OIL PAINTINGS, WATERCOLOURS, DRAWINGS AND MINIATURES · FIRST DAY’S SALE TUESDAY 6th OcTObEr 2015 OIL PAINTINGS, WATERCOLOURS, DRAWINGS AND MINIATURES Commencing not before 2.30pm

FIRST DAY’S SALE

TUESDAY 6th OcTObEr 2015

OIL PAINTINGS, WATERCOLOURS,

DRAWINGS AND MINIATURES

Commencing not before 2.30pm

Pictures will be on view on:

Friday 2nd October 9.00am to 5.15pm

Saturday 3rd October 9.00am to 1.00pm

Sunday 4th October 2.00pm to 4.00pm

Monday 5th October 9.00am to 5.15pm

Limited viewing on sale day

Enquiries: Daniel Goddard

Tel: 01392 413100

Email: [email protected]

Enquiries: Martin Scadgell

Tel: 01392 413100

Email: [email protected]

56

301• Sir Terry Frost [1915-2003]Blue Circlesilkscreen printsigned and numbered 76/125 in pencil along the bottom marginimage 71 x 52cm.

£800 - 1200

57

302• Victor Vasarely [1906-1997] KST, 1976signed and number in pencil 214/250serigraph print in coloursimage size 50 x 50cm.

£200 - 300

Provenance. This lot is accompanied by Lo-el Fine Art certificate of authenticity dated 1992.

303• Yaacov Agam [b.1928] ‘Night Lights’, 1991signed Agam and numbered 8/144prismagraph, mixed media high gloss print and perspex prism strips in a solid white composite frame64 x 64cm overall, and one volume Agam by Frank Popper. [2]

£600 - 900

Provenance. This lot is accompanied by Lo-el Fine Art certificate of authenticity dated 1992.

Yaacov Agam creates visual works with rich colour and form to create 3-dimensional sensation and this lot includes a hard back volume titled Agam by Frank Popper.

304• Yaacov Agam [b.1928]Composition cinetiquesigned Agam and numbered 12/99 in pencil in the mountsilkscreen print in coloursimage 22 x 32cm.

£200 - 300

58

305• Marzia Colonna [b.1951]Mail Torso in The Studio, circa 1986signed bottom rightcollage and mixed media drawing110 x 80cm.

Biography. Marzia Colonna, sculptor and painter, was born in Pisa and by the age of 17 had graduated from Art School and was studying drawing in Florence. Since the early 1970s she has lived with her husband in England and since 1985 she has lived with her family in Dorset. She has had numerous exhibitions in London and southern England and major sculptures are with The Jerwood Foundation, Newby Hall, Salisbury Cathedral and Sherbourne Abbey. There is currently an exhibition of new paintings and sculpture at Sladers Yard, Bridport, Dorset.

£400 - 600

306• Alan Davie [1920-2014] Magic Picture No.35signed. inscribed and dated Feb ‘77 along the topwatercolour 21 x 29cm.

£1000 - 1500Provenance. Sothebys, London, 7th June 2007

307• Sir Terry Frost [1915-2003]Sail boats under the Sunsigned and dated Terry Frost ‘98pen and ink drawing, 14 x 19cm,framed together with a 1995 Christmas card, signed and inscribed in pencil Xmas, Terry Frost ‘95 14 x 19cm.

£250 - 350308Four Terry Frost booksAct & Images. Works on Paper through Six Decades,Terry Frost, narrative by David Lewis,Beaux Arts, 2003 exhibition catalogueWarm Frost Inspirations. [4]

£30 - 50

309 No Lot.

59

310• Mary Fedden [1915-2012] The Black Tablesigned and dated Fedden 1975 bottom rightfurther signed and inscribed with title on a label attached to the stretcheroil on canvas59 x 49cm.

£6000 - 8000

Provenance. Given by Mary Fedden in Hammersmith to the present owner in the 1980s

60

311• Dame Laura Knight [1877-1970]Lydia Lopokova at The Looking Glass[also known as Dressing Room No.3]etching, 1923signed and numbered 5/55 in pencil along the bottom marginimage size 25 x 17.5cm.

£250 - 350

312• Willi Kismer [20/21st Century German] ‘Roter Troso’,draped female nudesigned and inscribedetchingplate size 38 x 26.5cm

£100 - 150Provenance. Bought at the Parkview Gallery Exhibition, Bristol, in 1995. Exhibit No.7 £324.00.

Willi Kismer was born in Duisburg, West Germany in 1951. He started a career in music playing in a rock band until 1980, after which he concentrated on the visual arts. He set up a studio in Germany and then moved to Bourgogne in France. He studied in India for a year and now works again in Germany.

313Toko Shinoda [b.1913]After Rain, Asigned, inscribed in pencil and numbered 18/20lithograph with coloursheet size 53 x 68cm. unframed.

£80 – 120

314. No Lot.

61

315• David Bomberg [1890-1957]Figure on a Staircasepen and ink drawing26 x 20cm.

£800 - 1200

Provenance. Sotheby’s Olympia 26 November 2003, lot 11.

316• Dame Elizabeth Frink R.A. [1930-1993]‘Spinning Man VII’signed FRINK and dated ‘65 in pencil bottom rightnumbered 10/50 in pencil bottom leftlithographimage 56 x 79cm

£600 - 800

Provenance. With Curwen & New Academy Gallery, London.

317. No Lot.

62

318• Terence Loudon [1900-1949]-A still life of Summer flowerssigned bottom rightsigned and inscribed on original artist’s label attached to the reverseoil on canvas76 x 63.5cm, within a carved wood and gilded frame.

£800 - 1200

Provenance. With James Connell & Sons, London.

319. No Lot.

63

320Frances Mary Hodgkins [1869-1945]Figures in Mediterranean landscapesigned in pencil Frances Hodgkins bottom rightwatercolour heightened with white48 x 36cm.

£4000 - 6000

Provenance. With the Leferve Gallery. Charles Lambert Rutherston (1866-1927). Jeanette Powell nee Rutherston. Thence by family descent.

Charles Rutherston (aka Rothenstein) was the older brother of the artist William Rothenstein (1872-1945) and Albert Rutherston (1881-1953). A successful businessman in the textile industry who had the eye and financial ability to collect and support the arts. He played a key role in the careers of Gwen and Augustus John, Paul Nash, Wyndham Lewis and Henry Moore. Throughout his life he donated selected works to national collections, including The Tate, before deciding in 1925 to leave the entirety of his collection to the City of Manchester Gallery.Biography. Frances Mary Hodgkins [1869-1945], a painter in oils and watercolours of landscapes, figures and still life. Born in Dunedin, New Zealand, trained largely by her father William Matthew Hodgkins. Studied at Dunedin Art School under the Italian, Girolamo Nerli. In 1901 she travelled to Europe and Morocco. Settling in Paris in 1908 she taught art in her own school. She returned to New Zealand in 1904-1906 and 1912-1913. She settled in St. Ives from 1914. After the war she travelled again in Europe. She held her first one man show in London in 1928. Frances joined the Seven and Five Society in 1929, and worked alongside Barbara Hepworth, Ben Nicholson and Henry Moore. During the 1930s she exhibited regularly at the Leferve Galleries. From 1932 to 1947 she lived at Dorchester.Frances Hodgkins is most admired for the freely painted works of her later life. She is considered a lyrical colourist and an artistic descendant of Henry Matisse

64

321• Robert O Lenkiewicz [1941-2002]Spanish Mariaoil on canvas59 x 77cm.

£500 - 700

Maria arrived in Plymouth in about 1970 and became part of Lenkiewicz’s circle of friends, one of whom was Pierre von Grunewald with whom she had two children. When PvG died, Maria was left to care for these children along with two others from PvGs previous relationship. Maria moved to Ibiza in the mid 1970s and subsequently moved to London.

322• Robert O Lenkiewicz [1941-2002]Portrait study of a Man, Project 15 Death, 1982signed bottom rightoil on board40 x 50cm.

£300 - 500

323• Robert O Lenkiewicz [1941-2002]Portrait of Hans de Rijkesigned and inscribed as a gift to the sitter from the artistwatercolour heightened with white35 x 25cm.

£300 - 500

324• Anthony Amos [1950-2010]Fisherman studysigned, inscribed and dated 24/4/03 on the reverseoil on card24 x 19cm.

£300 - 500

65

325• Robert O Lenkiewicz [1941-2002]Self-Portraitsigned and inscribedwatercolour heightened with bodycolour28 x 32cm.

£800 -1200

326. No Lot.

66

327• Alan Cotton [b.1936] River Otter, Evening, 1979signed and datedoil on canvas49 x 100cm.

£400 - 600

328• Mike Gorman [Contemporary]Garden of Earthly Delightssigned, inscribed and dated ‘91 on the reverseoil on canvas73 x 88cm.

£250 - 350

329• Alan Cotton [b.1936] River Otter 1979, small studysigned and dated ‘79 oil on board19 x 24.5 cm

£200 - 300

330• Alan Cotton [b.1936] River Otter near Colaton Raleighsigned oil on board 12.5 x 12.5 cm

£100 - 200331. No Lot.

67

332• Ken Howard [b.1932]Valeriesigned and dated 28 11 88further inscribed on the backboardwatercolour and pencil drawing18 x 13cm.

£250 -350

333• Mike Gorman [Contemporary]Arlecchinosigned, inscribed and dated 95 on the reverseoil on canvas board31 x 25cm.

£120 - 180

334• Peter Miller [1939-2014]Study for Seated Dancer;Dancers Against the Windowtwo, both signedfurther signed and inscribed on the back boardoils on boardeach 24 x 19cm. [2]

£200 - 300

68

335Mary Elizabeth Duffield [1819-1914]Still life with flowers, blossom and a bird’s nestsigned bottom leftwatercolour25.5 x 37.5cm

£200 - 300

336Stuart Park [1862-1933]Rhododendronsigned bottom rightfurther signed and inscribed in ink with title on an old label attached to the reverse, further inscribed ‘Return to Alex Reid, 124 St Vincent St. Glasgow’oil on board28.5 x 36.5cm.

£250 - 350

Alex Reid was a picture dealer with a gallery in Glasgow in the late 1880s.

337Arthur David McCormick [1860-1943]Wandering Minstrelssigned bottom rightwatercolour54 x 77cm.

£250 - 300

338. No Lot.

69

339Archibald Thornburn [1860-1935]Titmouse studiessigned and dated 1913 lower rightinscribed with Titmouse varietiesinscribed Pl.10. top rightwatercolour heightened with bodycolour50.5 x 38cm.

£5000 - 7000

Literature. Archibald Thorburn, British Birds, Longmans, Green & Co., London 1915-16 & 1918, pl.10

340. No Lot.

70

341Circle of Michelangelo Maestri [19th Century Italian]Grecian women with young Cupid attendants, after The Antiquegouache, 30 x 41cm together with a group of five neo-classical watercolour and bodycolour drawings, possibly over engraved bases, comprising Ora Notte, Apollo with Muse, figure with laurel branch and orb and Nymphs [2]. [6]

£800 - 1200

71

342Samuel Metford [1810-1896]A silhouette of a naval officer, full-length, standingsignedwatercolour heightened with gold22 x 15cm

£250 - 300

343Paul Sandby [c.1730-1809]The Introductionpen and ink drawing7.5 x 9.5cm

£250 - 350

Provenance. with Thomas Agnew & Sons Ltd.

344• Sir Alfred James Munnings [1878-1959] A life drawing classsigned and dated 1912a pencil drawing18 x 27cm.Further inscribed‘Most of your portraits are wrong-Some of them only a mess.Lambert has made your finger nails long,But Dicksee’s is quite a success’.

£600 - 900

345. No lot.

72

346Circle of George Chinnery [1774-1852]Miniature portrait of a young officer, said to be Francis Rawden-Hastings, Earl of Moira, Governor General of India 1813-1822head and shouldersoval, 6.5cm, on ivory.

£500 - 700

The sitter, who was born in Ireland, was a close friend to the Prince of Wales. The attribution of the sitter is from descendents of the present owner and the likeness compares well to images of an older Earl.

347English School 19th CenturyMiniature portrait of a young man,head and shoulders, with short brown hair and brown eyes7.5 x 6cm.

£200 -300

348. No Lot

73

349Circle of Hyacianthe Rigaud [1659-1743]Portrait of a Nobleman, standing three-quarter length, wearing full wig and satin gownoil on canvas32 x 23cm

£600 - 800

350English School 19th Century A Turkish man reading a document and smoking a hookahindistinctly signed with a monogram and dated 1856 bottom leftoil on panel212.5 x 18.5cm.

£200 - 300

351German School 19th Century A Turkish Cavalry officer and footmanoil on metal16.5 x 13cm.

£300 - 500

74

352Follower of Henry Raeburn [1756-1823] Portrait of a lady, bust-lengthwith long brown hair and blue eyesoil on canvas73 x 60.5cm, in a chip carved and re-gilded wood frame.

£300 - 500

353Thomas Barber [1768-1843]Portrait of Reverend Henry Leonard Adams [b.1798] bust lengthsigned, inscribed and dated 1838 on the reverseoil on canvas 59 x 49cm, together with a portrait attributed to Barber of Captain James Scott [b.1793] [2]

£400 - 600Captain James Scott commanded the brigantine ‘Britain’s Pride’ of the Wilson Line. On one voyage he rescued the Crown Prince of Portugal from drowning in the river Tagus, for which he was rewarded with a ring.

354English School late 19th Century Portrait of a Turkish elder, head and shoulders, wearing a turbanoil on canvas36 x 30cm.

£200 - 300

355 No Lot

75

356English School circa 1900Young Beauty on a Balconyoil on canvas 74 x 59cm, in a carved wood frame.

£500 - 700

357European School 19th CenturyChildren and an artist on a grand stone doorstep; said to be ‘Albrecht Durer watching Children’watercolour heightened with gum Arabic33.5 x 27.5cm.

£150 - 250

76

358Henri Gommarns Carpentero [1820-1874]‘An archway at the market’signed and dated 186? bottom rightoil on canvas33 x 25.5cm.

£600 - 800

77

359Attributed to Isaac De Moucheron [1667-1744]An upland Italianate landscape, elegant figures and classical ruins in the foreground, a view to a hilltop fortification beyondoil on canvas160 x 110cm

£5000 - 8000Provenance. Rockbeare Manor, Exeter, Devon

78

360Gabriele Ricciardelli [fl.1745-1777]An extensive Italianate river landscape, with figures and goats in the foreground, a hilltop town beyond, mountains in the distanceoil on canvas91 x 121cm

£15000 - 20000Provenance. Rockbeare Manor, Exeter, Devon.

79

361Attributed to Gabriele Ricciardelli [fl.1745-1777]An Italianate landscape, figures in the foreground, with a view to a fortified town and mountains beyond-oil on canvas91 x 121cm.

£6000 - 8000Provenance. Rockbeare Manor, Exeter, Devon.

80

362• Philip Thomson Gilchrist [1865-1956]An Evening in May, Falmouthsigned and dated 1901 bottom leftfurther sighed and inscribed on the reverseoil on canvas32 x 41.5cm.

£400 - 600

363Edward Henry Holder [1864-1917]Cattle Watering, Friars Crag, Derwentwatersigned bottom rightoil on canvas49 x 75cm.

£400 - 600

364Gusztav Magyar Mannheimer [1859-1937 Hungarian] Farms in an upland landscapesigned bottom rightoil on canvas30 x 39.5cm.

£150 - 250

365• Hurst Balmford [1871-1950]A fishing villagesigned oil on board39 x 55.5cm.

£300 - 500

81

366• Hubert Coop [1872-1953]East coast hay barges unloading on the Thames, St Paul’s in the distancesignedwatercolour37 x 52cm.

£600 - 800Thames barges played an important part in life along the river and in Essex by making use of the many creeks and inlets to collect produce from the farms and take it to markets and into the City. The barges were flat bottomed wooden craft to ensure that they could navigate the shallow inlets by sailing in as little as three feet of water and then lying on the mud without tilting. The distinctive barge rigging incorporates a large topsail, a mainsail and foresail on two masts. The rusty red colour is due to the waterproofing traditionally used on these sails.A regular cargo was hay and straw from the Essex countryside to service the thousands of horses and stables in London. Although the cargo was relatively light, it was bulky and it was common to see barges loaded with twelve feet of hay on the decks with the helmsman at the wheel totally blind relying on information from a crewman perched on top of the hay.

367Henry Bright [1810-1873]Moonlit harbour scenepastel and charcoal drawing with bodycolour25 x 34cm.

£200 - 300Provenance. Corfield Art Gallery, Lymington.

368Arthur Henry Enock [fl.1869-1912]Worcester Cathedral on the river Severn, an extensive viewsigned and dated 1885 bottom left, monogrammed bottom rightwatercolour48 x 73cm.

£300 - 500

369Alfred Leyman [1856-1933]The Arrival of the Coach at The Ship Inn, Porlocksignedwatercolour50 x 72cm.

£200 - 300

82

370Charles Sims [1873-1928]Landscape, a study of treessigned bottom rightoil on board11 x 18.5cm

£120 - 180

371Fred Appleyard [1874-1963]‘Fallen Tree’, a landscape with a mother and three girls playing on an uprooted treesigned bottom right Fred Appleyardoil on board27 x 39cm

£500 - 700372Frank Richards [fl.1890-1925]Woodland scene with figuresigned bottom leftwatercolour33.5 x 24cm

£100 - 150373. No Lot.

374Frank Richards [fl.1890-1925]Farm buildings, geese in foreground, figure beyondwatercolour heightened with white16.5 x 24cmtogether with an unsigned sketch of a coastal scene, watercolour, 13 x 9.5cm [2]

£120 - 180

374

374

372

371

370

83

375William Atkinson Wells [1872-1923]‘Western Sands’, an estuary scene at low water, fishing boats and figures on the sandssigned bottom left, further signed and inscribed on artist’s label on reverseoil on board 28 x 41cm.

£1000 - 1500

376• Nancy Bailey [1913-2012]Peninnis Head, St Mary’s, Isles of Scillysignedoil on board38.5 x 74cm.

£300 - 500

Provenance. P. H. Woodburn Esq., circa 1930.Biography. William Wells was born in Glasgow and spent his early years in Australia .He studied at the Slade Schools and in Paris. He lived for a while at Topsham in Devon and finally Appledore. He exhibited at the Royal Academy and the Royal Scottish Academy

377• Nancy Bailey [1913-2012]Porth Cothansigned oil on canvas39 x 75cm.

£200 - 300378 No Lot.

84

379Frederick John Widgery [1861-1942]A Dartmoor valleysigned oil on canvas49 x 67cm.

£600 - 800

380Chisholm Cole [1871-1902]Harvesters stookingsigned bottom right oil on canvas49 x 75cm

£250 - 300381John Fitz Marshall [1850-1932]A folio group of 15 small paintings includingA Barley Field; Study of a cat; Wolton Heath;Stew pond; Walberswick; Burning Couch [stubble] 1898oils on board, various sizes.

£800 - 1200382Walter William Ouless [1848-1933]‘A Sketch near Darlington’; landscape studysigned and inscribed bottom rightoil on canvas51 x 40cm.

£200 - 300

382 381

380

379

85

383• Ethelbert White [1891-1972]Figures on a path in a woodsigned bottom rightwatercolour and pencil drawing37 x 54cm.

£200 - 300

384• Claude Flight [1881-1955]River estuary, dwellings alongside the river banksigned Claude Flight in pencil bottom rightwatercolour34.5 x 48cm

Biography. A British artist who pioneered and popularised the linoleum cut technique. He also painted, illustrated and made wood cuts. He studied at Heatherley School of Fine Art, exhibiting at the R.A, Paris, the R.B.A. and the Redfern Gallery. He was a member of the Seven and Five Society, whose members included Henry Moore, Ben Nicholson and Barbara Hepworth. He was influenced by many contemporary art movements, particularly Cubism, Futurism and Vorticism.

£200 - 300

385• Iain McNab [1890-1967]Corsican fishermen on a beachsignedwatercolour and pencil drawing30 x 46cm.

£100 - 150

386• Frank J Eggington [1908-1990]Autumn landscape, figure on a roadsignedwatercolour37 x 52.5cm.

£200 - 300

Provenance. Frost & Reed 1963.

86

387British School 19th CenturyGolden Horn, Constantinoplesigned, inscribed and dated 1879watercolour37 x 64cm.

£800 - 1200

388H*** H*** MacWilliams [circa 1920s]H.M.S. Saunders, Kabret, Egyptsigned and inscribedwatercolour over pencil, heightened with white35 x 54cm

£200 - 300

389Neapolitan School 19th CenturyVesuvius erupting 1839gouache42 x 64cm.

£150 - 250390Albert George Stevens [1863-1925]Fishermen’s cottages, Arguments Yard, Whitbysignedwatercolour31 x 21.5cm.

£200 - 300

87

391George Knight [fl. 1870-1900]An offshore scene, coastal craft in choppy seasinscribed and bears signature on top stretcheroil on canvas66 x 127cm.

£1200 - 1800

392William Anslow Thornley [c.1858-1898]Whitstable fishing scenesa pair, both signed and inscribedoils on paneleach 19 x 29cm. [2]

£500 - 700393English School [19th Century]Yachts beating along a shore, other shipping beyondwatercolour23 x 42cm

£150 - 250

393 392

392

88

394• Poum Malakoul [1910-1973] Thai boat houses;A Thai waterway with reed huts and figures in the distancetwo, both signed and dated 1963oils on canvaseach 28.5 x 39cm. [2]

£250 - 350395• Gudrun Sibbons [b.1925]River landscape, figures in the foreground, windmills beyondsignedoil on board29 x 39cm.

£200 - 300

396English School [19th Century]From Stonehouse Ridge; From the Hoe Mt. Edgcumbe;On Mount Edgcumbe;Stonehouse Pooleach inscribedpencil drawings heightenedeach 26 x 35cms. (4) (one illustrated)

£300 - 400

397Sir David Young Cameron [1865-1945]A view in Tuscanysignedwatercolour and pencil drawing30 x 37.5cm.

£200 – 300398 No Lot.

397

396

395

394 394

89

399Charles W Fothergill [late 19th Century]Guildford Castlesigned with initials and inscribedwatercolour, 13 x 18cm, together with a pair of small south coast English landscape watercolour drawings by a different hand and one other watercolour of cattle. [4]

£120 - 180

400Frederick William Booty [1840-1924] Scarborough, a busy street scene, view to the castle beyond;Scarborough Markettwo, both signed and dated [1910] bottom rightwatercolourseach 47 x 71cm [2]

£400 - 600401Frederick William Booty [1840-1924]Scarborough Harboursignedwatercolour24.5 x 35cm.

£150 - 250

90

402• Max Hofler [1892-1963] Trafalgar Squaresignedoil on board28 x 33.5cm.

£250 - 350

403• Fred Yates [1922-2008]A Cornish harboursigned bottom right Yates ‘72 and again bottom leftoil on board22 x 32cm unframed

£250 - 350

404• Claude Graham Muncaster [1903-1974]On board ship - the engine roomsigned bottom leftpen ink and watercolour27 x 37cm

£200 - 300

91

405• Fred Yates [1922-2008]Self-portrait as a guest in the spare room at Mill House, Ottertonsigned FRED YATES bottom rightoil on board29.5 x 39.5cm.

£1200 - 1800

Provenance. Fred Yates stayed with his friend in Otterton while exhibiting a collection of works at Otterton Mill. This was a gift to the present owner.

406-8 No Lots.

92

The sketch, Ponies and Donkey in a woodland clearing, is recorded by Graham Reynolds as ‘Landscape with horses’ in the Yale Catalogue Raisonne with a date of 1810. The date, Oct. 8th 1810, was noted on an old label,(now believed lost) by Lionel Bicknell Constable (Constable’s son) who presumably copied this from an original inscription by Constable on the back of the sketch, but was then covered, some years later, possibly when conserved by William Down Ltd., in 1965, with a lining. Reynolds notes that Constable was in Suffolk on October 8th 1810. Reynolds also informs us (on page 128 of the same book) that this is one of three dated, plein-air landscapes made in Suffolk that year (the other two are 10.4 and 10.5, dated 27th Sept. and 30th Sept. respectively). This sketch is close in handling to the other two sketches painted that year.

We suspect this sketch was painted by Constable on one of the lanes in and around East Bergholt. However it does have certain compositional similarities with two other oil sketches Constable made circa 1810 in the nearby village of Stoke by Nayland (Reynolds 11.44 and 11.45). So it is just possible this subject also depicts Stoke by Nayland though, if so, perhaps odd that Constable should omit the church with its tall tower on the left hand side.

Acknowledgements. We are most grateful to Anne Lyles for her assistance in cataloguing this lot.

93

409John Constable R.A. [Suffolk 1776-1837 London]Landscape with horsesoil sketch on canvas24 x 36cm

£40000 - 60000Provenance.Collection of Lionel Constable.[ Probably] Sir Robert and Lady Borwick (Eden Lacy House and 16, Berkeley Square London).[Probably] Lady Caroline Borwick, circa 1922-1936.(Crabbe House, Ilmington, Warwickshire).John Woodman Esq., until 1959.William Drown [Bond Street] Ltd., 1965 Conservators.Mrs.Irene Woodman until 1981.Thence by family descent.

Literature.Carlos Peacock The Man and His Work, 1965, Plate 34Charles Rhyne Fresh Light on John Constable - Apollo Magazine 1968, p230, note 7Robert Hoozee L’Opera Completa di Constable 1979, No. 111Graham Reynolds The early Paintings and Drawings of John Constable, Yale University Press, 1996, 10.6. plate 839 (Yale Catalogue Raisonne).

94

410Clifford Montague [fl 1845-1901]An Italianate river landscape, figures by a temple ruin in the foregroundsigned bottom rightoil on canvas49 x 75cm

£1000 - 1500

411Hague School circa 1820- 1840, manner of Carel BehrA town scene with soldiers and other figures in the foregroundindistinctly initialled [on a buoy] bottom rightoil on panel30 x 36cm

£300 – 500

412 No Lot.

95

413Thomas Luny [1759-1837]Teignmouth Harboursigned and dated T LUNY 1828oil on canvas49.5 x 67cm.

£4000 - 6000

Sold with a photocopy from a Painting Diary which indicates this was painted on 5th July 1828 and sold to Mr Rogers, Veterinary Surgeon, Exeter, for 6gns.

Footnote: Thomas Luny moved to Teignmouth in 1807. There he received a number of commissions, mostly from ex mariners and local gentry and businessmen. His output in Devon continued at a pace and during the 30 years in Teignmouth he produced some of his best works.

96

414• Charles A. Buchel [1872-1950]The Little Dancer; a family in a formal garden setting with a young beau playing a mandolin and children dancingsigned and dated ‘96 bottom leftoil on canvas59 x 90cm.

£2000 - 3000

Biography: Buchel was born in Mainz, Germany, and emigrated to England as a child. He studied at the R. A. Schools and worked frequently for the theatre world including commissioned portraits of the famous actors of the time.

415 No Lot.

97

416Johann Bernard De Hoog [1867-1943]‘Peeling Vegetables’; a cottage interior scene with a mother and a child in a cotsigned bottom rightoil on canvas30.5 x 41cm

£600 - 800

417• Carlton Alfred Smith [1853-1946]A young woman, bust-length, wearing a white cap and a wide ruffsigned with initials and dated 1888watercolour heightened with white32 x 23.5cm

£300 - 500

418Oliver Rhys [fl.1876-1897]A country lass with a basket of vegetablessigned bottom leftoil on canvas59 x 43cm

£500 - 700419. No Lot.

98

420Paul Soyer [1823-1903]‘Tender Moments’; mother and sleeping child in an interiorsigned bottom left oil on canvas100 x 85cm.

£1800 - 2500421 No Lot.

99

422John James Hill [1811-1882]Fishergirl and her young brother resting on the coast, a basket of wild flowers over her shoulder, view across a bay beyondsigned bottom leftoil on canvas90 x 70cm.

£1500 - 2500423-4 No Lots.

100

425Frederick Waters Watts [1800-1870]A harvest sceneoil on canvas49.5 x 66cm.Provenance. Oscar & Peter Johnson Ltd.Arthur Ackerman & Peter Johnson Ltd.

£1200 - 1800

426Circle of Julius Caesar Ibbetson [1759-1817]An extensive upland lake scene, figures in the foregroundoil on canvas29.5 x 41cm

£250 - 350

427 No Lot.

101

428Alexis De Leeuw [c.1848-1896]Summer; children on an outing in the countrysidesigned bottom leftoil on panel29.5 x 40cm.

£1200 - 1800

429Attributed to Georgina Lara [c.1840-1880]Country folk outside a village innoil on canvas20 x 33cm

£600 - 800

430Dutch School 18th Century‘Off Duty’, a guardsman conversing with two men seated in an interioroil on panel38 x 62cm

£1500 - 2000

102

431Jan Kobell [1800-1838] Cattle and Goats in an open landscapesigned lower leftoil on panel42 x 49cm.

£800 - 1200

432W Marsden [19th Century]Bay hunter is a stable interiorsigned and dated 1886oil on canvas49 x 66cm.

£200 - 300

433John Gendall [1790-1865]On The Avon, South Brentbears inscription and signature on the stretcheroil on canvas62 x 75cm.

£400 - 600

434. No Lot.

103

435Thomas Baker of Leamington [1809-1869]Cattle grazing in parklandsigned and dated 1853 bottom leftoil on canvas50 x 39.5cm.

£600 - 900

436Circle of Benjamin Shipham [1808-1872]Cattle resting, view to a town beyondoil on board22 x 30cm.

£250 - 350

437Eduard Hildebrandt [1817-1869]Winter Abenda frozen winter landscape, a woman carrying faggots, distant view to a town beyondsigned E. Hildebrandt bottom rightsigned and inscribed with title on a label attached to the stretcher,further inscribed Berlinoil on canvas51 x 56cm.

£800 - 1200

104

438Attributed to Louis Thomas Francia [1795-1821]Running up the Channel off Doveroil on canvas51 x 76cm

£1200 - 1500

439Jock [John H] Wilson [1774-1855]Shipping in a baysigned bottom leftoil on canvas39 x 64.5cm.

£800 – 1200

105

440 ‘Earle’, Circle of Nicholas Condy [1793-1857]A coastal harbour scene, fishermen on a quay, small sail trading craft alongside harbour wallsigned and dated Earle 1827, bottom rightoil on canvas54 x 77cm.

£2000 – 3000

441-450 No Lots.

106

Artist Index

ARTIST Lot Nos.

Agam (Y) 303, 304

Amos (A) 324

Appleyard (F) 371

Bailey (N) 376, 377

Baker (T) 435

Balmford (H) 365

Barber (T) 353

Bomberg (D) 315

Booty (F W) 400, 401

Bright (H) 367

Buchel (C A) 414

Cameron (D Y) Sir 397

Carpentero (H G) 358

Cole (C) 380

Colonna (M) 305

Constable (J) 409

Coop (H) 366

Cotton (A) 327, 329, 330

Davie (A) 306

De Hoog (J B) 416

Duffield (M E) 335

Eggington (F J) 386

Enock (A H ) 368

Fedden (M) 310

Flight (C) 384

Fothergill (C W) 399

Frink (E) Dame 316

Frost (Terry), Sir 301, 307

Gendall (J) 433

Gilchrist (P) 362

Gorman (M) 328, 329

Hildebrandt 437

Hill (J J) 422

Hodgkins (F M) 320

Hofler (M) 402

Holder (E H) 363

Howard (K) 332

Kismer (W) 312

Knight (G) 391

ARTIST Lot Nos.

Knight (L), Dame 311

Kobell (J) 431

Leeuw de (A) 428

Lenkiewicz (R O) 321, 322, 323, 325

Leyman (A) 369

Loudon (T) 318

Luny (T) 413

MacWilliams (H H) 388

Malakoul (P) 394

Mannheimer (G M) 364

Marsden (W) 432

Marshall (J F) 381

McCormick (A D) 337

McNab (I) 385

Metford (S) 342

Miller (P) 334

Montague (C) 410

Muncaster (C G) 404

Munnings (A J) Sir 344

Ouless (W W) 382

Park (S) 336

Rhys (O) 418

Ricciardelli (G) 360

Richard (F) 372, 374

Sandby (P) 343

Shinoda (T) 313

Sibbons (G) 395

Sims (C) 370

Smith (C A) 417

Soyer (P) 420

Thorburn (A) 339

Thornley (W A) 392

Vasarely (V) 302

Watts (F W) 425

Wells (W A) 375

White (E) 383

Widgery (F J) 379

Wilson (J H) 439

Yates (F) 403, 405

107

Henry Alken Junior [Samuel Henry Alken] [1810-1875]The Derby, 1875

signedoil on panel45 x 75cm.

Estimate £4000-6000

To be included in the Picture Sale on 19th January 2016.

Further entries invited. For more details, or to consign a picture, pleasecontact Dan Goddard or Martin Scadgell in the Picture Department.