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Danae Mollenkamp, MT-BC
[email protected]
(920)-342-9340
"Music Therapy is the clinical and evidence-based use of music interventions to accomplish
individualized goals within a therapeutic relationship by a credentialed professional who has
completed an approved music therapy program” (American Music Therapy Association).
Music Therapy Working with Hospitalized Children and Their Families
What is Music Therapy?
Music therapy involves:
● Assessing the needs and strengths of individuals referred to services
● Creating non-musical goals and objectives to address the unique physical, cognitive, academic,
emotional, and social needs of the individual
● Using the unique qualities of music to create engaging, structured and effective interventions
● Implementing evidence-based treatment techniques in one-to-one or group sessions
Though the AMTA appreciates all music-making efforts, the following music-based programs are not
considered clinical music therapy:
● Music education classes
● Playing background music or listening to music in headphones for therapeutic purposes
● Special music ensembles not led by a music therapist
● Professional musicians performing for students in schools
What are the Qualifications of a Music Therapist?
Music therapists are highly trained professionals whose degrees require knowledge in psychology,
medicine and music. Music therapists are trained to work with children with disabilities and have
extensive knowledge regarding the impact of disabilities and how to adapt for a student’s specific
abilities. Music therapy must be administered by a credentialed professional who has completed the
following:
● Completed a bachelor’s degree or higher at an AMTA approved school with 1200 hours of
clinical training, including a supervised internship
● Obtained the credential Music Therapy -Board Certified (MT-BC) by passing a standardized
certification exam given by the Certification Board for Music Therapists
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Danae Mollenkamp, MT-BC
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What Can a Music Therapist Do for Hospitalized Children and Their Families?
Music therapists can facilitate familiar and comfortable experiences for children and family members
through the use of music that not only provide comfort, but also can reduce the negative effects of
hospitalization, aid recovery, and benefit both the child and family (Ayson, 2008; Barrickman, 1989;
Baron et al., 2011; Bradt, 2013; Hendon & Bohon, 2008; Jacquet, 2011; Robb, 2003; Wolfe & Waldon,
2009).
• Provide opportunities for positive communication and expression of emotions
• Encourage and teach positive coping skills
• Provide opportunities for choices and control, improving social and emotional well-being
• Emphasize and build on the positive strengths of the child and family and empower them to be
active in treatment process
• Decrease stress, anxiety, and depression
• Promote typical development through normalization of the environment and age-appropriate
experiences
• Strengthen family relationships and decrease isolation
• Provide resources for parents to interact with their ill child
• Aid recovery process by decreasing negative emotions associated with increased heart rate, blood
pressure, and pain
• Increase positive emotions, hope, self-esteem, and quality of life
• Create a pleasurable atmosphere for respite and relaxation
CASE EXAMPLE
Sarah is an 11-year-old girl who is frequently hospitalized due to medical complications associated with a
developmental disability. Sarah also has an intellectual disability and problems with her airway, leading to
limited verbal communication skills. Sarah is able to communicate with her mother through sign language
with a few signs but struggles to communicate her wants and needs to her family and may become
frustrated when others cannot understand her. Sarah’s family members are often visiting with her in her
hospital room, but don’t know to engage with Sarah in positive ways. After receiving a referral from
Sarah’s nurse, the music therapist consults with Sarah and her mother. Sarah’s mother tells the music
therapist about songs she and daughter sing at home together and asks Sarah which songs she would like to
sing. Sarah signs her favorite songs for her mom to share with the music therapist and the music therapist
uses the guitar to accompany as she sings with Sarah and her mother. Sarah’s mom does actions with Sarah
during the songs and smiles and laughs with her daughter. By enabling Sarah and her mom to sing their
favorite songs together, the music therapist created a familiar and normalized environment for them,
provided them with an opportunity to positively interact, provided a positive distraction from the stressful
hospital environment, and gave Sarah the opportunity to express her preferences and make choices.
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Danae Mollenkamp, MT-BC
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Music therapists go through extensive training and follow established standards for professionalism
and accountability in order to provide quality and evidence-based clinical music therapy. While other
music professionals may have some of the same knowledge or skills that a music therapist does,
music therapy can only be practiced by credentialed music therapists.
Music Therapists: What to Expect
What are the Qualifications of a Music Therapist? A music therapist is an individual who has completed the educational and clinical requirements set by the
American Music Therapy Association (AMTA) and holds current board certification from the
Certification Board for Music Therapists (CBMT). Practicing music therapists must also follow AMTA
requirements for continuing education and standards of practice. An individual must have completed the
following steps in order to practice music therapy:
Educational and Clinical Training Requirements • Graduate with a bachelor’s degree (or its equivalent) or higher from a music therapy
program approved by AMTA
o This degree includes extensive work in music, psychology, and music therapy-
specific courses
• Complete a minimum of 1,200 hours of supervise clinical work including:
o Pre-internship training at an approved music therapy program
o A 6-month internship at an AMTA-approved National Roster or University
Affiliated internship program
• All educational programs address standardized Professional Competencies established by
the AMTA to ensure quality education and clinical training
Board Certification Requirements
“The purpose of board certification in music therapy is to provide an objective national standard
that can be used as a measure of professionalism and competence by interested agencies, groups,
and individuals” (AMTA). Music therapists must complete and pass an objective written test
administered by the CBMT in order to demonstrate that they possess the knowledge, skills, and
abilities to competently practice according to current music therapy standards.
Ongoing Requirements
Once a board-certified music therapist, an individual must:
• Adhere to the CBMT Code of Professional Practice
• Recertify every 5 years through a continuing education program or re-examination
• Adhere to the AMTA Standards of Clinical Practice and Code of Ethics
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Danae Mollenkamp, MT-BC
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Provide consistency and predictability
Collaborate with the Interdisplinary Team
Provide treatment based on the strengths
and needs of the patient and family
Provide opportunities for typical
development
Provide Resources and Advocate for Families
Coach Family Members to Interact
with the Ill Child
Treat based on family values and preferences
Create comfort, safety, familiarity, and normalization
Facilitate interaction between patients and
their families
Support Family Bonding
What Standards of Practice Does a Music Therapist Follow?
“Standards of Clinical Practice for music therapy are defined as rules for measuring the quality of
services” (AMTA). The Standards of Clinical Practice for music therapists are established by the AMTA
should be applied to all music therapy practice. All music therapists have a responsibility to adhere to
uphold these standards in their practices. This document contains:
• General Standards for music therapy practice, including procedures for:
o Referral and acceptance of clients
o Assessment of clients
o Treatment planning
o Implementation of interventions
o Documentation
• 10 additional categories containing standards of practice for specific settings and clientele
What is the Role of a Music Therapist While Working with Families in a Pediatric Setting?
How is music therapy delivered in a pediatric medical setting?
While the services offered by music therapists vary depending on the facility, music therapy always
involves:
- Referral → A health care team member identifies a need or caregiver may request services
- Assessment → The music therapist determines what the patient and family’s needs are, if they will
benefit from music therapy, and what delivery method is appropriate
- Treatment and Ongoing Assessment → The music therapist provides treatment as deemed
appropriate, assessing and documenting the patient’s progress throughout treatment
Group Music Therapy May be organized by age and available to all; family members may attend
Individual Sessions As needed with patient and/or family members
Support Groups Sibling and parent support groups; diagnosis-specific groups
Resource or Training Music therapist provides resources and training for caregivers to interact with child or
support family bonding
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Danae Mollenkamp, MT-BC
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In addition to the medical issues faced by hospitalized children, the hospital environment can disrupt not only
a child’s development, social interaction, and well-being, but also the overall well-being of the family.”The
onset of a diagnosis or illness can be likened to ‘a new member of the family’” (Wolfe & Waldon, 2009, p.
41). It presents new challenges and responsibilities within unexpected changes in family roles and
functioning. The hospital environment is often characterized by inconsistency, unpredictability,
unfamiliarity, lack of social support, and limited control over one’s own actions and activities (Robb,
2003). Hospitalization, whether short-term or long-term, can be a chaotic and stressful experience for both
children and their family members alike and can contribute to negative outcomes when their needs are unmet.
Hospitalized Child
Peer relations
Family relations
Academics
Emotional Well-Being
Development
Physical Well-Being
“When a child undergoes treatment for an illness, the disruptions in
everyday living patterns can have an effect on school attendance, peer
relations, family and sibling relations, emotional well-being, physiological
functioning, and self-concept.”
Wolfe and Waldon, 2009, p. 24
Hospitalized Children and Their Families: The Effects
How does hospitalization affect the child? Hospitalization is a potentially threatening situation for children who may not have previous experience or
knowledge on how to deal with painful situations, separation from family, and many new stressors in the
environment (Ferguson, 1984). Hospitalization can negatively impact multiple areas of life, and even
older or more experienced children are at risk. In fact, children with chronic conditions that require
frequent hospitalization are at an even greater risk for negative outcomes associated with hospitalization
(Burke et al., 1997). Hospitalization takes children out of their familiar environments and subjects them to
a series of new and often painful experiences that affect their well-being, development, social skills, and
future adjustment (Wolfe & Waldon, 2009, p. 24).
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Well-Being
• Increased distress and negative emotions during hospitalization are associated with:
o Stimulation of the sympathetic nervous system, including increased heart rate and blood
pressure, which can delay recovery (Hendon & Bohon, 2008)
o Increased risk for anxiety, depression, and emotional or behavioral issues (Hendon &
Bohon, 2008; Kariuki et al., 2016)
• May be unable to regulate emotions and express feelings, wants, and needs in a positive way,
instead responding to stressors with fear and negative behaviors (Barrickman, 1989; Bradt, 2013)
• Decreased interest or opportunities for play and preferred activities (The Phoenix Society)
• Limited opportunities to practice independence and choice-making, leading to lowered self-
esteem (Robb, 2003)
Development • Lack of typical experience and stimulation lead to developmental
delays or regression of skill already acquired (Robb, 2003)
• Absence of supportive adults/caregivers interrupt parent-child
bonding and attachment
• Limited opportunities to gain independence and control over their
own behaviors and external environment, leading to:
o Issues with developing coping skills
o Lowered self-esteem, depression, and withdrawal
o Aggressive or irritable behavior (Robb, 2003)
o Excess independence or dependence on caregivers
• Language development may be delayed due to lack of exposure,
limited energy to talk, or needs being met by hospital staff without
having to communicate them (Robb, 2003)
• Difficulties with cognitive, social, and academic skills
• Risk of negative developmental impact heightens during critical
periods, such as the first two years of life or puberty (Bradt, 2013)
Social Interaction
• May become withdrawn or isolated
• Lost opportunities to develop and maintain relationships with peers
• Separation from supportive adults may lead to a lack of emotional support needed to cope with
the stressors associated with hospitalization (Robb, 2003)
Future Impact
• First hospitalization experiences can strongly influence response to future hospitalizations (Bradt, 2013)
• Children who experience frequent hospitalizations have higher incidences of poor academic
performance, unstable employment, conduct disorders, and emotional issues (Robb, 2003; Wolfe
& Waldon, 2009, p. 24)
• Developmental delay or regression leads to deficits in many functional areas of life
“While the aims of
hospitalization are geared
towards improving quality of
length of life, the process of
hospitalization and its
associated procedures may
impact the child’s development
significantly.”
Wolfe and Waldon, 2009, p. 24
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Danae Mollenkamp, MT-BC
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How does hospitalization affect the family?
• Normal family routines are disrupted due to unpredictability of the
situation and trying to maintain two homes (Gentile, 1987)
• Lack of privacy
• Family members may be separated
• Emotional distress can cause break down in functioning and conflict
among family members (Gentile, 1987)
• Limited capacity to focus on building and maintaining relationships
within the family (Gentile, 1987)
How does hospitalization affect the caregivers? • Living in emotional distress, including feelings of hopelessness,
depression, fear, frustration, shock, and anxiety
• Grief regarding the loss of hopes and dreams for their child, loss of
normalcy, and even anticipation of long-term disability or death (K.
Nelson, personal communication, 11/8/2018)
• May struggle to find a balance of becoming hypervigilant of the ill
child and treating their child normally (Wolfe & Waldon, 2009)
• May not know how to interact or provide comfort for their child
(Wolfe & Waldon, 2009)
• Constant worry, financial burden, sleep deprivation, and changing
roles create significant stress (Wolfe & Waldon, 2009)
How does hospitalization affect siblings? • Separation from caregivers and family members disrupts relationships
• Lost opportunities for experiences within family may lead to
development regression or delay
• Development of sibling relationships are disrupted, which are often
key in development of personality and identity in children (Knecht et
al., 2015)
• May experience emotions such as loneliness, feeling ignored and
neglected, jealousy, rejection, confusion, and anxiety (Knecht et al.,
2015)
• Emotional distress and family changes may affect academic performance and social interaction
(Knecht et al., 2015)
• Older siblings may feel overburdened with additional responsibilities and lose opportunities for
peer interaction and independence (Knecht et al., 2015)
“My reactions to approaching
hospital stays affect the manner in
which I relate to my family. I
experience a progression of
emotions similar to what occurs
in the grieving process,
beginning with the scheduling of
surgery and ending weeks after
hospital discharge. I deny
upcoming surgical dates until they
are scheduled and resent others
who remind me beforehand. After
denial, I feel angry and powerless.
I try not to really those emotions
to my daughter as I prepare her
for the hospital stay. The routine
of packing, organizing babysitting
services, and scheduling social
appointments after the hospital helps remind me that normal life
will continue. However, the
emotional turmoil caused by the
hospital stay lasts weeks after
discharge. I noticed regressive
behavior in my children and feel
let down at homecoming after
having adapted to the hospital
routine.”
- From Annarita Gentile
(1987) regarding the
hospitalization of her
daughter
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Danae Mollenkamp, MT-BC
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“Family members tend to interact and form relationships like the individual pieces of a
mobile. Each is capable of independent behavior, but each is connected to another, and
together they make the whole family. Any movement or change in a single member
influences and changes the group as a whole.”
Coleman, 2002
Family-Centered Care
Why Families? Families play a key role in not only a child’s development, but also in the process of recovery and coping
with stress. Managing a child’s psychosocial symptoms and needs of the family can lead to improved
well-being and decreased length of stay for the child, and increased satisfaction with care for all involved.
• Families are the most
valuable source of
information and support
• Families are complex
social-emotional
organizations with many
different factors that
contribute to its
functioning (Coleman,
2002)
• Any change to one family
member affects the whole
family (Coleman, 2002)
• Helping parents see their children as normal helps decrease anxiety and enables them to meet the
child’s emotional needs (Anderson et al., 2010)
• Family relationships are significant for child development (Coleman, 2002)
• “Good parent-child relationships promote optimal child outcomes, especially behavior and mood”
(Coleman, 2002)
• Parents and siblings play a key role in fostering positive coping attitudes in the ill child, which
can be significant for treatment compliance, long-term adjustment, and recovery (Blotcky et al.,
1985)
• Positive family communication and functioning are associated with positive psychological
adjustment in both the ill child and in family members (Blotcky et al., 1985)
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Focus on strengths of the family
Dignity and respect
Individual beliefs, values, culture, and coping styles of the family
Communication and collaboration with the family
Understanding and incorporating developmental needs of the child
Empowering families to provide care
Family-Centered Care
Family-Centered care is an approach to health care that recognizes the family as the expert on
the child and includes all family members as care recipients. It is a multi-disciplinary approach that
involves meeting family’s complex needs, including physical, psychological, social and spiritual facets
in order to improve family functioning and the patient’s overall well-being (Dall'Oglio, et al., 2018). By
incorporating the family’s unique culture into the child’s care, the family can play a role in the child’s
psychological well-being and progress even when they are not physically present (Shoemark et al., 2015).
Some of the core elements of Family-Centered Care include:
In a study done by Arabiat et al. (2018), parents' definitions of Family-Centered Care included:
❖ “Being cared for by people as if they were family, with the whole family unit included”
❖ “Family being able to be together”
❖ “Care that is centered on the needs of the family not just the individual”
❖ “Caring for the family not just the patient, being sensitive to how the family is coping”
❖ “Recognizing that individuals are part of a family which is closely connected to their
wellbeing”
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❖Connects people through joint
attention: people experience
music simultaneously
❖Music is a normalized,
comfortable, and familiar
experience
❖Flexible and adaptive to meet
needs in the moment
❖Provides techniques and
resources that can be used
after hospitalization
❖Can provide an alternate form
of communication
(Lindenfelser et al., 2012)
“We have the unique opportunity
to bring people together in a
joyful, supportive experience
where the child can be
themselves and the family can
have meaningful interactions
through the music. Everyone
comes together - drawn to the
music - to play, sing and move.
They turn off the TV and put
down the tablet for a few minutes
and engage. Siblings laugh and
parents relax. I’ve even had
grandparents dance in the
room!”
- Kirsten Nelson, MT-BC (Personal
communication, 11/8/18)
Why Music Therapy?
Music Therapy with Hospitalized
Children and Families
“Music therapy serves as a consistent and predictable period for joy, playfulness, and family bonding in a child’s daily
routine” (Bradt, 2013, p. 481).
Approaches
Common approaches used within Family-Centered Care include:
• Collaborative: music therapists work together with the
health care team to provide care based on needs and
identified by the team in a way that respects the family’s
unique culture and structure (Lindenfelser et al., 2012)
• Biopsychosocial: care of the child is based on a
comprehensive view of the whole child and the interactive
influences of the child’s circumstances, perceptions, and
family interaction (Coleman, 2002)
• Others: humanistic and psychodynamic approaches,
which emphasize internal conflicts, emotional expression,
and mindfulness (K. Powell, personal communication,
11/5/2018)
Goals
Goals are primarily for the hospitalized child, however, music
therapists can address the needs of the whole family while starting
with the child’s needs Some of the common goals referenced in
research and used by pediatric music therapists to address multiple
domains of functioning in the child include:
• Improve communication skills
• Improve use and knowledge of positive coping skills
• Improve leisure skills
• Decrease stress and anxiety
• Promote developmental progress
• Increase self-expression
• Increase family bonding and integration
• Improve self-esteem
• Increase socialization
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Instrumental Improvisation:
Set a small xylophone to a
blues scale and present the
group members with slips of
paper or faces to represent
common feelings, such as
happy or angry. Give each
member an opportunity to
pick a mood from the given
options and improvise on
the xylophone while the MT
play a blue progression on
the guitar. For a fun twist,
have the rest of the group
members guess the mood
that the individual is
playing.
Case Example:
L is an 11-year-old boy who
loves to drum. The MT
visits L on a weekly basis
and plays guitar with him
while he plays an electronic
drum set with his favorite
music. L’s older brother is
often at the hospital with
him and expresses an
interest in playing the
electric guitar. The MT
visits both L and his brother
and models how to play the
electric guitar. After L has
learned how to play some
simple things on the guitar,
the MT brings in a electric
bass to create a “rock band”
for the two brothers to play
together.
EXAMPLES Interventions
Music therapists use a variety of interventions, music, and materials and with children
and their families according to their individualized needs and preferences. Music and
materials should always be developmentally appropriate for the child, and
interventions should provide opportunities for both children and their families to make
choices and be as successful as possible. Provide structure and support within sessions
and interventions while allowing children and their families to have as much control as
possible. (Robb, 2003; K. Nelson, personal communication, 11/8/18; Wolfe &
Waldon, 2009).
Common interventions to use with families include:
• Singing familiar songs preferred by the child and family
• Playing with instruments together
• Instrumental improvisation: Give everyone a turn!
• Songwriting
• Musical games
• Music for recreation, such as learning to play the ukulele
• Music and Movement
• Music listening for relaxation and comfort
• Permanent musical products, such as recording a song written by the child or
recording a mother’s singing voice for her infant
Including Family Members
While family bonding and caregiver interaction is important, it is important to be
sensitive to the needs of the family in the moment. Encourage all family members to
participate but respect their wishes. When family members do choose to participate in
music therapy, facilitate interaction among family members and use tasks that require
active participation and attention. This may aid the family members in “forgetting”
their worry, even for just a few minutes. Strategies may include:
• Utilize turn-taking and imitation of each other to facilitate interaction
• Model positive interactions for family members
• Encourage playfulness, humor, and creativity among all family members
• Use live music as often as possible
• Avoid excessive music therapy jargon when speaking with family members
“Even when parents and family members don’t think they’re participating, they’re
experiencing the music and responding to it”
- Kelli Rae Powell, MT-BC (Personal communication, 11/15/18)
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Danae Mollenkamp, MT-BC
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Resources If you are interested in learning more about music therapy and how it can be used to support
hospitalized children and their families, consider consulting the following resources and
publications for additional information: ● www.musictherapy.org
● www.cbmt.org
● Music Therapy and Pediatric Medicine :A Guide to Skill Development and Clinical
Intervention by Wolfe and Waldon. (2009)
● Music Therapy in Pediatric Healthcare: Research and Evidence-based Practice by Robb
(2003)
Where can you find research about music therapy? The American Music Therapy Association produces two scholarly journals where research in
music therapy is published and shared:
• The Journal of Music Therapy is published by AMTA as a forum for authoritative
articles of current music therapy research and theory. Articles explore the use of music in
the behavioral sciences and include book reviews and guest editorials. An index appears
in issue 4 of each volume (Description from AMTA)
• Music Therapy Perspectives is designed to appeal to a wide readership, both inside and
outside the profession of music therapy. Articles focus on music therapy practice, as well
as academics and administration (Description from AMTA)
Music therapy research can also be found in variety of publications, including psychology,
nursing, music, and medical journals.
Contact Information
Danae Mollenkamp
Music Therapy Intern
Marwood Manor Skilled
Nursing and Rehabilitation
(920)-342-9340
[email protected]
American Music Therapy
Association:
8455 Colesville Road, Suite
1000
Silver Spring, MD 20910
Phone: 301-589-3300
Fax: 301-589-8175
To Verify That A Music
Therapist is Board Certified:
Certification Board for Music
Therapists
506 East Lancaster Avenue,
Suite 102
Downingtown, PA 19335
Phone: 610-269-8900
Fax: 1-610-269-9232
Online Verification available
online at: www.cbmt.org
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Testimonials
❖ “I'm lucky that my daughter's stay was short and a one-time event. Even in her short stay, the music therapy significantly improved her mood (mine too!). She still talks positively about the music therapy session almost a year later. Also, since her session, we have used music to help her learn/concentrate, express her emotions” (Moses, 2015).
❖ “We already do a great deal of music at home with our child, but there was
still something incredibly special about my toddler's ability to connect with a masked stranger through music, when she was absolutely terrified of anyone else. The session offered my child control (she loved telling the music therapist what to play and watching her requests be honored) and helped ease her into a much-needed nap” (Moses, 2015).
❖ “We now try to play more music and are working on improving her singing
skills now that her vocabulary has recovered and improved even more” (Moses, 2015).
❖ “The music therapy was so wonderful for [child]. We have a very musical
family so this made her feel right at home” (Moses, 2015).
❖ ‘‘It’s a way of communicating that she totally gets, it’s a way for us to reach
her” (Lindenfelser et al., 2012).
❖ “Music therapy provided a way for the girls (siblings) to see that L’s just like us, it brought them closer’’ and ‘‘the sessions have been great for her sister to see that it’s about her too” (Lindenfelser et al., 2012).
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Danae Mollenkamp, MT-BC
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’Useful Tips for a Pediatric Music Therapist
❖ “Establish rapport with children and parents through casual conversation”- Wolfe and Waldon,
2009
❖ “Be sensitive to the possible stressful status of the parent; avoid asking excessive questions” -
Wolfe and Waldon (2009)
❖ “Be courteous and ask for parent permission to enter a child’s room; some times are better than
others for initiating interaction” - Wolfe and Waldon (2009)
❖ “Refrain from using excessively complicated jargon with regard to music therapy and its benefits.
The parents know you are there to help the child; appeal to what might interest the child and
encourage him/her to attend. If the child or parent declines, state that you may ‘check back’ on
another day” - Wolfe and Waldon (2009)
❖ “Always encourage parents to accompany their children to music therapy. In some cases, seeing
the music therapist working with hospitalized children serves as a model for meaningful
interaction for parents” - Wolfe and Waldon (2009)
❖ “Empower parents by giving them strategies & resources they can use with their child” – Robb
(2003)
❖ Use live music as often as possible. “Live music, by definition, involves the presence of another
human” and can provide a safe and familiar atmosphere for parents and family members to
interact – Robb (2003)
❖ “Use familiar, age and developmentally appropriate music and materials to introduce normal
childhood activities and create a feeling of comfort and security for children and their families” –
Robb (2003)
❖ Alleviate parental anxiety by providing them with resources and facilitating interaction that
maintain the parent-child bond – Robb (2003)
❖ Caregiver interaction is important, but also realize we don’t see all of the caregiving going on
behind the scenes. We can encourage caregiver interaction, but also have grace and
understanding.”– Kim Arter, MT-BC and mother of frequently hospitalized child
❖ Always keep development in mind and let parents know why you’re doing something by
including in your positive reinforcement to the child- Sarah Woolever, MT-BC
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Danae Mollenkamp, MT-BC
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References
Anderson, L., Riesch, S., Pridham, K., Lutz, K., & Becker, P. (2010). Furthering the
Understanding of parent-child relationships: A nursing scholarship review series. Part 4:
Parent-child relationships at risk. Journal for Specialists in Pediatric Nursing, 15(2), 111-
201.
Arabiat, Whitehead, Foster, Shields, & Harris. (2018). Parents' experiences of Family Centered Care
practices. Journal of Pediatric Nursing, 42, 39-44.
Ayson, C. (2008). Child-parent wellbeing in a paediatric ward: The role of music therapy in
supporting children and their parents facing the challenge ofbo hospitalisation. Voices: A
World Forum for Music Therapy, 8(1), NP.
Barrickman, J. (1989). A developmental music therapy approach for preschool hospitalized children.
Music Therapy Perspectives, 7(1), 10-16.
Baron, A., O'Callaghan, C., Barry, P., & Dun, B. (2011). Music and music therapy’s relevance for
paediatric cancer patients and their families; constructivist research. Pediatric Blood &
Cancer, 57(5), 855.
Blotcky, A., Raczynski, J., Gurwitch, R., & Smith, K. (1985). Family influences on hopelessness
among children early in the cancer experience. Journal of Pediatric Psychology, 10(4), 479-
93.
Bradt, J. (2013). Guidelines for Music Therapy Practice in Pediatric Care. Gilsum, N.H.: Barcelona.
Coleman, W. (2002). Family-focused pediatrics: A primary care family systems approach to
psychosocial problems. Current Problems in Pediatric and Adolescent Health Care, 32(8),
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