehabilitation Center, a non-gov-ernment institution for family and child victims of state violence in the Philippines.
On September 10, progressive groups and community lead-ers held a dialogue with the De-partment of Education (DepEd) to present cases which violated children and indigenous people’s rights, as stipulated in Republic Act 7610 or Special Protection of Children against Abuse, Exploita-tion and Discrimination.
“Through these activities, the government involves teachers and children in its counterinsur-gency operations. [We] remind AFP of its obligations under local and international laws to respect the people’s rights to life, safety, education, and self-organization, to name a few,” said Alliance of Concerned Teachers (ACT) Partyl-ist Representative Antonio Tinio.
DepEd has pledged stricter ob-servation of RA 7610 and prom-ised to ban the military from per-forming similar acts which may endanger the children’s safety and right to education, Tinio said.
Military surveillance in
communitiesMeanwhile, during the Sep-
tember 10 dialogue, community leaders also aired out concerns on the effects of military pres-
THE NATIONAL UNIVERSITY (NU) Bulldogs sunk UP Fighting Ma-roons’ hopes of bagging a second and final win in the second round of Men’s Basketball games dur-ing the 75th season of University Athletic Association of the Philip-pines (UAAP) on September 16 at the SM Mall of Asia (MOA) Arena, 65-60.
Three minutes into the first quarter, Maroons forward Mike Silungan kicked off the game with double consecutive two-point shots, giving the State U ballers an early lead. Bulldogs point guard Joshua Angelo Alolino, however, swiftly buried Silungan’s four-point deed, while Bulldogs center Spencer John Rosario went on a six-point shooting spree.
Maroons captain Mark Lopez sunk a three-pointer at the last minute of the quarter but fell short of recovering the lead from NU, concluding the quarter with a single-point lead by the Bulldogs, 12-11.
The second quarter of the game saw UP surrendering to the Bull-dogs’ aggressive 16-point power play. The Maroons’ first success-ful two-pointer in the quarter came from center Cris Ball two minutes into the game.
The Maroons did not score until the last two minutes in the quarter, with Maroons center Alinko Mbah nailing a two-point shot, followed by three-pointers from Silungan and forward Alvin Padilla, ending the second half with NU still on the lead, 30-21.
The second half began with Mbah delivering two consecutive baskets during the first minute of the third quarter. Resolved to keep the Maroons at the losing end, the Bulldogs then launched a strong campaign to end the quarter at 51-41, with point guard Bobby Ray Parks however led NU in a strong campaign to keep the Maroons at the losing end.
NU kept on rebuffing every UP run in the fourth and final quar-
ter, with Bulldogs center Emma-nuel Mbe and Parks delivering the shots, but the Maroons almost caught up within just three, 60-63, with a minute left.
With 51 seconds left in the game, Bulldogs point guard Joef-frey Javillonar and Alolino split their free throws to end the game, 65-60.
The Maroons pushed a lot of teams to the edge this year but still finished last for the fifth time in the last six seasons with a tame 1-13 card. UP stands to lose eight star players out of their 15-man roster, namely Silungan, Lopez, Padilla, point guards Mike Gam-boa and Jelo Montecastro, as well as reserves Diony Hipolito, Robby Wierzba and Julius Wong.
“[We] fought hard. The records show how much we improved and, hopefully, next year, the juniors will finish the season with UP on the top four. UP is not a push-over school at all,” said Silungan.
BULLDOGS DOOM MAROONS TO SINGLE WIN THIS SEASON, 65-60
ence in communities. Due to the scarcity of accessible
schools, indigenous people and several non-government groups have set up their own literacy and numeracy schools, some of which are DepEd-accredited, in accord-ance to the government’s Alter-native Learning System.
According to Section 18, Arti-cle IX of RA 7610, DepEd can “ac-credit and support non-formal but functional indigenous edu-cational programs conducted by non-government organizations in said communities.”
The AFP, however, tagged the informal setup of the schools as “New People’s Army schools” and “anti-government.” In some instances, military harassment led to the disruption and even-tual closure of some community schools, according to Katribu,
“Our experience and the docu-mentation of cases clearly show that there are no advantages for Oplan Bayanihan. It does not ad-dress the reasons for armed re-sistance [nor] provide solutions to massive discontent. In fact, it even brews further resistance and dissent among the people,” said Longid.
As agreed upon in the Septem-ber 10 dialogue, DepEd will rec-ognize these schools as partners in non-formal education through the signing of a Memorandum of Agreement, according to ACT.
“We appeal this in hopes that education will be upheld, an education that helps in our liberation and in shaping the future of our communities based on our right to self- determination,” according to Save Our Schools, a coalition of concerned indigenous peoples’ groups.
Isabella Patricia Borlaza
BALITA
Miyerkules19 Setyembre
2012
NAG-AALAB, Bilang pagtutol sa Two-Tiered Wage System na maaaring magbigay ng mas mababa pang sahod sa minimum wage, nagsunog ang ilang sektor ng manggagawa ng tarpaulin na naglalaman ng mukha ng DOLE Secretary na si Rosalinda Baldoz sa harap ng South Wing Gate sa Batasang Pambansa sa Quezon City noong Setyembre 18. Pinanawagan ng grupo sa administrasyong Aquino na kanselahin ang nasabing iskema at isulong ang P125 across-the-board na dagdag-sahod sa buong bansa.
implementation of the Bracket B certification process: 2,044
Number of students who ap-plied for loans in 2011 after the implementation of the Bracket B certification process: 2, 300
Number of STFAP applicants last semester who also applied for student tuition loans, according to OSSS: 2, 325, or 2 in every 3
Total amount loaned by UPD students in 2010, according to OSSS: P23.9 million
Total amount loaned by UPD students in 2011: P28.5 million
Total estimated amount of tui-tion assessed for Bracket A stu-dents who appealed for lower bracketing: P20.25 million
Amount of loans unpaid from 2007 to February this year: P29 million
Number of Bracket A students
who applied for student loans: 73 or 2 percent
Number of Bracket B students who applied for student loans: 1,082 or 31.63 percent
Number of E1 and E2 students who were granted free tuition but who still applied for student loans: six or 1.5 percent
Average annual increase in the number of students applying for tuition loan tuition hike since the tuition hike in 2007, according to OSSS data: 22 percent
Total budget needed by the entire UP system for 2013: P18.4 billion
UP budget for 2013, as approved by the Department of Budget and Management: P10.78 billion
Sources: OSSS, Office of Student Housing, CHEd, DBM, UP System Budget Office
Mulapahina 3
Tuition (B)racketLavilyn Hysthea Malte
BALITA
Miyerkules 19 Setyembre 2012
INAASAHANG MAGLALABAS na ng pinal na bersyon ng Stu-dent Manual (SM) sa Oktubre ang Student Manual Commit-tee (SMC), grupong binuo noong Hunyo upang pangasiwaan ang pagsasaayos ng mga rebisyon sa kasalukuyang umiiral na Code of Student Conduct (CSC).
Kailangan umanong matapos ang pinal na burador ng SM sa huling linggo ng Oktubre upang makapagsagawa ng konsultasyon sa mga estudyante at maapru-bahan ng Board of Regents ang SM bago matapos ang taon, ani UP Diliman University Student Council (USC) Chair Gabriel “Heart” Diño.
Binubuo ang SMC nina Dr. Mila Laurel, pangulo at kinatawan ng University Council Committee on Student Organizations Activi-ties and Welfare (UCSSSOAW), dating Student Regent (SR) Ma. Kristina Conti, kasalukuyang SR Cleve Robert Arguelles, Diño, at USC Councilor Aryanna Canacan. Bahagi rin sa nasabing komite
sina Vice-Chancellor for Stu-dent Affairs (VCSA) Ma. Corazon Tan at dating VCSA Elizabeth Enriquez at Prof. Rowena Mo-rales, mga kinatawan ng Student Review Committee noong na-karaang taon.
Pag-amyenda sa CSCUnang ipinanukalang amy-
endahan ang CSC noong 2009, dahil may ilang karapatang pang-mag-aaral ang hindi nabanggit sa nasabing CSC, ani Conti. Aniya, tinanggihan ng administrasyon ang nasabing panukala at muling bumuo ng bagong CSC sa pan-gunguna ni Enriquez noong 2010.
Sapagkat wala pa rin umanong pagbabagong naiambag ang 2010 CSC, binuo ng OSR ang Student Review Committee sa parehong taon upang buuin ang Student Handbook on Rights and Respon-sibilities. Sa pangunguna ng UPD University Student Council at ng 21 lokal na konseho sa UPD, nata-pos ang SHRR noong Mayo 2011.
Nakapaloob sa SHRR ang Dec-laration of Student Rights at ang
sariling bersyon ng mga estudy-ante ng CSC. Sa isang pulong noong Oktubre 2011, napagkasun-duan ng SRC at administrasyon na buuin ang SM, na halaw sa 2010 CSC at SHRR.
Matapos buuin ang pinal na bersyon ng SM, magsasagawa ng serye ng konsultasyon ang SMC upang hingin ang panig ng mga estudyante. “[Lahat] ng results ng consultations ay i-integrate natin sa bawat provision. [‘Yung] goal [namin] is to come up with a comprehensive student manual,” ani Diño.
Mga amyenda sa CSCIlan sa mga natapos nang sek-
syon ng CSC ang panuntunan sa pagtanggap ng mga bagong miy-embro ng mga organisasyon, so-rority at fraternity.
Lilinawin din sa SM ang mga panuntunan ukol sa mga kaso ng pandaraya at pagnanakaw, mag-ing ang iba pang itinuturing na maling gawi ng mga estudyante. Nakapaloob din sa binubuong SM ang bagong mga panuntunan
Pinal na bersyon ng Student Manual nakatakdang matapos sa Oktubre
AMID THE DECLINING NUMBER of faculty in the university, the UP Diliman (UPD) administra-tion will only grant extension of appointment to faculty members who are obliged to retire at the age of 65 under “exceptional cir-cumstances.”
In two separate memoranda on January 25 and September 4, the UPD Office of the Chancellor (OC) reminded college administra-tions to observe the compulsory retirement for government em-ployees who reach the age of 65.
“The services of officials and employees who attain the com-pulsory retirement age are not extended unless absolutely nec-essary in the interest of pub-lic service,” read the January 25 memorandum.
As of June, 30 faculty members of UP Diliman are expected to reach the compulsory retirement age by the end of 2012, while around 45 faculty members are also estimated to retire in the next two years, according to estimates from the university administration. Meanwhile, 39 faculty members are currently granted extension of their appointment beyond the retirement age.
“The extension of a regular faculty appointment beyond 65 is not encouraged by the univer-sity. All government employees are expected to retire from ser-vice when they reach the age of 65,” said UPD Chancellor Caesar Saloma.
‘Extension is a privilege’As the university’s highest
policy-making body, the Board of Regents (BOR) has the sole power to extend the tenure of faculty members upon the recommen-dation of academic units and en-dorsement of the UP President, as provided in Section 13 (l) of the 2008 UP Charter.
However, the appointment of retiring faculty members be-yond the compulsory retirement age is a “privilege” and therefore “granted only under exceptional circumstances,” according to the September 4 memorandum issued by the OC.
The OC memorandum speci-fied that requests to extend the appointment of a retiring faculty shall be endorsed to the UP Presi-dent, only if the concerned facul-ty turns 65 years old in the mid-dle of a semester and is currently assigned as the thesis adviser of a graduate student.
Retirement costs “UP is currently losing its fac-
ulty, some to retirement [and] others to greener pastures in private universities or abroad,” according to the UP Expand-ed Modernization Program (EMP), the universitys faculty development program.
As of June last year, only 37 percent or 565 of the total 1,539 regular full-time faculty in UPD have doctoral degrees (PhD), ac-cording to the OC. Of the 565 doc-toral degree holders, more than a third is aged over 55.
For the first semester, however, only 15 percent of full-time fac-ulty is enrolled in doctoral pro-grams and 23 percent in master’s programs. On the other hand, only 73 students graduate in doc-toral programs of the university on average every year.
The “failure of [academic units] to develop qualified PhD faculty to carry out graduate programs” may restrict the university from offering programs that require “in-house faculty expertise,” ac-cording to the 2004 decision of the BOR on the guidelines of ex-tending appointment.
“The Chancellor’s memoranda are reminders to our academic
units and faculty to plan the de-velopment of younger faculty members to eventually replace retiring ones. This will ensure that our faculty roster remains dynamic,” said Prof. Judy Tagui-walo, former UP faculty regent and member of the All-UP Aca-demic Employees Union.
In the 2012 world ranking of universities by education re-search firm Quacquarelli Sy-monds (QS), UP slipped to the 348th place from 332nd last year. Indicators used in the QS survey include the number of citations per faculty and faculty-to-stu-dent (FS) ratio, which weigh 20 percent each.
UP received a 2.3 percent rat-ing in the CPF and 37.3 percent in the FS ratio. The Massachusetts Institute of Technology, which topped the QS world ranking, had a CPF rating of 99.3 and FS ratio of 99.9
Faculty developmentTo address the decline in the
number of the university’s fac-ulty, several faculty develop-ment programs were instituted
under the EMP including the ex-pansion of the Doctoral Studies Fund (DSF) and the recruitment of Filipino PhD faculty educated abroad.
First established under UP President Francisco Nemenzo, the DSF provides qualified fac-ulty members with free tuition, a monthly stipend, and book allow-ance, among others, for doctoral and postdoctoral studies in top Asian universities.
Meanwhile, recruited Filipino doctoral fellows from abroad are given incentives including a P2.5 million research grant and a high academic rank, among others.
“Retention of UP faculty is a function of both economic and non-economic factors. Faculty loss, I believe, will be reduced if UP expands the benefits extend-ed to faculty and other personnel. Another very important element would be ensuring that the prin-ciples of democratic governance and transparency, as well as ap-pointments based on merit, are observed,” said Taguiwalo.
UPD admin not keen on extending tenure of retiring profs
hinggil sa pagsapi sa mga organ-isasyon, sorority at fraternity.
“All organizations, sorority, fraternity, pwedeng magrecruit anytime, pero after a semester lang [pwedeng] mag-accept,” ani Arguelles.
Layunin din ng SM ang pagpa-pataw ng mas mababang antas ng parusa sa mga kasong maaaring kaharapin ng mga estudyante, ani Arguelles. Halimbawa, ibinaba sa isang semestre ang suspensyon sa mga estudyanteng nahaharap
sa kaso ng paglalabas ng maling pahayag ukol sa pagkakatanggap sa unibersidad, pagiging rehistradong estudyante at pananatili sa UP.
“Mas rehabilitative na lang ‘yung mga parusa sa mga stu-dents. [Halimbawa,] from expul-sion to at least one week suspen-sion... [Pangunahing] goal ng SM Committee na protektahan ang student rights at gawing rehabili-tative ang lahat ng penalties,” ani Arguelles.
PANIMULA. Bilang protesta sa patuloy na pagtaas ng tuition at iba pang bayarin sa UP, nagsagawa ng candlelighting ceremony ang ilang grupo ng estudyante sa harapan ng Vinzons Hall noong Setyembre 18. Nagsilbing paunang protesta ang nasabing programa para sa isang mas malaking protesta sa Setyembre 20 kasabayan ng miting ng Board of Regents sa Quezon Hall.
LATH
ALAI
N
Miy
erku
les
19 S
etye
mbre
2
012
LAT
HA
LAIN
Miy
erku
les
19 S
etye
mbr
e
20
12
BAG
O P
A M
AN T
UM
UN
TON
G S
A
UP
ang
mar
ami
sa m
ga i
skol
ar n
g ba
yan,
m
ahig
pit
na
ang
tagu
bilin
ng
kan
ilang
mga
mag
ulan
g na
hu-
wag
mag
ing
aktib
ista
. Ngu
nit
kung
m
atam
ang
baba
likan
ang
kasa
ysay
an
ng a
ktib
ism
o sa
pam
anta
san,
hin
di
mai
kaka
ila a
ng m
alak
ing
pape
l na
gi
nam
pana
n ni
to s
a pa
ghub
og n
g U
P
at n
g lip
unan
.Ila
ng
taon
pa
la
man
g an
g na
kara
raan
mat
apos
itat
ag
ang
UP,
sum
ibol
na
ang
prog
resi
bong
ka
ma-
laya
n sa
pam
anta
san.
M
ula
1917
ha
ngga
ng
deka
da
‘50s
, na
ging
m
atal
as n
a kr
itiko
ang
m
ga m
ag-a
aral
ng
UP
ng
mga
pat
akar
ang
sum
usup
il sa
sob
eran
ya n
g ba
nsa.
Sa p
agpa
sok
ng d
ekad
a ‘6
0s, b
inuo
ng
dat
ing
prop
esor
sa
liter
atur
a na
si
Jose
Mar
ia S
ison
ang
pro
gres
ibon
g or
gani
sasy
on n
a St
uden
t Cu
ltura
l As
soci
atio
n of
th
e U
P (S
CAU
P).
Sini
mul
an
ng
SCAU
P an
g m
ga
disk
usyo
n sa
mga
caf
eter
ia a
t si
lid-
akla
tan
ng U
P hi
nggi
l sa
kal
agay
an
ng li
puna
ng P
ilipi
no.
Kina
laun
an, b
inuo
ni S
ison
, kas
a-
NO
OTH
ER
PE
RIO
D IN
PH
ILIP
PIN
E
hist
ory
reve
als
the
pola
rize
d na
ture
of m
edia
out
fits m
ore c
lear
ly
than
the
Mar
tial
Law
era
. D
urin
g th
is
peri
od,
Filip
inos
w
itne
ssed
th
e st
ark
cont
rast
be
twee
n st
ate-
cont
rolle
d m
edia
–
whi
ch p
ortr
ayed
mas
sive
dev
elop
-m
ent
and
prog
ress
bro
ught
abo
ut
by th
e M
arco
s di
ctat
orsh
ip, a
nd th
e gr
im p
ictu
re p
aint
ed b
y th
e un
der-
grou
nd a
lter
nati
ve p
ress
.Im
med
iate
ly
afte
r de
clar
ing
Mar
tial
Law
, Pre
side
nt F
er-
dina
nd
Mar
cos
swift
ly
mov
ed
to
sile
nce
the
oppo
siti
on. H
is fi
rst
let-
ter
of in
stru
ctio
n un
der
mar
tial
ru
le
orde
red
for
the
sequ
estr
atio
n of
al
l ra
dio,
te
levi
sion
an
d ne
wsp
aper
out
lets
. A m
onth
la
ter,
Mar
cos
rele
ased
Pre
side
ntia
l D
ecre
e N
o. 3
3 w
hich
led
to t
he im
-pr
ison
men
t of
peo
ple
the
regi
me
tagg
ed a
s “s
ubve
rsiv
es,”
incl
udin
g kn
own
med
ia c
riti
cs.
Mos
t med
ia in
stit
utio
ns fe
ll in
to
the
hand
s of
kno
wn
Mar
cos
cro-
nies
, inc
ludi
ng G
ilber
to D
uavi
t an
d R
ober
to B
ened
icto
, w
ho t
oget
her
owne
d m
ost l
ocal
TV
cha
nnel
s an
d th
e Ph
ilipp
ine
Dai
ly E
xpre
ss,
the
only
nat
iona
lly-d
istr
ibut
ed n
ews-
pape
r du
ring
that
tim
e.Th
e st
ate-
cont
rolle
d m
edia
so
ught
to
build
the
dic
tato
rshi
p’s ma
ang
80 m
ga e
stud
yant
e at
gur
o ng
UP,
ang
dem
okra
tikon
g or
gan-
isas
yong
Kab
ataa
ng M
akab
ayan
(KM
) na
nan
awag
an p
ara
sa m
alaw
akan
g pa
gbab
agon
g pa
nlip
unan
. Sa
lo
ob
ng is
ang
taon
, hal
os 2
5,00
0 an
g na
-pa
kilo
s ng
KM
sa
mga
pro
test
a la
ban
sa m
ga k
asun
duan
g La
urel
-Lan
gley
Ag
reem
ent
at
US
Mili
tary
B
ases
Ag
reem
ent.
Mul
ing
nasu
bok
ang
laka
s ng
ki-
lusa
ng k
abat
aan
noon
g de
kada
‘70
s. N
ang
tum
aas
ng ta
tlong
se
ntim
os
ang
pres
yo
ng
lang
is,
halo
s 50
,000
es
-tu
dyan
te a
ng n
agpr
otes
ta
sa u
nang
tatlo
ng b
uwan
ng
1970
, na
kini
lala
bila
ng F
irst
Q
uart
er S
torm
(FQ
S).
Bun
sod
ng F
QS,
hig
it pa
ng lu
-m
akas
ang
kilu
sang
kab
ataa
n. “
Nag
-in
g fr
eque
nt a
ng m
ga d
iscu
ssio
n gr
oups
[sa
UP]
tun
gkol
sa
prob
lem
a ng
Phi
lippi
ne s
ocie
ty,”
ani S
atur
Oc-
ampo
, isa
sa
mga
lid
er-e
stud
yant
e ng
pan
ahon
g iy
on.
Nag
ing
isa
sa m
ga p
angu
nahi
ng
dahi
lan
ni M
arco
s an
g pa
pala
kas
na
kilu
sang
kab
ataa
n, k
asam
a an
g ib
a pa
ng s
ekto
r ng
lipu
nan,
sa
pagp
apa-
tupa
d ng
Bat
as M
ilita
r.
imag
e ev
en if
it m
eant
con
juri
ng il
-lu
sion
s of
pro
gres
s. “In
tho
se d
ays,
the
mai
nstr
eam
m
edia
wer
e fil
led
wit
h ei
ther
gov
-er
nmen
t pr
opag
anda
or
ente
rtai
n-m
ent
[to
calm
the
mas
ses]
,” sa
ys
acti
vist
pla
ywri
ght B
onifa
cio
Ilaga
n.W
hile
the
cron
y pr
ess
cont
inue
d to
wea
ve g
over
nmen
t pr
opag
anda
, a
smal
l po
rtio
n of
the
pre
ss, c
om-
pose
d of
cam
pus
publ
icat
ions
and
ne
wsp
aper
s w
ith
rela
tive
ly s
mal
ler
circ
ulat
ion,
ba
nded
to
geth
er
and
form
ed w
hat w
ill g
o do
wn
in
hist
ory
as t
he “
mos
quit
o pr
ess”
– r
elat
ivel
y sm
all-
er i
n re
ach,
yet
abl
e to
pu
blis
h st
ingi
ng a
rtic
les
agai
nst t
he r
egim
e.“W
e di
dn’t
like
this
m
onop
oly
of
info
rma-
tion
. Kno
win
g th
at t
here
was
an
othe
r un
repo
rted
sid
e to
eve
ry
stor
y, w
e de
cide
d to
tel
l ou
r si
de
of t
he s
tory
,” sa
ys t
hen-
colu
mni
st
of a
nti-
dict
ator
ship
new
spap
er P
a-ha
yaga
ng M
alay
a Sa
tur
Oca
mpo
.D
espi
te t
he l
oom
ing
dang
er o
f im
pris
onm
ent
and
tort
ure,
th
e m
osqu
ito
pres
s pr
esen
ted
the
grim
es o
f th
e M
arti
al L
aw p
erio
d,
repo
rtin
g ne
ws
that
was
abs
ent
in
the
mai
nstr
eam
med
ia –
tha
t m
a-jo
rity
of
Filip
inos
liv
ed b
elow
the
po
vert
y lin
e; t
hat
peop
le w
ere
not
happ
y of
the
curf
ews,
agra
rian
pol
i-ci
es, a
nd t
he g
over
nmen
t’s s
pend
-Sa d
ekla
rasy
on n
g B
atas
Mili
tar,
nana
him
ik
ang
buon
g la
nsan
gan.
N
guni
t pi
nagd
adam
pot
ng m
ilita
r an
g m
aram
ing
aktib
ista
. “D
alaw
ang
bese
s ak
ong
nahu
li…
pina
upo
ako
sa y
elo,
at b
inuh
usan
ng
tubi
g sa
ilon
g bi
lang
wat
er c
ure,”
ani
Pr
of. J
udy
Tagu
iwal
o, d
eten
idon
g pu
-lit
ikal
noo
ng B
atas
Mili
tar.
H
indi
bab
aba
sa h
alos
70,
000
ang
nabi
lang
go, 3
4,00
0 an
g tin
or-
tyur
at
3,24
0 an
g pi
nata
y no
ong
Bat
as
Mili
tar,
ayon
sa
grup
ong
Am-
nest
y In
tern
atio
nal.
Sa
pagb
agsa
k ng
re
him
eng
Mar
cos,
naka
laya
an
g ila
n sa
m
ga
naku
long
, sa
man
-ta
lang
mar
ami
ang
hind
i na
ka
ilanm
an n
atag
puan
. An
g ila
n ay
na
num
balik
sa
no
rmal
na
bu
hay,
sa
man
tala
ng m
ay i
lan
ding
pin
il-in
g ip
agpa
tulo
y an
g pa
kiki
baka
sa
kana
yuna
n.Ay
on ki
na S
ison
, Oca
mpo
at T
agu-
iwal
o, k
ahit
apat
na
deka
da n
a an
g na
kalip
as m
atap
os ip
ataw
ang
Bat
as
Mili
tar,
nana
natil
i pa
rin
ang
mga
ko
ndis
yong
nag
paki
los
sa s
ekto
r ng
ka
bata
an.
“[Stu
dent
m
ovem
ents
]
are
very
sig
nific
ant.
[The
y] e
xpre
ss
the
dem
ands
of t
he s
tude
nts
as w
ell
as th
ose
of th
e en
tire
peop
le fo
r na
-tio
nal i
ndep
ende
nce,
dem
ocra
cy, d
e-ve
lopm
ent,
soci
al ju
stic
e an
d w
orld
pe
ace,”
pal
iwan
ag n
i Sis
on.
“Sin
asab
i ng
mga
kri
tiko
na p
assé
na
daw
ang
akt
ibis
mo
ngun
it hi
ndi
nila
nak
ikita
na
kaila
ngan
g bu
mal
ik
sa h
isto
rika
l na
ugat
nito
– a
ng [t
ung-
galia
n sa
lipu
nan]
,” ani
Oca
mpo
. Pa
ra
sa
mga
be
tera
nong
ak
tibis
ta
ng
Bat
as
Mili
tar,
kina
kaila
ngan
g m
agpa
tu-
loy
ng k
abat
aan
sa p
aggi
it
ng k
anila
ng k
arap
atan
, lal
o na
sa
hara
p ng
tum
itind
ing
kris
is s
a se
ktor
ng
eduk
asy-
on. “A
ng m
aipa
payo
ko [s
a m
ga
isko
lar n
g ba
yan]
ay
to a
lway
s per
-si
st in
the
stru
ggle
,” ani
Tag
uiw
alo.
Hin
di
mai
kaka
ilang
m
alak
i an
g pa
pel
ng k
abat
aan
sa p
aghu
bog
ng
kasa
ysay
an, l
alo
na s
a pa
glab
an a
t pa
gpap
atal
sik
sa r
ehim
eng
Mar
cos.
Bao
n an
g m
ga a
ral
ng a
ktib
ism
o m
ula
sa p
anah
on n
g B
atas
Mili
tar,
nara
rapa
t m
agpa
tulo
y sa
pag
kilo
s an
g ka
bata
an a
t m
agin
g m
apan
uri
sa
mga
um
iiral
na
tu
ngga
lian
sa li
puna
n.
ing
prio
riti
es; t
hat t
ortu
re a
nd o
ther
fo
rms
of s
tate
vio
lenc
e pr
olife
rate
d to
gag
cri
tics
.So
me
of
the
reno
wne
d di
ssi-
dent
s of
the
per
iod
incl
ude
the
Mr.
and
Ms.
Mag
azin
e, w
hich
pub
lishe
d po
litic
al n
ews
mix
ed a
long
art
icle
s in
thei
r so
ciet
y pa
ge; t
he P
hilip
pine
C
olle
gian
, whi
ch c
onti
nued
to
pub-
lish
guer
illa-
styl
e af
ter
bein
g sh
ut
dow
n by
the
reg
ime;
and
the
We
Foru
m, w
hose
col
umni
sts
incl
uded
hu
man
rig
hts
law
yer
Jose
Dio
kno.
H
owev
er, t
he g
over
nmen
t w
as q
uick
to p
ounc
e up
on
thes
e po
cket
s of
dis
sent
. H
orde
s of
jo
urna
lists
w
ere
arre
sted
and
tor
-tu
red
wit
hout
war
rant
, ju
st fo
r pu
blis
hing
mat
e-ri
als
crit
ical
of t
he r
egim
e.In
198
2, W
e Fo
rum
’s ty
pe-
wri
ters
and
pri
ntin
g pr
ess
wer
e co
nfisc
ated
by
auth
orit
ies
and
its
wri
ters
wer
e de
tain
ed f
or w
riti
ng
“sub
vers
ive
mat
eria
ls.”
“I w
as a
vic
tim
. Dur
ing
the
sus-
pens
ion
of W
e Fo
rum
, al
l of
us
wen
t in
to
hidi
ng.
I w
as
caug
ht
and
deta
ined
for
mor
e th
an t
wo
mon
ths
and
lived
long
aft
erw
ards
,” re
coun
ts O
cam
po. “
Som
e, h
owev
er,
are
not
so l
ucky
. Col
legi
an E
dito
r-in
-Chi
ef D
itto
Sar
mie
nto
died
of
asth
ma
whi
ch w
as a
ggra
vate
d by
hi
s in
carc
erat
ion,
” Oca
mpo
add
s.
Fort
y ye
ars
afte
r th
e de
clar
atio
n of
mar
tial
law
, the
con
diti
ons
that
pr
ompt
ed jo
urna
lists
to b
reak
from
th
e no
rm a
nd e
stab
lish
the
alte
rna-
tive
pre
ss s
till
prev
ails
. A
kin
to th
e M
arti
al L
aw e
ra, j
our-
nalis
m in
the
Phili
ppin
es n
owad
ays
is s
till
a de
adly
pro
fess
ion.
“Pe
ople
w
ho e
xerc
ise
thei
r fr
ee s
peec
h ar
e no
t onl
y su
ppre
ssed
but
als
o ki
lled,
” sa
ys I
laga
n. U
nder
Pre
side
nt B
e-ni
gno
Aqu
ino
III’s
term
alo
ne, s
ix
jour
nalis
ts a
nd m
edia
pra
ctit
ione
rs
have
bee
n ki
lled.
Als
o, m
ajor
med
ia c
om-
pani
es
are
still
ow
ned
by
the
indi
vidu
als,
in-
clud
ing
the
Lope
zes
of
AB
S-C
BN
, who
rega
ined
co
ntro
l of
th
e m
edia
co
mpa
ny u
nder
Cor
azon
A
quin
o’s
pres
iden
cy.
“The
pow
erfu
l sti
ll ow
n th
e m
a-jo
r m
edia
com
pani
es.
Of
cour
se,
they
wou
ld f
urth
er t
heir
ow
n se
lf-in
tere
st.
Even
if
it m
eant
dow
n-pl
ayin
g or
exa
gger
atin
g fa
cts,”
say
s O
cam
po.
As
the
mai
nstr
eam
med
ia c
on-
tinu
e to
pre
sent
a lo
psid
ed v
iew
of
soci
ety,
the
re r
emai
ns a
nee
d fo
r th
e pr
ess
to p
rovi
de s
pace
for
the
m
argi
naliz
ed s
ecto
rs o
f soc
iety
and
be
a p
rim
ary
driv
ing
forc
e in
inst
i-ga
ting
soc
ieta
l cha
nge.
MA
DA
LAS
IPA
GM
ALA
KI N
G M
GA
ta
gasu
port
a ni
dat
ing
Pang
ulon
g Fe
rdin
and
Mar
cos
ang
pag-
unla
d na
kan
ya u
man
ong
naid
ulot
sa
ka-
buha
yan
ng m
ga o
rdin
aryo
ng P
ili-
pino
. Kun
g hi
ndi r
aw n
apat
alsi
k an
g da
ting
pan
gulo
, ani
Sen
ador
Bon
g-bo
ng M
arco
s, m
alam
ang
kaha
nay
na a
ng P
ilipi
nas
ng m
auun
lad
na
bans
ang
gaya
ng
Sing
apor
e.
Ngu
nit
kung
sus
uriin
g m
abut
i an
g yu
gton
g iy
on n
g ka
say-
saya
n, h
indi
mai
tata
nggi
ng
isa
iyon
sa
mga
pan
ahon
g su
kdul
ang
nais
adla
k sa
ka
hira
pan
ang
mga
m
amam
ayan
. N
ang
ipat
upad
ni
Mar
-co
s an
g B
atas
Mili
tar
noon
g Se
tyem
bre
21,
1972
, hi
ndi
agar
ang
nara
mda
man
ni J
uan
dela
C
ruz
ang
pagk
alug
mok
. “M
as m
a-be
nta
noon
, ts
aka
mas
mur
a an
g bi
lihin
,” an
i A
ling
Flor
a, i
sang
tin
-de
ra n
g m
ani.
Bila
ng b
ahag
i ng
pagt
atag
uyod
ni
Mar
cos
ng “
Bag
ong
Lipu
nan,
” si
n-im
ulan
niy
a an
g m
ga p
roye
kton
g pa
ng-e
kono
miy
a na
na
gdul
ot
sa
pagt
aas
ng G
ross
Nat
iona
l Pro
duct
(G
NP)
ng
bans
a. K
abila
ng s
a m
ga
proy
ekto
ng i
to a
ng M
asag
ana
99,
na n
agla
yong
map
aram
i ang
ani
ng
mga
mag
sasa
ka. P
agda
ting
ng
1978
, sa
pat
na a
ng p
rodu
ksyo
n ng
pal
ay
para
sa
pang
anga
ilang
an n
g ba
nsa.
M
ula
1973
han
ggan
g 19
79,
pu-
mal
o sa
6 p
orsy
ento
ang
tau
nang
G
NP
grow
th r
ate
ng P
ilipi
nas.
Tu-
maa
s ng
5
pors
yent
o ta
un-t
aon
ang
bila
ng n
g m
ga P
ilipi
nong
may
tr
abah
o m
ula
1972
han
ggan
g 19
77.
Upa
ng m
aipa
gpat
uloy
ang
pag
la-
kas
ng e
kono
miy
a, n
angu
tang
ang
Pi
lipin
as s
a ib
a’t i
bang
lend
-in
g in
stit
utio
n.
Unt
i-un
ting
ru
-m
upok
ang
eko
nom
i-ya
ng
Mar
cos
na
na-
kasa
ndig
sa
paut
ang
ng
dayu
han,
bat
bat
ng k
o-ru
psyo
n, a
t pi
naiin
og n
g m
ga k
aibi
gan
o m
ga “c
rony
” ng
pan
gulo
. Noo
ng 1
984,
um
abot
sa
46.
7 po
rsye
nto
ang
anta
s ng
pag
-ta
as n
g pr
esyo
ng
mga
bili
hin—
ang
pina
kam
ataa
s na
nai
tala
ng i
nfla-
tion
rate
mul
a 19
80 h
angg
ang
2010
, ay
on
sa
Inte
rnat
iona
l M
onet
ary
Fund
. Mah
igit
2.5
mily
ong
Pilip
ino
rin
ang
naw
alan
ng
trab
aho
noon
g 19
85, a
yon
sa IB
ON
Fou
ndat
ion.
B
ilang
sol
usyo
n sa
mal
awak
ang
kahi
rapa
n, i
tinu
lak
ni M
arco
s an
g m
ga P
ilipi
no n
a m
angi
bang
-bay
an.
WH
EN
FO
RM
ER
FI
RST
LA
DY
Imel
da M
arco
s fa
mou
sly
fore
told
th
at h
er n
ame
wou
ld s
omed
ay b
e lis
ted
in t
he d
icti
onar
y to
den
ote
“ost
enta
tiou
s ex
trav
agan
ce,”
wha
t sh
e pr
obab
ly h
ad i
n m
ind
was
her
va
st a
nd fa
med
col
lect
ion
of s
hoes
, je
wel
ry, a
nd c
outu
re g
owns
. Her
s w
as t
he o
ft-q
uote
d m
axim
whi
ch
proc
laim
s th
at t
he o
nly
thin
gs
wor
thy
of o
ur a
spir
atio
ns
are
“the
true
, the
goo
d, a
nd
the
beau
tifu
l.”
Yet
her
idea
of
ho
w
thes
e m
ust
be r
ealiz
ed is
ap
pare
nt, n
ot o
nly
in h
er
opul
ent
disp
lays
of
wea
lth,
bu
t al
so,
and
perh
aps
mor
e no
tabl
y so
, in
the
man
y va
nity
pro
-je
cts
she
and
her h
usba
nd s
o en
thu-
sias
tica
lly p
ursu
ed t
hrou
ghou
t he
r fa
mily
’s 21
yea
rs in
pow
er.
App
oint
ed a
s bo
th G
over
nor
of
Met
ropo
litan
Man
ila a
nd M
inis
ter
of H
uman
Set
tlem
ent
duri
ng t
he
Mar
tial
Law
yea
rs,
Imel
da s
pear
-he
aded
the
con
stru
ctio
n of
sev
eral
“b
eaut
ifica
tion
ca
mpa
igns
,” w
hich
tr
ansl
ated
into
mak
eshi
ft a
nd s
ub-
stan
dard
hou
sing
pro
ject
s, re
sult
-
ing
in t
he v
iole
nt e
vict
ion
of u
rban
sq
uatt
ers
in la
rge
num
bers
. In
one
inst
ance
, she
eve
n ha
d la
rge
pain
t-ed
wal
ls e
rect
ed a
roun
d co
mm
uni-
ties
in
depr
esse
d ar
eas
to c
once
al
pove
rty
from
the
gaz
e of
for
eign
di
gnit
arie
s vi
siti
ng th
e co
untr
y.
Styl
ing
hers
elf
as p
atro
ness
of
the
arts
, Im
elda
als
o w
ent
on t
o co
mm
issi
on
mul
tim
illio
n-do
llar c
ompl
exes
, suc
h as
th
e C
ultu
ral
Cen
ter
of
the
Phili
ppin
es a
nd th
e M
anila
Film
Cen
ter,
at
a ti
me
whe
n po
vert
y w
as w
ides
prea
d. F
rom
a
pove
rty
leve
l of 2
4 pe
r-ce
nt i
n 19
74,
the
prop
or-
tion
of
peop
le l
ivin
g be
low
the
po
vert
y lin
e in
the
cit
ies
alon
e ha
d ri
sen
to 4
0 pe
rcen
t by
1986
.Th
ese
glit
zy i
niti
ativ
es u
nder
-sc
ored
he
r hu
sban
d’s
dire
ne
ed
to e
nfor
ce a
sem
blan
ce o
f or
der,
stab
ility
, an
d pr
ogre
ss.
Whi
le t
he
coun
try
regi
ster
ed p
osit
ive
nom
i-na
l ec
onom
ic g
row
th r
ates
dur
-in
g M
arti
al L
aw, t
he b
oom
did
not
tr
ansl
ate
to r
eal,
gras
sroo
ts t
erm
s an
d w
as d
ue m
ostl
y to
an
over
-
Tum
aas
ang
bila
ng n
g O
FW m
ula
sa
36,0
29 n
oong
197
5 tu
ngon
g 37
2,78
4 no
ong
1985
. Nag
biga
y di
n si
Mar
cos
ng m
ga in
sent
ibo
sa m
ga d
ayuh
ang
mam
umuh
unan
, ga
ya n
g pa
gbab
a ng
tari
pa p
ara
sa b
anya
gang
kal
aka-
lan.
Sa
halip
na
mak
abut
i, na
ging
da
hila
n pa
ito
upa
ng l
alon
g hu
mi-
na a
ng m
ga l
okal
na
indu
stri
ya s
a ba
nsa.
B
agam
an
kila
la
sa
kani
lang
pa
gigi
ng
mat
iisin
, na
kita
ng
m
ga P
ilipi
no a
ng p
anga
n-ga
ilang
ang
mag
balik
was
sa
pam
umun
o ni
Mar
cos.
May
“p
rote
st
ban”
m
an,
mat
agum
pay
pa r
ing
nai-
luns
ad a
ng w
elga
ng
mga
m
angg
agaw
a sa
La
Tond
eña
noon
g 19
75. L
ibo-
libon
g Pi
lipi-
no r
in a
ng d
umag
sa s
a ka
haba
an n
g E
DSA
noo
ng P
eopl
e Po
wer
1 n
oong
Pe
brer
o 19
86 k
ung
kaila
n tu
luya
ng
napa
tals
ik s
a pw
esto
si M
arco
s. “N
ang
naki
ta k
o sa
TV
na
nag-
tata
wag
sila
na
mag
rally
sa
ED
SA,
nagl
akad
[na
] ka
mi
papu
nta
roon
,” an
i M
ang
Alla
n,
isan
g se
curi
ty
guar
d.La
bing
-ani
m n
a ta
on n
a an
g lu
-m
ipas
, lim
ang
pang
ulo
na a
ng n
ag-
daan
, ng
unit
hi
ndi
mai
kaka
ilang
nana
nati
li pa
rin
ang
mar
ami
sa
mga
kon
disy
ong
nagp
ahir
ap s
a m
ga
Pilip
ino.
Pa
tulo
y pa
rin
ang
pan
ging
iban
g ba
nsa
ng
mar
amin
g Pi
lipin
o —
um
abot
na
sa 2
.2 m
ilyon
ang
OFW
no
ong
Sety
embr
e 20
11,
ayon
sa
ta
la n
g N
atio
nal
Stat
isti
cs O
ffice
. W
alan
g pa
mba
nsan
g in
dust
riya
an
g Pi
lipin
as, a
t m
alak
i pa
rin
ang
ut
ang
panl
abas
ng
bans
a. D
ulot
nit
o,
inaa
ngko
p pa
rin
ng
pam
a-ha
laan
ang
mga
kon
disy
-on
ng
m
ga
lend
ing
inst
itut
ion,
tu
lad
ng
pagb
aba
ng b
adye
t sa
m
ga
serb
isyo
ng
pan-
lipun
an, a
yon
sa I
BO
N
Foun
dati
on.
“Wal
a na
man
g pa
g-ba
bago
ka
y N
oyno
y ng
ayon
. La
hat
[ng
pres
yo n
g m
ga b
ilihi
n],
nagm
amah
al,”
ani
Alin
g C
elia
, 62
, m
anin
inda
ng
bana
na c
ue.
Hig
it
tatl
ong
deka
da
mat
apos
m
apat
alsi
k an
g re
him
eng
Mar
cos,
la
gana
p pa
rin
ang
kah
irap
an s
a ba
nsa.
Nan
anat
ili p
a ri
n an
g m
ga
bata
yang
su
liran
in
ng
lipun
ang
mal
ulun
asan
lam
ang
sa p
atul
oy n
a pa
glab
an n
g m
amam
ayan
.
flow
of
fore
ign
capi
tal
and
exce
s-si
ve g
over
nmen
t sp
endi
ng. W
ages
w
ere
froz
en a
nd la
bor
unio
ns w
ere
clam
ped
dow
n to
mak
e th
e do
mes
-ti
c bu
sine
ss e
nvir
onm
ent a
ttra
ctiv
e to
fore
ign
inve
stor
s.A
lmos
t ha
lf a
cent
ury
henc
e,
thou
gh t
he S
teel
But
terfl
y’s
phys
i-ca
l fa
cade
s of
“be
auty
” and
“or
der”
no
lon
ger
dom
inat
e th
e la
nd-
scap
e, t
he p
rese
nt g
over
n-m
ent’s
ow
n po
litic
al a
nd
econ
omic
ag
enda
ar
e ne
ithe
r le
ss d
ecep
tive
nor
le
ss e
xtra
vaga
nt.
Whi
le
gove
rnm
ent
fund
ing
for
basi
c so
cial
se
rvic
es f
all
belo
w t
he l
evel
s ne
eded
for
the
ope
rati
ons
of p
ub-
lic
inst
itut
ions
, th
e go
vern
men
t si
mul
tane
ousl
y w
aste
s m
illio
ns o
f pe
sos
on p
rogr
ams
whi
ch s
eem
to
follo
w Im
elda
’s sk
ewed
idea
of w
hat
cons
titu
tes
publ
ic s
ervi
ce.
In t
he p
ropo
sed
nati
onal
bud
get
for
2013
al
one,
th
e go
vern
men
t pl
ans
to f
urth
er i
ncre
ase
fund
ing
for
its
Con
diti
onal
Cas
h Tr
ansf
er
prog
ram
, des
pite
bot
h lo
cal a
nd in
-te
rnat
iona
l stu
dies
whi
ch p
rove
the
inef
ficie
ncy
of c
ash
dole
-out
s in
re
solv
ing
pove
rty
in m
any
coun
-tr
ies
like
Mex
ico.
Ev
en i
n it
s bu
dget
for
edu
ca-
tion
, the
gov
ernm
ent’s
pen
chan
t fo
r m
isgu
ided
spe
ndin
g is
not
h-in
g le
ss t
han
evid
ent.
Whi
le t
he
adm
inis
trat
ion
does
not
hes
itat
e to
pou
r fun
ds in
to th
e im
plem
en-
tati
on o
f th
e K-
12 p
olic
y,
mor
e ur
gent
pri
orit
ies,
su
ch a
s th
e sh
orta
ge
of t
each
ers
and
fa-
cilit
ies,
are
bani
shed
to
the
mar
gins
of t
he
gove
rnm
ent’s
bl
ue-
prin
t of “
prog
ress
.”Ye
t hi
stor
y ha
s de
m-
onst
rate
d th
at t
he p
oten
cy o
f m
anuf
actu
red
real
itie
s, ho
wev
er
“tru
e,” “
good
,” an
d “b
eaut
iful”
they
m
ay a
ppea
r, ca
n ne
ver
trul
y is
o-la
te t
he p
eopl
e fr
om t
heir
ow
n ha
rsh
mat
eria
l co
ndit
ions
. A
nd
as t
he n
arra
tive
s of
Mar
tial
Law
ha
ve
show
n,
fals
e fa
cade
s an
d op
pres
sive
str
uctu
res
can
neve
r av
ail a
gain
st th
e pe
ople
’s st
rugg
le
for
trut
h an
d so
cial
just
ice.
BALI
K-AR
AL
UN
DER
PRES
SURE
VA
NIT
Y F
AIR
J oh n
Mal co lm
S . A
n iag
Gloiza Plam
enco
Bat
as n
g pa
g-ak
las: Bat
as n
g p
ag-a
klas
Mg
a h
inan
go
ng
ara
l sa
ika-
40
tao
n n
g B
atas
Mili
tar
victor Limon
LAN
DAS
NG
PAG
BABA
LIKW
AS
LATH
ALAI
N
Miy
erku
les
19 S
etye
mbre
2
012
LAT
HA
LAIN
Miy
erku
les
19 S
etye
mbr
e
20
12
BAG
O P
A M
AN T
UM
UN
TON
G S
A
UP
ang
mar
ami
sa m
ga i
skol
ar n
g ba
yan,
m
ahig
pit
na
ang
tagu
bilin
ng
kan
ilang
mga
mag
ulan
g na
hu-
wag
mag
ing
aktib
ista
. Ngu
nit
kung
m
atam
ang
baba
likan
ang
kasa
ysay
an
ng a
ktib
ism
o sa
pam
anta
san,
hin
di
mai
kaka
ila a
ng m
alak
ing
pape
l na
gi
nam
pana
n ni
to s
a pa
ghub
og n
g U
P
at n
g lip
unan
.Ila
ng
taon
pa
la
man
g an
g na
kara
raan
mat
apos
itat
ag
ang
UP,
sum
ibol
na
ang
prog
resi
bong
ka
ma-
laya
n sa
pam
anta
san.
M
ula
1917
ha
ngga
ng
deka
da
‘50s
, na
ging
m
atal
as n
a kr
itiko
ang
m
ga m
ag-a
aral
ng
UP
ng
mga
pat
akar
ang
sum
usup
il sa
sob
eran
ya n
g ba
nsa.
Sa p
agpa
sok
ng d
ekad
a ‘6
0s, b
inuo
ng
dat
ing
prop
esor
sa
liter
atur
a na
si
Jose
Mar
ia S
ison
ang
pro
gres
ibon
g or
gani
sasy
on n
a St
uden
t Cu
ltura
l As
soci
atio
n of
th
e U
P (S
CAU
P).
Sini
mul
an
ng
SCAU
P an
g m
ga
disk
usyo
n sa
mga
caf
eter
ia a
t si
lid-
akla
tan
ng U
P hi
nggi
l sa
kal
agay
an
ng li
puna
ng P
ilipi
no.
Kina
laun
an, b
inuo
ni S
ison
, kas
a-
NO
OTH
ER
PE
RIO
D IN
PH
ILIP
PIN
E
hist
ory
reve
als
the
pola
rize
d na
ture
of m
edia
out
fits m
ore c
lear
ly
than
the
Mar
tial
Law
era
. D
urin
g th
is
peri
od,
Filip
inos
w
itne
ssed
th
e st
ark
cont
rast
be
twee
n st
ate-
cont
rolle
d m
edia
–
whi
ch p
ortr
ayed
mas
sive
dev
elop
-m
ent
and
prog
ress
bro
ught
abo
ut
by th
e M
arco
s di
ctat
orsh
ip, a
nd th
e gr
im p
ictu
re p
aint
ed b
y th
e un
der-
grou
nd a
lter
nati
ve p
ress
.Im
med
iate
ly
afte
r de
clar
ing
Mar
tial
Law
, Pre
side
nt F
er-
dina
nd
Mar
cos
swift
ly
mov
ed
to
sile
nce
the
oppo
siti
on. H
is fi
rst
let-
ter
of in
stru
ctio
n un
der
mar
tial
ru
le
orde
red
for
the
sequ
estr
atio
n of
al
l ra
dio,
te
levi
sion
an
d ne
wsp
aper
out
lets
. A m
onth
la
ter,
Mar
cos
rele
ased
Pre
side
ntia
l D
ecre
e N
o. 3
3 w
hich
led
to t
he im
-pr
ison
men
t of
peo
ple
the
regi
me
tagg
ed a
s “s
ubve
rsiv
es,”
incl
udin
g kn
own
med
ia c
riti
cs.
Mos
t med
ia in
stit
utio
ns fe
ll in
to
the
hand
s of
kno
wn
Mar
cos
cro-
nies
, inc
ludi
ng G
ilber
to D
uavi
t an
d R
ober
to B
ened
icto
, w
ho t
oget
her
owne
d m
ost l
ocal
TV
cha
nnel
s an
d th
e Ph
ilipp
ine
Dai
ly E
xpre
ss,
the
only
nat
iona
lly-d
istr
ibut
ed n
ews-
pape
r du
ring
that
tim
e.Th
e st
ate-
cont
rolle
d m
edia
so
ught
to
build
the
dic
tato
rshi
p’s ma
ang
80 m
ga e
stud
yant
e at
gur
o ng
UP,
ang
dem
okra
tikon
g or
gan-
isas
yong
Kab
ataa
ng M
akab
ayan
(KM
) na
nan
awag
an p
ara
sa m
alaw
akan
g pa
gbab
agon
g pa
nlip
unan
. Sa
lo
ob
ng is
ang
taon
, hal
os 2
5,00
0 an
g na
-pa
kilo
s ng
KM
sa
mga
pro
test
a la
ban
sa m
ga k
asun
duan
g La
urel
-Lan
gley
Ag
reem
ent
at
US
Mili
tary
B
ases
Ag
reem
ent.
Mul
ing
nasu
bok
ang
laka
s ng
ki-
lusa
ng k
abat
aan
noon
g de
kada
‘70
s. N
ang
tum
aas
ng ta
tlong
se
ntim
os
ang
pres
yo
ng
lang
is,
halo
s 50
,000
es
-tu
dyan
te a
ng n
agpr
otes
ta
sa u
nang
tatlo
ng b
uwan
ng
1970
, na
kini
lala
bila
ng F
irst
Q
uart
er S
torm
(FQ
S).
Bun
sod
ng F
QS,
hig
it pa
ng lu
-m
akas
ang
kilu
sang
kab
ataa
n. “
Nag
-in
g fr
eque
nt a
ng m
ga d
iscu
ssio
n gr
oups
[sa
UP]
tun
gkol
sa
prob
lem
a ng
Phi
lippi
ne s
ocie
ty,”
ani S
atur
Oc-
ampo
, isa
sa
mga
lid
er-e
stud
yant
e ng
pan
ahon
g iy
on.
Nag
ing
isa
sa m
ga p
angu
nahi
ng
dahi
lan
ni M
arco
s an
g pa
pala
kas
na
kilu
sang
kab
ataa
n, k
asam
a an
g ib
a pa
ng s
ekto
r ng
lipu
nan,
sa
pagp
apa-
tupa
d ng
Bat
as M
ilita
r.
imag
e ev
en if
it m
eant
con
juri
ng il
-lu
sion
s of
pro
gres
s. “In
tho
se d
ays,
the
mai
nstr
eam
m
edia
wer
e fil
led
wit
h ei
ther
gov
-er
nmen
t pr
opag
anda
or
ente
rtai
n-m
ent
[to
calm
the
mas
ses]
,” sa
ys
acti
vist
pla
ywri
ght B
onifa
cio
Ilaga
n.W
hile
the
cron
y pr
ess
cont
inue
d to
wea
ve g
over
nmen
t pr
opag
anda
, a
smal
l po
rtio
n of
the
pre
ss, c
om-
pose
d of
cam
pus
publ
icat
ions
and
ne
wsp
aper
s w
ith
rela
tive
ly s
mal
ler
circ
ulat
ion,
ba
nded
to
geth
er
and
form
ed w
hat w
ill g
o do
wn
in
hist
ory
as t
he “
mos
quit
o pr
ess”
– r
elat
ivel
y sm
all-
er i
n re
ach,
yet
abl
e to
pu
blis
h st
ingi
ng a
rtic
les
agai
nst t
he r
egim
e.“W
e di
dn’t
like
this
m
onop
oly
of
info
rma-
tion
. Kno
win
g th
at t
here
was
an
othe
r un
repo
rted
sid
e to
eve
ry
stor
y, w
e de
cide
d to
tel
l ou
r si
de
of t
he s
tory
,” sa
ys t
hen-
colu
mni
st
of a
nti-
dict
ator
ship
new
spap
er P
a-ha
yaga
ng M
alay
a Sa
tur
Oca
mpo
.D
espi
te t
he l
oom
ing
dang
er o
f im
pris
onm
ent
and
tort
ure,
th
e m
osqu
ito
pres
s pr
esen
ted
the
grim
es o
f th
e M
arti
al L
aw p
erio
d,
repo
rtin
g ne
ws
that
was
abs
ent
in
the
mai
nstr
eam
med
ia –
tha
t m
a-jo
rity
of
Filip
inos
liv
ed b
elow
the
po
vert
y lin
e; t
hat
peop
le w
ere
not
happ
y of
the
curf
ews,
agra
rian
pol
i-ci
es, a
nd t
he g
over
nmen
t’s s
pend
-Sa d
ekla
rasy
on n
g B
atas
Mili
tar,
nana
him
ik
ang
buon
g la
nsan
gan.
N
guni
t pi
nagd
adam
pot
ng m
ilita
r an
g m
aram
ing
aktib
ista
. “D
alaw
ang
bese
s ak
ong
nahu
li…
pina
upo
ako
sa y
elo,
at b
inuh
usan
ng
tubi
g sa
ilon
g bi
lang
wat
er c
ure,”
ani
Pr
of. J
udy
Tagu
iwal
o, d
eten
idon
g pu
-lit
ikal
noo
ng B
atas
Mili
tar.
H
indi
bab
aba
sa h
alos
70,
000
ang
nabi
lang
go, 3
4,00
0 an
g tin
or-
tyur
at
3,24
0 an
g pi
nata
y no
ong
Bat
as
Mili
tar,
ayon
sa
grup
ong
Am-
nest
y In
tern
atio
nal.
Sa
pagb
agsa
k ng
re
him
eng
Mar
cos,
naka
laya
an
g ila
n sa
m
ga
naku
long
, sa
man
-ta
lang
mar
ami
ang
hind
i na
ka
ilanm
an n
atag
puan
. An
g ila
n ay
na
num
balik
sa
no
rmal
na
bu
hay,
sa
man
tala
ng m
ay i
lan
ding
pin
il-in
g ip
agpa
tulo
y an
g pa
kiki
baka
sa
kana
yuna
n.Ay
on ki
na S
ison
, Oca
mpo
at T
agu-
iwal
o, k
ahit
apat
na
deka
da n
a an
g na
kalip
as m
atap
os ip
ataw
ang
Bat
as
Mili
tar,
nana
natil
i pa
rin
ang
mga
ko
ndis
yong
nag
paki
los
sa s
ekto
r ng
ka
bata
an.
“[Stu
dent
m
ovem
ents
]
are
very
sig
nific
ant.
[The
y] e
xpre
ss
the
dem
ands
of t
he s
tude
nts
as w
ell
as th
ose
of th
e en
tire
peop
le fo
r na
-tio
nal i
ndep
ende
nce,
dem
ocra
cy, d
e-ve
lopm
ent,
soci
al ju
stic
e an
d w
orld
pe
ace,”
pal
iwan
ag n
i Sis
on.
“Sin
asab
i ng
mga
kri
tiko
na p
assé
na
daw
ang
akt
ibis
mo
ngun
it hi
ndi
nila
nak
ikita
na
kaila
ngan
g bu
mal
ik
sa h
isto
rika
l na
ugat
nito
– a
ng [t
ung-
galia
n sa
lipu
nan]
,” ani
Oca
mpo
. Pa
ra
sa
mga
be
tera
nong
ak
tibis
ta
ng
Bat
as
Mili
tar,
kina
kaila
ngan
g m
agpa
tu-
loy
ng k
abat
aan
sa p
aggi
it
ng k
anila
ng k
arap
atan
, lal
o na
sa
hara
p ng
tum
itind
ing
kris
is s
a se
ktor
ng
eduk
asy-
on. “A
ng m
aipa
payo
ko [s
a m
ga
isko
lar n
g ba
yan]
ay
to a
lway
s per
-si
st in
the
stru
ggle
,” ani
Tag
uiw
alo.
Hin
di
mai
kaka
ilang
m
alak
i an
g pa
pel
ng k
abat
aan
sa p
aghu
bog
ng
kasa
ysay
an, l
alo
na s
a pa
glab
an a
t pa
gpap
atal
sik
sa r
ehim
eng
Mar
cos.
Bao
n an
g m
ga a
ral
ng a
ktib
ism
o m
ula
sa p
anah
on n
g B
atas
Mili
tar,
nara
rapa
t m
agpa
tulo
y sa
pag
kilo
s an
g ka
bata
an a
t m
agin
g m
apan
uri
sa
mga
um
iiral
na
tu
ngga
lian
sa li
puna
n.
ing
prio
riti
es; t
hat t
ortu
re a
nd o
ther
fo
rms
of s
tate
vio
lenc
e pr
olife
rate
d to
gag
cri
tics
.So
me
of
the
reno
wne
d di
ssi-
dent
s of
the
per
iod
incl
ude
the
Mr.
and
Ms.
Mag
azin
e, w
hich
pub
lishe
d po
litic
al n
ews
mix
ed a
long
art
icle
s in
thei
r so
ciet
y pa
ge; t
he P
hilip
pine
C
olle
gian
, whi
ch c
onti
nued
to
pub-
lish
guer
illa-
styl
e af
ter
bein
g sh
ut
dow
n by
the
reg
ime;
and
the
We
Foru
m, w
hose
col
umni
sts
incl
uded
hu
man
rig
hts
law
yer
Jose
Dio
kno.
H
owev
er, t
he g
over
nmen
t w
as q
uick
to p
ounc
e up
on
thes
e po
cket
s of
dis
sent
. H
orde
s of
jo
urna
lists
w
ere
arre
sted
and
tor
-tu
red
wit
hout
war
rant
, ju
st fo
r pu
blis
hing
mat
e-ri
als
crit
ical
of t
he r
egim
e.In
198
2, W
e Fo
rum
’s ty
pe-
wri
ters
and
pri
ntin
g pr
ess
wer
e co
nfisc
ated
by
auth
orit
ies
and
its
wri
ters
wer
e de
tain
ed f
or w
riti
ng
“sub
vers
ive
mat
eria
ls.”
“I w
as a
vic
tim
. Dur
ing
the
sus-
pens
ion
of W
e Fo
rum
, al
l of
us
wen
t in
to
hidi
ng.
I w
as
caug
ht
and
deta
ined
for
mor
e th
an t
wo
mon
ths
and
lived
long
aft
erw
ards
,” re
coun
ts O
cam
po. “
Som
e, h
owev
er,
are
not
so l
ucky
. Col
legi
an E
dito
r-in
-Chi
ef D
itto
Sar
mie
nto
died
of
asth
ma
whi
ch w
as a
ggra
vate
d by
hi
s in
carc
erat
ion,
” Oca
mpo
add
s.
Fort
y ye
ars
afte
r th
e de
clar
atio
n of
mar
tial
law
, the
con
diti
ons
that
pr
ompt
ed jo
urna
lists
to b
reak
from
th
e no
rm a
nd e
stab
lish
the
alte
rna-
tive
pre
ss s
till
prev
ails
. A
kin
to th
e M
arti
al L
aw e
ra, j
our-
nalis
m in
the
Phili
ppin
es n
owad
ays
is s
till
a de
adly
pro
fess
ion.
“Pe
ople
w
ho e
xerc
ise
thei
r fr
ee s
peec
h ar
e no
t onl
y su
ppre
ssed
but
als
o ki
lled,
” sa
ys I
laga
n. U
nder
Pre
side
nt B
e-ni
gno
Aqu
ino
III’s
term
alo
ne, s
ix
jour
nalis
ts a
nd m
edia
pra
ctit
ione
rs
have
bee
n ki
lled.
Als
o, m
ajor
med
ia c
om-
pani
es
are
still
ow
ned
by
the
indi
vidu
als,
in-
clud
ing
the
Lope
zes
of
AB
S-C
BN
, who
rega
ined
co
ntro
l of
th
e m
edia
co
mpa
ny u
nder
Cor
azon
A
quin
o’s
pres
iden
cy.
“The
pow
erfu
l sti
ll ow
n th
e m
a-jo
r m
edia
com
pani
es.
Of
cour
se,
they
wou
ld f
urth
er t
heir
ow
n se
lf-in
tere
st.
Even
if
it m
eant
dow
n-pl
ayin
g or
exa
gger
atin
g fa
cts,”
say
s O
cam
po.
As
the
mai
nstr
eam
med
ia c
on-
tinu
e to
pre
sent
a lo
psid
ed v
iew
of
soci
ety,
the
re r
emai
ns a
nee
d fo
r th
e pr
ess
to p
rovi
de s
pace
for
the
m
argi
naliz
ed s
ecto
rs o
f soc
iety
and
be
a p
rim
ary
driv
ing
forc
e in
inst
i-ga
ting
soc
ieta
l cha
nge.
MA
DA
LAS
IPA
GM
ALA
KI N
G M
GA
ta
gasu
port
a ni
dat
ing
Pang
ulon
g Fe
rdin
and
Mar
cos
ang
pag-
unla
d na
kan
ya u
man
ong
naid
ulot
sa
ka-
buha
yan
ng m
ga o
rdin
aryo
ng P
ili-
pino
. Kun
g hi
ndi r
aw n
apat
alsi
k an
g da
ting
pan
gulo
, ani
Sen
ador
Bon
g-bo
ng M
arco
s, m
alam
ang
kaha
nay
na a
ng P
ilipi
nas
ng m
auun
lad
na
bans
ang
gaya
ng
Sing
apor
e.
Ngu
nit
kung
sus
uriin
g m
abut
i an
g yu
gton
g iy
on n
g ka
say-
saya
n, h
indi
mai
tata
nggi
ng
isa
iyon
sa
mga
pan
ahon
g su
kdul
ang
nais
adla
k sa
ka
hira
pan
ang
mga
m
amam
ayan
. N
ang
ipat
upad
ni
Mar
-co
s an
g B
atas
Mili
tar
noon
g Se
tyem
bre
21,
1972
, hi
ndi
agar
ang
nara
mda
man
ni J
uan
dela
C
ruz
ang
pagk
alug
mok
. “M
as m
a-be
nta
noon
, ts
aka
mas
mur
a an
g bi
lihin
,” an
i A
ling
Flor
a, i
sang
tin
-de
ra n
g m
ani.
Bila
ng b
ahag
i ng
pagt
atag
uyod
ni
Mar
cos
ng “
Bag
ong
Lipu
nan,
” si
n-im
ulan
niy
a an
g m
ga p
roye
kton
g pa
ng-e
kono
miy
a na
na
gdul
ot
sa
pagt
aas
ng G
ross
Nat
iona
l Pro
duct
(G
NP)
ng
bans
a. K
abila
ng s
a m
ga
proy
ekto
ng i
to a
ng M
asag
ana
99,
na n
agla
yong
map
aram
i ang
ani
ng
mga
mag
sasa
ka. P
agda
ting
ng
1978
, sa
pat
na a
ng p
rodu
ksyo
n ng
pal
ay
para
sa
pang
anga
ilang
an n
g ba
nsa.
M
ula
1973
han
ggan
g 19
79,
pu-
mal
o sa
6 p
orsy
ento
ang
tau
nang
G
NP
grow
th r
ate
ng P
ilipi
nas.
Tu-
maa
s ng
5
pors
yent
o ta
un-t
aon
ang
bila
ng n
g m
ga P
ilipi
nong
may
tr
abah
o m
ula
1972
han
ggan
g 19
77.
Upa
ng m
aipa
gpat
uloy
ang
pag
la-
kas
ng e
kono
miy
a, n
angu
tang
ang
Pi
lipin
as s
a ib
a’t i
bang
lend
-in
g in
stit
utio
n.
Unt
i-un
ting
ru
-m
upok
ang
eko
nom
i-ya
ng
Mar
cos
na
na-
kasa
ndig
sa
paut
ang
ng
dayu
han,
bat
bat
ng k
o-ru
psyo
n, a
t pi
naiin
og n
g m
ga k
aibi
gan
o m
ga “c
rony
” ng
pan
gulo
. Noo
ng 1
984,
um
abot
sa
46.
7 po
rsye
nto
ang
anta
s ng
pag
-ta
as n
g pr
esyo
ng
mga
bili
hin—
ang
pina
kam
ataa
s na
nai
tala
ng i
nfla-
tion
rate
mul
a 19
80 h
angg
ang
2010
, ay
on
sa
Inte
rnat
iona
l M
onet
ary
Fund
. Mah
igit
2.5
mily
ong
Pilip
ino
rin
ang
naw
alan
ng
trab
aho
noon
g 19
85, a
yon
sa IB
ON
Fou
ndat
ion.
B
ilang
sol
usyo
n sa
mal
awak
ang
kahi
rapa
n, i
tinu
lak
ni M
arco
s an
g m
ga P
ilipi
no n
a m
angi
bang
-bay
an.
WH
EN
FO
RM
ER
FI
RST
LA
DY
Imel
da M
arco
s fa
mou
sly
fore
told
th
at h
er n
ame
wou
ld s
omed
ay b
e lis
ted
in t
he d
icti
onar
y to
den
ote
“ost
enta
tiou
s ex
trav
agan
ce,”
wha
t sh
e pr
obab
ly h
ad i
n m
ind
was
her
va
st a
nd fa
med
col
lect
ion
of s
hoes
, je
wel
ry, a
nd c
outu
re g
owns
. Her
s w
as t
he o
ft-q
uote
d m
axim
whi
ch
proc
laim
s th
at t
he o
nly
thin
gs
wor
thy
of o
ur a
spir
atio
ns
are
“the
true
, the
goo
d, a
nd
the
beau
tifu
l.”
Yet
her
idea
of
ho
w
thes
e m
ust
be r
ealiz
ed is
ap
pare
nt, n
ot o
nly
in h
er
opul
ent
disp
lays
of
wea
lth,
bu
t al
so,
and
perh
aps
mor
e no
tabl
y so
, in
the
man
y va
nity
pro
-je
cts
she
and
her h
usba
nd s
o en
thu-
sias
tica
lly p
ursu
ed t
hrou
ghou
t he
r fa
mily
’s 21
yea
rs in
pow
er.
App
oint
ed a
s bo
th G
over
nor
of
Met
ropo
litan
Man
ila a
nd M
inis
ter
of H
uman
Set
tlem
ent
duri
ng t
he
Mar
tial
Law
yea
rs,
Imel
da s
pear
-he
aded
the
con
stru
ctio
n of
sev
eral
“b
eaut
ifica
tion
ca
mpa
igns
,” w
hich
tr
ansl
ated
into
mak
eshi
ft a
nd s
ub-
stan
dard
hou
sing
pro
ject
s, re
sult
-
ing
in t
he v
iole
nt e
vict
ion
of u
rban
sq
uatt
ers
in la
rge
num
bers
. In
one
inst
ance
, she
eve
n ha
d la
rge
pain
t-ed
wal
ls e
rect
ed a
roun
d co
mm
uni-
ties
in
depr
esse
d ar
eas
to c
once
al
pove
rty
from
the
gaz
e of
for
eign
di
gnit
arie
s vi
siti
ng th
e co
untr
y.
Styl
ing
hers
elf
as p
atro
ness
of
the
arts
, Im
elda
als
o w
ent
on t
o co
mm
issi
on
mul
tim
illio
n-do
llar c
ompl
exes
, suc
h as
th
e C
ultu
ral
Cen
ter
of
the
Phili
ppin
es a
nd th
e M
anila
Film
Cen
ter,
at
a ti
me
whe
n po
vert
y w
as w
ides
prea
d. F
rom
a
pove
rty
leve
l of 2
4 pe
r-ce
nt i
n 19
74,
the
prop
or-
tion
of
peop
le l
ivin
g be
low
the
po
vert
y lin
e in
the
cit
ies
alon
e ha
d ri
sen
to 4
0 pe
rcen
t by
1986
.Th
ese
glit
zy i
niti
ativ
es u
nder
-sc
ored
he
r hu
sban
d’s
dire
ne
ed
to e
nfor
ce a
sem
blan
ce o
f or
der,
stab
ility
, an
d pr
ogre
ss.
Whi
le t
he
coun
try
regi
ster
ed p
osit
ive
nom
i-na
l ec
onom
ic g
row
th r
ates
dur
-in
g M
arti
al L
aw, t
he b
oom
did
not
tr
ansl
ate
to r
eal,
gras
sroo
ts t
erm
s an
d w
as d
ue m
ostl
y to
an
over
-
Tum
aas
ang
bila
ng n
g O
FW m
ula
sa
36,0
29 n
oong
197
5 tu
ngon
g 37
2,78
4 no
ong
1985
. Nag
biga
y di
n si
Mar
cos
ng m
ga in
sent
ibo
sa m
ga d
ayuh
ang
mam
umuh
unan
, ga
ya n
g pa
gbab
a ng
tari
pa p
ara
sa b
anya
gang
kal
aka-
lan.
Sa
halip
na
mak
abut
i, na
ging
da
hila
n pa
ito
upa
ng l
alon
g hu
mi-
na a
ng m
ga l
okal
na
indu
stri
ya s
a ba
nsa.
B
agam
an
kila
la
sa
kani
lang
pa
gigi
ng
mat
iisin
, na
kita
ng
m
ga P
ilipi
no a
ng p
anga
n-ga
ilang
ang
mag
balik
was
sa
pam
umun
o ni
Mar
cos.
May
“p
rote
st
ban”
m
an,
mat
agum
pay
pa r
ing
nai-
luns
ad a
ng w
elga
ng
mga
m
angg
agaw
a sa
La
Tond
eña
noon
g 19
75. L
ibo-
libon
g Pi
lipi-
no r
in a
ng d
umag
sa s
a ka
haba
an n
g E
DSA
noo
ng P
eopl
e Po
wer
1 n
oong
Pe
brer
o 19
86 k
ung
kaila
n tu
luya
ng
napa
tals
ik s
a pw
esto
si M
arco
s. “N
ang
naki
ta k
o sa
TV
na
nag-
tata
wag
sila
na
mag
rally
sa
ED
SA,
nagl
akad
[na
] ka
mi
papu
nta
roon
,” an
i M
ang
Alla
n,
isan
g se
curi
ty
guar
d.La
bing
-ani
m n
a ta
on n
a an
g lu
-m
ipas
, lim
ang
pang
ulo
na a
ng n
ag-
daan
, ng
unit
hi
ndi
mai
kaka
ilang
nana
nati
li pa
rin
ang
mar
ami
sa
mga
kon
disy
ong
nagp
ahir
ap s
a m
ga
Pilip
ino.
Pa
tulo
y pa
rin
ang
pan
ging
iban
g ba
nsa
ng
mar
amin
g Pi
lipin
o —
um
abot
na
sa 2
.2 m
ilyon
ang
OFW
no
ong
Sety
embr
e 20
11,
ayon
sa
ta
la n
g N
atio
nal
Stat
isti
cs O
ffice
. W
alan
g pa
mba
nsan
g in
dust
riya
an
g Pi
lipin
as, a
t m
alak
i pa
rin
ang
ut
ang
panl
abas
ng
bans
a. D
ulot
nit
o,
inaa
ngko
p pa
rin
ng
pam
a-ha
laan
ang
mga
kon
disy
-on
ng
m
ga
lend
ing
inst
itut
ion,
tu
lad
ng
pagb
aba
ng b
adye
t sa
m
ga
serb
isyo
ng
pan-
lipun
an, a
yon
sa I
BO
N
Foun
dati
on.
“Wal
a na
man
g pa
g-ba
bago
ka
y N
oyno
y ng
ayon
. La
hat
[ng
pres
yo n
g m
ga b
ilihi
n],
nagm
amah
al,”
ani
Alin
g C
elia
, 62
, m
anin
inda
ng
bana
na c
ue.
Hig
it
tatl
ong
deka
da
mat
apos
m
apat
alsi
k an
g re
him
eng
Mar
cos,
la
gana
p pa
rin
ang
kah
irap
an s
a ba
nsa.
Nan
anat
ili p
a ri
n an
g m
ga
bata
yang
su
liran
in
ng
lipun
ang
mal
ulun
asan
lam
ang
sa p
atul
oy n
a pa
glab
an n
g m
amam
ayan
.
flow
of
fore
ign
capi
tal
and
exce
s-si
ve g
over
nmen
t sp
endi
ng. W
ages
w
ere
froz
en a
nd la
bor
unio
ns w
ere
clam
ped
dow
n to
mak
e th
e do
mes
-ti
c bu
sine
ss e
nvir
onm
ent a
ttra
ctiv
e to
fore
ign
inve
stor
s.A
lmos
t ha
lf a
cent
ury
henc
e,
thou
gh t
he S
teel
But
terfl
y’s
phys
i-ca
l fa
cade
s of
“be
auty
” and
“or
der”
no
lon
ger
dom
inat
e th
e la
nd-
scap
e, t
he p
rese
nt g
over
n-m
ent’s
ow
n po
litic
al a
nd
econ
omic
ag
enda
ar
e ne
ithe
r le
ss d
ecep
tive
nor
le
ss e
xtra
vaga
nt.
Whi
le
gove
rnm
ent
fund
ing
for
basi
c so
cial
se
rvic
es f
all
belo
w t
he l
evel
s ne
eded
for
the
ope
rati
ons
of p
ub-
lic
inst
itut
ions
, th
e go
vern
men
t si
mul
tane
ousl
y w
aste
s m
illio
ns o
f pe
sos
on p
rogr
ams
whi
ch s
eem
to
follo
w Im
elda
’s sk
ewed
idea
of w
hat
cons
titu
tes
publ
ic s
ervi
ce.
In t
he p
ropo
sed
nati
onal
bud
get
for
2013
al
one,
th
e go
vern
men
t pl
ans
to f
urth
er i
ncre
ase
fund
ing
for
its
Con
diti
onal
Cas
h Tr
ansf
er
prog
ram
, des
pite
bot
h lo
cal a
nd in
-te
rnat
iona
l stu
dies
whi
ch p
rove
the
inef
ficie
ncy
of c
ash
dole
-out
s in
re
solv
ing
pove
rty
in m
any
coun
-tr
ies
like
Mex
ico.
Ev
en i
n it
s bu
dget
for
edu
ca-
tion
, the
gov
ernm
ent’s
pen
chan
t fo
r m
isgu
ided
spe
ndin
g is
not
h-in
g le
ss t
han
evid
ent.
Whi
le t
he
adm
inis
trat
ion
does
not
hes
itat
e to
pou
r fun
ds in
to th
e im
plem
en-
tati
on o
f th
e K-
12 p
olic
y,
mor
e ur
gent
pri
orit
ies,
su
ch a
s th
e sh
orta
ge
of t
each
ers
and
fa-
cilit
ies,
are
bani
shed
to
the
mar
gins
of t
he
gove
rnm
ent’s
bl
ue-
prin
t of “
prog
ress
.”Ye
t hi
stor
y ha
s de
m-
onst
rate
d th
at t
he p
oten
cy o
f m
anuf
actu
red
real
itie
s, ho
wev
er
“tru
e,” “
good
,” an
d “b
eaut
iful”
they
m
ay a
ppea
r, ca
n ne
ver
trul
y is
o-la
te t
he p
eopl
e fr
om t
heir
ow
n ha
rsh
mat
eria
l co
ndit
ions
. A
nd
as t
he n
arra
tive
s of
Mar
tial
Law
ha
ve
show
n,
fals
e fa
cade
s an
d op
pres
sive
str
uctu
res
can
neve
r av
ail a
gain
st th
e pe
ople
’s st
rugg
le
for
trut
h an
d so
cial
just
ice.
BALI
K-AR
AL
UN
DER
PRES
SURE
VA
NIT
Y F
AIR
J oh n
Mal co lm
S . A
n iag
Gloiza Plam
enco
Bat
as n
g pa
g-ak
las: Bat
as n
g p
ag-a
klas
Mg
a h
inan
go
ng
ara
l sa
ika-
40
tao
n n
g B
atas
Mili
tar
victor Limon
LAN
DAS
NG
PAG
BABA
LIKW
AS
a par with Kiran Desai’s The Inheritance of Loss, 2006 Man Booker Prize winner. Both novels streak through a reader’s ken by way of almost similar thematic configurations. The glaring fact: the political may be viewed as personal and vice-versa.
One downside perhaps of Mga Prodigal is the author’s self-con-scious effort for layered mean-ings. This is too pronounced but negligible, if only because such scheme works for the novel. It even heightens, relatively, the subtler disclosures of her places, characters, and yes, interior voic-es: from Dubai and back and the circle that follows suit, through leave-takings and homecoming(s) and all the “deserts” that are cen-tral to the story.
It is hard, indeed, to ignore Mga Prodigal, a strikingly brave and brilliant novel by, simply, one of the best writers working in Filipino today.
KULTURA
Miyerkules19 Setyembre
2012
CONSIDER THIS AS A SPOILER but so be it: Luna Sicat’s Mga Prodigal (Anvil, 2010) is not your usual piece on the plight of OFWs. It is partly a fallacy also to delimit it is as a mere addition to Philippine Literature’s long tradi-tion of social realism.
Well, she has been known for works both passionate and pro-found even prior to the novel at hand. There is no room for medi-ocrity for her as opposed to, say, some contemporaries who seem to have no choice but to accept this maxim: one cannot give what one does not have.
Sicat, on the contrary, has a lot to offer—as a writer who is in control of her own modes of seeing. Which brings us exactly to what the Mga Prodigal seeks to achieve, primarily in terms of craftsmanship. Here, she is at her element, wielding her power to the hilt. And, unwittingly, redefin-ing her sense of territoriality: the
Re-imagining departures and arrivalsNiles Jordan Breis
book itself can separate the chaff from the grain; the less talented fictionists might end up as plain campus writers. Adults but, still, campus writers.
Such big words, one might think yet the novel can speak for itself through some of its in-trinsic merits, notably, the pa-ra-omnipresent point-of-view, ever-shifting narrative, flexible diction, and the seemingly dry tonalities—all within the deliber-ate technique to reveal the near-tragic motif, with much ease.
Sicat’s use of history as the pervading continuity tool is a given—the most obvious thing in her book. What makes it a cut above the rest is this: history be-ing treated as the confluence of public events and private lives, and all things in between such as the idioms of violence, the dia-lects of tenderness. Significantly, it explores the notion of prodigus in full circle as she re-imagines
departures and arrivals. Or ar-rivals and departures and at the core of OFWs-related domestic dilemmas and within the tempo-ral bounds of a nation and its his-tory, politics, and culture.
Sicat’s understanding of the prodigus is beyond the domain of time as wasted entity. In chapter 29 of the novel, a sublimely writ-ten scene provides the link be-tween real struggles: the guerilla movement and the national dem-ocratic stance. Here, the prodigus assumes the infinity of fire as time eternal. The author appears to admit that one of her tasks as a writer is “to remember” though some readers may not agree with the book’s political undertones.
Simply put, Mga Prodigal is a highly nuanced work, replete with dazzling details and folk/urban symbolisms or correlatives. And it is unapologetic for being so.
Pardon the comparison but Sicat’s recent work is arguably on
What makes it a cut above the rest is this: history being treated as the confluence of public events and private lives, and all things in between such as the idioms of violence, the dialects of tenderness.
KULTURA
Miyerkules 19 Setyembre 2012
ARCELLANA. JOAQUIN. BRILLANTES. ALFON. HERNANDEZ.
Sometimes, a catalogue of proper names can speak volumes. These names were of a handful of celebrated writers whose literary careers were baptized by the Carlos Palanca Memorial Awards for Literature.
Having been known to consecutively discover new literary voices in generations of Filipino writers, the Palanca has become a rite of passage—an initiation—for every aspiring writer who struggle for his own seat in the “legitimate” literary circle. Last September 1, another roster of fresh writers has been initiated into this exclusive crowd.
First draft The Carlos Palanca Memorial
Awards for Literature began in 1950 as commemoration for businessman-philanthropist Don Carlos Palanca Sr.’s contribution to education. Since then, the Palanca awards have discovered literary giants such as Francisco Arcellana, Edith L. Tiempo, N.V.M. Gonzales, Nick Joaquin, Gilda Cordero Fernando, Gregorio Brillantes, Amado V. Hernandez, and Jose Dalisay, Jr.
At the end of World War II, the competition opened and accepted manuscripts in the Short Story Category in both English and Filipino. Although the Philippines was already independent by decree, it was still culturally dependent to its previous colonizer as seen through the use of English in educational and governmental functions.
The Palanca Awards during this period played a big role in the de-velopment of Philippine literature in English. For global competence, university students were made proficient in English which at that time was considered the language of the educated. Despite this, the Palanca opened a Filipino category alongside the English category in an attempt to preserve Philippine literature in Filipino.
As time passed, new categories such as novel, poetry, and screenplay were opened. Today, the Palanca accepts manuscripts written in
ASPIRING WRITERS FLOCK YEARLY FOR THE CARLOS PALANCA MEMORIAL AWARDS FOR LITERATURE WITH THE MINDSET THAT THE PRESTIGIOUS AWARD WOULD SKYROCKET THEM TO HEIGHTS OF BEING A “FILIPINO WRITER.”
Filipino, English, and regional languages. Every year, the constant number of people participating in the competition is proof of the competition’s success in developing Philippine literature.
“The Palancas were the only game in town. In other words, there was nothing to publish for. The only thing that kept us writing was the Palanca. Nung panahon ng Batas Militar, ‘yan ang bumuhay sa panitikan natin,” Jose Dalisay, Jr. says.
The Palanca awards have served as the Spartan training ground for famous Filipino writers. As such, many aspiring writers believe that winning a Palanca automatically lends them a literary pedigree and legitimizes their stand as writers. After all, the Palanca awards have invariably become a tool to canonize both literary works and its authors.
Revisions The existence of the Palanca
Awards has heightened the ongoing clash between two predominant kinds of Philippine literature: the canonical versus the popular.
While the Palanca has unveiled its latest batch of winners this month, popular authors such as Bob Ong or comic artist Manix Abrera have little chances of getting into this esteemed literary circle. Despite outselling many canon writers, these popular authors do not fulfill the requirements of the Palanca Awards with a rigorously defined standard in literary technicalities.
“All art is elitist,” explains Dalisay. “Yes, even if it’s meant for popular audiences, a work is still produced by a specialist in that art.”
Upon winning a Palanca, it hardly matters whether one receives the first, second, or third prize. Whatever place a writer wins, he is still considered a Palanca awardee. The competition serves as a brand, a seal of approval. The Palanca stamp on a book cover acts as a guarantee of the content’s quality. Any other literary work that has yet to win a Palanca is assumed to be substandard. If the reader feels unimpressed by the book, he not only questions the quality of its contents but casts doubt on the Palanca awards’ established literary history.
“I think contests are always significant, if only because these force people to write, to aim for a complete product,” says writer Katrina Stuart Santiago. “Is the
Palanca in particular significant to a career in writing? I don’t think so. Take it at face value, as a task before you, and you should be okay. Imagine it to be a feather in your cap, or proof positive of your capability, then you’re in for a real heartbreak when you lose.”
Moreover, most of Palanca’s winning pieces focus on social and historical contexts that reflect the landscape of Philippine history and culture. Some works have been adapted to film such as Jerry Gracio’s treatment of Lualhati Bautista’s Palanca-wining novels Dekada ’70 and Bata, Bata, Paano Ka Ginawa, both of which tackle gender and social roles during the Martial Law. Other Palanca-winning novels contextualizing Philippine history that have been published include Miguel Syjuco’s Ilustrado, and Vince Groyon’s Sky Over Dimas.
Still, not all the winning entries of the Palancas are read, staged, or studied. Since Palanca is an institution that develops a specialized form of Philippine literature, having its literary pieces read only by a certain few is a sign that this kind of literature is limited only among the literati and university classrooms. The Palanca only gives writers the recognition. Massive publication and production requires a separate funding outside Palanca.
For publicationMost of the winning authors and
judges in the Palanca are Manila-based and university-educated, sharing the same sensibilities. Even with the existence of the regional languages category, Manila-centric ideas in the Palanca still prevail on the selection of winners.
Although canon-formation is inevitable in a society with existing institutions of education, media, and power, the people must not succumb to the assumption that the Palanca is the only premier rite of passage for a literary work to be considered substantial. If society does surrender to this idea, it severely limits the scope of Philippine literature to the Palancas alone, disregarding good works published in independent literary zines and underground publications without the Palanca brand.
“What I would like the young writers to understand is that the Palancas are not the end-all and be-all of writing,” says Dalisay. “What we have to think of is what to do after. Are you going to continue writing even if there are no prizes?”
Limiting Philippine literature by the faulty mindset of canonizing it through the Palanca alone is unsound. Philippine literature must reflect the social-cultural milieu of the country as a whole—flaws and perfections, secrets hushed by its cruel realities, and the history of its people.
Literaryironies
after having a rough day of making myself busy with tedious chores just so I could avoid checking my phone every few minutes for a missed call or an unread text message.
I wanted so much then to see right away if there were any more furniture undersides left for me to dust, dim light bulbs to replace, or dining table stains to scrub. But the pull of the alternative is simply irresistible. I logged in to this database in my head and browsed through my collection of documentaries ingeniously labelled as “self-pity.”
While my own “documentaries” are nothing like Amelie and thus do not involve funeral parades or soup kitchens, I have a respectable assortment of miserable self-images, which I have diligently edited throughout
OPINYON
Miyerkules19 Setyembre
2012
ONLINE LIBEL
ON DOCUMENTARIES AND SWEET MISERY
LAKAS TAMA
When you see my face, hope it gives you hell*
Libel ang mga naghuhumiyaw na mga mamamayan sa Internet bunsod ng hindi ramdam na pag-unlad ng bansa
Why is drowning in misery so cathartic, so strangely liberating?
MAY TATLONG KUTONG-LUPA sa buhay ko ngayon. At dahil “kahit ano” naman daw ang pwede kong isulat sa kolum na ito, isusuka ko na lang dito ang lahat ng sama ng loob ko.
Ikaw, L*. Noong una, pinag-iisipan ko pa kung saan nag-U turn ang samahan natin, kung anong road bump ang pumigil sa ‘yo para manatili tayong magkaibigan. Dahil ba hindi na tayo madalas magkita? Dahil ba hindi ko pa binabalik ang Cambio CD mo? Hindi e. Isang dahilan lang ang naiisip ko, at kahit iyon, ayaw kong paniwalaan na magiging ugat ng samaan ng loob natin.
Ikaw na mismo ang nagsabi dati na masyado akong “expectera.” Sabi mo, masyadong mataas ang inaasahan ko sa lahat ng bagay. Kaya ako nagrarali dahil demanding ako sa gobyerno. Kaya kaunti lang ang kaibigan ko dahil masyadong mataas ang pamantayan ko sa mga tao.
At sa lagay natin ngayon, mukhang totoo ngang “expectera” ako. Hindi ko inasahang magiging masyado kang mababaw, hindi ko mauuwi ka sa pagtataray at hindi mo ako kakayaning harapin nang diretsahan.
Kaya ngayon, hindi na ako nakikinig sa Cambio—sayang lang sa brainspace kung pagninilayan ko ang naupos na samahan natin. Pero kapag nagkita ulit tayo, hindi kita iiwasan. Mamatay ka sa inis, bahala ka, wala na akong pakialam.
Pero sa ‘yo, T*, may pakialam ako. May pakaialam ako kasi kung legal lang ang pumatay, hindi ako magdadalawang-isip na sugurin ka ng sundang. Minsan nga, hinihiling ko na sana totoo ang Hunger Games. Sa oras na matawag ang pangalan mo, anak ng kurikong, magvo-volunteer agad ako.
Noon pa man, hindi mo na maunawaan ang ibig sabihin ng salitang “ex.” Ekis ang simbolo ng mga bawal kasi off-limits ang mga iyon. Kaya “ex” ang sinesenyas ng braso ni April Boy, kasi hindi niya kayang tanggapin ang ewan ko, hindi ko alam. Kung may common sense ka lang, alam mong ang “ex,” nilalayuan at hindi nilalapitan.
Iniisip ko, kung utak at hindi bayag ang gumagana sa ‘yo dati, ididildil mo ba ang sarili mo sa “ex” mo kahit nasa tabi mo lang ako? Mas pipiliin mo pa rin ba ang busangot na bruhang iyon? Pero napagtanto ko, ang tunay na tanong pala dapat ay, “Anak ng alipunga, ba’t nga ba kita pinatulan?”
Kaya tatantanan mo na ako dahil wala akong panahon sa ‘yo. Sa susunod na lumapit ka sa ‘kin, ipakukulong na talaga kita at hindi ako nagbibiro.
At bilang panghuli, gusto ko lang magbigay ng mensahe para sa nagnakaw ng iPod ko. Klepto ka pala, hindi ko alam.
Alam kong hindi ka naghihirap. Kung pinansya ang dahilan, sana binenta mo na ang iPod Classic ko at hindi mo pinangangalandakan bilang bago. Akala mo siguro hindi ko makilala iyan kapag binalutan mo ng pink na case. Kung hindi ka naman isa’t kalahating tanga, tatlong taon ko rin ‘yang inaalagaan at inaruga kaya kahit nakapikit, kaya ko ‘yang kilalanin.
‘Wag kang mag-alala, hindi ko na sasabihin sa mundo kung sino ka. Sana lang manlumo ang kalamnan mo sa tuwing makikita mo ako, kasi para mo na ring ninakaw ang bahagi ng katawan ko nang napagdiskitahan mo ang iPod ko.
Hindi na ako hihingi ng paumanhin kung nasayang ko ang oras ninyo sa pagbabasa ng kolum na ito. Walang basagan ng trip—may dahilan kung bakit “Lakas Tama” ang pangalan ng kolum ko.
*pasintabi sa All-American Rejects
THERE IS A SCENE IN JEAN PIERRE Jenuet’s Amelie in which Audrey Tautou is sitting on her red bed, in front of her green television, watching what appears to be an imaginary documentary about her own sad, untimely death. She weeps copiously as the “documentary” showed footages of crowds attending the funeral procession—a poignant tribute to the noble causes she has supported in life: feeding the poor, tending the sick, etc.
We know of course that Amelie is merely depressed, and this is her way of “letting it all out.” A few frames earlier in the film, she is grating cheese for her dinner pasta when she stops suddenly, looks out the window, sees her recluse neighbour having the same exact meal she’s preparing, and decides her fate is sealed.
Why is drowning in misery so cathartic, so strangely liberating —that momentary tightening of the chest as you imagine a quiet but successful suicide, that split-second when your head is clear and you realize and accept that you are merely a single speck in the space-time continuum?
It’s a situation which I’m not entirely unfamiliar with. Just the other night, I lay in bed admiring my bedroom ceiling, dead tired
the years. Of course, they inevitably became simply a set of disparate “short films”—of the kind which appears so dumb that it ultimately becomes terribly profound. To match the advanced level of despair I had at the time, I picked two of these “short films” and “played” them in my head.
The first one is set in a rather expensive restaurant—the waiters are dressed in tailored suits and the crystal and silverware looked real. Nothing really happens, except I am closely watching two people seated at the other table. The other is set in a hospital room and features a version of me lying on the bed, afflicted with a rare skin disease caused by some unknown strain of virus.
And then my phone beeped and I scrambled for the wretched thing in the dark. When I finally discovered it beneath one of the pillows, I found out that it was just an automated alert, reminding me I have enough reward points to subscribe to some unlimited texting promos. I threw the phone away and went to sleep.
In the morning, as I woke up, I decided to become a good person with nice thoughts—at least until today when I remembered that I had to write a column. Misery and Amelie—why not indeed?
Samantala, sa bagong-lagdang batas na Republic Act No. 10175 o ang Cybercrime Prevention Act of 2012, maaari na ring tukuying libellous ang mga nakikiusong status sa Facebook o tweet sa Twitter, at ang mga nakakainsulto ngunit nakakatawang komento sa picture ng misis ni kuwan.
Dahil hindi lamang sa pahina ng Kule nailimbag ang artikulong ito kundi maging sa opisyal na website rin ng pahayagan, kakailanganin ko muling managot sa ilalim ng Cybercrime Law para sa parehong kaso ng libel.
Kalabisan ang sabihing maha-harap ako sa dalawang kaso ng libel para sa iisang artikulo, na nailathala lamang sa magkaibang midyum. Gayunpaman, sapat lamang ang kalabisang ito upang maisala-rawan kung paanong tinatapak-tapakan ng pamahalaan ang kara-patan ng kanyang nasasakupan.
Sa isang bansang binansa-gang demokratiko, nananatiling criminal offense ang libel at na-gagamit na panakot sa mga kri-tiko ng pamahalaan. Sa ilalim ng nakaraang administrasyon, hal-imbawa na lamang, higit sa isang daang kaso ng libel ang naisampa ng mga Arroyo sa mga mamama-hayag. Wala mang nahatulan sa mga mamamahayag, hindi mai-kakailang may takot na nabuo ang mga isinampang kaso ng libel sa
mga mamamahayag.Sa bagong batas na nilagdaan
ng Pangulong Benigno Aquino III noong Setyembre 11, lalo pang ipinakita ng pamahalaan ang kawalang pagpapahalaga nito sa boses ng mga mamamayan. Libel nang maituturing ang mga naghuhumiyaw na mga ordi-naryong mamamayan sa Inter-net bunsod ng hindi ramdam na pag-unlad sa kalagayang pang-ekonomiko ng bansa.
Malinaw rin sa iba pang probisyon ng batas sa cybercrime —ang kapangyarihan ng pamaha-laan na ipasara ang mga websites sa ilang dahilan at subaybayan ang galaw ng mga mamamayan sa mundo ng Internet—ang kagustuhan ng kasalukuyang administrasyong limitahan ang kalayaan at karapatan ng taum-bayang isulong ang kanilang pag-unlad.
Priniprisenta ng pamahalaan ang batas sa cybercrime bilang tugon sa mga abusong narara-nasan ng mga mamamayan sa birtwal na mundo. Ngunit bago maniwala, mag-iisip isip ka muna, marming namamatay sa maling akala, ayon nga sa Eraserheads.
MAY MGA KUMAKALAT NA BALITA na ang misis ni kuwan ay madaling makuha, na ang kaligtasa’y madaling makuha, pagsasaad ng sikat na ban-dang Eraserheads sa isa nilang kanta.
Kung sasabihin kong totoo ang mga nababalita tungkol sa asawa ni kuwan, tiyak na sa korte ang kahahantungan ko—sasampahan ng kasong libel at kalauna’y hahatulan ng pagkakakulong sa loob ng hindi bababa sa anim na buwan at isang araw hanggang sa apat na taon at dalawang buwan.
Sa ilalim ng Article 353 ng Revised Penal Code of the Philippines, maituturing na libel ang anumang paratang, totoo man o hindi, na maarring makasira sa reputasyon ng taong pinapatung-
kulan nito. Kung gayon, maituring lamang na libellous ang isang paratang sa oras na maisapubliko ito sa pamamagitan ng pagkakala-thala sa pahayagan at iba pang pamamaraan.
EksenangPeyups
Newscan
OPINYON
Miyerkules19 Setyembre 2012
Kung ikaw si Noynoy, anong bagong posisyon sa gobyerno ang ibibigay mo kay Rico Puno?
Kung ako si Noynoy, aking ibibi-gay na bagong posisyon kay Rico Puno ay ang bonggang bonggang Investigator General. Hahaha. BS Computer Science
i think noynoy may put rico puno in the denr if he wants to be corny. but apparently, i think he mustn’t put puno in any position at the time being. besides, more fili-pinos could fit a slot in the cabinet. 2012-21271 Al-Rap BA Hist
bakit pa bibigyan ni Noynoy is Puno ng bagong posisyon kung napalitan na sya sa dating pwedto nya at walang bagong posisyon na malalagyan. Puno na ang gobyerno. 201224585Ano ang theme song ng acads mo ngayong sem?
Ang theme song ng acads ko? ROLLING IN THE DEEP! WE COULD HAVE HAD IT AAAAAAAAAALL. ROLLING IN THE DEEEEEEEEEEEEEEEEIIP. YOU HAD MY HEART INSIIIIIIIIDE OF YOUR *cough cough 2012-32845 baabaablacksheep
“Sige Lang” by Quest 09-08xxx Ja BS FT
One Thing by One Direction. Masaya mangulekta ng uno, 1st time mag-US if ever! Gora sa pag-achieve ng ‘one’ thing! Makaranas lang before magbabye bilang UP student. Chos! [>;~ 08-30718
Bagsakan! 1210828 BS GeollibeeIf Tomorrow Never Comes.
Haha. Grabe lang, first year ko pa lang yata makaka-3.00 na agad ako?! Huwaaaggg. 2012-22489
Ang theme song ng acads ko ay ‘bakit ngayon ka lang’,alam mo yung 4th year ka na tapos mar-erealize mong sana yung minor mo ay yun na lang ang major mo dahil mas fit pala yun sa’yo. Astig backpage,dahil kay delfin mercado,maraming pipirma!galing! -093.6.5
Go for Gold by Kyle Patrick!!! Swak na swak para sa mga down sa course at magshi-shift! Yeah :) 2012-*****
Hmm. Part ng Sparks Fly by
MUSTA, MGA TOL? *EHERM* Este, hello there students of the Universal Filifins! Grabe, its the third week na ng Septembah at malapit nang matapos ang sem! Am sure mga nagnonoseblood ang mga noselyn ninyo dahil sa dami ng papers at requirements epek na kailangan niyong mai-fi-nal edishun! Anyways, subways, eto na muna ang inyong weekly eklat para maging maligaya kayo sa gitna ng sakuna. Chos!
:* Dahil patapos na ang sem, am sure umuusad na rin ang mga lablayp ng mga freshies na nanliligaw ng mga kaklase. Pero paalala lang sa mga freshies, hin-di lahat ng kaklase ninyo ay ka-age gap niyo! Take for example si isang 16-year-old freshie na na nagda-damoves kay 26-year-old na ateng! Dahil sa tulis nitong si boy freshie, hinihimas-himas niya ang kamay ni ateng habang tinatanong kung anung ano ang definition ng Mr. pogi. At dahil sinabi ni ateng na ang pogi para sa kanya ay yung naka-aviator glasses, guess what? Nag-avia-tor glasses nga si boy freshie sa klase! Well, para kay boy freshie na naniniwala sa “age doesn’t matter,” goodluck na lang sa’yo. Pero wika nga ng isang makata, “Magpatuli ka muna!” Chos! ;)
:* Once upon a time, may isang pa-intellectual person na nagpapaimpress kay isang Ko-rean ateng na kaya niyang mag-fluent English. So all the while he is making conversation ba while trying hard na mag-ano, speak English like this one while making kamusta si ateng on how is the kimchi, gucchi, and tama-gochi, tango lang nang tango ang ateng na parang ang soul ay nagliliwaliw sa infinity ng outer space. Then when the intellec-tual person asked na “Are you okay?”, the ateng biglang said in a soft voice, “Marunong po akong magtagalog.” WASAK!
So yun na muna sa ngayon, ambon. Galingan natin sa mga nalalapit nating finals!
Next week’s questions:1. Nakapirma ka na ba sa petition form ng Kulê? Kailan, kanino, saan, at bakit? 2. Anong kanta ang iaalay mo sa men’s basketball team ng UP?
Get free publicity! Send us your press release, invitations, etc. DON’T TYPE IN ALL CAPS. And go easy on the…punctuations?! dOn’t uSe tXt LanGuage pLs. Provide a short title. 100 words max. Email us at [email protected]
CONTACT US! Write to us via snail mail or submit a soft copy to Rm. 401, Vinzons Hall, UP Diliman, Quezon City. Email us [email protected]. Save Word attachments in Rich Text Format, with INBOX, NEWSCAN or CONTRIB in the subject. Always include your full name, ad-dress and contact details.
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“Project of Nationhood Reloaded: Focus on Democratizations”
All students & non-students are invited to attend an educational fo-rum entitled “Project of Nationhood Reloaded: Focus on Democratiza-tions” on the 24th of September, 2012 (Monday) at Palma Hall Room 400 (4th Flr) from 10:00am to 12:00nn.
This event, prepared by the So-ciology Department, is a series of talks for past, present, and pro-spective students of sociology in the Philippines. This year’s invited speakers include Sociology Pro-fessor Dr. Teresa Melgar, BAYAN Secretary General Renato Reyes Jr, and Akbayan Partylist Congress-man and Former UP Sociology & NCPAG Professor Walden Bello.
#NewWatchdogs, New Tricks: Citizen journalism in the era of new media
Citizen Journalism gives every-one a chance to be heard. The forum “#NewWatchdogs, New Tricks” ex-plores how new media platforms such as Facebook and blogs enable everyone to tell stories, share in-formation, and report critical inci-dents. With a single click, you can make your posts count!
Everyone is invited to attend the said event on Wednesday, Septem-ber 26, 1-4:30 pm in the College of Mass Communication Auditorium. For more info, contact Reden Go-doy at 09173634635, [email protected].
UP REP & OICA presents “Ped Xing: Tatawid Ka Ba Kahit Nakamamatay?”
As part of its 40th anniversary celebration, The UP Repertory Company and the Office for Initia-tives in Culture and the Arts proud-ly present an action-comedy play entitled “Ped Xing: Tatawid Ka Ba Kahit Nakamamatay?”
A full-length tula-dula that de-picts the current issues in our so-ciety: political, economic and socio-cultural. It will portray the strengths and vulnerabilities of man, and final-ly will make the audience think once more of the undying question--- what is most essential in life?
Playdates are on Sept 17, 22, 24 | 3 and 7pm & Sept 21 | 7pm at Aldaba Recital Hall, UP Diliman. For tick-ets, contact Serville at 0917-600-0161 or visit our FB page www.fa-cebook.com/PedXingUPREP40.
PEKSMAN MAMATAY MAN:
Isang 90s KultnightTeks. Pogs. Hiraya Manawari. Jo-
lina. Song hits. Haw Flakes. Studio pics. Pangako ng pers lab. Kilig sa pers kis.
Miss mo na ba ang 90s? Halina’t balikan ang himig at pangako ng medyo nakaraan. UP ASTERISK in cooperation with Tanghalang Bayan ng Kulturang Kalye (TABAKK) pre-sent PEKSMAN MAMATAY MAN: Isang 90s Kultnight. Sa Septem-ber 22, punta lang sa Skartlet Jazz Kitchen, 6pm at panoorin ang Stick Figgas (with Loonie, Ron Henley & Kat Agarrado), Nanay Mo, TABAKK (with BLKD & K-Jah), Plagpul, The Jeffrey Zulueta Experience at mar-ami pang iba! Meron ding live art ng GERILYA at libreng shirt printing ng TANGINA THIS! P50 lang ang tiket. Pa-reserve ka na sa 09051144998 o 09275581305.
Taylor Swift. Yung “Drop every-thing now!” Hahaha. 2011-12877
“Don’t give up on us Beybe. Ü” Congrats, Engr. Gerome Hipolito. Top 5 2012 GE Board exam. Ü 200903382 Shobe BS GE
“Is this the real life? Is this just fantasy? Caught in a landslide, no escape from reality. 46151 gegege UPM-BASS
Hindi kita malilimutan.lahat ng subject ko nanganganib e.di ko mal-ilimutan yun.ampu.201078910
Wake Me Up When September Ends - Green Day ~ 2010-10445 Mart BS Underwater Potato Plant-ing
I won’t give up on us! :))))) 11-596**
Keep Holding on ung kay avril. i’m still holding on to my faith na sana mataas ang mga grades! 201278067 smpf
Dlawa lng yan. HIGHWAY TO HELL o SHOOT TO THRILL ng ACDC. Tpos ssyawan ko ung mgu-lang ko ng lintik n gangnam style n yan. 2012-30386 AKO pa!
Theme song ng acads ko ay Iris cause I bleed just to know Im alive, lol 201054277
Gangnam Style by Psy featuring Kim Hyun-A 2012-21271 AL-Rap BA Hist
I Won’t Give Up. Di ako mag-gigive-up sa aking laude dream! Kaya yan mga iskolar ng bayan! Puso at tiwala lang :) 2000-11268 Annie Mae
yung theme song ng acads ko ay We Found Love! Ang hopeless pero there’s still love love love! Hahaha 20104****
The Lazy Song ni Bruno Mars kasi pag walang pasok (weekends, class suspensions, holidays, etc.), halos wala talaga akong ginagawa. Tinatamad akong mag-aral at mag-basa ng readings. 2011-60196 JACP B SE (Physics)
I won’t give up on us ang theme-song ng acads ko this sem. Haha! 12-29865 Lursh BS Chem
Dito Ba/Dito ba, dito ba, dito ba, o dito ba/Ang dapat kong kalagyan/Na isang sulok kong hiram/Sa ilalim ng araw. Ohhhh. Para sa akin ba talaga ang course (ba commres) ko? DITO BA ANG DAPAT KONG KALAGYAN?
rolling in the deep~ pero hindi naman lahat :) 12780**
CommentsHey mejo off the belt ang hrit
nyo dun sa tan0ng kai seren0.yes bip0lar xa.and she functi0ns well.ako bip0lar dn and hav a gud lyf. . .nxt tym pumren0 naman kayo. . .okai parang stgma ang dating ng questi0n.
Excuse me, may pagkakamali po yata sa kule textback.. Yung SN 201109152 po ay hindi po si Grace na BS Chem.. Itatanong ko lang po kung typo lang or pagpapanggap kasi mag kakilala naman si Dan sa message at yung totoong may may hawak ng SN na iyon.. Please reply.. For confirmation lang po..
@eksenang peyups last line, LIBRENG KISS KAHIT SAAN AH! SABI NYO YAN AH! HAHAHAHAHA game! :)) 09-23492 kachichas sa BS MatE
Abot tenga ang ngiti ko habang binabasa ang artikulo ni Ninalyn Uy. Akong ako eh. Hay, pag-ibig. :”> 200978441
PabatiHAPPY 18TH BIRTHDAY, TEO-
FEE TAGAL!! :)) ayan binati na kita sa kule. hihi. 1120502
Hi sa G-17! Mula BS CoE :> Hihi. Patapos na first sem, mami-miss ko kayo. =)) :’( Matutuloy ‘yung EK trip sa sembreak ha! ;D 201266069