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CONDITIONS OF USE
As a service to the scholarly community, the MHRA is making the latest
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Please note that the text of the Style Guide is Modern Humanities
Research Association, 2008. You may download and make copies for personal
use, but you may not re-publish the content, either digitally or in print.
For licensing reasons it has not been possible to include here the BSI
proo correction marks which appear in Chapter 15 o the printed version
o the Guide.
Printed copies o the Style Guide may be bought rom:
www.style.mhra.org.uk(price 6; $15).
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eModernHumanitiesResearchAssociation was founded inCambridge inandhasbecomean internationalorganizationwithmembersin all parts of the world. It is a registered charity number , and a company limited byguarantee,registeredinEnglandnumber.Itsmainobjectistoencourageadvancedstudyandresearchinmodernandmedievallanguagesandliteraturesbyitspublications.PUBLICATIONS. eAssociationsmajorpublications,includingmostbackvolumes,areavailableeitherinoriginalissuesorinreprint.PricelistsforvolumesheldbytheAssociationmaybeobtainedfromPublicationsSales,ManeyPublishing,Suite,JosephsWell,HanoverWalk,Leeds,UK;emailmhra@maney.co.ukFulldetailsareavailablefromwww.mhra.org.ukJOURNALSTHEMODERNLANGUAGEREVIEW* THEYEARBOOKOFENGLISHSTUDIES* THEYEARSWORKINMODERNLANGUAGESTUDIES THEANNUALBIBLIOGRAPHYOFENGLISHLANGUAGEANDLITERATURE* THESLAVONICANDEASTEUROPEANREVIEW* PORTUGUESESTUDIES* AUSTRIANSTUDIES* OXFORDGERMANSTUDIES*(jointlywithManeyPublishing) BOOK SERIESPUBLICATIONSOFTHEMHRAMHRATEXTSANDDISSERTATIONSMHRABIBLIOGRAPHIESMHRACRITICALTEXTSLEGENDA(jointlywithManeyPublishing)GUIDESMHRASTYLEGUIDE**indicatespublicationinprintedandelectronicform.
mailto:[email protected]:[email protected]://www.mhra.org.uk/http://www.mhra.org.uk/http://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.mhra.org.uk/Publications/Journals/Portuguese.htmlhttp://www.mhra.org.uk/Publications/Journals/Portuguese.htmlhttp://www.mhra.org.uk/Publications/Journals/Portuguese.htmlhttp://www.mhra.org.uk/Publications/Journals/Austrian.htmlhttp://www.mhra.org.uk/Publications/Journals/Austrian.htmlhttp://www.mhra.org.uk/Publications/Journals/Austrian.htmlhttp://www.mhra.org.uk/Publications/Journals/ogs.htmlhttp://www.mhra.org.uk/Publications/Journals/ogs.htmlhttp://www.mhra.org.uk/Publications/Journals/ogs.htmlhttp://www.mhra.org.uk/Publications/Journals/ogs.htmlhttp://www.mhra.org.uk/Publications/Journals/ogs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/texts.htmlhttp://www.mhra.org.uk/Publications/Books/texts.htmlhttp://www.mhra.org.uk/Publications/Books/texts.htmlhttp://www.mhra.org.uk/Publications/Books/texts.htmlhttp://www.mhra.org.uk/Publications/Books/texts.htmlhttp://www.mhra.org.uk/Publications/Books/texts.htmlhttp://www.mhra.org.uk/Publications/Books/texts.htmlhttp://www.mhra.org.uk/Publications/Books/texts.htmlhttp://www.mhra.org.uk/Publications/Books/bibliographies.htmlhttp://www.mhra.org.uk/Publications/Books/bibliographies.htmlhttp://www.mhra.org.uk/Publications/Books/bibliographies.htmlhttp://www.mhra.org.uk/Publications/Books/bibliographies.htmlhttp://www.mhra.org.uk/Publications/Books/criticaltexts.htmlhttp://www.mhra.org.uk/Publications/Books/criticaltexts.htmlhttp://www.mhra.org.uk/Publications/Books/criticaltexts.htmlhttp://www.mhra.org.uk/Publications/Books/criticaltexts.htmlhttp://www.mhra.org.uk/Publications/Books/criticaltexts.htmlhttp://www.mhra.org.uk/Publications/Books/criticaltexts.htmlhttp://www.mhra.org.uk/Publications/Books/Legenda/index.htmlhttp://www.mhra.org.uk/Publications/Books/Legenda/index.htmlhttp://www.style.mhra.org.uk/http://www.style.mhra.org.uk/http://www.style.mhra.org.uk/http://www.style.mhra.org.uk/http://www.style.mhra.org.uk/http://www.style.mhra.org.uk/http://www.mhra.org.uk/Publications/Books/Legenda/index.htmlhttp://www.mhra.org.uk/Publications/Books/criticaltexts.htmlhttp://www.mhra.org.uk/Publications/Books/bibliographies.htmlhttp://www.mhra.org.uk/Publications/Books/texts.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Journals/ogs.htmlhttp://www.mhra.org.uk/Publications/Journals/Austrian.htmlhttp://www.mhra.org.uk/Publications/Journals/Portuguese.htmlhttp://www.seer.mhra.org.uk/http://abell.mhra.org.uk/http://ywmls.mhra.org.uk/http://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.mhra.org.uk/mailto:[email 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mhra STYLE guidE
A HANDBOOK FOR
AUTHORS, EDITORS,
AND WRITERS
OF THESES
SECOND EDITION
LONDON modern humanities research association
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T f Style Guide b by b
f MHRA g f Glvll P B R (C),Malcolm Cook, Mari Jones, Gerard Lowe, Stephen Parkinson, and Liz
Rl.
The Style Guide may be ordered through the MHRAs website at
www.yl..g.k. I l vlbl l .
For further information about individual membership and the activities
of the MHRA, visit the website at www.mhra.org.uk or contact the
Honorary Secretary, Professor David Gillespie, Department of European
Studies and Modern Languages, University of Bath, Bath BA2 7AY, UK
(l: [email protected]).
ISBN 978-0-947623-76-0
M H R A, 2008
F 2002. S 2008.Reprinted with minor corrections 2009.
You may download and make copies for personal use, but you may not re-publish the content.
http://www.style.mhra.org.uk/http://www.mhra.org.uk/mailto:[email protected]:[email protected]:[email protected]://www.mhra.org.uk/http://www.style.mhra.org.uk/8/4/2019 MHRA pdf
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1
1
CONN
NOCON
PPN FO PBCON
. trduti 2. eeral
.. Preferred tyles 2
.. letri ubmissi 3
.. 3Chekig
. Preparati f Cpy
.. eeral 3
.. strutis fr the ypig f Cpy
.. Fts ad Capitals 5
.. eadigs ad ubdivisis 5
.. ashes 6
.. Qutati arks 6
.. uig eads 6
.. Numberig f Pages 7.. ypig Cvetis 7
.. Ntes 8
.. llustratis 8
.. ables 10
.. Crss-referees 10
.. Cpy Prdued a ypewriter 10
... eeral 4 ... Crretis, sertis, ad
Cmmets 4
.. peial Charaters ad iaritis,
ad N-ati ripts 7
. uthr-typeset Frmats
.. eeral 11
.. iret letri ubmissi 11
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iv MHRA STYLE GUIDE
.. Camera-ready Cpy
... eeral 11
... ypgraphi tyle ad ayut 11
. Order f Parts f a Bk 12
2 PN N
. Preferred pelligs 14
. iaritis 14
. yphes 15
. Qutatis 16
. Pssessives
.. eeral 17
.. Prper Names 17
. ruatis 17
. Plurals 18
3 N
. Plae-ames
.. ws ad Cities 19 .. Cutries 19
. ademi stitutis 20
. Persal Names
.. Celti Names 20
.. Freig Names
... eeral 20
... rasliterati f lavi Names 21
4 BBVON
. eeral 23
. itles 23
. Fttes ad dtes 23
. se f Full Pit 24
. meria tates 24
5 PNCON. Cmmas 25
. ashes 26
. Paretheses ad Brakets 27
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conTEnTS v
. Putuati i eadigs 27
. Putuati with talis 27
. Qutati arks 28
. llipses ad quare Brakets 28
6 CP. eeral 30
. itles ad igities 31
. vemets ad Perids 31
. itles f Bks ad Other Writigs 31
. Cmpuds 33
. eted Capitals 33
. mall Capitals 34
7 C. eeral 35
. Freig Wrds ad Qutatis 35
. itles f Bks ad Other Writigs 36
. itles f Films, usial Cmpsitis, ad Wrks f rt 36
8 DATES, NUMBERS, CURRENCY, AND WEIGHTSN
. ates 38
. Numbers 38
. ma Numerals 39
. Currey 40
. Weights ad easures 41
9 QOON N QOON K. eeral 42
. aguages Other tha glish 42
. hrt Qutatis 42
. g Qutatis 44
. Qutatis frm Plays 45
. Omissis 46
. Cpyright ad Permissis 46
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vi MHRA STYLE GUIDE
10 FOONO N NNO. eeral 47
. ethds f imitig Ntes 47 . Psiti ad Numberig 47
11 FNC. eeral 49
. Frms f eferee
.. eeral 49
50
5456
58
58
59
59
59
.. Bks
.. Chapters r rtiles i Bks.. rtiles i Jurals
.. rtiles i Newspapers ad agazies
.. heses ad issertatis
.. Plays ad g Wrks
.. he Bible
.. ausripts
.. Olie Publiatis
.. erdigs, Films, ad igital edia 62
... eeral 60 ... Olie rtiles 61
... Olie atabases 61
... Other ures 62
. ater eferees 63
. Citati by the uthrate ystem 63
. Crss-referees 65
. Bibligraphies 65
12 PPON OF NX. eeral 67
. dex tries 67
. he dexer 68
13 PPON OF NON
. eeral 69
. egth f the hesis 69
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conTEnTS vii
. Parts f the hesis
.. itle Page 69
.. bstrat r ypsis 70
.. able f Ctets ad ist f llustratis 70 .. Prefae, kwledgemets, elarati 70
.. ist f bbreviatis 71
.. ext 71
.. Ntes 71
.. ppedies 71
.. Bibligraphy 71
.. dex 72
. Preparati f the ypesript .. eeral 72
.. eadigs ad ubheadigs 72
.. Chekig ad Crreti 73
.. Crss-referees 73
.. llustratis ad ables 73
.. Number f Cpies 73
. Bidig 73
. Permissi t Csult ad Cpy 74 . Further eadig 74
14 F WOK OF FNC 75
15 POOF COCON 76
16NX 8
7
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INTRODUCTION
The MHRA Style Guide is intended primarily for use in connection withthe Modern Humanities Research Associations own books and periodicals,
and with the preparation of theses. However, it is hoped that it will also bewidely useful to authors, editors, and publishers.
The Style Guide is the successor to the MHRA Style Book, frst publishedin 1971 under the editorship of A. S. Maney and R. L. Smallwood, and
revised in later editions. This second edition takes account o comments and
suggestions made by users o its predecessor, the Style Guide o 2002,and we
are grateul or these. It has been updated, especially in order to take account
of the widespread use of electronic means of text preparation, submission,and publication. Some sections have been revised or expanded for the sakeof clarity and completeness, and new ones have been added; in this process,the previous Chapter 2 has been divided into a revised chapter on Spelling
and Usage and a new Chapter 3 on Names. Material that seemed redundanthas been removed.
Any comments and suggestions for amendments or additions will be
welcomed and may be sent to [email protected] Style Guide is also available online at www.style.mhra.org.uk.
mailto:[email protected]://www.style.mhra.org.uk/http://www.style.mhra.org.uk/mailto:[email protected]://www.mhra.org.uk/Publications/Books/StyleGuide/index.html8/4/2019 MHRA pdf
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1
RER TERL FR
LT
1.1 TRDT
Ti cap a wi ppaaion o cop o iing an ubqun
pubicaion in an mium. an o i pincip ao o o om in
wic aic a ubmi o coniaion b jouna io ( 1.2.1).
Submiion o copy prepared uing a word proceor i preerred pracice, and
cop ppa uing a pwi i xcpion. o pubi qui
auo o upp cop in igia oma, uua a an mai aacmn o
on i. Ti cap i o win on aumpion a a
wi b uing a wo poco, aoug pcic guiin a poi o
hoe uing a ypewrier (ee 1.3.15). n hi chaper, yped mean prepared
on a boa (no ncai on a pwi) an pcip o
an om o a cop pouc in i wa.
1.2 EERL1.2.1 reerred Styles
Wn ppaing a x o pubicaion, auo ou a u accoun
o o o onibuo o nucion o uo o jouna o
erie. Thee wi peciy he orm in which arice or book ypecrip houd
b ubmi o coniaion, an oganizaion o cop in aic o
pubicaion (uc a poiioning o abac an ai o auo
afiation). Whie ome pubication have their own tye book or tye
, mo ba i o on a common gui o uc a i StyleGuide, wih addiiona pecic requiremen depending on he preerence o
i io, pubi, o pin. onibuo o HR pubicaion
The Slavonic and East European Review an The Years Work in Modern
Language Studies houd noe ha each o hee ha cerain convenion ha
if omwa om o ai own in i Style Guide.
ou x incopoa maia ci om o auo, nu
a i conom o ou own aou.
nc a x a bn accp o pubicaion, io wi noma a
he auhor o prepare a na revied verion o he ex, incuding correcion
o he ye o he work, in addiion o any ubanive reviion recommended
b a. a u agua, man pubi mpo ub-io o
nu a na cop i ppa o bo ping.
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3. PrePArING MAterIAl Or PUBlICAtION
1.2.2 EleCtrONIC SUBMIssIONwa a ou io wa compu oma, mia, an mo o
anmiion (.g. i, mai, upoa) a accpab i i inomaion
doe not appear in uppied guideine. The editor wi oten expre apreerence or a particuar word-proceor ormat (and graphic ormat
w appopia). i a uppi, ou b ab wi
auo nam, i o wo, an nam an ai o ion
o owa u. o a aoug conic ubmiion i nom,
auo a uua ao qui o poi a a-cop pinou. T a
cop ou copon xac o conic ion.
1.2.3 heCkINGT na ion o cop ou b cau cc bo i.
quotation houd be checked againt origina, and not merey againt
piou a o wo. uo a ponib o compn
and correcne o reerence. Enure ha no exraneou commen or querie
a mb in . Eio wi noma ga i ion o
an aic a na an ma u o accp ubani aaion o poo
o ma cag o auo cocion.
1.3 RERT F Y
1.3.1 eNerAlThe iniia ubmiion o an arice or monograph wi uuay be a hard copy
on, oug an conic cop ma ao b qui. Eio wi cicua
x in i om o a o . n ca o jouna aic o
connc pap n anonmou o a, auo nam wi a
o b omi om a pag xcp co pag (wic a wi no
). T na om o x, a a nca iion, wi noma
b uppi conica an a a cop. T io wi u a
cop o inica mino amnmn, o a inucion o p,
an o a pobab ng o wo wn ma up ino pin
pag. T p qui a pin ion o nu a a pa o
cop a pn in conic ion an o o an pobm
a ma ai wn wo-poco i con o p
yem. Where pecia characer or accen or non-Lain crip are invoved,
i i nia.
uo ou i mpaion o oign i na cop. Tincreaing capaciy o word proceor o manipuae muipe on, ype ize,
and page ayou enabe auhor o prepare hard copy o a andard maching
good ypography, bu many o hee efec are incompaibe wih ypeeer
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4 MHRA STYLE GUIDE
systems ad are lst versi. artiular, autmati umberig
lists, headigs, ad rss-reerees, i whih the wrd ressr lls i the
rret umber, shuld be avided as the des embedded i the muter
les are specic to the word processor and may be lost on conversion. Whereauthors wish to structure an article into sections, conventional headings
(see 1.3.4) should be used. I a specifc page layout is required, the hard
y shuld be atated ardigly r a exlaatry te rvided (see
1.3.2.2).
Hard copy should be clearly printed on one side only o good white paper
a stadard size, reerably 4 r meria letter size. he ages shuld
be umbered (see 1.3.8) ad jied with a li, t staled. uthrs shuld
retai a y the submitted versi, bth disk ad as hard y.
1.3.2 nSTRUcTIonS oR THE YpInG o CopY
1.3.2.1 GEnERAL
uble-saig (t allw r editrial rretis) ad e size a simle
tyeae shuld be used thrughut, iludig ttes r edtes ad
extended quotations. Margins o at least 2.5 cm should be let all round
ad the t quarter the rst age the text let lear, r a sub-editrs
additis. he rst lie eah aragrah (exet the rst aragrah a
hater, seti, r artile) shuld be ideted by e tab harater; d t
indent text by inserting multiple spaces. Do not adopt the convention o
startig eah aragrah ull let ater a extra lie-sae; the sae betwee
aragrahs shuld be the rmal lie saig. ext shuld be let-justied
but not ully justifed. The word processors automatic hyphenation must
be swithed f.
Use a seri ont such as Times New Roman to avoid conusion o characters
suh as uer-ase ad lwer-ase l, whih a lk almst idetial i
sas seri tyeaes suh as rial (I ad
l resetively).
1.3.2.2 coRREcTIonS, InSERTIonS, AnD coMMEnTSuthrs shuld make ay rretis t the wrd-ressr le ad submit
a ully revised versi eletrially ad as hard y. ditrs may eed t
mark corrections on the hard copy, and, i brie, these should be added legibly
i a rmiet lur at the arriate it i the text, s the tyesetter
can add each emendation to the le efciently. I a correction consists o more
than one or two sentences, or contains typographically complex text, it should
be rited a searate sheet aer ad als sulied eletrially, witheah wrd-ressr le learly amed ad the same veti used r
the amayig hard y, e.g. sert . t the arriate it i the
hard copy o the main text write Insert A attached. Comments or the editor
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5. PrePArING MAterIAl Or PUBlICAtION
may be made in the margin in penci or in an accompanying note. Thoe
o p, o inica a pcic pag aou, o inion o an
iuaion ( 1.3.12) o ab ( 1.3.13), o xamp, ou b win
on a cop, ncic, an ma b pac b i TYESETTERo RTER, o caicaion, o an xpanao no poi.
1.3.3 FONts ANd APItAls
The typeetter wi normay have avaiabe typeace in both upper cae
(ag capia) an ow ca, ac in oman, iaic, an bo ion; in
aiion, m ou incu a pogapica paa ma capia
on. Ti ou no b conu wi capia pin in a ma
type ize ince ma capita ont have been eparatey deigned. Thee
apab ma b n u:
LRE TLS sMAll CAPItAls ow ca
ITALIC CAPITALS italic small capitals italic lower case
BOLD CAPITALS bold small capitals bold lower case
LRGE CPITLS houd be typed a uch; text to be et in sMAll
CAPItAls houd be yped eiher a uch, by uing he word proceor ma
capia omaing fc, o in ow ca wi oub unining inmanuay on he hard copy (do no ue he word proceor doube-underine
acii).
Fo x o b in iaic p ( ap 7), auo ou u
word proceor iaic orm o a on, which can be auomaicay convered.
Do no p cop in oman p an unin i, a wa pacic
wn uing a pwi.
T bo om o a on ou no noma b u o mpai, inc
i i oo obruive. However, imied ue may be appropriae in ome conex
a an anai o u o iaic, .g. o igiging wo in couo xica anai.
Enure that a egibe ize o ont i ued o that uperior (upercript)
an inio (ubcip) gu an iaciica an puncuaion ma can
b ca n.
1.3.4 HeAdINGs ANd SUBdIvIsIONs
Do not type heading or ubheading in capita and do not underine or
iaicize hem, ince eiher mehod may conic wih he ye which he edior
wihe the printer to oow. No punctuation mark (other than quetion
ma) ou b u a aing o ubaing.
ajor ubdiviion within the text, i required, houd be marked by
increaed pacing. The r ine o a new ubdiviion houd no be indened.
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6 MhrA style GUIde
connin m o ignaing numb ubiiion i o numb a
cion an ubcion wi aabic numa an xp m in i,
ii b u poin, a in i Style Guide.
1.3.5 DAshes
Fo icuion o uag, 5.2. oug wo poco a acii
o indicae he hor dah or en rue (), he ong dah or em rue (), and he
xn a o 2-m u (), oowing pacic i commn:
Anenruleinnumericalspansshouldberepresentedbya pn wi no pac on i i
Anenrulelinkingtwolexicalitemsshouldberepresentedby wo pn wi no pac on i i
Anemruleshouldberepresentedbytwohyphenswithspaceoni i
A2-m u ou b pn b unpac pnccoing o pincip, xamp o uag gin in -an
coumn wi b p a in ig-an coumn:
193945 wa 1939-45 wa
noou ii no--ou ii
Som pop an incaing Som pop -- an incaing
numb po i numb -- po i
on, ao, Shirley on, ao, ShirleyVillette --- Villette
1.3.6 QUOtAtION ArksMany word proceor wi auomaicay conver raigh inge and doube
quoaion ma o ma quo ( an ), an i uncion ou b
ued when preparing copy or the printer. I thi eature i not avaiabe,
p a bacwa-aning ma (`) o opn ing quo an a ica ma
(') o co ing quo, an o oub quoaion ma p ing
quoaion ma wic.
1.3.7 RUNNING HeAds
Son aing ma b qui a a o pin pag a r page o he arice or chaper. preerred abbreviaed verion o he ie
cou b poi b auo on ubmiion o cop an inica a
op o pag o a cop.
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7. PrePArING MAterIAl Or PUBlICAtION
1.3.8 UMBerING O AGesEnure that a page o the hard copy (incuding note or reerence)
a numb concui in op ig-an con, an inica
oa numb o pag on pag. an pag a a o mo
uing iion, ni pin cop mu b numb.
1.3.9 TyPING ONveNtIONs
The baic ormatting o the text, particuary the diviion into page and
in, ou b o p. n paicua, o no u an o a
oc omaing ic aaiab on ou wo poco, uc a manua
pag ba an aiaion o pag imnion, o x na on wo
pag. Ti ma ac om iua apc o ou na cop, bu i wiaoi an n o p o cang oma o ou cop bo
i can b poc. pn on a commn in 2.3; o no u
auomaic hyphenaion. The reurn key (or paragraph marker) houd be ued
on a n o paagap an aing, o o ii in o ab,
i, o quoaion.
Doube pace houd no be ued in norma ex, and houd be eiminaed
rom your copy beore ubmiion. In particuar, type ony a inge pace
beween he end o a enence and he r characer o he nex, and oowing
majo puncuaion ma uc a coon an micoon.Do no ig-jui o cn an pa o x, a i wi inouc
aiiona pac wic a no ai iingui om p pac. Do
no u coou bacgoun o igig x.
1.3.10 SPeCIAl hArACters ANd DIACrItICs, ANd ON-LAtIN SCrIPts
your ex conain characer ha are no direcy avaiabe rom a andard
compu boa, ou ou conu io o pubi a o b
way o iner hem in your copy. The pecia characer e provided by majorwo poco a accpab o man pubi; ic o caing an
combining caac ou b aoi. Wn ou x conain pcia
caac o iaciic ini a pobmaic, igig inanc
on a cop, an inica in magin wo-poco caac
o ing o caac u o obain m. Som pubi pci co
or non-tandard character. In extreme cae, pecia character may be
indicated by hand on the hard copy, or repreented by peciay devied
code, wih appropriae indicaion in he margin. Where your ex conaina ignican numb o pcia caac, i i aiab o i m a on a
paa o pap, o ubmiion aong wi na cop.
phabet uch a Cyriic and Greek and the Internationa Phonetic
phabet (IP) may caue converion probem or typeetter, who can
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8 MhrA style GUIde
ugget a pecic method o producing the copy (e.g. through the ue o
nico-ba on). Fo aniaion o iic caac, 3.3.2.2.
iiona pobm ai wi o apabic cip (uc a abic an
Hbw) an non-apabic cip (uc a in an Japan). n auc ca, conu io a an a ag.
The oowing pubication contain much ueu inormation on copy
preparation and typeetting or anguage other than Engih, both thoe
uing Lain apab an o:
New Oxford Dictionary for Writers and Editors (xo: xo nii
, 2005)
The Chicago Manual of Style, 15 n (icago an Lonon: nii o
icago , 2003)
1.3.11 Otes
Footnote or endnote reerence number houd be inerted oowing any
puncuaion xcp a a, an a n o a nnc i poib:
[] compo.23
an ping pogam a ab o con ana oonoing
and endnoting aciitie o a word proceor, but it i recommended that
author check the guideine or author provided by the pubication, ordicu he ue o hee aciiie wih he edior or pubiher, beore preparing
an aic o boo o ubmiion. W aciii a unaaiab o
houd no be ued, noe houd be uppied in a eparae e, wih reerence
numb p a upio (upcip) gu in appopia pac.
T no wi noma b in p ma an a u o x
bu ou b poi b auo in u p iz wi oub pacing
(whether generated rom a word-proceor noting aciity or uppied a
a eparate text e) and numbered conecutivey throughout an artice or
cap, bu no ougou a wo boo o i.
1.3.12 llUstrAtIONs
T incuion o an iuai maia ou awa b icu wi
io pio o ubmiion. Fo a iuaion a a in copig,
author mut obtain, rom a intereted righthoder, written permiion
to reproduce in a pubication ormat (print or eectronic), incuding
conrmation o the credit to be printed acknowedging permiion to
reproduce. Top copie o permiion document houd be uppied with iuaion. T ponibii o pamn o co o poucion
ou ao b icu wi io a an a ag.
Increaingy, iutration can be uppied eectronicay and or mot
ypeeer hi wi be he preerred orma. The appropriae reouion, e
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9. PrePArING MAterIAl Or PUBlICAtION
oma, an man o ubmiion ou b icu wi io. i
recommended ha TFF or ES e houd be uppied, aved a a minimum
inpu canning ouion o 300 pi (o-p-inc) o coou, 350400 pi
or haone, 800 dpi or impe ine, and 1200 dpi or ne ine image. JEGimag a uua no commn o pining pupo, un a
aaiab a pin-quai ouion. iuaion ou b uppi a
paa , no mb wiin x, wi accompaning a cop
o nc.
Where iuraion are no avaiabe in eecronic orma, a cear origina
in bac in on wi pap o boa o in iuaion, an go bac
and-whie phoograph or haone, houd be provided. For a iuraion
inica ca on i o boo o jouna, auo
name, and the gure or pate number. Be careu to write very ighty inpenci on he revere o an origina or i may be poied. Some reducion may
improve denition, but exceive reduction may caue detai, uch a ne
in o co aing, o b o. oma oigina ou no b mo
an ou im ag, no ou i b ma, an na qui iz
o imag. gna inicaion o p iz o poucion, .g.
ha page, text width, aong with pecic grouping, e.g. gure 1 and
2 on ame page, houd be given in an accompanying note a a guideine
o p. pa o iuaion i o b omi, inica on an
accompaning poocop poion o b ma of. W i i no
poibe, indicate ighty on the revere o the origina or on an attached
pap oa.
The tye or reerencing an iutration within the text houd be
acertained rom the editor or guideine or author but i generay by
inertion o the phrae Figure []. reerence i neceary becaue an
iuaion i uni o oow an x immia, o cnica
aon. no Figu [] ou b a o magin o a
cop a a gui o p. Figu ou b numb in quncin aabic numa ougou an aic o boo.
The term pate i appicabe ony to page o iutration printed,
and numbered, eparatey rom the text; it reer to the page, not to the
iutration on it (o one pate may contain more than one iutration).
a ou b numb in qunc in oman numa an a nc
gin wiin x (a []).
uo wo a no u o inn amn o i iuaion
ou conu io bo numbing m.
Caption or iutration houd be uppied a a eparate e withaccompanying hard copy. cknowedgement o permiion to reproduce
iuaion, w appopia, ou b inica bow capion.
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10 MhrA style GUIde
1.3.13 TABlesTabe may not away convert atiactoriy rom word-proceed e.
T ou b ppa uing wo poco ana ab ouin
i poib, bu, i no, coumn ou b paa b ana abuaion.
T ou no b mb wiin x bu ou b i pac a
he end o he ex or uppied a eparae e, wih accompanying hard copy.
nc o ab ou b incu wiin x a an appopia
poin (Tab []), a, o cnica aon, i ma no b poib o
ab o b pin immia oowing an x. no Tab
[] here houd be added to the margin o the hard copy a a guide or
p. Tab ou b numb in qunc in aabic numa
ougou an aic, boo, o i.
1.3.14 rOss-reereNCesSince hey canno be naized uni he ex i ypee, cro-reerence wihin
an aic o boo ou b p a zo on a cop an ncic
in in:
S abo [o bow], p. 000, n. 0.
nerna cro-reerencing, i.e. cro-reerence o page wihin your own
ocumn, ou b aoi a a a poib; i i pab o co-o cap, cion, no, c. W inna co-ncing o a pag
i unavoidabe, he reevan page number in he hard copy houd be noed in
pnci in magin an uc co-nc ou b cau cc
an ma on poo.
1.3.15 OPy rOdUCed ON A TyPerIter Wie man conic pwi can pouc fc uc a unining, i i icu o pouc am omaing a on a wo poco.
Tex o be e in a paricuar on houd be marked (manuay i neceary)a oow:
aic x o b unin onc Smallcapitalstobeunderlinedtwice Capitalstobetypedincapitals,ortypedinlowercaseand
unin im
Italiccapitalstobetypedascapitalsandunderlinedonce. S ap 15, oo ocion, o an iuaion o connion.
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. PrePArING MAterIAl Or PUBlICAtION 11
1.4 THR-TYESET FRTS
1.4.1 eNerAl
W conom o p i an impoan concn, an auo ma b ao ppa p pag in na om in wic a o b pubi.
Thi may appy o enire monograph or o iem in neweer or coecion
or preprint o conerence paper. The author houd be guided by the
intruction o the voume or erie editor on iue o tye, uage, and
omaing, o nu coninc wiin oum an bwn oum.
For HR voume prepared by thi mean, author houd oow thi
Style Guide.
1.4.2 DIreCt EleCtrONIC SUBMIssIONSophiicaed word-proceing and dekop pubihing (DT) oware aow
auo o ubmi i conn igia a ma-up pag. Ti ma a
om o in oma o pogam u, o oScip o DF
e, which are ued by he priner o produce prining pae. away, i i
eenia o conu he priner abou e orma and mehod o ranerring
bo bginning wo, an auo ou i a ga o ma
o an aou a mnion in 1.4.3.2 bow.
1.4.3 AMerA-reAdy OPy
1.4.3.1 GeNerAlThe erm camera-ready copy (R) wa originay ued o decribe a prined
cop o x on ing pag a i u o poucion o m an
prining pae wihou urher inervenion by edior or priner, bu i i ao
now commony ued o decribe eecronic e ha are uppied a made-up
pag a o p. W conic o pap a o b uppi, i
i nia o conu pin abou quimn o ppaaion ocop bo bginning wo.
1.4.3.2 tyPOGrAPhIC style ANd lAyOUtriner wi oen now provide word-proceor ye/empae documen or
auhor o ue in preparing manucrip. Thee documen oow he priner
pogapica ing an aou quimn an DF o oScip
can b pouc om m. W pin R i qui, i ou b
no a cop i common ppa uing a pag iz ag an na
pin iz, o a i can b uc an ni o p inca.onin guiin ou b awn up, pcia i a oum ppa
in i wa i o om on o a i. T ma incu a gi pciing
wi an p o x aa; poiion o unning a an pag
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12 MhrA style GUIde
numb ai o x an i ocaion on an 4 pag; a pci
pac; p iz o x, quoaion, no, c., capab o ucion in
ca wiou o o gibii; o cap i an aing; an u
on wo ba an in an pag n.R houd be prined on high-quaiy whie paper, uing a aer priner,
and to the highet reoution in term o dot-per-inch (dpi) poibe.
pa o wo ou b pn in coc o ( 1.5 bow),
ac pag bing pin on on i on.
1.5 RDER F RTS F KBeore ubmiion o edior or pubiher, he ex o a book houd be arranged
in the order ited beow. uthor undertaking the typeetting o a book,
w a DT o b R, ou a ga o i i, an o wic
page (generay preiminarie) may be convenionay ypee in a erie wih
aning ma o an abi oma.
The ypecrip o a book houd be arranged in he order requeed by he
pubi. T oowing o i p o HR pubicaion:
Ha-i ( u i, incuing an ubi, o boo, an i o
i an oum numb in a i, i appicab; nam o
auo o no noma appa); o o i pag i uua ban
wn boo i pin o ma ca a onipicTi pag
Bibiographica deai (name and addre o he pubiher and priner, copyrigh
tatement, Internationa Standard Book Number (ISBN), Cataoguing-in-
Pubication Data, etc.); thi page may be et bank by the author and the
ai uppi b io an pubi
Dicaion o pigap ( o i ban)
onn i
Li o iuaion (gu, map, pa, in a o)
Fowo (b omon o an auo)uo pac
cnowgmn (i no incu in auo pac)
Li o abbreviaion and/or goary i hee are neceary o an underanding
o he ex; oherwie hey may be paced oward he end o he book, beore
bibiogap noucion (un i coniu cap o x) Tx ppnix o appnic o an nc (o wo x) ibiogap nx o inx
Few book wi incude everyhing ied above; ome iem may be requeed
a a a ag in poucion.
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13. PrePArING MAterIAl Or PUBlICAtION
T copig ou b inica u: innaiona copig mbo
(); name o hoder o copyright; year o rt pubication. The printer
nam an uua pac o buin mu appa on o a a o
pubicaion and may convenieny be combined wih he pubiher imprin.The preiminary page (preim), compriing a iem beore he main ex,
a uua numb in ow-ca oman numa; oug numb
a no pin on cain pag (a-i, i, c.), a coun in
qunc. abic numbing uua bgin on pag o x.
How, inc pag numb canno b a b pin uni
page proo are prepared, a he page o he ypecrip houd be numbered
in on (aabic) qunc ougou ( 1.3.8).
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2SPELLING N SGE
2.1 PEFEE SPELLINGSIn the case o verbs ending in -ize or -ise and their derivatives, the orms
in -ize, -ization, etc. (e.g. civilize, civilization) are preerred in MHRA
publications. This is also the preerred spelling o many other academic
publishers. However, all major British newspapers and most ocial andcmmrca bd rr -ise, -isation. It mrtat, wth a v bk
r artc, t b ctt.
Sm wrd mut hav th -ise , ..:
advrt cmr dv rach urv
adv cmrm trr mrv urm
ar dm xc c urr
chat d xrc rv tv
h Brth analyse ad t drvatv ha s ad t z.h rm disk, program ar ud v Brth cmut
ctxt; thrw, u disc, programme.
In case of doubt, the form given in the New Oxord Dictionary or Writers
and Editors hud mt ca b ud (but r dacrtc, 2.2).
2.2 ICIICSThere is great inconsistency between dictionaries (and sometimes within
th am dctary) a t th u acct ad thr dacrtc wrdbrrwd rm thr aua.
w ca ar, hwvr, car:
(a) Wh a wrd r, mr t, a xr t t t b r (ad
an objective decision is not always possible), all diacritics should be retained,
..:
aide-mmoire, ancien rgime, la mode, Auklrung, la belle poque, bte
noire, cause clbre, dj vu, minence grise, Fhrer, lyce, matre dhtel,
papier mch, pice de rsistance, pi, raison dtre, seor, succs de scandale,tt--tt
Such wrd ad xr ar t taczd ( a 7.2).
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15. spelling
(b) Wrd d - rta thr acct:
ba, ca, cch, cmmuqu, x, fac (a fac)
I uch wrd, ay thr acct ar a rtad, ..:mr, t, rt, rum
We recommend that, except as provided for in (b) above, diacritics should
b drd th ca wrd that hav ad t ruar Eh ua,
..:
chatau, crt, crch, cr, dbac, dbr, dcr, dumt, dtt,
echelon, elite, fete, hotel, matinee, naive, precis, premiere, regime, role, seance,
r
Fr th u acct cata, 6.6.
2.3 PENSHyphens should be used only when they have a specifc purpose. They
occasionally occur within the body of a word, particularly with re- followedby e (e.g. re-echo, re-enter), but they normally indicate that two or more
words are to be read as a single word with only one main stress. The examples
v bw hw rm that ar attrbutv ad hav a ma tr
and are therefore hyphenated, while predicative and other forms having two
ma tr ar t hyhatd:
a w-kw act th act ar w kw
a tth-ctury maucrt th tth ctury
Nvrth, t avd a rrat hyh ad whr thr
bty ambuty, rm uch a a late eighteenth-century novelist,
post-Second World War difculties, are to be preferred to a late-eighteenth
century novelist, post-Second-World-War difculties.In phrases such as pre- and post-war governments, pro- and anti-abortion
movements, eighteenth- and nineteenth-century literature, where two or
mr ara hyhatd trm ar cmbd, th frt hyh wd
by a ac.
dvrb d -ly ad thr yyabc advrb ar t hyhatd
t a w adjctv r artc:
a hhy cttu arumt
a rcty ubhd v
a hadmy bud vuma rquty ccurr mtak
a hthrt urczd cutm
vr cra quatt
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16 MHRA STYLE GUIDE
Collocations of certain monosyllabic adverbs (in particular ill but not well
see above) and a participle oten have only one main stress and are thereore
hyphenated even when used predicatively:
e is very ill-tempered.
uch a course o action would be ill-advised.
hese prejudices are deep-seated.
Note that, unlike the words early, late, north, south, etc., the prex mid-
always requires a hyphen (except where it orms part o a single word, as in
midnight):
he boat sank in mid-tlantic.
a mid-June midnight fight
a mid-sixteenth-century chairuntil the mid-nineteenth century
he presence or absence o a hyphen is oten signicant:
two-year-old dogs two year-old dogs
a deep-blue lake a deep blue lake
a vice-chancellor the vice squad
to re-cover to recover
sage shits over time and orms that were once entirely acceptable maynow seem odd or old-fashioned. Some words that used to be hyphenated
have now become so common that they are regarded as single unhyphenated
words:
battleeld, bookshel, paperback, subcommittee, subtitle
n short, i a compound is in requent use and is pronounced as a single
word it is usually acceptable to write it as one word without a hyphen. There
is considerable variation in the use of hyphens and it is impossible to formulate
comprehensive rules. he best advice is to use a good dictionary and to beconsistent.
2.4 QOONhe spelling o quotations is always that o the book or edition reerred to.
Note, however, that in quotations rom early printed books the orms o the
letters i andj, u and v, the long s ( or) the ampersand (&), the ironiansign (), the tilde, superior (superscript) letters in contractions, and other
abbreviations are normalized to modern usage unless there are good reasons
to the contrary, as, or example, in ull bibliographical descriptions.
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17. spelling
2.5 POSSESSIVES
2.5.1 GeneRAl
h v u ad dft ru ruary rmd by th
addt s rcdd by th atrh:
the courts decision, the doctors ee, the bosss daughter, Smiths elixir, no
aut, th chdr day ut
The possessive orms o personal pronouns hers, its, theirs, yours do not
hav a atrh.
In plural nouns ending in -s the possessive is represented by the apostrophe
a:
the courts decisions, the doctors ees, the bosses daughters, MPs
atat
2.5.2 PRopeR NAMe sh v rr am d a rucd -s r -z rmd
th rma way by add a atrh ad s:
Alvarezs criticism, Berliozs symphonies, Cervantess works, Dickenss
characters, in Inigo Joness day, Keatss poems, Dylan Thomass use oaua
French names ending in an unpronounced -s, -x, or -z also follow the normal
ru ad tak a atrh ad s:
aba cmdy, cart wrk, araux ty, Chrbuz v
h v am d -us a crm t th rma ru:
Claudiuss successor, HerodotussHistories, Jesuss parables, an empire greater
tha aru
However, the possessive o Moses and o Greek names ending in -es
(particularly those having more than two syllables) is usually ormed by
ma th atrh a:
under Moses leadership, Demosthenes speeches, Sophocles plays, Xerxes
cama
2.6NCIONS
Sm wrd ar abbrvatd by mtt th frt art th wrd. I uch
abbrvat ar cmm u, atrh dd:
bu (not bu); h (not h); th twt (.. 1920) (not twt)
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18 MHRA sTYle gUiDe
2.7 PLLSSm u brrwd rm r aua hav y th ruar Eh
ura, ..:
(Grk) mtr, mtr
(Lat) camu, camu; cu, cu; abum, abum; rum, rum;
muum, muum; rmum, rmum
(Itaa) cat, cat; brtt, brtt; ra, ra; ata, ata
Sm u, cay adtd rm Grk ad Lat, hav y th
r ura d, ..:
(Greek) analysis, analyses; axis, axes; basis, bases; crisis, crises; diagnosis,diagnoses; oasis, oases; thesis, theses (and similarly with hypothesis, parenthesis,
yth); crtr, crtra; hm, hma
(Latin) alumnus, alumni; stimulus, stimuli; addendum, addenda; datum, data;
ddratum, ddrata; rratum, rrata; cdx, cdc
(Grma) d, dr
Othr brrwd u may hav thr th Eh r th r ura. I
ra, th r ura cmm ad mr rma, r t may hav a
mr cazd , a th wrd Grk r Lat r:
ormula (ormulas in everyday usage, ormulae in mathematics); thesaurus
(thauru, thaur); mdum (mdum rtuam, mda r (ura)
means o communication); memorandum (memorandums, memoranda);
referendum (referendums, referenda); ultimatum (ultimatums, ultimata); corpus
(corpuses, corpora); appendix (appendixes for parts of the body, appendixes or
appendices for additional parts of a publication); index (indexes for alphabetical
t rrc, dc mathmatc)
Sm adtd Frch wrd may rta th ra ura -x, but -s aud:
adu (adu, adux); mu (mu, mux); tabau (tabau, tabaux)
S a 8.4 th ura r currc.
N atrh hud b ud br th ura d abbrvat
(whr th -s w ay uctuat), am, umbr, ttr, ad wrd
t rmay ud a u, ..:
P, POW, Ph..
th ry, th tw Grmay
th 1960, th twt, ad tw a ad e, th thr
hav ad hav t
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3NAES
3.1 PACE-NAES
3.1.1 Towns and Cities
Wh h Eglh m g m
(e.g. Basle, Cologne, Dunkirk, Florence, Geneva, Lisbon, Majorca, Moscow,Munich, Naples, Quebec, Salonika, Venice, Vienna), it should be used.Obl Eglh m (Francort, Leipsic, Leghorn, .) hl, h,be avoided. The orms Luxembourg, Lyon, Marseille, Reims, and Strasbourg
are now more widely used than Luxemburg, Lyons, Marseilles, Rheims, and
Strasburg Strassburg h mm.The ollowing are now the ocial spellings o certain Welsh names (even
in texts written in English) and should be used instead o the anglicized
m l mp l bk: Aberdyf, Aberystwyth,Betws-y-Coed, Caernarfon, Conwy (river and town), Dolgellau, Ffestiniog,Llanelli, Tywyn.
Th - hyph m h Newcastle upon Tyne,Stratord-upon-Avon hl b hk g k. Fhplace-names are regularly hyphenated, e.g. Colombey-les-Deux-glises ,Chlons-sur-Marne, Saint-Malo, except or an introductory denite article,
.g. Le Havre, Les Baux-de-Provence.Note the correct orm o the name oWashington, DC (comma, no
p).F m h pl pbl bk, 11.2.2
11.6.
3.1.2 Countries
Distinguish between (a) Great Britain (i.e. England, Scotland, Wales), (b)
h U Kgm (Egl, Sl, Wl, Nh Il), () h
British Isles (England, Scotland, Wales, Ireland, the Isle o Man, the Channel
Il).
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N:
() h England hl b y h b;(b) h h m Britain h ql Great Britain
b xly h ql the United Kingdom h l b p bj h ;
() h h Ih m ire hl b Eglh h m hRpbl Il;
() h h Il h Chl Il p Egl,
B, h U Kgm.
The defnite article is no longer used in the names o the countries
Lebanon, Sudan, Ukraine (b the Gambia, the Netherlands).
3.2 ACADEIC INSTITUTIONS
Care needs to be taken to ensure that the names o academic institutions
are correctly given, e.g. Johns Hopkins University (not John), MagdalenCollege (Oxord), Magdalene College (Cambridge). Universities and colleges
h ml m m b lly gh, h h Uy
Caliornia and Caliornia State University, the University o York (England)
k Uy (T).
3.3 PERSONA NAES
3.3.1 CeLtic NaMesCare must be taken over the spelling o names in Mc, Mac, etc. (e.g.McDonald, MacDonald, MDonald, Macmillan, Mac Liammir); adopth m by h l q. All h m, h h
pllg p, lphbz hy bg h Mac.Likewise, distinguish between Irish names that retain their original orm
( Mille) h h glz (ODonnell).Welsh names in ap and ab are neither capitalized nor hyphenated. Names
hl g lphbz h m (.g. Daydd apGwilym, Dafydd ab Owain), modern names under ap or ab (e.g. ap Gwilym,
ab Owen Edwards).
3.3.2 ForeiGn NaMes
3.3.2.1 GeneraL
Wh glly p Eglh m ll m x (Horace, Livy, Ptolemy, Virgil), hy hl b .
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3. naMes 21
Names o popes and saints should normally be given in their English
m (Gregory, Innocent, Paul, St Francis o Assisi, St John o the Cross,St Thomas Aquinas).
Names o oreign kings and queens should normally be given in theirEglh m h x (Charles V, Catherine the Great, Ferdinandand Isabella, Francis I, Henry IV, Victor Emmanuel). Those names orwhich no English orm exists (Haakon, Sancho) or or which the Englishorm is quaint or archaic (Alphonse, Lewis or Alfonso, Louis) should retain
h g m. I h k y m
mh h m h pbl Eglh m m hh
not, in the interests o consistency it is better to use the oreign orm or
ll:
h g F III Al X
IV by XIII.
Sm van k l- l h Nhl (van der Plas,van Toorn) b glly plz Blgm (Van den Bremt, VanRyssel).
With reerence to the Prophet, use the orm Muhammad and notMohammed or Mahomet. Likewise, Muslim not Moslem or Mohammedan,
Muhammadan, .
3.3.2.2 transLiteration of sLavonic naMes
V ym x h l R h lgg
g h Cyll lphb. Cb jl, , . h l
o Slavonic studies should ascertain which system is preerred and conorm to
it strictly. The MHRA species that the Library o Congress system without
diacritics is to be used in all its publications in the Slavonic eld, namely TheSlavonic and East European Review, the Slavonic article and review sections
The Modern Language Review, h Sl The Years Workin Modern Language Studies, l lm h Pbl h RA, RA Tx D, RA Bblgph
. Th :
Dk, Chkk, Tl, Ehk
Russian and other Slavonic names reerred to in other contexts should,
h pbl, b g h m mm by h New OxordDictionary for Writers and Editors, even when this conficts with the Library
Cg ym:
Dky, Thkky, Tly, hk
http://www.loc.gov/http://www.ywmls.mhra.org.uk/http://www.ywmls.mhra.org.uk/http://www.ywmls.mhra.org.uk/http://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.ywmls.mhra.org.uk/http://www.ywmls.mhra.org.uk/http://www.ywmls.mhra.org.uk/http://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://texts.mhra.org.uk/http://www.bibliographies.mhra.org.uk/http://www.bibliographies.mhra.org.uk/http://texts.mhra.org.uk/http://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.ywmls.mhra.org.uk/http://www.ywmls.mhra.org.uk/http://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.ywmls.mhra.org.uk/http://www.ywmls.mhra.org.uk/http://www.loc.gov/http://www.mhra.org.uk/Publications/Books/StyleGuide/index.html8/4/2019 MHRA pdf
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22 MHra stYLe Guide
N pl h, xp h Thkky, Ch- Th-
hl b (.g. Chkh) h h pm () hl b :
gl, ky, Ily (compare by Cg: gl, k, Il).
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4BBVON
4.1 N Since abbreviations increase the possibility o conusion and misunderstanding,
they should be used with caution. When writing or a particular publication,
use only those abbreviations which are likely to be familiar to its readers.
Never begin a sentence with an abbreviation, and avoid abbreviations as far as possible in passages of continuous prose. For eample:
he authors comments on page 47, line 20, seem particularly apt.
Here the words page and line, normally abbreviated in reerences, are given
in ull to prevent a disruptive efect in reading. Extensively used abbreviations,
other than common ones such as p. and l., should be clearly listed at
the beginning of a book or in an early note to an article.
4.2 Avoid inelegant or conusing abbreviations o the titles o literary works,
especially in the tet of your book or article. t is clearly necessary to avoid
requent repetition o a title, especially a long one, and discreet abbreviation
will from time to time be needed. his should normally take the form of a
short title, not initials: Alls Well, not AWEW. Repetition can oten be avoided
in other ways: e.g. the play, when it is obvious which play is meant. In notes,
and in parenthetical textual reerences in the main body o a book or article,
abbreviations are more oten appropriate, but they need not be inelegant andmust never confuse. Note, however, that abbreviated titles are standard in
some cultures, e.g. PMC for Poema de mio Cid.ee 10.2 on the avoidance
of repeated note references to the same work.
4.3 N FOONO N NNO
I possible, do not begin a note with an abbreviation which is normally printed
in lower-case characters (e.g., i.e., pp.). f this cannot be avoided, note
that c., e.g., i.e., l., ll., p., pp., remain entirely in lower case:
21 pp. 12739. not 21 Pp. 12739.
Other abbreviations, such as Cf., bid., or d., take a capital initial.
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4.4 OF F PON contracted form of a word that ends with the same letter as the full form,
including plural -s, is not followed by a full point:
r, Jr, me, r, rs, t, vols
but note the eception no. for talian numero. Other abbreviations take a
full point and are followed by a space:
M. Dupont (Monsieur), Pro. J. Jones, l. 6, ll. 2228, p. 6, pp. 10609,vol. xIx
In lower-case abbreviations or expressions consisting o more than one word,
there is a full point after each initial:
a.m. (ante meridiem), e.g. (exempli gratia), i.e. (id est), n.p. (no place [o
publication]), n.d. (no date [of publication])
Full points are omitted in capitalized abbreviations or acronyms for:
(a) standard works o reerence (italicized), journals (italicized), or series (not
italicized):
DNB, OED, ABELL, MLR, PMLA, TLS, B, P, PF, B
(b) countries, institutions, societies, and organizations (none of them italicized):
K, , B, B, N, CN, N, , , NCO
In bibliographical reerences, use MS, MSS (manuscript(s)). In normal prose
tet the word should be written out in full.
4.5 CN he two-letter postal abbreviations for merican states, e.g.:
C (California), (llinois), (assachusetts), N (New ork)
have largely replaced the ofcial abbreviations, though a ew o these, in
particular Cali. and Mass., are still widely used. The postal abbreviations,
which have no full point, should be used whenever it is necessary to include
the name o the state in bibliographical reerences (11.2.2, list o items,
no. 7). These abbreviations are given in the New Oxford Dictionary for
Writers and Editors.
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5PNCON
5.1 COCommas are used singly or in pairs to indicate signifcant groupings or
searatis wrds i the setee. Partiular te shuld be take the
llwig usages:
(a) Cmmas shuld be used t delimit arethetial r iterlated hrases,
ad us i asiti:
y ather, t t meti the rest my amily, elt the lss deely.
his bk, writte i 1505, wuld hage the wrld.
ate, the Flretie et, was br i 1265.
Note that a noun preceded by a defning phrase is not in apposition and
shuld t be elsed i mmas:
he Flretie et ate was br i 1265.
(b) Commas are used to delimit non-restrictive relative clauses, which do not
dee what reedes:
hse with a uiversity degree, wh have exeriee higher eduati, see
qualiatis i a diferet light.
he amily had tw ats, whih slet idrs, ad a dg.
N mmas are used i the rresdig restrictive relative lauses:hse with a uiversity degree wh have studied mediie see researh i a
diferet light.
The amily had two cats which slept indoors and one which went out at
ight.
(c) In an enumeration o three or more items, it is the preerred style in MHRA
publications to insert commas ater all but the last item, to give equal weight
t eah eumerated elemet:
he iversity has deartmets Freh, erma, aish, ad Prtuguese
withi its Faulty rts.
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26 MHRA STYLE GUIDE
he jutis and ad orwithut a reedig mma are uderstd as
likig the arts a sigle eumerated elemet:
he iversity has deartmets Freh, erma, aish ad Prtuguese,
Czeh ad Plish, ad uth.
Comedians such as Laurel and Hardy, Abbott and Costello, or Charlie
Chali
By the same riile a mma shuld be used bere a hrase suh as ad
s r et. at the ed a eumerati.
(d) Cmmas shuld t be used i their missi leaves the meaig the
sentence unafected. The mere act that a sentence has a complex subject does
t justiy the use a mma betwee the subjet ad verb. rdiglya setee such as
The team o editors responsible or the latest edition o the handbook has made
a sigiat umber hages.
requires mma llwig hadbk.
5.2
Priters use bth a shrt ad a lg dash. he shrt dash (e rule) is used t idiate a sa r a diferetiati
ad may be sidered as a substitute r ad r t (but see 8.1):
the gladFrae math; the 193945 war; . 81101
g dashes (em rules), te with a sae either side, are rmally
ound in pairs to enclose parenthetical statements, or singly to denote a
break i the setee:
me ele a ever ireasig umber delre this.
Family ad rtue, health ad haiess all were ge.
g dashes shuld be used sarigly; mmas, ls, r aretheses are
te mre arriate. Other utuati marks shuld t rmally be
used bere r ater a dash.
A very long dash (), known as a 2-em dash, is used to indicate ditto
i bibligrahies ad similar lists:
arlwe, Christher, Edward II
The Jew of Malta
Fr meas reresetig the diferet dashes i tyesrit, see 1.3.5.
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. pUncTUATIon 27
5.3 PN N BCK its strit sese, the term brakets meas square brakets, i.e. [ ], ad
shuld t be used with reeree t aretheses, i.e. ( ). wever, sie it
is widely misused, it is as well always to speciy square brackets, round
brakets (r aretheses), agle brakets, i.e. < >, r braes, i.e. { }, ad
avid the use the term brakets ale.
Paretheses are used r arethetial statemets ad reerees withi
a text. When a passage within parentheses alls at the end o a sentence
whih it is ly a art, the al ull it is laed utside the lsig
arethesis:
This was well reviewed at the time (or instance in TLS, 9 July 1971,
. 817).
When a complete sentence is within parentheses, the fnal ull point
should be inside the closing parenthesis. Parentheses may be used within
aretheses:
(is residetial address (1967) made this it learly.)
Square brackets should be used or the enclosure o phrases or words
which have been added to the original text or or editorial and similar
mmets:
e adds that the lady [rs Jervis] had sufered great misrtues.
d t thik they shuld have [two words illegible].
e swre t tell the truth, the ld [sic] truth, ad thig but the truth.
Fr the use brakets arud ellises, see 5.7. Fr the use brakets i
reerees t the ubliati bks, see 11.2.2.
5.4 PNCON N NPutuati marks (ther tha questi marks) shuld t be used at the
end o headings and subheadings. Punctuation marks should also be omitted
ater items i lists whih are i tabular rm (exet, urse, ull its
used t mark abbreviatis).
5.5 PNCON W C
There are italic orms o most marks o punctuation. The type style (roman oritalics) o the main part o any sentence will govern the style o the punctuation
marks withi r ludig it. the mai art a setee is i rma but
a itali wrd withi it immediately reedes a mark utuati, that
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28 MHRA STYLE GUIDE
mark will rmally be i rma. wever, i the utuati mark urs
within a phrase or title which is entirely in italics, or i the punctuation mark
belgs t the hrase i italis rather tha t the setee as a whle, the
utuati mark will be i italis:
Where is a strm mre brilliatly rtrayed tha i Crads Typhoon?
Edmund Ironside; or, War Hath Made All Friends, a lay that survives i
mausrit, we see this tehique i erati.
Kigsley llwed this with Westward Ho!, erhas his best-kw vel.
Wh wrte Whos Afraid of Virginia Woolf??
t llw the ratie substitutig rma r italis i titles withi
italicized titles (e.g. Understanding Les Fleurs du mal: Critical Readings); insuh ases, qutati marks shuld be used eve i they d t gure i the
rigial, e.g. Understanding Les Fleurs du mal: Critical Readings.
5.6 QOON K
See Chapter 9. For the use o quotation marks with the titles o poems,
essays, et., see 7.3.
5.7 P N Q BCK qutatis, its idiatig a ellisis (i.e. the missi a rti
the text) shuld be elsed withi square brakets:
er equiries [] were t very avurably aswered.
his ratie makes it ssible t distiguish betwee its idiatig a
ellisis ad its that ur i the rigial, as i the llwig qutati
rm amuel Bekett:Will yu ever have de revlvig it all?
he rigial utuati is retaied whe it is ssible t d s:
Whe, i the urse huma evets, it bemes eessary r e ele t
disslve the litial bads whih have eted them with ather [], a
deet reset t the iis makid requires that they shuld delare
the auses whih imel them t the searati.
Outside the hut std bemused. [] t was still mrig ad the smke rm
the khuse rse straight t the leade sky.
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29. pUncTUATIon
Whe the begiig a setee is mitted, the rst wrd llwig the
ellisis a be aitalized eve i it des t have a aital i the rigial:
Fr the rest the eveig, v geleld sidered his resse. [] e uld
just igre the artile altgether.
(In the original, the passage abbreviated ends And fnally, he could just
igre the artile altgether.)
Oe may als idiate a hage ase i square brakets:
rs Beet elt that [t]his was ivitati eugh.
[] yug ma large rtue had take Nethereld.
ee t 9.6 missis withi qutatis.
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6CAPITALS
6.1 NALInitial capitals should be used with restraint. In particular, adjectives deriving
rom noun kng n re n mny e no zed (u ee6.3):
Alps, alpine; Bible, biblical; Satan, satanic (but Satanic with reerence to Satan
hme)
C mu, however, e ued or he n eer o enene nd orthe names o places, persons, nationalities, the days o the week, and months
(u no or he eon o he yer). They re o o e ued or he e olaws, plans, wars, treaties, legal cases, and or specifc institutions and other
organizations (the Modern Humanities Research Association, the Poetry
Book Cu). C re ued o or unque even nd erod (he Food,
he Iron Age, he Pen evo, he eormon, he nghenmen, heFrench Revolution, World War II, the Last Judgement) and or parts o books
when reerred to specically (Chapter 9, Appendix A, Figure 8, Part 11).
Nme o he on o he om re zed ony when reved(N.) or when they indicate a specic area (the North [o England], South
America) or a political concept (the West). The corresponding adjectives
are capitalized when they are part o an ofcial name (Northern Ireland)
or when hey reer o o one rher hn merey o geogrhareas (Western Europe) but not otherwise (northern England). Middle
zed n uh fxed exreon dde (ern), dde Age,dde ngh.
onre re oen nonen n her ue or non-ue o ordjeve, ver, nd noun dervng rom nme o eoe or nguge.We reommend h e ued n uh e:
Frnohe, m, In, Lne
Note, however, that anglicize, anglophone, rancophone, romanization,
etc., are not capitalized, nor are arabic numerals and roman type (but theAr nguge, he omn he).
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31. capitals
6.2 TITLS AN INITISCapitals are used or titles and dignities when these appear in ull or
mmedey reedng eron nme, or when hey re ued efy,u no oherwe:
The Archbishop o Canterbury and several other bishops were present, but
Bho Werore w no.
When, er fr u reerene, or wh uh reerene underood, e ued nomeey u wh ef on o n ndvdu, he rened:
The Arhho oke fr.
A word or phrase used as a substitute or, or an extension o, a personal name
o ke n :
he Iron uke, Ared he re, he rk Ldy o he Sonne
6.3 OVNTS AN PIOS Capitals must be used or nouns and adjectives denoting cultural,
philosophical, literary, critical, and artistic movements and periods when
hee re derved rom roer noun:
Cren, Chomkyn, Chrn, rn, Freudn, Ponm
They should also be used or literary and other movements when the use
o ower-e n mgh ue onuon wh he me word n moregener ene:
oe o he omn hoo nove wh rghorwrdy romn o
This covers the use o capitals when terms such as Conservative, Democrat(ic),
Indeenden, Ler, Non(), eun, So() reer o efpolitical parties or movements, e.g. the Independent Labour Party, the Social
nd Ler emor, u no oherwe, e.g. mn o onervve (orer) vew.
For movemen nd erod wh he refx neo nd oher omound,ee 6.5.
6.4 TITLS OF BOOKS AN OT WITINSIn most modern European languages except English and French, and in Latin
nd rnered Svon nguge, zon n he e o ook,series, articles, essays, poems, etc. ollows the rules o capitalization in normal
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32 MHRa stYlE GUiDE
prose. That is, the frst word and all proper nouns (in German all nouns) take
n n , nd oher word ke ower-e n:
La vida es sueo; El alcalde de Zalamea; Il seme sotto la neve; De senectute;Autorenlexikon der deutschen Gegenwartsliteratur; Obras clssicas daerur orugue
In English titles the initial letters o the rst word and o all nouns,
pronouns (except the relative that), adjectives, verbs, adverbs, and
uordnng onjunon re zed, u hoe o re, oevedeterminers (my, etc.), prepositions, and the co-ordinating conjunctions
nd, u, or, nd nor re no:
(books) Put Out More Flags; How Far Can You Go?; The Man Who Was
Thursday; Alls Well that Ends Well; Pride and Prejudice; A Voyage towardsthe South Pole; (ere) A So ory o he Weh Lnguge; (oem) TheFaerie Queene; The Pone Sheherd o h Love
The fr word o ue oowng oon zed:
Strange Music: The Metre o the English Heroic Line
The Wild Card o Reading: On Paul de Man
u or, nrodung n ernve e er em-oon, no:
All or Love; or, The World Well Lost
English works with oreign titles are normally capitalized according to
he ngh onvenon rher hn h o he nguge o he e:
Religio Medici; Porr dune Femme; L Fg he Pnge
In French titles it is normally only the initial letters o the frst word and o
proper nouns that are capitalized. But i the frst word is a defnite article, the
oowng noun nd ny reedng djeve o ke n n :
Le Mdecin malgr lui; Les Grands Cimetires sous la lune; Un dbut dansla vie; Une tnbreuse afaire; Du latin aux langues romanes; Nouveau coursde grammaire; Histoire de la littrature ranaise; A la recherche du tempsperdu
owever, or reon o ymmery, re omeme ued eewhere:
Le Coreu e e enrd; Le Rouge et le Noir
nd e onng o omee enene do no ke ddon :
Les dieux ont soi; La guerre de Troie naura pas lieu
Czon n he e o newer nd journ nonen. Inparticular, in Romance languages, initials o some or all nouns and adjectives
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. capitals 33
are sometimes capitalized, e.g. Le Bien Public, Il Corriere della Sera, Dernires
Nouvelles dAlsace, El Pas, La Repubblica, Revue de Linguistique Romane.
The e roedure o do he reerred ye o eh uon.
6.5 COPONSC houd e rened er he refx n hyhened omound ormuh :
anti-Semitism, neo-Aristotelian, non-Christian, post-Darwinian, post-
Imreonm, re-Coumn
Boh r o he omound re zed n Pre-hee.
The ollowing unhyphenated orms, uncapitalized or capitalized ashown, re reerred:
neo, neooon, neorem, neohoNeoonm, Nononormm, Preor
Archaeologists and historians, when reerring to prehistoric eras, usually write
hem one word, zed when noun u no when n djeve:
eore he Neoh, neoh e
In titles and headings, all parts o the compound are normallyzed:
Anglo-Jewish Studies, Non-Christian Communities, Seventeenth-Century
u, Po-C Lerure
owever, ony he refx zed oh r re eeny one wordn hyhened omound ormed wh re-:
emory e-ehed
6.6 ACCNT CAPITALS Accents should be retained on capitals in languages other than English,
e.g.:
e oyen ge, re, e ure, on
However, the French preposition may drop the accent when capitalized
(A bientt! See you oon!).
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34 MHRa stYlE GUiDE
6.7 SALL CAPITALSSm re ey degned , he hegh nd vu wegho which approximate to those o lower-case letters. They are normally
ued or romn voume numer, o ode, roeon nd demqufon, aD, bc, cE, nd bcE. They o rovde n ernve oitalic and bold type in the typographic treatment o subheadings. For urther
gudne on romn numer, ee 8.3.For the presentation o small capitals when preparing copy, see 1.3.3
nd 1.3.15.
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7C
7.1 NAvoid the use o italics or rhetorical emphasis. Any word or phrase
individually disussed should, however, be in italis, and any interpretation
o it in single quotation marks:
e glosses pale as ened land, park.
t may also be desirable to use italis to distinguish one word or phrase rom
another, as, or example, in 23 pril not 23rd pril.
7.2 FON WO N QOON
Single words or short phrases in oreign languages not used as direct
quotations should be in italis. iret, aknowledged, or more substantial
quotations should be in roman type (in small print or within single quotation
marks). For the setting o quotations, see Chapter 9.
Foreign words and phrases which have passed into regular English usage
should not be italicized, though the decision between italic and roman
type may sometimes be a ne one. n doubtul instanes it is usually best
to use roman. The ollowing are examples o words which are no longer
italiized:
avant-garde dilettante milieu role
lih ennui par exellene salon
debris genre per ent status quo denouement leitmoti rsum vie versa
ee also 2.2 and the New Oxford Dictionary for Writers and Editors.
Certain Latin words and abbreviations which are in common English
usage are also no longer italiized. For example:
., e.g., et al., et., ibid., i.e., passim, viz.
xeptions are made o the atin sic, requently used within quotations (see
5.3) and thereore conveniently diferentiated by the use o italic, and ocirca
(abbreviated as c., see 8.1). ee also 11.3 on the use o suh abbreviations.
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36 MHRA STYLE GUIDE
7.3 OF BOOK N O WNtalis are used or the titles o all works individually published under their
own titles: books, journals, plays, longer poems, pamphlets, and any other
entire published works. However, titles such as the Bible, the Koran,
and the almud are printed in roman, as are titles o books o the Bible
(see 11.2.8). itles o series are not italiized, e.g. heory and istory o
iterature. he titles o hapters in books or o artiles in books or journals
should be in roman type enlosed within single quotation marks (see 11.2.3
and 11.2.4). The titles o poems, short stories, or essays which orm part o a
larger volume or other whole, or the rst lines o poems used as titles, should
also be given in roman type in single quotation marks:
hophile autiers rt; Keatss Ode on a reian rn; helleys usi,When ot Voies ie; Joyes he ead; Baons O uperstition
The titles o collections o manuscripts should be given in roman type without
quotation marks (see 11.2.9). The titles o unpublished theses should be given
in roman type in single quotation marks (see 11.2.6).
As recommended in 5.5, titles o other works which appear within an
italicized title should be printed in italics and enclosed within single quotation
marks:
An Approach to Hamlet
In the citation o legal cases the names o the contending parties are given
in italis, but the intervening v. (or versus) is in roman:
Bardell v. Pickwick
7.4 OF F, C COPOON,N WOK OF
Titles o flms, substantial musical compositions, and works o art areitaliized:
The Great Dictator; Il trovatore; Elijah; Swan Lake; Beethovens Eroica
Symphony; Tapiola; Die schne Mllerin; Goyescas; The Haywain; The
Laughing Cavalier; psteins Christ in Majesty
esriptive or numerial titles suh as the ollowing, however, take neither
italis (exept in a reerene to a publiation or reording: see 11.2.11) nor
quotation marks:
Beethovens Third Symphony; Bachs Mass in B minor; Mendelssohns Andante
and herzo; Piano Conerto no. 1 in B fat minor
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. ITALIcS 37
itles o songs and other short individual piees (like those o poems; see
7.3) are given in roman and within single quotation marks:
Who is Sylvia?; La Marseillaise; Mercury, the Winged Messenger rom
olsts The Planets
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8
DATES, NUMBERS, CURRENCY,
AND WEIGHTS & MEASURES
8.1 DATESD houl gin in h orm 23 April 1564. Th nm o h monh
houl lwy ppr in ull wn h y (23 not 23r) n h yr.
o inrnl punuion houl u p whn y o h wk i
mnion, .g. Friy, 12 Oor 2001. i i nry o rr o in both Old and New Styles, the orm 11/21 July 1605 should be used.
For dates dependent upon the time o beginning the new year, the orm
21 Jnury 1564/5 houl u. hn rrring o prio o im, u
h orm rom 1826 o 1850 (not rom 182650), rom Jnury o rh
1970 (not rom Jnuryrh 1970). n iion o h r, bc, bce,
n ce ollow h yr n ad pr i, n mll pil wihou ull
poin r u:
54 bc, 54 bce, 367 ce, ad 367ih rrn o nuri, ll o h, inluing ad, ollow:
in h hir nury ad
n rrn o , n s wihou n poroph houl u:
h 1920 (not h 1920)
n rrn o nuri h orinl houl pll ou:
h inh nury (not h 16h nury)inh-nury rm
n giing pproim circa houl ri c. ollow y
p:
c. 1490, c. 300 bc
8.2 BES
umr up o n inluing on hunr, inluing orinl, houl wrin in wor whn h on i no iil. Figur houl u
or olum, pr, hpr, n pg numr; u no:
Th on hpr i longr hn h fr.
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. dates, NUMbeRs, cURReNcY, aNd WeIGHts aNd MeasURes 39
Figur r lo u or yr, inluing ho low on hunr ( 8.1).
owr, numr h ginning o nn n pproim numr
should be expressed in words, as should hundred, thousand, million,
illion, ., i hy ppr whol numr:
Two hunr n ory-n pg wr wrin.
Th fr roy ou f houn ook.
Sh li n wro houn yr go.
Words should be preerred to gures where inelegance would otherwise
rul:
k or niny olir n ri nin hunr n niny.
In expressing inclusive numbers falling within the same hundred, the last twofgur houl gin, inluing ny zro in h pnulim poiion:
1315, 4447, 10022, 10408, 193339
hr our-igi numr o no ll wihin h m hunr, gi oh
fgur in ull:
10981101
D o lipn houl gin in ull, .g. 19131991. Dpn or
the Christian era should be stated in ull since the shorter orm could bemiling:
Th Fir Puni r (264241 bc) (not 26441 bc)
Numbers up to 9999 are written without a comma, e.g. 2589; those rom
10,000 upwr k omm, .g. 125,397; ho wih n or mor igi
k wo or mor omm, pring group o hr igi ouning rom
the right, e.g. 9,999,000,000. However, where digits align in columns, in
opy uh l or oun, omm mu oninly inlu or
omi in ll numr o 999.
8.3 OA EAS Th u o romn numrl houl onfn o w pif purpo: (a) large capitals for the ordinals of monarchs, popes, etc. (Edward VII), and
or mjor uiiion wihin ;
(b) small capitals for volume numbers of books (journals and series take arabic
numrl), lo or h o ply, or ook or ohr mjor uiiiono long pom, nol, . ( 11.2.7), n or rin oumn.
() mll pil or nuri in om lngug ohr hn Englih (xvI
il, iglo xvII); howr, in Cyrilli rip lrg pil r u;
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40 MHRa stYLe GUIde
(d) lower case or the preliminary pages o a book or journal (even i the
originl u pil), whr h r numr prly, n or minor
subdivisions within a text; inclusive numbers are written out in ull, e.g.
iiii no iiii.
8.4 CECor houl u o pr impl um o mony ourring in norml
pro:
Th mnurip w ol or igh hilling in 1865.Th rprin o wny-f poun or ory uro.
Th w hr hunr rn.
Names o oreign currencies should be given in their English orm where
on i in ommon u, .g. mrk or uhmrk (not uh rk),
[Swedish] crown, etc. Note too the use of English plurals such as drachmas,
pnnig (but [lin] lir).
Sums of money which are awkward to express in words, or sums occurring
in iil l, ., my wrin in fgur. Briih urrny or
1971 houl hown in h ollowing orm:
Th mnurip w ol or 197 12. 6. in 1965.UK decimal currency should be expressed in pounds and pence separated by
ull poin on h lin, no y omm:
12.65 (no 12,65 or 12.65p)
Sums below one pound should be shown thus (without a ull point ater
p):
84p, 6p
Th m onnion pply o um pr in uro, ollr, or yn:
250, $500, $8.95, 25, 2000
hr i i nry o piy h rrn i o h Amrin, Cnin,
or some other dollar, an appropriate abbreviation precedes the symbol
wihou ull poin or p:
S$, C$ (orCn$), A$ (orAu$), Z$
In most cases, abbreviations or (Swiss) rancs, Scandinavian crowns,or pre-2002 European currencies ollow the gure, rom which they are
separated by a space, and are not followed by a full point, e.g. 95 F, 250 Kr
(BF, FF, SwF, DKr, NKr, SKr where it is necessary to specify Belgian, French,
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. dates, NUMbeRs, cURReNcY, aNd WeIGHts aNd MeasURes 41
Swiss, Danish, Norwegian, or Swedish currency). However, the abbreviation
D or h rmn mrk pr h fgur n i pr rom i y
p, .g. D 8.
Th nm o ohr urrni r wrin ou in ull:
350 uo, 500 p, 20 roul
8.5 ETS AD EASES n non-iil on pr wigh n mur in wor:
ough phil o lunum n n oun o rni phrmy wo
mil rom Chpi.
In statistical works or in subjects where requent reerence is made to
hm, wigh n mur my pr in fgur wih ppropri
riion:
Th priory i iu 3 km rom h illg o Emhll. The same 13 mm capitals were used by three Madrid printers at diferent im.
o h mo uh riion o no k ull poin or plurl s:
1 kg, 15 kg, 1 mm, 6 m, 15 m, 4 l (lir), 2 , 100 l, 10 oz
u, o oi miguiy, u in. or inh().
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9
QUOTATIONS AN
QUOTATION AKS
9.1 NAQuotation marks should normally be reserved or indicating direct quotations,
de wrd, r r herwe hghlghg wrd r phre. Avd
the practice o using quotation marks as an oblique excuse or a loose, slang,
r mprece (d pbly ccre) wrd r phre.In quoted passages ollow the original or spelling, capitalization, italics,
d pc (b ee 2.4, 5.3, 5.7, 9.3, d 9.4).
Pre mre h ry wrd gle prgrph r
vere mre h w le re cdered hr ,
d re be reed 9.3 belw. All her hld be reed
as long quotations, as in 9.4 below. I, however, several short quotations
cme cle geher d re cmpred r cred r herwe e
exmple, my be pprpre re hem geher lg .
9.2 IN ANUAS OT TAN NISQ lgge her h glh re reed he me wy
he glh (ee 7.2). Ule here re pecl re he crry,
he rm mrk reg lgge ( ec.) hld be
rmlzed glh ge.
9.3 SOT QUOTATIONS
Shr hld be ecled gle mrk d r wh he m ex. I vere clde le dv, h hld
be mrked wh pced prgh rke ( | ).
Balzacs amous observation, Je suis en train de devenir un gnie, has generated
mch cepcl cmme.
I had seen birth and death | But had thought they were diferent, muses Eliots
We .
For a quotation within a quotation, double quotation marks should be
ed:
r re reple h er le ly d We m d hg b wh
he lke! .
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43. quotations
I a short quotation is used at the end o a sentence, the nal ull point should
be de he clg mrk:
be rd wh Seve cll lle jdc levy.
This rule applies even when a quotation ends with a ull point in the original,
and when a quotation orms a complete sentence in the original but, as
ed, egred wh eece rdc r cmme wh
erveg pc:
We ler ce h Brke hd h kd bey whch eem be
hrw rele by pr dre.
Fr whch re eher errgry r exclmry, pc
mrk hld pper bh bere d er he clg mrk:
The pe llwed by chrd demdg wll m y Ame?.
Why de Shkepere gve lclm he bl e Oh, by whm??
The l ll p hld precede he clg mrk ly whe
the quotation orms a complete sentence and is separated rom the preceding
pge by pc mrk. Sch my be errped:
Wlde d, e d e he erm he hd lredy hdde here.
Sme dded: Well, I hpe y bh ejy yrelve. Hardys Satires of Circumstance was not well received. The gloom, wrote
y Srchey h revew , eve releved by lle elegce
dc.
I h l exmple, he cmm er glm llw he mrk
here cmm he rgl. Cr:
I r, r beer hg h I d, Cr er, h I hve ever de.
ere he rgl h cmm er I d. B whe he ed
e mrk r exclm mrk, llwed by cmm:
Wh hk y bk? d he.
Whe hr llwed by reerece prehee, he l
pc hld llw he clg prehe:
e me he efec be e delbere (p. 29).
There is no reason to doubt the efect o this secret humiliation (Book 6,
Chper 52).
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44 MHRa stYLE GuiDE
9.4 ON QUOTATIONS
Long quotations should be broken of by an increased space rom the
precedg d llwg le ypecrp. A lg hld ever
be ed he mddle eece he m ex: reble
expec he reder crry he ee eece cr everl
le legh.
Long quotations should not be enclosed within quotation marks.
A quotation occurring within such a long quotation should be in single
quotation marks; i a urther quotation occurs within that, double quotation
marks should be used. Foreign orms o quotation marks (see 9.2) should not
be preerved le here re pecl re r dg .
Pre , cldg he r le, hld be deed; verequotations should ollow the lineation and indentation o the original. These
lger hld be dble pced d hey hld be mrked by
vercl le he mrg dce h hey re be pred he rm
whch drd r he pblc ccered. T he ypeeer,
lg hld be mrked wh ecrcled e vere r pre
in the margin i there is any possibility o doubt. When printed, a long
my be dghed rm he m ex by eg mller
size, indenting it, or a combination o the two. The preparation and marking
he ypecrp he mer decrbed wld, hwever, be ble ry lkely yle prg.
g hld rmlly ed wh ll p; eve hgh he
rgl my e her pc, here eed (excep r e
mrk r exclm mrk) preerve h he ed .
Avoid interpolations indicating source that introduce square brackets
he peg le lg , e.g.:
This play [writes Dr Johnson, reerring toCymbeline] has many just sentiments,
some natural dialogues, and some pleasing scenes, but they are obtained at theexpee mch cgry.
The need or any such ormulation can be eliminated by some such rephrasing
he llwg:
eerrg Cymbeline, r Jh wre:
This play has many just sentiments, some natural dialogues, and some
pleg cee.
A reerence in parentheses ater a long quotation should always be placedde he clg ll p, d wh ll p w (ee he
r exmple 9.5).
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45. quotations
9.5 QUOTATIONS FROM PLAYSWhere a quotation from a play is longer than about forty words, or two lines
v, g ( 9.4). W pg
p w x pv, g
pp pk g .
W g p k v, p
k p w
g. W x g, p
p g p p
g w pp .
Most academic publishers have well-established conventions that should
be observed when preparing a typescript. The following rules apply to MHRAp w p pp.
Prose quotations are set full out with the speakers names in small capitals,
w p w p. S
p . Sg w x
in italic type within roman parentheses. If a stage direction immediately
w pk , p pg x p
g , g p. Sg w
occupy a line on their own are indented further than the text, and set in
italic type without parentheses. No extra space is inserted between speakers.T xp:
brassbound I w p ww p. D
g g j?
lady cicely (gaily shaking out the fnished coat) O, gg
J, I gv p. Y j
v g; g 5000 , g.
She holds the coat up to see whethe