8/9/2019 IGCSE Classical Music
1/17
The Classical Era1750-1825
IGCSE Music
Unit 3
8/9/2019 IGCSE Classical Music
2/17
What was happening around the world?
1751- Benjain !ran"lin disco#erselectricit$%
1775-1781- &erican 'e#olution
1781- (ranus disco#ered%
178)- *eorge Washington inaugurated 178)-17)5- !rench 'e#olution
180+- The ,ouisiana urchase
180.- /apoleon crowns hisel Eperor%
1812-181.- War o 1812
1822- The 'osetta tone is deciphered
8/9/2019 IGCSE Classical Music
3/17
What does the ter Classical ean?
!ro 1750 on artists usicians and
architects wanted to get awa$ ro the
strange opulence o the Baro3ue period
and o#e to eulate the clean
uncluttered st$le o Classical *reece%
This period is called Classical 4ecause o
that desire to eulate the wor"s o theancient *ree"s%
8/9/2019 IGCSE Classical Music
4/17
Chamber Music Music for the Middle Class to play at home.
String Quartet iolin I ! II" #iola" cello Ideal balance to match S$%& #oice types.
'ollo(ed the symphonic patterns.
Sonatas Solo )eyboard or )eyboard * solo instrument.
+,,- pianoforte replaces harpsichord.
Composers (rote and impro#ised from the)eyboard often performing their o(n music/.
8/9/2019 IGCSE Classical Music
5/17
Characteristics o the Classical eriod
The Church and onarchs were no longer the
principle 4eneactors o the arts due to the
political uphea#al in Europe at the tie%
The aristocrac$ were the ain patrons o thearts% The$ wanted ipersonal 4ut tuneul
usic ro their coposers% This led to the
ter
a4solute
usic - which is usic that iswritten or usics sa"e%
8/9/2019 IGCSE Classical Music
6/17
&ll o the Classical coposers were eplo$ed4$ #arious wealth$ patrons% uch o theirusic was written or parties cereonies or
sipl$ as a coission or a new wor"% The center o Classical usic was 6ienna whichis where all o the ajor coposers li#ed andwor"ed%
There was also a sense o /ationalis in thecopositions%
8/9/2019 IGCSE Classical Music
7/17
usical Characteristics
*reat attention to usical or
(se o d$naics as theatic aterial
nclusion o percussion instruents
trong sense o tension and release
(se o odulation
pera
(se o coic and witt$ elodies
8/9/2019 IGCSE Classical Music
8/17
usical nno#ations
Symphonic form
Sonata form
String Quartets
9uge popularit$ o the Opera
n#ention o the odern iano as wellas an$ other instruents
Thee and 6ariations
8/9/2019 IGCSE Classical Music
9/17
The $phonic !or
astered 4$ !ran: ;oseph 9a$dn - he wrote 10.o the%
&n e
8/9/2019 IGCSE Classical Music
10/17
The $phonic rchestra
8/9/2019 IGCSE Classical Music
11/17
The onata !or
& one-o#eent piece or a solo instruentusuall$ accopanied 4$ a piano - as opposed toa concerto which is a ulti-o#eent pieceaccopanied 4$ an orchestra%
There are three sections o a sonata- E
8/9/2019 IGCSE Classical Music
12/17
The tring >uartet
& coposition or our solo string instruents 2 6iolins
1 6iola
1 Cello Each part is e3uall$ iportant%
9a$dn was the irst to write one - he alsoastered the%
iece usuall$ has our o#eents siilar tothat o the s$phonic or%
8/9/2019 IGCSE Classical Music
13/17
pera
While opera was in#ented uch earlier in usicalhistor$ it was during this period and the one thatollowed that ost o the ost aous operas werewritten - including The agic !lute
The arriage o !igaro
=on *io#anni
&ll o these operas were written 4$ o:art%
Beetho#en 9a$dn and chu4ert has no success withwriting operas%
&n opera is 4asicall$ a usical pla$ with all o thewords sung instead o spo"en%
8/9/2019 IGCSE Classical Music
14/17
The pera
8/9/2019 IGCSE Classical Music
15/17
!aous Classical Coposers
Christoph Willi4ald *luc" @171.-1787A
!ran: ;oseph 9a$dn @17+2-180)A Wolgang &adeus o:art @175-17)1A
,udwig 6on Beetho#en @1770-1827A
!ran: chu4ert @17)7-1828A
8/9/2019 IGCSE Classical Music
16/17
nstruents o the Classical eriod
odern !lute
Clarinet
!rench 9orn
6al#ed Trupet
Tro4one
ercussion
iano
8/9/2019 IGCSE Classical Music
17/17
comaprison