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Existential physicsas phenomenology
Heidegger’s commenton Aristotle’s Physics
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Vasil Penchev*
*Bulgarian Academy of Sciences:Institute for Philosophical Research
(Institute for the Study of Societies and Knowledge)
vasildinev@gmail.com
“Aristotle in Phenomelogy”, Fort Wayne, IN, USA
April 23-24, 2016
mailto:vasildinev@gmail.commailto:vasildinev@gmail.com
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From Husserl to Heidegger
•One can interpret the “phenomena” in Husserl’s senexistences (“existentia”) of the “things themselves” othemselves
• Husserl rejected that approach as “naturalization” ofphenomenology
• Heidegger himself, though revising or developing farHusserl’s phenomenology, refuted to be an “existent
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Heidegger and Greeks
•Heidegger tried to reinterpret Greek philosophy espfew Pre-Socratics in that manner:
• The phenomenon (as “meaning it in itself by itself ”) identified as naïvely as wisely with the being (insepafrom the existence) of each certain thing
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“Φύσις” in Aristotle’s Physics
•The same approach of Heidegger penetrates his extecomment on a single fragment (B, 1) from Aristotle’s
• The part in question refers to the concept of “Φύσιςgenerally
• Heidegger’s reflection addresses the relation of thatGreek philosophy and Aristotle’s particularly to the mEuropean understanding of nature as opposed to bohuman being and technics
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Truth as ἀλήθεια
•
Heidegger’s way of interpretation merges the things and thePlatonic “ideas” in the initial Φύσις thinkable as both χάος aἀλήθεια
• Heidegger means the latter as that truth relevant to both Grhis philosophy: ἀλήθεια is ἀ-λήθεια, i.e. the appearance at ahiddenness as un-hiddenness
• That concept of truth is not underlain by any opposition to ait has not the form of the Latin adaequatio, the origin of whoften searched again in Aristotle
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Nature as truth
•Truth as ἀ-λήθεια is phenomenon as appearance whbeing and existence are both yet and initially insepafrom each other.
• Thus truth as ἀ-λήθεια is φύσις at the same time
• Nature is Truth before any opposition, particularly thhuman being to nature
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The Greek τέχνη
•
The Greek τέχνη is seen analogically as “going out ofhiddenness into un-hiddenness”
• It is not thought in the modern manner as creatingsomething artificial, technical, which has not existednatural way, and even it might not exist in nature in
principle:
• Thus τέχνη cannot be the modern technics at all
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What τέχνη means
•
On the contrary, τέχνη means the hidden essence torevealed, literally the veil to be removed
• Thus, truth to be seen: τέχνη is not and cannot be opto φύσις, it assists for the human beings to be able tobserve the φύσις in an obvious way.
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Philosophy and poetry merging into τέχ
•
For example, a wooden chair reveals the strength anreliability of the tree, from which the chair has been
• That τέχνη is not opposed furthermore to philosophpoetry:
• It may be thought as an another, namely material waphilosophizing or poeticizing
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The “essence given at the end”: ἐντελέχ
•
Aristotle’s ἐντελέχεια is interpreted analogically andrelatively to τέχνη:
• It means the “essence to be given at the end” in Heidinterpretation,
• It is given at the ultimate stage in the natural develo
• One may say that mankind and nature collaborate wother by means correspondingly of τέχνη and of natdevelopment both sharing ἐντελέχεια as their essen
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“Seiendheit”: οὐσία
• The beingness, “οὐσία” is the essence of existence, “phenomenon” in Husserl’s sense. I
• It is at the same time, “estate”, “land”: what is lordedto the literary sense of the word transformed into a term right by Aristotle
• Thus οὐσία is the lording beginning of all the existin
substantia, which underlies all as whatever elements“water”, “air”, “soil”, “fair”, etc
• It is the beginning rather as the ultimate “phenomenof any other phenomenon and further of anything to
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Physics: The Book of Western Philosoph
•
Heidegger called Aristotle’s Physics “the secret, nevesufficiently rethought base book of WesternPhilosophy” [1].
• This can explain the choice of Heidegger to commennamely it
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Still one reduction
• One should mean Heidegger’s, maybe too creativeinterpretation of Husserl’s reduction
• Husserl’s reductions are eidetic, phenomenological, transcendental
• They can be considered as a single reduction in thredifferent contexts: correspondingly mathematics, psy
and philosophy• Heidegger offered in still one context, transformed in
classical one after Hegel, that of the history of philos
• Heidegger called it “destruction”, and Derrida
“deconstruction”
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Destruction as a reduction
• A method to be obtained a phenomenon of philosopdevelopment is what is meant
• It returns philosophy to its beginning right in Ancien
and to its initial books such as Aristotle’s Physics
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Reduction to origin
• Indeed, all future development of philosophy can beas a collection of “things” (which are philosophical din the case at issue)
• They share one and the same “εἶδος” or “phenomenHusserl’s sense by their common origin
• Consequently, Heidegger’s destruction can be under
a historical and philosophical reduction to the origin
• Therefore , it synthesizes Husserl’s and Hegel’s approtranscendental consciousness interpreted as dialectidevelopment by the latter, right in history of philoso
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Destruction is not restoring
•
That destruction does not intend any authentic restothe original sense and meaning of the primary sourcthough Heidegger gave just that form
• Derrida’s term “deconstruction” is maybe more outrobviously hinting a new deconstructing reconstructio
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Origin as εἶδος of development
•
This is what the ancient philosopher should mean if Heidegger reduces all descendant development to thor phenomenon as its origin.
• Of course, the ancient philosopher might hardly meathe following development, though as if removed, is
meant in a negative way to be obtained the εἶδος of
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Criticism
•
Heidegger has been many time criticized that hisrecollections are too creative and does not correspofacts
• However, that kind of criticism does not penetrate inessence of destruction as restoring the essence by m
historical and philosophical reduction
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The structure of the paper
• The paper is structured as follows:
• The sections are devoted to a few Aristotle’s terms froB, 1, which are fundamental rather for Heidegger’s intof Western Philosophy as originated from that “Secret“never rethought enough”
• Each section elucidates a basic word, correspondingly successively: ἀλήθεια, χάος, τέχνη, ἐντελέχεια, ενέργεand φύσις
• The last and conclusive section, Recollection tries to elmethod of destruction in the way of Heidegger’s thougthan conceptually by means of his text Recollection deHölderlin’s hymn of the same title
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Reference:
•
Heidegger, M. (1939) “Vom Wesen und Begriff der ΦAristoteles, Physik , B, 1,” in: Gesamtausgabe. Band 9(Wegmarken). Frankfurt AM, Vittorio Klostermann, 1239-302