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Five poems (quintet), Walters Art Museum MS. W.605

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This copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) was written by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-5 CE. The manuscript opens with a double-page illuminated frontispiece with an inscription giving the title of the work and the name of the author (fols. 1b-2a). There are four illuminated titlepieces with the names of the individual poems and twenty-six repainted illustrations. According to evidence supplied by the colophons, the original binding was by the hand of Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī, as well. Unfortunately, it has not survived.
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Page 1: Five poems (quintet), Walters Art Museum MS. W.605
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http://creativecommons.org/licenses/by-nc-sa/3.0/legalcodePublished 2009

The Walters Art Museum600 N. Charles StreetBaltimore, Maryland

21201http://www.thewalters.org/

Page 4: Five poems (quintet), Walters Art Museum MS. W.605

This document is a digital facsimile of selections from a manuscript belonging to the Walters ArtMuseum, in Baltimore, Maryland, in the United States. It is one of a number of manuscriptsthat have been digitized as part of a project generously funded by the National Endowment forthe Humanities, and by an anonymous donor to the Walters Art Museum. More details aboutthe manuscripts at the Walters can be found by visiting The Walters Art Museum's websitewww.thewalters.org. For further information about this book, and online resources for Waltersmanuscripts, please contact us through the Walters Website by email, and ask for your message tobe directed to the Department of Manuscripts.

NOTE: The pages in this book are ordered from right to left. This means that to view the pages inorder, you should go the last page of the document and read what would be from “back-to-front”for a Western manuscript.

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Acquisition Walters Art Museum, 1931, by Henry Walters bequest

Binding The binding is not original.

Probably dates to the twelfth century AH / eighteenth CE;brown leather (with flap); stamped, gold-brushed centralovals, pendants, and cornerpieces; marbled endpapers; firstand last folios mounted

Bibliography Storey, C. A. Persian Literature: A Bio-BibliographicalSurvey, Vol. 2. (London: Luzac, 1927- ), 438-495.

Gacek, Adam. Persian Manuscripts in the Libraries ofMcGill University: Brief Union Catalogue. (Montreal:McGill University Libraries, 2005), no. 111.

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Text: Khusraw va Shīrīn

fol. 183a:Title: Bahrām Gūr in the blue pavilionForm: IllustrationText: Haft paykar

fol. 211b:Title: Incipit page with illuminated titlepieceForm: Incipit; titlepieceText: Khusraw va ShīrīnLabel: This incipit page has an illuminated titlepieceinscribed with the title of the poem, Kitāb-i Khusraw vaShīrīn, in gold ink.

fol. 257a:Title: Khusraw and Shīrīn enthroned in the presence ofcourtiersForm: IllustrationText: Khusraw va Shīrīn

fol. 258b:Title: Farhād, the lover of Shīrīn, in the presence of theking’s messengerForm: IllustrationText: Khusraw va Shīrīn

fol. 277a:Title: Khusraw asking pardon from ShīrīnForm: IllustrationText: Khusraw va Shīrīn

fol. 292a:Title: Shīrīn meeting KhusrawForm: IllustrationText: Khusraw va Shīrīn

fol. 315b:Title: Incipit page with illuminated titlepieceForm: Incipit; titlepieceText: IskandarnāmahLabel: This illuminated incipit page has a titlepieceinscribed with the title of the poem, Kitāb-iIskandarnāmah, in gold ink.

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Label: This folio is misbound.

fol. 97b:Title: Salīm, a youth from Baghdad, visiting MajnūnForm: IllustrationText: Laylá va Majnūn

fol. 98a:Title: Majnūn meeting his mother in the presence ofSalīmForm: IllustrationText: Laylá va Majnūn

fol. 100a:Title: Laylá and Majnūn reunited in the wildernessForm: IllustrationText: Laylá va Majnūn

fol. 112b:Title: Majnūn fainting at Laylá’s tombForm: IllustrationText: Laylá va Majnūn

fol. 120b:Title: Incipit page with illuminated titlepieceForm: Incipit; titlepieceText: Haft paykarLabel: This illuminated incipit page has a titlepieceinscribed with the title of the poem, Kitāb-i Haft paykar,in gold ink.

fol. 137b:Title: Bahrām Gūr killing a lionForm: IllustrationText: Haft paykar

fol. 138a:Title: Bahrām Gūr killing a dragonForm: IllustrationText: Haft paykar

fol. 173b:Title: Khusraw being told about Farhād’s love for ShīrīnForm: Illustration

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Form: IllustrationText: Laylá va Majnūn

fol. 73b:Title: Laylá in a garden in the company of young womenForm: IllustrationText: Laylá va Majnūn

fol. 75a:Title: Nawfal, a friend of Majnūn, fighting with Laylá’stribeForm: IllustrationText: Laylá va Majnūn

fol. 78b:Title: Majnūn playing with wild animalsForm: IllustrationText: Laylá va Majnūn

fol. 83b:Title: Majnūn playing with wild animalsForm: IllustrationText: Laylá va Majnūn

fol. 85a:Title: Majūn and his father embracing in the wildernessForm: IllustrationText: Laylá va Majnūn

fol. 88b:Title: Majnūn visiting his father’s tombForm: IllustrationText: Laylá va Majnūn

fol. 90a:Title: Khusraw and FarhādForm: IllustrationText: Khusraw va ShīrīnLabel: This folio is misbound.

fol. 94b:Title: Bahram Gūr in the green pavilionForm: IllustrationText: Haft paykar

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Decoration fol. 1b:Title: Double-page illuminated frontispieceForm: FrontispieceLabel: This is the right side of a double-pageilluminated frontispiece, which together with the leftside contains the title and the author's name, written ingold thuluth script.

fol. 2a:Title: Double-page illuminated frontispieceForm: FrontispieceLabel: This is the left side of a double-page illuminatedfrontispiece, which together with the right side containsthe title and the author's name, written in gold thuluthscript.

fol. 21b:Title: King Nūshirvān hunting with Dastūr, his vizierForm: IllustrationText: Makhzan al-asrār

fol. 27b:Title: King Farīdūn hunting deerForm: IllustrationText: Makhzan al-asrār

fol. 40a:Title: An old man speaking with a king's confidantForm: IllustrationText: Makhzan al-asrār

fol. 61b:Title: Laylá and Majnūn at schoolForm: IllustrationText: Laylá va Majnūn

fol. 66b:Title: Majnūn brought to the Kaʿba in MeccaForm: IllustrationText: Laylá va Majnūn

fol. 68b:Title: Majnūn visited by his father

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tawqīʿ script below the frame, reads: katabahu wa-tazayyanahu wa-tajalladahu ʿalá yad al-faqīr al-ḥaqīr Jamālal-Dīn Muḥammad ak-Ṣiddīqī al-Iṣfahānī; the same name,responsible for the illuminations, with the date 900 AH /1494-5, given on fol. 446a

Support material Paper

Laid paper

Extent Foliation: i+446+i

Collation Comments: A good number of folios (especially betweenfols. 90 and 180) either missing or misbound

Dimensions 16.0 cm wide by 23.0 cm high

Written surface 10.5 cm wide by 17.5 cm high

Layout Columns: 3Ruled lines: 17First column has the text written obliquely; frame-ruled

Contents fols. 1b - 446a:Title: Kitāb-i Khamsah-i Shaykh-i NiẓāmīIncipit:

Text note: Contains five poems: Makhzan al-asrār (fols.1b-42b), Laylá va Majnūn (fols. 43b-119b), Haft paykar(fols. 120b-166b and 177a-210b), Khusraw va Shīrīn(fols. 167a-173a and 211b-314a), and Iskandarnāmah(fols. 315b-446a)Hand note: Written in black nastaʿlīq script withcaptions in blue and goldDecoration note: Twenty-six illustrations, mostrepainted later; double-page illuminated frontispiecewith the inscription in gold thuluth script in fourcartouches: Kitāb-i Khamsah-i (fol. 1a top), Shaykh-iNiẓāmī (fol. 1b top), ʿ alayhi al-raḥmah (fol. 1a bottom),and wa-al-riḍwān (fol. 2b bottom); four titlepieces withthe titles of individual poems (fols. 43b, 120b, 211b, and315b)

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Name, in vernacular:

Note: According to statements on fols. 210b, 314a, and 446a,Jamāl al-Dīn Muḥammad al-Ṣiddīqī al-Iṣfahānī appears to beresponsible for the chrysography, illumination, and binding,which has not survived in its original form.

Scribe As-written name: Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-ShahrastānīName, in vernacular:

Note: Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī ismentioned only in the three colophons (see fols. 42b, 119a,and 210b).

Form Book

Genre Literary -- Poetry

Language The primary language in this manuscript is Persian.

Colophon 119a:Transliteration: Fol. 119a: qad faragha min taḥrīr hadhā kitāb[sic] al-laṭīf wa-hiya [sic] jild [sic] al-thānī min /1/ jumlatal-Khamsah al-musammá bi-hi [sic] Laylá wa-Majnūn minkalām shaykh al-muḥaqqiqīn /2/ qudwat al-ʿārifin zubdat al-sālikīn Shaykh Niẓāmī al-Kanjah /3/ ʿalayhi al-raḥmah wa-al-riḍwān wa-al-maghrifah wal-ghufrān al-ʿabd /4/ al-faqīral-ḥaqīr al-ḍaʿīf al-muftaqir ilá raḥmat Allāh al-malik /5/ al-jānī Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Sharastānī /6/aḥsana Allāh aḥwālahu wa-ghafara lahu wa-li-wālidayhiwa-li-sāyir al-muʾminīn /7/ wa-al-muʾmināt wa-al-Muslimīnwa-al-Muslimāt fī ta<ʾ>rīkh sanat ithnayn /8/ wa-taisʿīn wa-thamānimiʾah al-hijrīyah al-nabawīyah al-muṣṭafawīyah /9/wa-ṣallá Allāh ʿalá Muḥammad wa-ʿalá jamīʿ al-anbiyāʾwa-al-mursalīn /10/ wa-ʿalá <ā>lih wa-aṣḥābih wa-azwājihajmaʿīn /11/ al-ṭayyibīn wa-al-ṭāhirīn wa- /12/ al-ḥamd li-Llāh rabb al-ʿālamīn /13/ tamma /14/Comment: Five colophons (42b, 119a, 210b, 314a, and446a) in Arabic giving the names of the scribe, illuminator,and bookbinder; colophon on fol. 314a, written in gold

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Shelf mark Walters Art Museum Ms. W.605

Descriptive Title Five poems (quintet)

Text title Kitāb-i Khamsah-i Shaykh-i NiẓāmīVernacular:

Note: Title and author's name given in a double-pageilluminated frontispiece with the inscription in gold thuluthscript in four cartouches

Author Authority name: Niẓāmī Ganjavī, 1140 or 41-1202 or 3Supplied name: Ilyās ibn Yūsuf Niẓāmī GanjavīName, in vernacular:

Note: Author dates preferred by cataloger: d. 605 AH / 1209CE

Abstract This copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) was written by Abū Bakr Shāh ibnḤasan ibn ʿAlī al-Shahrastānī and illuminated by Jamālal-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892AH / 1486 CE and 900 AH / 1494-5 CE. The manuscriptopens with a double-page illuminated frontispiece with aninscription giving the title of the work and the name of theauthor (fols. 1b-2a). There are four illuminated titlepieceswith the names of the individual poems and twenty-sixrepainted illustrations. According to evidence supplied bythe colophons, the original binding was by the hand ofJamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī, as well.Unfortunately, it has not survived. The binding presentlyattached to the manuscript dates to the twelfth century AH /eighteenth CE.

Date 892 AH / 1486 CE; another date of 900 AH / 1494-5 CEgiven on fol. 446a for the completion of the illuminations andbinding

Origin Iran

Artist As-written name: Jamāl al-Dīn Muḥammad al-Ṣiddīqī al-Iṣfahānī

Page 81: Five poems (quintet), Walters Art Museum MS. W.605

This document is a digital facsimile of selections from a manuscript belonging to the Walters ArtMuseum, in Baltimore, Maryland, in the United States. It is one of a number of manuscriptsthat have been digitized as part of a project generously funded by the National Endowment forthe Humanities, and by an anonymous donor to the Walters Art Museum. More details aboutthe manuscripts at the Walters can be found by visiting The Walters Art Museum's websitewww.thewalters.org. For further information about this book, and online resources for Waltersmanuscripts, please contact us through the Walters Website by email, and ask for your message tobe directed to the Department of Manuscripts.

Page 82: Five poems (quintet), Walters Art Museum MS. W.605

http://creativecommons.org/licenses/by-nc-sa/3.0/legalcodePublished 2011

A digital facsimile of selections fromWalters Ms. W.605, Five poems (quintet)Title: Kitāb-i Khamsah-i Shaykh-i Niẓāmī

Published by: The Walters Art Museum600 N. Charles Street Baltimore, MD 21201

http://www.thewalters.org/