David Dike Fine Art, 2013

DAVID DIKE FINE ART

TEXAS ARTAUCTION

SATURDAY, JANUARY 19 , 2013 • 4 :00 PM • DALLAS , TEXAS

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DAVID DIKE FINE ART, L.L.C.Presents an Auction of Texas Art • Saturday, January 19, 2013

Auction bidding starts at 4 PM CTS

50 YEARS OF COLLECTING – PRESENTATION BY EDWARD DENARIWWII Veteran and Texas Art Collector for over 50 years, Edward Denari speaks on his lifelong passion in collecting Texas Art. He has rubbed elbows with the Who’s Who in the art world of both Texas and Americanart. Denari once owned an art gallery in Fort Worth.

Please join us to hear the stories of a collector, dealer and lover of Texas Art.

AUCTION TO BE HELD AT: WILDMAN ART FRAMING1715 Market Center Boulevard • Dallas, Texas 75207

Valet Parking will be available.

Auction Preview Information: Monday, January 14 – 18, the art may be viewed at Wildman Art Framing.

DAVID DIKE FINE ART

TEXAS ARTAUCTION

2613 Fairmount Street • Dallas, Texas 75201 • Phone: 214-720-4044 • Fax: 214-720-4469Email: [email protected] • Website: www.daviddike.com

Hours: Monday – Friday 10:00 AM – 5:00 PM • Saturday 11:00 AM – 4:00 PMPlease contact the gallery for more information.

AUCTIONEER: LOUIS MURAD OF MURAD AUCTIONEERSLOUIS MURAD TXS 13362

FRONT COVER (Detail): Page 72, Lot 203 – Porfirio Salinas • INSIDE FRONT COVER (Detail): Page 58, Lot 182 – Ed Bearden INSIDE BACK COVER (Detail): Page 32, Lot 114 – Reveau Bassett • BACK COVER: Page 23, Lot 86 – William Lester

GALLERY DIRECTOR: Anne Kelly, ISA • CATALOGUE DESIGN: WinshipPhillips.com • PHOTOGRAPHY: PaulLara.com

The following, as amended by any posted notices, specific bills of sale or similar instruments relating to a transaction or oralannouncements during the sale, consti tutes the entire terms and conditions on which property listed in the catalogue shall beoffered for sale or sold by Murad Auctions, the auctioneer conducting the sale on behalf of any consignor for whom we act asagent. DDFAA (as subsequently defined) is not an auctioneer and is not conducting the auction or arranging any resultingtransaction. In these Conditions of Sale, “We” and “Our” refer to Murad Auctions.

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1. As used herein the term “bid price” means theprice at which a lot is sold to the purchaser and theterm “purchase price” means The aggregate of (a) thebid price, (b) A PREMIUM PAYABLE BY THE PUR-CHASER OF 17.5% of the hammer price (or 20.5%Buyer’s Premium for anything purchased online) and(c) unless the purchaser is exempt by law from thepayment thereof, any Texas or local sales tax (or compensating use tax of another state) and applicabletaxes. Murad Auctions has been authorized by theconsignor to retain, as part of our remuneration, thepremium payable by the purchaser.

2. On the fall of the auctioneer’s hammer, the highestbidder shall be deemed to have purchased the offeredlot, and title to the lot shall pass to the purchaser, inaccordance with all of the conditions set forth hereinand thereupon the purchaser (a) assumes full risk andresponsibility therefore (b) if requested will sign aconfirmation of purchase, and (c) will pay the purchaseprice in full in cash for all lots purchased. To preventmisdelivery and inconvenience in settlement of a pur-chase, no lot may be transferred. All property shall beremoved from our premises at the purchaser’s expenseimmediately following the sale. If not so removed wemay, as an accommodation to the purchaser, transferthe property to a public warehouse or other premisesunder our control or the control of DDFAA at the pur-chaser’s sole risk and expense. Each sale made pur-suant to these Conditions of Sale will be deemed toconstitute a grant of security interest by the purchaserto us in, and we may retain as collateral security forthe purchaser’s obligations to us or our assignee, anyof the purchaser’s property in our possession, and wemay apply against such obligations all monies held orreceived by us for the account of, or owing to, the pur-chaser. Each purchaser consents to the filing of pub-lic notices or our lien. Whenever the purchaser paysonly a part of the total purchase price for one or morelots purchased, we may apply such payments, in oursole discretion, to the lot or lots we choose. Paymentwill not be deemed made in full until we have col-lected all amounts due in cash or good funds repre-sented by cleared checks or cashier checks. If theforegoing conditions or any other applicable condi-tions herein are not complied with, in addition toother remedies available to us and the consignor bylaw, including but without limitation, the right to holdthe purchaser liable for the purchase price, we at ouroption may either (a) cancel the sale, retaining as liq-uidated damages all payments made by the purchaseror b) resell the property with a three day notice to theoriginal defaulting purchaser, and in such event thepurchaser shall be liable for the payment of any defi-ciency plus all costs and expenses of both sales, ourcommission at our standard rates, all other chargesdue hereunder, attorney’s fees and incidental dam-ages; or (c) take any measures it deems necessary. IfMurad Auctions must resell the property, the originaldefaulting purchaser will be held responsible for anydeficiencies in the purchase price, including any andall associated expenses including reasonable attor-ney’s fees, warehousing, commissions or any othercosts associated with the default. No actions by us orany third party before or after the auction shall bedeemed a waiver of any of the foregoing.

3. We reserve the right to withdraw any property atany time before the actual sale. Unless otherwise an-nounced by the auctioneer at the time of sale, all bidsare per lot as numbered in the catalogue and no lotshall be divided for sale.

4. The auction will be conducted by Louis MuradTXS 13362. We reserve the right to reject any bid

from any bidder. The highest bidder acknowledgedby the auctioneer shall be the purchaser. In theevent of any dispute between bidders, or in theevent the auctioneer doubts the validity of any bid,the auctioneer shall have sole and final discretioneither to determine the successful bidder or to re-offer and resell the article in dispute. If anydispute arises after the sale, our sales recordsshall be conclusive in all respects.

5. If we are prevented by fire, theft or any reasonwhatsoever from delivering any property to the pur-chaser, our liability shall be limited to the sum actuallypaid therefore by the purchaser and shall in no eventinclude any incidental or consequential damages.

6. Some lots are offered subject to a “reserve,” whichis an undisclosed minimum price below which the lotwill not be sold. If a lot is offered subject to a reserve,the auctioneer may implement such reserve by bid-ding on behalf of the consignor, whether by openingbidding or continuing bidding in response to otherbidders until reaching the reserve.

7. ALL STATEMENTS CONTAINED OR IN ANYBILL OF SALE, INVOICE OR ELSEWHERE, ORMADE BY THE AUCTIONEER, AS TO AUTHOR-SHIP, PERIOD, CULTURE, SOURCE, ORIGIN,MEASUREMENT, QUALITY, RARITY, PROVE-NANCE, IMPORTANCE, EXHIBITION AND LIT-ERATURE OF HISTORICAL RELEVANCE OR PHYSICAL CONDITION ARE QUALIFIEDSTATEMENTS OR OPINION AND NOT REPRE-SENTATIONS OR WARRANTIES. WE AND CONSIGNORS MAKE NO REPRESENTATIONAND WARRANTIES AS TO WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS, INCLUDING BUT NOT LIMITED TO, ANY REPRODUCTION RIGHTS IN THE PROPERTY.No employee or other agent of Murad Auctions, theauctioneer, David Dike Fine Art, L.L.C., Dike Man-agement, LLC, David Dike Fine Art Auction, DavidDike Fine Art or of David Dike (collectively “DDFAA”)is authorized to make on behalf or that of the con-signor any representation or warranty, oral or written,with respect to any property. Prospective biddersshould inspect the property before bidding to deter-mine its condition, size and whether or not it has beenrepaired or restored.

THE PURCHASER EXPRESSLY ACKNOWLEDGESAND AGREES THAT IN NO EVENT SHALL WEBE LIABLE FOR ANY DAMAGES INCLUDING,WITHOUT LIMITATION, ANY COMPENSATORY,INCIDENTAL OR CONSEQUENTIAL DAMAGES.IN NO EVENT WILL OUR LIABILITY OR THE LI-ABILITY OF DDFAA TO A PURCHASER EXCEEDTHE PURCHASE PRICE ACTUALLY PAID.

8. All deliveries will be shipped COD unless other-wise agreed to by purchaser and Murad Auctions. Ifpacking and handling of purchased lots is done by us,it is done at the entire risk of the purchaser. We arenot liable for any acts or omissions of carriers orpackers, including those we may recommend. Suchcarriers or packers may carry their own insurance andany claim for loss or damage should be addressed directly to them. No items will be shipped unless wespecifically agree to do so.

9. Unless prior arrangements have been made withMurad Auctions, there may be a seven day waitingperiod if purchasing artwork with a personal or com-pany check. To avoid delay of this sort, bidders areencouraged to prearrange check approval or establisha line of credit with Murad Auctions by calling (214)

720-4044 no later than noon on Saturday, January 19,2013. There will be no exceptions. Bank card pur-chases will be honored at our option.

10. These Conditions of Sale and the purchaser’s andour respective rights and obligations hereunder aregoverned by Texas law. By bidding at an auction,whether in person or by agent, telephone or othermeans, the purchaser or bidder agrees to be bound bythese Conditions of Sale and to consent to the exclu-sive jurisdiction of the state courts of, and the federalcourts sitting in, the State of Texas. All of our obliga-tions under these Conditions of Sale and the obliga-tions of purchaser to pay, are performable in Dallas,Dallas County, Texas.

11. These Conditions of Sale shall bind the succes-sors and assigns of all bidders and purchasers andinure to the benefit of our successors and assigns. Nowaiver, amendment or modification of the termshereof (other than posted notices or oral announce-ments during the sale) shall bind us unless specifi-cally stated in writing by us. If any part of theseConditions of Sale is for any reason invalid or unen-forceable, the rest shall remain valid and enforceable.

12. As a service to those wishing to place bids, wemay at our discretion accept bids without charge inadvance of sale by telephone, or in writing on biddingforms available from us. “Buy” bids will not be ac-cep table; all bids must state the highest bid price thebidder is willing to pay. As noted above, a premiumpayable by the purchaser will be added to the bidprice. In the event identical bids are submitted, theearliest will take precedence. Absentee bids shall beexecuted in competition with other absentee bids, anyapplicable reserve and bids from the audience. Suc-cess ful absentee bids may not be acknowledged, butsale results and selling prices for any lot may be ob-tained by telephoning us during normal businesshours. We assume no responsibility for failure to exe-cute these bids for any reason whatsoever.

13. As a convenience to our clients, we furnish pre-sale estimates for all lots included in the catalogue.These are intended as an approximate guide to cur-rent market value, and should not be interpreted as aprice or as an appraisal. The final bid may well beless or more than any estimate printed.

14. EXCEPT AS EXPRESSLY PROVIDED ABOVE,ALL PROPERTY IS SOLD “AS-IS” AND NEITHERMURAD AUCTIONS, THE AUCTIONEER, DAVIDDIKE, THE DAVID DIKE FINE ART AUCTION,DAVID DIKE FINE ART, L.L.C. OR DIKE MAN-AGEMENT LLC, NOR THE CONSIGNOR NORTHE AGENT OF ANY OF THEM MAKES ANYREPRESENTATION OR WARRANTY, EXPRESSOR IMPLIES, AS TO THE TITLE, MER-CHANTABILITY, FITNESS OR CONDITION OFTHE PROPERTY OR AS TO THE CORRECTNESSOF DESCRIPTION, GENUINENESS, ATTRIBU-TION, PROVENANCE OR PERIOD OF THE PROP-ERTY OR AS TO WHETHER THE PURCHASERACQUIRES ANY COPYRIGHTS OR OTHER IN-TELLECTUAL PROPERTY RIGHTS IN LOTSSOLD OR AS TO WHETHER A WORK OF ART ISSUBJECT TO THE ARTIST’S MORAL RIGHTS OROTHER RESIDUAL RIGHTS OF THE ARTIST.

15. All rights to this catalogue are reserved. Some ofthe images may be the subject of copyright or otherrights of the artist or owner. No part of this cataloguemay be reproduced without permission.

TERMS AND CONDITIONS of AUCTION

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DAVID DIKE FINE ART

TEXAS ARTAUCTION

DAVID DIKE FINE ART, L.L.C.Presents an Auction of Texas Art • Saturday, January 19, 2013

AUCTION TO BE HELD AT: WILDMAN ART FRAMINGLocated at 1715 Market Center Boulevard • Dallas, Texas 75207

2DON BROWN (Am. 1898-1958)Landscape

lithograph 8 1/4 x 11-1/4 inchessigned lower right: Don Brown

$300 - $600

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5DOROTHY AUSTIN (Am. 1911-2012)Spaces and Faces, Dorothy Austin, Photographs1947-2007, By: Dorothy Austin, 2008

Edition One Studios, CA Ed. 52/150signed and hand numbered copy

$100 - $200

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4OLIN TRAVIS (Am. 1888-1975)Caricatured Otis Dozier

charcoal on paper 12 x 9 inchessigned lower right: Caricatured Otis Dozierby Olin Travis

$500 - $1,000

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6CHARLES BOWLING (Am. 1891-1985)Meadow Wind, 1942

lithograph 9 3/8 x 11 7/8 inchesedition 25signed lower right: Chas. T. Bowling

$600 - $1,200

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3EDMUND DANIEL KINZINGER (Am. 1888-1963)Two Women with Basket, Taxco,1941

stone lithograph 9 3/4 x 14 inchesproof printsigned lower right: Edmund Kinzinger 1941

$300 - $600

1HENRY ZIEGLER (Am. 1889-1968)Dawn on the Range

etching 7 x 8 3/4 inchessigned lower right: Henry Ziegler

$300 - $600

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7JERRY BYWATERS (Am. 1906-1989)

Set of Three PrintsSmoking Cowboy, Indian and Goucho with Gun

Each: woodcut on paper 11 x 8 1/2 inchesestate stamped: from the estate of Jerry Bywaters 1906-1989

$600 - $1,200

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8PORFIRIO SALINAS (Am. 1910-1973)Bluebonnets and Cactus, an Album of Southwestern Paintings,By: Porfirio Salinas

Prepared for Fine Arts Corporation by: The Pemberton Press,Austin 1967. Preface: Dewey Bradford.

$100 - $200

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9PAUL MAXWELL (Am. 1925-)Reclining Figure, 1957

ink and watercolor on paper 15 x 18 1/2 inchessigned lower left: Paul Maxwell 57

$400 - $800

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10REVEAU BASSETT (Am. 1897-1981)Two Bookends

painted and glazed clay on wood base 6 1/2 x 6 1/2 x 5 inchesboth signed on wood base: Reveau Bassett

$300 - $600

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11REVEAU BASSETT (Am. 1897-1981)Ducks in Flight

lithograph 12 x 14 inchessigned lower right: Reveau Bassett

$500 - $1,000

14JERRY BYWATERS (Am. 1906-1989)Mexican Mother, 1936

lithograph 16 x 11 inches; edition 50 estate stamped: from the estate of JerryBywaters 1906-1989

$250 - $500

15JERRY BYWATERS (Am. 1906-1989)Election Day In West Texas (Balmorhea), 1940

lithograph 12 x 16 inchesedition 37/50inscribed: To Velma & Oats – Sept. 1940signed lower right: Jerry Bywaters

$5,000 - $10,000

12CHARLES BOWLING (Am. 1891-1985)Sun Rays

lithograph 8 x 10 inchessigned lower right: Chas T Bowling

$500 - $1,000

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1213JERRY BYWATERS (Am. 1906-1989)Spudder in the Panhandle, 1950

print 11 x 16 inchessigned lower right: J Bywaters 1950

$750 - $1,500

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16TOM LEA (Am. 1907-2001)A Picture Gallery: Paintings and Drawings,By: Tom Lea, 1968

Includes the book, 12 color prints & 23monochromatic prints. Published: Little,Brown and Company; Boston, Toronto; 1968.

Prefatory Note, page vii: “All I have tried to do here is to write it as if I might bewalking with a friend in this picture galleryrecalling the times when and describing theplaces where the work was done, offeringsuch recollections not to expound but simplyto examine whatever of life was caught andcontinues to reside in the pictures themselves.”– Tom Lea

$250 - $500

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22ALEXANDRE HOGUE (Am. 1898-1994)Snake & Cactus

lithograph 14 x 15 inchessigned lower right:Alexandre Hogue

$3,000 - $6,000

20OTIS DOZIER (Am. 1904 – 1987)Jack rabbits, 1938

oil on canvas 24 x 24 inchesedition 28/28signed lower right: Otis Dozier 1938

$1,500 - $3,000

17JERRY BYWATERS (Am. 1906-1989)Country Store

lithograph 8 x 13 inches; edition 17/25signed lower right: Jerry Bywaters

$1,000 - $2,000

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18WAYNE BAIZE (Am. 1943-)Remuda, 1969

lithograph 13 x 18 inchessigned lower right: Wayne Baize 1969

$500 - $1,200

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19JOHN A. STRYKER Herding Cattle

photograph 22 x 30 inchessigned lower right: John A. Stryker

$300 - $60019

21JERRY BYWATERS (Am. 1906-1989)House in Taos, 1939

lithograph 9 x 14 inchesedition 25signed lower right:Jerry Bywaters

$1,000 - $2,000

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26ROBERT JENKINS ONDERDONK (Am. 1852-1917)Pasture, 1879

graphite and opaque white on paper; 7 x 11 1/2 inches; signed lower left: RJ Onderdonk

$2,500 - $5,000

25ALEXANDRE HOGUE (Am. 1898-1994)Prairie Dog, 1938

lithograph 7 x 5 1/2 inchesedition 12/140signed lower right: Alexandre Hogue 1938

$1,000 - $2,000

23JERRY BYWATERS (Am. 1906-1989)West Texas RR Station, 1938

lithograph 8 1/2 x 11 1/4 inches; edition 50signed lower right: Jerry Bywaters 1938

$750 - $1,500

This print was included in the Lone Star Printmakers exhibition at the Dallas Museumof Fine Arts in 1938.

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24 TOM LEA (AM. 1907-2001)Downtown El Paso in the 1860s, Corner of El Paso and San Francisco Streets, 1962

lithograph 12 1/4 x 18 1/4 inchesedition 95/100signed lower right: Tom Lea 1962

$1,000 - $2,000

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28ROBIN ARTINE SMITH (Am. 1903-1991)Shells

watercolor on paper 12 x 16 inchessigned lower left: Artine

$300 - $600

29SCOTT GENTLING (Am. 1942-2011)STUART GENTLING (Am. 1942-2006)BOOK: Of Birds and Texas, Fort Worth, 1986

Number 484/500 of a Limited Edition of 500 copies plus 25 artists’ copies signed bypainters Scott and Stuart Gentling and author John Graves. Designed and printed by DavidHolman at the Wind River Press, Austin. Illustrations printed by offset lithography, textprinted by letterpress with Centaur monotype on Mohawk Superfine paper.

The book consists of two portfolios containing the fifty offset lithographic color plates ofTexas birds and landscapes painted by artists Scott and Stuart Gentling, of Fort Worth withcommentary by the artists preceding each plate. Texas author John Graves’ essay is includedin this book: Recollections of a Texas Bird Glimpser. This was created in memory of JohnJames Audubon. The book is crafted by Jensen Bindery, Austin.

Portfolio One consists of Texas landscape plates. Preliminary sheets, including the forwardwritten by Harry Tennison and the introduction by Stuart Gentling. Portfolio Two consists ofan assortment of Texas fowl set in seasonal Texas backgrounds.

This is an original signed edition in excellent condition.

$2,000 - $4,000

27FLORENCE MCCLUNG (Am. 1894-1992)New Colt

lithograph 13 x 17 inchessigned lower right: Florence McClung

$500 - $1,000

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32BLANCHE MCVEIGH (Am. 1895-1970)Taos Valley

lithograph 11 1/4 x 14 3/4 inches; edition 50;signed lower right: Blanche McVeigh

$1,500 - $2,000

31CYNTHIA BRANTS (Am. 1924-2006)Dawn in the Desert, A.P.

monoprint 8 1/4 x 12 inches; artist proof signed lower right: Brants

$600 - $1,200

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34BLANCHE MCVEIGH (Am. 1895-1970)Unfinancial

aquatint 10 1/4 x 6 3/4 inchessigned lower right: Blanche McVeigh

$1,000 - $2,000

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33BLANCHE MCVEIGH(Am. 1895-1970)Commissary

lithograph 10 3/4 x 14 3/4 inches signed lower right:Blanche McVeigh

$2,000 - $4,000

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35BLANCHE MCVEIGH (Am. 1895-1970)I Got Yo Chicken and Now We Renegotiate

aquatint 10 x 8 inchesunsigned

$750 - $1,500

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30CYNTHIA BRANTS (Am. 1924-2006)Quasar, A.P.

serigraph 9 3/4 x 8 3/4 inches; artists proof;signed lower right: C Brants

$400 - $800

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37BROR UTTER (Am. 1913-1993)Dancer

monoprint 9 x 6 inchessigned lower right: Bror Utter

$200 - $400

38DOEL REED (Am. 1895-1985)New Mexico

aquatint 12 x 17 1/2, edition 8/25, signed lower right: Doel Reed

$1,500 - $3,000

36BLANCHE MCVEIGH (Am. 1895-1970)Adobe Houses

lithograph 9 1/2 x 13 3/4 inchesedition 50; signed lower right: Blanche McVeigh

$600 - $1,200

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39CHARLES BOWLING (Am. 1891-1985)Mexican Business District, 1935

lithographic crayon on paper 10 x 12 inches; signed lower left: Chas T. Bowling 1935

$4,000 - $8,000

This piece was exhibited in the 7th Annual Dallas Allied Arts Exhibit,March 24 – April 21, 1935

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41TOM RYAN (Am. 1922-2011)Passing By

lithograph 13 1/2 x 16 3/4 inchessigned lower right: Tom Ryan

$500 - $1,000

40OTIS DOZIER (Am. 1904-1989)Texas Windmill

lithograph 14 x 11 1/2 inchesedition 27/29signed lower right: Otis Dozier

$1,000 - $2,000

The Dallas Morning News in October of 1938 covered the first exhibition by TexasPrintmakers. It noted Dozier’s Texas Windmill lithograph as part of the Lone Star Printmakers Exhibition.

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42EDMUND DANIEL KINZINGER (Am. 1888-1963)Our Maid in Taos

Serigraph 14 3/4 x 11 inchessigned lower right:Edmund Kinzinger

$500 - $1,000

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43OTIS DOZIER (Am. 1904-1987)Texas Landscape

lithograph 10 x 14 inchessigned lower right: Otis Dozier

$1,000 - $2,000

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46CHARLES BOWLING (Am. 1891-1985)Hill-top Cabin

lithograph 8 x 10 inchessigned lower right: Chas. T Bowling

$500 - $1,000

45LLOYD GOFF (Am. 1908-1982)Reynalda

lithograph 12 x 10 inchesedition 7/10signed lower right: Lloyd Goff

$400 - $800

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44MERRITT MAUZEY (Am. 1897-1973)Another Glimpse of Oak Creek Valley, with Star as Colt

hand colored lithograph 11 x 18 inches; signed lower right: Merritt Mauzey

$1,000 - $2,000

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47DOUGLAS CLARK (Am. 20th Cent.)Mother & Child

bronze 12 x 9 1/2 x 8 inchesedition 5/35signed on bottom: DB Clark 5/35

$1,500 - $2,500

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48JACK BOYNTON (Am. 1928-2010)Boot

serigraph 30 x 29 1/2 inchessigned lower left: Jack Boyntonannotation lower right: HGI II

$1,000 - $2,000

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49DARYL HOWARD (Am. 20th Cent.)When the heart breathes… Shadows turn into light

original hand pulled woodblock print 13 x 10 inches; edition 24/50signed lower right: Daryl Howard

$1,500 - $3,000

This image was sketched on the PedernalesRiver at Sunset Near Marble Falls, TX. Ithas been said, second to Gustave Baumann,Austin artist, Daryl Howard is one of fewAmerican artists whose woodblock practiceis authentic. For the last 30 years, Howardhas been creating her work under the traditional Japanese method of woodblockprint making which she studied in Japanunder Master Hodaka Yoshida. Being a native Texan, many of her subjects includeTexas wildlife and history.

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50MERRITT MAUZEY (Am. 1897-1973)Bolin Ranch

lithograph 10 3/4 x 17inches; edition 20signed lower right:Merritt Mauzey

$750 - $1,500

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52HOWARD COOK (Am. 1901-1980)River Baptism, 1937

lithograph 10 x 7 inches; edition 50inscribed: for Otto Medellensigned lower right: Howard Cook imp. 37

$500 - $1,00052

51DOUGLAS CLARK (Am. 20th Cent.)Horned Frog

bronze 3 1/3 x 9 x 5 inchesedition 9/100signed on bottom: DB Clark

$800 - $1,600

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56REID CROWELL (Am. 1911-1991)

Pair of Prints:

Old Mexican Woman #2, 1935

linoleum block print on tissue 11 1/2 x 7 1/4 inches; signed lowerright: Reid Crowell

Suspicion #2, 1934

linoleum block print on tissue 8 x 6 inchessigned lower right: Reid Crowell

$400 - $800

54MARY BONNER (Am. 1887-1935)Two Dogs

etching 21 x 14 inchesunsigned

$2,500 - $5,000

53REID CROWELL (Am. 1911-1991)Loading Bundles #2

linoleum block print on paper 5 x 6 3/4 inchessigned lower right: Reid Crowell

$400 - $800

This piece was exhibited at the Dallas Museum of Fine Arts. The exhibition stickeris attached to the back.

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55PETER HURD (Am. 1904-1984)The Shepherds Christmas, New Mexico

lithograph 6 x 8 inchesinscribed on bottom: The Shepherds Christmas – New Mexico;For Mr. John R. Athrus from his friend Peter Hurd

$500 - $1,000

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61JOSEPHINE MAHAFFEY (Am. 1903-1982)Floral Still Life

watercolor on paper 29 x 20 inchessigned lower right: JM

$750 - $1,500

58JOSEPHINE MAHAFFEY (Am. 1903-1982)Floral & Figure

watercolor on paper 17 x 11 inchessigned lower right: JM

$600 - $1,200

60JOSEPHINE MAHAFFEY (Am. 1903-1982)Floral

watercolor on paper 29 x 19 inchessigned lower right: JM

$1,000 - $2,000

6158

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57JOSEPHINE MAHAFFEY (Am. 1903-1982)Still Life

watercolor on paper 29 x 20 inchessigned lower right: JM

$1,000 - $2,000

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59JOSEPHINE MAHAFFEY (Am. 1903-1982)View of Downtown Fort Worth, TX

oil on canvas 18 x 24 inches; signed lower right: JM

$2,000 - $4,000

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63JOSEPHINE MAHAFFEY (Am. 1903-1982)Boat Ride Forest Park, Fort Worth, TX

watercolor on paper 12 x 16 inchessigned lower right: JM

$750 - $1,500

62JOSEPHINE MAHAFFEY (Am. 1903-1982)Crane and Pheasant

watercolor on paper 30 x 20 inchessigned lower right: JM

$1,200 - $2,400

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64MARJORIE JOHNSON LEE (Am. 1911-1997)Sea and Sand

oil on canvas 9 x 16 inches; signed lower left: M Johnson

$1,500 - $3,000

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65PATTIE EAST (Am. 1894-1994)Sunflower & Cactus

oil on canvas 36 x 30 inchessigned lower right: East

$2,000 - $4,00065

66DONALD VOGEL (Am. 1917-2004)Field of Orange

oil on canvas 40 x 40 inchessigned lower right:D. Vogel

$3,000 - $6,000

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68DAVID BROWNLOW (Am. 1915-2008)Cathedral

oil on masonite 48 x 12 inchessigned lower left: David Brownlow

$2,000 - $4,000

69JOSEPHINE MAHAFFEY (Am. 1903-1982)Crucifixion

oil on board 48 x 36 inchessigned lower right: JM

$2,500 - $3,500

67DICKSON REEDER (Am. 1912-1970)Young Girl with Book, 1964

oil on canvasboard 24 x 18 inchesunsigned

$1,000 - $2,000

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70BROR UTTER (Am. 1913-1993)Two Abstract Figures, 1955

mixed media on board 15 x 18 inchessigned lower right:Bror Utter 4/55

$2,500 - $5,000

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71PATTIE EAST (Am. 1894-1994)Texas Cotton

oil on canvas 16 x 20 inchessigned lower right: East

$4,000 - $8,000

This painting was exhibited in the Lone StarStill Lifes exhibition at Panhandle-PlainsHistorical Museum, Canyon, TX, March 24- July 15, 2009.

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74BILL BOMAR (Am. 1919-1990)Lake Mineral Wells, 1945

oil on board 12 x 16 inchessigned lower left: Bill Bomar 45

$7,500 - $12,500

73CYNTHIA BRANTS (Am. 1924-2006)The Juggler

oil on canvas 40 x 28 inchessigned lower left: C Brants

$3,000 - $6,000

“Cynthia Brants is described bylongtime friend and author, JohnGraves as a versatile artist with a‘lifelong compulsion to experimentradically with forms. subjects andmaterials.’ He further describesher as somewhat of a ‘maverick’ in her approach to the arts and to life. Influenced early by the artwork of Cezanne and later by Braque, Klee and Picasso,Cynthia’s quest was to take a brave step further in her work asshe continued a lifelong dialoguewith Cubism in contributing to the history of art.” – The Cynthia Brants Trust.

72BETH CLARDY (Am. 1919-2004)Untitled

gouache on paper 8 1/2 x 6 inchessigned lower right: Clardy

$600 - $1,200

View across the old lawn at Kimbell Art Museum with Sardine’s Italian Restaurant in distance, Fort Worth, TX

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75GEORGE GRAMMER (Am. 1928-)Riding for the City, 1953

mixed media on paper 18 x 24 inchessigned lower right:Grammer 1953

$5,000 - $10,00075

78MARY ELEANOR WITHERSPOON (Am. 1904-1999)Still Life

oil on board 24 x 30 inches; signed lower right: Mary E. Witherspoon

$1,500 - $3,000

This painting was exhibited in the Lone Star Still Lifes exhibition at Panhandle-Plains Historical Museum, Canyon, TX, March 24 - July 15, 2009.

79KELLY FEARING (Am. 1918-2011)Monk Holding Plant, 1961

mixed media on paper 14 1/2 x 10 inchessigned lower right:Kelly Fearing 1961

$600 - $1,200

76CLARA CAFFREY PANCOAST (Am. 1873-1959)Still Life

oil on canvas 18 x 24 inches; signed lower right: CC Pancoast

$4,000 - $6,000

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80ERIK SPROHGE (Am. 1932-)Trois Enfants, 1968

oil on masonite 18 x 24 inches; signed lower left: Erik Sprohge

$1,500 - $3,000

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77ELLAMARIE WOOLLEY (Am. 1913-1976)Rooster

glazed ceramic tile 12 x 20 inchessigned lower center: EM Woolley

$750 - $1,500

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82HIRAM DRAPER WILLIAMS (Am. 1917-)West of Austin, 1962

oil on linen 29 x 39 inchessigned lower right: HD Williams 62

$1,500 - $3,000

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81KARL UMLAUF (Am. 1939-)Big Bend Flash Flood

oil on board 18 x 29 1/2 inchessigned lower right: K. Umlauf

$1,500 - $3,000

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83HIRAM DRAPER WILLIAMS (Am. 1917-)Landscape, 1959

oil on canvas 25 1/4 x 30 inchessigned lower right: HD Williams 59

$1,500 - $3,000

85EVERETT SPRUCE (Am. 1908-2002)Untitled

oil on paper 15 x 17 inchessigned lower left: Spruce

$2,000 - $4,000

84EVERETT SPRUCE (Am. 1908-2002)Untitled

oil on board 24 x 20 inchessigned lower left: Spruce

$5,000 - $10,000

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86WILLIAM LESTER (Am. 1910-1991)Alley, 1947

oil on masonite 20 x 24 inchessigned on reverse:WM Lester – Alley 1947

$15,000 - $25,000

WILLIAM LESTER is known as one of the great Texas Regionalist painters. He was included in the Exhibition of Young Dallas Artists at the Dallas Public Art Gallery at Fair Park in 1932. The Art Digest, a national art magazine, gave notice to nine emerging and notable artists in that show and coined the groupwith the name Dallas Nine. Lester was one of the Nine along with Jerry Bywaters, Otis Dozier, AlexandreHogue and Everett Spruce to name a few. Lester’s art career included teaching at the Dallas Museum of FineArts as well as being part of the faculty at the University of Texas, Austin, where he remains an important influence on the legacy of Texas Art. His paintings are in the permanent collections of: Dallas Museum of Art, Modern Art Museum of Fort Worth; Whitney Museum of American Art, New York; PennsylvaniaAcademy of Fine Arts, Philadelphia and the U.S. Embassy, Paris to name a few.

88HARI KIDD (Am. 1899-1964)Indian Lyric

watercolor on paper 17 x 23 inchessigned lower right: Hari Kiddtitled lower left: Indian Lyric

$2,500 - $3,500

87HARI KIDD (Am. 1899-1964)Decorations for a Married Woman, c. 1935

oil on canvas 31 1/2 x 22 1/4 inchessigned lower right: Hari Kidd

$5,000 - $10,000

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90REYNOLD ARNOLD (Fr. 20th Cent.)Les Footballers du Texas – Dallas, 1949

oil on masonite 24 x 18 inchessigned lower right: Reynold Arnold

$2,000 - $4,000

REYNOLD ARNOLD, a Rouen, France native, served as guest Chairman ofthe Art Department at Baylor University for two years around 1951. Duringthat time he had a solo exhibition: Frescos, Drawings and Paintings by:Reynold Arnold which opened at the Dallas Museum of Fine Arts. The showthen traveled to Austin, Houston and ended in New York City. This show included some of his Football series like this painting. In his painting careerArnold had solo shows at the Durand-Ruel Galleries, NY; Oxford Arts Cluband Maison Francaise in Oxford; the Galerie Gimpel Fils, London; Art Museum of Princeton, N.J and Galerie Billiet Caputo in Paris. Arnold’sfootball series reflect his feeling on the game as only a foreigner at that timecould. He noted: “it is a kind of mass festivity, almost like a pagan religiouscelebration.” The players are: “among the few kinds of popular idol existing inthis country.” He saw them as medieval knights in armor going forth to battle.

89BARNEY DELABANO (Am. 1926-1997)Firecracker Junction, 1951

oil on masonite 18 x 24 inchessigned lower left:Barney Delabano 51

$5,000 - $10,000

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The original note attached to verso states: “The Old Firecracker Junction was located on Fort Worth Avenue in Dallas. They sold firecrackers on the 4th of July and other holidays and the rest of the time told fortunes.”

This painting was exhibited in the artists’ solo exhibition: The Art of Barney Delabanoat The Museum for East Texas Culture in Palestine, Texas in 2006. It was also shown inthe Urban Texas: Changing Images of an Evolving State exhibition at Panhandle PlainsHistorical Museum in 2007-2008.

94CLARA CAFFREY PANCOAST (Am. 1873-1959)Bluebonnet Landscape

oil on canvas 9 1/2 x 11 inchessigned lower right: CC Pancoast

$1,000 - $2,000

92FRANK GERVASI (Am. 1895-1986)Davis Mountains, TX

oil on canvas 20 x 24 inchessigned lower left: F Gervasi

$2,500 - $5,000

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93WESLEY FREDERICK JARVIS (Am. 1868-1966)Bluebonnet Landscape

oil on canvas 16 x 24 inchessigned lower left: W Frederick Jarvis

$1,000 - $2,000

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91ROLLA TAYLOR (Am. 1871-1970)Spring in Texas

oil on canvasboard 9 x 12 inchessigned lower right: Rolla Taylor

$1,500 - $3,000

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97ROBERT WOOD (Am. 1889-1979)Bluebonnet Landscape

oil on canvas 24 x 36 inches; signed lower right: Robert Wood

$24,000 - $28,000

96PORFIRIO SALINAS (Am. 1910-1973)Mission San Jose, San Antonio

oil on board 7 1/2 x 9 1/2 inchessigned lower right: Porfirio Salinas

$5,000 - $8,000

95IRA D. SHEPLER (Am. 1876-1944)Creek Bed

oil on canvas 24 x 30 inchessigned lower right: Ira Shepler

$1,500 - $3,000

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101PORFIRIO SALINAS (Am. 1910-1979)Landscape with Creek and Horse

oil on canvas 20 x 25 inchessigned lower left: Porfirio Salinas

$5,000 - $10,000

100HUGO D. POHL (Am. 1877-1960)Close of Day

oil on board 9 x 12 inchessigned on back: HD Pohl

$2,000 - $4,000

98ANNETTE HODGES (Am. 20th Cent.)Rancho Santa Rosita

acrylic on canvas 24 x 30 inchessigned lower right: Hodges

$2,500 - $5,000

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99PORFIRIO SALINAS (Am. 1910-1973)Fall Near San Antonio

oil on canvas 25 x 30 inches; signed lower left: P Salinas

$15,000 - $25,000

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104DOUGLAS RICKS (Am. 1954-2003)Trail Smoke, 1984

oil on paper 16 x 12 inchessigned lower left: Douglas Ricks 1984

$2,000 - $3,000

103ELMER BOONE (Am. 1883-1952)El Capitan

oil on canvas 18 x 24 inchessigned lower left:EL Boone

$5,000 - $10,000

102HORST SCHRECK (Am. 1885-1967)The Searcher

oil on masonite 18 1/2 x 13 1/4 inchessigned lower right: H Schreck

$1,000 - $2,000

HORST SCHRECK was born in Herisau,Switzerland. He moved to the US by way ofGreat Britain and then Canada, finally arrivingin the US where he then graduated from Indiana Veterinary College in 1916. Schreckwas active in the Veterinary Corps of the U.S.Army. He created posters of horses and otherveterinary illustrations during WWI. He alsocreated the Join the Calvary series of warposters. He was released from the service in El Paso, where he remained to paint. Abrief stint took him to New York, where heattended Beaux-Arts Institute of Design,choosing to return to El Paso until his death.

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106JAMES BOREN (Am. 1921-1990)Untitled, 1966

watercolor 13 x 19 inchessigned lower left: James Boren 1966

$3,000 - $4,000106

105WOODROW WILSON “WOODY”CRUMBO (Am. 1912-1989)Indian on Horseback

gouache on paper 14 x 19 inchessigned lower right: Crumbo

$750 - $1,500

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109DAWSON DAWSON-WATSON (Am. 1864-1939)Cactus in Bloom, 1939

oil on canvas 21 x 16 inchessigned lower right: Dawson-Watson 39

$18,000 - $25,000

108LISA ALDERSON(Am. 20th Cent.)Prickly Pear Cactus, 2010

oil on masonite 14 x 11 inchessigned lower left:LC Alderson 10

$400 - $600

107MAX BACHOFEN (Am. 1903-1987)Landscape

watercolor on paper 11 1/2 x 18 1/4 inchessigned lower right: Max Bachofen

$4,000 - $6,000

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110LLOYD ALBRIGHT (Am. 1896-1950)Near the Four Corners

oil on board 18 x 24 inchessigned lower right: Albright

$2,500 - $5,000

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113FRED DARGE (Am. 1900-1979)Evening Shadows, Palo Duro Canyon

oil on canvasboard 12 x 16 inchessigned lower right: F Darge

$2,000 - $4,000

111RONALD CROOKS (Am. 1925-2006)Bottom Deal

oil on board 24 x 30 inchessigned lower right: R Crooks

$600 - $1,200

112FRED DARGE (Am. 1900-1979)Cowboy of the Plains Panhandle, Texas

oil on canvasboard 16 x 12 inchessigned lower right: F. Darge

$4,000 - $6,000

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115HAROLD DOW BUGBEE (Am. 1900-1963)Old Coyote Hunter, c. 1925

oil on canvas 20 x 14 inches; signed lower right: HD Bugbee

$12,000 - $18,000

HAROLD BUGBEE was an illustrator artist and painted historical portraits and images of ranching life. His education included graduatingfrom Clarendon High School, he then attended Clarendon College, Texas A&M and graduated from the Charles Cummings School of Art, DesMoines, Iowa in 1921. Making art his career, his work appeared on the covers of Panhandle-Plains Historical Review, Country Gentleman, Quarter Horse Journal, Progressive Farmer, The Cattleman and Field and Stream magazines. He also illustrated J Evetts Haley’s book: CharlesGoodnight, Cowman & Plainsman. Bugbee’s paintings were exhibited at the Annual Texas Artists Exhibition, Fort Worth in 1937; FindlerGallery, Chicago; Feragil Art Galleries, New York; the Museum of the Big Bend, Alpine, TX 1997 and Panhandle-Plains Historical Museum for many years where he was also the part time curator.

The proceeds of the sale of Lot 115 and Lot 116 will benefit the Panhandle-Plains Historical Museum, Canyon, Texas.

114REVEAU BASSETT (Am. 1897-1981)White Rock Lake at Dawn, Marshland, c. 1920

oil on canvas 40 x 48 inchessigned lower right: Reveau Bassett

$22,000 - $32,000

John E. Mitchell of Dallas commissioned Reveau Bassett to paint this scene of ducks flying over themarshes of White Rock Lake around 1920. Mr.Mitchell’s home at the time was on White Rock Lake.This painting has been in the same family in Dallassince this was painted, and is still in the original frame. This is an early, excellent work by the Dallaspainter, of his most coveted subject matter, ducks inflight. His use of color and the brushwork in this painting are exceptional.

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116HAROLD DOW BUGBEE (Am. 1900-1963)On the Chupadero Ranch, 1942

oil on canvasboard 10 x 14 inches; signed lower right:HD Bugbee 42; on reverse: On the Chupadero Ranch

$5,000 - $10,000

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119ROBERT WOOD (Am. 1889-1979)West Texas

oil on canvas 24 x 30 inchessigned lower left: Robt. Wood

$7,000 - $10,000

118FRANK REAUGH (Am. 1860-1945)Untitled – Cattle Down a Rise, c. 1910

pastel on paper 5 5/16 x 8 5/16 inchesunsigned

$8,000 - $12,000

117FRANK REAUGH (Am. 1860-1945)October, Near Terrell, TXJanuary 4, 1895

pastel on paper 5 13/16 x 8 7/8 inchesinscribed lower right: Near Terrell, Jan 4 95

$6,000 - $12,000

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120ROBERT PUMMILL (Am. 1936-)Bosque County

oil on canvas 24 x 36 inchessigned lower left: Pummill

$8,000 - $10,000

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The proceeds of the sale for Lot 117 and Lot 118will benefit the Panhandle-Plains Historical Museum, Canyon, Texas.

121ROBERT PUMMILL (Am. 1936-)Old Blue

oil on canvas 26 x 50 inchessigned lower left: Robert Pummill

$20,000 - $25,000

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122BEN CARLTON MEAD (Am. 1902-1986)Untitled, 1936

oil on canvas 22 x 17 inchessigned lower left: Ben Carlton Mead 36

$3,000 - $4,000

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123HUGO D. POHL (Am. 1878-1960)Last of the Longhorns

oil on board 10 x 14 1/2 inchessigned lower left: HD Pohl

$1,500 - $3,000

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124JIM REY (Am. 1878-1960)Hermosa Creek

oil on board 10 x 14 1/2 inchessigned lower right: Jim Rey

$1,000 - $2,000124

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125FRANK REAUGH (Am. 1860-1945)Knickerbocker, 1926

pastel on paper 4 x 7 inchesunsigned

$4,000 - $6,000

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126FRANK REAUGH (Am. 1860-1945)Longhorns on Plains

pastel on paper 1 1/2 x 3 1/4 inches

authentication note on reverse: “I hereby certify thispastel sketch was made by Frank Reaugh – ReveauBassett, Sept. 25, 1970”

$4,000 - $6,000126

127FRANK REAUGH (Am. 1860-1945)Landscape with Longhorns, 1933

pastel on paper 4 x 6 7/8 inchessigned lower right: 33

$3,000 - $5,000

This painting includes a letter of authentication written by Michael Grauer,of Panhandle-Plains Historical Museum.

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128FRED MASON (Am. 20th Cent.)Takin’ a Break

oil on canvas 24 x 18 inchessigned lower right: Fred Mason

$750 - $1,500

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129NATALIE ERWIN (Am. 20th Cent.)West Texas Landscape

mixed media on birch wood panel 47 1/2 x 42 inchessigned lower right: Natalie Erwin

$6,500 - $12,500

NATALIE ERWIN, a Fort Worth native, creates herworks with an original approach using natural elementsand a burning technique. Erwin comments, “I startedthe Ranch Series in 2007 when I became inspired topaint my family’s historic ranch photos.” The familyownership of the ranch spans six generations. TheWest Texas Landscape is inspired by a photographtaken at the turn of the century.

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130JON FLAMING (Am. 20th Cent.)The Saloon

oil on masonite 40 x 30 inchessigned lower left: Jon Flaming

$4,000 - $8,000

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131JON FLAMING (Am. 20th Cent.)Peggy Sue BBQ, Dallas, TX

oil on canvas 36 x 48 inchessigned lower left: Jon Flaming

$5,000 - $10,000

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132MARGARET FLY (Am. 20th Cent.)North Texas Hill Country, Near St. Joe

oil on canvas 22 x 28 inchessigned lower right: Margaret Fly

$1,000 - $2,000

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133TONY EUBANKS (Am. 1939-)The Hay Wagon

oil on canvas 30 x 24 inchessigned lower right: Eubanks

$9,500 - $11,500133

134WILLIAM LESTER (Am. 1910-1991)Winter Landscape

watercolor on paper 22 x 28 inchesunsigned

$1,500 - $3,000

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135OCTAVIO MEDELLIN (Am. 1907-1999)Mazanticutli, 1989

stone 45 x 24 x 20 inchessigned on bottom: Medellin 1989

$20,000 - $30,000

This sculpture came from the Octavio Medellin Estate, Texas.

OCTAVIO MEDELLIN professionally studied as an artistunder Xavier Gonzalez and Jose Arpa while a the San Antonio School of Art; and later studied at the Art Instituteof Chicago in 1928. Upon his return to San Antonio, hetaught sculpture at the Witte Memorial Museum art schooland Villita Art Gallery, San Antonio.

In the late 1930s, Medellin spent time in Mexico studyingMayan and Toltec art; this Mayan influence is evident in this “Deer Hunter” stone piece, which is a desirable style for his work. From the 1940s on Medellin maintained and influential and active roll in the Dallas art community; whilehe taught art at both the Dallas Museum of Fine Arts Schooland students of Southern Methodist University. Finally in 1966, he established the Medellin School of Sculpture, Dallas. The Octavio Medellin Collection was established at the Jerry Bywaters Collection of Art at SMU, and he alsoreceived a legend award from the Dallas Visual Art Center in 1996.

His work is currently in the following collections: Dallas Museum of Art, Witte Museum, San Antonio, Museum of Science and Industry, Chicago to name a few. To this day his sculpture and reliefs can be found in numerous churchesacross Dallas, Fort Worth, Las Colinas, and Denton areas.

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136WARD LOCKWOOD (Am. 1894-1963)Rock Forms

india ink and earth from spot on paper 18 x 24 inchessigned middle left: Lockwood

$2,500 - $5,000

This piece was exhibited at the University of Texas Art Museum as well as the Ward Lockwood Retrospective at the Amon Carter Museum in Fort Worth, TX: November 22, 1967 - January 14, 1968

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JAMES STOVALL MORRIS was part of a small group of artists who established the first art colony in Santa Fe, NM in the late 1920s. James Morris was born in Marshall, MO in 1898. He received a BA degree from Washington and Jefferson College in Pennsylvania before 1925 and also studied at the Art Institute in Cincinnati, OH and Pennsylvania Academy of the Fine Arts.

The Southwest state of New Mexico was his calling and his love in creating his art. Arriving in Santa Fe and not having much money for food orsupplies, he and a few others set up makeshift living quarters outside. His fist painting was sold to John Sloan, an artist in his own right. Sloanwas so impressed with Jim Morris he made special arrangements for him to study at the Art Students League in New York under a scholarship.

During his study at the Art Students League in NY and to help make ends meet, he taught art in some of the nearby private high schools andpainted and sold lush landscapes of the northeastern countryside. He also was an illustrator of a history book used in the New York public schoolsystem. Tiring of that part of the county, in 1935 he made his way to Florida with his friend Louis Stone where they co-founded the Stone-MorrisSchool of Fine Arts. A few years later Morris left the East coast and made his way back to New Mexico.

By the 1940s Morris was commissioned by the government, like many others in the WPA project, to create artwork and paint murals in FederalBuildings. Many of these paintings have been lost.

In 1944, Morris served in the Navy in WWII, and was stationed in the Aleutian Islands, Alaska. It was dismal there and he was too busy to paint,but he did sketch the surrounding area. When his service ended he returned to Santa Fe, marking a time when his painting took a more modernflavor of modern impressionism. He was recognized as one of the five leading artists in the country. His residence was located on Canyon Roadwith his art studio and gallery a few doors down at 616 Canyon Road. For over 30 years he lived and sold his work from Canyon Road.

Morris used basic bold colors in oil while he painted his watercolors in soft, delicate colors. Many times he would sketch an idea and put it away,sometimes for months, before working on it again to refine it. Some of his works were painted several times.

When asked what is the story behind his paintings, he would respond by asking, “what story does this painting tell you?”

138JAMES MORRIS (Am. 1898-1973)Figures

oil on masonite 24 x 18 inchessigned lower left: Morris

$3,000 - $6,000

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139JAMES MORRIS (Am. 1898-1973)Abstract

oil on canvas 35 x 26 inchessigned lower right: Morris

$6,000 - $12,000

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137JAMES MORRIS (Am. 1898-1973)Man and Child

oil on board 18 x 24 inchessigned lower left: Morris

$3,000 - $6,000

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140BILL FRANCIS (Am. 1929-2000)House

watercolor on paper 18 x 24 inchessigned lower right: Francis

$750 - $1,500

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141BILL FRANCIS (Am. 1929-2000)Class Portrait

watercolor on paper 16 x 22 inchessigned lower right: Bill Francis

$600 - $1,200

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142WILLIAM ELLIOT (Am. 1909-2001)Old Twisted Olive Tree, c. 1960

gouache on paper 21 x 27 inchessigned lower right: W Elliot

$1,500 - $3,000

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143KELLY FEARING (Am. 1918-2011)Egret and Swamp

oil on canvas 10 1/2 x 13 inchesunsigned

$400 - $800

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144BOYER GONZALES (Am. 1864-1934)Stream Bed, 1954

oil on panel 24 x 30 inchessigned lower right: Boyer Gonzales

$4,000 - $8,000

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146BARNABY FITZGERALD (Am. 1953-)Fatso’s Tuesday

oil on canvas 6 1/2 x 10 inchessigned on frame: Barnaby

$1,000 - $2,000

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145DAVID ADICKES (Am. 1927-)Untitled, Eagle

oil on canvas 25 x 21 inchessigned lower right: Adickes

$5,000 - $10,000145

148OCTAVIO MEDELLIN (Am. 1907-1999)Flower, 1967

glass and metal 13 x 10 inchessigned lower right: Octavio Medellin

$1,000 - $2,000

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149ROBERT PREUSSER (Am. 1919-1992)Trees

oil on masonite 20 x 30 inchessigned lower right: Preusser

$3,000 - $6,000

ROBERT ORMEROD PREUSSER, a Houstonbased artist was a skilled and widely exhibitedartist from his youth. He was heavily involved in the Houston art scene in the 1940s and early1950s. In 1935, the New York Times describedPreusser as “by all odds the most interesting of any Houston painter – who’s abstractions are distinguished by taut lines and color planes,transparent and of pleasing vitality” – much like this painting. Preusser’s painting and teaching career warrant him as one of the greatTexas Modernists.

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147OCTAVIO MEDELLIN (Am. 1907-1999)Old Man, 1927

Red cedar 16 1/2 x 7-1/8 x 8 inchessigned on base: Octavio Medellin 1927

$3,000 - $6,000

This sculpture came out of the OctavioMedellin Estate, Texas.

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150EDMUND DANIEL KINZINGER (Am. 1888-1963)Two Taxco Women

pastel on paper 24 x 18 inchesestate stamped lower left

$1,500 - $3,000

EDMUND D. KINZINGER was recognized in thefall of 2012 by the Baden-Wurttemberg Seminarat the Heidelberg Center for American Studies inGermany. He was recognized as a German bornartist, who had a successful painting career andartistic influence in the U.S. The seminar notedKinzinger for his renderings of Southwest motifs.

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151CHARLES UMLAUF (Am. 1911-1994)Nude

bronze with green patina 25 x 6 x 9 inchessigned on leg of bronze: C Umlauf

$14,000 - $18,000

Gibson Danes comments on Umlauf’sfeminine sculptures in The Sculptureand Drawing of Charles Umlauf: “It isas difficult as it is surprising to see thatan artist has something new to say aboutone of art’s oldest themes. Umlauf lovesto choreograph bodily movement…Theforms are never static. The lithe andlovely radiant shapes… with rhythmiccontrapposto.” This piece embodies thatform. The Sculpture and Drawing ofCharles Umlauf, University of TexasPress, 1980.

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152CHARLES UMLAUF (Am. 1911-1994)Head of Saint, 1950

aluminum 18 x 12 x 11 inchessigned lower left, sculpture base: C Umlaufstamped: Roman Bronze Works Inc.

$3,000 - $6,000

This piece was exhibited in the Tom Slick, International Art Collector Exhibition at the McNay ArtMuseum, San Antonio in 2009 and was illustrated in the exhibition catalogue. Head of Saint wasalso illustrated on page 48, plate 48 in Charles Umlauf, Sculptor; forward by: Gibson A Danes, introduction by: Donald B Goodall, University of Texas Press, 1967

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153HANNA WALKER (Am. 1876-1945)Oklan St, San Antonio

oil on canvasboard 16 x 20 inchessigned lower right: Hanna Walker

$1,000 - $2,000

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154KIM D. WIGGINS (Am. 1960-)Winter at San Patricio

oil on canvas 10 x 14 1/2 inchessigned lower left: Wiggins

$750 - $1,000

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155BEN KONIS (Am. 1935-)Winter Adobe

oil on canvas 16 x 20 inchessigned lower left: Konis

$1,000 - $2,000

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156ROLLA TAYLOR (Am. 1871-1970)Shrimp Boats, Rockport

oil on canvasboard 16 x 20 inchessigned lower right: Rolla Taylor

$2,000 - $4,000

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157R. JEROME HILL (Am. 1878-1942)White Rock Shores, 1926

oil on canvasboard 12 x 18 inchessigned lower left: R Jerome Hill 1926

$1,500 - $3,000

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158ROBIN ARTINE SMITH (Am. 1903-1991)Canal Locks

watercolor on paper 14 x 20 inchesestate stamp, lower right:Estate of Robin Artine Smith

$500 - $1,000

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159KELLY FEARING (Am. 1918-2011)Rural Landscape, 1941

oil on canvasboard 16 x 20 inchessigned lower right: Fearing 41

$10,000 - $15,000

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This is an excellent example of Fearing’s early work. 1941 is the year he finished his education atLouisiana Polytechnic Institute. He later earned his masters at Columbia University. Fearing went onto become one of the foremost surreal painters in Texas art. He was part of the Fort Worth Circle ofpainters, a group of avant-garde artists. He was professor emeritus at University of Texas in the Artand Art History Department. He taught there from 1947-1987.

While this painting does not embody Kelly’s later surrealism, this reflects his roots as a great regionalartist. It has an American Regionalist style; embracing rural life and the American heartland. Atime when the country was rapidly advancing and faced with WWII; this painting reflects a static ruralfarmland landscape, which was often depicted during that major movement in American art.

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161ANCEL NUNN (Am. 1929-1999)Boy in Sand with Hand, 1985

acrylic in egg tempera on board 30 x 36 inchessigned lower right: Ancel Nunn 85

$10,000- $12,000

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160ANCEL NUNN (Am. 1929-1999)Boy on Sidewalk, 1967

acrylic in egg tempera on board 12 x 16 inchessigned lower right: Ancel Nunn 1967

$4,000 - $8,000

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ANCEL EDWARD NUNN, acclaimed artist, is known for his super-realism style and acrylic in eggtempera technique. When he was just 15, Nunn began his career in art by studying at the Dallas ArtInstitute. After spending time in the military he began rededicating his focus to art. Nunn experimentedwith different painting styles between 1964 and 1967, during which time he destroyed many of hispieces. In 1969 he re-focused and set up a studio called The Foundry in Palestine, TX where he worked for many years. Then in 1980 he moved his studio just outside of Palestine, it was the Morningtown Studio. Nunn’s work has been exhibited at the following museums: Tyler Museum ofArt, Lyndon B. Johnson Library, Museum of East Texas, and University of Texas at Tyler. Source:Ancel E. Nunn Papers, Briscoe Center for American History.

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162PORFIRIO SALINAS (Am. 1910-1973)Surf and Sunlight, 1966

oil on canvas 12 x 16 inchessigned lower left:Porfirio Salinas 1966

$8,000 - $12,000

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163CARL HOPPE (Am. 1897-1981)Mid-Day at Marble Falls

oil on board 10 x 20 inchessigned lower right: C Hoppe

$500 - $1,000

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165PORFIRIO SALINAS (Am. 1910-1973)Hill Country Landscape

oil on canvas 12 x 16 inchessigned lower left: Porfirio Salinas

$6,000 - $9,000

164PORFIRIO SALINAS (Am. 1910-1973)Creek Scene

oil on canvas 9 x 12 inchessigned lower left: Porfirio Salinas

$4,000 - $6,000

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166OLIN TRAVIS (Am. 1888-1975)Late Evening, Ozarks

oil on board 12 x 16 inchessigned lower left: Olin Travis

$3,000 - $6,000

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OLIN TRAVIS first traveled tothe Ozarks in 1913, where hecontinued to visit on sketchingand painting trips for manyyears to follow. After his studiesat the Art Institute of Chicagohe took a position there as an instructor, and then latera position at the Chicago Commercial Art School. In1927 Olin Travis opened theTravis Ozark Summer ArtSchool near Cass, Ark. Theschool remained open for threeyears. The Dallas based artistand founding member of theSouthern States Art League,painted in this region off andon for about twenty years.

Travis painted in other regionsof the country and was heavilyexhibited in the Dallas-FortWorth area as well as New York,San Francisco and Chicago. His paintings can be foundmajor collections including:Elisabeth Ney Museum andTexas Fine Art Association,Austin; Dallas Museum of Art; Torch Collection, TorchEnergy Advisors, Houston;and McNay Art Museum, San Antonio.

167OLIN TRAVIS (Am. 1888-1975)Markhams Cabin, Arkansas

oil on canvas 18 x 24 inchessigned lower left: Olin Travis

$3,000 - $6,000

51

169CARYL PRICE WOOD (Am. 20th Cent.)California Landscape, Sierras, 1963

oil on canvas 16 x 20 inchessigned lower right: Caryl Wood 63

$1,500 - $2,500

Robert Wood and Caryl Price metin the 1950s in California and wedin 1954. Caryl was an armatureartist at the time, but quicklylearned from Robert. He took her on numerous sketching tripsthroughout the west in the late1950s and early 60s. They movedto Bishop, CA, at the foot of theSierra Mountains in the 1960s.After painting around the NationalParks and some travels they settledhome in Bishop. Caryl is a knownas a California plein-air painter.

168OLIN TRAVIS (Am. 1888-1975)Creek Scene

oil on canvas 22 x 28 inchessigned lower right: Olin Travis

$2,500 - $5,000

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168

171JULIAN ONDERDONK (Am. 1882-1922)Landscape

lithograph 7 x 8 inchessigned lower right: J Onderdonk

$2,500 - $5,000

170JULIAN ONDERDONK (Am. 1882-1922)E. Cleveland

watercolor on paper 10 x 16 inchestitled lower left: E. Clevelandsigned lower right:Julian Onderdonk

$3,000 - $5,000

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173JULIAN ONDERDONK (Am. 1882-1922)San Antonio River

watercolor on paper 10 x 12 inchessigned lower left:Julian Onderdonk

$10,000 - $15,000

172JULIAN ONDERDONK (Am. 1882-1922)Springtime Meadow

oil on board 5 1/2 x 8 1/2 inchessigned lower right:Julian Onderdonk

$8,000 - $12,000

JULIAN ONDERDONK is perhapsTexas’ most notable Early Texaspainter and is an eminent AmericanPainter. San Antonio native, Julianstarted painting at a young age, under his father, Robert JenkinsOnderdonk, who was also a celebrated artist in Texas. At 19,Julian moved to New York to studypainting at the Art Students Leagueunder Keyon Cox. In the summerhe studied at Shine cock, NY underWilliam Merritt Chase. His masterfulskill as a plein-air painter and hisgreat understanding of nature is evident in his paintings, such asthis depiction of the New York land scape. In 1909, Onderdonkreturned to Texas where he continued to paint until his death in 1922.

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172

175ROLLA TAYLOR (Am. 1871-1970)San Antonio River Walk

oil on canvasboard 9 x 12 inchessigned lower right: Rolla Taylor

$1,500 - $3,000

174LLOYD GOFF (Am. 1908-1982)Colorado Store Fronts

mixed media on paper 15 x 22 inchessigned lower left: Lloyd Lozes Goff

$6,000 - $12,000

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55

177ROLLA TAYLOR (Am. 1871-1970)Streets of Santiago, Mexico

oil on canvasboard 16 x 20 inchessigned lower right: Rolla Taylor

$1,500 - $3,000

176ROLLA TAYLOR (Am. 1871-1970)West Side, San Antonio

oil on canvasboard 12 x 16 inchessigned lower right: Rolla Taylor

$1,500 - $3,000

ROLLA TAYLOR originally fromGalveston, Texas, began painting at 14. His family moved to San Antonio in 1889 and then to Cuero,Texas. Taylor studied in San Antoniowith Robert Jenkins Onderdonk,Jose Arpa and Theodore Gentilz.His 60 year painting career includedexhibitions across Texas and nationally. He was a member of someof the most notable art leagues ofhis day, including San Antonio ArtLeague, Southern States Art League,American Federation of Arts andthe Chicago Society of Artists.

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176

179ROLLA TAYLOR (Am. 1871-1970)Street of Guanajuato

oil on canvasboard 16 x 20 inches; signed lower left: Rolla Taylor

$2,000 - $4,000

178XAVIER GONZALEZ (Am. 1898-1993)Mexico, 1924

watercolor on paper 6 1/4 x 11 inchessigned lower left:Xavier Gonzalez 1924

$1,000 - $2,000

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180JOSE VIVES-ATSARA (Am. 1919-2004)Pueblo en la Montana, Catalonia, Spain

oil on canvas 96 x 60 inchessigned lower right: Vives-Atsara

$20,000 - $30,000

ED BEARDEN received his BA in art from Southern Methodist University and went on to play significantroll in the art community both in fine art, and as a graphic designer for the advertising agency he owned.Bearden served as the assistant to Jerry Bywaters, Director of the Dallas Museum of Fine Arts, and his work is still in their private collection. Bywaters and Bearden’s painting styles yield similarities asmany associated artists do. Bearden also taught art at his alma mater, SMU. He was one of the foundingmembers of the Dallas Museum for Contemporary Arts. He traveled for years to New Mexico, Colorado and Arkansas whose landscapes are the subject matter of many of his paintings.

181JESSE JAY MCVICKER (Am. 1911-2004)Arborescent Rhythms

watercolor on paper 15 x 22 inchessigned lower right:J. Jay McVicker

$2,000 - $4,000

J. JAY MCVICKER followed DoelReed as chair of the Department ofArt at Oklahoma State University.Reed’s influence on McVicker’s earlyart is evident in this painting with thefocus on nature and use of broadbrush strokes. He eventually movedaway from this regional style for amore abstract approach.

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181

182ED BEARDEN (Am. 1919-1980)Rail Road Yard in Snow, 1951

oil on masonite 20 x 30 inchessigned lower right: Ed Bearden 51

$3,000 - $6,000

59

184OTIS DOZIER (Am. 1904-1987)Young Owls, 1963

oil on canvas 24 x 24 inchessigned lower right:Otis Dozier 1963

$8,000 - $15,000

183OTIS DOZIER (Am. 1904-1987)Still Life, 1981

oil on canvas 24 x 36 inchesunsigned

$10,000 - $15,000

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183

185ED BEARDEN (Am. 1919-1980)Study for Mural, 1943

watercolor on paper 28 x 20 inchessigned lower right: Ed Bearden 43

$5,000 - $10,000

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185

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186

186FLORENCE MCCLUNG (Am. 1894-1992)Old Homestead

oil on canvas 20 x 30 inchessigned lower right: F McClung

$15,000 - $25,000

This painting was exhibited at the Denver Art Museum’s 39th Annual Exhibition and the Texas Fine Arts Jury Show.

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187LUCIE HARRIS LOCKE (Am. 1904-1989)Cinderland Cedar, 1943

oil on board 24 x 18 inchessigned lower right:Lucie H Locke 1943

$15,000 - $25,000

187

LUCIE HARRIS LOCKE, native of Valdosta, GA, moved to El Paso,San Antonio, Sonora, and the Texas Hill Country before settling in Corpus Christi in 1931. She studied at Sophie Newcomb College, NewOrleans under Ellsworth Woodward, Will Henry Stephens and XavierGonzalez. She attended San Antonio Art School and studied under OlinTravis and Charles Rosen. She was the chairman of the Corpus ChristiArt Foundation from 1944-1946 and art critic of the Corpus ChristiCaller-Times. She exhibited at: Southern States Art League Annual Exhibition; Annual Texas Artists Circuit Exhibition; Witte MemorialMuseum, San Antonio; Texas-Oklahoma General Exhibition; Museum of Fine Arts, Santa Fe; Elisabet Ney Museum, Austin and Art Museumof South Texas, Corpus Christi. Source: Texas Painters, Sculptors andGraphic Artists, by John and Deborah Powers.

63

189VERDA LIGON (Am. 1902-1970)Dream Flowers of the Desert

pastel on paper 18 x 15 inchessigned on reverse: Verda Ligon

$6,000 - $10,000

VERDA LIGON was born in Dallas and was a student of artist,Tom Stell. She attended SouthernMethodist University, as well asDetroit Institute of Arts and thePhoenix Art Institute, New York.She taught in Dallas for fortyyears. She exhibited at: AnnualAllied Arts Exhibition, Dallas;Dallas Museum of Fine Arts,Texas Centennial Exposition, Dallas; Meadows Museum, SMU and Library of Congress,Washington, D.C.

188FLORENCE MCCLUNG (Am. 1894-1922)Cotton

pastel on paper 24 x 20 inchessigned lower right: F McClung

$1,500 - $3,000

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188

190ROBERT WOOD (Am. 1889-1979)Texas Bluebonnets, 1943

oil on canvas 24 x 36 inchessigned lower right: Robert Wood 1943

$15,000 - $25,000

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190

65

192ALTIE SLIMP (Am. 1896-1966)Bluebonnet Landscape

oil on canvasboard 10 x 16 inchessigned lower right: Altie Slimp

$500 - $1,000

ALTIE SLIMP was a San Antonio artist andexhibited at the Coppini Academy of FineArts, San Antonio, TX in the early 1950samong other exhibitions. She studied art atthe Robert Brackman Art School in Noank,Connecticut.

191ELOISE POLK MCGILL (Am. 1868-1939)Bluebonnet Landscape

oil on canvasboard 10 x 16 inchessigned lower right: EP McGill

$3,000 - $6,000

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191

193FLORENCE MCCLUNG (Am. 1894-1992)Three Sisters

pastel on paper 16 x 22 inchessigned lower left: Florence McClung

$12,000 - $18,000

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193

194FLORENCE MCCLUNG (Am. 1894-1992)Somervel County

pastel on paper 16 x 22 inchessigned lower right: Florence McClung

$20,000 - $25,000

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195FLORENCE MCCLUNG (Am. 1894-1992)Picnic on the Brazos

Pastel on paper 16 x 22 inchessigned lower left: F McClung

$6,000 - $12,000

195

FLORENCE MCCLUNG, Dallas artist, painted with Frank Reaugh, Olin Travis, Tom Stell andothers in the 1920s. She studied at Southern Methodist University and studied at Texas StateCollege for Women, Denton Texas. She studied with Alexandre Hogue for five consecutive summers in Taos, NM.

“McClung re-engaged the pastoral tradition following the urge to idealize a simple, ruralenvironment and in so doing signaled the subdued reassertion of traditional values. Withher blend of Regionalist tendencies and precisionist influences, her work was her own.” –James Haley, Texas: From Spindletop through World War II, St. Martin’s Press 1993.

68

196JERRY MALZAHN (Am. 20th Cent.)Back Road, Blanket Creek, TX

oil on board 14 x 20 inchessigned lower left: J Malzahn

$2,000 - $4,000

JERRY MALZAHN is primarilyknown for his paintings of the diverselandscapes of Texas. He is a member of the Salmangundi Art Club of NewYork, whose membership has includedsuch artists as Thomas Moran, William Merrit Chase and Childe Hassam.Jerry regularly exhibits in galleries in Dallas, Fort Worth and New York

196

197JERRY MALZAHN (Am. 20th Cent.)After the Rain, Willow

oil on board 25 x 30 inchessigned lower right: J Malzahn

$2,500 - $5,000

197

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199JESSE DON RASBERRY (Am. 1940-)Texas Bluebonnets

oil on canvasboard 20 x 24 inchessigned lower right: J Rasberry

$1,000 - $2,000

199

198DON PARKS (Am. 20th Cent.)The Home Place, Hill Country

oil on canvas 18 x 24 inchessigned lower right: Don Parks

$2,000 - $3,000

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70

200OTIS DOZIER (Am. 1904-1987)Landscape with Adobe

oil on masonite 18 x 24 inchessigned lower right: Otis Dozier

$4,000 - $6,000

200

201ROBERT WOOD (Am. 1889-1979)Capistrano Beach, California, Laguna Beach

oil on board 16 x 20 inchessigned lower right: Robert Wood

$3,000 - $6,000

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202

202PETER L. HOHNSTEDT (Am. 1871-1957)New Orleans Courtyard

oil on canvas 24 x 20 inchessigned lower right: PL Hohnstedt

$6,000 - $12,000

72

203PORFIRIO SALINAS (Am. 1910-1973)Springtime

oil on canvas 20 x 24 inchessigned lower right: Porfirio Salinas

$8,000 - $12,000

(Illustrated on the cover)

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205PORFIRIO SALINAS (Am. 1910-1973)Pastoral Scene

oil on canvas 12 x 16 inchessigned lower left: Porfirio Salinas

$4,000 - $6,000

204PORFIRIO SALINAS (Am. 1910-1973)Texas Bluebonnets

oil on canvas 12 x 16 inchessigned lower left: P Salinas

$6,000 - $12,000

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204

206PETER L. HOHNSTEDT (Am. 1871-1957)Hill Country

oil on canvas 18 x 22 inchessigned lower right: PL Hohnstedt

$2,500 - $5,000

207

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206

207ROLLA TAYLOR (Am. 1871-1970)Bluebonnet Landscape

oil on canvas 16 x 20 inchessigned lower right: Rolla Taylor

$2,500 - $5,000

75

209ELOISE POLK MCGILL (Am. 1868-1939)Red Bud Tree

oil on board 12 x 18 inchessigned lower right: EP McGill

$3,000 - $6,000

208ROLLA TAYLOR (Am. 1871-1970)San Antonio River Walk

oil on masonite 20 x 24 inchessigned lower right: Rolla Taylor

$4,000 - $8,000

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208

210

76

210OTIS DOZIER (Am. 1904-1987)Goat in a Flower Garden, 1958

oil on canvas 24 x 40 inchessigned lower right:Otis Dozier 58

$15,000 - $25,000

OTIS DOZIER: one of the eminent painters known as the Dallas Nine. His early art studies were in the AunspaughArt School, the Dallas Art Institute and with Frank Reaugh. He was at the Colorado Springs Fine Arts Center in1938 and studied with Boardman Robinson and then worked as his assistant for the following seven years. Hetaught at the Dallas School of Creative Arts, Southern Methodist University and at the Dallas Museum of FineArts School.

Dozier’s work has been extensively exhibited across the country with his first exhibition at the Dallas Women’sForum in 1927. His paintings can be found in the following collections: Blanton Museum of Art, Austin; DallasMuseum of Art; Meadows Museum, Dallas; Modern Art Museum, Fort Worth; Metropolitan Museum of Art and theWhitney Museum of American Art, New York.

77

211LUCIAN ABRAMS (Am. 1870-1941)Still Life

oil on canvas 30 x 25 inchessigned lower right: L Abrams

$5,000 - $10,000

211

LUCIAN ABRAMS, a Lawrence, Kansas native, moved to Dallas with his family when he was asmall child in 1873. He graduated from Princeton University with a degree in art and continuedhis studies at the Art Students League, New York and later at the Academy Julian in Paris. Heexhibited at the Paris Salon from 1902-1914. His paintings reflect the influence of Impressionism,Post Impressionism and Fauvism. He spent his life among Old Lyme, CT; Dallas, TX; New Orleans,LA; Charleston, SC and the Mediterranean.

78

212DAWSON DAWSON-WATSON (Am. 1864-1939)Gallager Ranch, 1935

oil on board 17 x 12 3/4 inchessigned lower left: Dawson-Watson 35

$7,000 - $9,000

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212

213FLORENCE MCCLUNG (Am. 1894-1992)Early Autumn, Irving, TX

oil on masonite 20 x 24 inchessigned lower left: McClung

$3,000 - $6,000

79

214DAWSON DAWSON-WATSON (Am. 1864-1939)Grand Canyon

oil on canvas 17 x 14 inchessigned lower right: Dawson-Watson

$8,000 - $12,000

215

214

215PETER HURD (Am. 1904-1984)New Mexico Landscape

watercolor on paper 9 x 12 inchessigned lower left: Peter Hurd

$1,000 - $2,000

80

216DWIGHT C. HOLMES (Am. 1900-1986)Bluebonnet Landscape, 1936

oil on canvas 25 x 30 inchessigned lower right: Dwight C Holmes

$5,000 - $6,000

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216

217DWIGHT C. HOLMES (Am. 1900-1986)Sumac, Brownwood, Texas

oil on canvas 30 x 40 inchessigned lower left: Dwight C Holmes

$3,000 - $6,000

81

219MICHAEL FRARY (Am. 1918-2005)Landscape

watercolor on paper 17 7/8 x 24 inchessigned lower right: Frary

$1,500 - $3,000

218REVEREND RICHARD FOX (Am. 20th Cent.)Yellow Boat, 1953

oil on masonite 12 x 15 inchessigned lower left: Fox

$500 - $1,000

This painting was exhibited at the 25th AnnualDallas County Exhibition in 1954. ReverendRichard Fox was a friend, contemporary and fellowartist of Octavio Medellin. This painting cameout of the Octavio Medellin Estate in Texas.

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218

220JOSE ARPA (Am. 1858-1952)Untitled – Lady in Mantilla

oil on canvas 25 x 20 inchesunsigned

$4,000 - $8,000

This painting is from the Robert L.B. Tobin Collection, San Antonio, Texas

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220

221LOUIS EYTH (Am. 1838-1889)Portrait of Bertha Annie Carter

gouache on paperboard 21 x 18 inchessigned lower right: L Eyth

$15,000 - $20,000

LOUIS EYTH was born in Prussia andcame to the US in 1852 via Galveston,Texas where he lived for a time workingas an artist before and after the CivilWar. He moved to Houston in 1870 andwas commission by the State of Texas in 1873 to copy and recreated an earlyportrait of Stephen F. Austin. He laterworked in San Antonio where he wascommissioned to illustrate a number of works by James DeShields, a Texashistorian, writer and collector. Eyth isbest known as an important historicalpainter of figures and histories of Texas.Source: Texas Painters, Sculptors & Graphic Artists, by: John and Deborah Powers.

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223S. SEYMOUR THOMAS (Am. 1868-1956)The Theft of the Rose – Portrait of Helen, 1943

oil on canvas 29 x 15 inchessigned lower right: S Seymour Thomasinscribed lower right: To brother Ned. Sketch for “UNE ROSE THE,” Paris Salon, 1894 S. Seymour Thomas 1943

$8,000 - $12,000

222DAWSON DAWSON-WATSON (Am. 1864-1939)Self Portrait, 1935

oil on canvas 21 x 16 inchessigned lower right: Dawson-Watson 35

$6,000 - $8,000

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224

224ROBERT JENKINS ONDERDONK(Am. 1852-1917)Mrs. Floyd McGown

oil on canvas 42 x 36 inchessigned lower left:Robert Jenkins Onderdonk

$15,000 - $20,000

Mrs. Floyd McGown was the daughter of Chaplain Nicholas A. Davis, who is known asthe Chaplain of Colonel Hood’s Texas Brigade. The book: Chaplain Davis and Hood’sTexas Brigade, Edited by: Donald E Everett, Principia Press of Trinity Univ. San Antonio,TX 1962; is included with this lot. The book recounts Chaplain Davis’s memoirs on TheCampaign from Texas to Maryland, the historic account of Hood’s a.k.a. Texas’ Brigade,which was an infantry in the Confederate States Army who fought in the Civil War.

This painting is illustrated in the book: Painting in Texas on page 208, plate no. 117.With this lot is also an author signed copy of: Painting in Texas, The 19th Century, by:Pauline A. Pinckney, Published for The Amon Carter Museum of Western Art, by theUniv. of Texas Press, Austin & London, 1967, with an introduction by Jerry Bywaters.

Father of Julian Onderdonk, Robert Jenkins Onderdonk is best known for his historicalgenre paintings and portraits of public figures and influential people in Texas. R.J. Onderdonk studied with William Merrit Chase while he worked at the Art StudentsLeague under Walter Shirlaw and James Carroll Beckwith. He also studied in New Yorkat the National Academy under L.E. Wilmarth.

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226URSULA LAUDERDALE (Am. 1879-1933)White Rock Lake, 1948

oil on canvas 8 x 10 inchessigned lower right: U Lauderdale

$600 - $1,200

225JOHN ELLIOT JENKINS (Am. 1868-1937)Autumn on the Creek

oil on masonite 18 x 24 inchessigned lower right: John Elliot Jenkins

$3,000 - $6,000

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225

227ELLA K MEWHINNEY (Am. 1891-1962)Dove Country

oil on canvasboard 10 x 10 inchessigned lower right:Ella K Mewhinney

$1,000 - $2,000

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227

228REVEAU BASSETT (Am. 1897-1981)Old House

oil on canvas 12 x 16 inchessigned lower right:Reveau Bassett

$1,500 - $3,000

87

230LAURA BUCHANAN (Am. 1872-1969)Laura’s Backyard

oil on canvas 20 x 24 inchessigned lower right: L Buchanan

$2,000 - $4,000

229ARTHUR BISHOP JEFFREYS(Am. 1895-1970)Landscape, 1932

oil on canvas 22 x 28 inchessigned lower right:AB Jeffreys 1932

$2,000 - $3,000

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229

232VELOX WARD (Am. 1901-1994)Nothing Like It, July 1961

oil on board 16 x 20 inchessigned lower left: Velox Ward 7-61

$4,000 - $8,000

This painting was exhibited at theVelox Ward exhibition in 1972 at the Amon Carter Museum, FortWorth, Texas.

231FLORENCE MCCLUNG (Am. 1894-1992)Spring Creek Canyon

oil on canvas 20 x 24 inchessigned lower left: F McClung

$4,000 - $8,000

232

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89

234CLARA CAFFREY PANCOAST (Am. 1873-1959)Wind Blown Trees of Rockport, TX

oil on masonite 18 x 22 inchessigned lower right: CC Pancoast

$2,000 - $4,000

233PORFIRIO SALINAS (Am. 1910-1979)Fall in Texas Hill Country

oil on canvasboard 9 x 12 inchessigned lower right: P Salinas

$5,000 - $7,000

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233

236WESLEY FREDERICK JARVIS (Am. 1868-1966)Las Cruces

oil on canvas 22 x 30 inchessigned lower left: W. Frederick Jarvis

$1,500 - $3,000

235JESSIE JO ECKFORD (Am. 1895-1941)Monterey Mexico

watercolor on paper 10 1/2 x 14 1/2 inchessigned lower right: J Eckford

$1,000 - $2,000

236

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235

91

237OLIN TRAVIS (Am. 1888-1975)Along War Eagle River

oil on board 12 x 16 inchessigned lower left: Olin Herman Travis

$3,000 - $5,000

238

237

238FRANC EPPING (Am. 1910-)Untitled

terra cotta 8 x 6 x 7 inchessigned on base: Franc Epping

$500 - $1,000

240JESSIE DAVIS (Am. 1887-1969)Texas Landscape with Pond

oil on board 9 x 12 inchessigned lower right: Jessie Davis

$500 - $1,000

239POLLY HOFFMAN (Am. 1890-1949)Bluebonnet Landscape

oil on board 12 x 14 inchessigned lower left: Polly Hoffman

$2,000 - $4,000

240

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239

93

242CLARA CAFFREY PANCOAST(Am. 1873-1959)Magnolia

oil on canvas 19 x 14 inchessigned lower right: CC Pancoast

$1,500 - $3,000

241CARRIE MCLEAOD GREATHOUSE(Am. 1870-1944)White Magnolias

oil on canvas 20 x 24 inchessigned lower right: Greathouse

$1,500 - $3,000

242

241

244EUGENE THURSTON (Am. 1896-1993)Superstition Mountain, 1943

oil on canvasboard 18 x 24 inchessigned lower left:Eugene Thurston

$2,000 - $4,000

243DWIGHT C. HOLMES (Am. 1900-1986)Paisano Pass, Alpine, TX

oil on masonite 20 x 24 inchessigned lower left:Dwight Holmes

$1,500 - $3,000

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243

246LEWIS W. TEEL (Am. 1884-1960)Desert Carpet, Big Bend, TX

oil on panel 24 x 32 inchessigned lower left:Lewis W. Teel

$2,000 - $4,000

245EUGENE THURSTON (Am. 1896-1993)Thunderheads

oil on canvasboard 12 x 16 inchessigned lower right:Eugene Thurston

$1,000 - $2,000

246

245

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247PETER L. HOHNSTEDT (Am. 1871-1957) Creek Bed and Horse Mint (pair)

oil on canvasboard 4 x 5 inches eachboth signed lower right: PL Hohnstedt

$500 - $1,000 for the pair

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247

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248C HARVI ALTHEIDE (Am. 1874-1951)Shack

oil on canvas 15 1/2 x 20 inchessigned lower right: C Harvi Altheide

$1,500 - $3,000

248

249WALTON LEADER (Am. 1876-1966)When Evening Sun is Low

oil on canvas 26 x 32 1/2 inchessigned lower right:Walton Leader

$4,000 - $6,000

249

250THEODORE CUNNINGHAM (Am. 1899-1976)Mouth of Guadalupe River, San Antonio

oil on canvasboard 5 x 7 inchessigned on reverse: T. Cunningham; Mouth of Guadalupe River, San Antonio

$500 - $1,000

THEODORE CUNNINGHAM, born in Ennis, TX, studied at the Aunspaugh Art School in Dallas, TX, Art Institute of Chicago and National Academy of Design, New York. He received private instructionfrom artists Edward Eisenlohr, Harry Leith-Ross and George Bellows to name a few. He was a professor at Waco Academy of Fine Arts. Exhibited at Annual Exhibition, National Academy of Design, New York.

98

250

251ADELE BRUNET (Am. 1871-1963)Datura

oil on canvas 30 x 24 inchessigned lower right: Brunet

$4,000 - $8,000

251

252FLORENCE MCCLUNG (Am. 1894-1992)Glen Rose, Paluxy River

oil on canvas 16 x 20 inchessigned lower right: F McClung

$2,000 - $4,000252

99

253BEULAH DRIVER (Am. 19/20th Cent.)Floral Still Life

oil on canvas 18 x 24 inchessigned lower right: B Driver

$1,000 - $2,000

Driver exhibited at the Annual Texas Artists Exhibition in Fort Worth, 1924.

253

254GARY CARTER (Am. 1944-)Burnin’ Daylight, 1974

oil on canvas 24 x 36 inchessigned lower left: Gary Carter

$10,000 - $15,000

254

GARY CARTER has been a member of the Cowboy Artists of America since 1982, and was presidentin 1986. He has received a CAA Gold award for drawing and other media in both 1990 and 1997.

100

255GERALD HARVEY (Am. 1933-)Study of Robert Wood Landscape

oil on canvas 24 x 36 inchessigned lower right: G Harvey

$5,000 - $7,000

255

256EMIL HERMANN (Am. 1871-1966)Landscape

oil on canvas 22 x 32 inchessigned lower right: Emil Hermann

$1,500 - $3,000

256

257AMY MIEARS JACKSON (Am. 1903-1970)Bluebonnet Landscape

oil on board 20 x 24 inchessigned lower left: Amy Miears Jackson

$2,000 - $4,000

257

101

258JOHN GUERIN (Am. 1920-2006)Hornos Beach

oil on board 8 3/4 x 9 inchessigned lower right: Guerin

$400 - $800

258

259MARY ODA ELGIN (Am. 20th Cent.)Bluebonnet Landscape

oil on canvasboard 16 x 22 inchessigned lower right: M. Oda Elgin

$1,000 - $2,000

259

260MICHAEL FRARY (Am. 1918-2005)Summer Surf, 1950

oil on board 24 x 48 inchessigned lower right: Frary

$2,000 - $4,000

260

102

261ROLLA TAYLOR (Am. 1871-1970)Indian Paint Brush, San Antonio, TX

oil on canvasboard 12 x 16 inchessigned lower left: Rolla Taylor

$2,000 - $4,000

261

262DAN MCCAW (Am. 1942-)Little Child with Toy on Beach

oil on canvas 20 x 24 inchessigned lower right: McCaw

$1,500 - $3,000262

263KENT WALLIS (Am. 1945-)Country Estate

oil on canvas 30 x 40 inchessigned lower right: Kent Wallis

$4,000 - $8,000

263

103

264JANE MORGAN (Am. 20th)Boat Moor

pastel on paper 10 x 14 inchessigned lower right: Jane Morgan

$750 - $1,500

264

265ARVA FORD (Am. 1890-1979)Watermelon

oil on canvasboard 20 x 24 inchessigned lower right: Arva Ford

$1,000 - $2,000

ARVA FORD was a Dallas artist and exhibited at the Annual Allied Arts Exhibition, Dallas (1931-1932); theAnnual Texas Artist Exhibition, Fort Worth (1932-1937)and the Texas Centennial Exposition, Dallas 1936.

265

266JOHN GUERIN (Am. 1920-2000)Grazing Lands, 1977

oil on canvas 18 x 20 inchessigned lower right: Guerin

$600 - $1,200

JOHN GUERIN studied at the American Academy of Art while living in his native city of Chicago. He later studied at the Art Students League in NewYork, The Colorado Springs Fine Art Center and at the Escuela Bellas Artes inSan Miguel, Mexico. After serving in the Air Force in the 1940s he taught at the Dallas Museum of Art and then moved to Austin where he taught at the University of Texas from 1953 – 1980. Guerin’s paintings were selected for the Smithsonian Institute Archive of American Artists. He was chosen as an Academician of the National Academy of Design in New York.

266

269ED BEARDEN (Am. 1919-1980)Colorado Landscape, 1946

pastel on paper 10 x 13 inchessigned lower right: Ed Bearden 1946

$500 - $1,000

269

267CLARA MCDONALD WILLIAMSON (Am. 1875-1976)Golfer

oil on board 11 x 9 inchesunsigned

$800 - $1,600

104

267268RUTH DUNCAN HARRISON (Am. 1909-1996)Violet Line

oil on canvas 30 x 24 inchessigned lower right: Ruth Duncan Harrison

$600 - $1,200

This painting is from the Mr. Edward Denari Collection.

268

105

270LORAINE DIGINGS (Am. 1930-)Landscape with Barn

pastel on paper 8 x 8 1/4 inchessigned lower right: L Digings

$300 - $600

This painting is from the Mr. Edward Denari Collection.

270

271C.P. CHIPLEY (Am. 20th Cent.)Still Life

oil on canvas 17 1/2 x 23 1/2 inchessigned lower right: CP Chipley

$400 - $800271

272BILL FRANCIS (Am. 1929-2000)The Theatre – Cleopatra

watercolor on paper 10 x 13 inchesunsigned

$400 - $800

272

273IRA MCDADE (Am. 1857-1961)Sun Down, Fort Worth, TX

oil on board 10 x 8 inchessigned lower left: Ira McDade

$750 - $1,500

106

273

274IRA MCDADE (Am. 1857-1961)Pine Creek, PA

oil on board 8 x 10 inchessigned lower right: Ira McDade

$750 - $1,500

274

275VIVEANO LOPEZ (Am. 1906-1983)Bluebonnet Landscape

oil on canvas 9 x 12 inchessigned lower left: V Lopez

$1,000 - $2,000

275

107

276HUGO HERBECK (Am. 1923-2009)Bluebonnets in San Antonio

oil on canvas 20 x 24 inchessigned lower left: Hugo Herbeck

$2,000 - $4,000

Herbeck was a student of Porfirio Salinas.

276

277DON WARREN (Am. 1935 – 2006)Landscape with Prickly Pear Cactus and Coreopsis

oil on canvas 20 x 24 inchessigned lower left: Don Warren

$1,000 - $2,000

277

278HARRY ANTHONY DEYOUNG (Am. 1893-1956)Autumn Landscape, 1929

watercolor on paper 8 x 10 inchessigned lower right: Harry Anthony DeYoung

$600 - $1,200

278

279HUGO D. POHL (Am. 1877-1960)Off to Seek His Fortune

oil on board 10 1/2 x 14 inchessigned lower right: HD Pohl

$750 - $1,500279

108

280CARROLL COLLIER (Am. 1923-)A White House

oil on canvas 24 x 36 inchessigned lower right: Carroll Collier

$3,000 - $6,000

280

281

282JODIE BOREN (Am. 1926-)Relics of the Old Days

watercolor on paper 16 x 20 inchessigned lower right: Jodie Boren

$750 - $1,500

282

281DWIGHT C. HOLMES (Am. 1900-1985)Rock Springs Rose Garden, 1935

oil on canvas 16 x 20 inchessigned lower left: Dwight C Holmes

$1,500 - $3,000

written on frame: East end of large pool;Fort Worth, Texas

109

283BOB MOLINE (Am. 1938-)Pony Chief

oil on canvas 36 x 24 inchessigned lower right: BM

$2,500 - $5,000

A framed calligraphic and watercolor sketch of thesignature by the artist is included with this lot.

283

284JESSICA MCCAIN (Am. 1865-)Portrait of Girl

oil on masonite 20 x 16 inchessigned lower right: Jessica McCain

$750 - $1,500

284

285MARY BONNER (Am. 1918-2005)Outlined Landscape, 1926

watercolor on paper 19 x 14 inchessigned lower right: Mary Bonner

$750 - $1,500

285

286FRANK KLEPPER (Am. 1890-1952)The Bathers

oil on canvasboard 12 x 15 7/8 inchessigned lower left: Klepper

$1,500 - $3,000

286

287BELLE AUSTIN (Am. 1880-1980)Sunset

oil on canvas 14 x 36 inchessigned lower right: Belle Austin

$600 - $1,200

287

290PAT COLVILLE (Am. 1931-)Trees, c. 1950

oil and gold leaf on board 40 x 30 inchesunsigned

$1,500 - $3,000

290

288CLARA SUSANNA COSGROVE (Am. 1884-1958)Bluebonnet Landscape, c. 1935

oil on board 8 x 10 inchessigned lower right: C Cosgrove

$200 - $400

288

110

289TONY EUBANKS (Am. 1939-)Indian

watercolor on paper 10 x 8 1/4 inchessigned lower right: Eubanks

$300 - $600

289

291JOSEPH LANE (Am. 1900-)Floral Still Life

oil on canvas 30 x 24 inchessigned lower right: Joseph Lane

$600 - $1,200291

292PATTIE EAST (Am. 1894-1994)Bluebonnet Landscape

oil on canvasboard 8 x 10 inchessigned lower left: East

$500 - $1,000292

293MILES JEFFERSON EARLY (Am. 1886-1957)Winds on the Lake, Lake Michigan

oil on canvas 24 x 30 inchessigned lower left: Miles Jefferson Early

$1,500 - $3,000

293

112

Abrams, Lucian 211

Adickes, David 145

Albright, Lloyd 110

Alderson, Lisa 108

Altheide, C. Harvi 248

Arnold, Reynold 90

Arpa, Jose 220

Austin, Belle 287

Austin, Dorothy 5

Bachofen, Max 107

Baize, Wayne 18

Bassett, Reveau 10, 11, 114, 228

Bearden, Ed 182, 185, 269

Bomar, Bill 74

Bonner, Mary 54, 285

Boone, Elmer 103

Boren, James 106

Boren, Jodie 282

Bowling, Charles 6, 12, 39, 46

Boynton, Jack 48

Brants, Cynthia 30, 31, 73

Brown, Don 2

Brownlow, David 68

Brunet, Adele 251

Buchanan, Laura 230

Bugbee, Harold Dow 115, 116

Bywaters, Jerry 7, 13, 14, 15, 17, 21, 23

Carter, Gary 254

Chipley, C.P. 271

Clardy, Beth 72

Clark, Douglas 47, 51

Collier, Carroll 280

Colville, Pat 290

Cook, Howard 52

Cosgrove, Clara Susanna 288

Crooks, Ronald 111

Crowell, Reid 53, 56

Crumbo, Woody 105

Cunningham, Theodore 250

Darge, Fred 112, 113

Davis, Jessie 240

Dawson-Watson, Dawson 109, 212, 214, 222

Delabano, Barney 89

DeYoung, Harry Anthony 278

Digings, Loraine 270

Dozier, Otis 20, 40, 43, 183, 184,200, 210

Driver, Beulah 253

Early, Miles Jefferson 293

East, Pattie 65, 71, 292

Eckford, Jessie Jo 235

Elgin, Mary Oda 259

Elliot, William 142

Epping, Franc 238

Erwin, Natalie 129

Eubanks, Tony 133, 289

Eyth, Louis 221

Fearing, Kelly 79, 143, 159

Fitzgerald, Barnaby 146

Flaming, Jon 130, 131

Fly, Margaret 132

Ford, Arva 265

Fox, Reverend Richard 218

Francis, Bill 140, 141, 272

Frary, Michael 219, 260

Gentling, Scott & Stuart 29

Gervasi, Frank 92

Goff, Lloyd 45, 174

Gonzales, Boyer 144

Gonzalez, Xavier 178

Grammer, George 75

Greathouse,Carrie McLeaod 241

Guerin, John 258, 266

Harrison, Ruth Duncan 268

Harvey, Gerald 255

Herbeck, Hugo 276

Hermann, Emil 256

Hill, R. Jerome 157

Hodges, Annette 98

Hoffman, Polly 239

Hogue, Alexandre 22, 25

Hohnstedt, Peter L. 202, 206, 247

Holmes, Dwight C. 216, 217, 243, 281

Hoppe, Carl 163

Howard, Daryl 49

Hurd, Peter 55, 215

Jackson, Amy Miears 257

Jarvis, Wesley Frederick 93, 236

Jeffreys, Arthur Bishop 229

Jenkins, John Elliot 225

Kidd, Hari 87, 88

Kinzinger, Edmund David 3, 42, 150

Klepper, Frank 286

Konis, Ben 155

Lane, Joseph 291

Lauderdale, Ursula 226

Lea, Tom 16, 24

Leader, Walton 249

Lee, Marjorie Johnson 64

Lester, William 86, 134

Ligon, Verda 189

Locke, Lucie Harris 187

Lockwood, Ward 136

Lopez, Viveano 275

Mahaffey, Josephine 57, 58, 59, 60, 61, 62, 63, 69

Malzahn, Jerry 196, 197

Mason, Fred 128

Mauzey, Merritt 44, 50

Maxwell, Paul 9

McCain, Jessica 284

McCaw, Dan 262

McClung, Florence 27, 186, 188, 193, 194,195, 213, 231, 252

McDade, Ira 273, 274

McGill, Eloise Polk 191, 209

McVeigh, Blanche 32, 33, 34, 35, 36

McVicker, J. Jay 181

Mead, Ben Carlton 122

Medellin, Octavio 135, 147, 148

Mewhinney, Ella K. 227

Moline, Bob 283

Morgan, Jane 264

Morris, James 137, 138, 139

Nunn, Ancel 160, 161

Onderdonk, Julian 170, 171, 172, 173

Onderdonk, Robert Jenkins 26, 224

Pancoast, Clara Coffrey 76, 94, 234, 242

Parks, Don 198

Pohl, Hugo D. 100, 123, 279

Preusser, Robert 149

Pummill, Robert 120, 121

Rasberry, Jesse Don 199

Reaugh, Frank 117, 118, 125, 126, 127

Reed, Doel 38

Reeder, Dickson 67

Rey, Jim 124

Ricks, Douglas 104

Ryan, Tom 41

Salinas, Porfirio 8, 96, 99, 101, 162,164, 165, 203, 204,205, 233

Schreck, Horst 102

Shepler, Ira D. 95

Slimp, Altie 192

Smith, Robin Artine 28, 158

Sprohge, Erik 80

Spruce, Everett 84, 85

Stryker, John A. 19

Taylor, Rolla 91, 156, 175, 176, 177, 179, 207, 208, 261

Teel, Lewis W. 246

Thomas, S. Seymour 223

Thurston, Eugene 244, 245

Travis, Olin 4, 166, 167, 168, 237

Umlauf, Charles 151, 152

Umlauf, Karl 81

Utter, Bror 37, 70

Vives-Atsara, Jose 180

Vogel, Donald 66

Walker, Hanna 153

Wallis, Kent 263

Ward, Velox 232

Warren, Don 277

Wiggins, Kim D. 154

Williams, Hiram Draper 82, 83

Williamson, Clara M. 267

Witherspoon, Mary E. 78

Wood, Caryl Price 169

Wood, Robert 97, 119, 190, 201

Woolley, Ellamarie 77

Ziegler, Henry 1

INDEX of ARTISTS

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