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IGCSE Classical Music

Jun 01, 2018

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    The Classical Era1750-1825

    IGCSE Music

    Unit 3

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    What was happening around the world?

    1751- Benjain !ran"lin disco#erselectricit$%

    1775-1781- &erican 'e#olution

    1781- (ranus disco#ered%

    178)- *eorge Washington inaugurated 178)-17)5- !rench 'e#olution

    180+- The ,ouisiana urchase

    180.- /apoleon crowns hisel Eperor%

    1812-181.- War o 1812

    1822- The 'osetta tone is deciphered

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    What does the ter Classical ean?

    !ro 1750 on artists usicians and

    architects wanted to get awa$ ro the

    strange opulence o the Baro3ue period

    and o#e to eulate the clean

    uncluttered st$le o Classical *reece%

    This period is called Classical 4ecause o

    that desire to eulate the wor"s o theancient *ree"s%

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    Chamber Music Music for the Middle Class to play at home.

    String Quartet iolin I ! II" #iola" cello Ideal balance to match S$%& #oice types.

    'ollo(ed the symphonic patterns.

    Sonatas Solo )eyboard or )eyboard * solo instrument.

    +,,- pianoforte replaces harpsichord.

    Composers (rote and impro#ised from the)eyboard often performing their o(n music/.

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    Characteristics o the Classical eriod

    The Church and onarchs were no longer the

    principle 4eneactors o the arts due to the

    political uphea#al in Europe at the tie%

    The aristocrac$ were the ain patrons o thearts% The$ wanted ipersonal 4ut tuneul

    usic ro their coposers% This led to the

    ter

    a4solute

    usic - which is usic that iswritten or usics sa"e%

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    &ll o the Classical coposers were eplo$ed4$ #arious wealth$ patrons% uch o theirusic was written or parties cereonies or

    sipl$ as a coission or a new wor"% The center o Classical usic was 6ienna whichis where all o the ajor coposers li#ed andwor"ed%

    There was also a sense o /ationalis in thecopositions%

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    usical Characteristics

    *reat attention to usical or

    (se o d$naics as theatic aterial

    nclusion o percussion instruents

    trong sense o tension and release

    (se o odulation

    pera

    (se o coic and witt$ elodies

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    usical nno#ations

    Symphonic form

    Sonata form

    String Quartets

    9uge popularit$ o the Opera

    n#ention o the odern iano as wellas an$ other instruents

    Thee and 6ariations

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    The $phonic !or

    astered 4$ !ran: ;oseph 9a$dn - he wrote 10.o the%

    &n e

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    The $phonic rchestra

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    The onata !or

    & one-o#eent piece or a solo instruentusuall$ accopanied 4$ a piano - as opposed toa concerto which is a ulti-o#eent pieceaccopanied 4$ an orchestra%

    There are three sections o a sonata- E

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    The tring >uartet

    & coposition or our solo string instruents 2 6iolins

    1 6iola

    1 Cello Each part is e3uall$ iportant%

    9a$dn was the irst to write one - he alsoastered the%

    iece usuall$ has our o#eents siilar tothat o the s$phonic or%

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    pera

    While opera was in#ented uch earlier in usicalhistor$ it was during this period and the one thatollowed that ost o the ost aous operas werewritten - including The agic !lute

    The arriage o !igaro

    =on *io#anni

    &ll o these operas were written 4$ o:art%

    Beetho#en 9a$dn and chu4ert has no success withwriting operas%

    &n opera is 4asicall$ a usical pla$ with all o thewords sung instead o spo"en%

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    The pera

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    !aous Classical Coposers

    Christoph Willi4ald *luc" @171.-1787A

    !ran: ;oseph 9a$dn @17+2-180)A Wolgang &adeus o:art @175-17)1A

    ,udwig 6on Beetho#en @1770-1827A

    !ran: chu4ert @17)7-1828A

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    nstruents o the Classical eriod

    odern !lute

    Clarinet

    !rench 9orn

    6al#ed Trupet

    Tro4one

    ercussion

    iano

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    comaprison