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    CONDITIONS OF USE

    As a service to the scholarly community, the MHRA is making the latest

    edition o the Style Guide (2) available or download ree o charge as an

    Adobe Acrobat PDF fle.

    Please note that the text of the Style Guide is Modern Humanities

    Research Association, 2008. You may download and make copies for personal

    use, but you may not re-publish the content, either digitally or in print.

    For licensing reasons it has not been possible to include here the BSI

    proo correction marks which appear in Chapter 15 o the printed version

    o the Guide.

    Printed copies o the Style Guide may be bought rom:

    www.style.mhra.org.uk(price 6; $15).

    http://www.mhra.org.uk/Publications/Books/StyleGuide/index.htmlhttp://www.mhra.org.uk/Publications/Books/StyleGuide/index.htmlhttp://www.mhra.org.uk/Publications/Books/StyleGuide/index.html
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    eModernHumanitiesResearchAssociation was founded inCambridge inandhasbecomean internationalorganizationwithmembersin all parts of the world. It is a registered charity number , and a company limited byguarantee,registeredinEnglandnumber.Itsmainobjectistoencourageadvancedstudyandresearchinmodernandmedievallanguagesandliteraturesbyitspublications.PUBLICATIONS. eAssociationsmajorpublications,includingmostbackvolumes,areavailableeitherinoriginalissuesorinreprint.PricelistsforvolumesheldbytheAssociationmaybeobtainedfromPublicationsSales,ManeyPublishing,Suite,JosephsWell,HanoverWalk,Leeds,UK;emailmhra@maney.co.ukFulldetailsareavailablefromwww.mhra.org.ukJOURNALSTHEMODERNLANGUAGEREVIEW* THEYEARBOOKOFENGLISHSTUDIES* THEYEARSWORKINMODERNLANGUAGESTUDIES THEANNUALBIBLIOGRAPHYOFENGLISHLANGUAGEANDLITERATURE* THESLAVONICANDEASTEUROPEANREVIEW* PORTUGUESESTUDIES* AUSTRIANSTUDIES* OXFORDGERMANSTUDIES*(jointlywithManeyPublishing) BOOK SERIESPUBLICATIONSOFTHEMHRAMHRATEXTSANDDISSERTATIONSMHRABIBLIOGRAPHIESMHRACRITICALTEXTSLEGENDA(jointlywithManeyPublishing)GUIDESMHRASTYLEGUIDE**indicatespublicationinprintedandelectronicform.

    mailto:[email protected]:[email protected]://www.mhra.org.uk/http://www.mhra.org.uk/http://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://ywmls.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://abell.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.mhra.org.uk/Publications/Journals/Portuguese.htmlhttp://www.mhra.org.uk/Publications/Journals/Portuguese.htmlhttp://www.mhra.org.uk/Publications/Journals/Portuguese.htmlhttp://www.mhra.org.uk/Publications/Journals/Austrian.htmlhttp://www.mhra.org.uk/Publications/Journals/Austrian.htmlhttp://www.mhra.org.uk/Publications/Journals/Austrian.htmlhttp://www.mhra.org.uk/Publications/Journals/ogs.htmlhttp://www.mhra.org.uk/Publications/Journals/ogs.htmlhttp://www.mhra.org.uk/Publications/Journals/ogs.htmlhttp://www.mhra.org.uk/Publications/Journals/ogs.htmlhttp://www.mhra.org.uk/Publications/Journals/ogs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/texts.htmlhttp://www.mhra.org.uk/Publications/Books/texts.htmlhttp://www.mhra.org.uk/Publications/Books/texts.htmlhttp://www.mhra.org.uk/Publications/Books/texts.htmlhttp://www.mhra.org.uk/Publications/Books/texts.htmlhttp://www.mhra.org.uk/Publications/Books/texts.htmlhttp://www.mhra.org.uk/Publications/Books/texts.htmlhttp://www.mhra.org.uk/Publications/Books/texts.htmlhttp://www.mhra.org.uk/Publications/Books/bibliographies.htmlhttp://www.mhra.org.uk/Publications/Books/bibliographies.htmlhttp://www.mhra.org.uk/Publications/Books/bibliographies.htmlhttp://www.mhra.org.uk/Publications/Books/bibliographies.htmlhttp://www.mhra.org.uk/Publications/Books/criticaltexts.htmlhttp://www.mhra.org.uk/Publications/Books/criticaltexts.htmlhttp://www.mhra.org.uk/Publications/Books/criticaltexts.htmlhttp://www.mhra.org.uk/Publications/Books/criticaltexts.htmlhttp://www.mhra.org.uk/Publications/Books/criticaltexts.htmlhttp://www.mhra.org.uk/Publications/Books/criticaltexts.htmlhttp://www.mhra.org.uk/Publications/Books/Legenda/index.htmlhttp://www.mhra.org.uk/Publications/Books/Legenda/index.htmlhttp://www.style.mhra.org.uk/http://www.style.mhra.org.uk/http://www.style.mhra.org.uk/http://www.style.mhra.org.uk/http://www.style.mhra.org.uk/http://www.style.mhra.org.uk/http://www.mhra.org.uk/Publications/Books/Legenda/index.htmlhttp://www.mhra.org.uk/Publications/Books/criticaltexts.htmlhttp://www.mhra.org.uk/Publications/Books/bibliographies.htmlhttp://www.mhra.org.uk/Publications/Books/texts.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Journals/ogs.htmlhttp://www.mhra.org.uk/Publications/Journals/Austrian.htmlhttp://www.mhra.org.uk/Publications/Journals/Portuguese.htmlhttp://www.seer.mhra.org.uk/http://abell.mhra.org.uk/http://ywmls.mhra.org.uk/http://www.mhra.org.uk/Publications/Journals/yes.htmlhttp://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.mhra.org.uk/mailto:[email protected]
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    mhra STYLE guidE

    A HANDBOOK FOR

    AUTHORS, EDITORS,

    AND WRITERS

    OF THESES

    SECOND EDITION

    LONDON modern humanities research association

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    T f Style Guide b by b

    f MHRA g f Glvll P B R (C),Malcolm Cook, Mari Jones, Gerard Lowe, Stephen Parkinson, and Liz

    Rl.

    The Style Guide may be ordered through the MHRAs website at

    www.yl..g.k. I l vlbl l .

    For further information about individual membership and the activities

    of the MHRA, visit the website at www.mhra.org.uk or contact the

    Honorary Secretary, Professor David Gillespie, Department of European

    Studies and Modern Languages, University of Bath, Bath BA2 7AY, UK

    (l: [email protected]).

    ISBN 978-0-947623-76-0

    M H R A, 2008

    F 2002. S 2008.Reprinted with minor corrections 2009.

    You may download and make copies for personal use, but you may not re-publish the content.

    http://www.style.mhra.org.uk/http://www.mhra.org.uk/mailto:[email protected]:[email protected]:[email protected]://www.mhra.org.uk/http://www.style.mhra.org.uk/
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    1

    1

    CONN

    NOCON

    PPN FO PBCON

    . trduti 2. eeral

    .. Preferred tyles 2

    .. letri ubmissi 3

    .. 3Chekig

    . Preparati f Cpy

    .. eeral 3

    .. strutis fr the ypig f Cpy

    .. Fts ad Capitals 5

    .. eadigs ad ubdivisis 5

    .. ashes 6

    .. Qutati arks 6

    .. uig eads 6

    .. Numberig f Pages 7.. ypig Cvetis 7

    .. Ntes 8

    .. llustratis 8

    .. ables 10

    .. Crss-referees 10

    .. Cpy Prdued a ypewriter 10

    ... eeral 4 ... Crretis, sertis, ad

    Cmmets 4

    .. peial Charaters ad iaritis,

    ad N-ati ripts 7

    . uthr-typeset Frmats

    .. eeral 11

    .. iret letri ubmissi 11

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    iv MHRA STYLE GUIDE

    .. Camera-ready Cpy

    ... eeral 11

    ... ypgraphi tyle ad ayut 11

    . Order f Parts f a Bk 12

    2 PN N

    . Preferred pelligs 14

    . iaritis 14

    . yphes 15

    . Qutatis 16

    . Pssessives

    .. eeral 17

    .. Prper Names 17

    . ruatis 17

    . Plurals 18

    3 N

    . Plae-ames

    .. ws ad Cities 19 .. Cutries 19

    . ademi stitutis 20

    . Persal Names

    .. Celti Names 20

    .. Freig Names

    ... eeral 20

    ... rasliterati f lavi Names 21

    4 BBVON

    . eeral 23

    . itles 23

    . Fttes ad dtes 23

    . se f Full Pit 24

    . meria tates 24

    5 PNCON. Cmmas 25

    . ashes 26

    . Paretheses ad Brakets 27

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    conTEnTS v

    . Putuati i eadigs 27

    . Putuati with talis 27

    . Qutati arks 28

    . llipses ad quare Brakets 28

    6 CP. eeral 30

    . itles ad igities 31

    . vemets ad Perids 31

    . itles f Bks ad Other Writigs 31

    . Cmpuds 33

    . eted Capitals 33

    . mall Capitals 34

    7 C. eeral 35

    . Freig Wrds ad Qutatis 35

    . itles f Bks ad Other Writigs 36

    . itles f Films, usial Cmpsitis, ad Wrks f rt 36

    8 DATES, NUMBERS, CURRENCY, AND WEIGHTSN

    . ates 38

    . Numbers 38

    . ma Numerals 39

    . Currey 40

    . Weights ad easures 41

    9 QOON N QOON K. eeral 42

    . aguages Other tha glish 42

    . hrt Qutatis 42

    . g Qutatis 44

    . Qutatis frm Plays 45

    . Omissis 46

    . Cpyright ad Permissis 46

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    vi MHRA STYLE GUIDE

    10 FOONO N NNO. eeral 47

    . ethds f imitig Ntes 47 . Psiti ad Numberig 47

    11 FNC. eeral 49

    . Frms f eferee

    .. eeral 49

    50

    5456

    58

    58

    59

    59

    59

    .. Bks

    .. Chapters r rtiles i Bks.. rtiles i Jurals

    .. rtiles i Newspapers ad agazies

    .. heses ad issertatis

    .. Plays ad g Wrks

    .. he Bible

    .. ausripts

    .. Olie Publiatis

    .. erdigs, Films, ad igital edia 62

    ... eeral 60 ... Olie rtiles 61

    ... Olie atabases 61

    ... Other ures 62

    . ater eferees 63

    . Citati by the uthrate ystem 63

    . Crss-referees 65

    . Bibligraphies 65

    12 PPON OF NX. eeral 67

    . dex tries 67

    . he dexer 68

    13 PPON OF NON

    . eeral 69

    . egth f the hesis 69

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    MHRA, 2008. www.style.mhra.org.uk

    conTEnTS vii

    . Parts f the hesis

    .. itle Page 69

    .. bstrat r ypsis 70

    .. able f Ctets ad ist f llustratis 70 .. Prefae, kwledgemets, elarati 70

    .. ist f bbreviatis 71

    .. ext 71

    .. Ntes 71

    .. ppedies 71

    .. Bibligraphy 71

    .. dex 72

    . Preparati f the ypesript .. eeral 72

    .. eadigs ad ubheadigs 72

    .. Chekig ad Crreti 73

    .. Crss-referees 73

    .. llustratis ad ables 73

    .. Number f Cpies 73

    . Bidig 73

    . Permissi t Csult ad Cpy 74 . Further eadig 74

    14 F WOK OF FNC 75

    15 POOF COCON 76

    16NX 8

    7

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    MHRA, 2008. www.style.mhra.org.uk

    INTRODUCTION

    The MHRA Style Guide is intended primarily for use in connection withthe Modern Humanities Research Associations own books and periodicals,

    and with the preparation of theses. However, it is hoped that it will also bewidely useful to authors, editors, and publishers.

    The Style Guide is the successor to the MHRA Style Book, frst publishedin 1971 under the editorship of A. S. Maney and R. L. Smallwood, and

    revised in later editions. This second edition takes account o comments and

    suggestions made by users o its predecessor, the Style Guide o 2002,and we

    are grateul or these. It has been updated, especially in order to take account

    of the widespread use of electronic means of text preparation, submission,and publication. Some sections have been revised or expanded for the sakeof clarity and completeness, and new ones have been added; in this process,the previous Chapter 2 has been divided into a revised chapter on Spelling

    and Usage and a new Chapter 3 on Names. Material that seemed redundanthas been removed.

    Any comments and suggestions for amendments or additions will be

    welcomed and may be sent to [email protected] Style Guide is also available online at www.style.mhra.org.uk.

    mailto:[email protected]://www.style.mhra.org.uk/http://www.style.mhra.org.uk/mailto:[email protected]://www.mhra.org.uk/Publications/Books/StyleGuide/index.html
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    MHRA, 2008. www.style.mhra.org.uk

    1

    RER TERL FR

    LT

    1.1 TRDT

    Ti cap a wi ppaaion o cop o iing an ubqun

    pubicaion in an mium. an o i pincip ao o o om in

    wic aic a ubmi o coniaion b jouna io ( 1.2.1).

    Submiion o copy prepared uing a word proceor i preerred pracice, and

    cop ppa uing a pwi i xcpion. o pubi qui

    auo o upp cop in igia oma, uua a an mai aacmn o

    on i. Ti cap i o win on aumpion a a

    wi b uing a wo poco, aoug pcic guiin a poi o

    hoe uing a ypewrier (ee 1.3.15). n hi chaper, yped mean prepared

    on a boa (no ncai on a pwi) an pcip o

    an om o a cop pouc in i wa.

    1.2 EERL1.2.1 reerred Styles

    Wn ppaing a x o pubicaion, auo ou a u accoun

    o o o onibuo o nucion o uo o jouna o

    erie. Thee wi peciy he orm in which arice or book ypecrip houd

    b ubmi o coniaion, an oganizaion o cop in aic o

    pubicaion (uc a poiioning o abac an ai o auo

    afiation). Whie ome pubication have their own tye book or tye

    , mo ba i o on a common gui o uc a i StyleGuide, wih addiiona pecic requiremen depending on he preerence o

    i io, pubi, o pin. onibuo o HR pubicaion

    The Slavonic and East European Review an The Years Work in Modern

    Language Studies houd noe ha each o hee ha cerain convenion ha

    if omwa om o ai own in i Style Guide.

    ou x incopoa maia ci om o auo, nu

    a i conom o ou own aou.

    nc a x a bn accp o pubicaion, io wi noma a

    he auhor o prepare a na revied verion o he ex, incuding correcion

    o he ye o he work, in addiion o any ubanive reviion recommended

    b a. a u agua, man pubi mpo ub-io o

    nu a na cop i ppa o bo ping.

    http://www.seer.mhra.org.uk/http://www.ywmls.mhra.org.uk/http://www.ywmls.mhra.org.uk/http://www.ywmls.mhra.org.uk/http://www.ywmls.mhra.org.uk/http://www.seer.mhra.org.uk/http://www.mhra.org.uk/Publications/Books/StyleGuide/index.html
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    3. PrePArING MAterIAl Or PUBlICAtION

    1.2.2 EleCtrONIC SUBMIssIONwa a ou io wa compu oma, mia, an mo o

    anmiion (.g. i, mai, upoa) a accpab i i inomaion

    doe not appear in uppied guideine. The editor wi oten expre apreerence or a particuar word-proceor ormat (and graphic ormat

    w appopia). i a uppi, ou b ab wi

    auo nam, i o wo, an nam an ai o ion

    o owa u. o a aoug conic ubmiion i nom,

    auo a uua ao qui o poi a a-cop pinou. T a

    cop ou copon xac o conic ion.

    1.2.3 heCkINGT na ion o cop ou b cau cc bo i.

    quotation houd be checked againt origina, and not merey againt

    piou a o wo. uo a ponib o compn

    and correcne o reerence. Enure ha no exraneou commen or querie

    a mb in . Eio wi noma ga i ion o

    an aic a na an ma u o accp ubani aaion o poo

    o ma cag o auo cocion.

    1.3 RERT F Y

    1.3.1 eNerAlThe iniia ubmiion o an arice or monograph wi uuay be a hard copy

    on, oug an conic cop ma ao b qui. Eio wi cicua

    x in i om o a o . n ca o jouna aic o

    connc pap n anonmou o a, auo nam wi a

    o b omi om a pag xcp co pag (wic a wi no

    ). T na om o x, a a nca iion, wi noma

    b uppi conica an a a cop. T io wi u a

    cop o inica mino amnmn, o a inucion o p,

    an o a pobab ng o wo wn ma up ino pin

    pag. T p qui a pin ion o nu a a pa o

    cop a pn in conic ion an o o an pobm

    a ma ai wn wo-poco i con o p

    yem. Where pecia characer or accen or non-Lain crip are invoved,

    i i nia.

    uo ou i mpaion o oign i na cop. Tincreaing capaciy o word proceor o manipuae muipe on, ype ize,

    and page ayou enabe auhor o prepare hard copy o a andard maching

    good ypography, bu many o hee efec are incompaibe wih ypeeer

    http://www.mhra.org.uk/Publications/Books/StyleGuide/index.html
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    MHRA, 2008. www.style.mhra.org.uk

    4 MHRA STYLE GUIDE

    systems ad are lst versi. artiular, autmati umberig

    lists, headigs, ad rss-reerees, i whih the wrd ressr lls i the

    rret umber, shuld be avided as the des embedded i the muter

    les are specic to the word processor and may be lost on conversion. Whereauthors wish to structure an article into sections, conventional headings

    (see 1.3.4) should be used. I a specifc page layout is required, the hard

    y shuld be atated ardigly r a exlaatry te rvided (see

    1.3.2.2).

    Hard copy should be clearly printed on one side only o good white paper

    a stadard size, reerably 4 r meria letter size. he ages shuld

    be umbered (see 1.3.8) ad jied with a li, t staled. uthrs shuld

    retai a y the submitted versi, bth disk ad as hard y.

    1.3.2 nSTRUcTIonS oR THE YpInG o CopY

    1.3.2.1 GEnERAL

    uble-saig (t allw r editrial rretis) ad e size a simle

    tyeae shuld be used thrughut, iludig ttes r edtes ad

    extended quotations. Margins o at least 2.5 cm should be let all round

    ad the t quarter the rst age the text let lear, r a sub-editrs

    additis. he rst lie eah aragrah (exet the rst aragrah a

    hater, seti, r artile) shuld be ideted by e tab harater; d t

    indent text by inserting multiple spaces. Do not adopt the convention o

    startig eah aragrah ull let ater a extra lie-sae; the sae betwee

    aragrahs shuld be the rmal lie saig. ext shuld be let-justied

    but not ully justifed. The word processors automatic hyphenation must

    be swithed f.

    Use a seri ont such as Times New Roman to avoid conusion o characters

    suh as uer-ase ad lwer-ase l, whih a lk almst idetial i

    sas seri tyeaes suh as rial (I ad

    l resetively).

    1.3.2.2 coRREcTIonS, InSERTIonS, AnD coMMEnTSuthrs shuld make ay rretis t the wrd-ressr le ad submit

    a ully revised versi eletrially ad as hard y. ditrs may eed t

    mark corrections on the hard copy, and, i brie, these should be added legibly

    i a rmiet lur at the arriate it i the text, s the tyesetter

    can add each emendation to the le efciently. I a correction consists o more

    than one or two sentences, or contains typographically complex text, it should

    be rited a searate sheet aer ad als sulied eletrially, witheah wrd-ressr le learly amed ad the same veti used r

    the amayig hard y, e.g. sert . t the arriate it i the

    hard copy o the main text write Insert A attached. Comments or the editor

    http://www.mhra.org.uk/Publications/Books/StyleGuide/index.html
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    MHRA, 2008. www.style.mhra.org.uk

    5. PrePArING MAterIAl Or PUBlICAtION

    may be made in the margin in penci or in an accompanying note. Thoe

    o p, o inica a pcic pag aou, o inion o an

    iuaion ( 1.3.12) o ab ( 1.3.13), o xamp, ou b win

    on a cop, ncic, an ma b pac b i TYESETTERo RTER, o caicaion, o an xpanao no poi.

    1.3.3 FONts ANd APItAls

    The typeetter wi normay have avaiabe typeace in both upper cae

    (ag capia) an ow ca, ac in oman, iaic, an bo ion; in

    aiion, m ou incu a pogapica paa ma capia

    on. Ti ou no b conu wi capia pin in a ma

    type ize ince ma capita ont have been eparatey deigned. Thee

    apab ma b n u:

    LRE TLS sMAll CAPItAls ow ca

    ITALIC CAPITALS italic small capitals italic lower case

    BOLD CAPITALS bold small capitals bold lower case

    LRGE CPITLS houd be typed a uch; text to be et in sMAll

    CAPItAls houd be yped eiher a uch, by uing he word proceor ma

    capia omaing fc, o in ow ca wi oub unining inmanuay on he hard copy (do no ue he word proceor doube-underine

    acii).

    Fo x o b in iaic p ( ap 7), auo ou u

    word proceor iaic orm o a on, which can be auomaicay convered.

    Do no p cop in oman p an unin i, a wa pacic

    wn uing a pwi.

    T bo om o a on ou no noma b u o mpai, inc

    i i oo obruive. However, imied ue may be appropriae in ome conex

    a an anai o u o iaic, .g. o igiging wo in couo xica anai.

    Enure that a egibe ize o ont i ued o that uperior (upercript)

    an inio (ubcip) gu an iaciica an puncuaion ma can

    b ca n.

    1.3.4 HeAdINGs ANd SUBdIvIsIONs

    Do not type heading or ubheading in capita and do not underine or

    iaicize hem, ince eiher mehod may conic wih he ye which he edior

    wihe the printer to oow. No punctuation mark (other than quetion

    ma) ou b u a aing o ubaing.

    ajor ubdiviion within the text, i required, houd be marked by

    increaed pacing. The r ine o a new ubdiviion houd no be indened.

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    6 MhrA style GUIde

    connin m o ignaing numb ubiiion i o numb a

    cion an ubcion wi aabic numa an xp m in i,

    ii b u poin, a in i Style Guide.

    1.3.5 DAshes

    Fo icuion o uag, 5.2. oug wo poco a acii

    o indicae he hor dah or en rue (), he ong dah or em rue (), and he

    xn a o 2-m u (), oowing pacic i commn:

    Anenruleinnumericalspansshouldberepresentedbya pn wi no pac on i i

    Anenrulelinkingtwolexicalitemsshouldberepresentedby wo pn wi no pac on i i

    Anemruleshouldberepresentedbytwohyphenswithspaceoni i

    A2-m u ou b pn b unpac pnccoing o pincip, xamp o uag gin in -an

    coumn wi b p a in ig-an coumn:

    193945 wa 1939-45 wa

    noou ii no--ou ii

    Som pop an incaing Som pop -- an incaing

    numb po i numb -- po i

    on, ao, Shirley on, ao, ShirleyVillette --- Villette

    1.3.6 QUOtAtION ArksMany word proceor wi auomaicay conver raigh inge and doube

    quoaion ma o ma quo ( an ), an i uncion ou b

    ued when preparing copy or the printer. I thi eature i not avaiabe,

    p a bacwa-aning ma (`) o opn ing quo an a ica ma

    (') o co ing quo, an o oub quoaion ma p ing

    quoaion ma wic.

    1.3.7 RUNNING HeAds

    Son aing ma b qui a a o pin pag a r page o he arice or chaper. preerred abbreviaed verion o he ie

    cou b poi b auo on ubmiion o cop an inica a

    op o pag o a cop.

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    7. PrePArING MAterIAl Or PUBlICAtION

    1.3.8 UMBerING O AGesEnure that a page o the hard copy (incuding note or reerence)

    a numb concui in op ig-an con, an inica

    oa numb o pag on pag. an pag a a o mo

    uing iion, ni pin cop mu b numb.

    1.3.9 TyPING ONveNtIONs

    The baic ormatting o the text, particuary the diviion into page and

    in, ou b o p. n paicua, o no u an o a

    oc omaing ic aaiab on ou wo poco, uc a manua

    pag ba an aiaion o pag imnion, o x na on wo

    pag. Ti ma ac om iua apc o ou na cop, bu i wiaoi an n o p o cang oma o ou cop bo

    i can b poc. pn on a commn in 2.3; o no u

    auomaic hyphenaion. The reurn key (or paragraph marker) houd be ued

    on a n o paagap an aing, o o ii in o ab,

    i, o quoaion.

    Doube pace houd no be ued in norma ex, and houd be eiminaed

    rom your copy beore ubmiion. In particuar, type ony a inge pace

    beween he end o a enence and he r characer o he nex, and oowing

    majo puncuaion ma uc a coon an micoon.Do no ig-jui o cn an pa o x, a i wi inouc

    aiiona pac wic a no ai iingui om p pac. Do

    no u coou bacgoun o igig x.

    1.3.10 SPeCIAl hArACters ANd DIACrItICs, ANd ON-LAtIN SCrIPts

    your ex conain characer ha are no direcy avaiabe rom a andard

    compu boa, ou ou conu io o pubi a o b

    way o iner hem in your copy. The pecia characer e provided by majorwo poco a accpab o man pubi; ic o caing an

    combining caac ou b aoi. Wn ou x conain pcia

    caac o iaciic ini a pobmaic, igig inanc

    on a cop, an inica in magin wo-poco caac

    o ing o caac u o obain m. Som pubi pci co

    or non-tandard character. In extreme cae, pecia character may be

    indicated by hand on the hard copy, or repreented by peciay devied

    code, wih appropriae indicaion in he margin. Where your ex conaina ignican numb o pcia caac, i i aiab o i m a on a

    paa o pap, o ubmiion aong wi na cop.

    phabet uch a Cyriic and Greek and the Internationa Phonetic

    phabet (IP) may caue converion probem or typeetter, who can

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    8 MhrA style GUIde

    ugget a pecic method o producing the copy (e.g. through the ue o

    nico-ba on). Fo aniaion o iic caac, 3.3.2.2.

    iiona pobm ai wi o apabic cip (uc a abic an

    Hbw) an non-apabic cip (uc a in an Japan). n auc ca, conu io a an a ag.

    The oowing pubication contain much ueu inormation on copy

    preparation and typeetting or anguage other than Engih, both thoe

    uing Lain apab an o:

    New Oxford Dictionary for Writers and Editors (xo: xo nii

    , 2005)

    The Chicago Manual of Style, 15 n (icago an Lonon: nii o

    icago , 2003)

    1.3.11 Otes

    Footnote or endnote reerence number houd be inerted oowing any

    puncuaion xcp a a, an a n o a nnc i poib:

    [] compo.23

    an ping pogam a ab o con ana oonoing

    and endnoting aciitie o a word proceor, but it i recommended that

    author check the guideine or author provided by the pubication, ordicu he ue o hee aciiie wih he edior or pubiher, beore preparing

    an aic o boo o ubmiion. W aciii a unaaiab o

    houd no be ued, noe houd be uppied in a eparae e, wih reerence

    numb p a upio (upcip) gu in appopia pac.

    T no wi noma b in p ma an a u o x

    bu ou b poi b auo in u p iz wi oub pacing

    (whether generated rom a word-proceor noting aciity or uppied a

    a eparate text e) and numbered conecutivey throughout an artice or

    cap, bu no ougou a wo boo o i.

    1.3.12 llUstrAtIONs

    T incuion o an iuai maia ou awa b icu wi

    io pio o ubmiion. Fo a iuaion a a in copig,

    author mut obtain, rom a intereted righthoder, written permiion

    to reproduce in a pubication ormat (print or eectronic), incuding

    conrmation o the credit to be printed acknowedging permiion to

    reproduce. Top copie o permiion document houd be uppied with iuaion. T ponibii o pamn o co o poucion

    ou ao b icu wi io a an a ag.

    Increaingy, iutration can be uppied eectronicay and or mot

    ypeeer hi wi be he preerred orma. The appropriae reouion, e

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    9. PrePArING MAterIAl Or PUBlICAtION

    oma, an man o ubmiion ou b icu wi io. i

    recommended ha TFF or ES e houd be uppied, aved a a minimum

    inpu canning ouion o 300 pi (o-p-inc) o coou, 350400 pi

    or haone, 800 dpi or impe ine, and 1200 dpi or ne ine image. JEGimag a uua no commn o pining pupo, un a

    aaiab a pin-quai ouion. iuaion ou b uppi a

    paa , no mb wiin x, wi accompaning a cop

    o nc.

    Where iuraion are no avaiabe in eecronic orma, a cear origina

    in bac in on wi pap o boa o in iuaion, an go bac

    and-whie phoograph or haone, houd be provided. For a iuraion

    inica ca on i o boo o jouna, auo

    name, and the gure or pate number. Be careu to write very ighty inpenci on he revere o an origina or i may be poied. Some reducion may

    improve denition, but exceive reduction may caue detai, uch a ne

    in o co aing, o b o. oma oigina ou no b mo

    an ou im ag, no ou i b ma, an na qui iz

    o imag. gna inicaion o p iz o poucion, .g.

    ha page, text width, aong with pecic grouping, e.g. gure 1 and

    2 on ame page, houd be given in an accompanying note a a guideine

    o p. pa o iuaion i o b omi, inica on an

    accompaning poocop poion o b ma of. W i i no

    poibe, indicate ighty on the revere o the origina or on an attached

    pap oa.

    The tye or reerencing an iutration within the text houd be

    acertained rom the editor or guideine or author but i generay by

    inertion o the phrae Figure []. reerence i neceary becaue an

    iuaion i uni o oow an x immia, o cnica

    aon. no Figu [] ou b a o magin o a

    cop a a gui o p. Figu ou b numb in quncin aabic numa ougou an aic o boo.

    The term pate i appicabe ony to page o iutration printed,

    and numbered, eparatey rom the text; it reer to the page, not to the

    iutration on it (o one pate may contain more than one iutration).

    a ou b numb in qunc in oman numa an a nc

    gin wiin x (a []).

    uo wo a no u o inn amn o i iuaion

    ou conu io bo numbing m.

    Caption or iutration houd be uppied a a eparate e withaccompanying hard copy. cknowedgement o permiion to reproduce

    iuaion, w appopia, ou b inica bow capion.

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    10 MhrA style GUIde

    1.3.13 TABlesTabe may not away convert atiactoriy rom word-proceed e.

    T ou b ppa uing wo poco ana ab ouin

    i poib, bu, i no, coumn ou b paa b ana abuaion.

    T ou no b mb wiin x bu ou b i pac a

    he end o he ex or uppied a eparae e, wih accompanying hard copy.

    nc o ab ou b incu wiin x a an appopia

    poin (Tab []), a, o cnica aon, i ma no b poib o

    ab o b pin immia oowing an x. no Tab

    [] here houd be added to the margin o the hard copy a a guide or

    p. Tab ou b numb in qunc in aabic numa

    ougou an aic, boo, o i.

    1.3.14 rOss-reereNCesSince hey canno be naized uni he ex i ypee, cro-reerence wihin

    an aic o boo ou b p a zo on a cop an ncic

    in in:

    S abo [o bow], p. 000, n. 0.

    nerna cro-reerencing, i.e. cro-reerence o page wihin your own

    ocumn, ou b aoi a a a poib; i i pab o co-o cap, cion, no, c. W inna co-ncing o a pag

    i unavoidabe, he reevan page number in he hard copy houd be noed in

    pnci in magin an uc co-nc ou b cau cc

    an ma on poo.

    1.3.15 OPy rOdUCed ON A TyPerIter Wie man conic pwi can pouc fc uc a unining, i i icu o pouc am omaing a on a wo poco.

    Tex o be e in a paricuar on houd be marked (manuay i neceary)a oow:

    aic x o b unin onc Smallcapitalstobeunderlinedtwice Capitalstobetypedincapitals,ortypedinlowercaseand

    unin im

    Italiccapitalstobetypedascapitalsandunderlinedonce. S ap 15, oo ocion, o an iuaion o connion.

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    . PrePArING MAterIAl Or PUBlICAtION 11

    1.4 THR-TYESET FRTS

    1.4.1 eNerAl

    W conom o p i an impoan concn, an auo ma b ao ppa p pag in na om in wic a o b pubi.

    Thi may appy o enire monograph or o iem in neweer or coecion

    or preprint o conerence paper. The author houd be guided by the

    intruction o the voume or erie editor on iue o tye, uage, and

    omaing, o nu coninc wiin oum an bwn oum.

    For HR voume prepared by thi mean, author houd oow thi

    Style Guide.

    1.4.2 DIreCt EleCtrONIC SUBMIssIONSophiicaed word-proceing and dekop pubihing (DT) oware aow

    auo o ubmi i conn igia a ma-up pag. Ti ma a

    om o in oma o pogam u, o oScip o DF

    e, which are ued by he priner o produce prining pae. away, i i

    eenia o conu he priner abou e orma and mehod o ranerring

    bo bginning wo, an auo ou i a ga o ma

    o an aou a mnion in 1.4.3.2 bow.

    1.4.3 AMerA-reAdy OPy

    1.4.3.1 GeNerAlThe erm camera-ready copy (R) wa originay ued o decribe a prined

    cop o x on ing pag a i u o poucion o m an

    prining pae wihou urher inervenion by edior or priner, bu i i ao

    now commony ued o decribe eecronic e ha are uppied a made-up

    pag a o p. W conic o pap a o b uppi, i

    i nia o conu pin abou quimn o ppaaion ocop bo bginning wo.

    1.4.3.2 tyPOGrAPhIC style ANd lAyOUtriner wi oen now provide word-proceor ye/empae documen or

    auhor o ue in preparing manucrip. Thee documen oow he priner

    pogapica ing an aou quimn an DF o oScip

    can b pouc om m. W pin R i qui, i ou b

    no a cop i common ppa uing a pag iz ag an na

    pin iz, o a i can b uc an ni o p inca.onin guiin ou b awn up, pcia i a oum ppa

    in i wa i o om on o a i. T ma incu a gi pciing

    wi an p o x aa; poiion o unning a an pag

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    12 MhrA style GUIde

    numb ai o x an i ocaion on an 4 pag; a pci

    pac; p iz o x, quoaion, no, c., capab o ucion in

    ca wiou o o gibii; o cap i an aing; an u

    on wo ba an in an pag n.R houd be prined on high-quaiy whie paper, uing a aer priner,

    and to the highet reoution in term o dot-per-inch (dpi) poibe.

    pa o wo ou b pn in coc o ( 1.5 bow),

    ac pag bing pin on on i on.

    1.5 RDER F RTS F KBeore ubmiion o edior or pubiher, he ex o a book houd be arranged

    in the order ited beow. uthor undertaking the typeetting o a book,

    w a DT o b R, ou a ga o i i, an o wic

    page (generay preiminarie) may be convenionay ypee in a erie wih

    aning ma o an abi oma.

    The ypecrip o a book houd be arranged in he order requeed by he

    pubi. T oowing o i p o HR pubicaion:

    Ha-i ( u i, incuing an ubi, o boo, an i o

    i an oum numb in a i, i appicab; nam o

    auo o no noma appa); o o i pag i uua ban

    wn boo i pin o ma ca a onipicTi pag

    Bibiographica deai (name and addre o he pubiher and priner, copyrigh

    tatement, Internationa Standard Book Number (ISBN), Cataoguing-in-

    Pubication Data, etc.); thi page may be et bank by the author and the

    ai uppi b io an pubi

    Dicaion o pigap ( o i ban)

    onn i

    Li o iuaion (gu, map, pa, in a o)

    Fowo (b omon o an auo)uo pac

    cnowgmn (i no incu in auo pac)

    Li o abbreviaion and/or goary i hee are neceary o an underanding

    o he ex; oherwie hey may be paced oward he end o he book, beore

    bibiogap noucion (un i coniu cap o x) Tx ppnix o appnic o an nc (o wo x) ibiogap nx o inx

    Few book wi incude everyhing ied above; ome iem may be requeed

    a a a ag in poucion.

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    13. PrePArING MAterIAl Or PUBlICAtION

    T copig ou b inica u: innaiona copig mbo

    (); name o hoder o copyright; year o rt pubication. The printer

    nam an uua pac o buin mu appa on o a a o

    pubicaion and may convenieny be combined wih he pubiher imprin.The preiminary page (preim), compriing a iem beore he main ex,

    a uua numb in ow-ca oman numa; oug numb

    a no pin on cain pag (a-i, i, c.), a coun in

    qunc. abic numbing uua bgin on pag o x.

    How, inc pag numb canno b a b pin uni

    page proo are prepared, a he page o he ypecrip houd be numbered

    in on (aabic) qunc ougou ( 1.3.8).

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    2SPELLING N SGE

    2.1 PEFEE SPELLINGSIn the case o verbs ending in -ize or -ise and their derivatives, the orms

    in -ize, -ization, etc. (e.g. civilize, civilization) are preerred in MHRA

    publications. This is also the preerred spelling o many other academic

    publishers. However, all major British newspapers and most ocial andcmmrca bd rr -ise, -isation. It mrtat, wth a v bk

    r artc, t b ctt.

    Sm wrd mut hav th -ise , ..:

    advrt cmr dv rach urv

    adv cmrm trr mrv urm

    ar dm xc c urr

    chat d xrc rv tv

    h Brth analyse ad t drvatv ha s ad t z.h rm disk, program ar ud v Brth cmut

    ctxt; thrw, u disc, programme.

    In case of doubt, the form given in the New Oxord Dictionary or Writers

    and Editors hud mt ca b ud (but r dacrtc, 2.2).

    2.2 ICIICSThere is great inconsistency between dictionaries (and sometimes within

    th am dctary) a t th u acct ad thr dacrtc wrdbrrwd rm thr aua.

    w ca ar, hwvr, car:

    (a) Wh a wrd r, mr t, a xr t t t b r (ad

    an objective decision is not always possible), all diacritics should be retained,

    ..:

    aide-mmoire, ancien rgime, la mode, Auklrung, la belle poque, bte

    noire, cause clbre, dj vu, minence grise, Fhrer, lyce, matre dhtel,

    papier mch, pice de rsistance, pi, raison dtre, seor, succs de scandale,tt--tt

    Such wrd ad xr ar t taczd ( a 7.2).

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    15. spelling

    (b) Wrd d - rta thr acct:

    ba, ca, cch, cmmuqu, x, fac (a fac)

    I uch wrd, ay thr acct ar a rtad, ..:mr, t, rt, rum

    We recommend that, except as provided for in (b) above, diacritics should

    b drd th ca wrd that hav ad t ruar Eh ua,

    ..:

    chatau, crt, crch, cr, dbac, dbr, dcr, dumt, dtt,

    echelon, elite, fete, hotel, matinee, naive, precis, premiere, regime, role, seance,

    r

    Fr th u acct cata, 6.6.

    2.3 PENSHyphens should be used only when they have a specifc purpose. They

    occasionally occur within the body of a word, particularly with re- followedby e (e.g. re-echo, re-enter), but they normally indicate that two or more

    words are to be read as a single word with only one main stress. The examples

    v bw hw rm that ar attrbutv ad hav a ma tr

    and are therefore hyphenated, while predicative and other forms having two

    ma tr ar t hyhatd:

    a w-kw act th act ar w kw

    a tth-ctury maucrt th tth ctury

    Nvrth, t avd a rrat hyh ad whr thr

    bty ambuty, rm uch a a late eighteenth-century novelist,

    post-Second World War difculties, are to be preferred to a late-eighteenth

    century novelist, post-Second-World-War difculties.In phrases such as pre- and post-war governments, pro- and anti-abortion

    movements, eighteenth- and nineteenth-century literature, where two or

    mr ara hyhatd trm ar cmbd, th frt hyh wd

    by a ac.

    dvrb d -ly ad thr yyabc advrb ar t hyhatd

    t a w adjctv r artc:

    a hhy cttu arumt

    a rcty ubhd v

    a hadmy bud vuma rquty ccurr mtak

    a hthrt urczd cutm

    vr cra quatt

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    16 MHRA STYLE GUIDE

    Collocations of certain monosyllabic adverbs (in particular ill but not well

    see above) and a participle oten have only one main stress and are thereore

    hyphenated even when used predicatively:

    e is very ill-tempered.

    uch a course o action would be ill-advised.

    hese prejudices are deep-seated.

    Note that, unlike the words early, late, north, south, etc., the prex mid-

    always requires a hyphen (except where it orms part o a single word, as in

    midnight):

    he boat sank in mid-tlantic.

    a mid-June midnight fight

    a mid-sixteenth-century chairuntil the mid-nineteenth century

    he presence or absence o a hyphen is oten signicant:

    two-year-old dogs two year-old dogs

    a deep-blue lake a deep blue lake

    a vice-chancellor the vice squad

    to re-cover to recover

    sage shits over time and orms that were once entirely acceptable maynow seem odd or old-fashioned. Some words that used to be hyphenated

    have now become so common that they are regarded as single unhyphenated

    words:

    battleeld, bookshel, paperback, subcommittee, subtitle

    n short, i a compound is in requent use and is pronounced as a single

    word it is usually acceptable to write it as one word without a hyphen. There

    is considerable variation in the use of hyphens and it is impossible to formulate

    comprehensive rules. he best advice is to use a good dictionary and to beconsistent.

    2.4 QOONhe spelling o quotations is always that o the book or edition reerred to.

    Note, however, that in quotations rom early printed books the orms o the

    letters i andj, u and v, the long s ( or) the ampersand (&), the ironiansign (), the tilde, superior (superscript) letters in contractions, and other

    abbreviations are normalized to modern usage unless there are good reasons

    to the contrary, as, or example, in ull bibliographical descriptions.

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    17. spelling

    2.5 POSSESSIVES

    2.5.1 GeneRAl

    h v u ad dft ru ruary rmd by th

    addt s rcdd by th atrh:

    the courts decision, the doctors ee, the bosss daughter, Smiths elixir, no

    aut, th chdr day ut

    The possessive orms o personal pronouns hers, its, theirs, yours do not

    hav a atrh.

    In plural nouns ending in -s the possessive is represented by the apostrophe

    a:

    the courts decisions, the doctors ees, the bosses daughters, MPs

    atat

    2.5.2 PRopeR NAMe sh v rr am d a rucd -s r -z rmd

    th rma way by add a atrh ad s:

    Alvarezs criticism, Berliozs symphonies, Cervantess works, Dickenss

    characters, in Inigo Joness day, Keatss poems, Dylan Thomass use oaua

    French names ending in an unpronounced -s, -x, or -z also follow the normal

    ru ad tak a atrh ad s:

    aba cmdy, cart wrk, araux ty, Chrbuz v

    h v am d -us a crm t th rma ru:

    Claudiuss successor, HerodotussHistories, Jesuss parables, an empire greater

    tha aru

    However, the possessive o Moses and o Greek names ending in -es

    (particularly those having more than two syllables) is usually ormed by

    ma th atrh a:

    under Moses leadership, Demosthenes speeches, Sophocles plays, Xerxes

    cama

    2.6NCIONS

    Sm wrd ar abbrvatd by mtt th frt art th wrd. I uch

    abbrvat ar cmm u, atrh dd:

    bu (not bu); h (not h); th twt (.. 1920) (not twt)

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    2.7 PLLSSm u brrwd rm r aua hav y th ruar Eh

    ura, ..:

    (Grk) mtr, mtr

    (Lat) camu, camu; cu, cu; abum, abum; rum, rum;

    muum, muum; rmum, rmum

    (Itaa) cat, cat; brtt, brtt; ra, ra; ata, ata

    Sm u, cay adtd rm Grk ad Lat, hav y th

    r ura d, ..:

    (Greek) analysis, analyses; axis, axes; basis, bases; crisis, crises; diagnosis,diagnoses; oasis, oases; thesis, theses (and similarly with hypothesis, parenthesis,

    yth); crtr, crtra; hm, hma

    (Latin) alumnus, alumni; stimulus, stimuli; addendum, addenda; datum, data;

    ddratum, ddrata; rratum, rrata; cdx, cdc

    (Grma) d, dr

    Othr brrwd u may hav thr th Eh r th r ura. I

    ra, th r ura cmm ad mr rma, r t may hav a

    mr cazd , a th wrd Grk r Lat r:

    ormula (ormulas in everyday usage, ormulae in mathematics); thesaurus

    (thauru, thaur); mdum (mdum rtuam, mda r (ura)

    means o communication); memorandum (memorandums, memoranda);

    referendum (referendums, referenda); ultimatum (ultimatums, ultimata); corpus

    (corpuses, corpora); appendix (appendixes for parts of the body, appendixes or

    appendices for additional parts of a publication); index (indexes for alphabetical

    t rrc, dc mathmatc)

    Sm adtd Frch wrd may rta th ra ura -x, but -s aud:

    adu (adu, adux); mu (mu, mux); tabau (tabau, tabaux)

    S a 8.4 th ura r currc.

    N atrh hud b ud br th ura d abbrvat

    (whr th -s w ay uctuat), am, umbr, ttr, ad wrd

    t rmay ud a u, ..:

    P, POW, Ph..

    th ry, th tw Grmay

    th 1960, th twt, ad tw a ad e, th thr

    hav ad hav t

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    3NAES

    3.1 PACE-NAES

    3.1.1 Towns and Cities

    Wh h Eglh m g m

    (e.g. Basle, Cologne, Dunkirk, Florence, Geneva, Lisbon, Majorca, Moscow,Munich, Naples, Quebec, Salonika, Venice, Vienna), it should be used.Obl Eglh m (Francort, Leipsic, Leghorn, .) hl, h,be avoided. The orms Luxembourg, Lyon, Marseille, Reims, and Strasbourg

    are now more widely used than Luxemburg, Lyons, Marseilles, Rheims, and

    Strasburg Strassburg h mm.The ollowing are now the ocial spellings o certain Welsh names (even

    in texts written in English) and should be used instead o the anglicized

    m l mp l bk: Aberdyf, Aberystwyth,Betws-y-Coed, Caernarfon, Conwy (river and town), Dolgellau, Ffestiniog,Llanelli, Tywyn.

    Th - hyph m h Newcastle upon Tyne,Stratord-upon-Avon hl b hk g k. Fhplace-names are regularly hyphenated, e.g. Colombey-les-Deux-glises ,Chlons-sur-Marne, Saint-Malo, except or an introductory denite article,

    .g. Le Havre, Les Baux-de-Provence.Note the correct orm o the name oWashington, DC (comma, no

    p).F m h pl pbl bk, 11.2.2

    11.6.

    3.1.2 Countries

    Distinguish between (a) Great Britain (i.e. England, Scotland, Wales), (b)

    h U Kgm (Egl, Sl, Wl, Nh Il), () h

    British Isles (England, Scotland, Wales, Ireland, the Isle o Man, the Channel

    Il).

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    20 MHra stYLe Guide

    N:

    () h England hl b y h b;(b) h h m Britain h ql Great Britain

    b xly h ql the United Kingdom h l b p bj h ;

    () h h Ih m ire hl b Eglh h m hRpbl Il;

    () h h Il h Chl Il p Egl,

    B, h U Kgm.

    The defnite article is no longer used in the names o the countries

    Lebanon, Sudan, Ukraine (b the Gambia, the Netherlands).

    3.2 ACADEIC INSTITUTIONS

    Care needs to be taken to ensure that the names o academic institutions

    are correctly given, e.g. Johns Hopkins University (not John), MagdalenCollege (Oxord), Magdalene College (Cambridge). Universities and colleges

    h ml m m b lly gh, h h Uy

    Caliornia and Caliornia State University, the University o York (England)

    k Uy (T).

    3.3 PERSONA NAES

    3.3.1 CeLtic NaMesCare must be taken over the spelling o names in Mc, Mac, etc. (e.g.McDonald, MacDonald, MDonald, Macmillan, Mac Liammir); adopth m by h l q. All h m, h h

    pllg p, lphbz hy bg h Mac.Likewise, distinguish between Irish names that retain their original orm

    ( Mille) h h glz (ODonnell).Welsh names in ap and ab are neither capitalized nor hyphenated. Names

    hl g lphbz h m (.g. Daydd apGwilym, Dafydd ab Owain), modern names under ap or ab (e.g. ap Gwilym,

    ab Owen Edwards).

    3.3.2 ForeiGn NaMes

    3.3.2.1 GeneraL

    Wh glly p Eglh m ll m x (Horace, Livy, Ptolemy, Virgil), hy hl b .

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    3. naMes 21

    Names o popes and saints should normally be given in their English

    m (Gregory, Innocent, Paul, St Francis o Assisi, St John o the Cross,St Thomas Aquinas).

    Names o oreign kings and queens should normally be given in theirEglh m h x (Charles V, Catherine the Great, Ferdinandand Isabella, Francis I, Henry IV, Victor Emmanuel). Those names orwhich no English orm exists (Haakon, Sancho) or or which the Englishorm is quaint or archaic (Alphonse, Lewis or Alfonso, Louis) should retain

    h g m. I h k y m

    mh h m h pbl Eglh m m hh

    not, in the interests o consistency it is better to use the oreign orm or

    ll:

    h g F III Al X

    IV by XIII.

    Sm van k l- l h Nhl (van der Plas,van Toorn) b glly plz Blgm (Van den Bremt, VanRyssel).

    With reerence to the Prophet, use the orm Muhammad and notMohammed or Mahomet. Likewise, Muslim not Moslem or Mohammedan,

    Muhammadan, .

    3.3.2.2 transLiteration of sLavonic naMes

    V ym x h l R h lgg

    g h Cyll lphb. Cb jl, , . h l

    o Slavonic studies should ascertain which system is preerred and conorm to

    it strictly. The MHRA species that the Library o Congress system without

    diacritics is to be used in all its publications in the Slavonic eld, namely TheSlavonic and East European Review, the Slavonic article and review sections

    The Modern Language Review, h Sl The Years Workin Modern Language Studies, l lm h Pbl h RA, RA Tx D, RA Bblgph

    . Th :

    Dk, Chkk, Tl, Ehk

    Russian and other Slavonic names reerred to in other contexts should,

    h pbl, b g h m mm by h New OxordDictionary for Writers and Editors, even when this conficts with the Library

    Cg ym:

    Dky, Thkky, Tly, hk

    http://www.loc.gov/http://www.ywmls.mhra.org.uk/http://www.ywmls.mhra.org.uk/http://www.ywmls.mhra.org.uk/http://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.ywmls.mhra.org.uk/http://www.ywmls.mhra.org.uk/http://www.ywmls.mhra.org.uk/http://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://texts.mhra.org.uk/http://www.bibliographies.mhra.org.uk/http://www.bibliographies.mhra.org.uk/http://texts.mhra.org.uk/http://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.mhra.org.uk/Publications/Books/mhrapubs.htmlhttp://www.ywmls.mhra.org.uk/http://www.ywmls.mhra.org.uk/http://www.mhra.org.uk/Publications/Journals/mlr.htmlhttp://www.ywmls.mhra.org.uk/http://www.ywmls.mhra.org.uk/http://www.loc.gov/http://www.mhra.org.uk/Publications/Books/StyleGuide/index.html
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    22 MHra stYLe Guide

    N pl h, xp h Thkky, Ch- Th-

    hl b (.g. Chkh) h h pm () hl b :

    gl, ky, Ily (compare by Cg: gl, k, Il).

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    4BBVON

    4.1 N Since abbreviations increase the possibility o conusion and misunderstanding,

    they should be used with caution. When writing or a particular publication,

    use only those abbreviations which are likely to be familiar to its readers.

    Never begin a sentence with an abbreviation, and avoid abbreviations as far as possible in passages of continuous prose. For eample:

    he authors comments on page 47, line 20, seem particularly apt.

    Here the words page and line, normally abbreviated in reerences, are given

    in ull to prevent a disruptive efect in reading. Extensively used abbreviations,

    other than common ones such as p. and l., should be clearly listed at

    the beginning of a book or in an early note to an article.

    4.2 Avoid inelegant or conusing abbreviations o the titles o literary works,

    especially in the tet of your book or article. t is clearly necessary to avoid

    requent repetition o a title, especially a long one, and discreet abbreviation

    will from time to time be needed. his should normally take the form of a

    short title, not initials: Alls Well, not AWEW. Repetition can oten be avoided

    in other ways: e.g. the play, when it is obvious which play is meant. In notes,

    and in parenthetical textual reerences in the main body o a book or article,

    abbreviations are more oten appropriate, but they need not be inelegant andmust never confuse. Note, however, that abbreviated titles are standard in

    some cultures, e.g. PMC for Poema de mio Cid.ee 10.2 on the avoidance

    of repeated note references to the same work.

    4.3 N FOONO N NNO

    I possible, do not begin a note with an abbreviation which is normally printed

    in lower-case characters (e.g., i.e., pp.). f this cannot be avoided, note

    that c., e.g., i.e., l., ll., p., pp., remain entirely in lower case:

    21 pp. 12739. not 21 Pp. 12739.

    Other abbreviations, such as Cf., bid., or d., take a capital initial.

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    24 MHRA STYLE GUIDE

    4.4 OF F PON contracted form of a word that ends with the same letter as the full form,

    including plural -s, is not followed by a full point:

    r, Jr, me, r, rs, t, vols

    but note the eception no. for talian numero. Other abbreviations take a

    full point and are followed by a space:

    M. Dupont (Monsieur), Pro. J. Jones, l. 6, ll. 2228, p. 6, pp. 10609,vol. xIx

    In lower-case abbreviations or expressions consisting o more than one word,

    there is a full point after each initial:

    a.m. (ante meridiem), e.g. (exempli gratia), i.e. (id est), n.p. (no place [o

    publication]), n.d. (no date [of publication])

    Full points are omitted in capitalized abbreviations or acronyms for:

    (a) standard works o reerence (italicized), journals (italicized), or series (not

    italicized):

    DNB, OED, ABELL, MLR, PMLA, TLS, B, P, PF, B

    (b) countries, institutions, societies, and organizations (none of them italicized):

    K, , B, B, N, CN, N, , , NCO

    In bibliographical reerences, use MS, MSS (manuscript(s)). In normal prose

    tet the word should be written out in full.

    4.5 CN he two-letter postal abbreviations for merican states, e.g.:

    C (California), (llinois), (assachusetts), N (New ork)

    have largely replaced the ofcial abbreviations, though a ew o these, in

    particular Cali. and Mass., are still widely used. The postal abbreviations,

    which have no full point, should be used whenever it is necessary to include

    the name o the state in bibliographical reerences (11.2.2, list o items,

    no. 7). These abbreviations are given in the New Oxford Dictionary for

    Writers and Editors.

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    5PNCON

    5.1 COCommas are used singly or in pairs to indicate signifcant groupings or

    searatis wrds i the setee. Partiular te shuld be take the

    llwig usages:

    (a) Cmmas shuld be used t delimit arethetial r iterlated hrases,

    ad us i asiti:

    y ather, t t meti the rest my amily, elt the lss deely.

    his bk, writte i 1505, wuld hage the wrld.

    ate, the Flretie et, was br i 1265.

    Note that a noun preceded by a defning phrase is not in apposition and

    shuld t be elsed i mmas:

    he Flretie et ate was br i 1265.

    (b) Commas are used to delimit non-restrictive relative clauses, which do not

    dee what reedes:

    hse with a uiversity degree, wh have exeriee higher eduati, see

    qualiatis i a diferet light.

    he amily had tw ats, whih slet idrs, ad a dg.

    N mmas are used i the rresdig restrictive relative lauses:hse with a uiversity degree wh have studied mediie see researh i a

    diferet light.

    The amily had two cats which slept indoors and one which went out at

    ight.

    (c) In an enumeration o three or more items, it is the preerred style in MHRA

    publications to insert commas ater all but the last item, to give equal weight

    t eah eumerated elemet:

    he iversity has deartmets Freh, erma, aish, ad Prtuguese

    withi its Faulty rts.

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    26 MHRA STYLE GUIDE

    he jutis and ad orwithut a reedig mma are uderstd as

    likig the arts a sigle eumerated elemet:

    he iversity has deartmets Freh, erma, aish ad Prtuguese,

    Czeh ad Plish, ad uth.

    Comedians such as Laurel and Hardy, Abbott and Costello, or Charlie

    Chali

    By the same riile a mma shuld be used bere a hrase suh as ad

    s r et. at the ed a eumerati.

    (d) Cmmas shuld t be used i their missi leaves the meaig the

    sentence unafected. The mere act that a sentence has a complex subject does

    t justiy the use a mma betwee the subjet ad verb. rdiglya setee such as

    The team o editors responsible or the latest edition o the handbook has made

    a sigiat umber hages.

    requires mma llwig hadbk.

    5.2

    Priters use bth a shrt ad a lg dash. he shrt dash (e rule) is used t idiate a sa r a diferetiati

    ad may be sidered as a substitute r ad r t (but see 8.1):

    the gladFrae math; the 193945 war; . 81101

    g dashes (em rules), te with a sae either side, are rmally

    ound in pairs to enclose parenthetical statements, or singly to denote a

    break i the setee:

    me ele a ever ireasig umber delre this.

    Family ad rtue, health ad haiess all were ge.

    g dashes shuld be used sarigly; mmas, ls, r aretheses are

    te mre arriate. Other utuati marks shuld t rmally be

    used bere r ater a dash.

    A very long dash (), known as a 2-em dash, is used to indicate ditto

    i bibligrahies ad similar lists:

    arlwe, Christher, Edward II

    The Jew of Malta

    Fr meas reresetig the diferet dashes i tyesrit, see 1.3.5.

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    . pUncTUATIon 27

    5.3 PN N BCK its strit sese, the term brakets meas square brakets, i.e. [ ], ad

    shuld t be used with reeree t aretheses, i.e. ( ). wever, sie it

    is widely misused, it is as well always to speciy square brackets, round

    brakets (r aretheses), agle brakets, i.e. < >, r braes, i.e. { }, ad

    avid the use the term brakets ale.

    Paretheses are used r arethetial statemets ad reerees withi

    a text. When a passage within parentheses alls at the end o a sentence

    whih it is ly a art, the al ull it is laed utside the lsig

    arethesis:

    This was well reviewed at the time (or instance in TLS, 9 July 1971,

    . 817).

    When a complete sentence is within parentheses, the fnal ull point

    should be inside the closing parenthesis. Parentheses may be used within

    aretheses:

    (is residetial address (1967) made this it learly.)

    Square brackets should be used or the enclosure o phrases or words

    which have been added to the original text or or editorial and similar

    mmets:

    e adds that the lady [rs Jervis] had sufered great misrtues.

    d t thik they shuld have [two words illegible].

    e swre t tell the truth, the ld [sic] truth, ad thig but the truth.

    Fr the use brakets arud ellises, see 5.7. Fr the use brakets i

    reerees t the ubliati bks, see 11.2.2.

    5.4 PNCON N NPutuati marks (ther tha questi marks) shuld t be used at the

    end o headings and subheadings. Punctuation marks should also be omitted

    ater items i lists whih are i tabular rm (exet, urse, ull its

    used t mark abbreviatis).

    5.5 PNCON W C

    There are italic orms o most marks o punctuation. The type style (roman oritalics) o the main part o any sentence will govern the style o the punctuation

    marks withi r ludig it. the mai art a setee is i rma but

    a itali wrd withi it immediately reedes a mark utuati, that

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    28 MHRA STYLE GUIDE

    mark will rmally be i rma. wever, i the utuati mark urs

    within a phrase or title which is entirely in italics, or i the punctuation mark

    belgs t the hrase i italis rather tha t the setee as a whle, the

    utuati mark will be i italis:

    Where is a strm mre brilliatly rtrayed tha i Crads Typhoon?

    Edmund Ironside; or, War Hath Made All Friends, a lay that survives i

    mausrit, we see this tehique i erati.

    Kigsley llwed this with Westward Ho!, erhas his best-kw vel.

    Wh wrte Whos Afraid of Virginia Woolf??

    t llw the ratie substitutig rma r italis i titles withi

    italicized titles (e.g. Understanding Les Fleurs du mal: Critical Readings); insuh ases, qutati marks shuld be used eve i they d t gure i the

    rigial, e.g. Understanding Les Fleurs du mal: Critical Readings.

    5.6 QOON K

    See Chapter 9. For the use o quotation marks with the titles o poems,

    essays, et., see 7.3.

    5.7 P N Q BCK qutatis, its idiatig a ellisis (i.e. the missi a rti

    the text) shuld be elsed withi square brakets:

    er equiries [] were t very avurably aswered.

    his ratie makes it ssible t distiguish betwee its idiatig a

    ellisis ad its that ur i the rigial, as i the llwig qutati

    rm amuel Bekett:Will yu ever have de revlvig it all?

    he rigial utuati is retaied whe it is ssible t d s:

    Whe, i the urse huma evets, it bemes eessary r e ele t

    disslve the litial bads whih have eted them with ather [], a

    deet reset t the iis makid requires that they shuld delare

    the auses whih imel them t the searati.

    Outside the hut std bemused. [] t was still mrig ad the smke rm

    the khuse rse straight t the leade sky.

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    29. pUncTUATIon

    Whe the begiig a setee is mitted, the rst wrd llwig the

    ellisis a be aitalized eve i it des t have a aital i the rigial:

    Fr the rest the eveig, v geleld sidered his resse. [] e uld

    just igre the artile altgether.

    (In the original, the passage abbreviated ends And fnally, he could just

    igre the artile altgether.)

    Oe may als idiate a hage ase i square brakets:

    rs Beet elt that [t]his was ivitati eugh.

    [] yug ma large rtue had take Nethereld.

    ee t 9.6 missis withi qutatis.

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    6CAPITALS

    6.1 NALInitial capitals should be used with restraint. In particular, adjectives deriving

    rom noun kng n re n mny e no zed (u ee6.3):

    Alps, alpine; Bible, biblical; Satan, satanic (but Satanic with reerence to Satan

    hme)

    C mu, however, e ued or he n eer o enene nd orthe names o places, persons, nationalities, the days o the week, and months

    (u no or he eon o he yer). They re o o e ued or he e olaws, plans, wars, treaties, legal cases, and or specifc institutions and other

    organizations (the Modern Humanities Research Association, the Poetry

    Book Cu). C re ued o or unque even nd erod (he Food,

    he Iron Age, he Pen evo, he eormon, he nghenmen, heFrench Revolution, World War II, the Last Judgement) and or parts o books

    when reerred to specically (Chapter 9, Appendix A, Figure 8, Part 11).

    Nme o he on o he om re zed ony when reved(N.) or when they indicate a specic area (the North [o England], South

    America) or a political concept (the West). The corresponding adjectives

    are capitalized when they are part o an ofcial name (Northern Ireland)

    or when hey reer o o one rher hn merey o geogrhareas (Western Europe) but not otherwise (northern England). Middle

    zed n uh fxed exreon dde (ern), dde Age,dde ngh.

    onre re oen nonen n her ue or non-ue o ordjeve, ver, nd noun dervng rom nme o eoe or nguge.We reommend h e ued n uh e:

    Frnohe, m, In, Lne

    Note, however, that anglicize, anglophone, rancophone, romanization,

    etc., are not capitalized, nor are arabic numerals and roman type (but theAr nguge, he omn he).

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    31. capitals

    6.2 TITLS AN INITISCapitals are used or titles and dignities when these appear in ull or

    mmedey reedng eron nme, or when hey re ued efy,u no oherwe:

    The Archbishop o Canterbury and several other bishops were present, but

    Bho Werore w no.

    When, er fr u reerene, or wh uh reerene underood, e ued nomeey u wh ef on o n ndvdu, he rened:

    The Arhho oke fr.

    A word or phrase used as a substitute or, or an extension o, a personal name

    o ke n :

    he Iron uke, Ared he re, he rk Ldy o he Sonne

    6.3 OVNTS AN PIOS Capitals must be used or nouns and adjectives denoting cultural,

    philosophical, literary, critical, and artistic movements and periods when

    hee re derved rom roer noun:

    Cren, Chomkyn, Chrn, rn, Freudn, Ponm

    They should also be used or literary and other movements when the use

    o ower-e n mgh ue onuon wh he me word n moregener ene:

    oe o he omn hoo nove wh rghorwrdy romn o

    This covers the use o capitals when terms such as Conservative, Democrat(ic),

    Indeenden, Ler, Non(), eun, So() reer o efpolitical parties or movements, e.g. the Independent Labour Party, the Social

    nd Ler emor, u no oherwe, e.g. mn o onervve (orer) vew.

    For movemen nd erod wh he refx neo nd oher omound,ee 6.5.

    6.4 TITLS OF BOOKS AN OT WITINSIn most modern European languages except English and French, and in Latin

    nd rnered Svon nguge, zon n he e o ook,series, articles, essays, poems, etc. ollows the rules o capitalization in normal

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    32 MHRa stYlE GUiDE

    prose. That is, the frst word and all proper nouns (in German all nouns) take

    n n , nd oher word ke ower-e n:

    La vida es sueo; El alcalde de Zalamea; Il seme sotto la neve; De senectute;Autorenlexikon der deutschen Gegenwartsliteratur; Obras clssicas daerur orugue

    In English titles the initial letters o the rst word and o all nouns,

    pronouns (except the relative that), adjectives, verbs, adverbs, and

    uordnng onjunon re zed, u hoe o re, oevedeterminers (my, etc.), prepositions, and the co-ordinating conjunctions

    nd, u, or, nd nor re no:

    (books) Put Out More Flags; How Far Can You Go?; The Man Who Was

    Thursday; Alls Well that Ends Well; Pride and Prejudice; A Voyage towardsthe South Pole; (ere) A So ory o he Weh Lnguge; (oem) TheFaerie Queene; The Pone Sheherd o h Love

    The fr word o ue oowng oon zed:

    Strange Music: The Metre o the English Heroic Line

    The Wild Card o Reading: On Paul de Man

    u or, nrodung n ernve e er em-oon, no:

    All or Love; or, The World Well Lost

    English works with oreign titles are normally capitalized according to

    he ngh onvenon rher hn h o he nguge o he e:

    Religio Medici; Porr dune Femme; L Fg he Pnge

    In French titles it is normally only the initial letters o the frst word and o

    proper nouns that are capitalized. But i the frst word is a defnite article, the

    oowng noun nd ny reedng djeve o ke n n :

    Le Mdecin malgr lui; Les Grands Cimetires sous la lune; Un dbut dansla vie; Une tnbreuse afaire; Du latin aux langues romanes; Nouveau coursde grammaire; Histoire de la littrature ranaise; A la recherche du tempsperdu

    owever, or reon o ymmery, re omeme ued eewhere:

    Le Coreu e e enrd; Le Rouge et le Noir

    nd e onng o omee enene do no ke ddon :

    Les dieux ont soi; La guerre de Troie naura pas lieu

    Czon n he e o newer nd journ nonen. Inparticular, in Romance languages, initials o some or all nouns and adjectives

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    . capitals 33

    are sometimes capitalized, e.g. Le Bien Public, Il Corriere della Sera, Dernires

    Nouvelles dAlsace, El Pas, La Repubblica, Revue de Linguistique Romane.

    The e roedure o do he reerred ye o eh uon.

    6.5 COPONSC houd e rened er he refx n hyhened omound ormuh :

    anti-Semitism, neo-Aristotelian, non-Christian, post-Darwinian, post-

    Imreonm, re-Coumn

    Boh r o he omound re zed n Pre-hee.

    The ollowing unhyphenated orms, uncapitalized or capitalized ashown, re reerred:

    neo, neooon, neorem, neohoNeoonm, Nononormm, Preor

    Archaeologists and historians, when reerring to prehistoric eras, usually write

    hem one word, zed when noun u no when n djeve:

    eore he Neoh, neoh e

    In titles and headings, all parts o the compound are normallyzed:

    Anglo-Jewish Studies, Non-Christian Communities, Seventeenth-Century

    u, Po-C Lerure

    owever, ony he refx zed oh r re eeny one wordn hyhened omound ormed wh re-:

    emory e-ehed

    6.6 ACCNT CAPITALS Accents should be retained on capitals in languages other than English,

    e.g.:

    e oyen ge, re, e ure, on

    However, the French preposition may drop the accent when capitalized

    (A bientt! See you oon!).

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    34 MHRa stYlE GUiDE

    6.7 SALL CAPITALSSm re ey degned , he hegh nd vu wegho which approximate to those o lower-case letters. They are normally

    ued or romn voume numer, o ode, roeon nd demqufon, aD, bc, cE, nd bcE. They o rovde n ernve oitalic and bold type in the typographic treatment o subheadings. For urther

    gudne on romn numer, ee 8.3.For the presentation o small capitals when preparing copy, see 1.3.3

    nd 1.3.15.

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    7C

    7.1 NAvoid the use o italics or rhetorical emphasis. Any word or phrase

    individually disussed should, however, be in italis, and any interpretation

    o it in single quotation marks:

    e glosses pale as ened land, park.

    t may also be desirable to use italis to distinguish one word or phrase rom

    another, as, or example, in 23 pril not 23rd pril.

    7.2 FON WO N QOON

    Single words or short phrases in oreign languages not used as direct

    quotations should be in italis. iret, aknowledged, or more substantial

    quotations should be in roman type (in small print or within single quotation

    marks). For the setting o quotations, see Chapter 9.

    Foreign words and phrases which have passed into regular English usage

    should not be italicized, though the decision between italic and roman

    type may sometimes be a ne one. n doubtul instanes it is usually best

    to use roman. The ollowing are examples o words which are no longer

    italiized:

    avant-garde dilettante milieu role

    lih ennui par exellene salon

    debris genre per ent status quo denouement leitmoti rsum vie versa

    ee also 2.2 and the New Oxford Dictionary for Writers and Editors.

    Certain Latin words and abbreviations which are in common English

    usage are also no longer italiized. For example:

    ., e.g., et al., et., ibid., i.e., passim, viz.

    xeptions are made o the atin sic, requently used within quotations (see

    5.3) and thereore conveniently diferentiated by the use o italic, and ocirca

    (abbreviated as c., see 8.1). ee also 11.3 on the use o suh abbreviations.

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    36 MHRA STYLE GUIDE

    7.3 OF BOOK N O WNtalis are used or the titles o all works individually published under their

    own titles: books, journals, plays, longer poems, pamphlets, and any other

    entire published works. However, titles such as the Bible, the Koran,

    and the almud are printed in roman, as are titles o books o the Bible

    (see 11.2.8). itles o series are not italiized, e.g. heory and istory o

    iterature. he titles o hapters in books or o artiles in books or journals

    should be in roman type enlosed within single quotation marks (see 11.2.3

    and 11.2.4). The titles o poems, short stories, or essays which orm part o a

    larger volume or other whole, or the rst lines o poems used as titles, should

    also be given in roman type in single quotation marks:

    hophile autiers rt; Keatss Ode on a reian rn; helleys usi,When ot Voies ie; Joyes he ead; Baons O uperstition

    The titles o collections o manuscripts should be given in roman type without

    quotation marks (see 11.2.9). The titles o unpublished theses should be given

    in roman type in single quotation marks (see 11.2.6).

    As recommended in 5.5, titles o other works which appear within an

    italicized title should be printed in italics and enclosed within single quotation

    marks:

    An Approach to Hamlet

    In the citation o legal cases the names o the contending parties are given

    in italis, but the intervening v. (or versus) is in roman:

    Bardell v. Pickwick

    7.4 OF F, C COPOON,N WOK OF

    Titles o flms, substantial musical compositions, and works o art areitaliized:

    The Great Dictator; Il trovatore; Elijah; Swan Lake; Beethovens Eroica

    Symphony; Tapiola; Die schne Mllerin; Goyescas; The Haywain; The

    Laughing Cavalier; psteins Christ in Majesty

    esriptive or numerial titles suh as the ollowing, however, take neither

    italis (exept in a reerene to a publiation or reording: see 11.2.11) nor

    quotation marks:

    Beethovens Third Symphony; Bachs Mass in B minor; Mendelssohns Andante

    and herzo; Piano Conerto no. 1 in B fat minor

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    . ITALIcS 37

    itles o songs and other short individual piees (like those o poems; see

    7.3) are given in roman and within single quotation marks:

    Who is Sylvia?; La Marseillaise; Mercury, the Winged Messenger rom

    olsts The Planets

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    8

    DATES, NUMBERS, CURRENCY,

    AND WEIGHTS & MEASURES

    8.1 DATESD houl gin in h orm 23 April 1564. Th nm o h monh

    houl lwy ppr in ull wn h y (23 not 23r) n h yr.

    o inrnl punuion houl u p whn y o h wk i

    mnion, .g. Friy, 12 Oor 2001. i i nry o rr o in both Old and New Styles, the orm 11/21 July 1605 should be used.

    For dates dependent upon the time o beginning the new year, the orm

    21 Jnury 1564/5 houl u. hn rrring o prio o im, u

    h orm rom 1826 o 1850 (not rom 182650), rom Jnury o rh

    1970 (not rom Jnuryrh 1970). n iion o h r, bc, bce,

    n ce ollow h yr n ad pr i, n mll pil wihou ull

    poin r u:

    54 bc, 54 bce, 367 ce, ad 367ih rrn o nuri, ll o h, inluing ad, ollow:

    in h hir nury ad

    n rrn o , n s wihou n poroph houl u:

    h 1920 (not h 1920)

    n rrn o nuri h orinl houl pll ou:

    h inh nury (not h 16h nury)inh-nury rm

    n giing pproim circa houl ri c. ollow y

    p:

    c. 1490, c. 300 bc

    8.2 BES

    umr up o n inluing on hunr, inluing orinl, houl wrin in wor whn h on i no iil. Figur houl u

    or olum, pr, hpr, n pg numr; u no:

    Th on hpr i longr hn h fr.

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    . dates, NUMbeRs, cURReNcY, aNd WeIGHts aNd MeasURes 39

    Figur r lo u or yr, inluing ho low on hunr ( 8.1).

    owr, numr h ginning o nn n pproim numr

    should be expressed in words, as should hundred, thousand, million,

    illion, ., i hy ppr whol numr:

    Two hunr n ory-n pg wr wrin.

    Th fr roy ou f houn ook.

    Sh li n wro houn yr go.

    Words should be preerred to gures where inelegance would otherwise

    rul:

    k or niny olir n ri nin hunr n niny.

    In expressing inclusive numbers falling within the same hundred, the last twofgur houl gin, inluing ny zro in h pnulim poiion:

    1315, 4447, 10022, 10408, 193339

    hr our-igi numr o no ll wihin h m hunr, gi oh

    fgur in ull:

    10981101

    D o lipn houl gin in ull, .g. 19131991. Dpn or

    the Christian era should be stated in ull since the shorter orm could bemiling:

    Th Fir Puni r (264241 bc) (not 26441 bc)

    Numbers up to 9999 are written without a comma, e.g. 2589; those rom

    10,000 upwr k omm, .g. 125,397; ho wih n or mor igi

    k wo or mor omm, pring group o hr igi ouning rom

    the right, e.g. 9,999,000,000. However, where digits align in columns, in

    opy uh l or oun, omm mu oninly inlu or

    omi in ll numr o 999.

    8.3 OA EAS Th u o romn numrl houl onfn o w pif purpo: (a) large capitals for the ordinals of monarchs, popes, etc. (Edward VII), and

    or mjor uiiion wihin ;

    (b) small capitals for volume numbers of books (journals and series take arabic

    numrl), lo or h o ply, or ook or ohr mjor uiiiono long pom, nol, . ( 11.2.7), n or rin oumn.

    () mll pil or nuri in om lngug ohr hn Englih (xvI

    il, iglo xvII); howr, in Cyrilli rip lrg pil r u;

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    40 MHRa stYLe GUIde

    (d) lower case or the preliminary pages o a book or journal (even i the

    originl u pil), whr h r numr prly, n or minor

    subdivisions within a text; inclusive numbers are written out in ull, e.g.

    iiii no iiii.

    8.4 CECor houl u o pr impl um o mony ourring in norml

    pro:

    Th mnurip w ol or igh hilling in 1865.Th rprin o wny-f poun or ory uro.

    Th w hr hunr rn.

    Names o oreign currencies should be given in their English orm where

    on i in ommon u, .g. mrk or uhmrk (not uh rk),

    [Swedish] crown, etc. Note too the use of English plurals such as drachmas,

    pnnig (but [lin] lir).

    Sums of money which are awkward to express in words, or sums occurring

    in iil l, ., my wrin in fgur. Briih urrny or

    1971 houl hown in h ollowing orm:

    Th mnurip w ol or 197 12. 6. in 1965.UK decimal currency should be expressed in pounds and pence separated by

    ull poin on h lin, no y omm:

    12.65 (no 12,65 or 12.65p)

    Sums below one pound should be shown thus (without a ull point ater

    p):

    84p, 6p

    Th m onnion pply o um pr in uro, ollr, or yn:

    250, $500, $8.95, 25, 2000

    hr i i nry o piy h rrn i o h Amrin, Cnin,

    or some other dollar, an appropriate abbreviation precedes the symbol

    wihou ull poin or p:

    S$, C$ (orCn$), A$ (orAu$), Z$

    In most cases, abbreviations or (Swiss) rancs, Scandinavian crowns,or pre-2002 European currencies ollow the gure, rom which they are

    separated by a space, and are not followed by a full point, e.g. 95 F, 250 Kr

    (BF, FF, SwF, DKr, NKr, SKr where it is necessary to specify Belgian, French,

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    . dates, NUMbeRs, cURReNcY, aNd WeIGHts aNd MeasURes 41

    Swiss, Danish, Norwegian, or Swedish currency). However, the abbreviation

    D or h rmn mrk pr h fgur n i pr rom i y

    p, .g. D 8.

    Th nm o ohr urrni r wrin ou in ull:

    350 uo, 500 p, 20 roul

    8.5 ETS AD EASES n non-iil on pr wigh n mur in wor:

    ough phil o lunum n n oun o rni phrmy wo

    mil rom Chpi.

    In statistical works or in subjects where requent reerence is made to

    hm, wigh n mur my pr in fgur wih ppropri

    riion:

    Th priory i iu 3 km rom h illg o Emhll. The same 13 mm capitals were used by three Madrid printers at diferent im.

    o h mo uh riion o no k ull poin or plurl s:

    1 kg, 15 kg, 1 mm, 6 m, 15 m, 4 l (lir), 2 , 100 l, 10 oz

    u, o oi miguiy, u in. or inh().

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    9

    QUOTATIONS AN

    QUOTATION AKS

    9.1 NAQuotation marks should normally be reserved or indicating direct quotations,

    de wrd, r r herwe hghlghg wrd r phre. Avd

    the practice o using quotation marks as an oblique excuse or a loose, slang,

    r mprece (d pbly ccre) wrd r phre.In quoted passages ollow the original or spelling, capitalization, italics,

    d pc (b ee 2.4, 5.3, 5.7, 9.3, d 9.4).

    Pre mre h ry wrd gle prgrph r

    vere mre h w le re cdered hr ,

    d re be reed 9.3 belw. All her hld be reed

    as long quotations, as in 9.4 below. I, however, several short quotations

    cme cle geher d re cmpred r cred r herwe e

    exmple, my be pprpre re hem geher lg .

    9.2 IN ANUAS OT TAN NISQ lgge her h glh re reed he me wy

    he glh (ee 7.2). Ule here re pecl re he crry,

    he rm mrk reg lgge ( ec.) hld be

    rmlzed glh ge.

    9.3 SOT QUOTATIONS

    Shr hld be ecled gle mrk d r wh he m ex. I vere clde le dv, h hld

    be mrked wh pced prgh rke ( | ).

    Balzacs amous observation, Je suis en train de devenir un gnie, has generated

    mch cepcl cmme.

    I had seen birth and death | But had thought they were diferent, muses Eliots

    We .

    For a quotation within a quotation, double quotation marks should be

    ed:

    r re reple h er le ly d We m d hg b wh

    he lke! .

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    43. quotations

    I a short quotation is used at the end o a sentence, the nal ull point should

    be de he clg mrk:

    be rd wh Seve cll lle jdc levy.

    This rule applies even when a quotation ends with a ull point in the original,

    and when a quotation orms a complete sentence in the original but, as

    ed, egred wh eece rdc r cmme wh

    erveg pc:

    We ler ce h Brke hd h kd bey whch eem be

    hrw rele by pr dre.

    Fr whch re eher errgry r exclmry, pc

    mrk hld pper bh bere d er he clg mrk:

    The pe llwed by chrd demdg wll m y Ame?.

    Why de Shkepere gve lclm he bl e Oh, by whm??

    The l ll p hld precede he clg mrk ly whe

    the quotation orms a complete sentence and is separated rom the preceding

    pge by pc mrk. Sch my be errped:

    Wlde d, e d e he erm he hd lredy hdde here.

    Sme dded: Well, I hpe y bh ejy yrelve. Hardys Satires of Circumstance was not well received. The gloom, wrote

    y Srchey h revew , eve releved by lle elegce

    dc.

    I h l exmple, he cmm er glm llw he mrk

    here cmm he rgl. Cr:

    I r, r beer hg h I d, Cr er, h I hve ever de.

    ere he rgl h cmm er I d. B whe he ed

    e mrk r exclm mrk, llwed by cmm:

    Wh hk y bk? d he.

    Whe hr llwed by reerece prehee, he l

    pc hld llw he clg prehe:

    e me he efec be e delbere (p. 29).

    There is no reason to doubt the efect o this secret humiliation (Book 6,

    Chper 52).

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    44 MHRa stYLE GuiDE

    9.4 ON QUOTATIONS

    Long quotations should be broken of by an increased space rom the

    precedg d llwg le ypecrp. A lg hld ever

    be ed he mddle eece he m ex: reble

    expec he reder crry he ee eece cr everl

    le legh.

    Long quotations should not be enclosed within quotation marks.

    A quotation occurring within such a long quotation should be in single

    quotation marks; i a urther quotation occurs within that, double quotation

    marks should be used. Foreign orms o quotation marks (see 9.2) should not

    be preerved le here re pecl re r dg .

    Pre , cldg he r le, hld be deed; verequotations should ollow the lineation and indentation o the original. These

    lger hld be dble pced d hey hld be mrked by

    vercl le he mrg dce h hey re be pred he rm

    whch drd r he pblc ccered. T he ypeeer,

    lg hld be mrked wh ecrcled e vere r pre

    in the margin i there is any possibility o doubt. When printed, a long

    my be dghed rm he m ex by eg mller

    size, indenting it, or a combination o the two. The preparation and marking

    he ypecrp he mer decrbed wld, hwever, be ble ry lkely yle prg.

    g hld rmlly ed wh ll p; eve hgh he

    rgl my e her pc, here eed (excep r e

    mrk r exclm mrk) preerve h he ed .

    Avoid interpolations indicating source that introduce square brackets

    he peg le lg , e.g.:

    This play [writes Dr Johnson, reerring toCymbeline] has many just sentiments,

    some natural dialogues, and some pleasing scenes, but they are obtained at theexpee mch cgry.

    The need or any such ormulation can be eliminated by some such rephrasing

    he llwg:

    eerrg Cymbeline, r Jh wre:

    This play has many just sentiments, some natural dialogues, and some

    pleg cee.

    A reerence in parentheses ater a long quotation should always be placedde he clg ll p, d wh ll p w (ee he

    r exmple 9.5).

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    45. quotations

    9.5 QUOTATIONS FROM PLAYSWhere a quotation from a play is longer than about forty words, or two lines

    v, g ( 9.4). W pg

    p w x pv, g

    pp pk g .

    W g p k v, p

    k p w

    g. W x g, p

    p g p p

    g w pp .

    Most academic publishers have well-established conventions that should

    be observed when preparing a typescript. The following rules apply to MHRAp w p pp.

    Prose quotations are set full out with the speakers names in small capitals,

    w p w p. S

    p . Sg w x

    in italic type within roman parentheses. If a stage direction immediately

    w pk , p pg x p

    g , g p. Sg w

    occupy a line on their own are indented further than the text, and set in

    italic type without parentheses. No extra space is inserted between speakers.T xp:

    brassbound I w p ww p. D

    g g j?

    lady cicely (gaily shaking out the fnished coat) O, gg

    J, I gv p. Y j

    v g; g 5000 , g.

    She holds the coat up to see whethe